Tour Stories/The Check-In with Joe Plummer

Pinhead Gunpowder is an East Bay punk band formed in 1991. The current line up consists of Aaron Cometbus (lyrics, drums), Bill Schneider (bass) Billie Joe Armstrong (guitar, vocals) and Jason White (guitar, vocals). After 16 years and several EP’s, the band will release their second full length LP, Unt, on October 18th via 1234 Go! Records. Bill and Jason share the origin of their rock n roll relationship, how the band ultimately formed and why their spacious cadence of activity has never resulted in a lack of enthusiasm or energy for the band. We learn how Aaron’s lyrical phrasing guides the chord changes, why trust comes so easy in their collective song writing and how a game they play in rehearsal lead to writing the new record. The two tell us why this record sounds different to them, they share their experience working with producer Chris Dugan and they explain the meaning of Unt. They discuss why Bill isn’t allowed to be a cobbler, what Jason does at home when not on the road with Green Day and we hear couple brand new tunes. Pinhead Gunpowder1234 Go RecordsEpisode supported by IzotopeEpisode supported by Distrokid

James Petralli is the singer, guitarist, and a founding member of White Denim. Their twelfth record “12” is set to be released on 12.12 via Bella Union. James shares his journey from baseball to rock n roll, how the “absurd career choice” paralleled his dad’s and why learning how to talk about music was his ticket into his formative music circles. James tells us how “12” is drastically different from previous White Denim records, why he thinks being creative is inarguably the most positive thing he can do, and he explains his process of “live mixing”. Joe and James celebrate airport reverberations, what role confrontation plays in James’s live performance and we hear a couple rip roaring tunes. White DenimBella UnionEpisode supported by IzotopeEpisode supported by Distrokid

Jayan Bertrand is a singer, songwriter, guitarist and founding member of Miami based band Seafoam Walls. Their anticipated sophomore effort, Standing Too Close To The Elephant In The Room, will be out October 18th via Dion Dia Records, with two singles Humanitarian Pt. II and Cabin Fever out now. Jayan explains how their last stint of touring both inspired and funded the new record, allowing them to go into the studio more clear headed and intentional than their debut release. Joe and Jayan exchange their views on the dilution of counterculture from the perspective of touring musicians and how their experiences were different. Jayan shares his love for harmonizing guitars, the band Deerhoof, and tells us how his writing has evolved to a more collaborative process. We learn why the band integrated samples and pads into their acoustic drum sound, Jayan hips us to a regional Chattanoogan fruit and we hear a couple tunes.Seafoam WallsDion DiaEpisode supported by IzotopeEpisode supported by Distrokid

Soph Nathan is a singer, guitarist, songwriter and founding member of London based Our Girl. Their second full length record, The Good Kind, is due out November 8th via Bella Union. Soph shares the relief and excitement she’s feeling after a 6 gap between the Our Girl records. We hear why the band likes to play songs live before recording them, how the influence of Warpaint came to fruition with the new record and Soph explains how lyrics and music operate as an unconscious coping and adapting mechanism. Joe and Soph exchange thoughts on “tour health”, celebrate the beauty of panning positions in a mix and we hear a couple new songs. Our GirlBella UnionEpisode supported by IzotopeEpisode supported by Distrokid

Scott McCloud is a guitarist, singer, and songwriter. He has been a founding member of Girls Against Boys, New Wet Kojak and Soulside. He continues to tour extensively, performs acoustically, and operates in various projects including Agrio and Paramount Styles. In this episode, Scott shares a story where a simple misunderstanding of gratitude leads to a confusing, riotous, and even violent reaction from the crowd when his band Operator opened for Placebo in Lisbon. Joe and Scott discuss what this good intention turned bad tells us about humans in large groups, selective communication, crowd tipping points and why Scott still thinks about this show today. Music by Operator. A special thank you to John Schmersal for generously funding this episode.GVSBParamount StylesAgrioEpisode supported by IzotopeEpisode supported by DistrokidMentioned in this episode:Schecter GuitarsIzotopeDistrokid

Justin R. Cruz Gallego is a multi-instrumentalist, songwriter and producer based in Tacoma, WA. His newest record and Sub Pop debut, Grim Iconic…(Sadistic Mantra), is a cohesive, hooky noise odyssey laden with powerful beats, electronic layering and analog warmth. Justin shares his process of building the new songs and ultimately taking to a live setting. He also tells us how hitting a production ceiling was a healthy motivator to co-producing the record with Seth Manchester at Machines With Magnets. We hear how the Latin music he grew up listening to seeped into the songs, Joe and Justin discuss the graduation rate of Berklee College of Music students and we hear a couple tunes.J.R.C.GSubpopMachines with MagnetsEpisode supported by IzotopeEpisode supported by Distrokid

Sameer Gadhia is the singer and a founding member of Young The Giant. He also hosts the podcast Point Of Origin, which celebrates the lives and careers of musicians of color in the indie and alternative rock world. In this episode, Joe recovers an early recording where Sameer shares a few YTG experiences of being celebrated in Italy at the height of their hit single, Cough Syrup. We hear about the confusion of covering American Girl in front of a massive, lightly anti-American crowd; classic lip-syncing pranks; the hilarity of an entire country mispronouncing you’re biggest song and some daring yet cerebral food choices.Young The GiantPoint Of Origin PodcastEpisode supported by IzotopeEpisode supported by Distrokid Mentioned in this episode:DistrokidSchecter GuitarsIzotope

Kishi Bashi is a singer, songwriter, film maker and multi-instrumentalist currently based in Santa Cruz, California. His latest full-length Kantos (out now via Joyful Noise Recordings) is multi-genre exercise in duality: a fun, party album that address’s the current humanist role in art, life, and culture, all inspired by a mix of the sci-fi novel’s series Hyperion Cantos and philosopher Immanuel Kant. Kishi shares the initial motivation behind making a “party’ record and why a significant life change facilitated the work. Joe and Kishi question that role of fast-moving technology in music making, the hopeful notion that humanness will ground us despite tech advances and whether tech will outpace creativity. Kishi hints at a new film project and we hear a few tunes.Kishi BashiJoyful NoiseEpisode supported by IzotopeEpisode supported by Distrokid

This week Joe celebrates Hawaiian music and shares some early to mid-20th century public domain century recordings.1. Dreams of Old Hawaii-Varsity Hawaiian Orchestra2. Farewell to Thee - Toots Paka Hawaiians3. Mai Poina Oe Ia'u- Lani McIntire and his Aloha Islanders4 Aloha Oe- Hawaiian Quartett5. Kuuaina Aliha-Varstiy Hawaiian Orchestra6. Ke Kali Nei Au- George Kainapau with George Archer And His Pagans7. He Manoa He Aloha- Kaai Glee Club8. Kewaii - Palakiko and Paaluhi9. Wailana (Drowsy Waters) -Ferera and Franchini10. Aloha and Goodnight-Varsity Hawaiian OrchestraRuinous MediaEpisode supported by IzotopeEpisode supported by Distrokid

Scared of Chaka is an American punk rock band formed in 1993 in Albuquerque New Mexico by guitarist/vocalist, Dave Hernandez, bass guitarist Dameon Waggoner and drummer Jeff Jones. Jones was later replaced by Ron Skrasek. After a 15+ year hiatus, Scared of Chaka is back with a fiery new single and 7 inch on Slovenly Records. In this episode Joe talks with Dave, who is an old pal and former The Shins bandmate. Dave gives a brief history of Scared of Chaka, the story behind the “break up” and explains the vigor and excitement surrounding the new songs and upcoming shows. Joe and Dave share some “band guy” job stories, Dave gives us some real and hilarious insight into the elaborate culture of “ice cream men” and we revisit some outrageous Dillinger 4 tour shenanigans. The two discuss small dogs, cougars and we hear a couple rip roaring tunes.Scared of Chaka Slovenly RecordsEpisode supported by IzotopeEpisode supported by Distrokid Mentioned in this episode:Schecter GuitarsIzotopeDistrokid

Lollise is a Botswana born, Brooklyn based singer, songwriter, and multidisciplinary artist. After cutting her teeth recording and touring with the FELA! band and Underground System, she has brought her song writing efforts to the forefront with her debut LP, I Hit The Water, out September 6 via Switch Hit Records. Lollise shares the story behind the new record, why it plays tribute to her family's journey and how it keeps her connection with Botswana. She tells us how the lead single, eDube, is both a message to her deceased father and honors her mother’s experience with his passing. We learn how intuition guides her writing process, how collaboration played a role on the new record and why she does NOT like playing her song Birthday. Joe and Lollise bond on the power of rehearsal, the beauty of the shekere, their fixation with vintage fashion and we hear a couple tunes.LolliseSwitch Hit RecordsEpisode supported by IzotopeEpisode supported by Distrokid Mentioned in this episode:Schecter GuitarsIzotopeDistrokid

Duane Denison is a songwriter, guitarist and founding member of Tomahawk, The Denison/Kimball Trio and most notable and widely influential, The Jesus Lizard. The Jesus Lizard have recorded six studio albums, two live recordings and a brace of singles and EPs, with the band’s seventh album, Rack, out September 13 via Ipecac Recordings. Armed with their never dusty, always furious chops, The Jesus Lizard will support Rack with both national and international touring throughout 2024 and 25. Duane share’s his early relationship with music, why he decided to pick up a guitar and his path from classical training, to heavy, angular rock and jazz. He tells us why The Jesus Lizard are able to retain their energy and intensity over their long career and why quality control is so important to the band. We also learn how refinement and brutal honesty play a role in the evolution of his guitar playing. Joe and Duane discuss the celebration of “heavy music” in the UK with bands like IDLES, and we hear a couple new Jesus Lizard tunes.The Jesus LizardIpecacEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:DistrokidIzotopeSchecter Guitars

Cal in Red is a Grand Rapids based indie pop project started by brothers Connor and Kendall Wright. Since 2022 they have released 2 Ep’s, a handful of singles and on September 22, they will release their full-length record, Low Low, via B3SCI records. The fellas tell us why they moved from their hometown of Lansing to Grand Rapids, what their early relationship with music was like and what bands inspired them to begin writing and recording music. We learn how experience and time shaped the new record, why their approach was different and how they share writing, recording and production duties. The brothers share the story of meeting James Mercer, how he wound up singing on the new record and we hear a couple new tunes.Cal In RedEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars

Joe talks with Greg Mahdesian and Ryan Berti, founding members of Los Angeles based Swerve. Swerve’s newest EP, The Darkroom, a lively and rifftastic look at an era of the band’s life, is out now and includes a wonderful rendition of The Stone Roses hit, I Wanna Be Adored. Greg and Ryan share their relationship with music in their formative years, including the influence of Megachurch rock and a hip older cousin who pointed Greg to the “cool stuff” We learn why System Of A Down carries a significance with Swerve, not only to their cultural identify, but also as a songwriting reference. They explain how a Supreme court decision inspired a song, why there is more sonic freedom in recording a cover, and why The Darkroom is a not only a look to the past, but a celebration of a new stage both personally and professionally. Joe, Ryan and Greg discuss the power and the baritone guitar, and we hear a couple tunes.Swerve Episode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars

Grasshopper is a multi-instrumentalist, lead guitarist and founding member of Mercury Rev. His other projects include Harmony Rockets and his own band Grasshopper and the Golden Crickets. Mercury Rev’s newest record, Born Horses, is yet another intriguing sonic step in the band’s evolution. Born Horses is out September 6 via Bella Union. Grasshopper shares his early relationship with music, how seeing Lou Reed steered the young horn-player to playing guitar and why he wound up focusing less on his guitar playing on the new record. He shares the process of writing Born Horses, how Brechtian Theatre and prose influenced the overall sound and why previous projects informed this process. Joe and Grasshopper celebrate the “utility musician”, Grasshopper tells us a sweet story about his last memory in his favorite Buffalo bar and we hear a couple new tunes. Mercury Rev Bella UnionEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:IzotopeSchecter GuitarsDistrokid

Dustin O’Halloran is an American pianist and composer with six acclaimed solo albums under his own name. He has scored multiple films and TV shows, won an Emmy for the theme to Transparent and has been nominated for an Oscar, a Golden Globe and a Critics Choice Award for his score to Lion, a collaboration with Volker Bertelmann (aka Hauschka). His most recent album, 1 0 0 1, is an instrumental four-movement exploration of the nature of the human mind, implications of artificial intelligence and raises questions of humanity in a world intertwined with technology is out now via Deutsche Grammophon. Dustin shares how his early relationship with music influenced his trajectory to go from a rock-oriented guitarist and singer to a solo pianist creating instrumental music. He tells us how 1 0 0 1 evolved from a performance dance piece to expansive sonic journey and functioned as a bridge to a new artistic path. Dustin and Joe discuss his process in writing and recording 1 0 0 1, Dustin walks us through the inspiration behind the four movements and he explains why texture drives his creativity. The two celebrate the power of re-amping and we hear two pieces from 1 0 0 1.Dustin O'HalloranDeutsche GrammophonEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars

Nick Thorburn is a singer, songwriter and multi-instrumentalist residing in Los Angeles. Nick has fronted and co-founded bands such as The Unicorns, Human Highway, Mister Heavenly and Islands. The newest Islands record, What Occurs, is out now an available everywhere. In this episode, old pals and current bandmates Joe and Nick get cheeky and personal, touching on their first meeting, what bonds them and why they owe Ryan Kattner all the credit for their friendship. Nick shares the germ of inspiration behind What Occurs, how they wrote and recorded the record on an actual island and why live collaboration is so important to him. We learn how Joe and Nick differ on their view of death, how Nick found his singing voice and why a sense of play is so important to his songwriting. The two predict how and why AI will eat itself, they entertain a very special surprise guest, and we hear a couple new Islands songs. Islands Episode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:Schecter GuitarsIzotopeDistrokid

Billy Fuller is a bass player and songwriter from Bristol, England. He has played bass guitar with acts including Massive Attack, Robert Plant and is a founding member of Beak>. Beak’s new record, Beak>>>> (Beak 4), is available now via Invada Records. Billy shares his early experience of learning the bass by listening to his brother’s records and cassettes that he picked up at his local petrol station that is ultimately the root of his sound. We get his take on the famous “Bristol Sound”, overcoming “old tricks” when recording a new record and the relativity of bass guitar tone, supported by a story about the great Robbie Shakespeare. Billy walks us through the recording of the new record, how the Beak> writing process typically goes and specifically how they put together the current single, The Seal. Billy and Joe finally publicly address their Instagram beef and we hear a few hot numbers.Beak>Invada RecordsEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars

Ryan Kattner is a singer, songwriter, and lyricist for Man Man, Mister Heavenly and his solo effort, Honus Honus. The newest Man Man record, Carrot on Strings, is out now and is Man Man’s first full length release on Sub Pop Records. Old pals Joe and Ryan discuss the long road of Joe finally playing with Man Man, the process of writing the new record and Ryan explains the song Mongolian Spot and how the records art may parallel his life. The two speculate on why Ryan is living in a “carrot orange” space and the consequences of making this decision at this point in his life. Ryan share’s his experience splitting his head open in a bike accident, we learn the roll that Old Yeller plays on the new record, and we hear a couple tunes.Man ManSup Pop RecordsEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:IzotopeSchecter GuitarsDistrokid

Tara Jane O’Neil is a multi-instrumentalist, composer, and visual artist residing in California. She composes and performs under her own name and in collaboration with other musicians, artists, dancers, and filmmakers. As a solo artist she has released ten full-length albums and her newest record, The Cool Cloud Of Okayness is out now on Orindal Records and available everywhere. Tara shares her experience playing music as a youngster, sitting in on a friend’s guitar lessons, learning bass from Jefferson Airplane and Pixies records and ultimately starting bands Rodan and Drinking Women. She tells us why she almost stopped making records, what changed that trajectory and how it affected her songwriting approach. We learn how “good feelings” is the catalyst for the new record, why acting fast with her guitar was so important and how the title track came to her in an afternoon. Joe and Tara flirt with getting stoned on the beach together, discuss the importance of “diva status” and we hear a few tunes.Tara Jane O'neilOrindal RecordsEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars

Today Joe stops by the Cult and Culture headquarters in San Diego. Cult and Culture is a podcast co-created by renowned musician and actor Justin Pearson and producer and musician Luke Henshaw. The show explores the DIY-driven, subversive world of art and culture, featuring a diverse array of guests from various subcultures. They are also Ruinous Media Network Partners! They talk about the variety of music he has taken part in, working on research podcasts, tour stories involving frisbees and back problems, pickle ball and yoga, the San Diego connections that Joe has, and the similarities in the DNA of Seattle and San Diego. They also talk about the heart, integrity, and work ethic that brings their community of weirdos together, even despite their musical or artistic differences.Cult and CultureThree One GEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:Schecter GuitarsDistrokidIzotope

Logan Lynn is a singer, songwriter, producer, filmmaker, and activist currently based in the Northwest. For the past 25 years, he has been recording and releasing music with Caroline, EMI and The Dandy Warhol’s label, Beat The World. His newest record, Softcore, will release on June 7th via Kill Rock Stars, alongside a film of the same name. Logan shares his story of growing up in a Christian cult, how that led him to creating music in his youth and how he wound up in Portland, Or during his artistically formative years. He shares the love loss and self-motivated loneliness that inspired the new record and how he came to a Bill Callahan/Smog song as his lead single. He tells us about his involvement with Pass The Mic, a foundation started by Portugal The Man that advocates philanthropy and community engagement around universal issues related to human rights, community health, and the environment with a specific focus on the stories of Indigenous Peoples. Logan also shares his community’s reaction to his attendance to a White House Pride event, and we hear a few tunes.Logan LynnKill Rock StarsPass The Mic FoundationEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:IzotopeSchecter GuitarsDistrokid

Chris Cohen is a producer, songwriter, and a multi-instrumentalist from Los Angeles, California. He has released several solo records, is a founding member of The Curtains and was the guitarist for Deerhoof from 2002-2006. He has also done production and session work for the likes of Weyes Blood, Kurt Vile, Le Ren, and Marina Allen. His new record, Paint A Room, is due out on July 12th via Hardly Art Records. Chris tells us how he grew up as a lonely punker in Los Angeles, what sparked his interest in music and why no-one has ever heard his first band, The Blocks. He talks about a show in a Santa Cruz basement in the 90’s that set in motion a life in music and why a flexibility between instruments guides his journey. We learn why Milton Nascimento is his musical hero, what he learned about producing recording Paint A Room and we hear a couple new tunes.Chris CohenHardly ArtEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:DistrokidIzotopeSchecter Guitars

Ep 213 with Babe Report! The wonderfully raucous four piece from Chicago have followed up their debut EP, The Future of Teeth, with Did You Get Better, a full-length LP due out May 31st via Exploding In Sound. We hear how the band formed following the pandemic, how they recorded and mixed the entire record over a weekend in their basement studio and the meaning behind the title Did You Get Better. They share how the first single, Turtle Of Reaper, addresses societal paranoia and why their neighborhood print newspaper, Nadig Newspaper, is both a weekly pre-rehearsal muse and inspiration for the record. Joe tells the group how he met Charles Barkley 10 days after his son was born and we hear a couple rip roaring tunes.Babe ReportExploding In SoundEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:Schecter GuitarsIzotopeDistrokid

Coady Willis is a drummer based in Los Angeles CA. He has a robust pedigree of performing and recording with The Murder City Devis, Big Business, Melvins and High On Fire, to name a few. He is also one of three drummers on the all percussion record, Hew Time, along with Joe and Dale Crover. Coady tells us how his uncle helped pave the way for life as a rock n roll drummer, why seeing the band Tribe 8 changed his early teen perspective on performance and he shares his experience of playing in bands in Mt. Vernon and Seattle in his formative years. He also shares his journey from being a young Dale Crover fan to eventually playing alongside Dale in Melvins. The two drummers discuss their individual approaches to joining an established band, the hurdles that come with it, and why being conscientious of the group’s chemistry is crucial. Finally, Coady talks about his long history with High On Fire and why recording and writing the new record Cometh The Storm (out now via MNRK Music Group) was such an educational and rewarding experience. We hear a few tunes from Cometh The Storm and of course the drummers talk drums. High On FireMNRK Music GroupEpisode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:DistrokidSchecter GuitarsIzotope

This is the Built In Sun appreciation episode. Released on August 7, 2015 via PIAPTK Records, Built In Sun is Joe Plummer's first and currently only solo record. BIS began as an instrumental idea, with inspirations landing somewhere between John Cale’s Fear, the punker vibrations of The Wipers, guitarist John Reis and Joe’s favorite soundtrackists, John Brion and Clint Mansell. Recorded both at his studio in Seattle and with the late Richard Swift at National Freedom, Joe made a point to collaborate with his friends and former bandmates. The lyrics and vocals on the record are provided by longtime friend and former The Black Heart Procession colleague, Pall Jenkins, with additional players David Bazan and Cody Votolato filling out the piano and guitar respectively. In this episode, Joe expresses his love for the opportunity to make a record with his pals and leaves an easter egg or two.Built in Sun Episode supported by IzotopeEpisode supported by DistrokidEpisode supported by Thunder Road Guitars

Kai James is a singer, songwriter, guitarist, and a founding member of Brisbane based Girl and Girl. Their newest record and Sub Pop debut, Call A Doctor, is out May 24th with extensive touring planned throughout North America, Europe, and Australia. Kai shares his experience of life growing up on a farm outside of Brisbane, how music entered his life and why it’s an important form of expression for him. Joe and Kai discuss the direct and personalness of his lyrics, the familial origin of Girl and Girl and the experience of recording Call A Doctor. Joe encourages Kai to become an actor, Kai tells us about surfing with “big fish” and we hear a couple tunes off the new record.Girl and GirlSub Pop RecordsMother VideoEpisode supported by DistrokidEpisode supported by Thunder Road Guitars Mentioned in this episode:IzotopeDistrokidSchecter Guitars

Surprise! Part 2 of Joe’s interview on @thetourstories with Eric D Johnson is up with a big announcement. Bonny Light Horseman, the trio of Anaïs Mitchell, Eric D. Johnson, and Josh Kaufman, are set to release their new double album and Jagjaguwar debut Keep Me on Your Mind/See You Free on June 7th! Eric shares the origin of BLH, how he came to be a contributing member and why they use a “yes and” style in their voltronic writing process. He also tells us about how the record was made partially live in an Irish pub, how his bandmate Anaïs has changed his lyric stylings and why the new record might have a broader reach of listeners. Joe and Eric also discuss Eric’s deep indie rock pedigree and his rich history of touring and recording from the early aughts to the present. The two reminisce about their tenure together in The Shins and how they both greatly benefitted from that experience. We learn about the invention of the famous SoftRockTail™ and hear a new tune from Keep Me on Your Mind/See You Free.Bonny Light HorsemenEric D JohnsonJagjaguwarEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Thunder Road Guitars Mentioned in this episode:Schecter GuitarsIzotopeDistrokid

Eric D Johnson is a singer, songwriter, multi-instrumentalist, producer and film composer based in Los Angeles. He is the founding member of Fruit Bats, has played with indie luminaries Califone, Vetiver, The Shins and is a contributing member of Bonny Light Horsemen. In Part 1 of a rare two-part episode, Eric shares a few stories from the road, spanning from his early tenure in Califone (opening for Modest Mouse), his interaction with a MTV beach party, to a more recent experience of jamming with Bob Weir in a small club. Old pals Joe and Eric laugh, they almost cry, and we hear a great live version of a Fruit Bats song. And this is only Part 1. Fruit BatsEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Thunder Road Guitars Mentioned in this episode:Schecter GuitarsDistrokidIzotope

The Red Pears are a three-piece band hailing from El Monte, Ca. Comprised of childhood friends Henry Vargas (vocals/guitar), Jose Corona (Drums) and Patrick Juarez (Bass), the trio are celebrating their fourth album, Better Late Than Never (out April 12th via Daycare Records). The three share the inspiration behind the new record and how a newfound freeness in production allowed them to toggle between listening with their hearts and employing technical input. We learn how cooperative comradery drives the inspiration of The Red Pears and the why a kindred conscientious serves as the glue in their writing, recording, and touring. They discuss the contrast of extensive touring and structureless home life, their upcoming shows at The Forum and Coachella and we hear a few tunes.Episode supported by DistrokidEpisode supported by IzotopeEpisode supported by Thunder Road Guitars Mentioned in this episode:DistrokidSchecter GuitarsIzotope

Joe P is a singer, songwriter and multi-instrumentalist who writes, records and self-produces from his basement studio in Asbury Park, NJ. HIs newest record, Shadows in the Sun is expected to be released in summer 2024 and currently has 3 singles out via Atlantic records. Joe tells us how he got his start playing music and a very young age and shares his experience of trying to fit into his local hardcore scene in his late teens. He tells us about his approach to songwriting as an entirely self-produced artist, his philosophy on live performance verses recording and why he ended up recording vocals in his van while on a recent tour. The two discuss shoes, why it’s important to make touring loveable and we hear a few tunes.Joe PEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Thunder Road Guitars Mentioned in this episode:DistrokidSchecter GuitarsIzotope

Omni is a three-piece Atlanta based outfit comprised of guitarist Frankie Broyles, bassist/singer Philip Frobos and drummer Chris Yonker. Their fourth studio album, Souvenir (out now via Sub Pop) is an angular adventure of hooky guitar wizardry, tight and slinky rhythms topped with sheeny melodies and lyrics that set them apart from other post punkers. They share their experience growing up in Atlanta, the scene that took them in and motivated them to start a band. We hear the process behind the new record, what sparked the change in lyrical perspective and how new drummer Chris Yonker contributes to the sound of Souvenir. The four discuss the process behind their visual aesthetic, share tips for hotel deals on the road and we hear a couple tunes.Omni Sub Pop RecordsEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Thunder Road Guitars Mentioned in this episode:DistrokidIzotopeSchecter Guitars

Bibi Club is the Montreal based pop project of singer-keyboardist Adèle Trottier-Rivard and guitarist Nicolas Basque. Their newest record, Feu de garde, is out May 10th via Secret City Records. Adèle and Nicolas tell us how the intersection of a chaotic living situation and nature inspired the record and why Adèle’s experience in the “dude world” of rock music informs her lyrics. We learn how these parents of three manage their lives as working artist’s and how why bringing kids on tour brings a special energy to their performances. The two share the meaning behind Feu de garde, what it was like to finally share mixing duties, and we hear a few tunes.Bibi ClubSecret City RecordsEpisode supported by DistrokidEpisode supported by Izotope Mentioned in this episode:Schecter GuitarsDistrokidIzotope

Julia Shapiro and Gretchen Grimm are one half of Seattle's noisy dream pop legends, Chastity Belt. Their 5th album, Live Laugh Love (out March 29th via Suicide Squeeze Records) is a dreamy layering of guitars, vocals and gentle rhythms that guide the listener through both emotional sincerity and lighthearted nostalgia, all with the sheen of cheekiness that the band has celebrated from the beginning. Julia and Gretchen share the process and inspiration behind the new record, its cover art, and how the power of simplicity guided the recording. The three discuss biking in Seattle, essential skills learned on the road and their relationship with music in their formative years. For the first time we take a few questions from friend of show John Atkins that leads to a thorough education on The Harp Twins and how to make a Renaissance Faire hat on the cheap. As always we hear a few tunes from the record.Chastity BeltSuicide SqueezeEpisode supported by DistrokidEpisode supported by IzotopeMentioned in this episode:Schecter GuitarsIzotopeDistrokid

Joe Wong is a LA based musician, film and tv composer, producer, and podcaster. His newest record, Mere Survival, is a lush orchestral psychedelic pop odyssey laden with timeless song structure and stacked with the heaviest of heavy hitting guest musicians (Mary Timony, Nate Mendel, Money Mark, Jim Keltner and Matt Cameron, to name of few). Joe (Wong) shares the motivation behind this realistic, yet despair rich record, and how this stage in his career naturally led to its completion. The Joe’s discuss the absurdity of the all-star cast of contributors and why Joe Wong sees making a record as an innately social experience. The two exchange their gleaned wisdom they’ve absorbed from Buzz Osborne, Joe (Wong) tells us why he’s getting his podcast The Trap Set up and running again and we hear his plans for upcoming performances of Mere Survival. As usual, we hear a few tunes and soak up the vibrations.Joe WongMere SurvivalEpisode supported by DistrokidEpisode supported by IzotopeMentioned in this episode:DistrokidIzotopeSchecter Guitars

Stephen Buono is a producer, songwriter, and devisor of the collective project Church Chords. The debut record, Elvis, he was a Schlager is out Feb 23 on his new label, Otherly Love. Stephen takes us through the process of making this expansive and cohesive record, how it was initially inspired by the University of Miami marching band, and why the first version of the record was scrapped. He tells us why the spirit of freedom and collaboration was crucial for this project and why he's grateful for the long list of heavy hitters that contributed. Joe and Stephen have a Minutemen superfan moment and we hear a few tunes from the new record.Church ChordsOtherly LoveEpisode supported by DistrokidEpisode supported by Izotope Mentioned in this episode:Schecter GuitarsIzotopeDistrokid

Justin Pearson is a singer, bass player, podcaster and founder of the record label Three One G. He has recorded, toured with and founded such bands as The Locust, Dead Cross, Deaf Club and Retox. He latest project, Planet B, is a collaboration with Luke Henshaw that celebrates hip-hop, hardcore and noise, all coated with a danceable sheen of Sci-Fi. Their second record, Fiction Prediction, is out now on Three One G. Justin shares how his introduction to punk and hardcore music was sparked more by its cultural vibrations than playing music, which came later. Joe and Justin discuss the hodge podge nature of the early years of punk shows how that relates to their approach to music now. Justin gives us a little insight into Luke Henshaw’s approach to recording, how they work collectively and the philosophy behind the duos podcast, Cult and Culture. We hear a few tunes and Justin delivers a fabulous tour story.Planet BThree One GCult and CultureEpisode supported by DistrokidEpisode supported by Izotope Mentioned in this episode:IzotopeDistrokidSchecter Guitars

Nate Kinsella is a singer, multi-instrumentalist and song writer based in Brooklyn, NY. Since the mid 1990’s he’s has recorded, toured and or been a founding member of the bands Joan of Arc, American Football and Make Believe. His most recent project, Birthmark, has released a new LP titled Birth Of Omni, and is out now on Polyvinyl Records. Birth Of Omni is a rich sonic tapestry of eclectic electro pop, close and textured vocals, and personal and experiential lyrics. Nate tells us about the familial logistics and focus required to make a solo record as a primary caregiver of two kids, how the process brought him closer to his true self and what the motivation behind Birth Of Omni was. Joe and Nate discuss the power of patience and “bravery” in creating something with limited time and the difference between making a record with a band vs. alone. The two share childhood stories of cooking things in the woods, Nate talks social nudity, roller-skating and we hear a few tunes.Nate KinsellaPolyvinyl Records Episode supported by DistrokidEpisode supported by Izotope Mentioned in this episode:Schecter GuitarsDistrokidIzotope

Allen Karpinski is a song writer, guitarist and founding member of the Ohio band The Six Parts Seven. Fellow Ohioan, Joey Beltram is this the singer, songwriter behind Goodmorning Valentine. Over the course of a weekend in 2006, the two bands came together in a small in studio in Kent, Ohio. What yielded was a beautiful collaborative collection of songs called Kissing Distance (out February 16th via Suicide Squeeze). Joey and Allen share the magic of the experience and the spark that inspired this collaboration. Joey tells us how an unusual spontaneity and openness in the studio led to a beautiful and novel experience for the band. Joey lends us some in-sight on the recording and writing process, they talk Kinkos, the fall of Pitchfork and we hear a couple tunes.The Six Parts SevenGoodmorning ValentineEpisode supported by DistrokidEpisode supported by Izotope

Hatis Noit is self-taught vocalist and songwriter based in London. Her inspiration and vocal style ranges from Japanese folk, western classical, Gregorian chanting to Avant-guard, ambient and pop. In 2018 she released her debut record, Illogical Dance, which was praised not only for its unique vocal interpretations, but also her moving live performances. Her most recent and widely acclaimed release, Aura (Erased Tapes) will be re-released on vinyl ahead of her debut U.S tour this spring. In this episode, Hatis shares the personal story that inspired her take up singing as her primary musical expression and why she see’s voice as the most connective instrument. She tells us why live performance is key to her completing songs and how the studio setting played a role in the creation and atmosphere of Aura. We hear how Taro Okamota inspired the high energy piece Jomon, why a visit from a squirrel dug her out of an artistic low point and we hear a couple magical tunes.Hatis Noit Erased TapesEpisode supported by DistrokidEpisode supported by IzotopeMentioned in this episode:DistrokidIzotopeSchecter Guitars

Maria BC is a singer, songwriter and ambient musician based in Oakland, Ca. Growing up in a musical household, Maria was encouraged to sing and is grateful for the 10 years of vocal training they enjoyed throughout their childhood. Since 2020, Maria has self-recorded and released two well received records and the third, Spike Field (out now on Sacred Bones) is a sprawling and spacious ambient journey laced with broad reverberations, dark folk guitar, synthesizers and choral stacking. Maria shares the idea behind Spike Field and how our battles with past and future selves relate to the field of nuclear semiotics. Joe and Maria discuss the meaning behind the song Watcher and what motivates them to take an outward reaching position in song writing. They share their perfectionist style of recording, why Oakland is the best city in the world, and we hear a couple tunes. Maria BCSacred BonesEpisode supported by DistrokidEpisode supported by Izotope Mentioned in this episode:DistrokidIzotopeSchecter Guitars

Simon O’Connor is a musician and composer from NYC. O’Connor has been releasing records with various projects for over 20 years. He is currently the touring bassist of the psychedelic pop band, MGMT, as well as the lead guitarist of Modest Mouse. He is also the bass player, co-vocalist, and founding member of Spiral Heads, who’s newest record is out February 23 via TrashCasual/AcademyFight Songs. In this episode, Joe and Simon talk punk, punk and more punk and how the newest Spiral Heads record celebrates a specific time in a punk bands life when they may be branching out from punk. Simon tells about us about his early days at ABC NO RIO, why Microsoft Word is best used inits natural habitat, and he shares the experience and beauty of hearing Marky Ramone practice alone. We also learn why Killing Joke is his favorite band, how he started playing with MGMT and shares his experience meeting Dann Gallucci from Modest Mouse. The two exchange made up words, talk the appropriateness punk t-shirts at school drop off and we hear a couple tunes. Spiral HeadsSimon O'ConnorTrash CasualEpisode supported by DistrokidEpisode supported by Izotope Mentioned in this episode:IzotopeSchecter GuitarsDistrokid

Eva Walker is the singer and guitarist for the Seattle band The Black Tones. In this episode Eva shares her experiences with the weird practices of a bizzarro sound guy on a recent week long West Coast tour . The Black TonesEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Native Instruments Mentioned in this episode:IzotopeSchecter GuitarsDistrokid

Joseph Shabason is a songwriter, a film and TV composer and a multi-instrumentalist based in Toronto, Ontario. He has recorded and collaborated with The War On Drugs, The Operators, Destroyer, DIANA and has released several solo records. His newest record, Welcome To Hell is a concept record directly inspired by the influential 1996 Toy Machine skate video of the same name. This re-imagined soundtrack is a spacious and spacey freeish jazz odyssey that is grounded in ECM sonic textures, late 60’s Miles Davis reverberations and the very now vibes of experimental hip hop. Joseph tells us how Welcome To Hell differs from his previous records and how growing up in a rural Canada played a role in the concept. He shares the negative feedback he’s received about the record and how he’s spun it into a positive and a new perspective on art in general. We get proof that Ed Templeton is truly a wonderfully rad dude and Joseph tells us the story of Chad Muska at Welcome To Hell video premier. Joe cures Joseph of Covid and we hear a few tunes.Joseph ShabasonEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Native Instruments Mentioned in this episode:IzotopeSchecter GuitarsDistrokid

Mary Timony is a singer, songwriter, and guitar wizard from Washington DC. For the past 30 years she has fronted, founded, toured, and recorded with such celebrated and influential bands as Autoclave, Helium, Ex Hex and Wild Flag. Her fifth solo release, Untame The Tiger (out February 23 via Merge) is a beautifully elaborate guitar pop, riff driven record that touches on familial loss, emotional freedom and psychic shift. In this episode Mary tells us how an onslaught of simultaneous dramatic experiences changed her perspective personally and artistically and how music brought her closer to her ailing father. She shares her experience of recording with the great Dave Mattacks, mixing with Dave Fridmann and gives some in-sight into the process of co-producing with longtime friend, Joe Wong. We also hear about her first punk show, how she avoids “rote playing” and shares the funny and harsh experience that led her to quitting the viola. We hear a few tunes and Mary tells us not one, but three hilarious tour stories.Mary TimonyWild FlagEX HexEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Native Instruments Mentioned in this episode:IzotopeDistrokidSchecter Guitars

Joe speaks with John Familglietti, bass player, founding member and songwriter from the band HEALTH. Following two widely collaborative records, HEALTH’S newest record, Rat Wars (out 12.7 via Loma Vista), is proving to be the bands most inner focused, vulnerable, and sonically generous output yet. In this episode Joe and John discuss the San Diego scene where John grew up, how John was introduced to punk music and the show that changed his life. John tells us why he thinks Rat Wars is this best HEATLH record so far, how it came from a position of strength and he shares how the band’s recording process has evolved over the years. We learn the origin of HEALTH’S uniform/branded album artwork, how The Door’s influenced the decision the call the new album Rat Wars and we hear a couple new songs.HEALTHEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Native Instruments Mentioned in this episode:IzotopeSchecter GuitarsDistrokid

This episode is special because it's the first tour story Joe captured. His pal Kyle Crane, drummer, songwriter, and producer from Los Angeles, tells us how his band experienced a vegetable oil spill, an overheat, a poison ivy infection, and a pedestrian hit and run all in the span of 48 hours. We also hear a few tunes from Kyle's record "Crane Like The Bird" (featuring James Mercer). Kyle CraneEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Native Instruments

Matt Pryor a singer, songwriter, podcaster and author form Lawrence, Kansas. He is a founding member of the Get Up Kids, The New Amsterdam’s and host’s the podcast Nothing To Write Home About and 25 Years On The Street. His debut memoir, Red Letter Days (out 1.23.24 Washed Up Book) is taken from journal entries between 1990-2000 and is made up of short vignettes that follows his life as a musician growing up, pursing the dream of success and his earliest experiences touring. He also shares his early childhood growing up in Lawrence and his struggle with childhood diabetes. In this episode, Matt shares how writer Frank Turner encouraged him to write his memoir, why the book helped him hit a welcomed rock bottom and why finishing the book put into a depression. He explains how a simple writing exercise evolved into Red Letter Days, why the editing process was foreign to him and how songwriting and story writing are similar in his process. Joe and Matt discuss the beauty and positivity of “the pit” and they discover they were born in the same hospital along with their mutual pal Robert Aiki Aubrey Lowe.Episode supported by DistrokidEpisode supported by IzotopeEpisode supported by Native Instruments Mentioned in this episode:Schecter GuitarsIzotopeDistrokid

Vera Sola is a singer-songwriter, multi-instrumentalist and poet based in Los Angeles, CA. Her newest album, Peacemaker (out February 2 via City Slang) is a sprawling and lyrically ferocious follow up her first record Shades and will take the listener on a joyfully painful sonic journey through the cinematic west. In this episode Vera tells us how cinematic framing shaped the new record, why anger may be the driving energy and why she was "psychotic" about the final mix. Vera shares how a plant ceremony inspired her to make her first record, why David Beeman’s patience was crucial to her finishing the record and how Peacemaker's process was different. Joe and Vera talk retirement in the New York City, and we hear a couple tunes.Vera SolaCity SlangEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Native Instruments

Brett Netson is a guitarist, singer and song-writer from Boise, Idaho. He has toured and recorded extensively with Built To Spill, Mark Lanegan, Earth and is a founding member of Caustic Resin. His most recent contribution is a re-imagined version of Teeth Of Lions Rule The Divine by Earth, and is out now on special "low frequency" re-release of the classic Earth 2 record on Sub Pop Records. In this episode, the longtime friends and forever ago bandmates discuss the state of "work", why Brett quit playing music for a short period of time, and what brought him back. Brett shares his thoughts on the healthy benefits of Drone music, how it enhances his life and why singular thought is beneficial. We learn what is the glue that binds Brett and Dylan Carlson's musical relationship, why Brett found himself having to choose between not ONE but TWO deals with the devil and he explains the process of tearing apart and rebuilding an Earth song on his own. Brett and Joe make fun of themselves and we hear a few magnificent tunes.Brett Netson EarthSub PopEpisode supported by DistrokidEpisode supported by IzotopeEpisode supported by Native Instruments Mentioned in this episode:IzotopeDistrokidSchecter Guitars