UV Music Group

Faith-ful (prod. Reazon) by Naww G

Yakubu (Prod. Reazon) by Naww G

Good Guys & Good Girls by Naww G

Cigarettes and Coffee Freestyle by Naww G

IN IT 4 DA DOUGH (ft System The One) by Naww G

The Mix & The Master (Prod. Buddah Bless) by Naww G

The Unrevealed Band, Naww G, System The One & Urbanswave - Neighborhood Stars (Prod. BOGER) by Naww G

The Book of Hustle (Prod. Skeebs) by Naww G

The Book of Dope (Prod. The WXLFPACK) by Naww G

The Book of Mansa Musa (Prod. Lebanon Don) by Naww G

The Book of Saved Money (Prod. DviousMindz) by Naww G

Dedicated to the Real (Prod. Angelo Imani) by Naww G

Introduction by Malcolm Muggeridge (Prod. Naww G) by Naww G

The Book of God Body (Prod. ELSTIANO The Architect) by Naww G

The Book of Economics (Prod. LT Soul) by Naww G

The Book of Naww G (Prod. James The Saint) by Naww G

Boss Talk (Motivational Intro) by Naww G

On The Radar (Skit 2) by Naww G

On The Radar (Interlude) by Naww G

“17” — Naww G This record is proof that my voice don’t stutter when the truth is rhythmic. I might stutter when I speak… but when I do this, it’s fluent. 🎤 “17” lives on a 9th Wonder beat — nothing fancy, no overproduction. Just a simple drum loop and a soulful vocal sample. That’s all I needed. The kind of beat that lets the bars breathe and the message stand up straight. The song is a reflection on early hustle, early ownership, and early clarity. When I say “had a biz at 17,” it’s not nostalgia — it’s a receipt. Capitalism, contradiction, faith, culture, street economics, and creative discipline all collide here. Every line sounds casual, but it’s intentional. Even the flexes are quiet. Lyrically, “17” balances humor, realism, and philosophy: Business before approval Clean language, dirty work ethic God as the instrument, music as the service 800 tracks later, still chasing melody, not noise This isn’t a hobby record. This is a calling record. They play me in the trap. They comment on the records. I see exactly what they telling me. Day 66. Still working. Still building. Can’t talk to me — I had a biz at 17.

Pagani Automobili Music (Prod. Dr. Dre) by Naww G

Princess & The Frog (Prod. Reazon) by Naww G

Knickerbockers (Prod. James The Saint) by Naww G

“All I Do” — Naww G (Prod. DJ Khaled & James The Saint) “All I Do” is a declaration of identity, discipline, and direction. Built on a soulful, emotionally rich sample, the record carries the warmth and weight of classic hip-hop, while the drums hit with a modern, undeniable presence. The production feels timeless but current — the kind of record that could live in any era, yet speaks directly to this one. It’s reflective without being soft, confident without being loud. Lyrically, the song is about consistency as power. When Naww G repeats “All I do,” it isn’t filler — it’s emphasis. It’s the mantra of someone who understands that success isn’t one big moment, but the result of showing up every day and executing. Bars about credit, money, vision, and growth aren’t bragging; they’re checkpoints along a journey from survival to ownership. The song captures the mental shift from reacting to life to designing it. There’s also honesty in the record. The acknowledgment of past financial struggles sits right next to future certainty. That contrast gives the song its soul. It’s not about pretending the climb was easy — it’s about proving that transformation is possible through focus, patience, and belief in self. “All I Do” becomes a personal audit: what you repeat is what you become. The album artwork extends the message beyond sound. The visual of YsUp represented as a powerful, monumental presence is intentional. It symbolizes education, structure, and long-term thinking — not just as a company, but as a movement. Black professionals walking with purpose, briefcases in hand, represent the future being built now. The logo as a statue speaks to permanence: this isn’t a trend, it’s a foundation. Together, the music and the artwork function as a blueprint. “All I Do” isn’t just a song — it’s a vision statement. Naww G uses hip-hop the way architects use sketches: to show what’s coming before it exists. The record connects hustle culture to institution building, personal ambition to collective uplift. This is rap as documentation. This is art as strategy. This is music that explains the moves before the world sees the results. “All I Do” is the sound of a future being built in real time.

Probation (Prod. @shileforyou) by Naww G

DAY 38 🔥 — “Long Island, U.S.A.” Produced by me. Sampled from De La Soul’s Once Again Long Island. This one is HISTORY. This one is HOMETOWN. Today I dropped “Long Island, U.S.A.” — an anthem for every kid from Hempstead to Montauk who ever felt like Albany and NYC take what we build and give nothing back. This track is about statehood, self-governance, and keeping OUR money on OUR island. No more being New York’s ATM. No more scraps. We taking the whole plate back. I turned Long Island into the 51st State — passports stamped “Long Island,” tax dollars staying home, Hempstead City as the capital, and the Long Island Lightning as our first NBA team. And yeah… the G in Naww G stands for Governor today. 😤🏛️ This is pride. This is politics. This is hip-hop with a blueprint. 🎧 “Long Island, U.S.A.” out NOW on NawwG.com Stream it, buy it, share it — own a piece of the vision. 👑 811 Days of Summer continues tomorrow. Long Isle forever. #NawwG #811DaysOfSummer #LongIslandUSA #DeLaSoulSample #HempsteadRaised #UVEmpire #Day38

Black American Dream (Prod. System The One) by Naww G

Outro (Dear Industry Essay) (Prod. Dviousmindz) by Naww G

Hempstead Renaissance (Prod. Munya) by Naww G

“The Hood Good” is a jazzy, horn-driven anthem that flips the narrative of escape and reminds you that sometimes the soil you grew from is the richest place you’ll ever stand. Naww G floats over a cool, swinging beat, laying out a love letter to Hempstead while calling for community uplift, safer streets, and shared responsibility. The chorus captures the spirit of homegrown pride—the hood got everything I need—while the verses dive deeper into the mission: rebuild, restore, and reimagine what our neighborhoods can be. The track blends witty swagger with grounded purpose. Naww G balances playful lines about Arizona cans, Prime bottles, plus-size models, and bacon-egg-and-cheese comfort with powerful imagery of cleaning up corners, planting seeds, and transforming boarded-up blocks into opportunity. The homage to Elijah Muhammad’s philosophy—“Make where we live a safe, clean, successful community”—echoes through the writing, shaping a vision of a better Hempstead created by the people who love it most. The album artwork completes the message: a reimagined Hempstead village seal where Dr. Martin Luther King Jr. delivers a commencement address at Hofstra University, now framed with the bold declaration “THE HOOD GOOD.” Surrounded by history, pride, and resilience, the cover symbolizes what the song stands for—elevating the culture from within, honoring legacy, and choosing to build instead of run. It’s both a tribute and a blueprint. With sharp bars, jazz horns, and a mission bigger than music, “The Hood Good” is a hometown anthem rooted in truth, self-determination, and the belief that greatness starts right where you stand.

NOT A LOVE SONG (Prod. flowers in narnia) by Naww G

Story of A Boy (Tell The Story) (Prod. Bailey Daniel) by Naww G

AMIL Freestyle (Prod. Tay Keith) by Naww G

Finish Line (Prod. Bailey Daniel) by Naww G

“Touchdown” by Naww G is a high-energy anthem built for victory laps and homecoming moments — the type of record that makes the whole city stand up and celebrate. Designed as a theme song for Najee Harris, the track captures what it feels like to win for your hometown, to turn every arrival, every success, into a communal W. Over a triumphant, soul-charged beat, Naww G blends swagger and sincerity, celebrating both the grind and the glory. From fourth-down heroics to private jet touchdowns, every bar paints a picture of resilience, faith, and pride — a reminder that each achievement is bigger than one man; it’s a win for everyone who believed. In “Touchdown,” Naww G flexes lyrical precision and charisma, moving effortlessly between motivation and celebration. His verses salute the hometown hustle — paying rent for family, keeping the kids straight, and staying humble through the hate — while the hook unites fans, athletes, and dreamers under one chant. It’s a soundtrack for champions, whether on the field, in the booth, or in life. Every play, every verse, every touchdown is a promise kept: when Naww G lands, the city wins.