Word In Your Ear

Dan Franklin's first book "Heavy" chronicles his life-long love affair with heavy music in all its different manifestations, from Meat Loaf to Sunn 0))), and argues that it deserves a lot more respect than it gets as a rule. It's a story that takes us from a cassette copy of a Guns N' Roses album thrust into the hands of a puzzled eight-year-old, via the fields of Donington and the mosh pits of Camden to the lengths a new father will go to free a Type O Negative CD from the mangled remnants of a family car. Hosted on Acast. See acast.com/privacy for more information.

John Mitchinson and Andy Miller do the award-winning Backlisted podcast which, as they like to say on the tin, "brings new life to old books". They're also big music fans so we thought they would be the ideal people to come along and talk in their own inimitable style about what they feel are some of the best and sometimes overlooked examples of the genre. That's how come, in a wide-ranging discussion we came to touch on "Dino: Living High In The Dirty Business Of Dreams" by Nick Tosches, "Black Vinyl, White Powder" by Simon Napier Bell and Levon Helm's "This Wheel's On Fire", "Nico: Songs They Never Play On The Radio" by James Young, Julian Cope's "Krautrock Sampler", Stephen Sondheim's "Look: I Made A Hat" and "I'll Sleep When I'm Dead: The Dirty Life and Times of Warren Zevon" by Crystal Zevon, all of which are in their different ways recommended. Conversation covers: how much a rock star gets for their memoirs, how to tell if an anecdote is made up or not, why Julian Cope doesn't mind you downloading his book for free and how you, yes you, can easily increase the amount of reading you do. Hosted on Acast. See acast.com/privacy for more information.

We were delighted to welcome Bethan Roberts to Word In Your Ear to talk about her novel “Graceland”. This is based on the most important relationship in the life of Elvis Presley. His mother Gladys brought him up single-handedly when his father went into prison, she encouraged his singing, she feared for what the girls would do to him and what the managers might take from him, wished he didn’t have to go away so often and would have preferred him to be a furniture salesman married to a nice local girl with some grandchildren on the way. Then, when he was undergoing basic training in the army, she died.People say that Elvis was never the same after he went in the army. In fact he was never the same after his mother died. Bethan tells us about how she got the idea for the book, what fascinates her about the intense relationship between mother and son and while, as she explains, the odd incident may have been embroidered, the basic facts of her narrative are not in dispute. What’s most amazing, when you read “Graceland”, is that nobody’s written this story before. This book is highly recommended, not merely to fans of Elvis, but for anyone who wants to understand what sudden dramatic fame does to the nearest and dearest of the Famous One. Hosted on Acast. See acast.com/privacy for more information.

In his new book "A New Day Yesterday", an account of progressive rock in the 1970s, Mike Barnes tells the story of how this peculiarly British musical form was born out of the Small Faces' "Itchycoo Park" and the Graham Bond Organisation and went on to flourish throughout the 70s in the universities of Britain and the arenas of the United States. He talks to Mark and David about all the issues that matter: capes, mellotrons, seated audiences, prolonged soloing, the real names of the members of Quintessence and whatever happened to Egg. Hosted on Acast. See acast.com/privacy for more information.

When Sid Smith first finished his definitive biography of King Crimson in 2001 he thought, not unreasonable that would be that. But then Robert Fripp reactivated the band and so Sid had to take up his pen once more. This has resulted in an even more definitive work "In The Court Of King Crimson". He came to Word In Your Ear to run Mark and David through the key facts of their extraordinary rise and their exceptional longevity, what it's like to spend six weeks on the road with a bunch of musical gentlemen of a certain age and why he's not planning to put down his pen just yet. Hosted on Acast. See acast.com/privacy for more information.

Alexis Petridis was very lucky Elton John chose him to help tell the story in his best-selling memoir "Me". Elton John's equally lucky Alexis agreed because without him it probably wouldn't be half as good as it is. In fact it's two stories: the first is the story of a musical career that seems to be headed nowhere until a chance meeting with a lyricist began a partnership which operated in an unprecedented way and led to unprecedented success; the other is a personal story of how a very tense little boy from Pinner grew to be able to afford all the addictions on a Pharaonic scale, managed to conquer them and belatedly found contentment in a state that wasn't even invented when he was first a superstar. Every home should have a copy because everyone in that home would find at least some of it jaw-dropping. Alexis told us what it was like to write and what he learned about life in the process. Hosted on Acast. See acast.com/privacy for more information.

On December 7th Thomas Alan Waits celebrates his 70th birthday and to mark that occasion we asked Barney Hoskyns, the author of his biography "Lowside Of The Road", to talk about what makes Waits one of the rare examples of a misfit who has prospered on his own terms. It's all here: developing his shtick entertaining the line of customers outside, choosing to dress in a way that had gone out of style twenty years before, living his character twenty four hours a day, being taken in hand both personally and professionally somewhat late in the day and eventually becoming a success on his own terms. Barney thinks he as important an artist as the 20th century has produced. He came along to explain why. Hosted on Acast. See acast.com/privacy for more information.

It's always good to welcome Andrew Collins back to the pod. Andrew was with us most recently to talk about the new edition of his official biography of Billy Bragg. This time he's got his movie hat on, as befits the man who writes about films for the Radio Times and presents "Saturday Night At The Movies" on Classic FM. Since 2019 has been such a bumper year for music biopics we asked him to remind us what are the best of breed in ten categories ranging from fiction to festivals and everything inbetween. You probably won't agree with it all but it will probably leave you determined to have a look on Netflix and search out some overlooked classic. Hosted on Acast. See acast.com/privacy for more information.

Graham Parker had an unusual career trajectory. "I didn't pay my dues until after I had some success," he says. In the wake of his greatest triumph, 1979's "Squeezing Out Sparks", he broke up his partnership with the Rumour and moved to America. Here he was the unwitting beneficiary of a record business which had difficulty adapting to a changed world. In the 80s and 90s, he says, they actually gave him too much money. A few years back he resumed his partnership with the Rumour, who were all present and correct and all got on with each other, a state of affairs almost unique in rock and roll. Hosted on Acast. See acast.com/privacy for more information.

The big hit records of today are assembled. The great records of 1968 were made. In a few cases they just happened, seemingly brought into being by some higher power over and above the efforts of any one individual. In his new book “Wichita Lineman: Searching In The Sun For The World's Greatest Unfinished Song” Dylan Jones traces the combination of inspiration and chance which makes this “the world’s greatest unfinished song” and, more to the point, arguably the greatest pop record ever made. Hosted on Acast. See acast.com/privacy for more information.

Daniel Rachel talked to everyone from Noel Gallagher to Tony Blair for his new book “Don’t Look Back In Anger” and he came in to Word In Your Ear to talk about how Kate Moss, David Beckham, Alan Macgee, Damien Hirst, Alastair Campbell and many others, knowingly or otherwise, managed to shape Britain’s last feelgood decade, which began with Spike Island and finished with the death of Diana. We guarantee, this will change the way you think about the era you lived through. Hosted on Acast. See acast.com/privacy for more information.

When Dave Lewis first went to see Led Zeppelin at the Empire Pool, Wembley in 1971 it cost him 75p. When they played their final show at the O2 in 2007 he was on Robert Plant's guest list. From the germ of his teenage scrapbook he built a small empire, based on his fanzine "Tight But Loose", which has produced a staggering range of titles dedicated to every aspect of Led Zeppelin's career. His book "Evenings With Led Zeppelin" has the distinction of being literally the heaviest book ever to feature on "Word In Your Ear". Dave came in to the Islington to talk about what got him excited in 1971 and, as you'll hear, still excites him today. Hosted on Acast. See acast.com/privacy for more information.

For more than forty years Ian Penman has been one of the best writers about music in the country. His new book, "It Gets Me Home, This Curving Track", is made up of essays about James Brown, Prince, Elvis Presley, Frank Sinatra, John Fahey and other musicians who have a strange fascination for him. Ian came to the Islington to talk about his career as a writer, the book and his plan to write a book about searching for music in charity shops. Be warned. This is the kind of book that will send you straight back to your records to listen for things that you've been missing. Hosted on Acast. See acast.com/privacy for more information.

Is Nick Lowe the only musician of his generation who has actually got better as he’s got older? How did he survive the Famepushers hype? How did England’s most laid-back musician become the Midas of the punk era? What’s the secret of his success as a producer? What does he understand that most other musicians don’t? Will Birch, a musician himself, has known him a long time, and has written “Cruel To Be Kind”, the definitive biography of one of our great musical institutions. Hosted on Acast. See acast.com/privacy for more information.

Fifty years ago to the week the first Crosby, Stills and Nash LP was released in the UK, holding out the prospect of brotherly love in close harmony. Thus begun half a century of bitter infighting, chemical and sexual excess, regular break-ups and tearful reunions, all of which is documented in lip-smacking detail in “Crosby, Stills, Nash and Young” by one of our favourite authors Peter Doggett. He came along to the Islington to talk to Mark and David about it. Hosted on Acast. See acast.com/privacy for more information.

On Sunday the Dutch group The Analogues, who have set out to play the Beatles songs that the Beatles never played live, using the same equipment that was used fifty years ago, recreated the whole of "Abbey Road" in Studio 1 at Abbey Road. Mark and David were there and they haven't stopped babbling about it since. Hence we thought they should share their enthusiasm with the wider public. This conversation was recorded via Skype which is prone to the odd drop-out but we trust you'll find it worth listening round. If you want to get an idea of why they considered it so remarkable, watch this clip from a recent Dutch TV show. Hosted on Acast. See acast.com/privacy for more information.

In his new book "Fried and Justified", veteran PR Mick Houghton writes about his experience as the man whose job it was to get these bands and many others written about in the NME and Melody Maker, back in the days when thousands of bands formed, toured and split up purely in order to achieve their ultimate ambition, which was getting on the cover of a weekly music paper. Have we really seen the last of all those mad haircuts, all those dramatic break-ups, all those madly controversial interviews in budget hotels in the Benelux countries? Mick came along to Word In Your Ear to tell us. Hosted on Acast. See acast.com/privacy for more information.

In a departure from our usual way of doing things we were delighted to welcome Art Of Noise-nik, ABC arranger and purveyor of fine soundtrack music for everything from "Poldark" to "The Hustle" Anne Dudley to talk about a career that has been largely spent behind the scenes. Subjects covered include: the surprising things you can learn from working with people with no musical talent, why everything in a film is provisional, how to suggest a chord to Paul McCartney, the uncanny ear of George Michael and what it's like to stand in front of an orchestra with a baton. Plus, for the first time ever, we're delighted to introduce actual musical illustrations. Let us know what you think. Hosted on Acast. See acast.com/privacy for more information.

Gary Crowley has just put together “Gary Crowley’s Lost 80s”, a lovingly-curated four CD set of the kind of oldies that the radio station computer doesn’t automatically reach for. It’s the kind of stuff that might have soundtracked his teenage discos, his nights at the Wag, his shows on Capital Radio and GLR or served to warm up the crowd as he presided over shows by Wham or the Style Council. He came along to Word In Your Ear to talk to Mark Ellen and David Hepworth about his extraordinary career, which began with meeting Joe Strummer in the street, climaxed with introducing Oasis at Knebworth and involved everybody from Elton John to the Wonder Stuff. Hosted on Acast. See acast.com/privacy for more information.

In 2007 private equity firm Terra Firma borrowed a lot of money from Citibank to buy EMI, the UK’s most venerable music company. Their plan was to transform this most traditional of companies to meet the challenges of a new age. A year later the economic crash came along to make what was already a difficult job even harder. Eamonn Forde covered what was going on at EMI for The Word as the smart guys from the city tried to grapple with the idiosyncrasies of a business which is strangely touchy-feely and utterly unscientific. And now that the Terra Firma misadventure is over and EMI has been divided up among the other major comglomerates he’s brought it together into The Final Days Of EMI: Selling The Pig, a uniquely authoritative insider account of an industry that was losing an empire and was yet to find a role. He came along to Word In Your Ear to talk about it. Hosted on Acast. See acast.com/privacy for more information.

David Hepworth's new book "A Fabulous Creation" is about the era of the LP, from "Sgt Pepper" in 1967 to "Thriller" in 1982. The book was launched at Foyles in Charing Cross Road with a chat between David and Mark Ellen in front of a packed house. This was illustrated with the usual magic lantern show which you can probably reproduce in your head. Hosted on Acast. See acast.com/privacy for more information.

We were delighted to welcome Midge Ure to the Islington to talk about growing up in Glasgow, becoming a teen idol by accident, being offered a slot in the Sex Pistols, almost becoming the Next Big Thing, assisting at the birth of the Cult With No Name, becoming a temporary rock star with Thin Lizzy, becoming a genuine rock star with Ultravox, writing the biggest hit in chart history, getting his slot at Live Aid pinched by his mate Bob Geldof, appearing on "This If Your Life", "Celebrity Masterchef" and playing the blues on the porch with Eric Clapton. Truly all human life is here. Midge is touring twice in the next year. In the first jaunt, beginning in March, he'll be playing and also taking questions from the audience. In the second he'll be supported by a full band and reprising many of the Ultravox and Visage songs which are about to celebrate their 40th birthday. Hosted on Acast. See acast.com/privacy for more information.

In introducing this session, which was inspired by David Hepworth's new book "Nothing Is Real" Mark Ellen said "I've know this man for over forty years and I've never won an argument with him". On this occasion the two of them were joined by old friends, writer Jude Rogers and broadcaster/podcaster Geoff Lloyd, to chew over some of David's theories, such as why the Beatles were underrated and why you should never play pop records at funerals, and to add a few of their own, which cover such topics as the girlfriend who changed the direction of popular music, the redundancy of the live album and the records that you should and shouldn't play at a wedding disco. A splendid time is guaranteed for all. Hosted on Acast. See acast.com/privacy for more information.

Peter Grant was the former all-in wrestler turned manager whose reputation was built on his knack for making sure his bands got paid. In this respect didn't hurt to have the build of a screen heavy and the reputation of a gangster. When Led Zeppelin got paid it was in quantities so large that they had to be taken away from the venues in carrier bags from supermarkets. In "Bring It All Back Home" Pink Floyd and Queen biographer Mark Blake tells the full story of Peter Grant from his time as a wartime tearaway through road managing Chuck Berry and Gene Vincent to his meeting with Jimmy Page, with whom he formed what was probably the key relationship in the Led Zeppelin camp through their rampages across America in the 70s to a very dark period holed up in his moated house in the country taking cocaine in immense quantities and harbouring dark thoughts about the world outside. As we told Mark Blake when he came to the Islington to talk about it, this one really should be a movie. Hosted on Acast. See acast.com/privacy for more information.

Kenneth Womack, who actually teaches a course in the Beatles at Monmouth University in New Jersey, has just published "Sound Pictures", the second part of his mammoth biography of Beatles producer George Martin, and he came to Word In Your Ear to talk about it. There was plenty to cover: from his childhood in the Depression through a transformation thanks to the Fleet Air Arm and the Guildhall School of Music to an apprenticeship at EMI which led him to produce everyone from Flanders and Swann to Peter Sellers and then confronted him with the challenge of making something of the four boys from Liverpool that the publishing division were keen on signing. He wasn't convinced at first but as soon as they did something he thought was good he was the first to recognise it and he was the only person apart from Brian Epstein who believed they were going to be huge and helped make sure they were. Kenneth provides a gripping account of what was arguably the most productive creative partnership of the 20th century. How does he think they would have fared if they had ended up with some other producer at EMI rather than George Martin? "I think they would have had a few hits and then faded away," he says. "What make it all work was that they came at everything sideways." Hosted on Acast. See acast.com/privacy for more information.

Billy Bragg joins us to talk about Izal medicated toilet paper, the Beatles, Joe Henry, the restorative effects of finishing the evening signing tea towels, Bovingdon tank museum, an old copy of the East London Advertiser, meeting Bob Dylan, watching old Fred Astaire and Ginger Rogers movies, the importance of accountability, what the Clash could do and what they couldn't do, meeting Ray Galton in the pub, what poems could each of us recite from memory, Lead Belly, the cultural importance of TV cowboys, how many of the Quarrymen are still alive, and much more besides... Hosted on Acast. See acast.com/privacy for more information.

For all the people who have been asking to hear the long version of our chat with Chas Hodges, who was our guest in the podcast on June 1st 2012, here it is. It's all here: growing up in Edmonton, playing in Joe Meek's house band, hearing "Revolver" on acetate, playing with Heads, Hands and Feet, the amazing story of Chas and Dave and much more. Hosted on Acast. See acast.com/privacy for more information.

In the entire firmament of those who busted the charts in the 1980s there was nobody more reliably sane than Mark King of Level 42. Before they start on their 2018 tour he came in to the Islington to entertain an enthralled house with his account of importing the first Mahavishnu Orchestra album into the Isle Of Wight, turning up on Lenny White's doorstep in America at the age of seventeen, treating the bass as a percussion instrument, his ride on the giddy carousel of chart success in the 80s, prodding Sean Penn in the chest at Madonna's party, appearing with Elton John and Eric Clapton at the Prince's Trust and a recent run-in with Ginger Baker. One of the best evenings we've ever had at the Islington. Hosted on Acast. See acast.com/privacy for more information.

Ever since first hearing the siren call of The Rubettes' "Sugar Baby Love", Mark Kermode, TV and Radio's Mr Movie, has been possessed by a determination to find out how it feels to be on stage with a band and to make the noise that bands made. His new book "How Does It Feel?" recounts every step on that journey, from making his own guitar while at school through leading his own bands The Bottlers and The Dodge Brothers and masquerading as the musical director of Danny Baker's late-night chat show to trying to learn the chromatic harmonica on stage in front of a large orchestra and an even larger audience. It has been a life devoted to the noble objective of getting some kind of noise out of just about anything he has been confronted with and being prepared to treat the twin impostors of approval and derision both the same. Hosted on Acast. See acast.com/privacy for more information.

We couldn't get over the fact that Seymour Stein actually met Buddy Holly. It shouldn't surprise us really because after all he is 76 and his first job in the music business was at Billboard when he was a teenager. It's well known that as the boss of the Sire label he signed the Ramones, Talking Heads, Depeche Mode, the Undertones and Madonna. What's less well-known is the part played in the Sire story by Focus, the Deviants and the Climax Blues Band. The full story is written in "Siren Song" which he's written with Gareth Murphy. He came to Word In Your Ear to talk about it. We let him get on with it. Hosted on Acast. See acast.com/privacy for more information.

Stuart Baillie's book, "Trouble Songs" is, as he told us at this Word In Your Ear, his personal story as well as the story of music and the Troubles. Born in Belfast in 1961, Stuart came to London to work on the NME, returning to Belfast in the late 90s to run a music project in the city. His book paints a rich picture of a place with unique virtues as well as unique problems. It's the story of how entertainment has reflected both and how live music re-emerged from behind the ring of steel and came blinking in the daylight following the Good Friday agreement. It's the story of Christy Moore, the Miami Showband, Stiff Little Fingers, Rudi, Van Morrison, the Undertones, Terri Hooley and scores of others, many of whom were interviewed specifically for the book. It's also the story of the part played in the events of the time by outsiders like Lennon and McCartney, U2 and The Clash. It's the story of how music both brings people together and sometimes drives them apart. It's one of the best books we've ever covered in Word In Your Ear. Hosted on Acast. See acast.com/privacy for more information.

Drummer with the Small Faces, the Faces and the Who, supplier of the distinctive drum sound on the Rolling Stones' "It's Only 'N' Roll", guest at Mick Jagger's wedding in 1971, Kenney Jones is one of the few people born in Stepney in 1948 who wound up owning his own polo club. It's all in his newly-published autobiography "Let The Good Times Roll". He came to the Islington to talk to David and Mark about it. The new air conditioning was working and a splendid time was had by all. Hosted on Acast. See acast.com/privacy for more information.

Award-winning broadcaster and podcaster, successful novelist and former Word subscriber Simon Mayo makes his debut on the pod to talk about his ascent of the greasy pole of broadcasting, his experience fronting the Radio One Roadshow in the days when that was a very big deal, his radio husband Mark Kermode, his radio wife Jo Whiley, his first adult novel "Mad Blood Stirring", soon to be a major motion picture, and the real reason why Dave Lee Travis always got the biggest cheer. Hosted on Acast. See acast.com/privacy for more information.

It was a delight to catch up with Andrew Collins on the occasion of the publication of "Still Suitable For Miners", his biography of Billy Bragg which was initially published in 1998 and is now updated with additional material. He talked to David and Mark about the days when a biographer had a carrier bag of clippings instead of the internet, how the self-described big-nosed bastard from Barking managed to turn himself into a national institution and kept his brand burning bright for the best part of forty years and also tells us the one about the stripper and the banana. All this and an education too! Hosted on Acast. See acast.com/privacy for more information.

In the sixties Neil Innes wrote and sang many of the deathless masterpieces of the Bonzo Dog Doo Dah Band. In the late 70s he was the leading light of the pre-fab four, The Rutles, still the greatest and most affectionate of Beatles parodies. He lives in France now. On a visit to the UK to take part in a tour marking the 40th anniversary of the Rutles, he dropped in to the Islington to talk to old skool fans Mark and David about wooing women with fruit, meeting the Beatles on the stairs at Abbey Road, doing a weekly children's programme live on TV with the one and only Viv Stanshall, helping George Harrison with his garden and not suing Oasis. A delightful guest. Hosted on Acast. See acast.com/privacy for more information.

Virgin, Harlequin, One Stop, Dobells, Rock On, HMV, Cheapo Cheapo, Disci, Andy's, Woolies, Our Price and a million and one places called The Spinning Disc. It doesn't matter where you did your record shopping in the far long-ago, they're all in "Going For A Song", Garth Cartwright's information-packed survey of UK record shops past and present. In this podcast he talks to Mark and David about record retailing in this country from the days of the cylinder through the danceband boom of the thirties and the madness of Beatlemania to the recent rebirth of very specialist indies. It's a road we've all trodden one way or another and it's good to have it recognised. Hosted on Acast. See acast.com/privacy for more information.

Tim Rice didn't particularly like musicals. He was a rock and roll fan turned junior exec. In fact when Tim Rice met Andrew Lloyd Webber in the late 60s he had his eyes on a nice job running one of EMI's overseas outposts. But then there was Jesus Christ Superstar which was performed by the Grease Band and recorded at Olympic and sold in quantities nobody knew anything could sell and the next thing he knew he was a giant of the musical theatre and was writing with and for everyone. The perspective he's acquired in the course of a fifty-plus year career is unique and he's already distilled a lot of it into one volume of memoirs. He came along to The Islington so that Mark and David could encourage him to get on with the next volume. It was a delight to talk to him. Hosted on Acast. See acast.com/privacy for more information.

It was born in an unpromising flat in Tottenham, came to fruition in an old manor house in Oxfordshire, became, by accident, the soundtrack of a horror film that is still frightening people 45 years later and led, also by accident, to the foundation of one of the few British brands that's still a household name. It changed the lives of everybody who had anything to do with it. Richard Newman is the only person to have spent time talking to all the people who were involved and his book, 'The Making Of Mike Oldfield's Tubular Bells', has been re-published to mark the forty-fifth anniversary of the record's original release. He came to the Islington to talk to David and Mark about it. Hosted on Acast. See acast.com/privacy for more information.

When Ian Anderson left the family home in Blackpool to make his name in the music business his father flung him hid old overcoat. "It'll be cold out there," he said. That was more than fifty years ago. 2018 sees the fiftieth anniversary of the release of the first Tull album "This Was". This anniversary is being marked by a special tour which begins in April. When Ian was our guest at Word In Your Ear he talked about: going to the police station as a 15-year-old because he wanted to be a copper, how the name of his band was as much a surprise to him as anyone else, what it was like to go on before Hendrix at the Isle of Wight in 1969, how The Who outshone the Rolling Stones during the filming of "The Rolling Stones Rock And Roll Circus", why any idiot can manage his own band and why so few do, the secret of breaking America and why this tour is definitely the last. Hosted on Acast. See acast.com/privacy for more information.

In the course of a packed conversation with David Hepworth the Damon Runyon of Bermondsey touches upon Keith Chegwin and the Third Ear Band, carrying a coffin and recovering from cancer, the breathtaking profanity of Hughie Green and the staggering stupidity of certain BBC executives, the difficulty of dealing with 12-year-old TV producers who are labouring under the misapprehension that they understand pop history and what happened when he and Danny Kelly decided it was finally time to try getting stoned. As ever, all human life is there – as it is in his latest autobiographical volume, "Going On The Turn". Hosted on Acast. See acast.com/privacy for more information.

Robert Forster's new book 'Grant And I' features strongly in many people's lists of the music book of the year. He came to WIYE to talk to Mark and David about growing up in Brisbane, bonding with Grant McLennan over their shared affection for Ry Cooder, forming a band with like-minded people rather than people who could play, getting near enough to success to be able to taste it and why no band has anything new to say after twenty minutes. Robert's been on the podcast before and remains one of our favourites. Hosted on Acast. See acast.com/privacy for more information.

Armando Iannucci's Hear Me Out is a collection of pieces about his first love, classical music. He decided early on that the Deep Purple and Lou Reed records favoured by his older brother didn't speak to him in the way that Holsts's Planet Suite did. His book explains why. In this wide ranging chat with Mark and David Armando talks about how it felt to not share the general enthusiasm for the sound of now and what he says to people when they try to get him on the dance floor at parties. Hosted on Acast. See acast.com/privacy for more information.

As a teenager Dylan Jones was one of that generation who saw David Bowie on “Top Of The Pops” in 1972 and felt he was talking directly to them. As an art student he worked as an extra on a Bowie film and even gave him a light for his cigarette. As the editor of such magazines as Arena and GQ he went on to interview Bowie numerous times. Now he’s put together “David Bowie: A Life”, a massive oral history of the man’s life and brilliant career. It draws on the recollections of everyone from old school friends like George Underwood through fellow musicians like Rick Wakeman to the artists, film makers and fashion leaders whose direction he affected. In this special extended chat with Mark Ellen and David Hepworth Dylan talks about everything Bowie, including how small he was in some directions and yet how big in others. Hosted on Acast. See acast.com/privacy for more information.

"My Dad said that if I joined a rock band I would be an alcoholic, a drug addict and skint. Turns out he was right." So writes Chris Difford in "Some Fantastic Place", a startlingly candid autobiography. An old friend of the pod he came along to Word In Your Ear to talk to Mark and David about the strange dynamics within bands, the reason musicians don't talk to each other, the attractions of relaxants and stimulants and the challenges of managing Bryan Ferry. Amazing stuff. Hosted on Acast. See acast.com/privacy for more information.

The guest on our snug Chesterfield was Daniel Rachel, who won the Penderyn Prize for best music book of 2017 for his "Walls Come Tumbling Down", a triumphant oral history of the story of Rock Against Racism, 2-Tone and Red Wedge. Hosted on Acast. See acast.com/privacy for more information.

Johnny Rogan almost didn't make it to this Word In Your Ear. He was so absorbed in a discussion about biography with friend of the podcast Mark Lewisohn that he had a small traffic accident that almost sidelined him for the evening. Anyway, he made it and brought along both volumes of his mammoth new account of their complex career. To help tell their story we were also delighted to welcome another friend of the pod Sid Griffin. It's all here: the folk revival, Swinging London, psychedelia, square glasses, country music, personality conflicts and some very sad ends. Hosted on Acast. See acast.com/privacy for more information.

Usually our guests are talking about freshly-published books. It's actually ten years since Sarfraz Manzoor put out Greetings From Bury Park, his memoir about growing up in a traditional Pakistani family in Luton with an obsession with Bruce Springsteen. With the prospect of the story being transferred to the screen in the offing, Sarfraz came along to talk to David Hepworth about how he found parallels between Springsteen's songs and the challenges he faced in his life and how his desire to identify with the Boss led him into the odd unfortunate fashion choice. At the same time the two of them talk about Bruce Springsteen's autobiography Born To Run as it comes out in paperback, because, face it, he could use the royalties. Hosted on Acast. See acast.com/privacy for more information.

We loved them because they could do things we could never do. We adopted them as our fantasy friends when we were teenagers and were still measuring ourselves against them forty years after. David Hepworth talks about his best-selling book "Uncommon People" which traces the history of the cult of the rock star from Little Richard to Kurt Cobain. Hosted on Acast. See acast.com/privacy for more information.

Thomas Dolby’s career has seen him sharing a helicopter with a terrified David Bowie over Wembley Stadium, labouring on the nightshift at a New York studio in search of noises that Foreigner might like and dropping in on Michael Jackson at home in the days before scandal consumed him. All this and a good deal more is in his memoir The Speed Of Sound, which also covers his pop success and his adventures at the heart of the great Internet revolution. He came to Islington to talk to Mark Ellen and David Hepworth all about it. Hosted on Acast. See acast.com/privacy for more information.

John Ingham used to sign himself Jonh Ingham when he covered the very early stirrings of punk rock in 1976 for Sounds. Although he was a writer by trade he took along his camera because literally nobody else was taking pictures and he recognised that early punk was above all things colourful. Forty years later he’s got those pictures out from storage and published them in a fabulous new book called Siprit Of 76: London Punk Eyewitness, which has pictures of all the key players - the Sex Pistols, Clash, Siouxsie, Generation X and Subway Sect - in the last days before they were household names. It’s an extraordinary document. The book comes with an introduction from Jon Savage and a commentary from John himself. He came along to the Islington to tell us about the year it all happened. Hosted on Acast. See acast.com/privacy for more information.