Back to the Barre

“Before the show, I didn’t even know I rolled my eyes,” Christi says while recapping Episode 11 of Dance Moms. Christi’s eyes get as much of a workout this episode, which takes place in Lake Tahoe, as Chloe, whose dancing/filming schedule has been so punishing she’s starting to break down. When Abby sits the mothers down to give feedback about their daughters’ techniques, she says Chloe lacks confidence, not realizing her relentless criticism is the cause. She says Brooke and Paige are slow to comprehend things, and Kelly is quick to point out that Brooke is 13 and dancing with 6-year-olds, when she danced with senior girls as a 5-year-old. Brooke has several national title trophies, which Kelly tells Abby to shove up her ass. Kelly blows up in rehearsal because, once again, Maddie gets special treatment at the expense of Paige and Brooke. She regrets the times she got upset on camera because it let producers know what got under her skin and how to use it against her. Meanwhile Chloe and Maddie’s sweet exchanges backstage at the auditorium show how close the girls truly are without Abby’s negative and meddling influence. The moms had the same camaraderie with each other, despite producers only ever showing them fighting.While filming these episodes, the moms were becoming more aware, in real time, of how they were being portrayed, what producers were up to, and how they needed to change their behavior in order to protect themselves and their daughters. Eleven years later, there are still regrets and fresh wounds, but ultimately a hard earned sense of humor about it all. Quotes“It seems very glamorous. All these people who would come on and be featured and be told that they were amazing. They weren’t doing the grind like our kids. So, everyone thought it was super glamorous but when you really stepped into it, it was hard as hell.” (18:09-18:26 | Christi)“I think that’s a little glimpse that you get into the moms. Even though the only interaction you see is us always fighting, we would sit upstairs for hours, and 90 percent of the time we laughed our asses off..” (23:50-24:04 | Christi)“Normally, Abby is throwing us out. Last week she said, ‘You don’t need to be here, get out!’ Now, this week she wants us in. She probably wanted us to make costumes, honestly.” (25:49-26:03 | Kelly and Christi)“I am just sheer misery on camera.” (30:16-30:19 | Christi)“I don’t want my kids to be like Maddie and Chloe. I never cared if my kids got first place. My complaint always was good choreography that could compete and a good costume. I didn’t want to beat Chloe. I didn’t want to beat Maddie. And neither did they, they were always very happy for the others.” (32:45-33:04 | Kelly)“The problem with our show is Abby had too much control. If there had been people behind the scenes–which we tried to get—an off-camera choreographer, an off-camera costume people and Abby wasn’t calling the shots on everything, (33:39-33:56 | Christi)“Even for our kids to get good dances, the producers would have to almost kill Abby. They would have to bribe her, they would have to threaten her. (33:57-34:05 | Christi)“They show a shot of me, and my eye roll is absolutely ludicrous. I have one eye closed, one eye in the back of my head. It looks like I’m having a seizure. (35:28-35:38 | Christi)“Before the show, I didn’t even know I rolled my eyes.” (35:39-35:43 |Christi) “I’ve said this all along: When you have high expectations of someone, they rise to the occasion. When you’re constantly putting them down, then they feel like they’re a failure and can’t do it anyway, and think Hosted on Acast. See acast.com/privacy for more information.

One thing Christi and Kelly understood very early on in filming the show was that they had a job to do. It was starring on ‘Dance Moms,’ complete with all of the personal and familial sacrifices that come with it. This was Abby’s job, too, though she fails to recognize this or act accordingly. Once again, the moms can be seen on camera signing paperwork (signing their lives away, Kelly jokes). It also means they realize for the first time this episode, they will have to deal with the wrath of crazy fans, even in a side alley in L.A. Guest choreographer Michael steps in to give Paige the attention and instruction that is Abby’s job to give. Kelly insists she would never hire Michael in real life, but had to listen to producer instructions. After all, she had a job to do. When it comes to her role as choreographer and star maker, however, Abby has always known exactly what she was doing. She has a power lunch with Maddie (who drinks her Shirley Temple from a martini glass) to discuss Maddie’s career. Abby later tells her the dance she’s about to perform will be the one that will make her a star. This dance is widely considered to be the one that inspired singer Sia to feature Maddie in her video ‘Chandelier,’ after which Maddie’s career was launched into the stratosphere. Eleven years on, the ladies continue to work hard to keep us as entertained in these recaps as they did on the show. Hear Christi detail that first encounter with a crazy Abby fan, why she and Holly were in an alley, how weed was involved, and what made Christi shit her pants, not once, but twice.Quotes“This is the first episode after the show premiered and you can totally tell that we’ve stepped up our glam.” (6:04-:6:11 | Christi)“The producers like to make Abby look like she babysits our kids. Meanwhile, she never watched our kids, nor would we want her to.” (15:42-15:50 | Kelly)“All of a sudden out of nowhere, in 14-inch stiletto platform pumps, Shangela hits the ground—boom!—in the death drop and we shit our pants.” (25:29-25:39 | Christi)“No wonder Candy Apples was such a producer’s favorite because it’s almost like parody, the whole thing.” (30:40-30:48 | Christi) “One thing I was thinking is that Abby talked about what she gave up for the show. Well, we did, too. My ten-year-old is at home alone for the next month. I gave up things for the show, too.” (32:48-32:05 | Kelly)“The minute I hear ‘Dream on a Star’ my heart squeezes. That is my favorite, it has a special place in my heart.” (41:19-41:34 | Christi)“Then we have a weird interaction where Abby is talking to us like we’re humans. It’s weird.”(42:44-42:51 | Christi) “Abby goes on to say that it’s really unprofessional when one professional mocks another professional. But I’m thinking, ‘Isn’t it really unprofessional when a teacher mocks a student, too?” (55:22-55:34 | Christi)“This might be the dance that Sia saw and decided she was moved by Maddie, and wanted her in ‘Chandelier.’ Abby was completely right because she said this could change your life and it has. It did. Look at Maddie’s career, it’s incredible. So, Abby knew what she was doing, and we’ve always said that.” (59:58-1:00:17 | Christi) Hosted on Acast. See acast.com/privacy for more information.

“I’m so fired up,” says Christi in regards to episode 9 of Dance Moms, “This is one of those episodes that I’m still pissed off about.” It’s the episode in which the crew heads to Las Vegas, where the girls do their dance routine as each of the seven deadly sins. Kelly and Christi agree the theme was simply a way for Abby to get another dig in at the girls, (e.g. Chloe is envious of Maddie and Brooke wastes her talent by being lazy). The women discuss the den of lust that was the Rumor, a sleazy and completely inappropriate hotel for young children to stay. Abby herself commits the other sins like gluttony (only filming with the girls in Rumor’s restaurant because there was ice cream involved), and she’s as full of wrath as ever for anyone who gets in her way. She even breaks some commandments as Kelly insists that Abby truly wants the girls to disrespect their parents, and she spreads false rumors about all of the mothers knowing the audience will automatically believe her. This episode is also a watershed as it’s the first one where a group of new mothers come into Cathy’s Candy Apple studios trying to be like the “core four” Moms and Christi and Kelly agree it doesn’t work. The Moms visit an ice bar and as soon as they leave they attend the premiere of Dance Moms, which is pretty much the moment their lives completely change. Christi says the ice bar is her all time favorite moment as it’s the last time they were just Kelly, Christi, Melissa and Holly–four regular moms from Pittsburgh.  Join the party to find out why the moms were escorted out of the premiere, and the two words that Christi shares with Kelly that will haunt them both for the rest of their lives.  Quotes“I think Abby would like none of the children in the world to have mothers, so she could just rule.” (12:36-12:43 | Kelly)“It didn’t take much to make the girls happy, the producers should have done something every week to make them happy. It wouldn’t have been that difficult.” (31:21- 31:29 | Kelly)“Kelly you say, ‘I’m so excited that the girls are seeing this, because it shows what they’ve been working for.’ And then the very next sentence is Liz telling us that she works topless.” (32:02-32:15 | Christi)“The night we premiered we were still filming. We couldn’t even have the night that our show premiered off. We were working.” (37:48-37:59 | Kelly)“Let me just say, the only way they got Abby to go down there was the ice cream. She was not babysitting our children. They said you have to come down and film for 15 minutes with ice cream sundaes, or she would not have been filming.” (39:02-39:17 | Kelly)“To be fair, Holly was probably only drinking because she was trying to use the alcohol to kill any germs she picked up at Rumor.” (52:30-52:36 | Christi) “Abby tells us that I’m rude and arrogant and clueless. Funny though, Abby always talks about how I was smart and you had to watch me. It just goes to show that she knows that whatever she says, people will believe. And she says it a few other times in this episode about other things and it pisses me off because I think, ‘They’re you go, just saying shit people will believe just because you’re saying it.’” (56:28-56:53 | Christi)“We always start off strong at the beginning of the seasons, and then halfway through, by Nationals, when we get to the New Orleans episode in Season 3, you see me in New Orleans, and you when you’re sitting on the dumpster at the end of Season 2. We look like we have been ridden hard and put away wet. It’s exhausting. Rough.” (1:03:47-1:04:17 | Christi) Hosted on Acast. See acast.com/privacy for more information.

“This is the worst dance I’ve seen yet on ‘Dance Moms,’” says Christi of Episode 8, “We look like snowbirds coming down from Cleveland.” The dance in question featured Brandon, whose mother Diane, a longtime friend of the two and member of the ALDC studio, joins the podcast to describe her experience of filming. Diane and Brandon surprised everyone by showing up in Orlando. Brandon is joining the group dance, in which he plays a photographer to the girls’ models. He and Brooke have a ‘dating history,’ going back to when they were nine, and even a decade since the episode, Diane and Kelly are convinced they might still get married. Diane makes no secret about the rushed and dishonest nature of filming the show– revealing that she was instructed to cause premeditated drama. Christi fills in gaps in the narrative to address long standing fan questions.Once again, the ethics of the show’s producers are brought into question. Throughout this episode the children are being shown in an adult light, which ranges from hilarious (Brooke reflecting on her major growth between 9 and 13), to disturbing (Abby’s ambiguous descriptions of Brooke and Brandon’s dancing; Maddie saying if she couldn’t dance, she’d kill herself). Christi explains her frustration that Cathy and Melissa got to break the rules inside and outside of the show, while she and Kelly honored the job they agreed to do and suffered the consequences for it. The watermelon game and its fallout highlight the differences in the way the moms parent, and in the way Melissa acts on and off camera. The three note the sad irony that these girls, once dubbed ‘the dream team,’ lost all of their technique due to the demands of filming the show that made them famous. The show generated fury from the dance community, further isolating the girls from the opportunities they were working so hard to obtain. Find out why Abby was furious that Brandon and Diane appeared on the show, why Chloe didn’t appear in this episode, and the haunting specter of Abby’s starfish ring. Quotes“Child abductors are what I think of when I see those vans. Then I just think of ‘Dance Moms’ and I think, “Aghh!”(9:29-9:36 | Kelly)“You see me in an interview say that I’m not shocked that Cathy isn’t here, she picks and chooses what she goes to. Which is such bullshit. Every week it’s that!” (10:21-10:35 | Kelly)“I always tell people that doing a reality show is like walking through a haunted house: you don’t know what’s coming.” (23:52-23:58 | Christi)“Seeing Abby in a hotel room is like seeing a dog walk on its hind legs. It’s unnatural, it’s weird. It’s just weird to see her out of the dance studio.” (35:45-35:5 | Christi)“We all had a life before ‘Dance Moms,’ and in Season 1 we were definitely figuring out how to make it all work. We had dropped everything. My business was totally kaput, Kelly’s son was at home. We were all making these huge sacrifices.” (36:38-36:58 | Christi) “Brooke has the best line ever: ‘I think Brandon still likes me, but I’ve moved on. I’m not the same as I was when I was nine years old.’” (43:52-44:00 | Kelly)“Wouldn’t you like to see behind the scenes what Maddie has encountered between Melissa and Abby, if she doesn’t win? What has she endured behind the scenes from them? What do they say to her to cause her that much anxiety.”(1:07:38-1:07:58 | Diane)“It wouldn’t be ‘Dance Moms’ without Melissa crying at a solo.”(1:08:47-1:08:49 | Christi)“My daughter cannot buy anything with a star on it because of Abby’s starfish ring. There was this really pretty Dior bag with a beautiful star on it that Chloe wanted for Christmas. She said, ‘I can’t have that bag, I don’t want anything with a star, I have trauma from childhood about stars from that ring.’”(1:12:25-1:12:44 | Christi) Hosted on Acast. See acast.com/privacy for more information.

On this episode of Back to the Barre, Kelly is operating with a broken hand. Without giving away any spoilers, it’s related to a pair of burst water boobs, and more loosely related to the time she fell into a manhole during filming. She and Christi are reviewing Episode 7 of Dance Moms, Titled “She’s a Fighter.” This was the first episode filmed since the show became a hit and was picked up for a new season, so everyone is about to head out on the road to film for the next six weeks. Their first stop is at a week-long competition which takes place at a casino, and so Abby expects everyone to pack a themed outfit for each day. Melissa discusses her relationship with her late mother, for whom Maddie is dancing in tribute. Abby continues to be unfair (and culturally insensitive) to Nia. It only serves to bring out Nia’s sweet nature, and what would become Holly’s trademark gracious indignation. Vivi continues to foil Cathy’s pretentiousness with her deadpan honesty. Abby’s studio continues to be an unsanitary “shithole,” and Kelly and Christi vow to mention it every episode.A recurring source of frustration while filming the show was that the moms didn’t get a chance to respond against false accusations–neither from Abby nor from producers. Abby accused them of not paying their bills, and production never showed the women’s response setting the record straight. During confrontations, Abby talked over everyone and walked out before anyone could get a word in. Kelly expresses sadness over the deterioration of her family’s long, close relationship with Abby. Christi says that the show would have been so different if it showed all the light moments they enjoyed, where the girls were just having fun. Join the party to find out why Melissa was always telling Maddie to go to the bathroom, why they had to wear the same clothes day after day, and what Holly carried in all of those big bags.Quotes“Holly was holding her bag again in Pyramid. I think she doesn’t want to leave it in the den because it’ll end up full of ants. I swear to God.” (13:49-13:59 | Christi)“Abby says, ‘I’m proud, and I don’t say that often.’ And we’re like, ‘You’re right, you don’t.’ And she’s also proud of the moms because we kept our mouths shut.” (15:00-15:09 | Christi)“And then we get the interview of Abby, and she’s glowing! And she says, ‘Maddie is doing a breathtakingly beautiful lyrical routine in a stunning white costume.’ I think she creamed her jeans.” (21:50-22:03 | Christi)“Remember she told me I wasn’t paying my bills? They always cut out our responses. My bill was paid a year in advance.”(28:53-29:04 | Kelly)“My cousin works for the police, and they were down there because they knew I was on the show, and they said that Abby was such a pain in the ass. She was always calling them there for stupid shit. They think she’s ridiculous.” (29:19-29:41 | Kelly) “Abby has her stack of papers. That is her move. She feels important when she comes in with her folder of papers. And she doesn’t let you speak first, she just goes at you, so you don’t have a chance to tell her what you think. She just goes at you with these papers. And when you’re responding to her, she just walks out.”(30:39-30:56 | Christi)“Vivi is a mood. All day, every day.”(35:01-35:04 | Christi)“Abby always asks why our kids look dumbfounded. It’s because they have to respond to dumb shit!” (36:43-36:49 | Christi)“Nobody else would have ever gone up to Abby while she was sleeping and put a gummy worm in her mouth, but my kids were close enough to her that they would do that kind of stuff because they had that kind of relationship. It’s just sad for me to see that we had that kind of relationship in Season 1 and then coming to 2 and 3, that ends. It’s sad.” (49:01-49:20 | Kelly) Hosted on Acast. See acast.com/privacy for more information.

Best friends Kelly and Christi are back! Today they are reviewing Episode 6 of their hit show Dance Moms called “Dying to Dance” (a title which they both agree is messed up.) It refers to the dance “Where Have All the Children Gone,” (which Christi nicknamed The Seven Dwarves of Suicide”) that the girls are performing this week, one of the most beloved by the company and viewers alike. Christi continues to point out more instances of “frankenbits,” where different moments of recording are spliced together to put words in people’s mouths, creating a false narrative for the audience. When they arrive at the competition, Brooke doesn’t have a costume. Cathy offers Brooke Vivianne’s but then takes it away only minutes before Brooke is scheduled to perform.Meanwhile, it’s Kelly’s 40th birthday, and at Cathy’s passive aggressive urging, the ladies all go to get Botox. The women later gather at Kelly’s house for a birthday celebration and though they never showed the fortune teller who came to the party, they did show Melissa telling the world that Kelly has never had an orgasm. Later, Abby’s dog Broadway Baby makes a cameo, and Christi and Kelly reveal that she used to feed the dog her own Nutrisystem meals and then tell everyone she lost three pounds. Christi gets bad news about her grandmother and she takes Chloe back to her childhood home.Join the party to hear about Kelly’s long lost golfing days, what she would like to ask Cathy now, and what “greeking” is.Quotes“Remember Abby said that she’s adding a little edge, because abduction is not edgy enough she had to add a suicide to it.” (22:02-22:06 | Christi)“Producers probably told Cathy to say something about my nose because they know I was really insecure about camera angles.” (43:04-43:11 | Christi)“Just so you guys know who ask, ‘How can Kelly who is such good friends with Christi not know about her sisters?’ I do not have a relationship with either of my sisters, so I don’t talk about them.” (45:02-45:10 | Christi)“That was the first time I said Spanx on TV, and honestly Spanx should have sponsored us for the amount of time we talked about them.” (45:39-45:45 | Christi)“You can tell when the days are long and who’s at the end of the interviews by how crazy we look.” (48:15-48:20 | Christi)“We always filmed at my house. And it was like, I have three kids, and filming all day, and you tell me when I’m leaving at 10:30 at night that you’re coming to my house at 8 in the morning. My son and my husband have been using it like a bachelor pad, so it’s a disaster. Ugh, I used to hate it. ” (49:16-49:35 | Kelly)“I’m not the most love-y, touchy, feely kind of person and they have me come over and hug you and try to console you and I’m thinking, ‘Oh, you’ve got the wrong girl for this.” (56:49-57:00 “ | Kelly)“Brooke probably knew…Usually the kids knew when something like us hugging and consoling was going on, sometimes it was bullshit. It wasn’t something major going on. At this point, your grandmother really was sick, but usually it wasn’t. So, the kids could have cared less what we were over there talking about, because they figured oh, it’s nothing.” (59:04-59:25 | Kelly)“When Chloe started dancing you can hear Paige in the background go, ‘Come on, Clover!’ If you watch any episode, Paige is always in the wings cheering her friends on. And then when they come on and off, she’s always hugging them. She’s the ultimate hype girl.” (1:04:15-1:04:35 | Kelly and Christi“When they leave Brooke is carrying Kenzie in the background, it’s cute. She says, “Come on, Kenz!’ and picks her up and carries her. You have to pay attention to the back, there’s a lot of cute stuff.” (1:19:13-1:19:23 | Christi)“I actually loved Candy Apple weeks because I knew Abby was going to leave me alone.” (1:23:56-1:24:01 | Christi) Hosted on Acast. See acast.com/privacy for more information.

On this episode of “Back to the Barre,” Kelly and Christi discuss the girls learning the “Sugar Daddy” dance complete with its unruly props, while the mothers endure the humiliation of learning and performing a dance choreographed by Cathy. In between learning all the dances for the upcoming ALDC showcase, the girls also audition for a Broadway producer who is casting for the musical Annie. Christi gives some major backstory on the show when she explains that nearly half the clients in Abby’s studio left the summer before the show started, and Christi nearly did, too, as they were tired of Abby’s poor behavior. Shortly thereafter, though, Chloe was declared a national title holder, which meant she was forbidden from leaving her studio. As usual, Abby’s words and behavior contradict each other. She wants the girls to come to her and look up to her, but then she bullies them and pushes them away when they show her affection. Again, the girls are shown to be crying over petty things when actually, in footage that’s never shown, they are being bullied by Abby. Abby continues to make Nia feel bad for Holly’s absence, while Holly graduates from her PhD program. Find out which actor Kelly and Christi ran into while handing out flyers for the ALDC showcase, Kelly’s favorite dance that the girls did, and when Christi knew the show had become a hit. Quotes “The bullying is so apparent when you watch the show back. I saw it but I didn’t realize it.” (20:04-20:11 | Christi) “This is when I flip out and say ‘No one wants to see a bunch of fatass old moms on stage.’ I stand by that.” (30:03-30:10 | Christi) “Abby says she can’t be in the dance because of insurance. OK. I’m thinking maybe it was the video we saw of the purple leotard. I don’t think it was insurance reasons.” (55:37-55:46 | Kelly) “The gif of us toasting- I see this gif all the time. I promise you if you go on your phone and you put in ‘Dance Moms’ for gifs, this gif will come up. This gif is everywhere.” (36:37-36:50 | Christi) “People don’t realize how stressful it was for all of those kids. Brooke being injured, then McKenzie having a stomachache and Vivi saying her head hurts. It’s because they’re under so much stress. People just don’t understand what kind of stress those kids are under.” (52:00-52:17 | Kelly) Links Subscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w Subscribe to our Patreon: www.patreon.com/backtothebarre Thank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y= Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510 Follow Christi on IG: www.instagram.com/christilukasiak Follow Kelly on IG: www.instagram.com/kellylhyland Hosted on Acast. See acast.com/privacy for more information.

“This is the least funny we’ve been, this is the least fun we’ve had, because this episode is hard to do,” Christi admits on the latest episode of Back to the Barre. The fourth episode of Dance Moms planted the seeds of years of misunderstanding. Here Christi and Kelly reveal behind-the-scenes elements of the story that reveal that the two were not, as many fans accused, crazy and jealous of the other children. They were simply demanding fairness for their daughters, both from Abby and the other mothers, and in the way their girls were being portrayed on the show. Both Cathy and Melissa demand and receive special treatment, with Cathy refusing to lend the kind of support and camaraderie she receives from the other mothers. Melissa makes sure that Maddie gets plenty of extra time to rehearse and attention from Abby despite performing a dance she already knows. This means that the other girls only have hours before a competition to learn their routines and get comfortable with their music. This results in Paige freezing and running off stage mid-performance. More infuriatingly, Cathy accuses the other mothers of ostracizing her, and Melissa accuses Christi of being willing to do anything for her daughter to win. Kelly plays a clip of the Lady Gaga song that Paige rehearsed to for months, and compares it to a clip of the song that Paige had to dance to in competition. Not only did the song have different beats, but none of the lyrics that informed major parts of the choreography were there. Christi explains the complicated history behind the infamous fight with Melissa. In later episodes, Kelly pulled Paige out of solos to spare her further humiliation, thus making her look demanding and petulant. This is the debut of Abby’s increasingly gaudy plastic jewelry, and Melissa’s acid washed floral jeans. Christi continues to regret the harsh overhead lighting they film under. While this episode is hard to bear, there are still plenty of lighthearted moments, as usual. Learn what the Moms were watching on their phones while waiting to go into the competition, what McKenzie said in an interview that made Melissa so mad, and the origins of putting your arms above your head and holding your breath when going under a bridge. Quotes“A lot of the dances were like, ‘Fuck your mother.’” (25:11-25:14 | Christi)“It’s not jealousy, it’s the inequity, or inequality of it. And we’re like, ‘OK, if this is the case, then fine, but don’t make it out like we’re crazy, because we’re not.’” (26:24-26:35 | Christi)“I love when people would always show up at the studio after the show premiered and they’d come in and say, ‘Oh! It’s smaller and dirtier than I thought it might be.’” (28:21-28:28 | Christi)“Did I want my daughter to win? Of course! We all wanted our kids to win. But I would look at those girls and think, why would I take away a chance for them? Chloe doesn’t need two.”(36:36-36:46 | Christi)“And this is my problem throughout the whole show is that we had to do things knowing that our kids were being set up. I sent my ten-year-old out there knowing that this was going to happen in front of millions of people on a television show, and there wasn’t a single thing I could do about it.”(1:07:27-1:07:49 | Kelly)  Hosted on Acast. See acast.com/privacy for more information.

“This is going to turn into a big fun party,” Christi says as she and Kelly marvel at how many people are enthusiastically embracing Back to the Barre, rediscovering their hit show ‘Dance Moms,’ and telling the two how much they’ve enjoyed hearing from them all these years later. The party continues as they review Episode Three of “Dance Moms” over drinks. In this episode, Abby is teaching the girls an acrobatics routine, and it’s Vivi’s turn to receive special attention from Abby. Abby and Kelly’s long and complicated history starts to surface and Abby tells Kelly’s children Brooke and Paige to not waste their lives like their mother. Christi and Kelly drink every time Abby appears in another one of her infamous headbands. Throughout the podcast, Kelly and Christi continue to set the record straight about long-standing fan questions and criticisms. They address why they didn’t schedule more privates, why they were late, the good reason for Brooke looking so miserable, and continue to critique each other’s old fashion moments. As reality show veterans now, they are able to put themselves in the minds of producers, and guess what random moments, like apple sauce exploding in a lunchbox, may have meant in terms of storyline (a foreshadowing of drama at Candy Apple Studios). This was the episode of Dance Moms where they all started to realize truly what they had signed up for. On this episode of Back to the Barre, the friends discuss Cathy’s nosiness, their thoughts on kids being kept in kennels, and what Christi considers the best line uttered in the history of reality TV. Quotes“It’s like we alternate weeks of who’s going to be tortured, me or you. Last week it was you, this week it’s me.” (4:54-5:01 | Kelly) “The lighting on me in that room is so good! It’s good lighting! Our lighting was always such shit and you could see into our pores! No wonder the Kardashians bring their own ring lights everywhere.” (12:13-12:34 | Christi)“When you’re on a reality show, you could be thinking something in your head and the audience never knows. So, you have to say it out loud so that they know what the storyline is.” (23:12-23:24 | Christi)“Abby has nothing to go home to! So how did I settle? I have a husband and a family to go home to and what does she have? When everybody leaves the studio, what does she have to go home to? She had her dog.” (28:03-28:16 | Kelly)“Why does Cathy want to know about our husbands? She doesn’t even know anything about us!” (32:42-32:46 | Kelly)“Everyone would say, ‘If you don’t like it, why don’t you get more privates?’ We tried! We couldn’t get them because Melissa was the one scheduling them.”(34:47-34:56 | Christi) “Again, first three episodes, I don’t know why anyone would like me, because so far, I’ve just been a nasty bitch the whole time.”(40:07-40:12 | Christi) Hosted on Acast. See acast.com/privacy for more information.

Best friends Christi and Kelly are back to discuss episode two of their hit series ‘Dance Moms,’ where the daughters head to Lancaster, Pennsylvania to perform their “Electricity” number. The moms are as concerned as ever about the age-appropriateness of their daughters’ dance moves and outfits, especially in religiously-conservative Lancaster, PA. Abby is overstepping her bounds and confusing her role as dance teacher with a role as parent. Though Kelly and Christi are the only two to be seen complaining about it, there is resentment among all the moms about the special praise and attention lavished on Maddie, and the pressure it puts on the other girls. Sewing the girls’ costumes before competitions was a job–and a source of drama– unto itself. Tune into this week’s episode to hear about the debut of Abby’s infamous flip flip tee-shirt, and the exclusive stories that never made it to air, like what Cathy threw at Christi, and why Abby called Kelly white trash. Quotes “All the little girls who were our kids' age are now watching as young adults and they all like us moms now. Whereas Before, they only liked the kids..” (5:03-5:10- Christi) “Abby says we as moms live through our kids and that we shouldn’t go to the competitions. And the kids should do what she says, not what their mom says. Who tells a kid that?”(13:55-14:11 | Kelly) “Abby says that when kids from other studios come to her studio, no one knows terminology and I do agree with that. She definitely taught terminology.” (46:39-46:50 | Kelly) “That is legit. Abby used to do it on Sunday nights when there were no cameras around, and we would be coming home and all of us would be on the bus ready to kill ourselves, and she would be screaming at the bus driver for going in the wrong direction.”(1:03:10-1:03:20 | Christi) “It was only episode two and Abby already wanted us gone.” (1:15:28-1:15:31- | Kelly) Links Follow Christi on IG: www.instragram.com/christilukasiak Follow Kelly on IG: www.instagram.com/kellylhyland Subscribe to our Patreon for access to our After party episodes:: www.patreon.com/backtothebarre Subscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w Thank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y= Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510 Hosted on Acast. See acast.com/privacy for more information.

“People always wanted to see more of us,” says Christi Lukasiak, one of the breakout stars on Lifetime’s long-running hit reality dance show “Dance Moms.” Eleven years after the show’s 2011 debut, she and Kelly Hyland, best friends and fan-favorite duo, are giving the people what they want by reacting to the show’s pilot episode “The Competition Begins.” With glasses of wine in hand, they relive the show’s most famous scenes, offer insider memories and trivia, and fill in what was often the chasm between reality and reality TV.While the audience watched their young daughters master and perform intricate choreography as members of Abby Lee Miller’s dance studio in Pittsburgh, Christi and Kelly, along with the other moms on the show, were subject to their own choreography of sorts behind the scenes. As normal suburban moms, they were unprepared for how much of the show was fabricated and subject to multiple takes, how differently they and their children would be portrayed on TV, and how much criticism they would receive from viewers for the silliest things.On this episode of Back to the Barre, Christi and Kelly set the record straight, address longrunning questions they’ve received from fans over the years, and decide which, if any, of their outfits they would ever wear again.Quotes“The thing that I think is the most fun, or the part that’s really interesting is that we lived it. So there’s so much that we can talk about that people never saw.” (2:30-2:40 | Christi)“I do think that’s one of the reasons why the show was really successful, because it wasn’t in New York or L.A. We were just normal Pittsburgh people.” (11:08-11:18 | Christi) “What people don’t realize is when we were in pyramid, it’s three seconds on the show, but it took us hours and hours to film.” (15:26-15:36 | Kelly) “It was just to humiliate us. She just needed a reason to humiliate us.”(19:23-19:27 | Kelly)“That was our first big red flag of editing mistakes. Where did that come from? That wasn’t there when we were filming.” (23:48-23:56 | Christi and Kelly)“And that was my first real ‘Holy shit. People are going to hate us for stupid reasons’ moment.” (30:24-30:30 | Christi)“That’s what they always did and it made Paige look like a crybaby. Meanwhile she was tortured….But they don’t show that.” (40:17-40:29 | Kelly) “When I talk to people they say, ‘Oh, Abby was so mean.’ I’m thinking to myself, ‘Are you kidding me?! You think she’s that mean and they only showed ten minutes of it?” 40:35-40:47 | Kelly) “That’s what was so hard a lot of the time for me–the way she treated my kids. She was like my family. Her mom and her would come to Paige and Brooke’s baptisms and communions and things. And then you treat them like that and not care about their feelings.” (43:33-43:52 | Kelly) “I always thought Brooke had an unfair edit because I think that Brooke is way more fun than they ever showed her to be. And she was always the most caring. She always took care of those kids, and they just showed her as the miserable little bitch.” (46:34:46:47 | Christi and Kelly) Hosted on Acast. See acast.com/privacy for more information.