Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Bartees Strange is an amalgamation of musical styles. Listen to any given song on his newest release, Farm To Table, and you can hear hints of early aughts emo, auto-tuned hip-hop vocals, and country blues—all housed in an indie rock veneer. Bartees wide-reaching sound makes perfect sense given his Midwest upbringing and early influences. He was raised in Mustang, Oklahoma as one of the few Black kids in an area rife with racial violence. As a teenager he discovered Christian hardcore punk and for the first time he felt at home in a scene that embraced outsiders of all kinds. After graduating college and a stint working in D.C., Bartees moved to Brooklyn where he found a bunch of musical collaborators. In 2020 he released his debut album, Live Forever, and this year he dropped his follow-up album, Farm To Table, to critical acclaim. On today’s episode Justin Richmond talks to Bartees Strange about his ascent into the upper echelon of indie rock, now that he considers artists like Phoebe Bridgers and Lucy Dacus friends. Bartees also performs an acoustic version of his song “Heavy Heart," and he plays stems from two songs off his new album, revealing how he is able to expertly build what he calls, “sections on sections.” You can listen to a playlist of some of our favorite Bartees Strange songs HERE.See omnystudio.com/listener for privacy information.

Sylvan Esso’s Nick Sanborn and Amelia Meath have been making music together since 2013, when Amelia asked Nick, a music producer and bassist, to remix her band Mountain Man’s hit single “Play It Right.” He did, and the rest is history. Sylvan Esso has always had a very sleek, electro-pop feel to their production. Amelia’s powerful voice is front and center, surrounded by harmonies and samples of her own voice. Nick’s genre-destroying bass creates intricate, pulsing grooves for Amelia’s voice to inhabit. Now, the married couple and electronic duo have released their fourth studio album, No Rules Sandy. It’s a follow-up to the band’s Grammy-nominated 2020 album, Free Love. The new album is a mix of improvisation and experimentation. On today’s episode, Bruce Headlam speaks with Amelia and Nick about their creative process and how No Rules Sandy came to be. They also play two songs off their new album live. You can hear a playlist of some of our favorite Sylvan Esso songs HERE.See omnystudio.com/listener for privacy information.

Today we have Susan Tedeschi and Derek Trucks of the Tedeschi Trucks Band on the show. Derek Trucks made his name as a slide guitar prodigy with a Hall of Fame pedigree. He’s the nephew of Butch Trucks, drummer of the Allman Brothers Band, who Derek toured with extensively throughout the 2000s before forming the Derek Trucks Band. Somewhere along the road, Derek met another great guitarist with a Berklee-pedigree, Susan Tedeschi, who is one of the best singers working today. Eventually the two married and merged their bands in 2010. Their latest album, I Am The Moon, is a collection of 24 songs across four different albums. On today’s episode, Justin Richmond speaks with Susan and Derek about the beginnings of their band, and how their new album came to be. They also play some of their new songs live from backstage at the Greek Theater in Los Angeles. You can listen to a playlist of some of our favorite Tedeschi Trucks Band favorite songs HERE.See omnystudio.com/listener for privacy information.

We have friend of the show Jack White back on the show today along with a legendary special guest. This conversation with Rick Rubin is full of fascinating ideas, asides and musical history that let you know just how deep Jack White is. Jack's work and a business ethic is unparalleled. His label Third Man Records has a rich roster of artists and three retail stores. They also own one of the few fully operational vinyl pressing plants in the U.S. which has been working overtime to keep up with the surging demand for vinyl. Jack also released two full length albums this year, and he’s currently on a worldwide tour. After a recent two-night stand in Los Angeles, Jack stopped by Shangri-La to talk to Rick Rubin about the early Garage Rock scene in Detroit that helped shape him and The White Stripes. He also shared potential theories about why the “Seven Nation Army” riff is so catchy. And then he treats Rick and a surprise guest to an acoustic performance of his new song “A Tip From You To Me.” And to cap it all off, we will hear exclusive details about an exciting new project Rick’s been working on, that will be out soon. You can listen to a playlist that includes Jack White's latest album, along with all of our favorite songs from him, The White Stripes, and a sampling of his many side projects HERE.See omnystudio.com/listener for privacy information.

Today we are re-visiting one of our favorite episodes from 2019 featuring Rick Rubin in conversation with Justin Vernon and his engineer Chris Messina. In 2006 Justin Vernon started Bon Iver as a solo project after the end of a romantic relationship and the break up of his college band. Justin recorded Bon Iver's first album, For Emma, Forever Ago, alone over three months in his dad’s hunting cabin deep in the woods of Western Wisconsin. His setup consisted of a small recording rig and a couple guitars. In the years since, Justin Vernon’s music has evolved dramatically. For one, Bon Iver is no longer a solo project—it’s still centered around Justin, but it now includes a bunch of musicians and collaborators including his engineer, Chris Messina. On today's episode, Justin talks about how allowing himself to be bored without any guilt, led to him creating his now classic debut. He also talks about how the harshness of the Wisconsin winters along with the absence of any big city thrills first influenced his sound. And, Justin explains his unwavering love for his favorite song of all time “Fugitive,” by The Indigo Girls. Listen to a playlist of some of our favorite Bon Iver songs HERE.See omnystudio.com/listener for privacy information.

Today we are revisiting one of our favorite early episodes of Broken Record with the legendary producer, Nile Rodgers. Over the course of his five decade-long career, Nile Rodgers has performed on, written, and produced some of the greatest dance songs of all time, including Diana Ross’s “I’m Coming Out,” Daft Punk’s “Get Lucky,” and Madonna’s “Like A Virgin.” Back in Fall of 2018, Nile met up with Bruce Headlam at the same New York City recording studio where 35 years earlier, Nile recorded the Let’s Dance album with David Bowie. This time around, Nile brought his famed disco funk band Chic to the interview to perform live renditions of their classic hits including, “Le Freak,” “Good Times,” and “Everybody Dance.” So all the music you will hear in today’s episode was recorded live, just for us. In between performances, Nile shares exhilarating stories from his life, including how he found salvation as a young jazz guitarist whose teenage mom struggled with heroin addiction. Nile also talks about the night he played old James Brown tunes with Prince and Rolling Stones guitarist Ron Wood at a small club in London. And he explains what it was like going clubbing with Madonna as her star was starting to explode in the mid-’80s. You can listen to a playlist of some of our favorite songs produced by Nile Rodgers HERE.See omnystudio.com/listener for privacy information.

Kaytranada’s futuristic, soulful disco sound is suddenly everywhere—including on his new hit song “Twin Flame” with Anderson .Paak. The Haitian-Canadian DJ/producer got his start as a teenager by uploading J. Dilla and Flying Lotus-inspired beats to SoundCloud. In 2012 his edit of Janet Jackson’s “If” exploded and became a massive viral hit. In the 10 years since, Kaytranada has remixed dozens of records and released two studio albums, including the Grammy award-winning Bubba. On today’s episode Rick Rubin and Kaytranada sit down to talk about how using technology unconventionally can lead to creating an entirely new sound. Kaytra also explains the anxiety he felt as an up-and-coming hip-hop producer who could never quite connect with an MPC drum machine. And he talks about what it’s like rocking stadiums as the opening DJ on the Weeknd’s worldwide tour. You can listen a playlist of our favorite Kaytranada songs here.See omnystudio.com/listener for privacy information.

Today we are featuring a chat with two members of the Nashville-based string band, Old Crow Medicine Show—lead singer Ketch Secor and drummer Jerry Pentecost. Since forming in 1998, Old Crow has helped preserve folk and blues songs that often pre-date World War II. Old Crow has also released a number of their own songs, and in the folk tradition, put their own spin on their favorite artists’ tunes. Their most successful song to date, the platinum-certified “Wagon Wheel,” was written around a Bob Dylan chorus Ketch heard on an old Dylan bootleg. On today’s episode Bruce Headlam talks to Ketch Secor and Jerry Pentecost about Old Crow’s latest album, Paint This Town. They share how they’re raising awareness around the major contributions black musicians like Ray Charles and DeFord Bailey have made to country music. And then Ketch recalls Old Crow’s early days when they went through what he calls “hillbilly bootcamp” learning how to make whiskey, farm tobacco, and shoot groundhogs. Listen to a playlist of some of our favorite Old Crow Medicine Show songs HERE.See omnystudio.com/listener for privacy information.

Today we are featuring a conversation with the world’s preeminent banjo player, Béla Fleck. Over the course of his four-decade career, Béla has won numerous Grammys in a variety of surprising genres including Jazz, Latin, Pop, and Classical. Last year, his latest release, My Bluegrass Heart, scored the Grammy for Best Bluegrass Album. In addition to Béla’s innovative style and expert technique, he is also an advocate for keeping the banjo’s rich historical tradition alive. In 2008, Béla made a pilgrimage to Africa to trace the origins of the banjo in the documentary Throw Down Your Heart. On today’s episode Bruce Headlam talks to Béla Fleck about growing up in New York City where he first fell in love with the banjo while watching the Beverly Hillbillies. Béla also talks about how jazz giants like Chick Corea and Charlie Parker influenced his highly technical style. And, Béla explains why he believes the banjo is far superior to the guitar. Listen a playlist of some of our favorite Béla Fleck songs HERE.See omnystudio.com/listener for privacy information.

Nilüfer Yanya is a 27-year-old singer/songwriter from West London. After several years of hitting small stages with her guitar, Nilüfer broke through in 2016 with a series of soulful, indie-pop EPs and singles. Justin Richmond spoke with Nilüfer in April, just after her performance at Coachella, about the release of her second album, PAINLESS. The album’s tracks are laden with electronic drums and raucous guitar. They play like a diary entry, wrenched with heartbreak, loss, and hope. On today’s episode Nilüfer talks about the collaborative songwriting process she has with her producer, Will Archer and friend, saxophonist, Jazzi Bobbi. She also recalls how she wrote her first songs as a 10-year-old, and how she always dreamed of being a guitarist in a band, rather than a solo act. Hear a playlist of all of our favorite Nilüfer Yanya songs HERE.See omnystudio.com/listener for privacy information.

Swedish-born singer Neneh Cherry’s four-decade-long career has ricocheted between a number of genres including hip-hop, jazz, and trip-hop. Her first single in 1988, “Buffalo Stance,” cemented her standing as a no-nonsense Black feminist voice in contemporary urban music. This year Neneh released her sixth album, “The Versions.” It’s a collection of cover songs of some of Cherry’s biggest hits, and is performed exclusively by female artists including Robyn, Sia, and Neneh’s daughter Tyson. On today’s episode Bruce Headlam talks to Neneh Cherry about her bohemian upbringing in Sweden, New York and London with stepdad Don Cherry, the famous jazz trumpet player. Neneh also recalls how she first met The Slits, the legendary all-girl punk group. And why despite scoring her first big hit with a cheeky rap verse, she never considered herself a real MC. Hear a playlist of all of our favorite Neneh Cherry songs HERE.See omnystudio.com/listener for privacy information.

Today on the show, we're welcoming Grammy award-winning singer-songwriter, Lyle Lovett. Lovett follows in the footsteps of Texas troubadours like Guy Clark, Walter Hyatt, and Townes Van Zandt. In 1986, Lovett helped lay the foundation for the alternative country and Americana movements with his debut, self-titled album. Since then, he has continued to light up country music with a rich blend of country, big band, blues, folk, and jazz. All of those sounds are on display in 12th of June—his first new album in a decade. On today’s episode Lovett speaks to Bruce Headlam about his new album, a project rooted in home and family, which makes sense considering at 64 years-old, he's a new dad to twins. Lovett also shares stories of his early days playing gigs around Texas A&M. Hear a playlist of all of our favorite Lyle Lovett songs HERE.See omnystudio.com/listener for privacy information.

Today we have a fun follow-up to last week’s episode with Johnny Echols from the band Love. This week we’ll hear Rick interview the last two living members of The Doors—guitarist Robby Krieger and drummer John Densmore—about coming up in the LA rock scene alongside the band Love, who The Doors idolized and then later eclipsed. The Doors formed in 1965 and burned white-hot, releasing six albums in five years, until the death of their larger than life lead singer, Jim Morrison. In their brief time as a band, The Doors quickly became one of the biggest acts of the late 60s. Their anti flower-power appeal was accentuated by Jim Morrison’s heavy, brooding lyrics, and keyboardist Ray Manzarek’s frenzied organ licks. On today’s episode Rick Rubin talks to Robby Krieger and John Densmore about their tumultuous history with Jim Morrison—who John refers to as a “Kamikaze drunk.” Both Robbie and John recall LSD-fueled stories from their early gigs with The Doors. And the role Acapulco Gold played in Jim Morrison’s songwriting process. Hear a playlist of all of our favorite Doors songs HERE.See omnystudio.com/listener for privacy information.

Today we’re closing out Black Music Month by celebrating one of Rick Rubin’s favorite albums of all time—Forever Changes by the band Love. Formed in 1965, Love was a groundbreaking, interracial L.A. group. While their name isn’t usually mentioned alongside historic psychedelic bands like The Byrds or The Grateful Dead, Love’s influence is vast. Their charismatic, fashion-forward black frontman, Arthur Lee, inspired Jimi Hendrix’s look, and in the mid-60s Love was one of the hottest bands in Hollywood. In 1967 Love recorded their third album, Forever Changes. It was the last album for the original core group with guitarist Johnny Echols and co-writer Brian McClean. The album ushered in an entirely new sound for the band, combining Baroque sounding strings with horns and folky instrumentation with poetic lyrics. On today’s episode we’ll hear some of Rick Rubin’s conversation with Detroit rapper Danny Brown, who like Rick, places Love’s album Forever Changes at the very top of his greatest albums of all time list. Then, we’ll hear Rick in conversation with Love’s lead guitarist Johnny Echols about the intense turmoil surrounding the recording of Forever Changes. Echols—who grew up straddling both Black LA and the psychedelic strip—explains how Love was responsible for getting The Doors their record deal, only to be quickly overshadowed by The Doors mainstream success. Echols also recalls first meeting the Beatles when they were an opening act for Little Richard. Check out our playlist for this episode here!See omnystudio.com/listener for privacy information.

Today we’re continuing our celebration of Black Music Month with the incredible jazz legend, Sonny Rollins. Rollins is an American tenor saxophonist and composer who is widely regarded as one of the most influential jazz musicians of all time. Sadly, now at 91 years-old, Rollins no longer plays as a result of pulmonary fibrosis. Fortunately for us though, he's able to look back over an eight-decade career that started at the beginnings of Bebop, and included playing with the Rolling Stones, and performing on stages all over the world. On today’s episode, Justin Richmond talks to Sonny Rollins about one of his first big gigs in 1949 playing alongside other jazz icons like Bud Powell and Fats Navarro. He also explains why he no longer actively listens to music, and for the first time ever, Rollins talks about how Charlie “Bird” Parker is the reason he kicked drugs. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord. You can also check out past episodes here: https://brokenrecordpodcast.com. Hear over nine hours of our favorite Sonny Rollins-featured songs HERE. If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.See omnystudio.com/listener for privacy information.

Today on the show, we’re talking to Grammy award-winning musician, Adrian Quesada who's best known as one-half of the Black Pumas. During the pandemic Adrian started working on a solo project inspired by his longtime love of psychedelic music and Latin American love songs from the ‘60s and ‘70s. The result is an album called Boleros Psicodelicos that reached number one on the Billboard Latin album chart when it was released earlier this month. On today’s episode, Adrian and a few of the singers featured on the album—iLe, Angelica Garcia and Tita—talk about how the new album came together, their collaborative process, and how boleros and baladas fit into Latin music today. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord. You can also check out past episodes here: https://brokenrecordpodcast.com. Hear a playlist of all of the songs mentioned in this episode HERE. If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.See omnystudio.com/listener for privacy information.

Today we’re talking to Dan Charnas—author, hip-hop journalist, professor, show runner, former A&R person for Def American, and also a longtime friend of Rick Rubin's. Charnas's latest book, Dilla Time: The Life and Afterlife of J Dilla, The Hip-Hop Producer Who Reinvented Rhythm is the product of four years of exhaustive research and nearly 200 interviews. On today’s episode, Rick Rubin speaks with Dan Charnas about how the roots of his new book go all the way back to a trip to Detroit with rapper Chino XL to work with the producer then known as Jay Dee. Rick and Dan also reminisce about their earliest memories together and Dan shares what it was like meeting Rick’s mother, Mrs. Rubin, for the first time. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord. You can also check out past episodes here: https://brokenrecordpodcast.com. Hear a playlist of all of our favorite songs produced by J Dilla as well as songs Dan Charnas worked on HERE. If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.See omnystudio.com/listener for privacy information.

Today we begin our month-long celebration of Black Music Month with PJ Morton—the New Orleans based singer/songwriter, producer, and keyboardist for Maroon 5. Morton recently released his eighth studio album Watch The Sun featuring collaborations with artists such as Stevie Wonder, Nas, Jill Scott, and Wale. On today’s episode, PJ Morton talks to Bruce Headlam about what it was like growing up as a preacher’s son and how his relationship with gospel music has impacted the way he makes music. He also talks about being a recovering workaholic, and his friendship with the great Stevie Wonder. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord. You can also check out past episodes here: https://brokenrecordpodcast.com. Hear a playlist of all of our favorite PJ Morton's songs HERE. If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.See omnystudio.com/listener for privacy information.

Sharon Van Etten joins us today—the singer/songwriter who Pitchfork recently crowned an “indie rock institution.” Earlier this month, Van Etten released her sixth and arguably best album, We’ve Been Going About This All Wrong. On today’s episode, Broken Record producer Leah Rose talks to Sharon Van Etten about recording her new album in her L.A.-based home studio during lockdown while attempting to balance domestic life. Sharon also explains how her inner Jersey girl comes out onstage. And why wearing leather pants and heels on stage post-pandemic feels so daunting. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord. You can also check out past episodes here: https://brokenrecordpodcast.com. Hear a playlist of all of our favorite Sharon Van Etten's songs HERE. If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.See omnystudio.com/listener for privacy information.

Today we’ll hear Rick Rubin talk to one of his all-time favorite vocalists, Tom Jones. With his soulful baritone and unique interpretation of the American R&B and gospel, Jones became a mainstay at hip venues in London, New York and Las Vegas with now-timeless hits like “It’s Not Unusual,” and “Green Green Grass Of Home.” On today’s episode, Tom Jones shares stories with Rick from his remarkable career, including the first time he met Elvis on a movie set in Hollywood—and the night he turned down an invitation to join Little Richard on stage out of fear he’d be deported. Tom also talks about why he thought Burt Bacharach’s lyrics to “What’s New Pussycat” were a joke the first time he heard them. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord. You can also check out past episodes here: https://brokenrecordpodcast.com. Hear a playlist of all of our favorite Tom Jones songs HERE. If you’d like to keep up with the most recent news from this and other Pushkin podcasts be sure to sign up for our email list at Pushkin.fm.See omnystudio.com/listener for privacy information.

Today we’re talking to Stuart Murdoch and Stevie Jackson from the Scottish folk-pop band, Belle & Sebastian. After seven years, the indie pop band is releasing their ninth studio album, their first in seven years – A Bit of Previous. The album was recorded in Belle & Sebastian’s hometown of Glasgow, after plans to record in LA fell through because of the pandemic. Bruce Headlam talks to Stuart and Stevie about their new album and the band plays songs live from the new project. Stuart also talks about how getting sick at 21 was a critical moment in his music career, and how he is not personally itching to get back out in front of a live audience. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord. You can also check out past episodes here: https://brokenrecordpodcast.com. Hear a playlist of all of our favorite R.E.M. and Michael Stipe songs HERE.See omnystudio.com/listener for privacy information.

Today we have a conversation between old friends Rick Rubin and Michael Stipe. Along with his former band R.E.M., Stipe's expert, open-hearted lyrics gave voice to the sensitive and misunderstood among us with hits like “The One I Love,” “Everybody Hurts,” and “Losing My Religion.” After R.E.M. broke up a little over a decade ago, Stipe followed other creative pursuits like photography. But now Stipe has found his way back to music and is working on his first ever solo album. On today’s episode, Michael plays Rick his new song, “Future If Future” produced by Andy LeMaster. Michael Stipe also talks about why he decided to record a solo album, and how he always intended to be super famous—and what it was like when that actually happened. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord. You can also check out past episodes here: https://brokenrecordpodcast.com. Hear a playlist of all of our favorite R.E.M. and Michael Stipe songs HERE.See omnystudio.com/listener for privacy information.

Today we have the final interview in our month-long series with the Red Hot Chili Peppers in celebration of their new album, Unlimited Love, produced by Rick Rubin. There’s only one Chili Pepper left, Mr. “I eat-drums-for-breakfast” himself, Chad Smith.Chad has always been a bit of an outlier in the band, he’s the only member who isn’t from L.A. He’s from the suburbs of Detroit and he was reared more on classic rock than punk like the rest of the band. But Chad is an integral member of the Peppers. His hard hitting style is the band’s foundation. And as we’ll hear him tell Rick, Chad fell in love with the Chili Peppers the day he auditioned for them close to 35 years ago.On today’s episode Chad and Rick talk about the lost demo sessions the Chili Peppers recorded nearly a year before they made Blood Sugar Sex Magik. Chad also talks about how “Californication” started out as what he calls “a bad reggae song.” And he remembers the time he and Flea got chased—nearly naked—by cops in Green Bay.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comHear a playlist of all of our favorite Red Hot Chili Peppers songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

This is the third episode in our four episode run with the Red Hot Chili Peppers, celebrating their new album, Unlimited Love.Today you’ll hear a very special conversation between Rick Rubin and Flea. Flea’s one of the most iconic bass players of all time and, along with singer Anthony Kiedis, one of the all time great musical ambassadors of Los Angeles.Flea talks with Rick on today’s episode about how he “rock-starred” his way into USC recently to study music theory. He remembers tearfully telling John Frusciante how much he missed playing with him, and why he reverts back to his 15 year-old self whenever he argues with Anthony. Make sure to check out next week's episode with the one and only Chad Smith!Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comHear a playlist of all of our favorite Red Hot Chili Peppers songs HERE. And check out our favorite songs featuring Flea HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

We’re continuing our run of episodes celebrating the release of the Red Hot Chili Peppers’ new album, Unlimited Love, produced by Rick Rubin. We left off our episode last week with Anthony Kiedis popping in to join Rick’s conversation with Chili Peppers' guitarist John Frusciante. Today we have part two of Rick’s conversation with John and the band’s iconic frontman.On this episode we'll hear Anthony talk about how some of the new song lyrics came together, the lengths he went to commute to the studio in Hawaii where he was recording vocals with Rick. And both Anthony and John give their accounts of John’s third return to the band. Make sure to check out Rick's interview next week with the almighty Flea.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comHear a playlist of all of our favorite Red Hot Chili Peppers songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Today is the start of a month-long run of episodes in celebration of the Red Hot Chili Peppers’ newest album, Unlimited Love. We kick things off with Rick Rubin in conversation with the Chili Peppers' guitarist, John Frusciante. If you’re a diehard fan you know why the release of their new album is so exciting. Unlimited Love is their first record with John in 16 years.In this episode, you’ll hear John tell Rick about his deep musical exploration as a young guitar player. He also talks about how he fell in love with the Chili Peppers as a teenager, and what it was like joining the band he’d become such a big fan of at just 18 years-old. And in the end, John and Rick are joined by a very special guest.Part Two of this conversation continues on the next episode . . .Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comHear a playlist of all of our favorite Red Hot Chili Peppers songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Missy Elliott is one of popular music's greatest innovators. This year is the 25th anniversary of Missy’s classic debut album, Supa Dupa Fly. When that album dropped, Missy’s unconventional rhyme schemes paired with her childhood friend Timbaland’s futuristic production set a precedent for what was creatively possible in hip-hop. And throughout her career, Missy’s maintained that same level of playful creativity.This year Missy broke records when she was recognized as having more platinum albums than any other female rapper. She’s also the first female MC to be inducted into the Songwriters Hall of Fame for songs she's written for Mariah Carey, Beyoncé, Destiny’s Child and Aaliyah’s biggest hits: “One In A Million,” and “If Your Girl Only Knew.” Today Rick Rubin talks to Missy Elliott about her wide-reaching influence and creative process. She explains what it was like writing for Aaliyah, who was one of the first artists to embrace Missy and Timbaland’s unique style. She also talks about why she and Timbaland made a pact not to listen to any other music while recording her debut album.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comHear a playlist of all of our favorite Missy Elliott songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Today we have the one and only Patti Smith on the show. Patti is the prototypical downtown, New York City artist. Her 1975 debut album Horses is credited as one of the masterpieces of its time. It also cemented her as one of rock n roll's great lyricists. But her writing extends far beyond music. Her 2010 memoir, Just Kids, won the National Book Award for its brilliant portrayal of the ‘70s bohemian art scene in New York, and Patti’s experience living in the Chelsea Hotel with the famed photographer, Robert Mapplethorpe. Today Patti publishes near-daily offerings of poems, songs and serialized fiction on her Substack newsletter. It’s a journal of sorts that she started during the solitary days of the pandemic. On today’s episode, Malcolm Gladwell talks to Patti Smith about her writing in the studio Jimi Hendrix built, Electric Lady. It was there, she tells Malcolm, that she met Hendrix in 1970—just weeks before he passed away. Patti also talks about hanging out with and writing lyrics for Janis Joplin, and she recalls the fun she had during a failed attempt to cover Adele in concert.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comHear a playlist of all of our favorite Patti Smith songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Bonnie Raitt is many things—a Rock ‘n Roll Hall-of-Famer, an incredible blues guitarist, an underrated songwriter, and a fierce advocate for social justice. Bonnie was offered her first record deal as a college student in 1971 after a reporter saw her play an early gig in NYC, but it took almost two decades before she peaked commercially with her tenth album, Nick Of Time. Throughout her long career Bonnie has helped preserve American blues music by recording songs from little-known but classic songwriters.On today’s episode Bruce Headlam talks to Bonnie Raitt about her meticulous song-selection process and the inspiration behind the tunes she wrote for her new album, Just Like That. Bonnie also talks about a somewhat awkward dinner she had with Prince. And how her slide guitar technique will forever be tied to giving her brother the bird.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comHear a playlist of all of our favorite Bonnie Raitt songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Beach House is a psych-pop band with a die-hard cult following. Since their 2006 debut album, their lush, cinematic sound has been sampled by artists like Kendrick Lamar and The Weeknd. And Kanye recently posted a picture on Instagram collaborating with Beach House in the studio. In January, Beach House began releasing their most ambitious project yet—a double album that debuted at number one. It’s called Once, Twice, Melody and it’s their first entirely self-produced album and the most dynamic in scope. On today’s episode Broken Record producer Leah Rose talks to Victoria Legrand and Alex Scally of Beach House about the inner-workings of their unique creative partnership. They also talk about how the warmth of Bob Marley’s music has indirectly inspired the band, and they explain why sometimes you have to just get over yourself for the sake of show business. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comHear a playlist of all of our favorite Beach House songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

To kick off our month long celebration of Women's History Month, today we are featuring an interview with the great Judy Collins. At 82 years-old, Collins is in the midst of a creative shift. She first made a name for herself in the 60’s folk revival covering songs by artists like Leonard Cohen and Bob Dylan. But this year, for the first time in her career, she’s released an album written entirely by herself. The album’s called Spellbound. And the music feels right at home with some of the best in her catalog.On today's episode she tells tells Bruce Headlam about her recent burst of activity, which includes six albums in the last six years. They also talk about her working relationship with Leonard Cohen, and how she actually lived the rugged life that peers like Dylan could only sing about.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comHear a playlist of all of our favorite Judy Collins songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Robert Plant is arguably the most iconic rock vocalist of all time. As the frontman for Led Zeppelin, his dynamic, soaring vocal style was the perfect lead for the band’s unparalleled musicianship. After Zeppelin broke up in 1980 following the death of drummer John “Bonzo” Bonham, Plant set out on his own and recorded songs that drew inspiration from North African music, psych rock, and the Blues. In 2007 Plant began collaborating with Alison Krauss, the famed bluegrass singer and fiddle player. Under the guidance of producer and Broken Record alum, T Bone Burnett, their first album, Raising Sand, sold over a million copies in the US and won five Grammys, including Album of the Year. On today’s episode, Rick Rubin talks to Robert Plant about recording his latest release with Krauss, Can’t Let Go. Plant also talks about how a trip to the Sahara in the early ‘70s with Jimmy Paige inspired them to write “Kashmir.” And he remembers the first time he met John Bonham as a teenager and Bonham declared himself, “the best drummer in the world.”Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.com Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Jon Batiste is an overachiever. Batiste is the bandleader on The Late Show With Stephen Colbert and an Oscar-winning composer for the Pixar animated movie, Soul. He also received the highest number of Grammy nominations this year, with eleven, including Album of the Year for his most recent release, We Are.On today’s episode, Bruce Headlam talks to Jon Batiste about what it was like coming up as a young musician in legendary New Orleans bar rooms. Batiste also reminisces about setting up a piano in the midst of Brooklyn protests after George Floyd’s murder. And he explains what it meant to have Obama call him personally after hearing his new album.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Jon Batiste songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Stevie Van Zandt is the ultimate underboss. His first big break came in the mid-70s as Bruce Springsteen’s right-hand man, guitarist, and occasional co-producer in the E Street Band. Later he seamlessly made the jump to acting as one of Tony Soprano’s key consiglieres, Sil, on The Sopranos. Van Zandt recently released his memoir, Unrequited Infatuations, which details his career over the past 50 years. On today’s episode Bruce Headlam talks to Van Zandt about the budding New Jersey rock n’ roll scene in the ‘60s, and what it was like recording with legendary R&B singers like Ronnie Spector and Darlene Love. He also reminisces about first meeting Springsteen—who Van Zandt says he saw go from a shy kid who was too timid to speak, to one of the greatest entertainers of our time.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Stevie Van Zandt songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Todd Rundgren is a multi-talented musician who has made a name for himself both as a solo artist and a visionary music producer. Rundgren’s crowning achievement though was producing Meatloaf’s album Bat Out Of Hell, which is to this day one of the highest-selling albums of all time. In addition to recently being inducted into the Rock and Roll Hall of Fame, Rundgren has been busy working on a new album of collaborations called Space Force with artists like Sparks, Rivers Cuomo, and Ben Folds that’ll be out later this year.On today’s episode we’ll hear a conversation Rick Rubin had with Rundgren just weeks before the start of the pandemic. They talk about why he was the only producer who would work on the debut album for Meat Loaf, who just recently passed away. Todd also talks about engineering the third album for The Band when the group was in the midst of turmoil, and why he always turns off Taylor Swift’s music.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Todd Rundgren songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

In the 1970’s Jackson Browne was known as one of the originators of the carefree, California classic rock sound with hits like “Doctor My Eyes” and “Running on Empty.” As his career progressed, Jackson Browne’s knack for writing soul-searching lyrics turned more political. Browne continues to use his music as a vehicle for change today. His latest album, Downhill From Everywhere, was inspired by a documentary about the Pacific garbage patch and our impact on the planet.On today’s episode Bruce Headlam talks to Jackson Browne about how he is able to turn catastrophic headlines into palatable songs. Browne also talks about moving to New York City when he was 18 and how he ended up writing songs for the Velvet Underground’s Nico. And Browne remembers the time his former label boss, David Geffen, shut down his attempt to quote the Black Panthers’ Bobby Seale in a song.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Jackson Browne songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Since debuting in the late ‘60s, Yusuf/Cat Stevens has made a sizable contribution to the folk canon with tender, contemplative songs like “Wild World,” “Moon Shadow,” and “The Wind.” Stevens recently reissued one of his most seminal early albums, Teaser And The Firecat, to celebrate the 50th anniversary of its release. The new edition features remastered versions of the original album along with 41 previously unreleased demos and alternate mixes. On today’s episode Bruce Headlam talks to Yusuf/Cat Stevens about what it’s like to perform his old songs after he converted to Islam in the late ‘70s. They also talk in detail about how Stevens wrote and recorded Teaser And The Firecat. And how he has come to love the rough versions of some of his songs that appear on the soundtrack for the movie Harold and Maude which was recently re-released for the movie’s 50th anniversary.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Yusuf/Cat Stevens songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Today we're sharing an episode from our friend Sam Sanders over at NPR’s It's Been a Minute podcast. This year marks the 35th anniversary of Janet Jackson's classic album, Control. That album was her first real commercial hit and, looking back, helped redefine all of pop music. It also helped establish two star producers in Jimmy Jam and Terry Lewis. In the late 80s and 90s, Janet was one of the biggest stars of our time—right up there with her brother Michael and Madonna. And yet, Jackson isn't always given her due.In this episode, host Sam Sanders explores why that is, how she made the album Control, and the incident that lasted all but a second, that changed the course of her career.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.com Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Pino Palladino and Blake Mills are renowned session musicians who recently collaborated on their own album, Notes With Attachments. It’s an experimental, jazz-leaning project that blew Rick Rubin’s mind. Pino Palladino is a bass player who has played on records with everyone from D’Angelo to The Who to Adele. Guitarist Blake Mills co-founded the band Dawes in 2005, and he has gone on to release critically acclaimed solo albums and produce records for the Alabama Shakes, John Legend and Fiona Apple. Three years ago, Pino and Blake started collaborating on what would become Notes With Attachments. The album features other incredible session musicians and pulls from influences as diverse as West African, Cuban, and English folk music.Rick talks first with Pino Palladino on today’s episode about those wide array of influences, and how hearing Motown music as a young boy in Wales changed his life. Pino also walks us through his evolution to becoming one of the most in-demand session players. Later Blake Mills joins the conversation to talk about collaborating with Pino and why he feels bad for the touring musicians who have to play his bass parts on the road.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Pino Palladino and Blake Mills songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Welcome to part two of Rick Rubin’s conversation with Neil Young. Today we'll hear how Neil's song “I Believe In You” from his 1970 masterpiece After the Gold Rush inspired a mystical experience for Rick. Neil also talks about recording After the Gold Rush and the parallels between that album and his latest release, Barn. And, Neil explains why he started writing and recording music around the cycles of the moon, and his massive archive of unreleased material that spans several decades.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Neil Young songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

When we first talked about making Broken Record, we had a short list of absolute dream guests for the podcast and Neil Young was at the top of that list. So when Neil’s new record, Barn, was announced and we were told he wanted to speak with Rick about it we were beyond excited.On today’s episode, Rick and Neil talk about the new album, and all of the archival projects he plans on releasing in the coming year. They also reminisce about the time they spent working together on some abandoned songs in 1997 that may soon be released. And Neil’s time in a Rick James fronted band that was signed to Motown, and how Neil drove from Canada to LA in a hearse. The two talked for so long we decided to make this the first of two episodes with Neil Young. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Neil Young songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

24 year-old singer/songwriter Faye Webster stopped by Shangri-La earlier this month in between stops on her tour opening for Wilco to chat with Justin Richmond and play some songs off of her latest album, I Know I’m Funny haha. Faye started releasing music independently when she was just 16 years-old. In 2017 her second album was released through Awful Records—home to the Atlanta hip-hop collective. Faye was a bit of an outlier on the rap-heavy label but working with them gave her a different perspective on recording than she otherwise would’ve had.On today’s episode Justin Richmond talks to Faye about how artists like The Ramones and Garth Brooks influenced her writing style. Faye also plays some more songs live, as well as an early demo version of “Cheers.”Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Faye Webster songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Today we have a special Broken Record Holiday episode with Nashville singer Amanda Shires. Shires’ new holiday album, For Christmas, isn’t meant to make you feel merry and bright. Instead it’s an acknowledgment of the complicated feelings that can come along with the holidays, like disappointment, longing and maybe a little bit of lust.In addition to her solo career, Amanda Shires plays fiddle and sings in her husband Jason Isbell’s band, The 400 Unit. She is also a founding member of the female country supergroup, The Highwomen, with Brandi Carlile. But way before she hit it big in Nashville, Shires played fiddle with the Texas Playboys, the legendary Western swing band started by Bob Will’s that she joined when she was just 12 years-old.On today’s episode Bruce Headlam talks to Amanda Shires about what inspired her to write a non-traditional Christmas album. Shires also explains how finding out that her Grandfather served decades in Alcatraz raised a ton of questions about her family’s history. And she recalls what happened the time she discovered her husband had ripped off one of her lyrics. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Amanda Shires songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Mary Gauthier is a folk singer/songwriter whose songs have quite literally saved her life. Writing music did not come easily to Gauthier. She began abusing drugs and alcohol as a young girl growing up in Louisiana. After years of struggling with addiction, Gauthier got clean at age 27 and began frequenting open mics around Boston. She released her debut album, Dixie Kitchen, in 1997 and moved to Nashville not long after. She has since become known for her ability to write vivid, literary-style lyrics that pull from her past trauma, loss, and heartbreak.On today’s episode Bruce Headlam talks to Mary Gauthier about how the same determination that once drove her to drink now powers her songwriting. She also talks about how conversations with young U.S. veterans inspired her Grammy-nominated album, Rifles & Rosary Beads. And Gauthier recalls seeing one particularly moving open mic performance that inspired her to become the artist she is today. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Mary Gauthier songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Michelle Zauner is the lead singer and creative force behind the indie, dream pop band, Japanese Breakfast. This year Zauner released a series of career-defining projects that propelled her band to widespread critical acclaim including her New York Times best-selling memoir, Crying In H Mart, and Japanese Breakfast's third and most ambitious album, Jubilee.On today’s episode Broken Record producer Leah Rose talks to Michelle Zauner about her triumphant year, and exactly how big she wants her band to become. Zauner also talks about casting The Sopranos star Micheal Imperioli in her video for “Savage Good Boy,” and why she ended up going a little too far in the video’s neck-biting scene.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Japanese Breakfast songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

According to Time Magazine, singer Angelique Kidjo is “Africa’s premier diva.” Kidjo started out singing traditional music in her native Benin, West Africa when she was a teenager. In 1983, she escaped the conflict-riddled Benin for Paris, where she studied music and eventually signed her first record deal with Island Records. Kidjo has since released 16 albums and won four World Music Grammys. Her latest album, Mother Nature, was released in June and features young African musicians like Sampa the Great and Burna Boy.On today’s episode Bruce Headlam talks to Angelique Kidjo about the nature of African rhythm and why it can confuse Western musicians. She also explains how she lets her songs dictate what language her lyrics should be in, and how she managed to escape her home country despite being a recognizable national pop star.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Angelique Kidjo songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Pastor T.L. Barrett has been known on Chicago’s South side as a religious and community leader for 50 years. But it wasn’t until recently that people started to uncover Barrett’s trove of gospel music. In the 1970s, Barrett began making recordings of the music performed in his church. These were sermons he’d turn into songs that sat around for years until rappers started sampling them in the last decade. People like Kanye West, T.I., DJ Khalid, Alicia Keys. All this recent attention on Pastor T.L. Barrett has culminated in a new box set from the Numero Group called “I Should Wear A Crown."On today's episode Justin Richmond talks to Pastor Barrett about his distant relation to the Reverend C.L. Franklin and of course his daughter, the great Aretha Franklin. Pastor Barrett also talks about how he went from a high school dropout to a community leader. Plus what it was like for him to have his music discovered after decades.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Pastor T.L. Barrett songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Today we are sharing an episode of Pushkin’s newest show, Backstage Pass, hosted by Eric Vetro, the voice coach to the stars. From Camila Cabello, to Shawn Mendes, to John Legend, Eric Vetro has guided your favorite singers during some of the most iconic moments of their musical lives.Today we'll hear Justin Richmond talk to Eric about his journey to becoming the most trusted celebrity voice coach. Then you'll get a preview of Backstage Pass with Ariana Grande, where she talks to Eric about her vocal range, how Broadway influences her music, and the struggles of having perfect pitch.You can hear more Backstage Pass episodes at https://link.chtbl.com/brokenrecordbackstagepass Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

If you’ve sung along to a power ballad in the last 30 years, chances are you’re already intimately familiar with Diane Warren’s songs. Some of her biggest hits include Cher’s “If I Could Turn Back Time,” Celine Dion’s “Because You Loved Me,” and Aerosmith’s “I Don’t Want To Miss A Thing.” Over the span of her 35 year-career, Diane Warren has penned hits for hip-hop, country, R&B, and adult contemporary artists. In late August she finally released her own album, The Cave Sessions Volume 1, The genre-spanning project is modeled after DJ compilation albums and brilliantly shows off Warren’s incredible range as a writer. On today’s episode Rick Rubin talks to Diane Warren about how she decided to become a songwriter when she was just 11-years-old. And how her parents built a shed in their backyard where she could work out her early arrangements. Warren also talks about her one and only music teacher—who told her dad she had no future in music—and why she feels she has yet to write her best work.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Diane Warren songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

On her intimate new album Wary + Strange, Amythyst Kiah sings her heart out about losing her mom to suicide, and what it’s like being the only black person in the room at country gigs. She created the album with Phoebe Bridger’s producer, Tony Berg, and the result is a project expertly fuses Kiah’s love for ‘90s alt-rock with her old-time, country sensibility.Amythyst Kiah performs two of her new songs on today’s episode and talks to Bruce Headlam about what it was like for a black teengager to come out as gay in a white Christian southern town. She also explains how learning of the West African roots of Bluegrass helped reaffirm her place in Americana music.Just a warning, this episode contains talk of suicide. Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out our favorite Amythyst Kiah songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.