Working Class Audio

Sara Carter is a BBC trained, mixing and mastering engineer based in Hampshire, UK.Sara started recording and mixing music in the mid 90’s as a hobby from a small home studio after playing guitar for many years. Then, in 2000 in a bold move, she decided to sell her house, give up her established career of 16 years and relocate to London to turn that hobby into her new full-time career.She studied at the SAE Institute in London gaining an Audio Engineering Diploma and soon after secured a position as a BBC Radio Studio Manager (sound engineer) working on the UK’s most listened to radio shows, live music sessions and major music festivals across all of the BBC’s main music networks. She also created the foley and sound effects on several radio drama productions and comedy shows.Above all, she relished working in the BBC’s Maida Vale Studios where she developed her mixing and critical listening skills, working on sessions with a wide variety of artists from Crowded House to The Cure and Adele to The Black Keys to name just a few. She’s been officially credited on records from Corrine Bailey Rae, KT Tunstall and Girls Aloud amongst others.In 2009, Sara decided to take a break from broadcasting and left the BBC to explore a different creative interest and became a Brewer in a small award-winning microbrewery (Yes, I know a bit random but it still involved mixing, just not music!). In recent years, however, she had felt a strong calling back to music and engineering, returning to the industry with her online mixing and mastering business called Music Mix Pro. Sara is passionate about mixing music and strives to exceed her clients’ expectations and to make the whole process as rewarding as possible for both the artist and herself.About this Interview:Sara joins me to talk about her incredible journey that took her through the motor trade, audio at the BBC to brewing then back to audio as a freelancer. Enjoy! – MattShow Notes and LinksSara’s site: https://www.musicmixpro.co.uk/Sara on Facebook: https://www.facebook.com/musicmixprouk/Sara on Instagram: https://www.instagram.com/saramixmastermusic/Sara on Linkedin: https://www.linkedin.com/in/sara-carter/Sara on Soundbetter: https://soundbetter.com/profiles/37283-sara-carterRecording Revolution: https://www.recordingrevolution.com/Pure Mix: https://www.puremix.net/Mix with The Masters: https://mixwiththemasters.com/Produce Like a Pro: https://www.youtube.com/channel/UCpyUGZeMUtOvt57UACw3H2gPro Mix Academy: https://promixacademy.com/

Drew Vandenberg is an engineer, producer and label owner based out of Athens, Georgia. He got his start working at legendary Chase Park Transductions studios when he was just 16, learning the finer points of the craft from studio founder David Barbe. He left his homebase for a time to get a degree in the recording arts from Indiana University, returning to Athens to work on pivotal records for Ra Ra Riot, Toro y Moi, of Montreal, Kishi Bashi, Tall Tall Trees, Fred Thomas, Mothers, Faye Webster, Futurebirds and dozens more. Though centralized in Athens where he lives with wife Catherine, Vandenberg often travels to engineer special projects, as well as producing and mixing remotely.In 2018, he formed True Blue Records, a label he closely supervised, working directly with new artists The High Divers, Partials, and Curt Castle on the creation and release of their albums. The label also recently began a series of specially recorded 7″ singles, inviting bands into the studio to record exclusive material live to 1/2″ tape, pressing the results to limited edition vinyl singles and donating all of the proceeds to local charities Nuci’s Space and the Athens Boys & Girls Club Music Makers program.About this Interview:Drew joins me for a chat about his rise from teenage assistant to his current role as producer and engineer. We talk money, work/life balance, earthquakes vs tornados and being mindful in the studio. Enjoy! – MattShow Notes and LinksDrew’s site: http://www.vbergindustries.com/Chas Park Transduction: http://www.chaseparktransduction.com/Drew’s Label: https://www.trueblue-records.com/

Ryan Earnhardt is a video creator and studio owner who produces a YouTube show called Creative Sound Lab. It covers recording-focused topics and out-of-the-box topics such as DIY effects. He recently built a Pooper Time Cube (A delay made from 4 inch drainage pipe) and created a reverb out of a garden hose. Creative Sound Lab stresses fundamental recording techniques and capturing real sounds such as using re-amping during mixing or using echo chambers for vocals – even if that chamber is your living room! Ryan has partnered with Brian McTear (WCA #060) of Weathervane Music and author Eric Sarafin aka “Mixerman”. Ryan started Creative Sound Lab in 2013 because he saw a need for something different than computer screen videos that mostly covered mixing topics. He currently has over 37,000 subscribers and hosts over a dozen online courses at Creative Sound Lab.tv Ryan’s studio, Lumen Audio, is debt free and supports his wife, and 4 kids. For fun he enjoys fresh mountain air, electronic music creation, and cooking…which he says is just about the same mindset as mixing a song.About this Interview:Ryan joins me for a chat about his studio (Lumen Audio), his Audio Courses and Youtube channel Creative Sound Lab as well as his world of 4 kids (5th on the way!) and his journey to where he is today.  Enjoy! – MattShow Notes and LinksTom Dowd & the Language of Music: http://tomdowd.com/Main Website: http://www.CreativeSoundLab.tvYouTube: https://www.youtube.com/user/creativesoundlabRyan’s Studio: http://www.lumenaudio.com/

Will Sadler was born in Columbia, SC but within two months his parents had moved to Las Cruces, NM. After traipsing across the south, first at Mississippi State and then in the Raleigh/Durham, NC area, he returned to Las Cruces and finished a degree in Political Science. Somewhere in the midst of starting a Master’s Degree in History, Will was sidetracked by the need to correct his Tejano bands flagging sound system and the rest is history. Today, Will helps KW Sound and Hubbard’s Music aid Las Cruces in having better sound at their concerts and in their buildings. Hopefully, more often than not, succeeding.About this Interview:I join Will at his house for a chat about his journey from bass player to live sound engineer and installer, running a small sound company in New Mexico, the culture of Las Cruces, finding satisfaction by not joining big tours and his brush with Sudden Sensorineural Hearing Loss (SSHL) Enjoy! – MattShow Notes and LinksHubbard Music : http://www.hubbardsmusicnmore.com/Cordova: https://www.thecordovaband.com/David Wheeler: https://www.workingclassaudio.com/wca-004-with-david-wheeler/

David Cook is a Audio Engineer from Columbia, SC. David graduated from Full Sail with a recording arts degree in 2001 and quickly started working in studios and doing live sound while living in Atlanta Georgia. David eventually moved back to SC where he owned a studio and continued to work in live sound. David also developed relationships with local film makers and started providing location sound and post services as well. In 2015 David and his family decided to take a chance and move to Southern California. This move was not just about moving to a new location but moving into a new vocation.For the past 3 years David has been working in film and television as a location sound mixer. His transition has allowed him to work with companies such as Comedy Central, NBC, Hulu, Netflix, HBO, Aston Martin, Chevy, Best Buy, Pepsi, and Nickelodeon. In 2017 David’s first Feature Film , Thumper, was released on Netflix. David still works in music production and from time to time those worlds collide allowing him to record acts such as Tom Morello for the Rock and Roll Hall of Fame, James Blake Live DVD, Atlantic Artists Charlie Puth and Matt Maeson, and many others. Even though David mostly works in the Film and Television industry he still works as a Live Sound Engineer, Mix Engineer, and Audio Post Engineer. David would say that his biggest asset is his sense of community. The entertainment industry is all about relationships and that is what David does best; builds relationshipsAbout this Interview:David joins me for a talk about his move from South Carolina to California, the production sound community in LA, the lessons he learned along the way and the importance of getting out and hustling instead of sitting around waiting for the phone to ring. Enjoy! – MattShow Notes and LinksDavid on IMDB: https://www.imdb.com/name/nm8476450/David on Facebook: https://www.facebook.com/HolyRuckusRecordings

Lee Bothwick is an audio engineer, producer and musician based in Oakland, CA . A graduate of Ex’pression College, Lee’s spent the last decade of his life working in recording studios. The last several of those years were spent as the Head Engineer at Green Day’s JingleTown Recording. Having been there from the day it publicly opened its doors to the day it closed, Lee worked almost every session that came through the door. Because of that experience, Lee had the pleasure of working with Bay Area legends such as Green Day, Machine Head, Fat Mike (NoFX), Samiam, and Too $hort as well as international acts like Kate Nash. Currently, Lee works day to day for Green Day as an engineer and, when possible, taking up extra sessions on weekends and nights with bands from around the Bay.About this Interview:Lee joins me for a discussion about surviving as an  intern,  working with Green Day, seizing opportunities, networking, complacency, introverts and extroverts as well as the art of frugality.    Enjoy! – MattShow Notes and LinksLee’s site: https://www.leebothwick.com/

Justin Weis is a San Francisco, California based audio engineer and owner/operator at Trakworx Mastering & Recording. Since starting Trakworx in 1995 Justin has mastered, mixed or recorded a wide variety of artists including Sammy Hagar, Papa Roach, Matt Nathanson, Larry Coryell, The Tubes, Agalloch, Pallbearer, The Coup, B-Legit, Zion I, Berner and Andre Nickatina. His approach is heavily oriented towards analog outboard gear and tape, integrated with modern digital tools.  Justin started out in the 1980s on guitar, bass and vocals in local Rock bands, then developed a love for home recording. He graduated from California Recording Institute in 1994 and was hired by the school as an instructor. Within a year he started Trakworx in a small studio within the recording school. By 1997 he had established himself as a working engineer so he left teaching to create his own studio space.In recent years the mastering side of Justin’s business has begun to overshadow the recording/mixing side as demand for online mastering has steadily increased.About this Interview:Justin stops by my house to chat about not bothering your landlord, getting out of debt, thinking from your clients perspective and shifting towards doing more mastering than recording work. Enjoy! – MattShow Notes and LinksTrakworx Studio Site: http://www.trakworx.com/Trakworx on Facebook: https://www.facebook.com/TrakworxMastering/Trakworx on Instagram: https://www.instagram.com/trakworxmastering

Working Class Audio #187 with Kendal Osborne!!! Kendal Osborne is an audio engineer, mixer, producer, and musician out of Tulsa, Oklahoma. He owns and operates The Closet Studios and has done so since 2007. Kendal regularly records with artists from Oklahoma and the surrounding states, but has mixed songs from artists around the world. He also teaches two part-time night classes at Tulsa Technology Center (a vocational school in Tulsa) about recording, and is the host of the Recording Lounge Podcast.  Aside from the studio, Kendal enjoys reading, woodworking, and spending time with his wife, Audra. After marrying in 2012, they moved into their current home in a quiet neighborhood just on the outskirts of Tulsa. They enjoy cooking, weekend getaways, and watching movies together. About this Interview: Kendal joins me for a chat about laughing bankers, passing and failing building inspections, drummers with decorating sense, the music scene of Tulsa, Oklahoma and tornados. Enjoy! - Matt ________________________________ Show Notes and Links The studio: http://www.theclosetstudios.com Kendal's Podcast: http://www.recordingloungepodcast.com Instagram: @theclosetstudios

Aaron Youngberg is a Colorado musician, a recording & mixing engineer, producer & owner of Swingfingers Recording Studios. He got his start in the music industry 20 years playing the 5-string banjo in full-time touring bluegrass bands.  After becoming the band’s default “sound guy” for live sound, Aaron dove in to the complexities of mixing live and recorded acoustic music. He traded in the touring life-style for more time at home and built a world-class studio in the foothills west of Ft. Collins, CO. He has a reputation in the acoustic music, bluegrass, country, and American world for getting amazing tones for acoustic instruments, taking great care and deliberation of mic choice & placement for optimal true-to-life tone. He also has an affinity for the warmth and character for any piece of gear with tubes in it. Aaron still tours with his band FY5 playing banjo & pedal steel although he’s found a much happier balance between life on the road and life behind the glass.About this Interview:Aaron joins me to talk about building his studio, working with studio designer Sam Berkow, his band FY5, balance, family and his respect for live sound engineers. Enjoy! – MattShow Notes and LinksSwingfingers Studio: http://www.swingfingers.comSwingfingers instagram: @swingfingers.recordingFY5 Band: http://www.fy5band.comSam Berkow: http://siaacoustics.com/

Joshua Brooks is an American Producer and Audio Engineer currently serving as Hybrid Studio’s Lead Engineer in Orange County, California . He has worked with a number of top performers as well as 100’s of LA and Orange County’s rising independent artists including: Lamb of God, Trivium, Soulfly, The Diamond Light, Jessica Muse, The Alan Parsons Project, Sons of Texas, Bird & The War, The Shakes and Your Favorite Color. Joshua also has several television and film credits.Joshua maintains his passion for writing music and his works have gained recognition from top industry organizations. His music has been published by Riptide Music Group and he is the proud recipient of an Artist of the Year Award (Malibu Music Awards), a Billboard Chart Honorable Mention, and an Artist of the Year nomination (RAW Music Awards).Joshua is a graduate of The Los Angeles Film School where he received an AS in Recording Arts and a BS in Entertainment Business, and he is certified by Avid in Pro Tools software systems.About this Interview:Joshua joins me to talk about his time in the United States Coast Guard, what he learned at The Los Angeles Film School, why he loves working at  Hybrid Studios, the Orange County music scene and he and his wife’s anticipated arrival of a baby. Enjoy! – MattShow Notes and LinksJoshua’s site:  https://www.mixedbyjoshua.com/Hybrid Studios: https://www.hybridstudiosca.com/

Joe Tessone is the owner and lead audio engineer at Mystery Street Recording Company. He is a graduate of Columbia College Chicago’s famed school of Audio Arts and Acoustics, with a degree specializing in Audio Design and Production. Since 2007, he has been an audio archiving consultant and mastering engineer for the Old Town School of Folk Music where he has helped preserve over 30,000 songs from recordings that date as far back as 1956. He is a member of the Association for Recorded Sound Collections, the Audio Engineering Society, and is a voting member of The Recording Academy (Grammys). His work has been featured on Chicago Radio Stations such as Q101, WXRT, WGCI, WPNA, WGN, WLUW and more. He has also been highlighted multiple audio publications, including Live Sound International, Pro Audio Review, and Mix Magazine.Joe worked as an engineer for the “127 Songs Live From the Old Town School of Folk Music” project, during which he mastered tracks by world renowned artists including Pete Seeger, Jeff Tweedy, Mahalia Jackson, Donovan, Andrew Bird, and more.Since 2012, Joe has been a consultant for Sensaphonics, advising touring engineers and artists (including Steven Tyler, The Decemberists, My Morning Jacket, Lisa Loeb, Wayne Kramer (MC5), John Feldmann (Goldfinger), Chance the Rapper, Thom Yorke, The Lumineers, and David Crosby), and teaching students and doctors of audiology, the implementation of in-ear monitoring in live and studio environments.In 2014, he mixed and and mastered a live recording for Iron and Wine and he continues to work with dozens of Chicago’s favorite performers across all genres of music. Joe is also the Head of Audio for Sofar Sounds Chicago, were he produces dozens of live recordings year, including recent recordings of Jack Garrett, Shawnee Dez, CHAI, and Tank and the Bangaz.In addition to his accomplishments in the field of audio, he is a musician of sorts. His musical career spans over 15 years of experience, most recently as singer/songwriter for the socially conscious punk rock band‚ Behold!‚ and banjo/ukulele player for the Americana ensemble, The Rust Belt Ramblers. Joe also is a volunteer producer for the Punk Rock Karaoke Collective, a community fundraising organization and an advocate for Jail Guitar Doors, an organization dedicated to bringing music to the lives of those in prison.In his spare time, Joe enjoys playing with his two kids, skateboarding, vegan cooking, and birdwatching with this wife, Kristen.About this Interview:Joe joins me to talk about his multi-facetted studio Mystery Street Recording which exemplifies the concept of diversification. The studio handles an array of tasks including a traditional recording studio, format transfers, rehearsal space, Karaoke recording party’s, video production, consulting and podcast recording. Enjoy! – MattShow Notes and LinksUniversal Audio’s “Half Yearly Sale”: https://www.uaudio.com/half-yearly-saleMystery Street Recording: https://www.mysterystreetrecording.com/

Craig Bowen has been recording bands for over 20 years and is currently the owner/ operator of Tempo House recording studio in Baltimore City. He recorded records by Lungfish, Quixotic, Jackie-O Motherfucker, Ecstatic Sunshine, Jason Urick, Oxes, Thank You, Growing, Smoke Bellow, Zomes, Dan Deacon, Animal Collectiveand many more. He was in the band INK(Monitor Records) and currently performs instrumental guitar + drum machine music.After years of working in a wide range of studios and ad-hoc recording environments, he designed and built a studio with a balance of efficiency and flexibility Inspired by, among other things, the John Peel radio show, Tempo House was created to provide an professional, relaxed recording atmosphere accessible to artists regardless of their popularity or esthetics.About this Interview:Craig joins me to talk about mentoring kids in inner city Baltimore, the fire that displaced his last studio, the beauty of his his espresso maker and the challenges that come with recording. Enjoy! – MattShow Notes and LinksTempo House: http://tempohouserecording.com/Ghost Ship FIre: https://en.wikipedia.org/wiki/2016_Oakland_warehouse_fireThe Wire: https://www.hbo.com/the-wireSound Exchange : https://www.soundexchange.com/Apollo Twin Platinum Vocal Promo: https://www.uaudio.com/twin-vocal-promo

Mike Kennerty is a producer/engineer based out of Edmond, OK. He’s best known as a guitar player for the multi-platinum band The All-American Rejects, but over the last decade has also made a name for himself as a producer in the punk rock world. Having worked with bands like Screeching Weasel, Masked Intruder, Direct Hit!, Red City Radio, and The Copyrights (for labels such as Fat Wreck Chords, Pure Noise, Red Scare, and Asian Man) he often tries to integrate bigger production elements to a genre usually known for its simplicity.About this Interview:Mike joins me to talk about the dual worlds of producing/engineering while being in a well known band as well as tips for studio owners, knowing when you have enough gear, his mentors and what he’s learned while straddling both sides of the glass. Enjoy! – MattShow Notes and LinksTwitter/Intragram: @mikeaarMike on Wikipedia: https://en.wikipedia.org/wiki/Mike_KennertyThe All American Rejects: http://www.allamericanrejects.com/

Gary Noble is that multiple Grammy awarded and nominated technician with the ear that inspires magic. He is known for his knack of ” bringing the artists’ & producers’ visions to light.” His ear is attuned to many genres of sound and music as reflected in his expansive catalog of award-winning songs. His philosophy on life…” MUSIC IS LIFE. MIXING IS HOW I MEDITATE ON LIFE,” inspires him and motivates the focus he shares within each body of work.Major record labels like Sony Music, Atlantic Records, and Universal Music Group recognize this and summon Mr. Noble regularly to give the music of artists like Jessie J and Abd Al Malik (which won 2 French Grammys} enhancements that can only be described as hypnotic. Movie studios know him as well, turning to him to mix songs for the soundtrack of blockbusters like “Amy”  “Sex in the City: The Movie” and “After The Sunset.” His work is also reflected in the commercial world. An example of his work is the Crystal Light campaign featuring Estelle’s smash “Star”.Noble recognized his musical gift at the tender age of 5. He would sit and listen to his parents’ record collections for hours on end. Living in New York, he was exposed to a virtual melting pot of different cultures and styles of music. By age fifteen he was a mobile DJ, which helped to fuel his passion for creating and mixing music even more. That experience would be the jumping-off point for him to ascend toward the ultimate career of Mixing Engineer. He studied at the Institute of Audio Research and worked at various studios in New York to hone his craft. He eventually met Salaam Remi(he produced Jazmine Sullivan, Amy Winehouse, Nas, The Fugees) who chose him to be his main engineer. The rest is history.Today Noble’s talents are known by artists worldwide. Most recently, his skills helped British songstress Amy Winehouse’s “Back To Black” snag a dominating 5 Grammys in 2008. He also mixed the Grammy-nominated Nas single “Cherry Wine” featuring Amy Winehouse and produced by Salaam Remi. He also worked on Chronixx’s critically acclaimed Grammy-nominated album “Chronology”.Gary Noble’s work has earned the music industry’s respect and highest honors. Artists he has worked with have earned all of the top accolades including American Music Awards, Billboard Music Awards, the MOBO (U.K.) Awards and The Grammys. And with each recognition, the artists themselves credit Gary with making it all possible.About this Interview:Gary joins me to talk about his journey from Jamaica to New York, his move to Miami, his musical partnership with producer Salaam Remi and his approach with keeping artists in the zone. Enjoy! – MattShow Notes and LinksGary’s discography: https://www.allmusic.com/artist/gary-noble-mn0001211562/creditsGary on Linkedin: https://www.linkedin.com/in/gmajor2Gary on Instagram: https://www.instagram.com/garynobleshow/

Producer/engineer Bobby Owsinski is one of the best selling authors in the music industry with 23 books that are now staples in audio recording, music, and music business programs in colleges around the world, including The Mixing Engineer’s Handbook, Social Media Promotion For Musicians, Music 4.0: A Survival Guide For Making Music In The Internet Age and more. He’s also a contributor to Forbes covering the new music business, his popular production and music industry blogs are nearing 8 million visits, and he’s appeared on CNN and ABC News as a music branding and audio expert. Bobby has worked on over a hundred 5.1 surround projects and DVD productions for a variety of legendary superstar acts including The Who, Willie Nelson, Neil Young, Iron Maiden, The Ramones, and Chicago among many others, and recently produced and mixed albums that appeared at #2 on the Billboard Blues Chart and #5 on the iTunes Rock Chart. Visit Bobby’s music production blog at bobbyowsinskiblog.com/, his music industry blog at music3point0.com, his Forbes blog at forbes.com/sites/bobbyowsinski/, his podcast at bobbyoinnercircle.com, and his website at bobbyowsinski.com. About this Interview:Bobby joins me to talk about his podcast, diversification, being humbled, his views on the state of the studios as well as his musical beginnings and transition to producing and engineering, Enjoy! – MattShow notes and links:Bobby’s [email protected] Production Blog – http://www.bobbyowsinskiblog.comMusic 3.0 blog – http://www.music3point0.comPodcast http://www.BobbyOInnerCircle.comForbes posts: http://www.forbes.com/sites/bobbyowsinski/Twitter: @bobbyowsinskiFacebook: facebook.com/bobby.owsinskiLinkedin: Linkedin.com/in/bobbyo/YouTube: youtube.com/user/polymediaMonologue and interview links:YouTube Music: https://youtube.googleblog.com/2018/05/youtube-music-new-music-streaming.htmlMusic Business Worldwide: https://www.musicbusinessworldwide.com/Audio Now Cast: http://nowcastnetwork.com/Wall Street Journal: https://www.wsj.com/Guardian: https://www.theguardian.com/usBillboard Business: https://www.billboard.com/

Daniel Holter is a producer, mixer, composer and songwriter. He studio  Wire & Vice is located in a 1920s-era post office near Harley Davidson and the original Miller brewery just outside Milwaukee, WI. He’s hosted a diverse range of musical artists, from Rihanna and Eric Benet, to Chester French, Maritime, and Skillet. Over the years, Daniel has mixed music by artists such as Nick Lowe, Field Report, Over The Rhine, Amos Lee, Blitzen Trapper, Collections of Colonies of Bees, Phil Keaggy, Crowded House, Dead Horses, WebsterX, and Ryan Higa. He’s also composed and/or produced thousands of cues currently being used by such varied clients as Apple, Nike, Google, Microsoft, GM & Gatorade, virtually all of the top shows on HBO, ESPN, CBS, ABC, NBC, Fox, and all across the globe in tv, radio, advertisements, video games and film. Photo by Andrew Feller (http://www.andrewfeller.com/)About this Interview:Daniel  joins me to talk about his studio, his licensing business, family, divorce, winning and his creative drive.  Earlier in the show I’m joined by former WCA Alum Mike Wells (WCA #113) to talk about his new file delivery service Swan! Enjoy! – MattShow notes and links:Mike Well’s new file delivery service for audio pros! : https://swan.audio/Daniel Holter’s linksdanielholter.com (me)wireandvice.com (studio)licenselab.com (license biz)@danielholter (twitter and instagram)https://www.facebook.com/wireandvice/

Brad Phillips is an engineer, producer, and studio owner based out of Woodruff, SC. He is a 1999 graduate of the Belmont University Music Business and Audio Engineering program. Since leaving Nashville in 2001, he’s been working out of his own studio facility in South Carolina. Studio 101 is a commercial recording facility well-suited for live band tracking, serving solo artists, bands, and songwriters across many genres. Some of his engineering credits include, Jim Sonefeld (Hootie & The Blowfish), Ashland Craft(The Voice), Mac Arnold & Plate Full Of Blues, Delvin Choice(The Voice), Outshyne, Phat Lip, J. Adam Broome, Mark Webb Jr., Michael Land, Emily Lynch, Jacob Johnson, Scotty Hawkins, Newspring Church plus many others.About this Interview:Brad joins me for a chat to talk about Woodruff, South Carolina, running his studio (Studio 101), clients, eminent domain, his love of church and his time spent painting football, baseball and soccer fields. I also interview Dr. Jeremy Steel in Lafayette, California about Chiropractic medicine. Enjoy! – MattShow notes and links:Brad’s Studio: http://www.studio101recording.com/Dr. Steels practice: https://www.steelchiro.com/Ted Talk Dr. Steel mentioned : https://goo.gl/9fm5vf

ZACK OHREN is an Oakland-based audio engineer & producer whose work includes over a thousand recordings over a two-decade long career. Alongside his friend and former co-conspirator Aaron Hellam, he ran Castle Ultimate which quickly became synonymous with high-quality, accessible recordings. Since 2013, he’s been mainly working out of Sharkbite Studios. Zack has been described as “wizard fast” and “brutally honest” – skills that have helped him settle into a niche of heavy, often technically demanding music. He has worked with artists such as Machine Head, The Ghost Inside, Exmortus, Fallujah, Decrepit Birth, Suffocation, Set Your Goals, As Blood Runs Black, Cattle Decapitation, Entheos, Carnifex, All Shall Perish, Sworn Enemy, and Immolation among others.About this Interview:Zack joins me to talk about his journey with former studio partner Aaron Hellam and the series of studio locations known as Castle Ultimate that they created, the challenges with studio landlords, neighbors as well as lessons learned and where he’s at today. Enjoy! – MattPhoto by Michelle NisbetShow notes and links:.MOD File Zack mentions: https://www.youtube.com/watch?v=AQJatdOKm2oZack on Fcebook: https://www.facebook.com/zack.ohrenEXMORTUS – FEAST OF FLESH (Produced By Zack Ohren) : https://youtu.be/1XFj6p6PoYoHellam Sound (Studio of Aaron Hellam): http://hellamsound.com/

Phil Greiss is a multiple-award-winning record producer. He left his name on numerous gold, platinum & diamond records, focusing on both production and songwritting aspects of Pop songs. Very much at ease on his own or collaborating with others, he’s been known to deliver award winning albums and songs, and chart topping singles wether composing, writing, producing, arranging, mixing, or all at the same time. Having completely produced, composed, arranged, recorded and mixed both of Zaho’s first albums, he has had the privilege of working or collaborating on projects featuring artists such as Willy William, J Balvin, Kat Dahlia, Kendji, Vianney, Maître Gims, Corneille, Sean Paul, Trey Songz, Justin Nozuka, Lefa, Gage, Don Choa, Tunisiano, Khaled, La Fouine, David Carreira, KC Porter, Rohff, Conor Maynard, Soprano, Karim Ouellet, Cheb Mami, Idir, Mario Pelchat, Andrée Waters, Grand corps malade, Nancy Logan, Sarah Riani, Humphrey, Mokobe, K-Maro, Vai, Neimann, Christophe Willem, Outasight and many others. He owns and operates his own indepedant production/publishing company with its own studio facility, working along every single industry’s major labelsAbout this Interview:Phil joins me to talk about his childhood musical and audio experiences , travel tips, mentorship, his draw to pop music and an early experience with the magic of radio broadcast compression and limiting. Enjoy! – MattShow notes and links:Phil’s site: https://about.me/philgreissPhil on Facebook: https://www.facebook.com/ByphilgreissThe Music Modernization Act: https://www.congress.gov/bill/115th-congress/house-bill/5447The Music Modernization Act: https://www.eff.org/deeplinks/2018/03/music-modernization-act-good-solution-songwriters-dont-combine-it-bad-copyright

Adam Muñoz has been an engineer in the Bay Area since 1991. Having joined the Fantasy Studios team as a full-time House Engineer in 2008 Adam has had the opportunity to engineer sessions for many local and national recording artists. Adam has worked with artists like Herbie Hancock, Dave Mathews, Marcus Miller, Snarky Puppy, Jason Moran, Lisa Fisher, Joanna Newsom, Ambrose Akinmusire, Bruce Cockburn, Jerry Granelli, Etienne Charles, Neal Schon, Animals As Leaders, Eric Gales, Tiffany Austin, The Marcus Shelby Orchestra, Bomba Estereo, Brad Mehldau, LaToya London, Carie Rodriguez, Rupa and the April Fishes, Rinde Eckert, Autopsy, Allison Miller’s Boom Tic Boom, Sean Paul, Lyle Lovett, Matt Nathanson, Six Pence None the Richer, Hank Williams III, Otis Redding and Vince Guaraldi.Adam’s long-time relationship with Bill Frisell and producer Lee Townsend resulted in the 2015 AND 2016 GRAMMY Award nomination for Best Contemporary Instrumental Album.Adam came to Fantasy after many years as an independent engineer working out of some of the finest studios in the San Francisco and abroad. As a staff engineer at Different Fur and Brilliant Studios, Adam worked on many notable sessions for artists like Faith No More, Mr. Bungle, Fantomas, Sleep, Neurosis, Chris Isaak, Bonnie Raitt, The Cranberries, Paula Cole and on George Winston’s Grammy Award-winning project “Forest.” Adam has been fortunate to have worked along side many super talented producers and engineers including Andy Wallace, Matt Wallace, Howard Johnston, Billy Anderson, Frankie Blue, Karl Derfler, Marc Senasac, John Cuniberti, Judy Clapp, Mike Curb, Steven Haigler, Thom Wilson and more.Adam’s background also includes ADR/VO, Foley, lock-to-picture sessions and orchestral film scores.Photo by Monica Jane Frisell About this Interview:Adam joins me to talk about his journey starting out as a DJ examining the credits on the back of records to working as a house engineer at the world famous Fantasy Studios in Berkeley, California. We talk studio leadership, survival, dedication and the increasing difficulty of repeating his journey in todays recording world. Enjoy! – MattShow notes and links:Adam’s site: http://www.adammunoz.com/Fantasy Studios: http://fantasystudios.com/Saul Zaentz Company: http://www.zaentz.com/

JACK ENDINO is a Seattle-based record producer, engineer, and musician who has made over 500 records in his 30-year career. Jack helped create what became known as “the Seattle Sound” of the early nineties, having recorded or mixed 44 out of the first 100 releases on the legendary Sub Pop record label, including debut records by Nirvana (“Bleach”), Soundgarden (“Screaming Life”) and Mudhoney (“Superfuzz Bigmuff”). Some of his international clients include Brazil’s Titas (5 albums from 1993 to 2005) and Grammy winner Nando Reis (4 albums), Mexico’s Guillotina (3 albums), Ireland’s Therapy?, Iron Maiden’s Bruce Dickinson (UK), and The Ganjas and Yajaira from Chile. Recent clients include Zeke, Windhand, and High On Fire. Jack still maintains his workaholic pace, having produced records in 14 countries and continuing to play in bands as guitarist, bassist and vocalist. Journalists have called him “Chief Architect of the Seattle Sound” and “Godfather of Grunge” but Jack says “I’m just a guy who likes to make rock records.” He currently manages a recording studio in Seattle called Soundhouse.About this Interview:Jack joins me to talk about baking tapes, audio formats, operating with a low overhead, forensic re-mixing, producer malpractice and his life of recording, mixing, mastering and playing in 4 bands. Enjoy! – MattShow notes and links:Personal website — http://jackendino.comWikipedia — http://en.wikipedia.org/wiki/Jack_EndinoAllmusic — http://www.allmusic.com/artist/p12876/biographySoundhouse Recording — http://www.soundhouserecording.netTape Baking using the Nesco Snack Master Pro: https://goo.gl/YxiitULinux resources #1: https://itsfoss.com/best-linux-beginners/Linux resources #2: https://www.slant.co/topics/6067/~daws-for-linuxLinux resources #3: https://blog.macsales.com/40603-linux-on-a-recycled-mac-trying-to-make-it-work

Jonathan Wyner is the Education Director at iZotope in Cambridge, MA, Chief Engineer at M Works Mastering, and Professor at Berklee College of Music in Boston. He’s mastered and produced more than 5000 recordings during the last 34 years. Mastering, recording and mixing since 1983, he established M Works mastering studios in Cambridge, MA in 1991. Among the artists’ projects he has worked on are: James Taylor, David Bowie, Aerosmith, Kiri Te Kanawa, Aimee Mann, London Symphony, Miles Davis, Thelonius Monk, Pink Floyd, Bruce Springsteen and Nirvana. His project Invention and Alchemy received a Grammy Nomination in 2005. Jonathan has conducted seminars around the world and presented with George Massenburg, Doug Sax and Bob Ludwig among others.  In January 2017 he presented the keynote talk for the NAMM TEC Tracks. He’s authored a book, ‘Audio Mastering: Essential Practices’ published by Hale Leonard/Berklee Press. With the iZotope team he authored and developed ‘Pro Audio Essentials’, an online ear training site that garnered a TEC award in early 2017.About this Interview:Jonathan joins me to chat about the details of mastering and how he got into it, health, teaching, the bacon and chia seed diet , plus a double pun, a brilliant analogy and a few good laughs!  Enjoy! – MattShow notes and links:M Works Mastering: http://www.m-works.com/Jonathan’s book on Mastering: https://goo.gl/85jBFZDeep Work: https://goo.gl/Jx7VvtCal Newport Blog: https://goo.gl/pX8FV8

Mark Needham is a mix/recording engineer and producer with 40+ years experience in the music business.Originally from Eureka CA, Mark moved to San Francisco, co-founded the Blue Bear School of Music and taught music recording. Also, he built Bear West Recording, and his first client (in studio) was blues great Taj Mahal. During this phase of his career in SF, he worked with notable local acts, including platinum selling artists Cake & Chris Isaak. In 2000, he moved to Los Angeles, where his initial projects were Fleetwood Mac’s 1st collection of new material in 8 years, “Say You Will” and multi-platinum ‘Hot Fuss’ by The Killers. Recent clients include an array of internationally recognized superstar artists including: Imagine Dragons, Shakira, Pink, and Dolly Parton.About this Interview:Mark joins me to talk about his early Bay Area days, working with Chris Isaak, Lindsey Buckingham, the Killers and Imagine Dragons, band development, working in Nashville, survival and moving to Los Angeles. Enjoy! – MattShow notes and links:Mark’s website: http://www.markneedham.comThunderbolt 3 mini hub: https://goo.gl/UA8vifThunderbolt 3 to Thunderbolt 2: https://goo.gl/AsTbnrUSB C Magsafe Power: https://goo.gl/3zr89G

Lucy started out in the industry as a runner at Envy Post Production straight after graduating with a Classical Music degree from the University of Nottingham with no idea of what a .wav was or even what ‘5.1’ meant. After hours of training outside her work hours and during lunch breaks, she quickly progressed to being an audio assistant in the machine room. She became an Audio Assistant Manager, being the go to person for overseeing large projects, representing her team in meetings, and generally making sure everything ran smoothly. During this time, I again was finding time to train in the studios with the tracklayers and mixers, learning my way around not only Protools but the DAWs such as the DigiDesign Icon Desk.She was promoted to tracklayer after a few years in the machine room where she edited music, dialogues, atmospheres, foley and sound-effects. She was regularly being requested by both the Post Producers and Clients to run voice-over recording sessions. Here She also provided fully mixed Sound Design for TV shows such as Rise of the Machines, D-Day Laid Bare and Strip the City. I was also mixing animations and short films in my spare time (see my work page).In 2013, she was named as one of Broadcast Magazine’s ‘Hot Shots’, an annual feature on rising stars of the industry under 30. This was totally unexpected and it was such an honour to be listed alongside all of those talented people.She left Envy in 2015 and she is currently working as a Freelance Sound Editor across all genres; across all editorial disciplines for Television, Film and Computer Games. These include computer game ‘Guitar Hero Live’, recent hit Channel 4 comedy ‘Derry Girls’ and soon to be released feature comedy ‘You, Me and Him’. Since going freelance she recieved her first uk broadcast Dubbing Mixer credit and has been mixing Eastenders and multiple factual television programmes over the last few years. Her career has gone from strength to strength, constantly working with new clients and always learning new skills.In 2015 she took part in a mid-career-level Mentoring Scheme run by WFTV UK (Women in Film and Television) and she has been part of the BAFTA Crew Programme since 2015. She is also a full member of AMPS (Association of Motion Picture Sound).She has been interviewed for a number of online publications and has lectured 3rd Year Audio Production students at the University of Lincoln multiple times since 2016, with another booked for next term.   She has a particular interest in foley, Drama, Film and Animation and hopes to do more of these this year. About this Interview:Lucy joins me to talk about her journey from runner to Freelance Sound Editor and Dubbing Mixer, how she started out and her decision to quite working at a facility and go freelance. Enjoy! – MattShow notes and links:Lucy’s website:  http://www.lucyjsound.com/Lucy on IMDB: https://goo.gl/9dJpJaThe Audio-Technica Limited edition headphones: https://goo.gl/K9fi67Ambisonic resources:  https://goo.gl/zbtknE

Kevin Army is a legendary Bay Area producer, engineer and mixer best known as producer of the classic punk album Energy by Operation Ivy and for engineering Insomniac by Green Day.  He is also known for his work with The Mr. T Experience, Pinhead Gunpowder, American Steel and Jawbreaker. 14 years ago Kevin stepped away from the recording world and concentrated on being a record dealer. After dipping his toes back in the water for a few select projects in the last couple of years he made the decision to jump back in.About this Interview:Kevin joins me at my house/studio to discuss his 14 year hiatus from recording and what followed, his decision to get back in to recording, the early days of his recording career, mentorship and his favorite method for record bands. Enjoy! – MattShow notes and links:Kevin’s Blog: https://kevinarmy.com/Kevin on Facebook: https://goo.gl/ixBG3u

Ryan Worsley is one of Canada’s most sought-after music producers, with a growing track record of discovering, capturing and elevating the unique sound of countless bands and artists. With over twenty years of experience in the music industry, Ryan has become the consummate producer, providing his clients with world-class songwriting, audio engineering, and mixing capabilities. He works across pop, rock, indie, and folk genres, always striving to create innovative, fresh, and musical recordings that highlight the essence of the artists he works with.Ryan’s impact is demonstrated in his work with Dear Rouge (Universal Music), from the outset of their career, providing production, songwriting and mixing on “Black To Gold” (2015), ultimately resulting in a Juno Award for “Breakthrough Group of the Year” (2016). His work with the band continues, with production and mixing credits on 2018’s well-received release, “Phases”.Ryan is regularly asked by labels across Canada and the US for his mixing expertise, including Courage My Love’s “Synestathia” (Warner Music), Said The Whale’s “As Long As Your Eyes Are Wide”, and Emilie & Ogden’s “10,000” (Secret City Records). He has also crafted mixes and radio singles for artists Basia Bulat (Rough Trade Records/Secret City Records) and Mathew V (604 Records).Career highlights include participating in “Mix With The Masters” with mixer extraordinaire Tchad Blake and having his work recognized by the Western Canadian Music Awards with a nomination for Producer of the Year and award for Engineer of the Year (2015), as well as multiple subsequent nominations.About this Interview:Ryan joins me to talk about the importance of having a great team, networking, thinking long-term, Canadian health care, the benefits of  having a manager, and the importance of having a supportive spouse or partner. Enjoy!MattShow notes and links:The 7 Health Benefits Of Walking Just 20 Minutes A Day: https://goo.gl/kd2L7KRyan's studio: https://www.echoplantsound.com/

James Ivey is not only the Technical Editor for Pro Tools Expert.com he’s also a producer, engineer, drummer and Dad. Pro Tools Expert is one of the most popular and highly regarded hi-tech audio blogs on the Internet. In his role, James reviews some of the latest equipment which means quickly learning how to get the best out of it then taking part in their weekly podcast which is regularly listened to by over 27,000 people around the world. From London Guildhall University, to working on pop videos, selling Pro Audio gear to the likes of Pete Townsend, to full time gigging drummer, James eventually found himself working for Avid via Sibelius . While working for Avid at a trade show, James met Russ Hughs of Production Expert . That meeting lead James to his current position at Pro Tools Expert and to freelancing as an audio professional for the last 8 years.About this Interview:James joins me for a chat about Pro Tools Expert, kids, building a studio in his London backyard, GAS (Gear Acquisition Syndrome), new gear vs. vintage gear, working for Avid, networking, freelancing and not having voice mail.-Enjoy MattShow notes and links:Pro Tools Expert : https://www.pro-tools-expert.com/The CD Business Isn’t Dying—It’s Just Evolving : https://goo.gl/Rg8zARMatt’s new site! mattboudreau.comDISCOVER THE AT5047: https://goo.gl/2mYLdi

Billy Decker was born on August 28th, 1967, and raised in Nebraska.  He got a BS in criminal justice at the University of Nebraska and then went on to be Salutatorian at Full Sail Center for the Recording Arts in 1992. In 1994, Decker moved to Nashville where he’s been working ever since. He’s mixed 14  #1s to date – most recently, Parmalee’s “Carolina”. Billy has mixed for Sam Hunt, Darius Rucker, Chris Young, and Jaime Lynne Spears. Decker also mixed George Jones’s last album before he died. Billy Decker made history in July of 2014 when Sam Hunt became the most added new artist of all time. Decker works in a unique way. “I mix really fast. Most of my mixes are finished in between two and three-and-a-half hours. To be able to do this, I use a lot of templates in Pro Tools. Instead of spending two hours EQing a kick drum, I can do it in 30 seconds, because I’ve set up templates for the album that outline all the basic parameters for each instrument. Then, I can focus on fine-tuning and bringing levels up and down—working on the entire mix, rather than focusing on individual adjustments. It’s a good way to work. It’s real fast, efficient, and, most importantly, it’s fun.”About this Interview:Billy Decker joins me to talk about mixing hit songs in two to three hours, beating cancer and keeping it under wraps, the yearly slump, Facebook networking, endless revisions and mixing in the box. -EnjoyMattShow notes and links:Billy Decker’s Site: http://www.billydecker.com/MTM Wood: https://www.youtube.com/channel/UCWBTyvNhUXq0ofu6ta1EAaQProsperworks CRM : https://goo.gl/ca2wygClose.IO CRM: https://close.io/Billy on Bobby Owsinski’s Show: http://bobbyoinnercircle.com/tag/billy-decker/Billy on The Six Figure Home Studio Podcast: https://www.thesixfigurehomestudio.com/social-skills-helped-billy-decker-dominate-nashville-mixing-scene/Audio Movers: https://audiomovers.com/

Ken Sluiter is an American recording engineer/producer/mixer from Chicago, IL now based in Los Angeles, CA.Ken grew up in a small town called Wilmington, IL, about an hour outside of Chicago, IL. He was obsessive listener of 70’s AM radio and what is now called “classic rock”. One day while walking through a department store with his mother, he spotted the cover of “Rock and Rock Over” by Kiss. From that point on, he was hooked. Every dime he could scrape up went to the record section of the department store. More records from Kiss, Led Zeppelin, Sweet, Aerosmith, Van Halen, Cheap Trick, Beatles, Foghat, even Styx (Ken was young) were to follow. This all naturally led to borrowing a friends’ Silvertone guitar, then guitar lessons etc..While playing in garage bands with friends, Ken was the one that kinda understood how to set up the P.A. That led to recording rehearsals, shows, cassette four tracking/overdubbing etc…. When his guitar teacher purchased an Oberheim OB-8, he gave Ken his “hand me down” Korg MS-20. That combined with discovering a college radio station led to a passion (which continues to this day) for all things new wave/synth pop. Soon Ken was hooking synths and drum machines to his Commodore 64’s MIDI sequencer. After spending more time “in the city” and discovering the Wax Trax label and Medusa’s dance club, the guitar started collecting dust and the focus became the stiff, cold groove of the machines.After graduating college in 1992, Ken started his studio career working on jingles in the ad industry-dominated studio scene in downtown Chicago. The worked ranged from national ad campaigns to local furniture stores. It was in this environment that Ken learned to record, edit (w/ grease pencil and razor blade) and mix fast to meet the tight deadlines the advertising industry required. At the same time, he started assisting at studios that recorded local and regional bands. In 1994, Ken bought his first Pro Tools rig (a four track version that was the size of a fridge) and started working with other engineers as an editor. This enabled Ken to use his editing-skills learned in the jingle studios with engineers and producers that had previously never been exposed to the power/flexibility offered by the Pro Tools platform. It also allowed Ken to bypass some of the “dues paying” associated with being as assistant engineer (more on that later).By the mid-nineties, Ken partnered with Dave Trumfio and Mike Hagler, founders of Kingsize Sound Labs. For many years, they made indie-rock records for the exploding indie/alternative rock scene that was happening in Chicago. Some notable acts that worked at Kingsize included Wilco, Billy Bragg, Andrew Bird, Neko Case, Mekons, The Frogs, Archer Prewitt, Kelly Hogan, Jonny Polonsky, Steve Earle, OKGO, My Morning Jacket, Jesus Lizard, The Sadies and hundreds of other bands. Label clients included Atlantic, Geffen, Warner Brothers, Virgin as well as Touch and Go, Sub Pop, Matador, Merge Records and Bloodshot Records.During this time, Ken played and recorded with studio parter, Dave Trumfio’s new wave revival band, Pulsars. Pulsars made two albums for Almo Sounds/Geffen. Ken also co-founded local power-pop luminaries, Box-o-car, who in addition to recording two records, supported acts such as Iggy Pop, Cheap Trick, Teenage Fanclub, Mathew Sweet, The Kills and many more.By 2003, as the indie explosion ran it’s course in Chicago, Ken re-located to Los Angles to continue his craft. As Ken felt he “skipped” much of the assisting phase of a traditional engineers’ career path; he pursued assisting opportunities including assisting Andrew Scheps on Weezer’s “Red Album”, Greg Fidleman on Red Hot Chili Peppers’ “I’m With You” as well as Jim Scott on multiple records. Ken also assisted on scoring sessions, in which he learned the ropes of orchestral recording from Sean Murphy and Dan Wallin among others. Ken also stayed busy as a Pro Tools editor working on projects ranging from Barry Manilow to Pink to Metallica.It was during this time that Ken got involved with EastWest Studios in Hollywood. Ken was a key member of the crew that brought the studios back on-line as the rooms had been closed since Cello studios closed in 2004. This included working with the technical staff to “shake out” the analog gear as well as configuring Pro Tools systems for each room. Ken was also the recordist for the entire EastWest “Hollywood” series of orchestral virtual instruments. In 2009, Ken signed on to engineer/mix two records for Jerry Lee Lewis wth legendary drummer Jim Keltner as producer. That project included doing overdubs with a “who’s who” of rock royalty, including Keith Richards, Eric Clapton, Willie Nelson, John Fogerty, Shelby Lynne, Kris Kristofferson, Robbie Robertson, Nils Lofgren, Aaron Neville, Mavis Staples, Gillian Welch a

Dave Collins is an Grammy Award winning mastering engineer located in Pasadena, California. Dave has worked with artists of many genres include Sting, Metallica, Soundgarden, D’Angelo, Bruce Springsteen, and Madonna as well as many major film soundtracks. Dave makes a point to work on projects of all sizes from aspiring artist demos to major label releases.After over 30 years of experience, Dave built a new state-of-the-art facility “from the sound up” in consultation with acoustician Thomas Jouanjean of Northward Acoustics in Brussels, Belgium. The studio is specifically designed to provide a creative, yet highly accurate, listening environment – capable of achieving the perfect balance for your sound. Of particular note is the custom signal path Dave has designed. From equalization, to analog to digital conversion, to dynamics, all equipment has been purpose-built specifically for mastering – these proprietary designs are the result of over three decades of listening experience with proven results.About this Interview:Mastering badass Dave Collins (Sting, Metallica, Soundgarden, D’Angelo, Bruce Springsteen, and Madonna) joins me to discuss his background, how he got into mastering, working with projects of all sizes, budgets and location. We also touch on in the box mastering, keeping your perspective about working in audio compared to working in other industries, the importance of listening and keeping your overhead in check. Enjoy!Show notes and links:Dave Collin’s Mastering: http://www.davecollinsmastering.com/DMG Equilibrium Plugin: https://www.dmgaudio.com/products_equilibrium.phpDoug Sax: https://en.wikipedia.org/wiki/Doug_SaxBetterment Robo Investing: https://goo.gl/mPWePb

Steve Albini needs no introduction really. Musician, engineer and studio owner known for his work with Nirvana, Page, and Plant, PJ, Harvey as well as thousands of other bands. Yes, thousands. Steve is well known for his long term practice of sticking to analog recording methods and his dedication to the bands he records with regards to respecting the band dynamic. He also has played in the bands Big Black, Rapeman as well as his current band Shellac. Steve is part of a program called the Letters to Santa Program of Chicago with his wife Heather Whinna and Jeff Tweddy of WIlco known for its work raising money for poverty-stricken individuals and families in the Chicago area.Show notes and links:Electrical Audio (Steve’s studio): http://www.electricalaudio.com/Letters to Santa Program: http://www.secondcity.com/second-city-24-hour-improvOnward Neighborhood House: https://onwardhouse.wordpress.com/Why I Haven’t Had a Conventional Christmas in 20 Years: https://bit.ly/2V9Nm5XCurrent sponsors & promos: https://bit.ly/3266bbu

NAMM 2018 was a fantastic experience this year. The crowds were massive, the activity was electric and there was sooo much to see. In this episode I give you a recap from not only my perspective but also from the viewpoint of my friends Chris Selim from Mixdown.Online and Lij Shaw from Recording Studio Rockstars. There’s also interviews with Universal Audio and Whitestone Audio. It was a great time and the amount of cool people and products was encouraging. Enjoy!Show notes and links:The People:Chris Selim From Mixdown.Online.Lij Shaw from Recording Studio Rockstars.Dave Rosen from Whitestone Audio.Tom Waterman from Universal Audio.Louie Gonzalez from The Shelter Studios: http://theshelterstudios.com/bios/The Gear:Whitestone Audio P331: http://www.whitestoneaudio.com/Audio Technica 5047: http://www.audio-technica.com/cms/wired_mics/f0d9ef584e0dda3e/index.htmlUniversal Audio Arrow: https://www.uaudio.com/audio-interfaces/arrow.htmlZaor : https://zaorstudiofurniture.com/

John Karr is well regarded as one of the top sound engineers in San Francisco, with a professional career spanning over 30 years, engineering shows and albums for over 20,000 bands, in every genres you can imagine.  From recording studio’s to local house gigs to national tours of theaters and large music festivals, across the United States, Japan and Europe.John has worn the hats of F.O.H. and monitor engineer, studio producer, session musician, composer, and live sound mentor @ at S.F. City College and Expressions School for Music in Emeryville Ca, He has over 60 album recording credits, including the theme songs for KALW Rose Agular’s Your Call Radio and KSAN Steven Weed’s Weed in the morning. Other notable accomplishment’s include 7 years tenure as head sound engineer/manager and sound system designer of The Independent – which has won international praise as “The Best Sounding Live Music Venue in San Francisco”.  About this Interview:John Karr joins me for a great chat covering his approach to working in multiple genres, accepting gigs of all shapes and sizes, bringing humor and humanity to the audio work environment and how he dealt with an accident that left him without the use of his legs for 6 months. John has been working his ass off since arriving in San Francisco 1988 and it’s a pleasure to have him as my guest. Enjoy!MattShow notes and links:Johns SIte: http://earrelevant-recording.com/WCA on Spotify: https://open.spotify.com/show/14U2pJ15Ix5x838NXqt1zJ

Matt Donner holds a Bachelor’s degree in Quantitative Business Analysis (Penn State) and a Masters in Music Technology (NYU). While developing his Producer and Engineering chops in NYC, he went on to perform for various TV studios and John Cale (Velvet Underground) that included 3 feature film scores. After signing his band to an indy record deal, his cross-country tour brought him to SF where the drummer exploded – how typical.Matt quickly found himself as Regional Technical Director for Guitar Center and the Pro Tools Support Lead for the Cutting Edge Audio Group. There, he served as studio designer, installer and trainer for the likes of Joe Satriani, Metallica, Spearhead, Santana and the SF Jazz Fest as well as many private studios including Wally World (Walter A., N’Sync, Whitney Houston, Celine Dion).In January 2000, he and Greg Gordon began working together exclusively at Pyramind where they began running the hybrid Production/ Training businesses. Matt has served the company as Chief Engineer, Senior Producer/ Composer, Chief Technical Officer, Vice- President and now as CAO and COO. He helped grow the Pyramind Training program from a single 24 hour class to the highly-touted 900 hour 12-month Complete Producer. He has trained thousands of students, mixed/ mastered dozens of records and has published several magazine articles. Matt has also written two texts on Pro Tools (Thomson Press) as well as the Pyramind Training three-book series published (Alfred Publishing). He’s best known now for his YouTube series “The Breakdown” on the channel “Pyratube”.Matt currently lives in San Francisco and Davis, CA with his wife, two children and three dogs. He has trained in Mixed Martial Arts and Bak Mei Kung Fu for years and on good days, surfs the Pacific Ocean on his Al Merrick 6’ 2” fish.The Pacific usually wins.About this Interview:Matt talks with me about Pyramind and the three prong approach to preparing students for the real world of audio. We also discuss survival, failure, gear lust and work life balance amongst a few other key topics. I’ve known Matt Donner for 20 years and have great respect for him so it’s an honor to have him on.MattShow notes and links:Pyramind https://www.pyramind.com/Zaor: http://www.zaor.de/Zaor Speaker Stands I got: http://www.zaor.de/classic/monitor-stand/Zaor Desk I got: http://www.zaor.de/classic/onda-mack/Zaor Rack I got:  http://www.zaor.de/classic/rackspace/Cutting Edge Audio Group: https://ceag.com/Time to make the donuts commercial: https://youtu.be/1AA1XDqK8tYMatt Walker “Why We Sleep”: https://goo.gl/zZQyEg

Joe Costable started his career in Houston, TX, at Studio 7303; the largest studio in the area, and at that time the hub of Hip-Hop. Starting as an intern, Joe eventually moved up the ranks as an engineer working with many prominent artists and producers, such as Mike Jones, Scarface, Mannie Fresh, Gerald Levert, and many others.A few years later he moved back to his native New York for a short stint at the Island Def Jam Music Group, where he learned the other side of the industry in the A&R department while building his clientele as a freelance engineer. Joe landed his first mixing gig with a few Good Charlotte songs, some of which landed on the Cardiology record.In the years since, Joe has worked with many more artists in genres from hip-hop to shoe gaze. His work has been everywhere from top 10 at radio, selling millions of copies worldwide, national ad campaigns, to being featured on the most underground of music blogs. While the majority of his work is with Alternative, Rock, and Pop records, Joe loves getting an opportunity to expand his abilities and paint a new picture. Joe is a member of the Audio Engineering Society and a voting member of The Recording Academy as well as an average home brewer and an avid hiker. About this Interview:Matt speaks with Joe about his early days in Houston making Hip Hop records, hustling in New York, mixing in the quite and remote town of Patterson, NY, making a living and photography as well as many other topics. -Enjoy!Show notes and links:Zaor: http://www.zaor.de/Nest: https://nest.com/Joe’s Site: https://www.joecostable.com/Raw Recording: http://www.rawrecording.com/index.htmlDigital Silver Imaging: http://digitalsilverimaging.com/Mike Kalajian Interview: https://www.workingclassaudio.com/wca-072-mike-kalajian/

Matt Allison started Atlas in 1996 with a vision to fill a void in Chicago’s Punk Rock scene, offering bands a refuge to bring their music to life. 21 years later, Atlas has become a Chicago staple. Matt has worked with an extensive list of artists including Alkaline Trio, The Lawrence Arms, and The Menzingers, to highlight a few. Matt continues to record at Atlas but focuses most of his time on mixing and producing artists.  Enjoy!About this Interview:Matt speaks with me about running a studio in Chicago, landlords, leases, recording on black face ADATS, mixing at home, working with punk rock bands and much more! Eric Arway must be thanked for suggesting Matt as a guest!Show notes and links:Atlas Recording https://atlas-chicago.com/Audio-Technica ATH-M40X on Amazon.  https://goo.gl/PZRV4T

Legendary producer/engineer Eddie Kramer has worked with Jimi Hendrix, The Rolling Stones, The Beatles, Traffic and a myriad of other major recording stars.More on Eddie here: http://www.eddie-kramer.com/About this Interview:One day I received an email with the subject line Guest suggestion/Eddie Kramer from Clifton David Broadbridge. The email read “I work with Eddie in Toronto. I’m his studio partner and assistant,, was wondering if you would like to interview him for your podcast? He would be totally into it!” I almost fell out of the chair! Long story short, I replied back, spoke with Clifton, then spoke with Eddie, and next thing I know I’m wrapping up an interview with someone who is responsible for some of the most incredible records in music history. I was a little stunned afterward. Sincere, funny, and full of energy is how I would describe Eddie Kramer. We talk about his photography, Jimi Hendrix and the new record coming out, Led Zeppelin, business, diversification, leaving South Africa for England, the famous Troggs tape, music today vs. the past, rebuilding the El Mocambo club with a studio inside, and much more. Enjoy! Happy Holidays! MattShow notes and links:Eddie Kramer’s Site: http://www.eddie-kramer.com/Clifton David Broadbridge: http://cliftondavidbroadbridge.com/The infamous Troggs Tape: https://www.youtube.com/watch?v=SrXfK9OsmvsThe El Mocambo http://www.elmocambo.com/Walters-Storyk Design Group: https://wsdg.com/

Dana Jae’s career as an audio engineer spans 34 years since the first day she began to record and mix songs on her Tascam PortaStudio in the early 80’s while attending college at UC Berkeley. She formed several of her own bands performing and recording until 1988 when she discovered that the “behind-the-scenes” tech realm was much more to her liking. Dana then began a career as a live sound engineer and has toured extensively throughout the U.S. and Europe as front-of-house sound engineer for a multitude of bands on various record labels and have been a staff engineer at the venerable Bottom of the Hill nightclub since their inception in 1991.Dana has owned and maintained a live sound production company since 1989 under the moniker dcj Productions, that has provided sound to the Bay Area community (mostly in the non-profit sector) in both large-scale, outdoor sound events as well as nightclubs and music halls. In 1991, she started recording bands on an 8-track Tascam TSR-8 analog tape recorder and moved into the digital realm in 1993 to 16-tracks of Alesis ADAT in her home studio. In 1995, Dana advanced to using Pro Tools and has been recording exclusively digital ever since, combining audio skills in sound for film as a location recordist as well as in post-production sound design and mixing. Dana says she still prefers the sonic rapture of “strictly analog” in live sound mixing, however.Dana co-owned and was the President of APG Records & APG Studios, a record label and recording studio from 1999 – 2004 which had a distribution deal through EMI.In 2001, Dana was hired to the part-time faculty at City College of San Francisco in the Broadcast Electronic Media Arts department where she has taught Digital Media Skills, Basic Audio Production, Digital Audio Production, Sound Recording Studio, Sound For Visual Media, Advanced Sound Recording, Sound Reinforcement, Audio for the Web, Video for the Web, Field Video Production, classes in sound design, audio for animation and games, music video, and computer applications at Laney College in Oakland, CA, Art Institute of California-San Francisco, and Globe Recording Institute in San Francisco.About this Interview:I’ve known Dana Jae since the late 90’s. We crossed paths working at local San Francisco pro audio dealers Audio Images and Cutting Edge Audio  and also worked briefly together at a small record company. Since then we have stayed in touch over the years and recently ran into each other at an audio event where we planned this interview. We discuss how Dana got into audio and her journey through live sound, studio sound, film sound, pro audio retail and her current gig at City College of San Francisco. Enjoy!Show notes and links:Simon Phillips GoFundMe: https://www.gofundme.com/jwequ-life-rebuilding-fundLocal 16 Union in San Francisco: http://www.iatse.net/CCSF – City College of San Francisco: https://www.ccsf.edu/NOLO Press: https://www.nolo.com/

Working Class Audio #156 with Justin Perkins!!!Justin Perkins has been recording music since his mid-teens. It all started  in his father’s basement then progressed to recording studios around the state of Wisconsin including the renowned Smart Studios in Madison, Wisconsin before relocating to Milwaukee, Wisconsin where he now has his own mastering studio called Mystery Room Mastering. Justin's  clients include Tommy Stinson, The Replacements, The Figgs, The Gaslight Anthem, Daryl Stuermer, Screeching Weasel, The Mr. T Experience, The Smoking Popes, Limbeck, Miles Nielsen, and Tenement. Justin also recently mixed a new documentary about the legendary 90’s band Jawbreaker called “Don’t Break Down”. Outside of the studioJustin has  played bass in some of his own bands as well as with the newly reformed Bash & Pop, Tommy Stinson, Paul Collins Beat, Cory Chisel and a few others.About this Interview:Every time I post  about a new WCA show on Twitter there was always one guy who liked it, shared it or commented on it and that was Justin. Naturally I wanted to know who Justin Perkins was and why he was always liking the show so one day I visited his website Mystery Room Mastering and it was then I fully understood just how bad ass this guy was plus I was just blown away at the thorough nature of his website. Justin had reached out before to invite me to a Bash and Pop show  he was playing in San Francisco (I was unable to go) so I wasn't completely unaware of of his background but I had to talk to him! So after reaching out, scheduling and conducting my interview I had a whole new appreciation for Justin. We chat about his journey and his website and the usual WCA topics (clients, business, work/life balance, etc...).  -Enjoy!Matt

Andrew Maury is an American record producer, audio engineer, and mixing engineer based in Brooklyn, New York. Maury has worked with artists such as Lewis Del Mar, Ra Ra Riot, Shawn Mendes, Grace Mitchell, Strange Names, Post Malone, RAC, Panama Wedding, Atlas Genius, Kimbra, Delicate Steve, Milagres, High Highs, Penguin Prison, Kisses, Satchmode, COIN, The Kooks, and CRUISR. In the summer of 2009, he worked on Tegan and Sara’s Sainthood alongside producer and Death Cab for Cutie guitarist Chris Walla at the world-famous Sound City Studios in Los Angeles. Maury also spent years mixing front of house on tour for artists such as Ra Ra Riot and Givers and has mixed shows for bands such as Delicate Steve, Surfer Blood, and Chairlift.About this Interview:Andrew talks to me from his home in Brooklyn, NY about management, health, working in the pop world as a rock guy, gear lust, Sound City, and much more. Many thanks to listener Chad Wahlbrink for suggesting Andrew.Show notes and links:The Patchbay I mention in the monologue: https://www.flocktechnologies.com/

James Tuttle is an recording/mixing engineer and producer with 40 years in the trenches. After growing up playing in local bands in the midwest and Colorado he traded his place on stage for a place behind the console and never looked back. He has worked with everyone from Carole King and Dan Fogelberg to Joe Ely and Big Head Todd and the Monsters. He is a 2 time Grammy nominee for his mixing work with singer/songwriter Eliza Gilkyson and Jungle Jazz For Kids creator Mark Oblinger. He currently lives outside of Boulder, Colorado where he returned to after a stay in the fertile music mecca of Austin TX. He continues to be actively involved in making records with local and national artists. After a long affiliation with Airshow Mastering where he had a mix room, he now works from his home studio and from the Studio at eTown Hall. His ongoing affiliation with the eTown syndicated radio show/podcast spans 20+ years where he is the chief recording engineer. Working on the eTown show has afforded him the opportunity to record and mix hundreds of  artists including:  James Taylor, Mumford and Son, Los Lobos, Michael Franti, Lyle Lovett, Imogen Heap, Rickie Lee Jones, Randy Newman, Ben Folds, Atmosphere, Emmy Lou Harris, Brother Ali and many, many more.   About this Interview:WCA #154 features US recording/mixing engineer and producer James Tuttle. James originally emailed me knowing I would be in Colorado to see if I wanted to sit down for coffee. Once I saw that James had a serious background I countered his coffee offer with a an interview in a local coffee shop. With my portable rig in tow we got caffeinated and talked money, E-Town  (https://www.etown.org/ ) where  James has been at the last 20 years, his connection to David Glasser , recording in Austin and being in Carol King's backup band. Enjoy! -MattShow notes and links: E Town: https://www.etown.org/ The documentary we mention: http://www.shopkeepermovie.com/ The studio in the above documentary: http://congresshouse.com/ Arguments for FCC Net Neutrality: https://goo.gl/NpHxWW Arguments against FCC Net Neutrality:  https://goo.gl/DCjA1V

Katie Tavini began working as a producer and engineer before a piece of advice changed everything for her. “I was looking to improve my mixes,” she recalls. “Someone told me that if I wanted to do that I should learn to master. Whether it was good advice or not I took it. I loved what I discovered and never looked back.”With a fine balance of curiosity and experience, Tavini is now a mastering engineer with a rich and diverse client-list far bigger than any sound or scene.“I like things with a lot of influences,” she adds. “I like not being able to place a piece of music immediately and I love working with bands and artists who push their boundaries. I've found that a willingness to try and explore something new has often led to amazing results for my clients.”Katie is a mastering engineer who encourages, refines, expands and finishes. She loves to amplify the emotion and energy of an artist while bringing clarity and consistency to their art. People do not hear her best work, they feel it.“Most people don't think about how music moves them,” admits Tavini. “They are just moved. My job is to bring all the hard work of artists, producers and engineers together and create a platform for songs to shine. It's the perfect job for me.”About this Interview:WCA #153 features UK Mastering engineer Katie Tavini ( https://www.katietavini.co.uk/ ). Katie recently wrote a what I think is a great opinion piece for Audio Media International ( https://goo.gl/XaovbN) about supporting your fellow engineers, your peers etc.. Instead of casting judgement over the gear they use and instead judge them based on the work they do. After reading that article I had a look at Katie’s website sent an email and invited her on the show. We chatted a couple of days ago about mastering of course, clients, money, health and marketing. Enjoy! -MattShow notes and links: Katie's website: https://www.katietavini.co.uk/home Katie's Audio Media International Article: https://goo.gl/XaovbN Audio-Technica 2017 Gift Guide: https://goo.gl/7LGYoS Al Schmitt on Using Microphones: https://www.groove3.com/tutorials/Al-Schmitt-on-Using-Microphones Sonarworks Reference 4 software https://www.sonarworks.com/ ISRC Codes US: http://www.usisrc.org/ ISRC Codes UK: http://www.ppluk.com/ Lean In: Sheryl Sandburg  Simple Invoices: https://simpleinvoices.io Easy Invoice: https://easyinvoiceapp.com/

Horacio Bolz  is an engineer/producer from  Montevideo, Uruguay. By the age of 8 he was recording for fun and playing guitar and drums. While his life plan was originally to become a commercial airline pilot, it wasn't until  later he realized that music, producing and engineering was what I wanted to do in life. So by the age of 18 he moved to the UK to follow that dream. Horacio  started his Production & Sound Engineering studies at Alchemea Collage in London. Once there he began to work for Phil Manzanera and Javier Weyler as an assistant engineer. During this period he recorded part of Phil's last two solo albums (The Sound of Blue & Corroncho 2).   In 2012 Horacio returned to Uruguay where he started working as head engineer at Vivace Music. There, he recorded and mixed songs for most of the best bands in the country. Meanwhile he started doing live related work as a Monitor Engineer for Uruguayan bands. 2013 was the year in which Horacio  started his band The Islingtons. They released "1 1 2 3 5", their  first studio album which was nominated for "Best New Band" at the Graffiti Awards. Since 2015 Horacio has been working as a freelance engineer, producer and musician. He owns (with his business partner Christian Eichin) a software development company in which they develop a free app called "Wavejam". A collaborative multi-track recorder for iOS devices. Horacio also owns Vincent, a Creative Audio & Film production company based in Montevideo, Uruguay.   About this Interview:Horacio talks with me about his early plan to become a commercial airline pilot, his work with Phil Manzanara, import taxes in Uruguay and how that affects his ability to buy equipment, as well his ability to make a living and incorporate audio into his life even when faced limitations. -MattShow notes and links: Horacio on Linkedin https://www.linkedin.com/in/horacio-bolz-33659957/ Fix Audio Designs (Paul Wolf) https://www.fixaudiodesigns.com/ After Master http://aftermaster.com/ http://www.500seriesmodules.com/ Sonarworks Reference 4 software https://www.sonarworks.com/

Mastering engineer David Glasser  has over 35 years of experience  in audio engineering and has mastered thousands of records, including more than 80 GRAMMY nominees. A three-time nominee himself, he has earned two GRAMMY awards for mastering and restoration of the culturally significant  Anthology of American Folk Music (1997) and Screamin’ and Hollerin’ the Blues: The Worlds of Charley Patton (2002). David began his audio career with the Boston Symphony, followed by eight years of recording and production for NPR. He founded Airshow in 1983 and shifted to full-time mastering in 1990 with a modest studio in Springfield, VA. Expanding the company to Boulder, Colorado in 1997, David grew Airshow into one of the largest mastering facilities in the country. In 2016, David built a new facility where he continues to enjoy the daily variety of a busy mastering practice.About this Interview:David talks with me about his early days at NPR, recording live shows, transitioning into mastering and being a volunteer fire fighter! Enjoy! - Matt

Jim Homes is a producer /engineer and one half of the production team known as Boe Weaver who have worked with artists including Champs, Whyte Horses, Wolfpeople, Archie Bronson Outfit and Rhys Lewis. Jim is our guest today since according to him he is the chatty one and brother Rob is the quiet one. Jim and Rob parlayed their 90's era band's minor success into a production  career by making some very good decisions  about gear and money early on. Their studio is located on the Isle of Wight South of London on property owned by the Crown where they rent a 3 story water tower to make records in. Raising families and careers, the brothers have taken what some would see as a disadvantage (being isolated away from London) into an advantage by bringing artists to a truly magical place away from distraction to focus purely on music. About this Interview:Jim chats with me about living and working on the Isle of Wight with brother Rob, raising a family, working 9-5, working below a giant water tank and being at peace with his surroundings. Show notes and links: Florida Supreme Court Copyright Decision Jim and Rob's studio. Management page about Jim and Rob. 

Dom Morley is a Grammy Award winning producer and mixer based in his own Oxfordshire (UK) studio. Dom engineered  Amy Winehouse's number 1 "Back To Black" album, Mark Ronson's "Version" and "Record Collection", Richard Ashcroft's 'These People' and "Keys' To The World', the Grinderman (Nick Cave) debut album and singles for Adele, Morrissey & Estelle amongst others. Some recent mixes include Sting's 5.1 "Live at Durham Cathedral", Solomon Grey's debut album, Mull Historical Society's 'Dear Satellite' & 'City Awakenings' (both of which Dom also produced) 'Colin MacIntyre's "The Water", the Million Dollar Quartet OCR, and the soundtrack for the upcoming British film 'Gozo'. Dom has also engineered or mixed for Rag'n'Bone Man, The Staves, Rumer, Keane, Birdy, Lemon Jelly, Jeff Beck, Sting, I Am Kloot, The Verve, Live8 (DVD) and Underworld, as well as working with The Police on the pre-production for their world tour and recording and mixing the audio for the 5 "Intros" and "Input/Output" series (Mumford & Sons, Florence & The Machine etc) for Channel 4 and Island Records. Dom has also recently undertaken a sound design project, providing all the sounds for the Samplephonics 'Dirty Modular' Kontakt instrument ("Great waveform library. Excellent sound" MusicRadar / "great sound quality of waveform library" producerspot.com). Read more about Dom at www.dommorley.com , his studio at www.flintbarnstudio.com or at Wikipedia.  About this Interview:I can't honestly remember how I came to be emailing with Dom Morley. I do know it took us awhile to figure out a workable time to do it. Time Zones.......what a head scratcher when it comes to interview planning. Anyway, I talk with Dom about his work with Mark Ronson and Amy Winehouse, staying busy even though he lives out in the English countryside and work/life balance among many other topics. Enjoy. Show notes and links: Dom's website: http://www.dommorley.com Don's Studio : http://www.flintbarnstudio.com Mix Consultancy: https://themixconsultancy.com Fjord Audio Kickstarter Lij Shaw's Recording Studio Rockstars Podcast 

Bill Smith is a recording engineer & producer wIth over thirty years experience in the music industry. He’s worked with YES, John Fogerty, Steve Lukather, Trevor Horn, Natalie Cole, George Benson, Queen Latifah and many more. He’s been  involved with numerous Gold, Platinum and both Grammy winning and Grammy nominated records and film soundtracks. Simultaneous to his own career he also spent eleven years as the personal recording assistant, co-engineer and Pro Tools operator to twenty-two time Grammy winning recording engineer, producer and industry legend Al Schmitt. Bill has an extensive and diverse background in rock, jazz, orchestral and big band recording. He has also with been involved with product and preset development for both the hardware and software versions of the Lexicon PCM96 and the TC Electronic M6000 Multichannel Processor.About this Interview:In our interview we talk about Bill's early days in New York as a recording engineer and his decision to move to California. We also talk about lessons learned from Al Schmitt, the changing recording world and how to adapt as well as common sense financial advice. Enjoy!Show notes and links: Bill's Website: www.billsmith.biz Backblaze: https://www.backblaze.com/cloud-backup.html#af9h3h Bernie Krause: https://ww2.kqed.org/arts/2017/10/11/bernie-krauses-equipment-decades-of-musical-memorabilia-lost-in-fires/

Brett Bullion is a mixing engineer and producer based in Minneapolis, MN. Born 1984 in the suburbs of MN, Brett Grew up on 90s Warp Records and the Ornette Coleman box set. Brett's recording path started with playing drums in studios and eventually led to getting a Roland a digital multitrack as a kid. Brett earned  his  BA in theology from St Olaf College and eventually moved to Seattle where he spent his time drinking coffee, eating noodles, but kept recording on his own. After a move back to Minneapolis, he toured with Tarlton and Dark Dark Dark . Hundreds of sessions later he stopped performing to focus full-time on recording and mixing and has been at it ever since.About this Interview:I met Brett at Mix with the Masters in France. After hearing his work and spending time drinking wine, eating meals and talking shop I knew he had to be on the show. Enjoy!Show notes and links: www.brettbullion.com Morph plugin Coil Tap microphone

Rene Coronado graduated in 1999 with with an AAS in audio engineering from South Plains College and jumped straight into the working world as an audio engineer at Dallas Audio Post where he does audio post and mixing, sound design, field recording and voice production. He also builds and releases sfx libraries at echocollectivefx.com and is the co host of the tonebenders podcast  along with Tim Muirhead. About this Interview:I interviewed Rene when I was in France staying at Studio La Fabrique. We were challenged by 2 visiting wasps in my room and therefore did the interview in two parts (1 for each wasp-kidding). We discuss Rene's job at Dallas Audio post, work/life balance, sound design, capturing sounds in the field and maintaining those sounds for future access as well as his podcast Tonebenders. Special thanks to Mark Kilborn for setting this up! -Enjoy!Show notes and links:http://dallasaudiopost.comhttp://tonebenderspodcast.comhttp://echocollectivefx.com https://www.raid.com/en-us/products/raid-wasp-and-hornet-killer-33http://store.soundminer.com/

This week WCA features the 2017 attendees to Mix with the Masters with Tchad Blake. Noam Levinberg, Rishi Bradoo, Eduardo Molina Goigoux, Jeremy Glover, Chris Brandes, Brett Bullion, Peo Hedin, Horacio Bolz, Ryan Worsley, Matthias Ortner, Guillaume Charret, Manuel Egger, Vincent Bonanno, Oded Davidov, Bas Kennis and Gilles Olivesi all join me for short conversations about their experience learning from Tchad Blake at Mix with the Masters 2017. About these Interviews:From Sept. 20th-26th I was in France attending Mix with the Masters with Tchad Blake. I met a great group of audio pros while there. We formed a strong bond and I felt it was important to have a brief chat with each one of them over the course of the time I was there. These interviews took place in the backyard of Studio La Fabrique in St. Remy de Provence.