Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Today we are sharing an episode from one of our favorite podcasts, Norah Jones is Playing Along. Norah is a multi-grammy winning artist who loves to collaborate with other musicians, so she started a podcast to do just that. Today's episode features the legendary Mavis Staples. You’ll hear stories from her time as a member of the iconic Staples Singers. We will also hear Mavis and Norah play a gospel classic, as well as pay homage to Mavis’s father, Pops Staples, along with a few other surprises. Listen, follow, and subscribe to Norah Jones is Playing Along wherever you get your podcasts, to hear more great episodes, with fantastic guest artists.See omnystudio.com/listener for privacy information.

Since his major-label debut in 2011, James Blake's haunting vocals and brilliantly edited, collage-style tracks have helped usher in a new sound in popular music. James has both produced and contributed vocals to a ton of artists including Travis Scott, Jay-Z, and Spanish megastar, Rosalia. He even earned a Grammy for best rap performance alongside Kendrick Lamar, Jay Rock and Future on the song “King’s Dead” from the Black Panther soundtrack. This month James is releasing his sixth solo album, which is a nod to his electronic music roots. It’s called Playing Robots Into Heaven—a title inspired by the modular synth James built for the album that creates sounds meant to evoke a spiritual experience conjured by machines. It’s a heady concept that translates into some of the most heartfelt and energized tracks James has made to date. On today’s episode, Leah Rose talks to James Blake about how he and his longtime collaborator Dom Maker constructed key tracks on the new album. James also recalls how a conversation with Rick Rubin changed his life. And he reveals how he spent months making new music with Andre 3000 only to learn on this podcast that it may never be released. You can hear a playlist of some of our favorite James Blake songs HERE.See omnystudio.com/listener for privacy information.

Of all the groundbreaking musicians to come out of the ‘60s, few were as engaged socially and politically as Joan Baez. A lifelong proponent of non-violent activism, Joan marched with Dr. Martin Luther King Jr. and has continued to advocate for non-violent, civil disobedience ever since. With the release of her debut album in 1960, Joan Baez became the preeminent female folkie. With just her exquisite soprano and her guitar, she reworked classic American folk songs and eventually wrote songs that helped fuel her activism. By the time she helped launch Bob Dylan’s career by inviting him on stage with her in the early ‘60s, Joan was already an international sensation. In 2019, after a career that spanned nearly six decades, Joan announced she was no longer performing live. In recent years, she’s turned her creative attention to visual art. Her new book of drawings titled “Am I Pretty When I Fly” features sketches rooted in humor, freedom, and sorrow. But, in classic Joan Baez style, her drawings defy convention—they were all drawn upside down. On today’s episode you’ll hear a live conversation Justin Richmond had with Joan Baez at the Chicago Humanities Festival in May. Joan spoke about the emotional catharsis she finds in drawing. She also talked about juggling music and activism as a young artist, and what happened when she handed over access to her personal storage unit to a group of documentary filmmakers who are making a movie about her life. And despite giving up live performance, she took a moment to serenade the crowd all with her beloved voice. You can hear a playlist of some of our favorite Joan Baez songs HERE.See omnystudio.com/listener for privacy information.

In honor of Robbie Robertson’s passing, we’re replaying an old episode of Broken Record featuring Robbie in conversation with Rick Rubin, Malcolm Gladwell and Bruce Headlam. When Robbie Robertson turned a house perched above a Malibu beach into a home studio in the 1970's, he had no idea it'd remain a refuge for artists decades later. In this episode, Robbie returns to Shangri La—now the home of our own Rick Rubin—to discuss creating the studio, helping Bob Dylan go electric with The Band, writing "The Weight" and collaborating with Martin Scorsese on his films.See omnystudio.com/listener for privacy information.

Today we're sharing an episode from another Pushkin podcast we love called The Last Archive. The fourth season of The Last Archive just dropped and it's full of truly unexpected stories and big ideas. The episode you will hear today, "Player Piano," is an audio biography of one of the most famous composers of the 20th century who most people have never heard of: Raymond Scott. He wrote tons of hits in the '30s and since then his music has been sampled by Lizzo, J. Dilla and the Gorillaz. Aside from being an avid composer, Scott was also an inventor. And later in his life, he was hired by Motown Records to create a machine that could help people write songs. He called it The Electronium. Today's episode is a crazy piece of musical history, and just a wild story. Be sure to subscribe to The Last Archive to hear other episodes about time travel, invasive species panics, freelance wiretappers-turned-evangelists, and secret science fiction family histories, and more.See omnystudio.com/listener for privacy information.

Santigold is an artist who exists at the cross-section of punk, dub, new wave and indie pop. Long frustrated with attempts like these to classify her style, Santi has always been a proud outlier among the restrictive categories used to divide music. Santi’s anti-establishment bent was in part a reaction to working as an A&R for Epic Records’ black music department. Frustrated with what they categorized as “urban music” in the early aughts, Santi left her job, went home to Philly, and started a punk band called Stiffed. After honing her chops for a few years as a lead singer, Santi released her debut solo album, Santigold in 2008. The album’s lead singles “Creator” and “L.E.S. Artistes” were a revelation when they came out, and led to Santi headlining tours around the world and even opening shows for Bjork, Coldplay, Jay-Z and the Beastie Boys. Now with three other albums to her credit, including last year’s soul-stirring Spirituals, Santigold is celebrating the 15th anniversary of her debut release. And today she’s expanded her artistic endeavors to include a podcast called Noble Champions where she mines the creative life with friends like Olivia Wilde, Questlove and Yasiin Bey. On today’s episode Leah Rose talks to Santigold about the unique path she took to build her solo career. Santi also shares why she decided to cancel her tour last year with a heartfelt public letter that shared insight into the financial and emotional toll of touring post-pandemic. She also recalls finding out that she was included in a list of influential black female artists on Beyonce’s “Break My Soul” remix. You can hear a playlist of some of our favorite Santigold songs HERE.See omnystudio.com/listener for privacy information.

Albert Hammond Jr. first rose to prominence as the lead guitarist of The Strokes—a band at the forefront of New York City’s indie rock renaissance in the early aughts. In 2007 Albert Hammond Jr. launched his solo career, putting his songwriting and abilities as a frontman to the test. He’s now released five albums, including, Melodies On Hiatus, which came out just a couple months ago. It’s a double album that he co-wrote with Canadian singer Simon Wilcox, and features collaborations with GoldLink and Matt Helders from the Arctic Monkeys. On today’s episode, Albert Hammond Jr. and Justin Richmond talk about how he was dramatically impacted by his parents’ recent divorce, despite the fact that he’s in his early 40’s. Albert also reminisces about his past life as a champion roller skater who was once scouted by Kristi Yamaguchi’s Olympic ice skating coach. And he explains why he’d never been a fan of Radiohead or Led Zeppelin. You can hear a playlist of some of our favorite Albert Hammond Jr. songs HERE.See omnystudio.com/listener for privacy information.

Paul Simon is one of the greatest living songwriters. Since debuting with Art Garfunkel in 1957, Paul Simon has written countless songs quintessential to the American psyche. This year, at 81 years old, he’s released the latest addition to his beloved catalog, Seven Psalms, to an outpouring of critical acclaim. In 2021, Malcolm Gladwell and Bruce Headlam released the audiobook, Miracle And Wonder: Conversations with Paul Simon. It’s an intimate look into Simon’s songwriting alongside never-before-heard live studio versions of hits including “The Boxer," “The Sound of Silence," and “Graceland.” This fall, we'll also be releasing an updated version of the audiobook with a brand-new chapter featuring even more from Malcolm and Paul's newly-recorded deep dive into Seven Psalms, some of which you'll hear today. To celebrate the latest chapter in Paul Simon’s 65-year-career, on today’s episode Malcolm Gladwell sits back down with Paul to discuss the creation of his latest album. Paul explains why he feels music reviews are more about the writer than the piece of music being critiqued, and he talks about why many of his lyrics take a conversational bent. He also recalls how the title came to him in a dream after he considered never writing again. You can hear a playlist of some of our favorite Paul Simon songs HERE. Check out the Miracle And Wonder audiobook at miracleaudiobook.comSee omnystudio.com/listener for privacy information.

Over the course of his 35-year career, Damon Albarn has reached international fame with two very different bands. In 1988, Damon created the rock band Blur with three friends in his native London. Blur started out as what Damon calls a “classic art school band.” They quickly moved to the forefront of the ‘90s Britpop explosion along with their formal rivals, Oasis. After a series of successful albums with Blur, Damon started Gorillaz in 1998 with cartoonist Jamie Hewlett. Dubbed as the world’s first virtual band, the Gorillaz rotating lineup includes collaborations with De La Soul, Stevie Nicks, Bobby Womack and Lou Reed. The band pulls influence from electronic music, hip-hop and world music, and over the last 25 years, Gorillaz has been wildly successful—selling over 30 million albums worldwide. Despite having found such success, Damon has never stopped exploring his artistic potential. He’s written an opera, released solo and side projects, and recently, he reunited with Blur to release the band’s latest album called The Ballad Of Darren. On today’s episode Leah Rose talks to Damon Albarn about what it’s like for Blur to headline international music festivals in 2023. Damon also reveals how Gorillaz are about to undergo a major paradigm shift. And he explains how, according to family lore, John Lennon and Yoko Ono first met at his dad’s counterculture art gallery in London. You can hear a playlist of some of our favorite Damon Albarn songs HERE.See omnystudio.com/listener for privacy information.

In September, Ben Gibbard, the founder of Death Cab For Cutie, will set out on a nationwide tour to celebrate the two very different albums that have come to define his career. Both albums came out in 2003. The first was called Give Up, and it was a collaboration with his friend and producer Jimmy Tamborello. They’d made it while Gibbard was taking a break from the relentless cycle of touring and releasing music with Death Cab. They called their new band The Postal Service. Give Up steadily built momentum, found critical acclaim, and eventually became Gibbard’s first platinum selling record. Musically, the Postal Service incorporated various synth and new wave-inspired elements behind Gibbard’s confessional songwriting style, which set a precedent for many of the indie releases over the following decade. Later that same year, Gibbard went back to his band roots and released Death Cab For Cuties’ breakthrough album, Transatlanticism. This fall Gibbard and his band will play both Transatlanticism and Give Up in their entirety. And today we’ll hear him play three acoustic renditions of his classic songs. On today’s episode Justin Richmond talks to Ben Gibbard about the conditions that led to the most successful year of his career. Gibbard also gets candid about the woman who inspired multiple songs on Transatlanticism, including the brutally honest, “Tiny Vessels.” You can hear a playlist of some of our favorite Ben Gibbard songs HERE.See omnystudio.com/listener for privacy information.

Long regarded as pop music’s resident party animal, Kesha is now dead-set on slowing down and speaking up. Since debuting on the hook of Flo-Rida’s mega smash “Right Round” in 2009, Kesha has released five albums—two of which debuted at number one. And until very recently, she was involved in a decade-long court case with her former producer and label head. Somehow despite the bitter legal battle and a public struggle with an eating disorder, Kesha has remained steadfast in sharing her art with her fans, who she affectionately refers to as her “animals.” On today’s episode Justin Richmond talks to Kesha about how working with Rick Rubin on her new album Gag Order provided the safe space she has longed for when making music. She also talks about how she channels Dolly Parton, Iggy Pop and Beyonce when she’s in promotional mode, and how early in her career she lived in a castle with roommate Devendra Banhart. You can hear a playlist of some of our favorite Kesha songs HERE.See omnystudio.com/listener for privacy information.

Rickie Lee Jones hit it big with her debut album in 1979. The following year she won the Grammy for Best New Artist, and over the course of the next four decades, she released numerous albums that pulled inspiration from jazz, rock, electronic music, and even musical-theater. In late April, Rickie released her latest album, Pieces Of Treasure, where she sings songs from the American songbook with a jazz slant. Producer Russ Titelman, who produced Rickie’s first two albums, reunited with her on her latest and helped inspire Rickie to find comfort in a lower register. The result is an oftentimes sultry meditation on aging and survival. On today’s episode Bruce Headlam talks to Rickie Lee Jones about her decades-long fight to sing jazz even though she is often viewed as an outsider. She also tells stories about leaving home as a young teenager, and the abuse she endured while trying to survive on her own. And she plays songs from her career including one she wrote after seeing John Lennon appear in a dream. And just a note before we get started – this episode contains descriptions of sexual abuse, and might not be appropriate for all listeners. You can hear a playlist of some of our favorite Rickie Lee Jones songs HERE.See omnystudio.com/listener for privacy information.

Singer/songwriter Caroline Rose has always been a character. Her music videos often feature Caroline as the screwball lead, navigating ambition, desire and super stardom. Now, on her latest album, The Art of Forgetting, Caroline is shedding all of the past pretense and offering up an unflinching look into her inner life in the midst of personal turmoil. The result is an album packed with clever lyricism and soaring arrangements produced by Caroline with help from Nick Sanborn of Sylvan Esso. On today’s episode, Broken Record producer Leah Rose talks to Caroline Rose about why she wanted to set her living room on fire for the sake of her album art. Caroline also shares an early demo of a song she wrote under a starry desert sky, and she explains how aside from herself, Caroline’s parents are her harshest critics. You can hear a playlist of some of our favorite Caroline Rose songs HERE.See omnystudio.com/listener for privacy information.

Hip-hop super producer Hit-Boy has helped create some of the biggest hits of the last decade. His discography includes classic songs with Jay-Z and Kanye West, Travis Scott, Kendrick Lamar, Beyonce, and Rihanna. His crowning achievement however are the series of albums he's produced for Nas including King's Disease and Magic. On today's episode Justin Richmond talks to Hit-Boy about how he recently introduced a new, but old, piece of equipment into his beat-making process. He also talks about the years-long process of making a beat on Beyonce's Renaissance, and he explains his creative process with Nas and how they have been able to lock in and create some of the best work of Nas's career. You can hear a playlist of some of our favorite Hit-Boy songs HERE.See omnystudio.com/listener for privacy information.

Moby never stops working. His first taste of mega-success came in the early aughts after the release of his multi-platinum album, Play. In the years since, he's released 19 more studio albums including his latest, Resound, NYC, where he re-orchestrates songs he recorded between 1994-2010. Moby has also spent a good deal of the last two decades unpacking his own unconventional upbringing and his meteoric rise to fame. He’s released two extensive memoirs, and he recently directed “Punk Rock Vegan Movie,” which explores the connection between two of his greatest passions: punk rock and animal rights. On today’s episode Leah Rose talks to Moby about his compulsive desire to make music and why he’s cut out nearly all IRL socialization as a result. Moby also reminisces about the massive party pad he bought in upstate New York that led to years of all-out debauchery. You can hear a playlist of some of our favorite Moby songs HERE.See omnystudio.com/listener for privacy information.

Arlo Parks is one of the most compelling voices of her generation. Born in London, the 22-year-old snagged the Best New Artist trophy at the Brit Awards in 2021 in part because of her breakout single “Eugene,” about an unrequited crush. Arlo’s songwriting is a vivid exploration of the euphoria and heartbreak that comes with being young and in love. This month, Arlo Parks will release her sophomore record, called “My Soft Machine.” She collaborated with producers who worked with Brockhampton, SZA and Frank Ocean. The album unpacks the anxiety of feeling lost in your 20s, and navigating the uncertainty of life with grace. On this week’s episode, Justin Richmond talks with Arlo about how seeing Black creators pushing the boundaries of popular music inspires her. She also explains how taking long drives around LA shaped the sound of her new album, and how she first started writing songs at just seven years old. Plus, we’ll hear Arlo play three of her singles live from the Village Studios in Los Angeles. You can hear a playlist of some of our favorite Arlo Parks songs HERE. See omnystudio.com/listener for privacy information.

Canadian-born singer/songwriter Feist has been one of the most dynamic indie voices of the last two decades. Last month she released her sixth album, Multitudes. She recorded it in the aftermath of tremendous personal loss and change. In late 2019 Feist adopted a baby just months before the pandemic started. About a year later, her father died suddenly. Multitudes is a raw, intimate look at how she grappled with deep-seated grief and a new kind of love. On today’s episode Leah Rose talks with Feist about how being assaulted in high school ultimately led to her gaining resilience. Feist also remembers the day her music career began when was asked to front a hardcore punk band, and how screaming on stage–and ultimately blowing out her voice–forced her to develop her intimate, career-defining singing style. You can hear a playlist of some of our favorite Feist songs HERE.See omnystudio.com/listener for privacy information.

Kenny “Babyface” Edmonds is a pillar of contemporary R&B. As a producer and songwriter, Babyface’s discography includes hits for powerhouse vocalists like Aretha Franklin, Whitney Houston, Beyonce, Ariana Grande, and Stevie Wonder. Although Babyface’s career is most often associated with pop hits, he started writing songs in the singer/songwriter tradition, pulling influence from James Taylor and The Beatles. On today’s episode Justin Richmond talks to Babyface about the childhood crushes he had that continue to inspire his songwriting today. He also plays a song he wrote in high school that he considers one of the best songs he's ever written. And he reveals how he was on the verge of making new music with Whitney Houston a month before she died. You can hear a playlist of some of our favorite Babyface songs HERE.See omnystudio.com/listener for privacy information.

Today, we’re bringing you a preview of a new audiobook, So Many Steves. Steve Martin is more candid than he’s ever been about his creative life in this engrossing audio-biography centered around a series of conversations recorded over many afternoons at home with his friend and neighbor, writer Adam Gopnik. You can get So Many Steves, exclusively on audio, now at https://www.pushkin.fm/audiobooks/so-many-steves-afternoons-with-steve-martin or wherever you get your audiobooks.See omnystudio.com/listener for privacy information.

Today we have part two of our run of interviews with The National in celebration of their new album, First Two Pages of Frankenstein. Last week Broken Producer producer Leah Rose talked to guitarist and composer Aaron Dessner, and today Leah picks up the conversation with the band’s lead singer, Matt Berninger. Matt, whose fear and anxiety are often on full display in his songwriting, talks about overcoming a debilitating bout of depression in the period before he started writing songs for the new album. He also explains how the combination of weed and iced tea help him spark creativity. And why he hopes his songwriting impresses Phoebe Bridgers and Taylor Swift. You can hear a playlist of some of our favorite songs from Matt Berninger and The National HERE.See omnystudio.com/listener for privacy information.

Today we’re kicking off a two-part series of interviews with members of The National, who just released their ninth album, First Two Pages of Frankenstein. Today’s conversation is with Aaron Dessner, The National’s guitarist and oftentimes lead composer. Outside of The National, Aaron is also a prolific producer, having worked with a slew of artists, including, most famously, Taylor Swift. During the pandemic Dessner and Swift teamed up to write music that would eventually become Taylor’s critically acclaimed indie-leaning albums Folklore and Evermore. On today’s episode Broken Record producer Leah Rose talks to Aaron Dessner about how an invitation to open an arena tour for Bon Iver led to him writing the music that he would eventually share with Taylor Swift. Aaron also talks about how The National almost came to a breaking point after a grueling tour schedule, and he opens up about his battle with depression as a teenager and how his twin brother Bryce carried him through it. You can hear a playlist of some of our favorite songs from Aaron Dessner and The National HERE.See omnystudio.com/listener for privacy information.

Roger McGuinn is best known as the driving force behind The Byrds. But McGuinn is also a preservationist of traditional folk music. For the past 27 years he’s been re-recording traditional folk songs and sharing them on a section of his website called The Folk Den. On today’s episode Rick Rubin talks to Roger McGuinn about his decades-long career, which started in the early ‘60s at Greenwich Village cafes where he played with the likes of Bob Dylan and Richie Havens. McGuinn reminisces about the vibrant music scene in LA, and he also talks about meeting his Byrd’s bandmate David Crosby. We’ll also hear Roger McGuinn play his guitar throughout the interview, and talk about how playing basketball with Bob Dylan helped inspire Dylan’s storied tour, the Rolling Thunder Revue. You can hear a playlist of some of our favorite Roger McGuinn and The Byrds songs HERE.See omnystudio.com/listener for privacy information.

Today, we’re sharing a fantastic episode from a podcast we love, Louder Than A Riot from NPR Music. Louder Than A Riot connects the stories of hip-hop's biggest artists to socio-political changes we’re going through right now. This season, Louder Than A Riot is tackling the connection between hip-hop and misogyny. Hosts Sidney Madden and Rodney Carmichael dig into the unwritten rules of rap that have marginalized Black women for decades, and highlight the rule breakers who refuse to play nice. Today's episode tells the story of the first female MC, MC Sha-Rock. She’s a rapper from The Bronx and former member of the Funky 4 Plus One More who laid the foundations of rap as we know it. But even though she’s a pioneer, Sha’s name often gets left out of conversations around the history of hip-hop. Why is that? Because decades ago, Sha-Rock had to deal with the hurdles that so many women in rap still face today: Getting tokenized by her own peers and played by the industry. You’re about to hear the story from the people who lived it: Interviews with Sha-Rock, along with rappers who she inspired like DMC and historical experts like author Clover Hope. This episode is a meditation on legacy: Who gets afforded a legacy in hip-hop? Who gets left out? And how can you reclaim a legacy stolen from you? We hope you enjoy this episode as much as we did. You can listen to more episodes of Louder Than A Riot from NPR Music, wherever you listen to podcasts.See omnystudio.com/listener for privacy information.

George Clinton revolutionized funk music with Parliament Funkadelic, whose theatrical, sci-fi, performance art has captivated audiences worldwide for over five decades. P-Funk’s blend of psychedelic rock and deep, repetitive funk grooves helped bridge the R&B and rock worlds in the ‘70s along with acts like Sly and The Family Stone. Known as Dr. Funkenstein, George Clinton orchestrated multiple solo acts under the P-Funk umbrella. By the ‘80s, Clinton was also charting as a solo artist with hits like “Atomic Dog,” all of which would later lay the groundwork for hip-hop’s classic G-Funk era. On today’s episode Rick Rubin talks to George Clinton on Zoom about the origins of his original vocal group, The Parliaments. George also reminisces about the time he dared James Brown to do the splits 18 times in a row while on a music industry panel with Madonna and the Red Hot Chili Peppers. You can hear a playlist of some of our favorite George Clinton and Parliament Funkadelic songs HERE.See omnystudio.com/listener for privacy information.

Today we have the second part of Rick Rubin’s conversation with legendary singer/songwriter Graham Nash. We dropped part one a couple of weeks ago, so definitely go check that out if you haven’t already. On today’s episode Graham tells Rick about the time the Grateful Dead were recording next to CSNY and how Jerry Garcia improvised a near-perfect pedal steel solo on “Teach Your Children.” Graham also describes a bizarre encounter with the judge who sentenced his father to prison, and he shares the inspiration behind his new solo album, Now. You can hear a playlist of some of our favorite Graham Nash songs HERE.See omnystudio.com/listener for privacy information.

U2’s The Edge is one of only a handful of guitarists who's as recognizable as his band’s wildly successful frontman. U2 has been playing together since 1976, when they were all teenagers in Dublin. Nearing their 50-year anniversary as a band, U2 just released their latest album, Songs of Surrender—a 40-track collection of reimagined and stripped down songs that span the entirety of their catalog. On today’s episode Rick Rubin talks to The Edge about his theory behind the band’s longevity. The Edge also shares stories about writing U2 classics like “New Year’s Day” and “Where The Streets Have No Name.” And he explains why Bono singing at the top of his range can be a bit much. You can hear a playlist of some of our favorite U2 songs HERE.See omnystudio.com/listener for privacy information.

At 81 years-old, Graham Nash describes his life as, “a magic story from beginning to end.” Graham’s career began in 1962 as a singer/songwriter in the British pop band The Hollies. After a string of hits in the UK, Graham left the Hollies, and moved to L.A. to start a band with the former Byrds vocalist, David Crosby, and Stephen Stills, whose band Buffalo Springfield had just broken up. From the start, Crosby Stills & Nash were dubbed a folk-rock supergroup, and they went on to become one of the era's most revered bands, thanks to their gorgeous three-part harmony and exquisite songwriting. Following the death of David Crosby in January, Rick Rubin sat down with Graham Nash to talk about Graham’s deep love and admiration for Croz. On today’s episode we’ll hear the first part of Rick’s conversation with Graham, who reminisces about the day he met Crosby, who immediately rolled Graham the most perfect joint he’d ever seen. Graham also explains how it was actually Cass Elliot from the Mamas and the Papas who was responsible for bringing CSN together, and he recalls classic stories about Neil Young’s unpredictable early days in CSNY. You can hear a playlist of some of our favorite Graham Nash songs HERE.See omnystudio.com/listener for privacy information.

Today we're excited to share a preview of Justin Richmond's new Pushkin Industries podcast, Started From The Bottom. Every week on Started from the Bottom, Justin interviews successful people who grew up on the outside—women, people of color, anyone not part of the old boy's network—to find out how they were able to beat the odds. Today's episode features an interview with Charlamagne Tha God. Over his 25 year career, Charlamagne clawed his way to the top of the radio industry. On today's episode, the long-time host of The Breakfast Club tells Justin Richmond what it took for him — a young man suffering from anxiety, constantly in and out of jail — to become an icon of modern media. Listen, follow, and subscribe to Started From the Bottom wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Today we have part two of Rick Rubin’s conversation with producer and composer, Giles Martin. In part one, Giles talked about his delicate work remastering classic Beatles albums. Today we’ll hear Giles talk about his dad, Sir George Martin, who never second guessed his own genius. Giles also shares hilarious stories from his time as a teenager living at his father’s storied studio that was destroyed by a volcano in the Caribbean. Plus, he talks about the time he was fired and then rehired by Martin Scorsese. You can follow Rick Rubin's new podcast, Tetragrammaton, at https://podcasts.apple.com/us/podcast/tetragrammaton-with-rick-rubin/id1671669052 You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE.See omnystudio.com/listener for privacy information.

Usher is one of few R&B acts from the ‘90s who has gone on to become a global superstar. Since the start of his 30-year career, Usher has sold over 65 million records worldwide. He’s also starred in the Broadway musical Chicago, been a coach on The Voice, and recently added a Las Vegas residency to his long list of artistic achievements. On today's episode Justin Richmond talks to Usher about why conflict has always been a big motivator in his songwriting—especially when working with producer Jermaine Dupri on his 2004 classic album, Confessions. Usher also explains how elder statesmen like Quincy Jones have helped him maintain a level of sophistication throughout his career. And he reveals why he thinks his first ever single was too raunchy. You can hear a playlist of some of our favorite Usher songs HERE.See omnystudio.com/listener for privacy information.

The legendary composer and songwriter Burt Bacharach passed away last week at 94. Today we are re-running an interview Bruce Headlam did with Burt and Daniel Tashian, who released an EP together in 2020 called Blue Umbrella. Justin Richmond also checks in with Daniel Tashian to talk about Burt Bacharach's tremendous skill as a composer. Danial shares the tips he took away from working with Burt, and he talks about how they were collaborating on new music right up until the end. You can hear a playlist of some of our favorite Burt Bacharach and Daniel Tashian songs HERE.See omnystudio.com/listener for privacy information.

Giles Martin may be the son of famed Beatles record producer Sir George Martin, but he’s also an acclaimed producer and composer in his own right. He’s worked on projects with The Rolling Stones, Elton John and Metallica, and is celebrated for his work remastering albums from The Beatles, including Sgt. Pepper’s, Abbey Road, and The White Album. Last October Giles’ remaster for Revolver was released along with never-before-heard home demos and outtakes from The Beatles. Giles was able to separate the original 1966 mono recording tracks with the help of director Peter Jackson’s audio team, who used AI technology. Giles' resulting mix allows listeners to hear the original recordings with clarity and precision like never before. On today’s episode Rick Rubin talks to Giles Martin about his approach to remastering the Beatles and the responsibility that comes along with it. Giles also talks about growing up in the music industry, why he didn’t have a stereo in his house as a young boy, and how he became his dad’s ears in studio sessions after his father lost his hearing. You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE.See omnystudio.com/listener for privacy information.

Today we have part two of Rick Rubin’s conversation with proto-punk icon, Iggy Pop. If you didn’t catch part one last week where Iggy talked about his early days with the Stooges and the inspiration behind some of their most seminal songs, make sure you check that out. On today’s episode you’ll hear Iggy talk in-depth about the years he spent working and touring with David Bowie. He also explains how James Brown inspired his legendary performance style, and then Iggy recalls the ridiculous antics that led to him bleeding on stage for the first time. You can hear a playlist of some of our favorite Stooges and Iggy Pop solo songs HERE.See omnystudio.com/listener for privacy information.

Iggy Pop is one of the most outrageous rock ‘n roll frontmen to ever step foot on stage. As the lead singer of The Stooges, Iggy was known for bending and contorting his sometimes-bloodied body while feverishly pacing the stage like a wild animal. Iggy’s 50-year career has been as tumultuous as his performance style. When The Stooges first broke up in the mid-70s, Iggy went solo and recorded a series of albums, some instant classics, others more experimental. At 75 years-old he’s just released his newest album, Every Loser. On today’s episode Iggy shares incredible stories with Rick Rubin about his career. Their conversation was so great that we decided to split it into two consecutive episodes. Today we’ll hear Iggy reminisce about recording Fun House in Los Angeles, and the first time he saw the ocean. Iggy also talks about the tight-knit rock scene in Detroit and how it was in some ways led by a local writer, activist and music manager named John Sinclair. Also, stay put at the end of this episode to hear a song off of Iggy’s new album. You can hear a playlist of some of our favorite Stooges and Iggy Pop solo songs HERE.See omnystudio.com/listener for privacy information.

Today the interviewer becomes the interviewee. In his nearly 40-year career as a producer, Rick Rubin has helped unlock creativity and inspire musical genius time and time again. The artists he’s worked with often say that one of Rick’s superpowers is his expert ability to listen deeply, and to help guide whoever he’s working with to find their deepest expression of truth. This month Rick released his first book, called The Creative Act: A Way Of Being. In it he shares practical principles on how anyone can generate creative authenticity and ultimately find their voice. On today’s episode Malcolm Gladwell talks to Rick about The Creative Act, and they explore the principles in the book that are applicable to feelings of stagnation beyond artistic life. Rick talks about why he believes creativity comes from external forces rather than internal ones, and he explains why he believes that self expression isn’t actually about you.See omnystudio.com/listener for privacy information.

Here’s a preview of a new podcast from Pushkin, Story of the Week. Each week, journalist Joel Stein chooses an article that fascinates him, convinces the writer to tell him about it, and then interrupts a good conversation by talking about himself. Sometimes the story will be the one everyone is talking about, like the New Yorker article on smoking hallucinogenic toads. Other times we’ll find a story you might have missed, like the one in the Verge about the rock groupie turned hacker who had huge corporations at her mercy. These are stories you’ll tell your friends about. Stories that stick with you long after you forget whatever headline you just doom-scrolled through. Hear the full episode, and more from Story of the Week, at https://podcasts.pushkin.fm/sotw?sid=record. See omnystudio.com/listener for privacy information.

Today, we are featuring “The Voice of Christmas,” Mr. Johnny Mathis. Over the years, Mr. Mathis has released six Christmas albums. His iconic first holiday record, Merry Christmas, is a tribute to his mother and father and still stands as one of the most beloved collections of Christmas music ever. Now 87 years-old, Johnny is celebrating his 66th year as a recording artist. And he’s still performing. In fact, we only had a brief 30 minutes to speak with him because he needs to save his voice for his rigorous performing schedule. On today's episode, Justin Richmond talks to Johnny about his illustrious career, and performing with greats like Duke Ellington and Nat King Cole. And Johnny shares the story about how he turned down the opportunity to qualify for the 1956 Olympics to launch his music career. You can hear a playlist of some of our favorite Johnny Mathis songs HERE.See omnystudio.com/listener for privacy information.

Today we have part four of our John Frusciante Returns series. This is the latest installment of Rick Rubin’s on-going series of in-depth interviews with the Red Hot Chili Peppers guitarist. And if this is the first interview you’re hearing, make sure to go back and check out the first three parts. On this episode we'll hear John Frusciante play through more of his guitar parts, and he’ll explain how he came up with some of the best guitar melodies in modern rock history. John also talks about how playing along to classic heavy metal albums from Black Sabbath and Van Halen, as well as dancing all night at drum and bass clubs helped shape his style on the 2002 album, By The Way. He also explains how listening to Brandy, Destiny’s Child and Wu-Tang Clan helped influence his playing on Stadium Arcadium. You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE.See omnystudio.com/listener for privacy information.

We’re back with the third episode in our John Frusciante Returns series. Over the past couple of months Rick Rubin and John Frusciante of the Red Hot Chili Peppers have come together to tape an on-going series of conversations that dives deep into John’s philosophical and practical approach to writing music and playing guitar. If you haven’t heard the previous episodes, make sure to check them out. Today, we’ll hear John talk about his love of electronic music and how he struggled to fall back in love with guitar-based rock before recording the Chili Peppers latest set of albums. He also talks about the process of making Californication, and near the end of the interview, John picks up a guitar to play through some of his most well known guitar parts from that album. You can listen to a playlist of some of our favorite Red Hot Chili Peppers songs HERE.See omnystudio.com/listener for privacy information.

The British hip-hop subgenre grime first started to bubble up in London in the early aughts. Artists like Wiley and Dizzee Rascal developed an entirely new style by rapping over lightning-fast beats inspired by UK garage, techno and jungle. Today’s guest, Stormzy is at the forefront of grime’s newest generation. He rose to prominence in 2015 after uploading a video to YouTube where he freestyled over classic grime tracks. Since then Stormzy has released three number one albums in the UK, won three Brit Awards, and become the first British rapper to headline the Glastonbury festival. Just before releasing his third album, This Is What I Mean, Stormzy met up with Rick Rubin in London for a cover story from i-d Magazine’s Royalty issue. This is the recording of that conversation. On today’s episode we’ll hear Stormzy play Rick songs from his new album, and explain why he decided to consider his audience last when recording it. And Stormzy talks about how a painful break-up and trusting God helped lead him to a new melodic, soulful sound. You can listen to a playlist of some of our favorite Stormzy songs HERE.See omnystudio.com/listener for privacy information.

If Broken Record had an all-star list, Neil Young would be at the top. He’s been on the show three times now, and his legendary body of work has been brought up by more musicians interviewed on our show than any other artist—except maybe Joni Mitchell. That’s because Neil is a true artist’s artist. His dedication to his craft is resolute. He’s been writing and singing songs since the early '60s and his creative output has been near constant for the last six decades. Neil stopped by Shangri-La following the release of Crazy Horse’s latest album, World Record. The album was produced by Rick Rubin, and on today’s episode, Neil talks to Rick about the remarkable way the new songs were conceived. Neil also reminisces about recording After The Gold Rush and Harvest. And he explains how THC changes his relationship to music. You can listen to a playlist of some of our favorite Neil Young songs HERE.See omnystudio.com/listener for privacy information.

Today we're sharing a fun conversation with the musicians who scored another Pushkin Industries podcast—Bad Women. The first season of Bad Women focused on reconstructing the lives of the five women that Jack the Ripper murdered. Now, the second season centers around a murderer every bit terrifying as Jack the Ripper, the so-called Blackout Ripper. On today's episode, Justin Richmond speaks with sound designer Pascal Wyse and jazz guitarist Ed Gaughan about their music-rich score. They talk about how they evoked the atmosphere of war-time bars and jazz clubs in 1940's London, and we'll hear them play examples of arrangements they created for the series. Listen and subscribe to season two of Bad Women HERE.See omnystudio.com/listener for privacy information.

Today we have part two of Bruce Headlam’s conversation with YouTube sensation turned five-time Grammy winner Jacob Collier. We left off our last episode with Jacob talking about what it’s like to perform to an audience of thousands of people after spending years growing his fan base online. In this episode, we’ll hear Jacob play the piano and go even deeper into music theory. Jacob also talks more about his new album, Piano Ballads, and about how the song “Moon River” taught him the power of centering his avant-garde arrangements on emotions. You can listen to a playlist of some of our favorite Jacob Collier songs HERE.See omnystudio.com/listener for privacy information.

Musical genius and multi-instrumentalist Jacob Collier joins us today for part one of a two-part conversation. In 2011, when Jacob was only 17, he began posting videos to YouTube of himself singing and playing music. His break-out video, a rendition of Stevie Wonder’s “Don’t You Worry ‘Bout a Thing” received millions of views and praise from musical legends like Herbie Hancock, David Crosby, and Quincy Jones. Since then, he’s gone on to release five albums, including his 2016 self-produced debut In My Room, and this year's Piano Ballads, an 11-track album of improvised piano pieces he played at various shows during a recent tour. On today’s episode, Bruce Headlam speaks to Jacob Collier about making his latest live album, his creative process, and his musical admiration for Stevie Wonder. Jacob also plays piano throughout the two episodes, and breaks down advanced musical concepts. You can listen to a playlist of some of our favorite Jacob Collier songs HERE.See omnystudio.com/listener for privacy information.

Maggie Rogers has never been one to mince words. Aside from her powerhouse voice, one of Maggie’s superpowers is her ability to write pop songs fueled by radical emotional transparency. And while it’s thrilling when an artist bares their soul, that level of constant vulnerability can be unsustainable.In 2019, after releasing her Grammy-nominated debut, Heard It In A Past Life, and then touring the album relentlessly, Maggie was desperately in need of time away from the spotlight. Just before the pandemic she retreated to her parent’s home in coastal Maine. There, she began writing and recording for her follow-up album, Surrender. Maggie also started to think deeply about her role as a pop star, and the relationship between herself and the audience. In 2021 she enrolled in a masters program of religion and public life at Harvard Divinity School. There, her studies focused on the spirituality of public gatherings and the ethics of power in pop culture. On today’s episode, producer Leah Rose talks to Maggie Rogers about how comforting it was for her to become a student again. Maggie also recalls the time she took motorcycle lessons to re-channel the massive amounts of adrenaline she experienced on her first tour. And, we’ll hear the song from Maggie’s new album that she says is the perfect distillation of where she is at now as an artist. You can hear a playlist of our favorite Maggie Rogers songs HERE.See omnystudio.com/listener for privacy information.

In her new Pushkin audiobook Inside Voice: My Obsession with How We Sound, actress/writer/director/producer Lake Bell goes down some fascinating rabbit holes, exploring the psychology and social science of our voices. But you gotta start with the mechanics. In this excerpt you’ll hear Lake's conversation with ENT doc to the stars Dr. Randolph Schnitman. He's treated the who’s who of music, strengthening and even saving their voices. If you’re interested at all in how our voices make beautiful music, you’ll like Inside Voice. Available at insidevoiceaudiobook.com, Audible, Apple Books, Spotify, and wherever audiobooks are sold.See omnystudio.com/listener for privacy information.

Today we’re excited to bring you the next installment of our John Frusciante interview series. John first came on the podcast back in April to help celebrate the release of the Red Hot Chili Peppers album, Unlimited Love. Then he returned in mid-October to discuss Chili Pepper history, one album at a time. On today's episode we'll hear John talk about the Chili Peppers brand new release—their second number one album in six months—Return Of The Dream Canteen. John also picks up a guitar and walks Rick through his pre-show warmup and demonstrates how he came up with the now-classic major to minor chord changes on “Under The Bridge.” And, he talks about how he was able to overcome his desire to impress others while recording Stadium Arcadium. Stay tuned to the end of this episode for details about part three of what is shaping up to be an intimate series of interviews between Rick Rubin and John Frusciante. You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE.See omnystudio.com/listener for privacy information.

Today we are featuring one of the most thrilling new groups in contemporary soul music—Gabriels. And lucky for us, they performed three songs, one of which is still unreleased, live for Broken Record. Gabriels consists of three very distinct pillars of talent: lead singer Jacob Lusk, who was raised in Compton singing gospel. Keyboardist and producer Ryan Hope, who grew up a lover of dance music in his native UK. And Los Angeles native, Ari Balouzian, who serves as Gabriels' in-house composer and violinist. Gabriels’ origin story is as unconventional as their diverse musical backgrounds. In 2016 Ryan Hope and Ari Balouzian were hired to direct and score a commercial with a gospel choir. After hearing the choir director Jacob Lusk sing, a light went off for Ari and Ryan. Over the course of the next couple of years, the trio started to record and release songs independently. In 2021, those songs caught fire online. Sir Elton John said their debut EP was one of the most seminal records he’d heard in the last 10 years. On today’s episode Rick Rubin sits down with Gabriels to hear how they were able to create a working environment that allowed space for vulnerability and musical exploration. And lead singer Jacob Lusk tells a harrowing story about getting lost in the LA county jail system in an effort to clear his name so he could appear in the finale of American Idol. You can hear a playlist of some of our favorite songs by Gabriels HERE.See omnystudio.com/listener for privacy information.

Today we will hear from singer-songwriter and playwright Anaïs Mitchell who spent the past 16 years building the world of Hadestown, a career-defining stage musical that has grown from a low-budget community production in Mitchell's native Vermont, to a Broadway phenomenon and the winner of eight Tony Awards, including Best Musical and Best Original Score. But in March 2020, when the COVID-19 pandemic shuttered theaters, Anaïs, like so many others, moved back home to Vermont. The move and change of pace inspired her to start writing indie folk songs. Her self-titled album, released at the beginning of 2022, is made up of those songs. It’s produced by Josh Kaufman, and was made with collaborators like Bon Iver, The National, and her own band Bonny Light Horseman. On today’s episode, Bruce Headlam speaks with Anaïs Mitchell about her new album and how Hadestown came to be. She also plays some songs off her album live, just for us. You can hear a playlist of some of our favorite songs written and performed by Anaïs Mitchell HERE.See omnystudio.com/listener for privacy information.

Today we’re sharing one of the most intimate conversations Rick Rubin has ever had on Broken Record. It’s with the famed guitarist of the Red Hot Chili Peppers, John Frusciante. Rick Rubin last spoke to John back in April when the Chili Peppers were getting ready to release their album, Unlimited Love, their first record with Frusciante in 16 years. Unlimited Love debuted at number one in the U.S. and 15 other countries. Today, just a little more than six months later, the Chili Peppers released a second Rick Rubin-produced album, Return Of The Dream Canteen. On today’s episode we’ll hear John Frusciante talk about the band’s early music, including the making of Blood Sugar Sex Magik. They talk about how his contributions on slower, more melodic songs like “Under The Bridge” and “Breaking The Girl” helped expand the Chili Peppers funk punk sound. John also talks candidly about the dark, drug-addicted years that followed the intense success of Blood Sugar. And he explains how he was able to finally get sober and rejoin the Chili Peppers to record their classic, commercial comeback album, Californication. You can hear a playlist of some of our favorite Red Hot Chili Peppers songs HERE.See omnystudio.com/listener for privacy information.