Here's The Thing with Alec Baldwin

When Jimmy Fallon landed a spot on Saturday Night Live in 1998, he told executive producer and comedy kingmaker Lorne Michaels, "I'm going to make you proud." Six years later, Fallon departed as a audience favorite, the show's go-to impressions guy, and the co-host (with Tina Fey) of SNL's "news" unit, Weekend Update. But he became famous without "working blue," and has always wanted everybody to be in on the joke. It's a trait that makes him a perfect television personality. Now, he occupies the most coveted seat in the business, as the host of The Tonight Show. He tells Here's The Thing host Alec Baldwin that he got his start in Saugerties, New York, practicing the stuff that every comic needs in their toolkit: impressions, musical numbers, and...a troll routine. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Growth comes with costs. On this episode of Here's The Thing, Alec Baldwin talks to two individuals who are protecting places that are most vulnerable to development and destruction.Andrew Berman has been called one of the most powerful people in New York real estate, but not because he's a deep-pocketed developer. Berman is the Executive Director of The Greenwich Village Society for Historic Preservation, where he advocates for the protection and conservation of historically important buildings and sites, including cultural touchstones like the Stonewall Inn. Rob Synder works with thousands of individuals living on islands off the coast of Maine. His organization Island Institute develops community alliances, economic programs, and sustainability initiatives to ensure that island culture remains vibrant, and that local resources remain intact as climate changes and development encroaches. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Dan Rather was the host and anchor of CBS Evening News for more than twenty years. He resigned the post in the wake of an investigation into then-President George W. Bush's Vietnam-era military service. A new film starring Robert Redford and Cate Blanchett, 'Truth,' explores that period and the outstanding questions raised by Rather's journalistic inquiry. Host Alec Baldwin spoke with Rather at a recent screening of the film at the Hamptons International Film Festival, where they discussed Rather's days as a White House correspondent, recent attempts to re-assess Nixon, and the state of news today. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Carol Burnett's stage and screen career is one of the great showbiz success stories. From her early days on Broadway, to the 11-season run of The Carol Burnett Show, to her luminous big-screen turn as Miss Hannigan in Annie: Burnett's numerous Emmy and Golden Globe awards and nominations speak to her plasticity, her genius -- and her hilarity. Carol Burnett sits down with Alec Baldwin to talk about the unlikely origin of her show, recall her roster of A-list friends, and to explain how nudists dance. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

William Friedkin is the director of more than twenty films, among them "The Exorcist" and "The French Connection." For the latter, Friedkin won the 1971 Academy Award for Best Director, based on the film's stunning action sequences and incandescent appearances by Roy Scheider and Gene Hackman."I would like to tell you it was all my genius," Friedkin tells host Alec Baldwin at the Turner Classic Film Festival, "but I had nothing to do with casting the two leads in that picture."Friedkin goes on to explain why he doesn't audition actors, how knowing a Sicilian helps with location scouting, and why learning to play tennis killed his career. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Andy Warhol gained fame and notoriety as the godfather of Pop Art. His electric-colored screen prints of Coca Colas, Marilyn Monroes, and electric chairs are iconic pieces, despite their iconoclastic origins. But there's more to Warhol than Day-Glo portraiture: he was an author, commentator, filmmaker, sculptor, and socialite. Host Alec Baldwin talks to Eric Shiner, director of The Andy Warhol Museum, about the hyper-inventive multimedia star, and learns about the surprisingly deep emotional basis for Warhol's obsession with Campbell's Soup. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

"The Lion King" is now the highest-grossing Broadway production of all time. Julie Taymor hadn't seen the Disney film when she was approached to direct the project, but she had spent years studying the masks, mythology, and ancient ritual drama of indigenous peoples in Indonesia. She tells host Alec Baldwin how she incorporates theater's primal magic into her many stage and screen projects: from the Beatles-soundtracked cosmic narrative of "Across the Universe;" to the elemental brutality of "Titus;" to her recent hallucinatory production of "A Midsummer Night's Dream." Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

At 6'6" tall, Penn Jillette is a huge character. He's got a huge frame, a huge personality, and huge appetites. It's a trait that has occasionally gotten him into trouble; he weighed, until a recent diet change, more than 350 pounds. But his gregarious energy mostly expands to fill every moment of free time with professional success. He's an inventor, an entrepreneur, a podcast host, a TV show creator, a Twitter celebrity, a comedian. And for more than forty years, he's been the talking half of stage magic duo Penn & Teller. He talks to host Alec Baldwin about his lifelong atheism, what it's like to perform the same trick for four decades, and why he's committed to debunking nonsense. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Paul Simon is one of the great American entertainers—a mantle he's worn since he started singing harmony with grade-school friend Art Garfunkel in a duo called Tom & Jerry. In the following six decades, Simon has written dozens of classic songs. His partnership with Garfunkel produced numerous hits like "The Sound of Silence," "America," and "Bridge Over Troubled Water." And Simon's solo career has been equally fruitful, as an engine of eclectic pop music (the gospel of "Loves Me Like a Rock," or the imported reggae of "Mother and Child Reunion"), and also as an ambassador of global sounds (the 1986 album Graceland, and 1990's The Rhythm of the Saints). He talks to host Alec Baldwin about how he has—and hasn't—changed after all these years. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

David Remnick is the editor of The New Yorker magazine. It's a title he's held since 1998, and one that requires a tireless attention to detail, and an endless awareness of current news, trends, and ideas. In short, he keeps himself busy. Under Remnick's leadership, the magazine has addressed national events like September 11 and the ensuing wars in Iraq and Afghanistan; he has also transformed the publication into a nimble digital enterprise amidst a cratering media landscape."We come out every week, and now we come out every second," he tells Alec Baldwin.Remnick has six books and numerous anthology credits to his name, and has worked with some of the leading literary lights of the last two decades. In this wide-ranging conversation, he talks about some of those relationships, about his early career — including four years in Perestroika-era Moscow — and about his lifelong love affair with the music and ideas of Bob Dylan. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Billy Joel has sold more records than The Stones, Bruce Springsteen, and Madonna—though the “rock star thing” is something he can “take off.” Joel started playing piano when he was about four or five years old. He admits that he doesn't remember how to read sheet music anymore, saying it’d be like reading Chinese. That doesn't stop the third best-selling solo artist of all time in the U.S. from plunking out a few tunes with Alec. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

BP recently settled civil lawsuits over the 2010 Deepwater Horizon oil spill to the tune of more than 18 billion dollars. But it's not the end of the story for the worst marine spill in U.S. history. Journalist and author Antonia Juhasz recently took a submersible to the floor of the Gulf of Mexico — closer to the BP Macondo well-head than anyone had gotten since it was sealed five years ago. Her story in the June issue of Harper's Magazine details what she didn't see down there — any vibrant sea life — as well as what she did see: a huge carpet of oil 3,000 square miles in size. And evidence indicates that companies are preparing to resume drilling in the region. Juhasz has been monitoring energy companies for over a decade, and has seen how routine spills have become, but as she explains to host Alec Baldwin, she still feels shock and anger over the ongoing impacts of these spills on the environment. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

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The Graduate. Midnight Cowboy. Lenny. That's just the beginning of Dustin Hoffman's legendary Hollywood career. Over the last five decades, he's stretched and contorted himself into dozens of defining roles, earning recognition as one of the most talented actors in cinema history. Hoffman tells host Alec Baldwin that he savors each new opportunity like it's the first, and recalls his salad days when he was mis-cast, underestimated, and, on at least one notable occasion, sick on a co-star's shoe. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

When Gay Talese couldn't land an interview with Frank Sinatra, he wrote the profile instead by talking to Sinatra's tailor, stylist, valet, and other secondary characters in the pop star's world. The resulting piece for Esquire magazine, "Frank Sinatra Has A Cold," is a classic of New Journalism, which Talese helped pioneer."I wanted to be a storyteller," he tells host Alec Baldwin. "I used my imagination to penetrate the personalities, the private lives, of other people."For more than six decades, those people have included mafia crime bosses, civil activists, literati, prizefighters—and innumerable "normal" characters, with their own secret desires, triumphs, and failings. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Ian Schrager is in the hospitality business. Hotels or nightclubs, uptown or downtown, Miami or Manhattan, Schrager defines luxury and leisure. When he and his late business partner Steve Rubell opened Studio 54 in 1977, the club quickly became the epitome of the disco era's cultural mores. It was Mick Jagger, Andy Warhol, Cher, and as Schrager recalls, "serious, sweaty dancing." Today, Schrager says nightclubs are a young person's business; he's long since reinvented himself as one of the inventors of the boutique hotel. The aim, he tells host Alec Baldwin, is essentially the same: make people comfortable, and change their expectations. At 68, Schrager shows no sign of slowing down; his heroes are Giorgio Armani and Clint Eastwood—passionate people who are inspired by work they love. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Edie Falco says she is nothing like Carmela Soprano. Nor does she have much in common with Nurse Jackie. But Falco made these characters two of the most identifiable and human women in television history. She has an armful of Emmys, Golden Globes, and Screen Actors Guild Awards—and a cadre of dedicated fans—to prove it. Along the way, she's battled cancer, raised two children on her own, and is a recovering alcoholic. But Falco doesn't want your sympathy; she tells host Alec Baldwin that her greatest professional accomplishment is creating a fun, respectful atmosphere on-set. She credits her multiple successes to good luck, great mentors, and says there's no predicting which way her career could have gone—or will go yet. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Lawrence Wright is an author, screenwriter, playwright, and a staff writer for The New Yorker magazine. He won the Pulitzer Prize for his 2006 book The Looming Tower: Al-Qaeda and the Road to 9/11. Most recently, filmmaker Alex Gibney directed an HBO documentary based on Wright's reporting in Going Clear: Scientology, Hollywood, and the Prison of Unbelief.Much of Wright's work is about how religious belief animates personal action and political conflict. He has documented the Jonestown massacre, explored allegations of Satan worship, profiled brimstone-tinged gospel preachers, and, of course, tracked the histories of al-Qaeda and the Church of Scientology.Regarding the latter, he isn't necessarily sympathetic to the Church's claims, but he understands its appeal. "People don't go into it because it's a cult, they go into it because they're looking for something," says Wright. "It's like going into therapy; people do benefit from it.""But it's one thing to get into it, it's another thing to get out of it." Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

David Blaine begins his visit to Here's The Thing by pushing an ice pick through his hand. He tells host Alec Baldwin that he began training his brain to overcome pain at a young age. Blaine grew up in Brooklyn, an only child with a single mother. He spent many afternoons at the local library and he channeled his isolation and loneliness into an early fascination with magic. Today, Blaine is an acclaimed street magician and sleight of hand artist, and also performs staggering feats of endurance: He has balanced on a 100-foot pillar for 35 hours; hung in a transparent box for 44 days; held his breath for more than 17 minutes at a time. He calls it magic, but says his work is mostly about mental toughness. "Anything I do, anybody could do... It's playing with that line of how far can you push yourself before you crack, live in front of an audience, that I'm intrigued by." Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Roz Chast's cartoons exude warmth and whimsy, but often share more in common with the dark humor of cartoonists like Charles Addams or Gahan Wilson than they do with "Peanuts." When she broke into a regular gig as a cartoonist for The New Yorker magazine in the 1970s, she had already cultivated the eccentricities that became the hallmark of her work. As proof, an adult Chast drew a cartoon that shows a young girl with her head stuck in the "Big Book of Horrible Rare Diseases." It's labeled "Me, Age 9."Chast has illustrated more than 800 cartoons for The New Yorker, as well as a number of books. Most recently, she published Can't We Talk About Something More Pleasant?, a sharply-observed memoir of her parents at the ends of their lives. In this episode of Here's The Thing, Roz Chast talks to Alec Baldwin about life with her parents, growing up in New York, and her neurotic pet birds. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

George Stephanopoulos was only 35 when he left his post as a senior advisor to President Clinton, his rolodex full of contacts and his head full of political insights. He didn't know what he wanted to do next, but he knew he was wrung out from his time inside the D.C. bubble."White House years are dog years, multiplied," he says. "I knew that in order to feel my age again, I had to start a different career."Today, Stephanopoulos is the chief anchor for ABC News, a co-anchor of ABC's Good Morning America, as well as the host of ABC's political interview show This Week. In this episode of Here's The Thing, he talks to Alec Baldwin about another prominent TV host, Brian Williams; the prospect of a Bush-Clinton presidential race in 2016; and how he's learned to be himself on national television. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

From 1877 to 1950, nearly 4,000 black people were lynched in the United States. Bryan Stevenson says these stories aren't part of the collective historical memory of most Americans, but they should be. Stevenson is the founder and director of the Equal Justice Institute, an Alabama-based non-profit that fights for retrials, death-sentence reversals, and exoneration in the face of racially-charged legal practices and policies.The Equal Justice Institute's report about lynching, recently detailed in The New York Times, is one piece of Stevenson's work focused on "confronting the legacy of racial terror"—a legacy that is directly observable today in the record numbers of incarcerated black men and boys. In this episode of Here's The Thing, Stevenson tells host Alec Baldwin that he believes the history of slavery and violence needs to be radically acknowledged and addressed if Americans are to achieve the promise of an equal society. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

After shooting the pilot for Sex and the City, Sarah Jessica Parker told HBO she didn't want to go through with the project. But after the first day’s taping, she says, she "didn't want to be anywhere else." Parker is now indelibly associated with Carrie Bradshaw—one of the most prominent women in the history of television. She tells Here’s The Thing’s Alec Baldwin that she was surprised to be considered for the part. Sarah Jessica has a fully-formed casting philosophy: she confesses to Alec that she tends to overcompensate when a co-star brings less than ideal energy to a part."You know what they won't bring," she says. "And you end up projecting onto the other person what you wish they were bringing into the scene, and you become a bad actor." Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

The massive protests after the deaths of Michael Brown in Ferguson, Missouri, and Eric Garner in New York City strained relationships among police departments, the neighborhoods they serve, and political leaders. Then, in late December, the assassination of NYPD officers Wenjian Liu and Rafael Ramos further escalated the rhetoric and what was at stake. This week on Here’s The Thing, Alec Baldwin talks to two people with years of street experience. Both have compelling visions for improving the broken relationship between police and communities.John Eterno is a retired captain in the NYPD who once defended “stop and frisk” policies. Today he teaches criminal justice at Molloy College and worries about how many more people were singled out for aggressive police scrutiny during the Bloomberg administration. Eterno advocates for a more individually autonomous, accountable, and, above all, transparent police force. David Kennedy is the architect of Operation Ceasefire, a community-based approach to de-escalating inner city gang violence. Over the last three decades, his work has transformed relationships between law enforcement and communities in cities across the country, including South Central Los Angeles and Boston. Now, he’s working in New York City. Kennedy believes that the influence of families, friends, and neighbors has a greater impact on lowering crime than handcuffs, firearms, and courtrooms. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

We often think of Julie Andrews as the prim nanny from Mary Poppins and The Sound of Music, but her personal path may have the greatest resemblance to one of her Broadway roles: Eliza Doolittle in My Fair Lady. Andrews says she grew up “on the wrong side of the tracks” in a family strapped for cash during wartime, and her initial training as an actor was in the less than prestigious field of vaudeville. But right before opening night of her breakout role in The Boy Friend, it was producer Cy Feuer’s advice that we have to thank, in large part, for the level of excellence Andrews has brought to musical film and theater for generations. “Forget camp,” he told her. “Get real.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

John McEnroe is one of the most accomplished tennis players of all time, but he lives just as vividly in the public imagination for his volcanic interactions with line judges and umpires. It’s no surprise, then, that McEnroe wants line judges out of the game entirely (”they’ve already proven they can’t see anything”). To revive the sport from what he calls its current status as an elitist cult, tennis needs more than just the introduction of instant replay. And as McEnroe works to cultivate new talent with his tennis academy on Randall’s Island, he’s also focused on keeping his own six kids happy. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Alec Baldwin and Julianne Moore are members of a select club. For them, names like "Edge," "Search," "Days," and "World Turns" mean something. They came of age at a time when soap operas were a big deal, and as they tell it, soaps provided an opportunity for some of their best raw acting. Now Moore, who has performed in everything from independent films to widely-released big budget classics like Boogie Nights and Jurassic Park, stars alongside Baldwin in the acclaimed drama, Still Alice. She plays a linguistics professor who starts forgetting her words as Alzheimer's sets in. This isn’t the first time the two have shared the screen—Moore’s also famous for her cameos as Baldwin’s high school sweetheart in 30 Rock. Hear two actors reveal why they do what they do, and how the decisions they’ve made have gotten them where they are today. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Alec Baldwin sits down with Ira Glass to compare notes on interviewing, the afterlife, and how to find one’s voice – with a microphone or a camera lens. Now the veritable kingmaker of public radio, Glass has revolutionized nonfiction storytelling by using a voice that's personable, modest, and emotionally engaged. In this extensive interview, Glass lays it all out: politics (he's a Democrat; finds the left insufferable), religion (went through Hebrew school; done with it), fact-checking (you can never be too careful), and that dog who went as him for Halloween. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Jerry Seinfeld was just 27 when he first appeared on Johnny Carson in 1981. And he stood out. His material wasn't about his upbringing or personal relationships. It was about our universal experience of small things. His unique comedy style eventually led him to create his namesake show with Larry David. After Seinfeld ran for nine seasons, he decided to go back to stand-up, and to his audience. As he explains to Alec, Seinfeld feels uniquely connected to his fans: “You have this relationship with the audience that is private between you and them.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Debbie Reynolds has been in show business for over six decades. She talks to Alec about her big break in Singin' in the Rain. “I slept in my dressing room,” recalls Reynolds. “I didn't take any days off because I’d practice on Saturday and Sunday.”As host of Turner Classic Movies, Robert Osborne plays the role of ambassador to a bygone era. We hear the journey he took to get there—which could have been a classic movie itself. It all started when, as kid in a small town, he frequented the cinema and “fell in love with the movie business.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Fred Armisen’s career has followed an unpredictable trajectory. Armisen spent nearly a decade drumming with Trenchmouth, a punk rock band remembered for its spirited cacophony. When he got tired of carrying his own equipment, Armisen picked up a video camera and began creating improvised characters. Fred relates stories from his years in the Los Angeles comedy club scene, drumming for the Blue Man Group, and working on SNL, where he met his idol, Steve Martin. And it’s true: Armisen really does love Portland.Paula Pell was having the time of her life singing and dancing at a Florida theme park when she got a phone call from SNL creator Lorne Michaels. She moved to New York, and two decades later, Pell was the show’s head writer. She says she’s still baffled by her charmed life. Pell calls herself “Nanny SNL,” because of her lengthy tenure on the show, but she says having a good night at SNL makes you feel 20 again. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Chris Columbus has brought to the screen some of the biggest American family films in the last 20 years: Adventures in Babysitting, Home Alone, and Mrs. Doubtfire. He also produced and directed the first two Harry Potter films and produced the third as well. Despite this success, Columbus admits that he “always, to this day, [feels] like [he’s] gonna walk on a movie and get fired.” He reveals to Alec what it was like working with brilliant improvisers like John Candy and Robin Williams—and casting Macaulay Culkin in Home Alone.The first time acclaimed director Stephen Daldry was expected to shout “Action!” he thought it was a joke. Alec met with Stephen Daldry in 2011, weeks before his intimate, post-9/11 drama, Extremely Loud and Incredibly Close, opened. Daldry’s work is precise and intimate, but in conversation with Alec he was passionate about a wide variety of topics, including communal living, the virtues of mass transit, and the Olympics. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Judd Apatow’s films—The 40 Year Old Virgin, Knocked Up, and Funny People—feature emotionally immature men forced to grow up after confronting sex, responsibility, and death. Of all Apatow’s movies, This is 40 may be his most personal; it stars his wife, Leslie Mann, their two daughters, and one of his long-time heroes, Albert Brooks. Apatow thinks of each movie he makes as a letter, telling him something he needs to know about how better to live life.Eric Fischl became known in the 1980s art scene for work that explores issues of sexuality and power and what it means to become a man. Alec talks to Fischl about his memoir, Bad Boy: My Life On and Off the Canvas, where the painter writes candidly about his youth, the art world, his own struggles with depression and substance abuse, and his thoughts about the creative process. Fischl started as an abstract painter, but as he explains to Alec, once he began to work with figures, he realized he was “doing the work that [he] was supposed to do, that [he] was built for.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Dr. Robert Lustig, a pediatric endocrinologist at UC San Francisco, studied brain tumors in children and began to see a connection between sugar and childhood medical problems, addiction, and lethargy. According to Lustig, sugar is as addictive as cocaine, heroin and crack, and is producing the fattest, least-healthy Americans yet.Former New York City Commissioner of Correction and Probation, Martin Horn has held every job imaginable in corrections: from debating the fairness of a state’s sentencing guidelines to fixing leaky water pipes in aging facilities. Horn tells Alec that his opinion toward inmates was formed from his early years as a parole officer: “every one of them was just a normal, ordinary guy … who had made bad judgments.” Though, nowadays Martin Horn has moved on: "It was a fascinating career. I am absolutely glad I’m done." Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Rosie’s childhood dream of performing on Broadway alongside Bette Midler never materialized. Instead, at 16 she delivered her first stand-up routine to an appreciative Long Island crowd. She tells Alec that she stole most of her jokes that night.A decade later, the comedian broke into television as an unbeatable Star Search contestant. A multi-talented actress, author, activist and television personality, “The Queen of Nice,” has embraced motherhood, adopting five children. Whether advocating the rights of gay parents or speaking out on political issues, Rosie O’Donnell has never been afraid to speak her mind. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

In 2012, Andrew Luck was in his final year at Stanford University when he learned he was the top NFL draft pick. Luck, a self-proclaimed nerd, talks with Alec about going from being an unknown high school football hero to replacing his childhood idol, Peyton Manning. Off the field, Luck is passionate about travel, architecture and movies.Former MLB pitcher Dwight Gooden earned the Rookie of the Year Award in 1984. He was 19 years old with a blistering fastball and a notoriously deceptive curve ball. His outstanding first three years in Major League Baseball were soon replaced by very public battles with alcohol and cocaine which continued for much of his professional career. At 40, Gooden served ten months in a state prison for drug-related charges. That was a decade ago. More recently he published a book, Doc: A Memoir. Gooden watches football now and hasn't touched a baseball or a drink in years. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Patti LuPone was only four years old when she realized she belonged on stage, and she started by entertaining family members in her Long Island living room. LuPone won her second Tony Award for Evita, which she initially described as merely “noise from Britain.” Although she has enjoyed tremendous, long-term success, she talks candidly to Alec about blows to her career and ego.Jon Robin Baitz is a playwright who admits that writing plays is tricky. He’s a snob for Broadway, where the cachet and laughs are bigger. But deep down, this award-winning playwright considers it a privilege to be working in American theater at all. Alec speaks to Baitz about his Broadway debut play, Other Desert Cities, that came from a place of despair and loss—and his own personal experience writing for television in Hollywood.Stacy Keach’s dad was an actor, director and a producer. He had hoped his son would be a lawyer. Keach eventually wore down his parents, abandoned his major of political science and economics to pursue acting. Keach started with Shakespeare, which took him from a festival in Oregon to studying classical theater in England. Today, Keach teaches acting via Skype and his only true regret is not experiencing more of the great outdoors. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Grammy-winning guitarist Peter Frampton says, “Sound is very inspirational to me." And it always has been—Frampton started playing guitar before he was 8 years old. He talks about his musical roots in England, playing in bands like The Preachers and The Herd. At age 14 he was playing at a recording session produced by Bill Wyman, who he says is “sort of like my mentor, my older brother.”Just eleven years later, Frampton was on stage in San Francisco, recording Frampton Comes Alive—one of the biggest-selling live albums of all times. Frampton also talks about the challenges of his extraordinary achievement: “I don’t think anybody can be ready for that kind of success.”Thom Yorke, Radiohead and Atoms for Peace frontman, admits that, even after over 25 years in the business, performing is “either wicked fun or really awful.” He talks with Alec about his pre-show ritual—"I stand on my head for a bit"—and how he and his bandmates have been able to stick together since they were teenagers. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Dunham, the creator of HBO’s GIRLS, says when she was younger, she thought she’d be a "Gender and Women’s Studies teacher who showed movies at the occasional film festival." Instead she's trying to figure out what to wear to shoot the cover of Rolling Stone. Dunham talks with Alec about getting a dog and her first date with her boyfriend Jack Antonoff. She’s not ready for children—yet—but they are on her mind: “I was raised to think that the two most important things you could do in your life were to have a passionate, generous relationship to your work and to raise children.”In 2013, Alec sat down with the late stage and screen veteran who, among many famous roles, played his mother Colleen Donaghy on 30 Rock. Stritch spoke to Alec about her transition from the Sacred Heart Convent and finishing school to finding herself in the New York theater classes sitting between Walter Matthau and Marlon Brando. She performed for nearly 70 years and throughout career, Stritch comments, "I was the funny kind of offbeat girl. I was never the romantic lead.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

David Letterman began his Late Night gig as a self-described “gap-toothed, unknown smart ass.” But thirty highly successful years later, Letterman’s comedy formula has evolved: he no longer attends all the meetings or makes all the decisions and stupid pet tricks are a thing of the past. Letterman began his television career as a weatherman, but moved rapidly up to anchorman and talk show host. He left for L.A. and, after only three years on the comedy scene there, he found himself guest-hosting the Tonight Show. He talks to Alec about how a quintuple by-pass and the birth of a child have dramatically shifted Letterman’s priorities.Michael Douglas has lived in the same apartment overlooking Central Park for decades. Alec joins him there for a compelling conversation about what makes a great director and why playing the villain is so wonderful. Douglas reveals how competition with his father, legendary actor Kirk Douglas, shaped both his career and his life as a parent. He says he’s much more honest with his young daughter than he ever thought he’d be. Douglas explains how his father’s early brush with death, and his own cancer diagnosis affected them each in different ways. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Lorne Michaels had nothing to lose on October 11, 1975, when Saturday Night Live first aired. He doesn't pull all-nighters any more in preparation for the week’s show, but Michaels tells Alec he is still anxious on Saturdays at 11:30 pm. Michaels believes in the power of live performance and gives SNL hosts the best bits. But aside from the funniest lines, the irreverent Michaels offers little protection. Alec is no exception.Alec sat down with Erica Jong, author of the 1970s best-seller, Fear Of Flying, and her daughter Molly Jong-Fast. Erica talks candidly about coping with three divorces, and tells Alec she is certain her current marriage will be her last. Meanwhile, daughter Molly had no idea her mom wrote so-called “dirty” books. She does recall her mom being consumed by work and travel, but concludes that her mother’s legacy is about being honest. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Chris Rock is one of the greatest comic talents in the world, but when he arrived on Broadway to perform his first play, The Motherf***ker in The Hat, he did not yet know how to properly cross a Broadway stage. Rock says that his life has mimicked each role in the play—both the heart-breaker and the heartbroken—and he tells Alec that performing in the show was the hardest thing he has ever done.When Herb Alpert started playing trumpet with his band Tijuana Brass, Woody Allen and George Carlin were the opening acts. In 1966, The Brass outsold The Beatles. Alpert went on to co-found A&M Records, where he identified and signed some of the industry's greatest talent: The Carpenters, The Police, and Cat Stevens. He and his partner sold A&M in 1989 for half a billion dollars. He says he’s looking for the same thing as everybody else—a life of purpose and meaning. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Kristen was in college when an Acting 101 class prompted a move to L.A. She had little experience, but a tremendous gift for improv, and she soon found herself in a room auditioning for SNL. Hundreds of personas later, Wiig is regarded by SNL creator Lorne Michaels as one of the three or four greatest SNL talents ever. Kristen’s expertise translated well to film, and she eventually won an Oscar nomination for her Bridesmaids screenplay. She joins Alec to talk about the arc of her career and the steps she hopes to take next.Dick Cavett shares some of his memories with Alec: meeting Orson Welles in the lobby of the Plaza; talking with Marlon Brando by phone—“I was told he would [call] at a certain time and we talked with the sun about 15 degrees above the horizon until well after the moon had risen;” and interviewing Laurence Olivier in the Wyndham Hotel when Cavett says, he was feeling so depressed “I just want[ed] to go home and get under the rug.” Dick Cavett is the master of talk, a television legend; in this conversation, he shows Alec why his career has spanned nearly five decades. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Billy Joel has sold more records than The Stones, Bruce Springsteen, and Madonna—though the “rock star thing” is something he can “take off.” Joel started playing piano when he was about four or five years old, but he admits that he doesn't remember how to read sheet music anymore. He says it’d be like reading Chinese. That doesn't stop the third best-selling solo artist of all time in the U.S. from plunking out a few tunes with Alec. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

This week Alec sits down with comedian Jerry Seinfeld who debuted on HBO in 1981, the same year he first appeared on Johnny Carson. Jerry Seinfeld was 27 years old.Seinfeld's material stood out. It wasn't about his upbringing or personal relationships. It was about our universal experience of small things. Eight years after his HBO debut, he and Larry David created a weekly series that changed both their lives. After Seinfeld ran for nine seasons, Seinfeld went back to stand-up, and to his audience. As he explains to Alec, Seinfeld feels uniquely connected to his fans: “You have this relationship with the audience that is private between you and them. Critics want to write, people want to talk. We have our own thing that nobody can break … once you build that it can't be broken by outside forces.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

James Toback and Alec joined forces to make the documentary Seduced and Abandoned, which began as a story about raising money for a film. However, it soon became a study of the tension between art and commerce and how difficult it has become to secure financing for independent films. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Chris Columbus has brought to the screen some of the biggest American family films in the last 20 years: Adventures in Babysitting, Home Alone, and Mrs. Doubtfire. He also produced and directed the first two Harry Potter films and produced the third as well. Despite this success, Columbus admits that he “always, to this day, [feels] like [he’s] gonna walk on a movie and get fired.” He reveals to Alec what it was like working with brilliant improvisers like John Candy and Robin Williams—and casting Macaulay Culkin in Home Alone. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Danny Bennett has spent the past thirty years managing the career of his dad, Tony Bennett and has produced a film following his father's life entitled The Zen of Bennett. It was Danny who helped bring his dad’s music to a younger generation, through appearances on SNL, The Simpsons, and Late Night with Conan O’Brian—and the series of Duets albums, which feature Tony Bennett singing with the likes of Lady Gaga, Billy Joel, Barbara Streisand and Amy Winehouse. Duets II debuted at #1 on the Billboard 200 chart, making Tony Bennett—at 85 years old—the oldest living artist to do so. As Danny says, “I don’t just handle a career, I manage a legacy.” Last year Danny produced a film called The Zen of Bennett, which followed his dad throughout the recording of the Duets II album. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Dan Mathews is in favor of going naked instead of wearing fur. That makes sense considering he is Senior Vice President of People for the Ethical Treatment of Animals. He sits down with Alec to discuss his battles (and victories) with the fashion industry and he explains why PETA actually owns stock in Kentucky Fried Chicken. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Eric Fischl became known in the 1980s art scene for work that explores issues of sexuality and power and what it means to become a man. Alec talks to Fischl about his memoir, Bad Boy: My Life On and Off the Canvas, where the painter writes candidly about his youth, the art world, his own struggles with depression and substance abuse, and his thoughts about the creative process. Fischl started as an abstract painter, but as he explains to Alec, once he began to work with figures, he realized he was “doing the work that [he] was supposed to do, that [he] was built for.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.