Saint-Saëns’s Dalila: She's a Femme Fatale
She seduces, she traps, she destroys. She's a femme fatale and her signature aria is the dangerously alluring “Mon coeur s’ouvre a ta voix” from Samson et Dalila by Camille Saint-Saëns. "My heart opens to your voice,” sings Dalila, "like the flowers open to the kisses of the dawn." It sure sounds like a love song, but just below the surface it’s simmering with seduction and betrayal. In this episode, host Rhiannon Giddens welcomes mezzo-soprano Elīna Garanča, writer James Jorden of Parterre Box and scholar Caroline Blyth. Her guests reflect on the Biblical story of Samson and Delilah, the trope of the femme fatale and how Saint-Saëns created this unforgettable moment that sounds as if Dalila’s slowly removing her clothing, one note at a time. Plus, you'll hear Garanča sing the complete aria from the Metropolitan Opera stage.
Aria Code · The Metropolitan Opera, WQXR
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Show Notes
She seduces, she traps, she destroys. She's a femme fatale and her signature aria is the dangerously alluring “Mon coeur s’ouvre a ta voix” from Samson et Dalila by Camille Saint-Saëns. "My heart opens to your voice,” sings Dalila, "like the flowers open to the kisses of the dawn." It sure sounds like a love song, but just below the surface it’s simmering with seduction and betrayal.
In this episode, host Rhiannon Giddens welcomes mezzo-soprano Elīna Garanča, writer James Jorden of Parterre Box and scholar Caroline Blyth. Her guests reflect on the Biblical story of Samson and Delilah, the trope of the femme fatale and how Saint-Saëns created this unforgettable moment that sounds as if Dalila’s slowly removing her clothing, one note at a time. Plus, you'll hear Garanča sing the complete aria from the Metropolitan Opera stage.