London Review Bookshop Podcast

Vasily Grossman’s Life and Fate, suppressed by the Soviet authorities in the 1950s but smuggled out of Russia with the help of Andrey Sakharov in the early 1980s, established Grossman’s reputation as a 20th-century Tolstoy, in particular following Robert Chandler’s magnificent 1985 translation into English. Most readers, however, do not realize that it is only the second half of a two-part work, the first half of which was published in 1952 under the title For a Just Cause. Grossman’s original and preferred title was Stalingrad – a title now restored in Chandler’s new translation. The translator writes of it ‘To me, at least, Stalingrad now seems a greater novel than Life and Fate. It is more varied, more polyphonic, closer to Grossman’s immediate experience of the war … In our translation, we have restored much of the reality edited out from previous editions, reinstating several hundred passages – some of just three or four words, some of several pages – from the typescript. Our hope is that this may allow readers to recognize the full breadth, humour and emotional generosity of another of Grossman’s masterpieces.’ Robert Chandler was in conversation with writer and arts broadcaster David Herman. Hosted on Acast. See acast.com/privacy for more information.

New York's 92nd Street Y has been a home to the voices of literature for 80 years, hosting in its famed Reading Series the greatest literary artists of the 20th century and recording for posterity their appearances as part of its vast audio archive. Featuring Colm Tóibín on Elizabeth Bishop and Rachel Cusk on Katherine Anne Porter, the Writers on Recordings series invites contemporary authors to discuss the legendary voices that have meant the most to them. Each conversation features rare archival recordings and is led by Bernard Schwartz, who produces 92Y's Reading Series as director of its Unterberg Poetry Center. Now in its third year, the series is produced in collaboration with the 92nd Street Y and Queen Mary University of London. Hosted on Acast. See acast.com/privacy for more information.

New York's 92nd Street Y has been a home to the voices of literature for 80 years, hosting in its famed Reading Series the greatest literary artists of the 20th century and recording for posterity their appearances as part of its vast audio archive. Featuring Colm Tóibín on Elizabeth Bishop and Rachel Cusk on Katherine Anne Porter, the Writers on Recordings series invites contemporary authors to discuss the legendary voices that have meant the most to them. Each conversation features rare archival recordings and is led by Bernard Schwartz, who produces 92Y's Reading Series as director of its Unterberg Poetry Center. Now in its third year, the series is produced in collaboration with the 92nd Street Y and Queen Mary University of London. Hosted on Acast. See acast.com/privacy for more information.

Sheila Rowbotham’s many books, in history, politics, feminist theory and biography, have established her firmly at the forefront of both the women’s movement and of libertarian socialism. Perhaps the most personal of them though is Promise of a Dream, first published by Penguin in 2000 and now available again in a new edition from Verso. Frank, beautifully written, funny and moving, it is a coming of age story that takes us from Leeds to Oxford via the Sorbonne, and a stirring account of awakening political consciousness during the 1960s. Professor Rowbotham read from her work, and was in conversation with Lynne Segal, Professor of Psychology and Gender Studies at Birkbeck College and author, most recently, of Radical Happiness and Making Trouble. Hosted on Acast. See acast.com/privacy for more information.

In her latest work Guestbook: Ghost Stories (Particular Books) Leanne Shapton, through a series of stories and vignettes, encounters the uncanny. Are our experiences of ghosts and the unworldly mere fantasies of the mind, or are they solid evidence of the supernatural? In a book designed, curated and illustrated by Shapton herself, she provides some, but by no means all of the answers. Toronto-born Shapton rose to literary prominence with her genre-defying Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, published by Bloomsbury in 2009. Her subsequent works, including Was She Pretty?, Swimming Studies and Toys Talking, have continued to baffle those readers and booksellers who like to know exactly which shelf to put a book on. She was in conversation with novelist and critic Adam Thirlwell. Hosted on Acast. See acast.com/privacy for more information.

David Keenan’s For the Good Times (Faber), set in Belfast during The Troubles, pursues four friends battling for an identity in a neighbourhood harangued by violence and religious intensity. The book highlights the complexity of believing in a cause whilst indulging in the spoils of amoral days. Keenan’s second novel is an urgent and experimental follow up to This is Memorial Device (Faber). Keenan was in conversation with artist and musician, Bill Drummond. Hosted on Acast. See acast.com/privacy for more information.

In her first book Dressed (Jonathan Cape), Shahidha Bari explores the hidden memories, meanings and ideas which are wrapped up in our clothes; themes of privacy, freedom, love and objectification are treated garment by garment. Bari was in conversation with Marina Warner, whose most recent book is Forms of Enchantment (Thames & Hudson). Hosted on Acast. See acast.com/privacy for more information.

Listen back to an evening of readings and discussion from three outstanding poets, Mary Jean Chan, Will Harris and Sarah Howe. ------ Mary Jean Chan's first full length collection Flèche is published by Faber this July. Her debut pamphlet, A Hurry of English, was selected as the 2018 Poetry Book Society Summer Pamphlet Choice. She is a Ledbury Poetry Critic, editor of Oxford Poetry and is a Lecturer in Creative Writing (Poetry) at Oxford Brookes University. Will Harris is the author of the essay Mixed-Race Superman, published in the UK by Peninsula Press and in an expanded edition in the US by Melville House. His debut poetry collection, RENDANG, is forthcoming from Granta in 2020. Sarah Howe is a British poet, academic and editor. Her first book, Loop of Jade (Chatto), won the T.S. Eliot Prize and The Sunday Times / PFD Young Writer of the Year Award. She is a Lecturer in Poetry at King’s College London. Hosted on Acast. See acast.com/privacy for more information.

To mark the publication of Niven Govinden’s This Brutal House (Dialogue Books), we hosted a round table discussion about LGBTQI+ literature and culture, and the contributions it might make to the current, somewhat torrid, political climate. Our participants were Niven Govinden, Amelia Abraham author of Queer Intentions (Picador) and Isabel Waidner, editor of Liberating the Canon: An Anthology of Innovative Literature and author of We Are Made of Diamond Stuff (both Dostoyevsky Wannabe). Hosted on Acast. See acast.com/privacy for more information.

An evening of discussion and poetry readings with poets Kayo Chingonyi, Bhanu Kapil, Ilya Kaminsky and New York Times book critic Parul Sehgal. This lively event brings together eminent poets, critics and editors for a public panel discussion on diversity and the current state of poetry reviewing culture in the UK and the US, followed by poetry readings from Kayo Chingonyi and Bhanu Kapil. The panel event featured a transatlantic discussion of race and poetry reviewing with Ilya Kaminsky, Kayo Chingonyi and Parul Sehgal, chaired by Sandeep Parmar and introduced by Sarah Howe. This event also launched the 2019 report on ‘The State of Poetry and Poetry Criticism’ compiled by Dave Coates and supported by Ledbury Emerging Poetry Critics and the University of Liverpool’s Centre for New and International Writing. Hosted on Acast. See acast.com/privacy for more information.

Nicola Barker discusses T.S. Eliot, with reference to his appearances at New York’s 92nd Street Y, with the 92Y’s Reading Series producer Bernard Schwartz. The 92Y has been a home to the voices of literature for 80 years, hosting in its famed Reading Series the greatest literary artists of the 20th century and recording for posterity their appearances as part of its vast audio archive. The ‘Writers on Recordings’ event series invites contemporary authors to discuss the legendary voices that have meant the most to them. Each conversation features rare archival recordings and is led by Bernard Schwartz, who produces 92Y's Reading Series as director of its Unterberg Poetry Center. The series is produced in collaboration with the 92nd Street Y and Queen Mary University of London. Hosted on Acast. See acast.com/privacy for more information.

In Full Surrogacy Now (Verso), Sophie Lewis takes on the surrogacy industry – worth over one billion dollars a year in the USA alone, and famously exploitative – with a unique and explosive argument: we need more surrogacy, not less! Lewis argues that the needs and protection of surrogates should be put front and centre, that we should ‘overthrow, in short, the notion of the “family”’. Donna Haraway has described the book as ‘the serious radical cry for full gestational justice I long for.’ Lewis was in conversation with Joanna Biggs, assistant editor at the LRB and author of All Day Long: A Portrait of Britain at Work. Hosted on Acast. See acast.com/privacy for more information.

A.L. Kennedy discusses a personal mixtape of early influences (Cummings, Burgess, Pinter, Feiffer), with reference to their appearances at New York’s 92nd Street Y, with the 92Y’s Reading Series producer Bernard Schwartz. The 92Y has been a home to the voices of literature for 80 years, hosting in its famed Reading Series the greatest literary artists of the 20th century and recording for posterity their appearances as part of its vast audio archive. The Writers on Recordings series invites contemporary authors to discuss the legendary voices that have meant the most to them. Each conversation features rare archival recordings and is led by Bernard Schwartz, who produces 92Y's Reading Series as director of its Unterberg Poetry Center. The series is produced in collaboration with the 92nd Street Y and Queen Mary University of London. Hosted on Acast. See acast.com/privacy for more information.

Mark Ford discusses John Ashbery, with reference to his appearances at New York’s 92nd Street Y, with the 92Y’s Reading Series producer Bernard Schwartz. The 92Y has been a home to the voices of literature for 80 years, hosting in its famed Reading Series the greatest literary artists of the 20th century and recording for posterity their appearances as part of its vast audio archive. The Writers on Recordings series invites contemporary authors to discuss the legendary voices that have meant the most to them. Each conversation features rare archival recordings and is led by Bernard Schwartz, who produces 92Y's Reading Series as director of its Unterberg Poetry Center. The series is produced in collaboration with the 92nd Street Y and Queen Mary University of London. Hosted on Acast. See acast.com/privacy for more information.

Tracy K. Smith is the 22nd Poet Laureate of the USA. Her last collection, Wade in the Water, was nominated for a Forward Prize; her last-but-one, Life on Mars, won the Pulitzer Prize for Poetry. Eternity, her Selected Poems, gathers together the best of her four books. Hilton Als has called her ‘a storyteller who loves to explore how the body can respond to a lover, to family, to history.’ Jay Bernard’s eagerly-awaited first collection, Surge, draws a line between the New Cross Fire of 1981 and the fire at Grenfell Tower. Bernard’s pamphlet, The Red and Yellow Nothing, was shortlisted for the Ted Hughes Award for New Work in Poetry. The two poets read from and discussed their new collections. Hosted on Acast. See acast.com/privacy for more information.

‘Every new baby is its own crisis.’ The ‘mother ship’ of Francesca Segal’s memoir is the neonatal intensive care unit where she was confined for fifty-six days after the premature birth of her twin girls. Mother Ship (Chatto and Windus) is at once a celebration of female friendship, a medical thriller and a love poem to Segal’s daughters, from the acclaimed author of The Innocents and The Awkward Age. Segal was in conversation with Olivia Laing, whose first novel, Crudo, was published last year. Hosted on Acast. See acast.com/privacy for more information.

Novelist, journalist and translator Keith Gessen will be at the shop to read from and talk about his latest novel A Terrible Country, published by Fitzcarraldo, which investigates Russia’s past and present through the eyes of a Russian-American who moves from New York to Moscow to care for his elderly grandmother. Man Booker Prize winner George Saunders describes A Terrible Country as ‘A cause for celebration: big-hearted, witty, warm, compulsively readable, earnest, funny, full of that kind of joyful sadness I associate with Russia’. Gessen was in conversation with Vadim Nikitin, Murmansk-born investigator of financial crime in what was once the USSR. Both Gessen and Nikitin are regular contributors to the LRB. Hosted on Acast. See acast.com/privacy for more information.

Sally Rooney breathes new life into fiction. Her novels deal with ordinary life in all its unexpected ways. The Guardian said of Rooney’s debut novel, Conversations with Friends: ‘It’s rare that a novel elicits such ferocious and unmitigated awe from just about everyone you know, whether male, female, or millennial’. Rooney’s second novel, Normal People (published by Faber & Faber last September), was called ‘superb . . . a tremendous read, full of insight and sweetness’ by Anne Enright. Olivia Laing has stated that ‘Rooney is the best young novelist – indeed one of the best novelists – I’ve read in years.’ On the occasion of the paperback publication of Normal People, Rooney was in conversation with Kishani Widyaratna, editor at Picador Books and contributing editor at The White Review. Hosted on Acast. See acast.com/privacy for more information.

After Algeria gained its independence from France in 1962 Algiers became the de facto capital of anti-imperialism, anti-racism and world revolution, and a haven for visionaries and rebels such as Stokely Carmichael, Timothy Leary, Jomo Kenyatta and Eldridge Cleaver. Elaine Mokhtefi moved to Algiers during this extraordinary moment of hope, turmoil, dreams and disillusion, and her memoir of that time makes gripping reading. She was in conversation with Adam Shatz, a contributing editor at the LRB. Hosted on Acast. See acast.com/privacy for more information.

In So Much Longing in So Little Space, Karl Ove Knausgaard explores the life and work of Norwegian painter Edvard Munch. Setting out to understand the enduring power of Munch’s painting, Knausgaard reflects on the essence of creativity, on choosing to be an artist, experiencing the world through art and its influence on his own writing. As co-curator of a major new exhibition of Munch's work in Oslo in 2017, Knausgaard visits the landscapes that inspired him, and speaks with contemporary artists, including Vanessa Baird and Anselm Kiefer. Bringing together art history, biography and memoir, and drawing on ideas of truth, originality and memory, So Much Longing in So Little Space is a personal examination of the legacy of one of the world’s most iconic painters, and a meditation on art itself. Knausgaard was in conversation with writer and journalist Charlotte Higgins. Hosted on Acast. See acast.com/privacy for more information.

Jhumpa Lahiri, author of several highly acclaimed novels, described in her memoir In Other Words her passionate romance with the Italian language. She now continues that passionate engagement with the country and its literature as the editor of a new Penguin Book of Italian Short Stories. She was in conversation about Italy, things Italian, and the art of the short story with Chris Power, whose debut collection of stories Mothers was published by Faber last year. Hosted on Acast. See acast.com/privacy for more information.

One Lark, One Horse is Michael Hofmann’s first new collection of poetry for almost two decades, and more than justifies the wait; Stephen Romer writes that Hofmann has given us ‘a handle on our own helplessness, our fecklessness and unease’, and George Szirtes more succinctly has described his writing as ‘a poetry of nerves’. He read from the new collection, and talked about it with Declan Ryan, whose pamphlet in the Faber New Poets series was published in 2014. Hosted on Acast. See acast.com/privacy for more information.

In Spring, the third instalment of her seasonal quartet, Ali Smith continues her unique investigation into our country’s past present and future, uniting Katherine Mansfield, Charlie Chaplin, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times and a woman trapped in modern times by means of an extended riff on Shakespeare’s least read and most troubling play Pericles. The second book in the series Winter was described by Stephanie Merritt as ‘luminously beautiful.’ She read from its sequel, and discussed it with author and critic Erica Wagner. Hosted on Acast. See acast.com/privacy for more information.

We hosted the shortlisted authors for the Republic of Consciousness Prize 2019 in an evening of readings at the London Review Bookshop. Rewarding the most exciting and interesting literature published by small presses in the UK and Ireland, the Republic of Consciousness Prize has previously been awarded to John Keene (Counternarratives, Fitzcarraldo Editions) and Eley Williams (Attrib. and other stories, Influx Press). This year’s shortlist of six is: Daša Drndić for Doppelgänger, (Istros), Will Eaves for Murmur (CB Editions), Wendy Erskine for Sweet Home (Stinging Fly), Anthony Joseph for Kitch (Peepal Tree), Chris McCabe for Dedalus (Henningham Family Press) and Alex Pheby for Lucia (Galley Beggar). Sadly, Daša Drndić died last year, but was represented at the readings by her publisher and translator. See the full shortlist here. The readings were introduced by the prize’s founder, Neil Griffiths. The Republic of Consciousness Prize was set up in 2017, and is given yearly to a book published by a small press in the UK & Ireland. It is the only prize that awards money to both the publisher and the author of the winning title. Hosted on Acast. See acast.com/privacy for more information.

Tessa Hadley's new novel Late in the Day (Jonathan Cape) addresses loss, friendship and lives unmoored. Hilary Mantel says, ‘The lives of two close-knit couples are irrevocably changed by an untimely death in the latest novel from Tessa Hadley, the acclaimed novelist and short story master who ‘recruits admirers with every book’.' Hadley was in conversation with Alex Clark of the Guardian. Hosted on Acast. See acast.com/privacy for more information.

In Dreams of Leaving and Remaining (Verso), novelist, journalist, essayist and contributing editor to the LRB James Meek anatomises the fractured body of our nation as it approaches one of the most momentous junctures in its post-war history. In a series of frontline reports and interviews from every corner of the island, he talks to remainers, leavers, undecideds and don’t-cares. He was in conversation about his discoveries with Chris Bickerton, Reader in Modern European Politics at the University of Cambridge. Hosted on Acast. See acast.com/privacy for more information.

Chloe Aridjis’s third novel Sea Monsters (Chatto), set in Mexico in the late 1980s, describes the elopement of Mexico City schoolgirl with a boy she barely knows, in search of freedom, independence and rather more oddly, a troupe of Ukrainian dwarfs who have recently escaped from a Soviet travelling circus. Aridjis was at the shop to read from and talk about her new book, described by Garth Greenwell as ‘mesmerizing, revelatory … a profound and poetic tool for navigating our shared world.’ Aridjis was in conversation with Juliet Jacques. Hosted on Acast. See acast.com/privacy for more information.

Édouard Louis, one of France’s most acclaimed young writers, shot to international fame with his first novel, the semi-autobiographical End of Eddy. His latest book Who Killed My Father (Harvill Secker) revisits many of the same locations and subjects — poverty, homophobia and social exclusion — in non-fictional essay form, and is a powerful polemic exploring the bonds, often persistent even when apparently sundered, between parent and child. He discussed his work with Kerry Hudson, a novelist and journalist whose own work, notably in her first novel Tony Hogan Bought Me an Ice-cream Float Before He Stole My Ma and in her forthcoming non-fiction work Lowborn, also investigates with wit and candour the outer and inner lives of the often neglected working class. Hosted on Acast. See acast.com/privacy for more information.

Fiona Benson’s Vertigo & Ghost (Jonathan Cape), the follow-up to her award-winning 2014 debut Bright Travellers, is one of the most hotly-anticipated poetry collections of 2019. Its harrowing central sequence is a retelling of Greek myth, depicting Zeus as a serial rapist; other poems, including the Forward-shortlisted ‘Ruins’, engage with depression, female sexuality and early motherhood. Fiona was in conversation with Daisy Johnson, author of Everything Under (Jonathan Cape), shortlisted for the 2018 Man Booker Prize. Hosted on Acast. See acast.com/privacy for more information.

Things fall apart when empires crumble. Rediscovery of past glories is attempted again and again, until eventually those living in what was once the heart of the empire become reconciled with their fate. Many of the British are not yet reconciled. A major cause of Brexit was a stoked-up fear of immigrants, but Rule Britannia: Brexit and the End of Empire (Biteback Publishing) argues that at its heart the rhetoric of Brexit was the playing out of older school curricula that had been dominated by empire. Brexit was led by people, almost all men, who mostly had fond memories of something that never was as great as they believed it to be. Co-authors Danny Dorling and Sally Tomlinson were in conversation. The conversation was chaired by writer and researcher Maya Goodfellow. Hosted on Acast. See acast.com/privacy for more information.

First published by Irish independent Tramp Press, Emilie Pine’s Notes to Self became a phenomenal word-of-mouth bestseller. Now picked up on this side of the water by Hamish Hamilton, Pine’s debut collection of autobiographical essays is a poignant, radically honest and fiercely intelligent account of the pains and joys of living as a woman in the 21st Century. She was in conversation with Katherine Angel, author of Unmastered: A Book on Desire, Most Difficult to Tell. Hosted on Acast. See acast.com/privacy for more information.

John Lanchester’s new novel, The Wall, is a Kafkaesque nightmare whose richly-imagined world is very different from our own and yet all too familiar. Like 2012’s Capital (recently made into a TV series starring Toby Jones), Lanchester speaks to our contemporary preoccupations with an unnerving exactness. Keith Miller, reviewing Capital, noted that, ‘like Balzac, Lanchester has the brains to relate the particular to the general; the ruthlessness to make bad things happen to good people; the steadiness of hand to draw unpalatable conclusions’. Lanchester was in conversation with Daniel Soar, editor at the LRB. Hosted on Acast. See acast.com/privacy for more information.

After the disintegration of the most significant relationship of his life, the demons Luke Turner has been battling since childhood are quick to return - depression and guilt surrounding his identity as a bisexual man, experiences of sexual abuse, and the religious upbringing that was the cause of so much confusion. It is among the trees of London's Epping Forest where he seeks refuge. But once a place of comfort, it now seems full of unexpected, elusive threats that trigger twisted reactions. Turner was in conversation with Olivia Laing (*Crudo*; *The Lonely City*). Hosted on Acast. See acast.com/privacy for more information.

Simon Garfield – 'The schoolteacher who made the time fly, a one-man Blue Peter team for intelligent adults, a great British explainer’, according to the Observer – is never less, and usually much more, than entertaining. He was at the shop to talk about his latest book In Miniature: How Small Things Illuminate The World, published by Canongate, and was in conversation with Andy Miller, presenter of Backlisted podcast and author of The Year of Reading Dangerously. Hosted on Acast. See acast.com/privacy for more information.

Man Booker International-shortlisted novelist Mathias Enard, 'the most brazenly lapel-grabbing French author since Michel Houellebecq', returns with Tell Them of Battles, Kings and Elephants (tr. Charlotte Mandell), his fourth novel to appear in English after Zone, Street of Thieves and Compass. In 1506, Michelangelo – a young but already renowned sculptor – is invited by the sultan of Constantinople to design a bridge over the Golden Horn. Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II – whose commission he leaves unfinished – and arrives in Constantinople. Constructed from real historical fragments, Tell Them of Battles, Kings, and Elephants is a thrilling novella about why stories are told, why bridges are built, and how seemingly unmatched pieces, seen from the opposite sides of civilization, can mirror one another. Enard was in conversation with Elif Shafak. Hosted on Acast. See acast.com/privacy for more information.

After the death of her partner of thirty-two years, Lisa Appignanesi was thrust into a state striated by rage and superstition in which sanity felt elusive. In Everyday Madness (4th Estate) Appignanesi explores her own and society’s experience of grieving, the effects of loss and the potent, mythical space it occupies in our lives. Appignanesi was in conversation with Lara Feigel, author of Free Woman (Bloomsbury). Hosted on Acast. See acast.com/privacy for more information.

In Peak Inequality: Britain’s Ticking Time Bomb Danny Dorling presents the evidence that in 2018 the growth in UK income inequality may have finally peaked. Inequality began growing in the 1970s and the damaging repercussions may continue long after the peak is passed. There will be speculation and a little futurology. Danny was in conversation with Faiza Shaheen, director of the think tank CLASS and former Head of Inequality and Sustainable Development at Save the Children UK. Faiza recently explained that the rich, like viruses, also develop resistance, in their case to redistributive taxes. They use their wealth and power to carve out tax loopholes and lower tax rates. Their fortunes balloon. Inequality grows. In which case why should inequality peak now? Hosted on Acast. See acast.com/privacy for more information.

Does the West’s obsession with Vladimir Putin prevent it from genuinely understanding Russia? In Russia Without Putin (Verso), LRB contributor and Russophile Tony Wood argues that the core features of Putinism—a predatory, authoritarian elite presiding over a vastly unequal society—are integral to the system set in place after the fall of Communism, a legacy of Yeltsinism rather than a resurgence of Soviet authoritarianism. Tony Wood was in conversation with James Meek, LRB Contributing Editor and author of Private Island (Verso). Hosted on Acast. See acast.com/privacy for more information.

‘Like Björk and FKA Twigs, Norwegian artist Jenny Hval presents a version of female sexuality in which carnal impulses, anxieties and the female/male perspective are often knotted together.’ The Guardian As a musician and artist, Jenny Hval is renowned for her sharp sexual and political imagery, and in her debut novel, Paradise Rot (Verso) she presents a hyper-sensual portrayal of sexual awakening and queer desire, where the lines between bodies and plants, dreaming and wakefulness, blur and mesh. ‘As intriguing and impressive a novelist as she is a musician,’ says Chris Kraus, author of I Love Dick, ‘Hval is a master of quiet horror and wonder.’ Hval was in conversation with Laura Snapes, deputy music editor at the Guardian. Hosted on Acast. See acast.com/privacy for more information.

What is it about the particularities of painting that has allowed artists to explore, in a variety of ways and with a sometimes surprising degree of freedom, the vexed relations between the mundane and the celestial? In his latest book Heaven on Earth (Thames and Hudson) art historian T.J. Clark draws on examples from Giotto to Picasso to provide an exciting new history of the depiction of the divine. Professor Clark will be in conversation with LRB contributing editor Jeremy Harding. Hosted on Acast. See acast.com/privacy for more information.

In Living With Buildings (Profile), Iain Sinclair embarks on a series of expeditions – through London, Marseille, Mexico and the Outer Hebrides. He explores the relationship between sickness and structure, and between art, architecture, social planning and health, taking plenty of detours along the way. Walking is Sinclair's defensive magic against illness and, as he moves, he observes his surroundings: stacked tower blocks and behemoth estates; halogen-lit glasshouse offices and humming hospitals; the blackened hull of a Spitalfields church and the floating mass of Le Corbusier's radiant city. Sinclair was in conversation with Patrick Wright, Professor of Literature and Visual & Material Culture, Kings College London. Hosted on Acast. See acast.com/privacy for more information.

In Democracy Hacked, Martin Moore examines how our own fragile political systems are being gamed by authoritarian states, shadowy hackers and unaccountable social media firms. Is our democracy more vulnerable than we realise? Can these sinister think-fluencers be reined in, and what can we do to restabilise and secure our political sphere? Martin Moore was in conversation with David Runciman, Professor of Politics at Cambridge and author of, most recently, How Democracy Ends. Hosted on Acast. See acast.com/privacy for more information.

Ben Marcus is one of contemporary American fiction’s most masterful writers. His new book of short stories, Notes from the Fog (Granta), is an emotional handbook to the baffling times we live in; a cabinet of brain-rearranging stories which are both horrifyingly strange and deeply touching. From parent/child relationships thrown off kilter to scenarios of dependence and emotional crisis; from left-alone bodies to new scientific frontiers, Marcus is the a chronicler of the present uncanny and the peculiar future. He was in discussion with Eley Williams, author of Attrib. and Other Stories (Influx Press). Hosted on Acast. See acast.com/privacy for more information.

Marina Warner’s new collection of essays, Forms of Enchantment (Thames and Hudson), collects her writing on art from 1988 to the present, including pieces on (among others) Louise Bourgeois, Joan Jonas and Paula Rego. She brings to artists and artworks the same anthropological and mythological approach which informs her previous books, including Stranger Magic, From Beast to Blonde and Monuments and Maidens, arguing that the social position filled by art and aesthetics is increasingly best understood in terms of magic. Warner was in conversation with Eleanor Birne, author and contributor to the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.

Richard Powers, one of America’s greatest novelists, often compared to Pynchon and Roth, read from and talked about his twelfth novel ‘The Overstory’ (Heinemann). Powers has always been remarkable for the seriousness with which he takes science and nature and their intersections with literature, and in ‘The Overstory’, which stretches in time and place from antebellum New York to the Pacific North West timber wars in the late 20th century, he provides us with an arboreal equivalent to Moby Dick, and a book that will permanently change – and for the better – the way you view the world around you. Powers was in conversation with the novelist Benjamin Markovits. Hosted on Acast. See acast.com/privacy for more information.

In recent years, techno-scientific progress has started to utterly transform our world - changing it almost beyond recognition. In his new book, Like a Thief in Broad Daylight (Penguin) Slavoj Zizek turns to look at the brave new world of Big Tech, revealing how, with each new wave of innovation, we find ourselves moving closer and closer to a bizarrely literal realisation of Marx's prediction that 'all that is solid melts into air.' With the automation of work, the virtualisation of money, the dissipation of class communities and the rise of immaterial, intellectual labour, the global capitalist edifice is beginning to crumble, more quickly than ever before-and it is now on the verge of vanishing entirely. But what will come next? Against a backdrop of constant socio-technological upheaval, how could any kind of authentic change take place? Zizek was in conversation with William Davies, author of Nervous States (Jonathan Cape). Hosted on Acast. See acast.com/privacy for more information.

What is the meaning of time? Is there such a thing as the present? How can we reconcile our intuitions on the subject with the scientific overturnings of the 20th century? Who better to examine these questions than Carlo Rovelli, author of Seven Brief Lessons in Physics, Reality is Not What It Seems, and most recently, The Order of Time (Allen Lane). Dubbed ‘the poet of modern physics’ by John Banville, Rovelli's work combines expert knowledge with charm, wisdom and consolation. Carlo Rovelli was in conversation with Pedro Ferreira, author of The Perfect Theory: A Century of Geniuses and the Battle over General Relativity (Abacus). Hosted on Acast. See acast.com/privacy for more information.

For a generation now, public debate has been corroded by a narrow derision of religion in the name of an often very vaguely understood 'science'. In *Seven Types of Atheism* (Allen Lane) John Gray describes the rich, complex world of the atheist tradition, a tradition which he sees as in many ways as rich as that of religion itself, as well as being deeply intertwined with what is so often crudely viewed as its 'opposite'. Gray was in conversation with author and essayist Adam Phillips. Hosted on Acast. See acast.com/privacy for more information.

Out of My Head tells the highly personal and often surprisingly funny story of Tim Parks' quest to discover more about consciousness. It seems not a day goes by without a discussion on whether computers can be conscious, whether our universe is some kind of simulation, whether the mind is unique to humans or spread out across the universe. Out of My Head aims to explore these ideas via metaphysical considerations and laboratory experiments in terms we can all understand and invites us to see space, time, colour and smell, sounds and sensations in an entirely new way. Parks was in conversation with Laurence Scott, author of The Four-Dimensional Human and Picnic Comma Lightning: In Search of a New Reality (Heinemann). Hosted on Acast. See acast.com/privacy for more information.

Hilton Als was at the shop to discuss his second book of essays White Girls (Penguin) with writer and journalist Bridget Minamore. In thirteen astonishing portraits New Yorker theatre critic Hilton Als limns the vital subjects of race, sexuality and gender under the general heading of ‘White Girls’, a heading that is for him expansive enough to include Flannery O’Connor, Eminem, Truman Capote and Malcolm X. Reminiscent of James Baldwin at his best and most wicked, Hilton Als leaves no precious stone unturned nor any sacred cow unscathed in his mission to inform, enlighten and entertain. Read, listen, enjoy and learn. Hosted on Acast. See acast.com/privacy for more information.