London Review Bookshop Podcast

Isabelle Baafi, winner of the Somerset Maugham Award for her pamphlet Ripe, constructs her debut collection Chaotic Good (Faber) around the story of an escape from a toxic marriage. ‘Chaotic Good is a debut of amazing endurance,’ writes poet Will Harris. ‘Its formal pressures create a kind of kaleidoscopic intensity that – with each turn of the chamber – brings newly beautiful and painful shapes into focus.’ Isabelle Baafi read from her work in the company of Lavinia Greenlaw, whose most recent book is the essay collection The Vast Extent. Find more events a the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

In Poor Artists (Particular Books) Zarina Muhammad and Gabrielle de la Puente (AKA The White Pube), explore the bizarre world of contemporary art through their protagonist Quest Talukdar. In surreal encounters with other artists, Quest learns profound truths about money and power, and must decide whether she cares more about success or staying true to herself. Blending storytelling with dialogue from anonymised interviews with artists and art workers – including a Turner Prize winner or two, a few ghosts, a Venice Biennale fraudster and a communist messiah – Poor Artists is a unique portrayal of the emotional, existential and financial experience of artists today. Joining them in conversation was Olivia Sudjic (Asylum Road, Sympathy). Hosted on Acast. See acast.com/privacy for more information.

The Third Realm is the next instalment of the series Karl Ove Knausgaard began with The Morning Star and continued in The Wolves of Eternity; like its two precursors, it is a breathtaking exploration of ordinary lives on the cusp of irrevocable change, ‘re-enchanting the cosmos with those beguiling secrets science had stolen from it’ (in the words of The Guardian). Knausgaard read from The Third Realm and was joined in conversation about its mysteries and complexities by Helen Charman, author of Mother State. Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

‘If ever a book of history was blessed with contemporary relevance, this one is’, writes Andrew O’Hagan of Helen Castor’s The Eagle and the Hart (Allen Lane). ‘The dumbfounding, delusional, narcissistic King Richard; the white-knuckle ride of Henry IV, dogged all the way by notions of illegitimacy. I feel these men could have been ripped from today’s headlines.’ Castor, whose 2010 book She-Wolves was adapted for television by the BBC, discussed Richard and Henry with Mary Wellesley, author of Hidden Hands: Lives of Manuscripts and their Makers and co-presenter of the medieval strand of the LRB’s Close Readings​ podcast series. Hosted on Acast. See acast.com/privacy for more information.

In Black Meme (Verso) Legacy Russell, award-winning author of the groundbreaking Glitch Feminism, explores the “meme” as mapped to Black visual culture from 1900 to the present, mining both archival and contemporary media. Through imagery, memory, and technology, Black Meme shows us how images of Blackness have always been central to our understanding of the modern world. Russell was joined in conversation with artist and writer Rene Matić. Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

In his memoir Sonic Life (Faber), Thurston Moore recounts a life that has been defined by music. Following a childhood rock ’n’ roll epiphany in the early 1960s, his infatuation with the subversive world of 1970s punk and no wave led him to move to New York City, where he immersed himself in the underground music and art scenes. In 1981 he co-founded the band Sonic Youth, who changed the sound of modern rock music in a thirty-year career of constant experimentation. Throughout the book we encounter a constellation of musicians and artists who inspired him, including The Velvet Underground, The Stooges, Patti Smith, Television, Jean-Michel Basquiat and Keith Haring. Moore talks with poet Jack Underwood (A Year in the New Life, Happiness). Hosted on Acast. See acast.com/privacy for more information.

Described by Mick Herron as ‘seductive, entrancing, and quite off the wall’, Rachel Kushner’s fourth novel Creation Lake (Cape) reaffirms her position as one of America’s most exciting and accomplished writers of fiction. In a reimagining of the spy novel for an age of ecological crisis, Kushner leads us to a remote Neanderthal cave in rural France where the enigmatic Bruno Lacombe leads his followers in a radical project to reject and undermine the modern world. ‘I've never read anything like it’, writes Brett Easton Ellis. Rachel Kushner was joined in conversation by the novelist and critic Adam Thirlwell. Find more events at the Bookshop: https://lrb.me/eventspod Get Creation Lake: https://lrb.me/creationlakepod Hosted on Acast. See acast.com/privacy for more information.

In ‘a wonderful book about looking and learning’ (Gavin Francis) retired GP Iona Heath relates the importance that John Berger’s work and friendship had on her working life as a doctor in a deprived London borough. Five decades of engagement with Berger’s work and twenty years of friendship with the man himself made her, she is convinced, a better doctor. Heath was in conversation about Berger’s legacy, for medicine and beyond, with film director and screenwriter Sally Potter, who wrote, on the occasion of his 90th birthday, ‘[John Berger] reminds us how to think about Charlie Chaplin, how to listen to songs, how to rage about prisons, how to remember that everything matters.’ Hosted on Acast. See acast.com/privacy for more information.

Taking us from the awkwardness of middle school to the transcendence of a sex club, SLUTS: Anthology (Cipher Press) presents a diverse collection of writing – fiction and non-fiction, pro and con, philosophical and compulsive – exploring the eternally controversial word. Whether an insult or badge of honour, an identity or a state of mind, SLUTS engages some of the hottest minds of the moment to riff on the subject, exploring the nature of desire and its cultural consequences. The anthology’s editor, Michelle Tea (Black Wave, Against Memoir), and contributor Jeremy Atherton Lin (Gay Bar) read from and discussed the project. Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

If Only – first published in Norway in 2001, and now brought into English by Charlotte Barslund – is viewed in Norway as Vigdis Hjorth’s masterpiece, a story of the devastation wreaked on one woman’s life by an ill-advised affair. Hjorth (whose other novels in English include Is Mother Dead?, Will and Testament and Long Live the Post Horn!) is in conversation about the novel with Lauren Oyler, whose own debut novel, Fake Accounts, was published in 2021, and whose essay collection No Judgement came out earlier this year. Hosted on Acast. See acast.com/privacy for more information.

In Mother State (Allen Lane), Helen Charman uses this provocative insight to write a new history of Britain and Northern Ireland. Beginning with Women's Liberation and ending with austerity, the book follows mothers' fights for an alternative future. Here we see a world where motherhood is not a restrictive identity but a state of possibility. ‘Mother’ ceases to be an individual responsibility, and becomes an expansive collective term to organise under, for people of any gender, with or without children of their own. It begins with an understanding: that to mother is a political act. Charman discusses her book with Lola Olufemi, author of Feminism, Interrupted and Experiments in Imagining Otherwise. Find more events at the Bookhsop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

Best known for her novels – most recently, 2021’s The Fell – now Sarah Moss has turned her hand to life-writing. My Good Bright Wolf unflinchingly details her experience of girlhood and anorexia in prose described by Jan Carson as ‘part memoir, part confessional, part dark and feverish fairytale’. Moss was in conversation with Octavia Bright, author of This Ragged Grace. Hosted on Acast. See acast.com/privacy for more information.

Why be a slug? Slugs: A Manifesto (Makina Books) explores a creature that survives by being disgusting. Weaving together manifesto, memoir and poetic language, artist Abi Palmer considers the politics of space, iridescent queerness, and shapeshifting viscous ‘slug time’. In the face of a potential apocalypse, Slugs: A Manifesto envisions a future where humanity becomes just a little more sluglike. Palmer was joined in conversation with Zarina Muhammad of The White Pube, co-author of the forthcoming Poor Artists (Particular Books). Find more events at the Bookhsop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

In her first novel Hagstone (Fourth Estate), Sinéad Gleeson – who has, in the words of Anne Enright, ‘changed the Irish literary landscape through her advocacy for the female voice’ – explores the darker side of human nature and the mysteries of faith and the natural world in the setting of a remote island housing a commune of women seeking refuge from the modern world. She was joined in discussion by Booker Prize winner Douglas Stuart, author of Shuggie Bain and Young Mungo. Find more events at the Bookshop: https://lrb.me/eventspod Get Hagstone: https://lrb.me/hagstonepod Hosted on Acast. See acast.com/privacy for more information.

In Catherine Lacey’s dystopian thriller, recently published in paperback by Granta, CM Lucca, widow of a recently deceased avant-garde artist, sets out to write a biography of the woman she idolised. Her quest leads her, through a maze of pseudonyms, half-truths and outright fabrications, on a journey into the Southern Territory, a fascist theocracy that seceded from the Union after the Second World War. Lacey, author of three previous novels and one of Granta’s ‘Best of Young American Novelists’, was joined in conversation about her work by Jen Calleja, translator, co-founder of micro-press Praspar and author of Vehicle (Prototype). Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

Palestinian writer and journalist Yasmin Zaher’s debut novel The Coin (Footnote Press) has been hailed as ‘already a masterpiece’ (Slavoj Žižek), ‘a filthy, elegant book’ (Raven Leilani) and ‘bonkers’ (Elif Batuman). A young Palestinian woman, wealthy but stateless and with no access to her wealth, finds her life and sense of self unravelling as she teaches underprivileged children at a New York middle school, gets involved in a money-making scheme selling Birkin bags and becomes unhealthily obsessed with health and cleanliness. Zaher read from her novel, and was joined for discussion by poet and novelist Sheena Patel (I'm a Fan). Get the book: https://lrb.me/thecoinpod Find more events at the Bookshop: https://lrb.me/thecoinpod Hosted on Acast. See acast.com/privacy for more information.

‘There are very few writers with as clear and thrilling a love for the stuff of language as Eley Williams’, writes Jon McGregor. Moderate to Poor, Occasionally Good revels in the same inventiveness and experimentation that made her debut collection of short stories, Attrib. and Other Stories, so beloved; courtroom artists, childhood crushes, scholarly annotators and editors of canned laughter take their place in a joyful panoply exploring the nature of relationships both intimate and transient. Williams was in conversation with So Mayer, author of Truth & Dare (Cipher Press). Hosted on Acast. See acast.com/privacy for more information.

Published to coincide with the poet’s 85th birthday, Ash Keys (Jonathan Cape) presents a new selection of Longley’s finest works. Born in Belfast in 1939, his verse inhabits the landscapes Ireland’s west, at the same time occupying a space within a distinctly European tradition, ranging freely across the continent's histories, tragedies and triumphs. ’One of the most perfect poets alive,’ writes Sebastian Barry. ‘There is something in his work both ancient and modern. I read him as I might check the sky for stars.’ Michael Longley was joined for this reading and discussion by fellow poet Declan Ryan, whose most recent collection Crisis Actor is published by Faber. Get the book: https://lrb.me/ashkeyspod Find more events at the Bookshop: https://lrb.m/eventspod Hosted on Acast. See acast.com/privacy for more information.

Strange Relations (Sceptre) explores the crisis in mid-century masculinity through the lives and works of four bisexual writers who fought to express and embody alternate possibilities. The nonfiction debut of Forward Prize-shortlisted poet Ralf Webb, it considers the ways in which Tennessee Williams, Carson McCullers, John Cheever and James Baldwin, resisted damaging contemporary expectations around gender and sexuality. Will Tosh has described it as ‘wise, humane, hopeful and exquisitely written’. Webb was in conversation with Philippa Snow, author of Which As You Know Means Violence: On Self-Injury as Art and Entertainment (Repeater) and, most recently, Trophy Lives: On the Celebrity as an Art Object (MACK). Hosted on Acast. See acast.com/privacy for more information.

Juliet Jacques is one of the most electrifying short fiction writers working in the UK today; The Woman in the Portrait (Cipher) collects her published and unpublished fiction, work which Agata Pyzik has described as a ‘large canvas on which the pattern for a utopian socialist queer life might be inscribed’. Jacques was joined in conversation by the writer and art critic Orit Gat. Get the book: https://lrb.me/jacquesportaitpod Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

Aimé Césaire’s masterpiece of exile and homecoming, Return to my Native Land – beautifully translated by John Berger – is now a Penguin Classic. To celebrate, Jason Allen-Paisant (who has written the introduction for the new edition) and Colin Grant discuss the poem. Allen-Paisant’s most recent poetry collection, Self-Portrait as Othello (Carcanet), won both the T.S. Eliot Prize and the Forward Prize for Best First Collection; Colin Grant is director of WritersMosaic, a division of the Royal Literary Fund, his most recent book is a memoir, I’m Black So You Don’t Have to Be (Jonathan Cape). Hosted on Acast. See acast.com/privacy for more information.

In her first novel The Last Sane Woman (Verso) poet Hannah Regel investigates the pains and pleasures of artistic practice carried out against the odds. While researching in a small archive dedicated to women’s art young graduate Nicola Long happens upon one half of a correspondence, conducted half a century before, written by a recently graduated ceramicist to a friend. As Nicola reads on she becomes obsessed with the parallels between her own life and that of the woman she encounters in the letters. Regel was joined in conversation by LRB contributor and art critic Emily LaBarge. Find more events at the Bookshop: https://lrb.me/eventspod Get the book: https://www.londonreviewbookshop.co.uk/stock/the-last-sane-woman-hannah-regel Hosted on Acast. See acast.com/privacy for more information.

Poets Ella Frears and Will Burns were at the shop to read from and talk about their new collections. Ella’s Goodlord, from Rough Trade Books, takes the form of a long, lyrical email to an estate agent, interrogating our obsession with ‘property’ with Frears’ characteristic humour and sharpness, while Will’s Natural Burial Ground (Corsair) is the second collection from a writer Max Porter has described as ‘a soulful English poet of the kind we don’t make enough of’. Hosted on Acast. See acast.com/privacy for more information.

In her latest semi-autobiographical novel Playboy (Tuskar Rock, translated by Holly James), leading French writer Constance Debré describes how a woman, at the age of 43, abandons her apartment, her marriage and her successful legal career to lead a new life as an out lesbian and a writer. In a series of short, sharp vignettes the narrator describes a series of meetings with lovers, with her father and with her son and ex-husband, exploding heteronormative assumptions about what it means to be queer in a straight world. Debré was joined in conversation about her work by writer and critic Alice Blackhurst. Get Playboy: https://lrb.me/debrepod Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

Throughout its history feminism has had a troubled relationship with policing, torn between seeking its protection and attacking its ingrained sexist bias. In Why Would Feminists Trust the Police? (Verso) Leah Cowan cuts a trenchant path through the debate, reminding us of the vibrant and creative alternatives envisioned by those who have long known the truth: the police aren't feminist, and the law does not keep women safe. She discusses the issue with feminist writer and scholar Lola Olufemi. Hosted on Acast. See acast.com/privacy for more information.

In her debut novel Scaffolding (Chatto) Lauren Elkin – ‘The Susan Sontag of her generation’, according to Deborah Levy – presents two couples occupying the same Paris apartment, five decades apart. Lauren Elkin’s previous works include Art Monsters, a landmark study of women artists, Flâneuse and a translation of Simone de Beauvoir’s The Inseparables. She was joined in conversation by writer and broadcaster Octavia Bright. Find more events at the Bookshop: https://lrb.me/eventspod Get the book: https://lrb.me/scaffoldingpod Hosted on Acast. See acast.com/privacy for more information.

The Federal Theatre Project, established as part of the New Deal in 1935 to provide employment opportunities for theatre professionals affected by the Great Depression, became the cornerstone of American radical drama, both on stage and on radio, throughout the late 1930s. Its staunchly political stance on labour and race relations and housing and health inequality proved popular with audiences, but less so with Congress which, in an atmosphere of growing anti-communist paranoia, withdrew the Project’s funding in 1939. In The Playbook (Faber) theatre historian and Shakespeare scholar James Shapiro tells the absorbing and disturbing tale, at the same time uncovering the deep roots of today’s culture wars. He's in conversation with historian and author Sarah Churchwell. More from the Bookshop: Discover our author of the month, book of the week and more: ⁠https://lrb.me/bkshppod⁠ From the LRB: Subscribe to the LRB: ⁠⁠⁠https://lrb.me/subsbkshppod Close Readings podcast: ⁠⁠https://lrb.me/crbkshppod LRB Audiobooks: ⁠⁠https://lrb.me/audiobooksbkshppod Bags, binders and more at the LRB Store: ⁠⁠https://lrb.me/storebkshppod Get in touch: [email protected]

Anne Serre’s latest novel to appear in English, brilliantly translated from the French by Mark Hutchinson, was written in the aftermath of the death of the author’s younger sister, and recounts the tortured relationship between an unnamed narrator and his close childhood friend Fanny, a young woman suffering from profound psychological distress. Hailed in Le Point as a 'masterpiece of simplicity, emotion and elegance’, A Leopard-Skin Hat (Lolli Editions) is a bewildering rollercoaster of hope and despair, calling into question the form of the novel itself. Serre, Bordeaux-born author of 14 previous novels, was joined in conversation about her work with novelist and LRB contributor Lucie Elven. More from the Bookshop: Discover our author of the month, book of the week and more: ⁠https://lrb.me/bkshppod⁠ From the LRB: Subscribe to the LRB: ⁠⁠⁠https://lrb.me/subsbkshppod Close Readings podcast: ⁠⁠https://lrb.me/crbkshppod LRB Audiobooks: ⁠⁠https://lrb.me/audiobooksbkshppod Bags, binders and more at the LRB Store: ⁠⁠https://lrb.me/storebkshppod Get in touch: [email protected]

In her debut novel Experienced (4th Estate) writer and cook Kate Young delves into the world of queer dating following, reluctant Bette on an odyssey of sexual encounters as she tries to catch up on the decade of fun she missed out on before coming out, always intending to return after the adventure to her true love Mei. ‘A fizzing rollercoaster of a romcom,’ writes Caroline O'Donoghue. ‘The sexiest book you'll read all year, and the most heartening’. Young read from her novel, and talked about it with Nicola Dinan, author of Bellies. Hosted on Acast. See acast.com/privacy for more information.

Born in Belgium in 1954 to conservative, Catholic parents, Lucy Sante migrated to New York in the 1960s, where she became associated with the Bohemian artistic milieu of the city. After producing several highly acclaimed works of history such as Low Life and The Other Paris and translating Félix Fénéon’s feuilletons for NYRB as Novels in Three Lines, she announced in 2021 that she was transitioning: ‘Yes, I’ve known since at least age 11 but probably earlier and yes, I suppressed and denied it for decades’, she wrote at the time. In I Heard Her Call My Name (Hutchinson Heinemann), ‘a generous, fearlessly revealing book’ (Samantha Hunt), she describes with great grace, wit and humility her decision to begin living the life she knew was truly hers. Sante is in conversation about her memoir with writer and filmmaker Juliet Jacques. Hosted on Acast. See acast.com/privacy for more information.

Born in the pandemic lockdown of 2020, when Britain’s restaurants had closed their doors, Jonathan Nunn founded the online newsletter Vittles, which rapidly established itself as the premier platform for exploring food cultures in Britain and around the world. Out of Vittles was born London Feeds Itself, a fascinating collection of essays written at the intersections of food, architecture, history, and demography. First published by Open City in 2022, London Feeds Itself now appears in a new edition in association with Fitzcarraldo. In this episode, Jonathan Nunn speaks about the project with architectural historian Owen Hatherley, whose essay ‘The Housing Estate’ from the book serves as a springboard for the discussion. Get the book: https://londonreviewbookshop.co.uk/stock/london-feeds-itself-jonathan-nunn Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

During the Covid lockdown Iain Sinclair took delivery of two large yellow boxes containing fresh prints of photographs by the master-chronicler of Soho John Deakin who died, obscure and penniless, in a Brighton hotel room in 1972. Sinclair, another master-chronicler of London’s hidden past, uses those and other images and memories – (‘an invaluable catalogue of artists and divas, actors, film producers, criminals and derelicts’) – to bring back to life the unique artistic milieu of Bohemian London in the 50s and 60s. Iain Sinclair read from and talked about Pariah Genius (Cheerio), in conversation with memoirist, novelist and filmmaker Xiaolu Guo. Hosted on Acast. See acast.com/privacy for more information.

CAConrad is one of the most productive and inventive poets of their generation. Writing in the New York Times, Tracey K. Smith described how Conrad’s poetry ‘invites the reader to become an agent in a joint act of recovery, to step outside of passivity and propriety and to become susceptible to the illogical and the mysterious’ – a susceptibility fully evidenced in Conrad’s latest Penguin collection, Listen to the Golden Boomerang Return. Conrad is joined by Luke Roberts, Senior Lecturer in Modern Poetry at King’s College London. Hosted on Acast. See acast.com/privacy for more information.

Drawing on her own experience restoring a walled garden in Suffolk, and moving between real and imagined gardens, from Milton’s Paradise Lost to John Clare’s enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Olivia Laing’s The Garden Against Time interrogates the sometimes shocking cost of making paradise on earth. She was joined in conversation with writer, critic and frequent LRB contributor Jon Day. Get The Garden Against Time: https://lrb.me/gardenlaing Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

At a Bethesda Baptist chapel two worshippers, separated in age by three decades, are drawn together by common interests, driven apart by divergent loves, before being reunited by the mysteries surrounding their small town. Francis Spufford describes Enlightenment (Jonathan Cape) as ‘a book in which everything is kindled into light by Sarah Perry’s rapt, luminous attention: friendship, betrayal, faith, astronomy, the drizzle on the streets of Essex and the heavens above them.’ Sarah Perry, author of Essex Girls, Melmoth and The Essex Serpent, read from the novel and talked about it with nature writer and novelist Helen Macdonald. Hosted on Acast. See acast.com/privacy for more information.

Held is Anne Michaels’ long-awaited new novel – following on from the 1996 classic Fugitive Pieces and 2009’s The Winter Vault – exploring, in the words of Margaret Atwood, ‘war and its damages, passed through generations over a century’. Michaels shared an extended reading from Held with actor Stephen Dillane, who played Jakob Beer in the 2007 film adaptation of Fugitive Pieces, and was joined in conversation by the evening's host, Gareth Evans. Find more events at the Bookshop: https://lrb.me/eventspod Get the book: https://lrb.me/heldpod Hosted on Acast. See acast.com/privacy for more information.

Choirboy, drag act, grandson, mentor, poet, lover, activist, performer: Dean Atta has played many roles in his life. In his explosive, candid and courageous memoir Person Unlimited (Canongate) he describes a life lived in defiance of categories. Benjamin Zephaniah wrote of Atta’s work as being ‘As honest as truth itself. He follows no trend; he seeks no favours . . . Beyond black, beyond white, beyond straight, beyond gay, so I say. Love your eyes over these words of truth. You will be uplifted’. Dean Atta reads from his work and talks about it with writer and broadcaster Michael Rosen. Hosted on Acast. See acast.com/privacy for more information.

In The Future of Songwriting, lead singer with Throwing Muses, solo artist and songwriter Kristin Hersh reflects on the status and future of her chosen genre over a long, hot Christmas in Australia. In a series of conversations, encounters and philosophical dialogues Hersh delivers a fierce, funny and existential meditation on the art of the song - and its future. She was joined at the Bookshop by writer and critic Jennifer Hodgson. Get the book: https://lrb.me/kristinhershpod Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

In her debut novel Amma (Weatherglass), a multi-generational saga set in Sri Lanka, Singapore, Aotearoa New Zealand, Australia and London, Saraid de Silva explores memory, trauma and displacement. She was in conversation with Nina Mingya Powles, author of Tiny Moons and Small Bodies of Water. Hosted on Acast. See acast.com/privacy for more information.

Siblings (Monitor Books) is a unique round-table discussion / poetry collection, convened by Will Harris, between Harris, Jay Bernard, Mary Jean Chan and Nisha Ramayya. The four poets explore real and imaginary siblings, writing communities, and the wayward directions of the lyric mode – writing as makers and friends about the possibilities that poetry enables now. All four poets convened at the Bookshop for discussion and readings. Get the book: https://lrb.me/siblingsbook Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

When Gillian Rose’s Love’s Work was published shortly before the author’s death in 1995, Marina Warner wrote in the LRB: ‘This small book contains multitudes. It fits to the hand like one of those knobbed hoops that do concise duty for the rosary, each knob giving the mind pause to open up to vistas of meditation on mysteries and passion.’ To mark the publication of a new edition (Penguin Modern Classics) with an introduction by Madeleine Pulman-Jones, we host a discussion of Rose’s ‘masterpiece of the autobiographer’s art’ (Edward Said) and its legacy, featuring LRB contributing editor James Butler, Rebekah Howes of the University of Winchester and the former Archbishop of Canterbury Rowan Williams. Hosted on Acast. See acast.com/privacy for more information.

1917: Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block. 1930: Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman's cottage for sale on the Dorset coast. 1941: Rosamond Lehmann settles in a Berkshire village, seeking a lovers' retreat, a refuge from war, and a means of becoming 'a writer again'. Harriet Baker describes in Rural Hours (Allen Lane) how three very different writers, more often associated with city living, found solace and inspiration in the English countryside. She was in conversation with Lauren Elkin, author of Art Monsters and Flâneuse and translator of Simone de Beauvoir’s The Inseparables. Hosted on Acast. See acast.com/privacy for more information.

Lauren Oyler is one of our rowdiest and sharpest literary critics, twice causing the LRB website to crash from too much traffic, and author of the novel Fake Accounts. No Judgement is her first collection of non-fiction; a series of interlinked essays connecting internet gossip, the attention economy, and the role of criticism. Oyler is in conversation with journalist and cultural commentator Leo Robson. Hosted on Acast. See acast.com/privacy for more information.

Three of Wales' best contemporary writers in an early St David's Day celebration of Wales in words. Novelist Joe Dunthorne, National Poet of Wales Hanan Issa and Carnegie prize-winning novelist and playwright Manon Steffan Ros explore the country's literary history, share its less-known treasures, and discuss the meaning of 'Welshness' today, in a one-off conversation with readings. The event was curated by Hay Festival as part of Wales Week in London. Hosted on Acast. See acast.com/privacy for more information.

Fernanda Eberstadt’s Bite Your Friends is both a history of the body as a site of resistance to power, and a subversive memoir, drawing on a cast of outrageous heroes including Diogenes, Saint Perpetua, Pasolini, Pussy Riot and the political artist Piotr Pavlensky, who nailed his scrotum to the pavement of Red Square to protest Vladimir Putin’s tyranny. Eberstadt was joined at the Bookshop by critic and novelist Olivia Laing, whose latest book The Garden Against Time (Picador) is forthcoming in May 2024. Find more events at the Bookshop: https://lrb.me/eventspod Get the book: https://lrb.me/biteyourfriendsbook Hosted on Acast. See acast.com/privacy for more information.

When Clair Wills was in her twenties, she discovered she had a cousin she had never met. Missing Persons, or My Grandmother’s Secrets is a detective story, memoir and cultural history of Ireland’s Mother and Baby homes. ‘Attending to the ways that the past ruptures and grows through the present’, writes Seán Hewitt, ‘this is a history shaken by intimacy – a brave and rigorously humane book.’ Wills was joined in conversation with Alice Spawls, editor of the LRB and co-editor of After Sex (Silver Press). Get the book: https://lrb.me/missingpersons Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

Alexandra Harris has previously cast her probing critical eye over poetic and artistic responses to English weather (in Weatherland), and English art of the 1930s and 40s (in Romantic Moderns); now, in The Rising Down (Faber & Faber) she turns it on the West Sussex landscape of her childhood, revealing the layers of buried lives beneath a familiar landscape in a work which the Independent has described as ‘scholarship at its life-enhancing best’. Harris was in conversation with essayist and critic Laurence Scott, author of Picnic Comma Lightning and The Four Dimensional Human. Hosted on Acast. See acast.com/privacy for more information.

Frantz Fanon was only 36 when he died in 1961, but his books and ideas – from White Skin, Black Masks to The Wretched of the Earth – have proved lastingly influential. Adam Shatz’s The Rebel’s Clinic is both a biography of Fanon and an in-depth study of his writing. Shatz, the US editor of the London Review of Books and the author of Writers & Missionaries, was joined by Kevin Okoth, author of Red Africa: Reclaiming Revolutionary Black Politics. Listen to Adam discuss Fanon with Judith Butler on Close Readings: https://lrb.me/fanonhc Get the book: https://lrb.me/rebelsclinicpod Find more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

At the time of his death in 2017, the architectural critic and historian Gavin Stamp (Private Eye’s ‘Piloti’) had nearly completed his monumental survey of British architecture between the world wars. His wife, the writer and historian Rosemary Hill, has edited the text for publication. Interwar: British Architecture 1919-1939 (Profile) is a refreshing reassessment of the period which looks beyond modernism to give a broader picture of an age of turbulence and contradiction. Hill was joined in conversation with Rowan Moore, whose most recent book is Property: The Myth that Built the World (Faber). Get Interwar: https://lrb.me/interwarpod Find more events at the London Review Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

In Revolutionary Acts (Faber), Jason Okundaye meets an elder generation of Black gay men and listens as they share intimate memories and reflect upon their lives. Through their conversations he traces these men's journeys and arrivals to South London through the seventies, eighties and nineties from the present day, seeking to reconcile the Black and gay narratives of Britain. Okundaye was in conversation with Mendez, author of Rainbow Milk and contributor to the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.