Weird Studies

Most people know Glenn Gould as a brilliant pianist who forever changed how we receive and interpret the works of Europe's great composers: Bach, Beethoven, Schoenberg... But Gould was also an aesthetic theorist who saw a new horizon for the arts in the age of recording technology. In the future, he said, the superstitious cult of history, performance, and authorship would disappear, and the arts would retrieve a "neo-medieval anonymity" that would allow us to see them for what they really are: scarcely human at all. This episode interprets Gould's prophecy with the help of the Canadian media theorist Marshall McLuhan, the Chinese Daoist sage Zhuang Zhou, and the German philosopher Martin Heidegger, among others. SHOW NOTES Glenn Gould, "The Prospects of Recording" Marshall McLuhan's Tetrad of media effects Ludwig van Beethoven, Concerto no. 3 in C minor Glenn Gould, "Glenn Gould Interviews Glenn Gould about Glenn Gould" Glenn Gould and Yehudi Menuhin, dialogue on The Music of Man Jean-Luc Godard, A Married Woman (A Married Woman) Heidegger, Der Spiegel interview (1966) Daoist sage Zhuang Zhou Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" Stanley Kubrick, A Clockwork Orange Marshall McLuhan, The Playboy interview Marshall McLuhan, The Mechanical Bride Marshall McLuhan, Understanding Media Douglas Rushkoff and Michael Avon Oeming, Aleister and Adolph Joyce Hatto Lionel Snell, My Years of Magical Thinking Kevin Bazzana, Glenn Gould: The Performer in the Work Phil Ford, “Blogging and the Van Meegeren Syndrome” David Thompson, Have You Seen...?: A Personal Introduction to 1,000 Films Learn more about your ad choices. Visit megaphone.fm/adchoices

No dream is ever just a dream. Or so Tom Cruises tells Nicole Kidman at the end of Eyes Wide Shut. In this episode, Phil and JF expound some of the key themes of Kubrick's film, a masterpiece of cinematic chamber music that demonstrates, with painstaking attention to detail, Zen Master Dōgen's utterance that when one side of the world is illuminated, the other side is dark. Treading a winding path between wakefulness and dream, love and sex, life and art, your paranoid hosts make boldly for that secret spot where the rainbow ends, and the masks come off. REFERENCES Arthur Schnitzler, Dream Story (Traumnovelle) -- Source of the EWS screenplay, sadly overlooked in the episode but well worth a read. Frederic Raphael, Eyes Wide Open: A Memoir of Stanley Kubrick Bathysphere Frank L. Baum, The Wonderful Wizard of Oz David Icke's "reptilian" theory of the British Royal Family Thomas A. Nelson, Kubrick: Inside a Film Artist's Maze Screenshot of newspaper article from Eyes Wide Shut Rodney Ascher, Room 237 James Hillman, Pan and the Nightmare Gustave Moreau, L'Apparition Mario Praz, The Romantic Agony William S. Burroughs, “On Coincidence,” in The Adding Machine J.F. Martel, "The Kubrick Gaze" Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and JF indulge their autumnal mood in this discussion of Howard Phillips Lovecraft's work, specifically the essay "Notes on the Writing of Weird Fiction" and the prose piece "Nyarlathotep." Philip K. Dick, Algernon Blackwood, and David Foster Wallace make appearances as our fearsome hosts talk about how the weird story differs from conventional horror fiction, how Lovecraft gives voice to contemporary fears of physical, psychological and political infection, and how authors like Lovecraft and Dick can be seen as prophetic poets of the "great unbuffering of the Western self." REFERENCES H. P. Lovecraft, "Notes on Writing Weird Fiction" H. P. Lovecraft, "Nyarlathotep" 1974 Rolling Stone feature on PKD Graham Harman, Weird Realism: Lovecraft and Philosophy Theodor Roszak, The Making of a Counterculture: Reflections on the Technocratic Society and its Youthful Opposition Algernon Blackwood, "The Wendigo" Algernon Blackwood, "The Willows" Ann and Jeff Vandermeer, The Weird: A Compendium of Strange and Dark Stories H.P. Lovecraft, "Supernatural Horror in Literature" Charles Taylor, A Secular Age E.E. Evans-Pritchard, Witchcraft, Oracles and Magic Among the Azande Peter Sloterdijk, You Must Change Your Life David Foster Wallace, Infinite Jest H.P. Lovecraft, "The Music of Erich Zann" H.P. Lovecraft, "The Colour Out of Space" H.P. Lovecraft, "The Call of Cthulhu" Weird Studies, Episode 2: Garmonbozia Marshall McLuhan, Understanding Media: The Extensions of Man Learn more about your ad choices. Visit megaphone.fm/adchoices

"Music is worth living for," Andrew W.K. sings in his latest rock anthem. In this second episode on the weirdness of music, JF and Phil focus on two works steeped in ambiguity and paradox: Bob Dylan's "Jokerman," from the landmark post-Christian album Infidels, and Franz Liszt's "Mephisto Waltz, No. 1: The Dance at the Village Inn," inspired by an episode in the Faust legend. If this conversation has a central theme, it may be music's power to unhinge every fixed binary, from God and the Devil to culture and nature. Music, as exemplified in these pieces, can put us in touch with the abiding mystery of the eternal in the historical, the unhuman in the human... The hills are alive! REFERENCES Bob Dylan, "Jokerman" Franz Liszt, “Mephisto Waltz no. 1,” performed by Boris Berezovsky Andrew WK, "Music is Worth Living For" Leonard Cohen, “The Future” C.G. Jung, Aion Douglas Rushkoff, Testament The Guardian, “Carthaginians sacrificed own children, archaeologists say” Garry Wills, "Our Moloch" Minoan snake goddess statues Richard Wagner, Parsifal http://www.monsalvat.no/ T.S. Eliot, The Wasteland Daniel Albright, Untwisting the Serpent: Modernism in Music, Literature, and Other Arts Beckett, Not I Nikolaus Lenau, German Romantic poet Wolgang von Goethe, Faust, Part 1, translated by David Luke Weird Studies, Episode 3: Sin: "Ecstasy, and the White People" Learn more about your ad choices. Visit megaphone.fm/adchoices

In this first of two episodes devoted to the music of the weird, Phil and JF discuss two works that have bowled them over: the second movement of Ligeti's Musica Ricercata, used to powerful effect in Stanley Kubrick's Eyes Wide Shut, and the opening music to Cronenberg's film Naked Lunch, composed by Howard Shore and featuring the inimitable stylings of Ornette Coleman. After teasing out the intrinsic weirdness of music in general, the dialogue soars over a strange country rife with shadows, mad geniuses, and skittering insects. And to top it all off, Phil breaks out the grand piano. Header image by Bandan, Wikimedia Commons REFERENCES Ligeti, Musica Ricercata, 2nd movement Howard Shore and Ornette Coleman, opening music for David Cronenberg's Naked Lunch Schopenhauer, The World as Will and Representation Suzanne Langer, Philosophy in a New Key Henri Bergson, Creative Evolution Stanley Kubrick, 2001: A Space Odyssey Viktor Shklovsky, "Art as Technique" Stanley Kubrick, Eyes Wide Shut Hitchcock, Psycho Vulture, "The Evolution of the Movie Trailer" by Granger Willson Official Trailer for The Shining_vs teaser for _2012 Jan Harlan (director), Stanley Kubrick: A Life in Pictures David Cronenberg, Crash William S. Burroughs, Naked Lunch Gilles Deleuze & Félix Guattari, A Thousand Plateaus Gunther Schuller's interview with Ethan Iverson Weird Studies, Episode 25: David Cronenberg's Naked Lunch Deleuze & Guattari, Anti-Oedipus Learn more about your ad choices. Visit megaphone.fm/adchoices

Stone, bronze, iron... glass? In his recent thought and writing, transdisciplinary artist and thinker Michael Garfield defines modernity as an age of glass, arguing that the entire ethos of our era inheres in the transformative enchantments of this amorphous solid. No one would deny that glass plays a central role in our lives, although glass does have a knack for disappearing into the background, at least until the beakers or screens crack and shatter. Glass is weird, and like a lot of weird things, it can serve as a lens (so to speak!) for observing our world from strange new angles. In this episode, Michael joins Phil and JF to talk through the origins, the significance, and the fate of the Glass Age. Michael Garfield is a musician, live painter, and futurist. He is the host of the brilliant Future Fossils Podcast. REFERENCES Michael Garfield's website + Patreon + Medium + Bandcamp Michael Garfield, "The Future is Indistinguishable from Magic" (This is the essay we discuss that was unpublished at the time of the recording) Michael Garfield, "The Future Acts Like You" Michael Garfield, "The Evolution of Surveillance Part 3: Living in the Belly of the Beast" Artist David Titterington's Patreon page Richard Doyle, On Beyond Living: Rhetorical Transformations of the Life Sciences Corning, "The Glass Age" (corporate video) Jean-Paul Sartre, Baudelaire John David Ebert, "On Hypermodernity" John C. Wright, The Golden Age J.R.R. Tolkien, The Lord of the Rings Timothy Morton, Hyperobjects Christopher Knight and Alan Butler, Who Built the Moon? Pink Floyd, The Dark Side of the Moon Marshall McLuhan, The Gutenberg Galaxy Marshall McLuhan, The Medium is the Massage Spinoza, Ethics Charles Taylor, The Malaise of Modernity Martine Rothblatt, Virtually Human: The Promise and the Peril of Digital Immortality John Crowley, Little, Big Jose Arguelles, Dreamspell Calendar William Irwin Thompson, Lindisfarne Tapes Jonathan Sterne, The Audible Past Karl Schroeder, “Degrees of Freedom,” in Heiroglyph: Stories and Visions for a Better Future Michael Garfield, “Being Every Drone” Henri Bergson, Creative Evolution Special Guest: Michael Garfield. Learn more about your ad choices. Visit megaphone.fm/adchoices

JF and Phil head for Interzone in an attempt to solve the enigma of Naked Lunch, David Cronenberg's 1991 screen adaptation of William S. Burroughs' infamous 1959 novel. A treatise on addiction, a diagnosis of modern ills, a lucid portrait of the artist as cosmic transgressor, and like the book, "a frozen moment when everyone sees what is on the end of every fork," Naked Lunch is here framed in the light Cronenberg's recent speech making the case for the crime of art. Image by Melancholie, Wikimedia Commons. REFERENCES David Foster Wallace, "Westward the Course of Empire Takes Its Way," from Girl With Curious Hair Gilles Deleuze and Félix Guattari, Anti-Oedipus, and "How Do You Make Yourself a Body Without Organs?" in A Thousand Plateaus David Cronenberg (writer-director), Naked Lunch (the film) William Burroughs, Naked Lunch (the novel) Thomas De Quincey, Confessions of an Opium-Eater Dale Pendell, Pharmako/Poeia: Power Plants, Poisons and Herbcraft "David Cronenberg: I would like to make the case for the crime of art," Globe and Mail June 22 2018 JF Martel, Reclaiming Art in the Age of Artifice Phil Ford, Dig: Sound and Music in Hip Culture Derek Bailey (director), On the Edge: Improvisation in Music Phil Ford, "Good Prose is Written By People Who Are Not Frightened" Geroge Orwell, "Inside the Whale" Learn more about your ad choices. Visit megaphone.fm/adchoices

As Lionel Snell, also known as Ramsey Dukes, observes in his seminal esoteric essay, "The Charlatan and the Magus" (1984), the series of trumps in a tarot deck doesn't begin with the noble Emperor or august Hierophant, but with the lowly Fool, followed by the Juggler. Trickery or illusion, Snell suggests, may not be the dealbreaker we've thought it to be in parapsychological investigation. It may even be a feature, not a bug, of the magical process. In this episode of Weird Studies, JF and Phil talk to Lionel Snell about trickster magic, and all we miss out on when we make rational truth the only measure by which we know reality. Ramsey Dukes [Lionel Snell], "The Charlatan and the Magus" Darren Brown, Tricks of the Mind Yuval Noah Harari, Sapiens: A Brief History of Humankind Phil Ford, “Birth of the Weird" Ramsey Dukes [Lionel Snell], How to See Fairies: Discover Your Psychic Powers in Six Weeks Ramsey Dukes [Lionel Snell], S.S.O.T..B.M.E. John Keats, Negative Capability Weird Studies, Episode 9: "On Aleister Crowley and the Idea of Magick" Special Guest: Lionel Snell [Ramsey Dukes]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil stops by JF's Canadian homestead for a raucous IRL conversation on the idea of presence. The range of topics includes objects of power, the magic of books, the mystery of the event, modernity's knack for making myths immanent, genius loci, the mad wonder of Blue Velvet, and the iron fist of the virtual. REFERENCES Gil Scott-Heron, "The Revolution Will Bot Be Televised" Louis CK on smart phones at the ballet recital Henri Bergson, Matter and Memory, Creative Evolution Gilles Deleuze on the virtual: see Bergsonism, Proust and Signs, The Logic of Sense, Difference and Repetition, Cinema II: The TIme Image Expanding Mind with Erik Davis, "Being Anarchist" JF Martel, "Reality is Analog" Jason A. Josephson-Storm, The Myth of Disenchantment (and Gyrus's review) Gyrus, North: The Rise and Fall of the Polar Cosmos William Irwin Thompson, The Time Falling Bodies Take to Light: Mythology, Sexuality and the Origins of Culture Geoffrey O’Brien, Phantom Empire David Foster Wallace, “David Lynch Keeps His Head” Donald Barthelme David Lynch, Blue Velvet Eduardo Viveiros de Castro, Cannibal Meraphysics Learn more about your ad choices. Visit megaphone.fm/adchoices

American philosopher Joshua Ramey, author of The Hermetic Deleuze: Philosophy and the Spiritual Ordeal, and Politics of Divination: Neoliberal Endgame and the Religion of Contingency, joins Phil and JF to discuss a philosophical project whose implications go deep and weird. In his books and articles, Joshua proffers the vision of a world where divination -- whether or not it is recognized as such -- isn't just possible, but necessary for advancing knowledge, creating art, and forming communities. And his research has revealed that the wardens of our neoliberal order know this all too well. As he writes in an essay discussed in this episode, the mandate of a weird age ought to be clear: "Occupy, and practice divination." **REFERENCES Joshua Ramey, The Hermetic Deleuze: Philosophy and the Spiritual Ordeal Joshua Ramey, Politics of DIvination: Neoliberal Endgame and the Religion of Contingency Joshua Ramey, "Contingency Without Unreason: Speculation After Meillassoux" (abstract) Vanessa de Oliveira Andreotti, University of British Columbia, at academia.edu Fred Moten and Stefano Harney, The Undercommons: Fugitive Planning and Black Study Deleuze, Nietzsche and Philosophy, Difference and Repetition, and The Logic of Sense Quentin Meillassoux, After Finitude: An Essay on Contingency Elie Ayache, The Blank Swan: The End of Probability Weird Studies, "Does Consciousness Exist?" Parts One and Two Special Guest: Joshua Ramey. Learn more about your ad choices. Visit megaphone.fm/adchoices

The writings of underground filmmaker Jack Smith serve as a starting point for Phil and JF's second tour of the trash stratum. In their wanderings, they will uncover such moldy jewels as the 1944 film Cobra Woman, the exploitation flick She-Devils on Wheels, and (wonder of wonders) Hitchcock's Vertigo. The emergent focus of the conversation is the dichotomy of passionate commitment and ironic perspective, attitudes that largely determine whether a given object will turn out to appear as a negligible piece of garbage... or the Holy Grail. By the end, our hosts realize that even their own personal trash strata may give off shimmers of the divine. Jack Smith, Flaming Creatures Robert Siodmak (director), Cobra Woman (1944) Jack Smith, "The Perfect Filmic Appositeness of Maria Montez" Roger Scruton, English philosopher Mystery Science Theater 3000 (TV series) Kenneth Burke, American literary theorist Alfred Hitchcock (director), Vertigo (1958) Fyodor Dostoevsky, Notes from Underground Charles Ludlam's Theater of the Ridiculous Mel Brooks (director), High Anxiety (1977) "Ironic Porn Purchase Leads to Unironic Ejaculation", The Onion (1999) James Carse, Finite and Infinite Games Jorge Luis Borges, "The Approach to Al-Mu'tasim" Herschell Gordon Louis (director), She-Devils on Wheels André Bazin, What is Cinema? Erik Davis, "The Alchemy of Trash" David Lynch, Mulholland Drive William James, The Varieties of Religious Experience Phil Ford, "Birth of the Weird" Learn more about your ad choices. Visit megaphone.fm/adchoices

Is the Holy Grail a crushed beer can in the gutter? JF and Phil consider the implications of Philip K. Dick's line, "the symbols of the divine initially show up at the trash stratum." Gnosticism, Aleister Crowley's Thoth tarot, Thomas Ligotti's "The Order of Illusion," Jack Smith's glorification of moldy glamour, saints' relics that look like beef jerky -- all this and more in the first of a two-part conversation. REFERENCES Aleister Crowley, The Book of Thoth Phil Ford, "What Good News Do You Bring?" Philip K. Dick, The Exegesis Philip K. Dick, VALIS Stanislav Lem, Microworlds Jonathan Haidt, The Righteous Mind Robertson Davies, The Rebel Angels Thomas Ligotti, Noctuary Friedrich Nietzsche, The Birth of Tragedy Frank Darabont (dir.), The Shawshank Redemption Weird Studies podcast, On Tarkovsky's 'Stalker' Part 1 and Part 2 Richard Wagner, Parsifal Learn more about your ad choices. Visit megaphone.fm/adchoices

After announcing that Weird Studies will be going to a bi-weekly release schedule for the summer, Phil and JF talk about how the podcast has gone so far and what's on the horizon (more guests!). Before long, they're digging deep into what makes each of them tick as weird speculators, locating the points at which their ideas differ and converge. The discussion touches on the philosophy of Quentin Meillassoux, the theology of Tertullian, the Beatles, the Coke-Pepsi dichotomy, the art of religion, and more. SHOUT OUTS Mandala artist Betty Paz Infinite Conversations Michael Garfield, the Future Fossils podcast Ramsey Dukes (Lionel Snell), “The Charlatan and the Magus” Joshua Ramey, The Hermetic Deleuze: Philosophy and the Spiritual Ordeal and The Politics of Divination: Neoliberal Endgame and the Religion of Contingency REFERENCES Patrick Harpur, The Secret Tradition of the Soul Quentin Meillassoux, After Finitude: An Essay on Contingency GK Chesterton, Orthodoxy MC Escher, Drawing Hands The works of Tertullian Learn more about your ad choices. Visit megaphone.fm/adchoices

JF and Phil finally get down to brass tacks with William James's essay "Does Consciousness Exist?" At the heart of this essay is the concept of what James calls "pure experience," the basic stuff of everything, only it isn't a stuff, but an irreducible multiplicity of everything that exists -- thoughts as well as things. We're used to thinking that thoughts and things belong to fundamentally different orders of being, but what if thoughts are things, too? For one thing, psychical phenomena (a great interest of James's) suddenly become a good deal more plausible. And the imaginal realm, where art and magic make their home, becomes a sovereign domain. REFERENCES William James, "Does 'Consciousness' Exist?" Steven Shaviro, The Universe of Things Jean-Paul Sartre, The Transcendence of the Ego William James, Essays in Psychical Research Weird Studies D&D episode Proust, À la Recherche du Temps Perdu The Venera 13 probe's photos of the surface of Venus Wallace Stevens, "A Postcard from the Volcano" Learn more about your ad choices. Visit megaphone.fm/adchoices

In this first part of their discussion of William James' classic essay in radical empiricism, "Does 'Consciousness' Exist?", Phil and JF talk about the various ways we use the slippery C-word in contemporary culture. The episode touches on the political charge of the concept of consciousness, the unholy marriage of materialism and idealism ("Kant is the ultimate hipster"), the role of consciousness in the workings of the weird -- basically, anything but the essay in question. That will come in part two. Header image by Miguel Bolacha, Wikimedia Commons REFERENCES William James, "Does 'Consciousness' Exist?" Daniel Dennett, Consciousness Explained Daniel Pinchbeck, author and founder of Reality Sandwich Phil Ford, Dig: Sound and Music in Hip Culture Scott Saul, Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties Quentin Meillassoux, After Finitude: An Essay on the Necessity of Contingency Matt Cardin - author and editor, creator of The Teeming Brain Learn more about your ad choices. Visit megaphone.fm/adchoices

JF and Phil tackle Genjokoan, a profound and puzzling work of philosophy by Dogen Zenji. In it, the 13th-century Zen master ponders the question, "If everything is already enlightened, why practice Zen?" As a lapsed Zen practitioner ("a shit buddhist") with many hours of meditation under his belt, Phil draws on personal experience to dig into Dogen's strange and startling answers, while JF speaks from his perspective as a "decadent hedonist." "When one side is illumined," says Dogen, "the other is dark." For proof of this utterance, you could do worse than listen to this episode of Weird Studies. REFERENCES Dogen Zenji, Genjokoan Shohaku Okumura and the Sanshin Zen Community in Bloomington, Indiana Peter Sloterdijk, You Must Change Your Life Weird Studies, Episode 8: "On Graham Harman's 'The Third Table'" Gilles Deleuze, Cinema 1: The Movement Image Jun'ichiro Tanizaki, In Praise of Shadows Thomas Aquinas, Summa Theologica Henri Bergson, Matter and Memory Søren Kierkegaard, Fear and Trembling Joris-Karl Huysmans, À Rebours (Against Nature) Chogyam Trungpa, Cutting Through Spiritual Materialism Learn more about your ad choices. Visit megaphone.fm/adchoices

In this second of a two-part conversation on Andrei Tarkovsky's 1979 film Stalker, Phil and JF explore the film's prophetic dimension, relating it to Samuel R. Delany's classic science-fiction novel Dhalgren, the cultural revolution of the 1960s, the affordances of despair, the spookiness of color, the transformation of noise into music, and the Chernobyl disaster. They even come up with a title for a novel Robert Ludlum never wrote but should have written: The Criterion Rendition! REFERENCES Andrei Tarkovsky (dir.), Stalker Samuel R. Delany, Dhalgren (foreword by William Gibson) H.P. Lovecraft, "The Colour Out of Space" John Searle, Seeing Things as They Are: A Theory of Perception Steve Reich, Come Out Gustav Mahler, Symphony No. 1 Martin Heidegger, "The Question Concerning Technology" Stanley Kubrick, The Shining The Chernobyl Exclusion Zone Sigmund Freud, Beyond the Pleasure Principle Learn more about your ad choices. Visit megaphone.fm/adchoices

Journey into the Zone to uncover some of the strange artifacts buried in Tarkovsky's cinematic masterpiece, Stalker (1979). In this first of a two-part conversation, Phil and JF discuss a poem by Tarkovsky's dad, compare the film with the sci-fi novel that inspired it, explore the ideological underpinnings of formulaic genre, delve into the meaning and affordances of the concept of zone, and affirm that in a sufficiently weird mindset, even a casual stroll in your hometown can become an excursion into a Zone of your own. REFERENCES Andrei Tarkovsky (dir.), Stalker Arkady and Boris Strugatsky, Roadside Picnic The Wachowskis (dir.), The Matrix James Cameron (dir.), Avatar Second City Television (SCTV), vintage Canadian comedy show Alex Garland (dir.), Annihilation (based on the novel by Jeff Vandermeer; here's an article on how Garland's film differs from Vandermeer's arguably weirder text) SCTV, Monster Chiller Horror Theatre: Whispers of the Wolf Learn more about your ad choices. Visit megaphone.fm/adchoices

Heraclitus of Ephesus was one of the great pre-Socratic thinkers. Called the Obscure and the Weeping Philosopher, he left behind a collection of fragments so mysterious and pregnant with meaning that they continue to puzzle scholars to this day. In this episode, Phil and JF use a random number generator to select a number of fragments and speculate about their content. By the end, they will also have disclosed the bizarre contents of JF's tenth-grade "hippie bag," outed Oscar Wilde as a Zen Buddhist, and taken a walking tour of a city that exists only in Phil's dreams. REFERENCES Pierre Hadot, What is Ancient Philosophy? Northrop Frye, The Great Code Northrop Frye, Words with Power I Ching: The Book of Changes Oxford World Classics, The First Philosophers: The Presocratics and Sophists Wikisource page for Heraclitus James Hillman, The Dream and the Underworld Dogen Zenji, Genjokoan Mark Johnson, The Meaning of the Body Gilles Deleuze on Spinoza Benedict de Spinoza, Ethics Oscar Wilde, The Picture of Dorian Grey Friedrich Nietzsche, Twilight of the Idols Neil Gaiman, Seasons of Mist (the fourth arc of the Sandman series) Deleuze on Dreams Learn more about your ad choices. Visit megaphone.fm/adchoices

American filmmaker Rodney Ascher is a master of the weird documentary. Whether he be exploring wild interpretations of a classic horror film in Room 237, bracketing the phenomenon of sleep paralysis in The Nightmare, studying the uncanny power of the moving image in "Primal Screen," or considering the sinister power of a kitschy logo in "The S from Hell," Ascher confronts his viewers with realities that resist final explanations and facile reduction. In this episode, Phil and JF follow Ascher's films into the living labyrinth of a strange universe that isn't just unknown, but radically unknowable. REFERENCES American filmmaker Rodney Ascher, director of "The S from Hell", Room 237, The Nightmare, and "Primal Screen" James Hillman, The Dream and the Underworld The Duffer Brothers (directors), Stranger Things (web TV series) Alan Landsburg (creator), In Search Of... with Leonard Nimoy (American TV series) Errol Morris (director), The Thin Blue Line Ann and Jeff Vandermeer (editors), The Weird: A Compendium of Strange and Dark Stories British speculative writer Michael Moorcock Lord Dunsany, The Gods of Pegana Arthur Conan Doyle, The Hound of the Baskervilles Stanley Kubrick (writer-director), The Shining Richard Attenborough (director), Magic Sandor Stern (writer-director), Pin Freud, "The Uncanny" Freud, Beyond the Pleasure Principle David Lynch (writer-director), Lost Highway French psychoanalyst Jacques Lacan Duncan Barford, Occult Experiments in the Home: Personal Explorations of Magick and the Paranormal JF Martel, "Ramble on the Real" Phil Ford, "Birth of the Weird" American astronomer Carl Sagan Charles Taylor, Sources of the Self: The Making of the Modern Identity René Descartes, Meditations on First Philosophy Learn more about your ad choices. Visit megaphone.fm/adchoices

M. R. James' "The Mezzotint" is one of the most fascinating, and most chilling, examples of the classic ghost story. In this episode, Phil and JF discover what this tale of haunted images and buried secrets tells us about the reality of ideas, the singularity of events, the virtual power of the symbol, and the enduring magic of the art object in the age of mechanical reproduction. To accompany this episode, Phil recorded a full reading of the story. Listen to it here. REFERENCES M.R. James, "The Mezzotint" Robert Aickman, English author of "strange stories" Edgar Allan Poe, "The Oval Portrait" Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" Marshall McLuhan, The Book of Probes Clement Greenberg, American art critic J.F. Martel, Reclaiming Art in the Age of Artifice Marcel Duchamps, Fountain Henri Bergson, Laughter John Cage, American composer David Lynch (director), Twin Peaks: The Return Gilles Deleuze, Difference and Repetition Vilhelm Hammershøi, Danish painter Sigmund Freud, Beyond the Pleasure Principle Martin Heidegger, What is Called Thinking? Stanley Kubrick, [The Shining](https://en.wikipedia.org/wiki/The_Shining(film))_ Ferruccio Busoni, Sketch of a New Esthetic of Music David Lynch on why you shouldn't watch films on your phone Nelson Goodman, American philosopher Pablo Picasso, Guernica Paul Thomas Anderson, The Master Martin Heidegger, Basic Writings Phil Ford, "No One Understands You" Learn more about your ad choices. Visit megaphone.fm/adchoices

M. R. James has been hailed as the unrivalled maser of the classic ghost tale, and his powers are at their zenith in "The Mezzotint," a story that first appeared in his 1904 collection, Ghost Stories of an Antiquary. In it, James reimagines the Gothic trope of the haunted picture in a weird new light. The text, read here by co-host Phil Ford, serves as a springboard for Weird Studies episode 11, where we discuss the enduring power of the art object in the age of mechanical reproduction. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1977, Philip K. Dick read an essay in France entitled, "If You Find this World Bad, You Should See Some of the Others." In it, he laid out one of the dominant tropes of his fictional oeuvre, the idea of parallel universes. It became clear in the course of the lecture that Dick didn't intend this to be a talk about science fiction, but about real life - indeed, about his life. In this episode, Phil and JF seriously consider the speculations which, depending on whom you ask, make PKD either a genius or a madman. This distinction may not matter in the end. As Dick himself wrote in his 8,000-page Exegesis: "The madman speaks the moral of the piece." REFERENCES Philip K. Dick, excerpts from “If You Find This World Bad You Should See Some Of The Others” R. Crumb, The Religious Experience of Philip K. Dick Emmanuel Carrère, I Am Alive and You Are Dead: A Journey into the Mind of Philip K. Dick “20 Examples of the Mandela Effect That’ll Make You Believe You’re In A Parallel Universe” Philip K. Dick, The Man in the High Castle Weird Studies, "Episode 9: On Aleister Crowley and the Idea of Magick" Weird Studies, "Episode 4: Exploring the Weird with Erik Davis" William Shakespeare, The Tempest Sun Ra, Space is the Place Zebrapedia (crowdsourced online transcribing/editing of the Exegesis) Ramsey Dukes (Lionel Snell), Words Made Flesh Daniel Dennett, Consciousness Explained Bernado Kastrup, Why Materialism is Baloney Gordon White, Star.Ships: A Prehistory of the Spirits Nick Bostrom, “Are You Living in a Computer Simulation?” Learn more about your ad choices. Visit megaphone.fm/adchoices

The plan was to discuss the introduction to Aleister Crowley's classic work, Magick in Theory and Practice (1924), a powerful text on the nature and purpose of magical practice. JF and Phil stick to the plan for the first part of the show, and then veer off into a dialogue on the basic idea of magic. Along the way, they share some of the intriguing results of their own occult experiments. REFERENCES Photo of JF's "large sum" cheque Aleister Crowley, Magick in Theory and Practice The Gospel According to Thomas James George Frazer, The Golden Bough: A Study in Magic and Religion Erik Davis, "Weird Shit" I Ching, The Book of Changes Joshua Gunn, Modern Occult Rhetoric: Mass Media and the Drama of Secrecy in the Twentieth Century The Book of the Sacred Magic of Abramelin the Mage The Shackleton Expedition Grant Morrison on how to do sigil magic Alan Chapman, Advanced Magick for Beginners David Hume, A Treatise of Human Nature David Hume, An Enquiry Concerning the Human Understanding Joshua Ramey, "Contingency Without Unreason" Quentin Meillassoux, After Finitude: An Essay on the Necessity of Contingency E. E. Evans-Pritchard, Witchcraft, Oracles and Magic Among the Azande H. P. Lovecraft, At the Mountains of Madness Learn more about your ad choices. Visit megaphone.fm/adchoices

JF and Phil discuss Graham Harman's "The Third Table," a short and accessible introduction to "object-oriented ontology." Phil takes us on a tour of his closet, we discover that JF's kids are better at this weird studies stuff than their old man, and the conversation veers through Harman's Lovecraftian "weird realism," Zen's "just sit" meditation, panpsychism, Martin Buber's I and Thou, experimental filmmaking, and more. WORKS AND IDEAS CITED IN THIS EPISODE Graham Harman, "The Third Table" Graham Harman, Tool-Being: Heidegger and the Metaphysics of Objects Martin Heidegger, Being in Time J. F. Martel, "Ramble on the Real" Graham Harman, Weird Realism: Lovecraft and Philosophy H. P. Lovecraft, "The Call of Cthulhu" Arthur Stanley Eddington, The Nature of the Physical World Graham Harman, "Objects and the Arts" (lecture) Bernardo Kastrup, Why Materialism is Baloney Daniel Dennett, Consciousness Explained Walden, A Game – A computer game based on Heny David Thoreau’s classic work, Walden South Park, “Guitar Queer-O” (season 11, episode 13) Wikipedia entry on art critic David Hickey Heraclitus, Fragments Martin Buber, I and Thou The concept of “substantial form” in Aristotle’s philosophy Martin Heidegger, "The Question Concerning Technology" Steven Shaviro, The Universe of Things William James, "Does ‘Consciousness’ Exist?" Andy Warhol’s minimalist films Empire and Sleep Wikipedia entry on filmmaker Terrence Malick Neil Jordan (director), The End of the Affair (based on the novel by Graham Greene) J. F. Martel, Reclaiming Art in the Age of Artifice Gustav Klimt, The Kiss (painting) Matthew Akers (director), David Blaine: Beyond Magic The Duffer Brothers (directors), Stranger Things 2 Learn more about your ad choices. Visit megaphone.fm/adchoices

For as long as they've been pounding the crap out of each other for good reasons, humans have also been pounding the crap out of each other for fun. Everywhere, in ever age, elaborate systems, rituals, and traditions have arisen to ring in the practice of violence and thereby offer the rough beast that lurks in every soul a chance to come out for a stretch in the sun. In this episode, Phil and JF delve into one of the most scandalous affairs of all: the illicit dalliance of Aphrodite and Ares, beauty and violence. WORKS & IDEAS DISCUSSED IN THIS EPISODE: Ernest Hemingway, Death in the Afternoon James Hillman, A Terrible Love of War Homer, The Odyssey Joyce Carol Oates, On Boxing La fosse aux tigres (documentary directed by Jason Brennan and JF Martel; Nish Media) Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction Richard Strauss's opera Salome Gur Hirshberg, "Burke, Kant, and the Sublime" Gilles Deleuze, The Logic of Sense Learn more about your ad choices. Visit megaphone.fm/adchoices

The Dutch historian Johan Huizinga was one of the first thinkers to define games as exercises in world-making. Every game, he wrote, occurs within a magic circle where the rules of ordinary life are suspended and new laws come into play. No game illustrates this better than Gary Gygax's tabletop RPG, Dungeons & Dragons. In this episode, Phil and JF use D&D as the focus of a conversation about the weird interdependence of reality and fantasy. Header image: Gaetan Bahl (Wikimedia Commons) WORKS CITED OR DISCUSSED IN THIS EPISODE Official homepage of the Dungeons & Dragons roleplaying game Critical Role web series Another RPG podcast JF failed to mention: The HowWeRoll Podcast Demetrious Johnson’s Twitch site Game Over: Kasparov and the Machine (documentary) Chessboxing! Jackson Lears, Something for Nothing: Luck in America Peter Fischli, The Way Things Go Jon Cogburn and Mark Silcox, Dungeons & Dragons and Philosophy: Raiding the Temple of Wisdom Lawrence Schick, ed., Deities & Demigods: Cyclopedia of Gods and Heroes from Myth and Legend Article on Mazes and Monsters, a movie that came out of the D&D moral panic of the 1980s Phil Ford, “Xenorationality” Johan Huizinga, Homo Ludens: A Study of the Play-Element of Culture John Sinclair, [Guitar Army: Rock and Revolution with the MC5 and the White Panther Party](https://www.amazon.com/Guitar-Army-Revolution-White-Panther/dp/1934170003) Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and JF discuss Lisa Ruddick's "When Nothing is Cool," an essay on the postmodern humanities and its allergy to essences -- especially that personal essence we call soul. Maybe the soul is a heap of miscellaneous notions and influences that I paint a face onto and then call "me." Or maybe there is something under that painted effigy of the self. If so, what? And if there's nothing under there, could it be a nothing that delivers? WORKS DISCUSSED IN THIS EPISODE Lisa Ruddick, "When Nothing is Cool" Elizabeth Gilbert, "Your Elusive Creative Genius" Judith Halberstam, "Skinflick: Posthuman Gender in Jonathan Demme's The Silence of the Lambs" Daniel Chua (the musicologist whose name Phil couldn't remember) Brett Easton Ellis, American Psycho Mary Harron, American Psycho (film) David Lynch, Twin Peaks: The Return Learn more about your ad choices. Visit megaphone.fm/adchoices

Scholar, journalist and author Erik Davis joins Phil and JF for a freewheeling conversation on the permutations of the weird, Burning Man, speculative realism, the uncanny, the H. P. Lovecraft/Philip K. Dick syzygy, and how the world has gotten weirder (and less weird) since Erik’s groundbreaking Techgnosis was published twenty years ago. WORKS DISCUSSED IN THIS EPISODE: Erik Davis’s Techgnosis website Erik Davis's podcast, Expanding Mind Erik Davis, Techgnosis: Myth, Magic, and Mysticism in the Age of Information Erik Davis, Nomad Codes: Adventures in Modern Esoterica Erik Davis, Led Zeppelin IV Mark Fisher, The Weird and the Eerie Philip K. Dick, Exegesis Goop Magazine, no. 2 Hakim Bey and the Temporary Autonomous Zone The Burning Man Festival Ian Hacking, The Taming of Chance Erik Davis, “Weird Shit” JF Martel, “How Symbols Matter” Henri Bergson, Introduction to Metaphysics Charles Baudelaire, “Correspondances” from Fleurs du mal Sigmund Freud, “The Uncanny” Deleuze and Guattari, Anti-Oedipus The Onion, “Lovecraftian School Board Member Wants Madness Added to Curriculum” Special Guest: Erik Davis. Learn more about your ad choices. Visit megaphone.fm/adchoices

JF and Phil delve deep into Arthur Machen's fin-de-siècle masterpiece, "The White People," for insight into the nature of ecstasy, the psychology of fairies, the meaning of sin, and the challenge of living without a moral horizon. WORKS CITED OR DISCUSSED Arthur Machen, "The White People" - full text or Weird Stories audiobook read by Phil Ford Arthur Machen, Hieroglyphics: A Note Upon Ecstasy H. P. Lovecraft, "Supernatural Horror in Literature" J.F. Martel, Reclaiming Art in the Age of Artifice Susanna Clarke, Jonathan Strange and Mr. Norrell Jack Sullivan (ed)., The Penguin Encyclopedia of Horror and the Supernatural John Keel, The Mothman Prophecies: A True Story Patrick Harpur, Daimonic Reality Jacques Vallee, Passport to Magonia: From Folklore to Flying Saucers Louis Pauwels and Jacques Bergier, The Morning of the Magicians Michael Foucault, Discipline and Punish: The Birth of the Prison J.K. Huysmans, Against Nature (À rebours) Learn more about your ad choices. Visit megaphone.fm/adchoices

Weird Stories is a series of readings for Weird Studies listeners who want to dig deeper into the themes and ideas discussed on the Weird Studies podcast. In his seminal essay "Supernatural Horror in Literature," H. P. Lovecraft named Arthur Machen one of the four "modern masters" of horror fiction, alongside Lord Dunsany, Algernon Blackwood, and M. R. James. Born in 1863, Machen burst onto the London literary scene in 1890 with the controversial novella "The Great God Pan." He was briefly considered one of the luminaries of the Decadent movement before falling into obscurity and experiencing a literary rebirth toward the end of his life. In this Weird Stories installment, Phil Ford reads the complete text of one of Machen's most famous works, "The White People" (1904). Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and JF use a word from the Twin Peaks mythos, "garmonbozia," to try to understand what it was that the detonation of atomic bomb brought into the world. We use the fictional world of Twin Peaks as a map to the (so-called) real world and take Philip K. Dick, Krzysztof Penderecki, Norman Mailer, William S. Burroughs, Theodor Adorno, and H.P. Lovecraft as our landmarks. Warning: some spoilers of Twin Peaks season 3. Works Cited or Discussed: Phil Ford, "The Cold War Never Ended", Dial M for Musicology (1) (2) (3) (4) Twin Peaks: The Return — Official Site Philip K. Dick, “The Empire Never Ended,” treated in R. Crumb’s “The Religious Experience of Philip K. Dick” and the “Tractate” from Dick’s Exegesis: http://www.tekgnostics.com/PDK.HTM Norman Mailer, “The White Negro” Ray Brassier, Nihil Unbound: Enlightenment and Extinction J.R.R. Tolkien, The Silmarillion Arthur Machen, The White People Robert Oppenheimer, “I am become death” C.G. Jung, Synchronicity: An Acausal Connecting Principle William S. Burroughs, Naked Lunch Howard Phillips Lovecraft, The Call of Cthulhu William B. Yeats, "The Second Coming" Krzysztof Penderecki, Threnody to the Victims of Hiroshima The Book of Ecclesiastes Jon H. Else, The Day After Trinity (documentary) Francisco Goya, "The Sleep of Reason Produces Monsters" Stanley Kubrick, Doctor Strangelove, or, How I Learned to Stop Worrying and Love the Bomb Theodor Adorno and Max Horkheimer, Dialectic of Enlightenment Jean Beaudrillard, Simulacra and Simulation Guy Debord, The Society of the Spectacle William James, A Pluralistic Universe Norman Mailer, Advertisements for Myself Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and J.F. share stories of sleep paralysis and talk about Charles Fort's sympathy for the damned, Jeff Kripal's phenomenological approach to Fortean weirdness, Dave Hickey's notion of beauty as democracy, and Timothy Morton's hyperobjects. Learn more about your ad choices. Visit megaphone.fm/adchoices