Here's The Thing with Alec Baldwin

For a while The Guess Who and frontman Burton Cummings were as big as it gets. And if you’re Canadian, they’re even bigger -- the first huge Canadian rock ’n roll act, paving the way for border-crossing superstars from Arcade Fire to Justin Bieber. Burton Cumming’s main songwriting collaborator in the early years of The Guess Who was Randy Bachman, the band’s guitarist. Their collaboration changed the sound of the late 60s, but their difference in temperament ended up driving Bachman out of the band. Cummings tells Here's the Thing host Alec Baldwin why -- and about how life has just gotten better since The Guess Who broke up. That's thanks to his dogs, his poetry, and a very dedicated fan-base. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

As head of HBO Documentary Films since 1979, Sheila Nevins has exerted more influence on the medium than perhaps anyone in its history. She has overseen the production of literally hundreds of documentaries, which have won dozens of Oscars. Whether shot in a war zone or the back of a taxi, Sheila Nevins’ productions are powerful, brazen, and unflinchingly honest. But when it comes to telling her own story, truth gets trickier. As she explains to Here’s The Thing host Alec Baldwin, in her new book, You Don’t Look Your Age and Other Fairy Tales, Sheila Nevins blends fiction and reality. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Mark Twain once likened biographies to “the clothes and buttons of the man” saying “the biography of the man himself, cannot be written.” The quote is a favorite of Patricia Bosworth, a 1950s model-actor turned biographer known for capturing the lives of Diane Arbus, Montgomery Clift, and Marlon Brando. All three were revered and haunted by internal demons—a narrative she knows too well. Bosworth's own father, Bartley Crum, was a left-wing lawyer who famously defended the Hollywood before succumbing to his own psychological pain. It was her father's suicide, as well as her brother's six years earlier, that instilled a strong desire to seek out the stories of other tormented souls. Patricia Bosworth's latest book The Men in My Life turns that voyage inward, painting a picture of a resilient woman with a tragic story of her own. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Charles Munn's quest to save the Amazon revolves around one theory: if people see the beauty in nature, they’ll fight to protect it. So far, he’s right. Over four decades, the American conservation biologist’s ecotourism mission has helped restore 12 million acres of tropical forests in South America, including some of the most biologically diverse protected areas on earth. Today, he does this through SouthWild. Munn talks to Here’s the Thing about bird watching in the same garden as Einstein, using ecotourism as a conservation tool, and being the only safari guide in the world with a jaguar guarantee. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Much like the staggering beauty of her voice, Audra McDonald is impossible to ignore. The only artist to sweep all four acting categories at the Tony’s, she’s the most decorated Broadway star of all time. Reviews of her award-winning performances overflow with accolades, describing her stage presence as “spellbinding,” “haunting,” and “genius.” But for the California native, things haven’t always been easy. She talks to Alec about getting into Juilliard, making it on Broadway, and the suicide attempt that helped shape who she is today. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Many words can be used to describe singer-songwriter Jon Anderson; cautious is not one of them. Born in England in 1944, he began singing on his brother’s daily route as a milkman before falling head first for rock n’ roll. After meeting bassist Chris Squire in the late 1960s, he joined a rock group called Mabel Greer’s Toy Shop—and the two left to form a band that was later renamed Yes. Now 72, he’s sold more than 50 million albums worldwide. But for the adventurous Anderson—whose rendition of Goldfinger earned him the nickname "The Shirley Bassey of Rock and Roll," it’s still all about the music. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Before Sofia Coppola could talk, she was in movies, famously playing an infant in her father Francis Ford Coppola’s masterpiece The Godfather. She’d appear in the next one too, as an immigrant girl, but it was her role in The Godfather: Part III that caught the attention of the media—not in a good way. Critics claimed her novice performance “ruined” the final chapter of his series. It was a painful moment for Coppola, but one that gave her a firsthand look at the vulnerability of stars. Today she has the reputation of being “soothing” on set—a tactic that, given her multiple awards and accolades, is an effective one. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Philip Galanes is a man of many words—which comes as no surprise to his family, who grew up listening to him read Dear Abby columns aloud. An avid reader and passionate wordsmith, he returned to his alma mater, Yale University, a few years after graduating to get his law degree. But decades into a career as an entertainment attorney, his life took a different path. Today, the brains behind the New York Times advice column Social Q's, he proffers advice on everything from ex-boyfriends to sibling rivalry. The common theme among them all: a little fibbing never hurts. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Combining three musical genres in your debut album may be risky, but Joe Jackson never cared about playing it safe. In 1979, his first LP Look Sharp! did just that—weaving pop, ska, and punk together into a sound all its own. With songs like Is She Really Going Out With Him? and Steppin Out, his pioneering sound helped usher in the New Wave era of the early 80s, and cement his place as music royalty. Currently on tour nationwide, Jackson talks with Alec Baldwin about “fake news,” the instrument he considers to be medieval torture, and the reason he can no longer watch The Grammys. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

It’s hard, if not impossible, to imagine the 1970s without Carly Simon. After opening for Cat Stevens at LA's Troubadour in 1971, she gained near instant fame, winning a Grammy for Best New Artist that same year. The daughter of Richard L. Simon, co-founder of publishing house Simon & Schuster, she grew up surrounded by greatness. But if her childhood was peppered with celebrities, her adult life was dripping in them. By her mid-20s she’d meet Bob Dylan, duet with Mick Jagger, and marry James Taylor. Still, the shy New York native was a superstar in her own right, one who battled a stammer and a severe case of stage fright. She tells Alec Baldwin about conquering them both to become a musician who shaped an era. You can learn more about Carly's life in her 2015 memoir, Boys in the Trees. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Good stories teach us about humankind, great ones change the way we see it. For many, S-Town -- a seven episode series about an eccentric Alabama horologist named John B. McLemore -- has done just that. Released on March 28, the podcast reached critical acclaim near instantly, garnering 16 million downloads in the first seven days. For Brian Reed, the host and producer behind it, the reception has been thrilling. As the world continues to devour his masterpiece, Brian talks to Alec Baldwin about the email where it all began. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

British-born comedian, actor, and writer Tony Hendra knows a thing or two about mocking politicians. As one of the first editors of the American humor magazine the National Lampoon, he helped perfect and popularize the type of satire that comedians still rely on to challenge the status quo. His move from the variety TV show circuit in the 60s to the parody news world in the 70s was a deliberate response to the election of Richard Nixon. As Donald Trump gives new urgency to an art form Hendra helped shape, he talks to Alec Baldwin about the monk who changed his life, the glory days of National Lampoon, and why it’s a good thing that SNL is getting under the president’s skin. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Here’s The Thing listeners are used to hearing Alec ask the questions, but for this bonus episode, he’s the guest! To mark the publication of his new memoir, Nevertheless, Alec talk about money, drugs, career choices and family with Death, Sex & Money host Anna Sale.Stay tuned for Alec’s conversation with comedian and satirist Tony Hendra – out on Tuesday! Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Grand Funk Railroad's lead vocalist talks to Alec Baldwin about his Christian faith and writing one of his greatest hits in the middle of a fight with his first wife. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Megan Mullally and Nick Offerman are famous for creating iconic TV characters on two beloved sitcoms, "Will & Grace" and "Parks and Recreation." But they also have a life together off screen. They've been married since 2003, and Playboy magazine compared their comic chemistry to "that of a hyper-sexualized Jerry Stiller and Anne Meara." They talk to Here's the Thing host Alec Baldwin about struggling to launch their careers, why it took them so long to kiss, and how jigsaw puzzles, audio books, and carpentry keep their marriage strong. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

These days, legendary fashion editor Grace Coddington tends to wear black—her way of remaining a “blank slate” at the fashion shoots she runs. But it wasn’t long ago that she herself was the vessel for the clothes. Born in the north of Wales in 1941, Coddington began modeling in London at age 18 and landed on the cover of British Vogue in 1962. Following a serious car crash that left one eyelid damaged, she was offered the position of junior fashion editor at British Vogue in 1968. After she rose up the ranks of the fashion world, Calvin Klein hired her as his design director in New York in 1987. But Coddington missed magazines. So she phoned her former colleague, Anna Wintour, then the new editor-in-chief of U.S. Vogue, who promptly appointed her its creative director. Over the next 30 years, Coddington would go on to help shape it into the most powerful fashion publication in the world before leaving in January 2016 to pursue her own projects. But despite her air-tight confident image, Grace Coddington is still the shy girl who, “rigid with nerves,” failed all her exams in high school. She talks to Alec Baldwin about the current state of fashion in America, the up and coming model she’s most excited to watch, and why dressing men makes her nervous. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Farmer, poet, and pioneer of the community farming movement, Scott Chaskey is the kind of progressive thinker that doesn't come around often. Weaving together his passion for farming and prose, the 66-year-old has penned multiple books on the community farming movement, creating a road-map for Americans who want to live off the land as a community. He talks to Here’s the Thing host Alec Baldwin about deciding to “eat consciously,” watching his love for the earth go global, and the food his kids hid from him when they were little. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Thelma Schoonmaker—with a face and demeanor like your favorite grade school teacher—may be the last person you’d imagine to helm the epic violence of Martin Scorsese’s films. Yet this earnest, soft spoken woman has edited every single movie he’s done since Raging Bull. The two’s relationship is considered one of the most successful working marriages in movie history, earning Schoonmaker three Academy Awards and seven nominations. But filmmaking wasn’t always the plan. She talks to Here’s the Thing host Alec Baldwin about Scorsese’s pet peeves, what it’s like to “create” violence, and the woman she credits with giving her the “greatest life in the world.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

It’s hard to imagine John Turturro—an award-winning actor, director, and writer—feeling inadequate. But even today, the big-hearted 59-year-old says he’s “still learning” his craft. Raised by Italian working-class parents in Park Slope, Brooklyn, he majored in theatre at the State University of New York at New Paltz before winning a scholarship to the Yale School of Drama. In 1989 he soared to fame as Pino in Spike Lee’s Do the Right Thing and has been steadily solidifying his role as a Hollywood superstar ever since. While balancing a kaleidoscope of roles, he’s managed to both write and direct his own movies—most recently the reimagining of a French film from the 70s. He talks to Here’s the Thing host Alec Baldwin about meeting his wife at Yale, playing James Gandolfini’s part in HBO’s The Night Of, and the crisis that almost convinced him to go to medical school. Check out video of Alec's conversation with John Turturro on Spike Lee and 'Do the Right Thing'. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Last month, as our listeners know, Debbie Reynolds died on December 28th – one day after her daughter, Carrie Fisher, died, on December 27th. Alec talked to Debbie Reynolds over three years ago for Here’s The Thing. We always hoped he would sit down with Carrie too – perhaps with her mother. Sadly, this will never happen.But as a tribute to both women, we are giving listeners a chance to relisten to Alec’s conversation with Debbie Reynolds – a woman with over 6 decades of experience in show business. She talks to Alec about her big break in Singing in the Rain. “I slept in my dressing room,” recalls Reynolds. “I didn't take any days off because I’d practice on Saturday and Sunday.” Reynolds went on to appear in Tammy and the Bachelor, The Unsinkable Molly Brown—and more recently, Mother. Reynolds talks about working with different directors and says she’s not one to hold a grudge, but warns that she does have a memory like an elephant. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Few musicians can compete with the encyclopedic musical knowledge that Ahmir “Questlove” Thompson possesses—which is great news if you got to be a student of his at NYU. When not teaching music history, the 45-year-old drummer is directing the Grammy-Award winning group The Roots—a hip hop collective that rose from “everyone’s favorite underground secret” in the late 90s to Jimmy Fallon’s house band on The Tonight Show. Whether drumming, DJ’ing, or writing a book on food, Questlove is universally beloved. “The coolest man on late night,” according to the Rolling Stone. But there is one thing this genius of music can’t do: accept that he is one. He talks to Here’s the Thing host Alec Baldwin about a three year exile in London, Jimmy Fallon wooing the Roots, and how meditation saved his life. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Patti Smith defined punk rock in 1978 with her hit song Because the Night, but the New Jersey native was never looking for fame. A lover of poetry, art, and creative expression, it was the desire to “do something great” that motivated her to move to New York at age 20—that, and hunger. The oldest daughter of a waitress and factory worker, she knew how to survive on little money. Making a lot of it, she says, was never part of her journey. But an astounding journey it’s been—one that’s sent her touring around the world, writing award-winning books, and marrying a musician with whom she had two kids. She talks to Here’s the Thing host Alec Baldwin about singing poetry with The Beats, getting saved from a bad date by Robert Mapplethorpe, and her love for 7/11’s glazed doughnuts. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

At age 15, Robbie Robertson packed up his guitar and took a train from Canada to the Mississippi Delta—or as he calls it, the “holy land of rock n’ roll.” Inspired by his Mohawk relatives' musical talents, Robertson was determined to make his own mark on the music scene—and did. After playing backup for Bob Dylan’s 1966 world tour, he joined forces with other talented musicians to form a group humbly crowned: “The Band.” Operating out of a big pink house in New York, the lyrical genius and his band mates penned classics like The Weight—still considered a masterpiece today. As his new autobiography Testimony hits the shelves, Robertson talks to Here’s the Thing host Alec Baldwin about the Indian reservation where he first learned music, the makeshift basement studio where he wrote it, and the final performance that nearly got Martin Scorsese fired. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Eric Fanning didn’t think there was a place for him in a "Don’t Ask, Don’t Tell" military, but today he’s Secretary of the US Army. He is the first openly gay leader of the armed forces. Fanning was raised in Michigan in a military family and had a life-long interest in government and politics. He earned an Ivy League education and worked in policy think tanks. But over the years, attitudes changed. And the military changed too.Fanning’s job as Secretary of the Army is like a real life game of Risk. When Russia or North Korea flexes its muscles, Fanning makes sure that US troops are ready to move to conflict borders. He ensures that those same soldiers have the tanks and body armor and weapons they need when they hit the ground in Afghanistan or Iraq.Fanning tells Alec there is a myth that the military is the first to want to go in and fight. In fact, says Fanning, it’s the opposite, because the military knows what this actually entails. Combat should be a last resort. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Born in Flint, Michigan, Sandra Bernhard was raised in a conservative Jewish family. She spent 8 months on a kibbutz out of high school, then moved to LA in 1974 at age 19 and enrolled in beauty school. She started performing in comedy clubs at night. And for many, Sandra Bernhard is a stand-up comedian – after all, she soon attracted the likes of Paul Mooney, who became a mentor. But she's also done film and TV. As she tells Alec in this episode of Here’s The Thing, Bernhard doesn’t prefer one form over the other, but says “everything feeds off the other." Bernhard talks with Alec about her 1983 breakout role in Martin Scorsese’s The King of Comedy -- and what it was like to perform opposite Jerry Lewis. Bernhard says she never wanted to settle for “just telling jokes.” She always wanted more. A bigger stage. A wider audience. She has a home on stage, but Bernhard is the first to admit that she finds manual labor – like cleaning the kitchen or doing laundry – freeing. “It’s meditative,” she tells Alec, who concurs. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

In the 1980s, Athens, Georgia, rock band R.E.M. was the epitome of the artful "alternative" band— producing a string of beautiful, if occasionally inscrutable albums, and slowly evolving over time. But then came Out of Time, the band's true arrival as global rock stars, riding largely on the strength of “Losing My Religion,” which was in constant rotation on TV and radio throughout 1991. It was the moment the band snapped into crisp pop focus—and lead singer Michael Stipe stepped with somewhat more gusto into his role as frontman. Stipe led the band through twenty more years of bold experimentation, massive success, and the occasional misstep—but never insincerity. R.E.M. disbanded in 2011, and, for the last five years, Stipe has channeled his new time and energy into photography, teaching, and politics. And while his songs will almost certainly last in the cultural memory for a very long time, Stipe himself has even broader ambitions. Like living until he’s a hundred and twenty, for starters. He talks to host Alec Baldwin about his long-term plans, as well as more immediate concerns, like voting. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Over the course of a career that has lasted more than half a century, Canadian singer-songwriter Gordon Lightfoot has achieved global stardom and exceptional influence. Bob Dylan’s a fan—he's said, “I can’t think of any [Lightfoot songs] I don’t like.” These songs—“Beautiful,” “Sundown,” “If You Could Read My Mind,” and many others—have been treasured by generations of popular musicians and listeners around the world. But Gordon Lightfoot was just one of many aspirants who moved to Toronto in the early 1960s to try their hand in the burgeoning folk music scene there. Lightfoot tells host Alec Baldwin about fitting a feeling to a melody, why he owes his first hit record to an exec's girlfriend, and how he wrote "The Wreck of the Edmund Fitzgerald" by pulling lines straight from the newspaper. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Each week, more than 400 radio stations across the country air "On The Media," a program that takes a hard look at the boldfaced names in the headlines—and the smaller names in the bylines. The program has won many awards for its role as a watchdog for journalistic accountability—including a Peabody, the highest honor in broadcast journalism. Recent episodes have investigated why it's difficult to report on prison strikes, shamed the editorializing of infamous “sting operation” videographer James O’Keefe, and pondered ExxonMobil's climate change research. The show's co-host, Bob Garfield, brings a skeptic's ear for opinion and an insider's knowledge of how the spin factory works: for 25 years, he keenly dissected commercials for Ad Age magazine. He tells host Alec Baldwin that, despite his mellifluous voice, he wasn't a shoe-in for radio, and explains why his outrage at telemarketers mirrors his indignation at being fed political bull. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Howard Schultz wasn't born into business. A Brooklyn boy whose father worked menial jobs to support the family, Schultz thought his way out would be through sport. That is, however, until he broke his jaw on the football field at 18 (an injury from which Schultz is still recovering). For the next three years, he made cold calls, a job he hated but which ultimately taught him about how to sell himself. He soon connected those selling chops with a small Seattle coffee roastery called Starbucks. He hoped to expand the chain to 100 stores; Starbucks now has 25,000 locations across the globe. Howard Schultz—who has been at the helm as CEO for most of the company's history—tells host Alec Baldwin that at the core of that success is a desire to build the kind of socially enlightened, employee-focused business that his father was never able to work for. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Elliott Gould has lived a life in show business. He was just 12 when he started singing and dancing in a vaudeville routine in 1951. Dancing has been a fixture: Gould says he tangoed with his mother to "I Get Ideas" at his own bar mitzvah, perhaps hinting at the career-long mix of serious artistry and arch comedy (with a bit of outré sexual antics thrown in) that was to come. His breakout role came in the 1969 romp "Bob & Carol & Ted & Alice," but Gould says it was his dancer's mind—a fixation on repetition to perfection—that ultimately caught the awareness of director Robert Altman. The two achieved mutual career standouts with films like "M*A*S*H," "The Long Goodbye," and "California Split." The latter is a film about the dark side of gambling—Gould's own struggle with gambling addiction would later add a subtle depth to his role in the "Ocean's Eleven" franchise. Gould told host Alec Baldwin about all this and more at the TCM Classic Film Festival this past April, and opened up about his relationships with Donald Sutherland, his first girlfriend (and, for a time, wife) Barbra Streisand, Ginger Rogers, Jack Nicholson, Ben Affleck, and many others. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

In Iris Smyles' new book "Dating Tips for the Unemployed," the main character 'Iris Smyles' embarks on a personal journey (modeled on Homer's "Odyssey") that involves plenty of emotional shipwrecks and failures to launch. The source material is closely drawn from the author's own off-center life. Smyles tells host Alec Baldwin about her preternaturally early interest in classic literature, details how and why she indulged her self-destructive streak, and explains why the five years she lived like a typing monk were the best of her life. "Who wants to be moderate at anything?" says Smyles, "That's so boring." Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Kevin Kline is one of the most acclaimed entertainers working today. So how did the kid from St. Louis end up with an Oscar, two Tony awards, and a career that has intersected with those of Meryl Streep, Angela Lansbury, John Cleese, and Kenneth Branagh, to name just a few? He says that, at Juilliard, the answer came in the form of a pair of tights and lots of dance practice, as well as a merciless culling of his midwestern elocution. Kline's career accelerated early: a cross-country tour with the soon-to-be renowned acting company founded by the great John Houseman led to Tony-decorated roles (three years apart) in "On the Twentieth Century" and "The Pirates of Penzance." His first film role soon followed, opposite Streep in "Sophie's Choice." Kline's stage and screen stock hasn't dipped since. He recently spoke with Alec Baldwin in front of a live audience at the Two River Theater in Red Bank, New Jersey, where he assessed some of his many marquee performances, and demonstrated the most important thing he learned at Juilliard: how to do a theatrical bow from every era since the Renaissance. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Gregory Jaczko didn't grow up aspiring to work on the country's central nuclear energy oversight body, the U.S. Nuclear Regulatory Commission. He had a freshly-minted Ph.D. in physics when he received a fellowship to learn about the political process in Washington, D.C. While there, he worked with Senators Ed Markey and Harry Reid, apprenticeships that prepared him for the contentious work of navigating nuclear industry interests—or pursuing countervailing aims. In fact, Jaczko says that when he was appointed to the NRC, he "arrived with a 'scarlet N'" (for "nuclear") because Markey and Reid have combative histories with the nuclear industry and lobby. Questions about Jaczko's leadership style dogged his tenure, including allegations of angry outbursts and abusive behavior. These resulted in a series of high-profile Congressional hearings; though a later investigation cleared him of wrongdoing, Jaczko resigned before the end of his term. But he tells host Alec Baldwin that after President Obama made him the youngest chairman in the history of the Commission, his primary aim was ensuring safety at the nation's aging and decaying nuclear energy sites—especially in the wake of the 2011 reactor disaster in Fukushima, Japan. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Viggo Mortensen became a global star as a valiant crusading king in Peter Jackson's "The Lord of the Rings" trilogy. But then he deftly complicated this virtuous image with a series of dark, dense character studies for the director David Cronenberg. And his latest role is perhaps his most complex yet. In "Captain Fantastic," Mortensen plays a father who raises his six children in the wilderness—then reassesses his convictions as this bucolic fantasy collapses. The fame that came with his "Lord of the Rings" role also gave Mortensen the freedom to exercise his wider artistic imagination: he's a distinguished author, poet, painter, and publisher. Mortensen tells host Alec Baldwin how he got his acting start in school playing the ass-end of a dragon, and explains how his eleven-year-old son convinced him to say yes to the role that would make him famous. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Michael Eisner started out in show business the same way everybody else does: by taking tickets at the studio door. But most ticket takers don't end up as epochal media magnates. Eisner rose to prominence at ABC as a protege of Barry Diller, helping to take the television network to the top of the ratings with programs like Roots and Happy Days. He jumped (also with Diller) to Paramount Pictures, and during his eight year stint as president and CEO, the studio produced hit film after hit film, including Raiders of the Lost Ark, Saturday Night Fever, Beverly Hills Cop, and many more. Eisner then spent the next two decades leading The Walt Disney Company, reinvigorating the animation studio with experiments like Who Framed Roger Rabbit? and dozens of musical successes, starting with The Little Mermaid. But it wasn't just cartoons: Eisner vastly expanded the company's signature amusement parks, and spearheaded numerous media acquisitions, with Disney eventually absorbing ABC, ESPN, and launching cruise lines and sports teams. Eisner continues to experiment with new ideas and formats; his production company makes, among other things, a Netflix cartoon for adults about an alcoholic horse. Eisner walks host Alec Baldwin through his expansive film career, and explains how he views risk and reward. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Joe Dallesandro became famous as a shaggy-haired blond Adonis in the iconoclastic and transgressive Andy Warhol-produced films Flesh, Trash, and Heat, in which he helped to rewrite the rules for onscreen sexuality. He's name-checked in "Walk on the Wild Side," Lou Reed's most famous song, and that's Joe's pair of jeans on the cover of the 1971 Rolling Stones record Sticky Fingers. But, as he tells host Alec Baldwin, Dallesandro just wanted to run a pizza place. That was before a series of left turns brought him to the attention of one of the twentieth century's most influential taste makers — even if "Little Joe" didn't have a clue who Andy Warhol was at the time. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

The massively popular Netflix series Making a Murderer explores the circumstances surrounding a homicide in small-town Wisconsin, and highlights the ways the criminal justice system failed defendants Steven Avery and Brendan Dassey. Defense attorney Dean Strang became the show's unlikely hero, and internet obsessives turned him into a moral crusader and even a sex symbol. While Strang was wholly unprepared for his sudden popularity, he tells host Alec Baldwin he's glad the show is giving viewers a taste of how American justice really works outside of Hollywood tropes, and talks about what he thinks the Avery case really hinges on.Listen to Alec Baldwin's conversation with Making a Murderer writers and directors Moira Demos and Laura Ricciardi. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Michael Pollan says that every writer has a "final question," an irreducible topic to which all their work tends. For Pollan, that topic has always been nature — specifically, the ways in which the natural world and humans have co-evolved to mutual benefit. So it's funny to hear Pollan talk about his failed attempt at incinerating an animal that was giving his garden a hard time. He tells host Alec Baldwin how this experience disabused him of the pastoral notions of nature found in Emerson and Thoreau, and goes on to talk about drunk elephants, his new Netflix series Cooked, the failed Bloomberg soda ban, and psychedelic drugs. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

This interview was conducted in April 2016, prior to new reports that Anthony Weiner continued to be involved in explicit text and digital message exchanges.Anthony Weiner is charismatic, full of ideas, quick on his feet — he's a natural politician. These personal strengths were well suited to governance during his stint in the New York City Council, and as a U.S. Representative in Washington. But his personal flaws became very public, and very visible, during a series of well-publicized sexting scandals. The professional fallout was swift in both instances: Weiner resigned his House seat, and later suspended his candidacy in the 2013 race for mayor of New York City. He talks to host Alec Baldwin about the ways in which an elected official has to publicly atone for private misconduct, and considers his next professional move. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Ellie Kemper leapt into pop culture consciousness in 2009 when she joined the cast of "The Office" during the show's fifth season. Her portrayal of earnest, perky receptionist Erin Hannon introduced viewers to Kemper's strongest weapon as an actress: her own effervescent personality. And Kemper's bright disposition is now front and center in the Tina Fey-created Netflix series "The Unbreakable Kimmy Schmidt." "I am naturally cheerful and sunny — not manic," Kemper tells host Alec Baldwin. "I think for an actress, I'm the most normal I've ever met."She's also hysterically funny, and talks about her formative experiences learning improv comedy from Jon Hamm; her newfound love of Dick Cavett; and why a set of bathroom fixtures recently brought her to tears. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Mary Brosnahan recalls a trip she took to Belfast, Northern Ireland, during the height of The Troubles: she was 16, raised in a Detroit suburb, but here she saw soldiers deployed with rifles right in the city center. The trip politicized the young Brosnahan, even though the seed didn't sprout right away. She had wanted a career in the film industry, but a stint doing presidential advance work for Michael Dukakis reactivated the political animal, and conversations she had with homeless neighbors near Cooper Union suggested a focus. She took a job with Coalition for the Homeless, and quickly became its chief operating officer. In the more than twenty years since, she's been a tireless advocate for New York's homeless — a population that now surpasses 60,000. Brosnahan sketches the history of the chronic urban problem for host Alec Baldwin, and offers insight into what she's learned at the helm of a New York institution. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Director Cary Fukunaga was born half-Japanese, half-Swedish. His works travel wide cultural distances, as well. He's told an immigrant story (Sin Nombre), created authentic British period drama (Jane Eyre), and explored gothic noir (True Detective). His latest film, Beasts of No Nation, travels to an African country of no name. And while he's got a great eye for the specifics of his locations, Fukunaga also studies the emotional landscapes of complicated characters. He tells host Alec Baldwin that he enjoys the conflict between the appearance of normalcy and a darker underlying reality.WNYC wants to get to know you better! Take our survey Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

In 1993, tens of thousands of native Ecuadorians filed a civil suit against oil giant Texaco, alleging that the corporation's activity in the country's north-east Lago Agrio oil fields resulted in the poisoning of drinking water, land toxicity, and biological defects and cancers among local communities. A young Harvard-trained lawyer named Steven Donziger first visited Ecuador in 1993 as part of the plaintiffs' legal team. After decades of litigation — still ongoing — Donziger has ultimately become the Ecuadorian plaintiffs' primary American legal counsel, as well as an outspoken critic of the legal tactics employed by Texaco (which was absorbed by Chevron in 2001). In 2011, Donziger won in Ecuador, resulting in a $9.5 billion judgment against Chevron. But a federal judge in New York ruled that the judgment could not be enforced due to what he described as the “dishonest and corrupt” measures of Donziger’s team. Donziger is currently appealing that decision. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Joanne Liu is the the International President of Médecins Sans Frontières (Doctors Without Borders), a non-governmental organization that administers humanitarian medical aid and assistance to war- and disaster-ridden areas. They don't just treat victims of bomb blasts or famine; MSF also makes public pronouncements about the political forces exacerbating oppressive conditions for innocent civilians. MSF's resolve to work in the world's most dangerous places has been tested lately. Last October, a U.S.-led airstrike in Kunduz, Afghanistan, devastated a non-partisan hospital run by the organization, and killed dozens of people. And this February, at least seven people were killed after another airstrike hit an MSF-supported hospital in Syria's Idlib province.Despite the blows her organization has incurred over the last year, Liu tells host Alec Baldwin she still believes that wars have rules about the treatment of non-combatants and civilians, and articulates MSF's role in addressing protracted political conflicts that compound injury to innocent people. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

For movie fans who came of age in the 1980s, Molly Ringwald is the definitive "it" girl. As the creative inspiration for director John Hughes, Ringwald was the de facto center of generationally-significant films like 'The Breakfast Club,' 'Sixteen Candles,' and 'Pretty in Pink' (written by Hughes and directed by Howard Deutch). Her red hair and sardonic wit became cultural icons all their own, and made Ringwald one of the greatest teen stars in film history. But she tells host Alec Baldwin that these films, as important as they are to a whole generation of movie fans, are passing moments in her growth as an artist and an actor: she's written two books, acted in numerous films and television shows, and released a jazz record, 'Except Sometimes,' in 2013. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Mickey Rourke started boxing as a young man as a way to cope with a rough home and a rough neighborhood. He was undefeated as an amateur in the ring, before coming to New York to study at The Actors Studio. Working with renowned acting coach Sandra Seacat, Rourke found success on the screen in the 1980s, starring in The Pope of Greenwich Village, Body Heat, Angel Heart and others. But there was a string of disappointments, too — and a reputation for being a pugnacious collaborator — and Rourke disappeared from Hollywood for much of the 90s and early 2000s. He resurfaced in the acclaimed 2009 drama The Wrestler, and was nominated for an Academy Award. Rourke tells host Alec Baldwin about how he learned to throw punches in his childhood, and why boxing is still the source of his pride and his renewed on-set discipline. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

In 1985, Steven Avery was convicted and imprisoned for sexual assault in Manitowoc County, Wisconsin. He served nearly two decades of his sentence before being exonerated on the basis of new forensic evidence. Shortly after launching a multimillion dollar lawsuit seeking compensation for his wrongful detention, Avery was arrested and convicted for a horrific local murder. The ten-part Netflix documentary series Making a Murderer examines both cases, and asks whether and in what ways the criminal justice system has failed Avery over the last thirty years. The series, written and directed by Laura Ricciardi and Moira Demos, has caused an uproar, and the case is undergoing new public scrutiny based on the film's interviews and narrative heft. The filmmakers tell host Alec Baldwin why the current case against Avery is inconclusive, why they're disappointed in public statements from officials familiar with the case, and how a decade of collaboration has changed them as professionals and partners. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

In anticipation of a new season of Here's The Thing, we're looking back at some of our favorite interviews from 2015. The Graduate. Midnight Cowboy. Lenny. That's just the beginning of Dustin Hoffman's legendary Hollywood career. Over the last five decades, he's stretched and contorted himself into dozens of defining roles, earning recognition as one of the most talented actors in cinema history. Hoffman tells host Alec Baldwin that he savors each new opportunity like it's the first, and recalls his salad days when he was mis-cast, underestimated, and, on at least one notable occasion, sick on a co-star's shoe. Edie Falco says she is nothing like Carmela Soprano. Nor does she have much in common with Nurse Jackie. But Falco made these characters two of the most identifiable and human women in television history. She has an armful of Emmys, Golden Globes, and Screen Actors Guild Awards—and a cadre of dedicated fans—to prove it. Along the way, she's battled cancer, raised two children on her own, and is a recovering alcoholic. She credits her multiple successes to good luck, great mentors, and says there's no predicting which way her career could have gone—or will go yet. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

It's a new year — and soon, a new season of Here's The Thing. So today we're looking back at two of our favorite interviews from 2015.After shooting the pilot for Sex and the City, Sarah Jessica Parker told HBO she didn't want to go through with the project. But after the first day’s taping, she says, she "didn't want to be anywhere else." Parker is now indelibly linked with her character Carrie Bradshaw—one of the most prominent women in the history of television. Ian Schrager is in the hospitality business. Hotels or nightclubs, uptown or downtown, Miami or Manhattan, Schrager defines luxury and leisure. In 1977, he co-founded Studio 54, which quickly became the epitome of the disco era's cultural mores. It was Mick Jagger, Andy Warhol, Cher, and as Schrager recalls, "serious, sweaty dancing." Today, Schrager says nightclubs are a young person's business; he's long since reinvented himself as one of the pioneers of the boutique hotel. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

The London Philharmonia is one of the world's great performing ensembles; over its seventy year history, it has engaged conductors as distinguished as Wilhelm Furtwängler, Arturo Toscanini, Richard Strauss and others. Today, Finnish composer Esa-Pekka Salonen holds the baton. He has, of course, absorbed the great traditions of the Old World, but found fresh inspiration in a somewhat unlikely setting: Tinseltown. Salonen spent almost twenty years at the helm of the Los Angeles Philharmonic before landing in London."It was incredibly helpful to be away from the European, arrogant intellectual canon," Salonen says. "Of course when I started out, I had some residue of that 'culture as medicine' thing. Which is vile."As if all of this wasn't enough to keep busy, now Salonen is also the Composer-In-Residence at the New York Philharmonic. He joins host Alec Baldwin to talk about his passion for composing; the psychological difference between conducting and composing; and why he has a complicated relationship with Italian opera. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.