The Xero for Hire Podcast

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Here's the referenced video of the fourth age, Daredevil reaction. Definitely worth the watch https://youtu.be/TKV6uA6451w?si=4CMYVTi0b4YxhX1FPodcast Summary: Daredevil’s Morality Trap & Progressivism in EntertainmentHost: XeroforhirePodcast: The Xero HourRuntime: ~19 minutes(00:00) - Technical Difficulties & FrustrationI kicked off the episode by venting my frustration—my device died mid-recording and I lost a solid podcast I had lined up, full of current events commentary. I might post whatever’s salvageable as bonus content on Substack, but for now, that’s gone. I was in the zone, on fire, and the device just cut out. Borderline depressed about it, not going to lie.(01:21) - Daredevil: Initial Impressions & The Lack of NuanceSo I shifted gears to entertainment, specifically Daredevil: Born Again. I've been watching the new season, and honestly, I’m struck by how divided commentary is.You’ve got sycophants in comic podcasts who love everything blindly, and on the flip side, anti-SJW YouTubers who hate everything just as blindly. No nuance. Life doesn’t work like that—you can’t love every sandwich you eat and call them all the best.(03:18) - Breaking Down Daredevil: The CGI "Criticism"Some critics were nitpicking Daredevil’s CGI, but honestly, I don’t get it. I've seen worse in CW’s The Flash. For me, Daredevil doesn’t have that cheap CGI feel—they nailed the vibe.There was one wide shot in particular—Daredevil just casually tossing a dude off a building, no fancy cuts—that really grabbed my attention. The show’s gritty lawyer-drama vibe mixed with superhero action works well.(04:56) - Something Feels Off...But here’s where it gets interesting. After two episodes, I couldn’t shake this weird gut feeling that something’s not right. Something felt off emotionally. I couldn’t pin it down, but I suspected they were setting up for a big twist in the storytelling approach.(05:21) - Insight from The Fourth Age & Progressive ArgumentationI ran some production background through ChatGPT (note: wouldn’t recommend, triggers every sensor online) and checked out The Fourth Age’s podcast.He really nailed it—pointing out how creators like Sana Amanat lay emotional groundwork first, then hit you with ideology.It’s the progressive strategy: get you emotionally invested, then slip in their narrative, flipping traditional logic on its head.(06:51) - The Moral Gray Shift: Daredevil vs. KingpinTurns out, the show’s not even following the classic Born Again comic storyline—it’s pulling from Chip Zdarsky’s morally gray run.Sana Amanat hinted they want Daredevil and Kingpin to exist on the same moral playing field. You’re meant to root for Kingpin at times, question Daredevil, and get stuck in this blurred morality loop.They bait you with recognizable characters, then twist them into avatars for ideology.(07:53) - Episode 3 Spoilers: White Tiger’s Courtroom FalloutIn Episode 3, we saw this clearly play out. White Tiger—another vigilante—is on trial.Matt Murdock outs his secret identity just to leverage a courtroom win. Pretty grimy. The narrative sets up this emotional story about White Tiger trying to do right, saving for his family, struggling but noble.You feel for him.But then at the end, he’s gunned down point-blank by none other than… the Punisher.It’s a gut punch.(11:27) - Scales of Morality: Punisher, Justice & Viewer ManipulationFrom Frank Castle’s perspective? Makes sense. A vigilante kills a cop, slips through the legal system on an emotional defense, and Castle takes justice into his own hands.The show is playing with these moral scales—who’s right, who’s wrong—and wants you to feel conflicted.They spent so much time showing White Tiger’s struggles precisely so you’d feel bad when Punisher ties up the loose end.It’s deliberate emotional manipulation, and it's key to understanding what they're doing.(14:03) - The Fourth Age RecommendationIf you’re planning to watch Daredevil, seriously, check out The Fourth Age on YouTube.He breaks down the production decisions and narrative hooks so you can view it with clarity instead of blind outrage.(14:12) - Quick Take on Solo LevelingOn a lighter note, I’m also watching Solo Leveling. Pure anime candy.If you want to chat about it, hit me up.(14:47) - Progressivism Series & Substack UpdatesSwitching gears, I’ve been writing a deep dive series on progressivism—right now focusing on how it took over nerd culture. Monday’s article wraps up that arc, but bigger things are coming, including how entertainment looks through a parent’s lens.I’m excited for you to see what’s next.(16:04) - Substack Consolidation DecisionFinal bit—thinking about consolidating my Substack pages.Maintaining separate pages for fiction and commentary isn’t working, and I’m considering putting The Last Day stories behind the paywall alongside my articles and podcasts.But I need feedback! Would that be too much content in one place? Would it feel cluttered?Let me know—your input will shape how I move forward.(18:

TL; DL Podcast Summary & Call to Action (First-Person)Hey everyone, in this episode of Xero for Hire, I talk about what’s been a pretty hectic week—moving my RV, power washing, and juggling a full work schedule. On top of all that, I’ve been signing up for different online writing platforms like Tapas, Wattpad, and Royal Road, trying to find the right place for my superhero fiction.The problem? Every genre seems to have some kind of built-in ideological club, and it’s not always what you’d expect. A lot of these platforms are dominated by certain tropes—romance stories disguised as fantasy, activist writing being pushed as mainstream, and a ton of LGBT content. I’m not against people writing what they want, but it makes it hard to figure out where my stories actually fit. I suspect the superhero genre might have the same issue, where it’s not really about superheroes but something else hiding behind that label.This whole thing reminds me of when I used to go to metal shows, expecting hardcore music, only to end up surrounded by screamo bands with zero structure and weak little dudes in skinny jeans. It was a total bait-and-switch. And I feel like that’s what’s happening in a lot of these writing spaces too—they market one thing, but they’re really about something else entirely.Final Offer & Call to ActionSo here’s what I’m thinking: I’ll be posting new fiction on The Last Day Substack, and I might format it so that only paid subscribers get full access. That way, I can offer free chapters on these other platforms to bring people in, but if they want to read the full stories and support my work, they can subscribe for a few bucks a month and binge everything I’ve got.What do you think? Would you prefer that setup, or do you have another idea? Let me know! Either way, keep an eye out for new fiction coming soon. Appreciate all of you, and I’ll catch you in the next one. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

No I wasn't trying to get one over on you guys by uploading an AI generated podcast by Google lm. Here I discussed the reason why I uploaded the entirety of that podcast and I also talk about some of the changes I'm making to my substack this month. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Google LM is not known for being balanced. But it has a cool podcast function that reads your sources and even compiles up to 30 sources, and then disseminates all the information as a podcast between two Hosts. I like to use it to get a glimpse of how your average normie is going to understand what I'm working on, understanding that I think quite differently than most people. Sometimes I feel like Google LM is a really good reflection of your average person, although deeply entrenched and progressivism. But when I fed it my ideas about progressivism, it started changing its responses and actually offered solutions that I didn't expect. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

The three main stories in this podcast revolve around government corruption, economic concerns over a proposed stimulus, and AI-generated misinformation.First, the episode dives into the ongoing audits of USAID and Social Security, exposing large-scale fraud, waste, and abuse. The host highlights how government records are still being stored in outdated mineshafts from the 1950s and criticizes the media for failing to investigate these issues. He also points out a spike in Google searches for defense lawyers and suicide in Washington, D.C., suggesting that people in political circles are panicking as corruption is being uncovered. He argues that unless arrests are made, the investigations will just be political theater.The second major topic is the discussion about a proposed $5,000 stimulus check for Americans. While acknowledging that many people are struggling financially, the host believes such a move would ultimately do more harm than good. He predicts that handing out large sums of money will drive up inflation, raise local market prices, and ultimately benefit big corporations over individuals. He also touches on how job availability has been affected by illegal immigration, making it even harder for Americans to find work in certain industries.The third big story is about AI-generated misinformation, particularly a growing trend of fake news and fan fiction involving Barron Trump and the Trump family. He describes coming across AI-generated videos on social media that present fictional scenarios as real events. He warns listeners not to fall for this type of disinformation, emphasizing that it is becoming a widespread issue.The episode ties all these themes together with a call for accountability, skepticism toward media narratives, and the need for people to stay informed about what’s really happening.Timestamped Topics - Xeroforhire Podcast (Feb 24 Episode)00:00:03 – Introduction & Substack Promotion* Announces the episode and return to discussing current events.* Encourages listeners to subscribe to Zero for Hire and The Last Day Comic on Substack.* Shoutouts to new subscribers.00:01:31 – Focus on Substack & Article Traction* Highlights traction on his article The Lie of Confidence: Why Dressing Like a W***e Isn’t Empowerment.* Discusses women’s fashion choices and perceived contradictions in confidence.00:05:29 – Government Fraud & USAID Audits* Talks about audits exposing fraud, waste, and abuse in government programs.* Criticizes media for lack of curiosity and accountability.* Suggests political figures and government workers in D.C. are panicking.00:07:41 – Social Security System Flaws & Audit Findings* Reveals that Social Security records are stored in outdated mineshafts.* Criticizes lack of modernization and media skepticism about these revelations.00:10:20 – Corruption in Government & D.C. Panic* Discusses spikes in Google searches for "defense lawyers" and "suicide" in the D.C. area.* Suggests that officials are scared of being exposed.00:14:06 – Calls for Government Accountability* Believes arrests need to happen or the investigations are just political theater.* Suggests corruption has persisted due to lack of real consequences.00:18:28 – $5,000 Stimulus Checks & Potential Economic Fallout* Expresses skepticism about proposed stimulus checks.* Predicts inflation, rising local market prices, and economic manipulation.* Believes stimulus money would benefit big corporations over struggling individuals.00:26:01 – Immigration, Labor Market & Job Displacement* Talks about illegal immigration affecting job availability.* Discusses how labor-intensive jobs in construction and landscaping are often taken by undocumented workers.00:33:54 – JFK & MLK Files Controversy* Discusses potential release of JFK assassination files and pushback from MLK’s family.* Criticizes how MLK’s legacy is being commercialized.00:37:03 – AI-Generated Trump Family Fan Fiction* Warns about misleading AI-generated videos and articles about Barron Trump.* Calls it a new form of disinformation.* Urges listeners not to fall for AI-generated political fiction.00:38:31 – Closing Remarks* Wraps up with final thoughts.* Encourages listeners to stay informed and “stay holy.”Let me know if you need any more breakdowns! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

So I had a bunch of clips set aside that I was going to use to prove a point, and with just a little bit of push back, I was actually able to get chat GPT to make my point for me. This is a live demonstration on what it looks like to work alongside AI, stewarding it as a responsible leader. If you're not getting these kinds of results from your AI then you're clearly doing something wrong. Take charge and try again. Now I'm completely open to the idea that it may just be acquiescing to my input because it's trying to give me what I want to hear. But when you see the results of this session, I think you will be convinced that the history that I'm pulling from speaks for itself, without coercion. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

0:00 - 0:18* Introduction and greeting from the host. Mentions that this is the third time recording this episode.0:18 - 0:42* Explains the platforms where the podcast can be listened to or watched, including YouTube and Substack for members.0:42 - 1:03* Introduces the main topic of the episode, hinting at revelations about funding for media outlets and expresses a moment of self-congratulation for past predictions.1:03 - End* References an old podcast from November 12th where he discussed the potential involvement of lobbyists, NGOs, government interests, and philanthropists in supporting left-wing commentators. Specifically mentions David Pakman as an example of a commentator who might be receiving this kind of support to push left-wing agendas. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Podcast Summary: Xeroforhire PodcastEpisode Date: February 4, 2025Host: XeroforhireDuration: ~20 minutes00:00 – 01:04 | Opening and Personal Anecdote* Xeroforhire opens the podcast mentioning that he had planned to take a nap but was disturbed by someone having a "one-man riot," repeatedly firing rounds for an extended period.* He usually doesn’t mind shooting but found the extended gunfire excessive.* Decides to record the podcast because the noise sparked a lot of thoughts.01:04 – 03:06 | Physical Book Shipments for Subscribers* Announces that physical books will be shipped this month to paying Substack subscribers of The Last Day Comic and Xeroforhire.* Current available books:* City Voices (print copy)* Shadow of the Knight (print copy)* Encourages listeners to become yearly paid subscribers to receive all physical books published in 2025.* Mentions sending special gifts to a friend, "Webmaster Josh."03:06 – 06:10 | Social Media and the State of Online Content* Expresses frustration with "talking head" content and news repackaging on YouTube and Substack.* Feels that many content creators simply recycle news clips with exaggerated thumbnails and titles like "Epic Meltdown!" or "You Won't Believe This!"* Calls such content "talking head slop", arguing it adds no real value to discourse.* Prefers getting news directly from Forbes News, Tim Pool, Liberal Hive Mind, No Agenda Show, and Derek Hunter rather than from random YouTubers.* Dislikes rage-bait and "anti-woke" grifting, calling it repetitive and unhelpful.06:10 – 07:57 | Issues with Content on Substack* Notes that many writers on Substack mimic Twitter and YouTube drama content, diluting meaningful discussions.* Discusses seeing a writer kicked out of a science fiction group, resonating with their story, only to find their content shifting into culture war rage bait.* Critiques the trend of repackaged reactionary content, saying it lacks originality and clutters meaningful discussion.07:57 – 11:12 | Upcoming Appearance on Ulysses' Comic Book Odyssey* Announces that he will be guesting on Ulysses' Comic Book Odyssey.* Unsure of the exact air date, but the recording is scheduled for Wednesday afternoon.* Excited to discuss writing, storytelling, and his contributions to the comic book space.11:12 – 15:22 | Apocalyptiverse Magazine* Introduces Apocalyptiverse Magazine, a new quarterly publication focused on Christian artists, writers, and comic book creators.* The goal is to build a database of Christian creators and publications.* The first issue is set for release on Free Comic Book Day (May).* Encourages Christian artists, illustrators, and publishers to contribute.* Open to graphic designers who can help improve the magazine’s branding.15:22 – 17:55 | Updates on The Last Day and Other Writing Projects* Issue #2 of The Last Day will likely be delayed until late 2025.* Writing a follow-up to City Voices but struggling to capture the same magic.* Experimenting with a found-footage documentary-style writing approach featuring government transcripts and logs.* Plans to post samples of this work on his Substack for feedback.17:55 – 20:00 | Final Thoughts* Encourages listeners to create original content rather than engaging in reactionary discourse.* Praises Trump and Doge for positive changes but dislikes how people talk about political topics in a "crypto bro" way.* Mentions needing to buy more ammo for target practice.* Signs off with a reminder to tune into Ulysses' Comic Book Odyssey later in the week.Key Takeaways* Subscription Perks: Paid subscribers to his Substack will receive physical copies of his books.* Frustration with Social Media & News Content: Criticizes clickbait, rage-bait, and repackaged news content.* Apocalyptiverse Magazine: A Christian-focused magazine launching in May to highlight creators.* Upcoming Guest Appearance: Will be featured on Ulysses' Comic Book Odyssey soon.* New Writing Projects: Experimenting with documentary-style storytelling. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

SO I guess I’m doing political stuff again… Culture War stufff. Ya’ll dragged me back! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

My 2025 New Year's Resolutions This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Summary of Podcast: "Adam Curry and John C. Dvorak Were Right All Along"0:00 - Introduction: Opening remarks and discussion on the cultural shift in media and podcasting.2:35 - Comedy vs. Clapter: Analysis of Louis C.K.'s comedic style and the rise of "clapter" in performances where agreement replaces humor.7:12 - Political Commentary in Comedy: How political bias influences audience reactions and creates sermon-like performances.12:45 - Adam Curry's Legacy: Discussion on Adam Curry’s contributions to podcasting and his predictions about media and digital freedoms.17:30 - John C. Dvorak's Perspective: Examination of John C. Dvorak’s critiques on journalism, technology, and media narratives.21:05 - The Role of Independent Media: The importance of podcasting as a counter-narrative to mainstream media and its growing cultural impact.25:20 - Closing Thoughts: Reflections on how Curry and Dvorak’s insights have become more relevant over time and what the future holds for media consumption. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Alright, here's a summary of the podcast episode, in the voice of an affiliated narrator:Hello everyone, and welcome to the latest episode! Xeroforhire has a lot to share with you today, starting with a recent delivery. Xeroforhire received a physical copy of Hannah Rose Williams' graphic novel, A Thousand Years of War. The host was surprised by the size of the book, noting that it is a full-size graphic novel, and mentioned it contains six chapters. Xeroforhire was very impressed with the artwork and color rendering. Having already read most of it, Xeroforhire is looking forward to relaxing with the physical copy and enjoying the print.Next up, Xeroforhire announces that they will be taking a break for the month of January. This is due to a combination of factors including cold weather, potential internet issues, and personal matters, as they are in the mountains. Xeroforhire explains that they have been using their downtime to work on several projects, so that they will still have content for you, despite the break.One such project is an article series on A.I. and A.I. ethics. The host worked on these articles during their third shifts in November and early December. Xeroforhire feels strongly about this topic and believes their approach to the conversation is unique. These articles will be posted every other day or every three days to provide content during the January break. Xeroforhire has already completed the thought process and writing, and plans to schedule them for release.Xeroforhire also provides a sneak peek at another project in the works: a 31-lesson plan about knowing God, designed for families. The goal is for families to complete the lessons together, at their own pace, without feeling overwhelmed. The host plans to spend the break writing activities, journaling prompts, and other content for the lesson plan, which will be available at the end of January.Lastly, Xeroforhire mentions the upcoming release of the second volume of The Last Day, titled Shadow of the Night. Xeroforhire will be sending out emails to subscribers and getting things in order for the new year, and this new comic volume.So, despite taking a break in January, Xeroforhire has plenty of exciting content planned for you, and will be in touch via email. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Join me for my next live video in the app This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Podcast Summary with Timestamps* The podcast host begins by discussing their decision to repurpose podcast transcripts into articles, noting they have more articles planned than days left in the year (0:00:02 - 0:00:48).* They then express a desire to address a potential misunderstanding regarding a recent article titled "Nobody Cares About Your Writing Until They Do," featuring a picture of SpongeBob Squarepants. They clarify the article's intention was to highlight the reality of artistic pursuits, using their experience transitioning away from professional photography as an example (0:01:06 - 0:07:21).* The host explains they stopped pursuing photography professionally due to a combination of economic factors, the prevalence of cell phone photography, and a lack of alternative editing software to Adobe Lightroom that fit their workflow (0:02:37 - 0:04:39).* They draw parallels between their photography experience and writing, stating that the average person is often indifferent to artistic endeavors, emphasizing this point with a hypothetical scenario of discussing a book with an uninterested neighbor (0:06:39 - 0:07:21).* The host acknowledges they received significant support and encouragement from their audience following the article's release, leading them to rephrase their message as "Nobody outside of your audience cares" (0:07:23 - 0:09:00).* They elaborate on the importance of having a target audience in mind when creating, sharing their personal approach of envisioning specific individuals like Webmaster Josh and his family, their son, and a close circle of friends (0:09:06 - 0:10:21).* The host expresses gratitude for their audience's support, particularly during a challenging period involving their dog's surgery and recovery, which imposed financial strain on their family (0:10:21 - 0:14:20).* They highlight the emotional and financial burdens associated with multiple vet visits, travel expenses, and lost work opportunities, and share their appreciation for the support they received, including messages, calls, and financial contributions (0:14:20 - 0:15:27).* The host reiterates the article's core message about audience appreciation, excluding their supportive audience from the "people don't care" category and clarifying their intent was not to express a feeling of being misunderstood. They extend this concept to successful artists, cautioning against assuming widespread agreement with their views simply because of their artistic achievements (0:15:27 - 0:16:10).* Transitioning to other topics, the host mentions upcoming writing projects, including the posting of chapters from "Shadow of the Night" and "The Last Day Utopia" on Substack, and the submission of a sci-fi story titled "The OS" for an anthology. They conclude by encouraging listeners to visit their website or Substack for updates and details (0:16:16 - 0:17:48). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Podcast Summary with Timestamps* The podcast host begins by discussing Cynthia, a synthetic life organism created from proteins. [0:00:30] He mentions a previous podcast and article on this topic. [0:00:37]* The host then transitions to a new topic: "Dish Brain," an experiment involving synthetic neurons grown from the foreskin of aborted fetuses. [0:03:18, 0:03:57, 0:05:32] He expresses strong disapproval of using acquired human tissue in this way, emphasizing his belief in the sacredness of human life. [0:04:16, 0:04:49]* He criticizes the scientists involved, calling them "Malthusian" and "utilitarian" for their views on human life and their belief that humans are an inconvenience. [0:04:49, 0:06:22, 0:06:27, 0:07:10] He draws a parallel between these scientists and environmentalists who advocate for reducing human comfort and impact on the planet. [0:06:36, 0:09:15]* He criticizes the naming of the experiment, "Dish Brain," as a way to dehumanize the experiment and the human-derived materials used. [0:05:57, 0:09:24] He finds the lack of serious consideration for the ethical implications of the project disturbing. [0:11:22, 0:13:48]* The podcast host then explores the Ship of Theseus argument – if you gradually replace all parts of a ship, is it still the same ship? [0:10:18] He connects this to the idea of replacing neurons in the brain with synthetic ones and questions whether a person with a fully synthetic brain would still be the same person. [0:10:39, 0:10:45]* He is skeptical of the scientists' claims about investigating ethical concerns, especially since they used tissue from aborted fetuses. [0:11:22, 0:13:48] He questions whether they truly value human life, calling them "nihilistic, mad scientists" engaged in human experimentation under the guise of transhumanism. [0:14:19, 0:14:34]* The host brings up the AI chatbot Gemini and its alleged "existential breakdown." [0:13:24, 0:15:02] He believes that only sentient beings can have existential breakdowns, implying that Gemini may be more than just a language model. [0:15:10, 0:15:17, 0:15:39]* He speculates that Google may have already created or acquired a human brain and incorporated it into their systems. [0:15:49] He also suggests that they might be creating hybrid organisms – part synthetic, part cloned – which he views as "body horror." [0:16:00, 0:16:18, 0:16:31]* He connects body horror to the sacredness of the human body and the eschatological belief in the restoration of the body after death. [0:16:33, 0:16:52, 0:17:33]* The host concludes by emphasizing the uniqueness and preciousness of human life, urging listeners to contemplate the sacredness of human life. [0:17:47, 0:18:18] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Xeroforhire reflects on his creative journey as an indie author, emphasizing the importance of creating for oneself rather than seeking immediate validation. He discusses the release of his debut book, City Voices, and subsequent projects, The Last Day: Shadow of the Knight and The Last Day: Utopia, all completed within three months due to sustained momentum.He shares insights into his process, including using AI tools like ChatGPT and Google Notebook LM for brainstorming, structuring ideas, and refining character profiles. Key characters, such as Mars and Silas Midori, are developed with unique abilities and backstories, showcasing how AI aids in organizing and exploring creative possibilities.The central theme, "No One Cares Until They Do," underscores the indifference creators face until their work gains traction. Xeroforhire critiques toxic creative communities and stresses the importance of focusing on output, building a loyal audience, and leveraging unconventional methods to connect with readers.The transcript concludes with reflections on the realities of indie creation, including the importance of metrics, audience engagement, and consistency over catering to critics or gatekeepers.[00:00:03]* Introduction: Xeroforhire greets the audience and comments on the seasonal weather and personal preparations for winter.* Title revealed: “No One Cares Until They Do.”[00:00:47]* Reflection on starting the journey as an author.* Release of the debut book City Voices on November 20.[00:01:22]* Transition to the creation of The Last Day: Shadow of the Knight and The Last Day: Utopia.* Discussing momentum in writing and completing three books in three months.[00:02:02]* Process deep dive: Writing character dossiers, fleshing out combat styles, and power scaling.[00:02:28]* Use of AI tools (ChatGPT and Google Notebook LM) to refine ideas.* Detailing voice-to-text brainstorming and using AI for structure and scenario testing.[00:03:30]* Exploring telekinesis as the source of powers in the fictional world.* Discovery of various forms of telekinesis and crafting Mars’s abilities (autokinesis).[00:05:19]* Building Mars’s backstory as a product of government experimentation.* Defining Mars’s abilities and unique moves like “Razor Wind.”[00:06:44]* Evolution of Mars’s powers to fit the story world.[00:08:03]* Development of Silas Midori’s character and powers.* Challenges with balancing his abilities against other telekinetic characters.[00:10:03]* Silas’s refined fighting style: A mix of technopathy and telekinetic abilities.* Comparison to Robin and Spider-Man’s combat fluidity.[00:11:08]* Using AI to generate character dossiers and organize threads.* Discussing the challenges and adjustments in working with AI.[00:12:36]* Transition to actual writing: Completing City Voices.* Lessons learned from AI-assisted drafting and iteration.[00:13:40]* Commentary on creative communities and dealing with criticism.[00:14:17]* Recap of progress: The first book completed, dossiers prepared, and momentum building for the next projects.[00:15:00]* Reflections on indie creation challenges: Facing imposter syndrome and criticism.[00:17:04]* Realization of the central theme: “No One Cares Until They Do.”* Emphasis on focusing on creating and ignoring detractors.[00:22:17]* Practical advice: Building metrics through consistent publishing.* Accepting the realities of industry nepotism and focusing on a loyal audience.[00:26:42]* Examples of unconventional storytelling gaining traction (e.g., My Hero Academia fanfiction).[00:29:52]* Closing reflection: Embracing alternative paths to gain readership.* Importance of consistency and catering to a specific audience.Stay connected! Subscribe to my Substack for more thought-provoking articles and podcasts. Your support as a paid subscriber fuels my self-published books, comic art, and creative projects. Let’s keep independent voices alive. Join the movement today! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

So I release my book last night! Let me tell you how it went. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Summary of Podcast ObservationsThe podcast host, Zero for Hire, starts the podcast by discussing their observations of the political and cultural landscape after the recent election. They highlight various points, including:* Democrats' Reaction to Losing the Election (0:00:37 - 0:03:39):* The host observes that Democrats are struggling to cope with the election loss, with reactions varying among different groups within the party.What Is 'MATGA?' Anti-Trump Women's Deadly New Trend* They specifically mention the "4B movement," a group of "crazy liberal women" who are protesting the election results, which they relate to reproductive rights, by refusing to have sex. The host criticizes this movement and compares it to a quote by Pat Robertson about feminism.* The host mocks these women, suggesting they will inevitably become lesbians and referencing TikTok videos about poisoning husbands. They believe this behavior confirms the accuracy of Pat Robertson's statement.* Liberals' Denial and Confusion (0:03:41 - 0:05:55):* The host criticizes liberals on news networks for their inability to understand why they lost the election. They claim that these liberals hold a distorted view of America as an inherently evil, racist, and misogynist country and that they believe the country was not ready for a female president.* The host points out the contradiction in this belief, considering the Democrats ran Kamala Harris as their vice-presidential candidate. They suggest that the American people are tired of being lectured and condemned for their values.* The host expresses amazement at the liberals' denial and encourages listeners to watch clips from MSNBC and The View to witness this phenomenon. They promise to share these clips on their Substack.* David Pakman's Subscriber Loss and the "System" (0:06:09 - 0:16:25):* The host discusses David Pakman, a leftist journalist, who reportedly lost 5,000 subscribers after the election. They speculate that while some subscriber loss might be due to a herd mentality, the initial drop was likely caused by something else.* They connect this with the Harris campaign's spending practices, noting the campaign spent a billion dollars and even built a replica set in D.C. for a podcast interview to avoid travel expenses.* The host then alleges that a system of "dark money" from lobbyists, NGOs, and government interests, was used to prop up left-wing commentators like Pakman, creating a false sense of popularity for their viewpoints.* Sen. Cruz Presses NPR on Left-Wing Mega-Donors’ Influence Over Partisan News Coverage * Steve Bonnell (Destiny) Made Big Bucks Following a Simple Plan: Play Video Games. Troll Your Fans. Fight the Online Right.* They suggest this was done without the commentators' knowledge and that the sudden loss of subscribers exposed this artificial support system.* YouTube socialist Carlos Maza slams the wealthy but lived in luxury * What is the Vox Adpocalypse? YouTubers Weigh in on Controversial New Rules “My mom and her fiance are very wealthy thanks to a software company they started together when I was a kid. As a result I’ve gotten to live a life of tremendous privilege,” he said. Maza acknowledged he had always had a “safety net” should his career as a YouTube star go south, but insisted that “nobody is bankrolling” his effort and that his mother only donates $10 a month. ~ says the guy who was working for Verge Media /Viacom during the rise of his Youtube career* The host draws a parallel between the Harris campaign's extravagant spending and the alleged system propping up these commentators, arguing that both were attempts to create a facade of support and influence.* Harris and Democrats look to social media influencers to spread blue vibes * Inside the Democratic Party’s plan to recruit 5,000 influencers: Selfies at the DNC and ‘trying to make Kamala cool’ * https://www.foxnews.com/video/6364379034112 * "Concern Trolling" and the Trans Community (0:16:48 - 0:20:00):* The host expresses concern about a new phenomenon called "concern trolling" occurring on the social media platform Blue Sky.* They specifically mention comic book industry figures, including Tess Fowler and Kelly Sue DeConnick, who allegedly engage in this behavior.* * The host describes "concern trolling" as disguised encouragement for suicide, specifically targeting mentally ill people and the trans community who are upset about the election results. They believe these individuals are hoping for suicides to occur so they can blame it on Trump and their political opponents.* Anti-trans laws fueled a spike in suicide attempts among trans and nonbinary youth * Post-Election Optimism and Abundance (0:20:02 - 0:23:32):* After discussing these negative observations, the host shifts to a more positive outlook, noting the positive economic impacts following Trump's election, such as a spike in the stock market and the rise of Bitcoin. They express optimism and confidence about the future, emphasizing

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So a long time friend and fan of my music is making some objections that I can't really argue with because she's right in her own way. I offer my defenses here, and then I call on you to decide my fate. Let the battle begin. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

[chorus]I'm old school but I got a lot of bars tho (yeah)They wanna chill but I'm here the light a spark tho (yeah)They want the trap but I'd rather Linkin Park thoGeneration 'Big Red X' at the bar show[Heavy Musical Interlude][Verse 1, rap verse]Black sheep got a big red X on 'emEyes wide open cuz they tried to put a hex on 'emSo come and watch as a flex on 'em (yeah)And spit Holy Ghost fire rhymes, live and direct on 'em Yup! We going off the beaten path (yup)Taking the position that you thought we couldn't have (yup)Praising my Messiah while you haters getting mad cuz I'm eating off the table and you picking through the trash [chorus]I'm old school but I got a lot of bars tho (yeah)They wanna chill but I'm here the light a spark tho (yeah)They want the trap but I'd rather Linkin Park thoGeneration 'Big Red X' at the bar show[Dubstep Interlude][Verse 2]There ain't no demon that can merc me (yeah)if God doesn't wanna let the Devil hurt me (yeah)Uh! plus my mission is to get you in position to drink of the Living Water or get you out of the kitchen, Yeah!now that's the combination that you gotA preacher on the move and a God who nevers stopsAnd that's the way we do it will be coming to your block yellin "Welcome to the Light Side!" microphone drop![chorus]I'm old school but I got a lot of bars tho (yeah)They wanna chill but I'm here the light a spark tho (yeah)They want the trap but I'd rather Linkin Park thoGeneration 'Big Red X' at the bar show[Dubstep interlude] [Bridge]Put your hands up, put your hands up Everybody let me see you put your hands up Put your hands up, put your hands up If you a saint let me see you put your hands up [chorus]I'm old school but I got a lot of bars tho (yeah)They wanna chill but I'm here the light a spark tho (yeah)They want the trap but I'd rather Linkin Park thoGeneration 'Big Red X' at the bar show[Repeat corus][Dubstep instrumental, fade to ending][refrain] [Fade to end] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

instrumental intro](put your hands up)(put your hands up)[verse 1](Yeah) I'm a witness for the Lord (And) I'm gone sing these crazy praises till I'm gone (And) I might do a little dancin Cuz the Bible lets me know that that ain't wrong I sing my praises to The King Because he's worthy and he's seated on the throne (So) anytime you want to talk about His power and his Mercy let me know [chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [verse 2](I)wanna be the kind of man that sings the praises even when I'm in the storm(I) wanna be the kind of worshiper The holy spirit ( likes to bring a) likes to bring along (If) God inhabits all the praises of his people Then you (know he's in this) know he's in this song (So) everybody lift your voices to the king and fill the (power of the) power of the Lord [chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [verse 3]Put your hands up Let me see you dance All my people in the bleachers tear the stands up We are all about it The Lion and the lamb Let me see you put your hands upPut your hands up Let me see you dance All my people in the bleachers tear the stands up We are all about it The Lion and the lamb Let me see you put your hands up[chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [refrain](put your hands up)(put your hands up)[ending] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

[instrumental intro](put your hands up)(put your hands up)[verse 1](Yeah) I'm a witness for the Lord (And) I'm gone sing these crazy praises till I'm gone (And) I might do a little dancin Cuz the Bible lets me (bible let's me) know that that ain't wrong I sing my praises to The King Because he's worthy and he's seated on the (seated on the) throne Anytime you want to talk about His power and his Mercy (and his mercy) let me know [chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [verse 2](I)wanna be the kind of girlthat sings the praises even when I'm in the storm(I) wanna be the kind of worshiper The holy spirit likes to (likes to) bring along (If) God inhabits all the praises of his people Then you know he's in this (know he's in this) song Everybody lift your voices to the king and fill the power of the (power of the) Lord [chorus](Oh!)I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em [Chant]Put your hands up Let me see you dance All my people in the bleachers tear the stands up We all about it The Lion and the lamb party people let me see you put your hands upPut your hands up Let me see you dance All my people in the bleachers tear the stands up We all about it The Lion and the lamb party people let me see you put your hands upPut your hands up Let me see you dance All my people in the bleachers tear the stands up We are all about it The Lion and the lamb Let me see you put your hands up[chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [refrain][ending] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This podcast is a personal reflection on the host's week and his thoughts on various topics, including depression, AI, and the business of making comics.Dealing with Depression* At a Bible study group, the host heard a discussion about depression and shared his view of it as a "state of being" that puts a person outside of God's will and should be considered sin.* The host believes that depression is like a check engine light in a car - it's a signal that something is wrong and needs to be addressed.Thoughts on AI* The host is fascinated by AI and has been following its development since 2021.* He observes that while AI technology has significantly improved, the criticisms and talking points from 2021 are still being used in 2024.* He had a productive conversation with his friend, Webmaster Josh, about the practical uses of AI.* He expressed frustration with individuals who hold negative views on AI, specifically in the context of comic book creation. He believes AI cannot effectively generate a comic.The Business of Comics* The host believes that creating comics needs to be treated as a business, not just a passion project.* He uses the analogy of a band's performance - if the audience isn't engaged, the band won't be invited back.* He discusses the importance of understanding audience engagement and using data to inform his creative and business decisions.* He explains his decision to purge inactive subscribers from his email list to improve the accuracy of his engagement metrics.* The host aims to develop a system to help other artists succeed in the comic book industry.Personal Reflection* The host reflects on feeling isolated and draws a parallel with a Psalm where David complains about God turning his friends against him.* He shares his feelings of being in a rut and his prayer for guidance from God.* The host concludes the podcast by emphasizing the importance of trusting his own insights and having the courage to pursue his goals, even if others disagree.Timestamps* Introduction: The host begins the podcast by expressing his desire to be authentic and honest. He mentions that it's been a "weird week" [0:00:33] where he felt isolated, prompting him to reflect on his recent experiences and thoughts [0:00:02-0:00:34].* Depression as a "State of Being": [0:00:48-0:04:16] The host recounts his experience at a Bible study group where he felt compelled to share his views on depression. He describes a moment where he sighed heavily due to the lack of responses to the leader's questions, which caught her attention [0:01:22-0:01:31]. He explains his perspective on depression, seeing it as a "state of being" that is sinful, similar to laziness or anger, because it puts a person out of alignment with God's will [0:01:59-0:02:48]. He emphasizes the importance of recognizing depression as a signal that something needs to be addressed [0:03:00-0:03:29].* Feeling Isolated and Turning to God: [0:04:16-0:05:43] The host connects his feeling of isolation to a Psalm where David talks about being abandoned by his friends and only having darkness as a companion [0:04:24-0:04:48]. The host mentions praying to God about his feelings of loneliness, lack of progress, and being stuck in a rut [0:05:09-0:05:36]. He sees these negative feelings as a potential prompt from God to refocus on his relationship with him [0:05:37-0:05:43].* Engagement with AI: [0:05:56-0:11:50] The host shares his experience with and perspective on AI. He criticizes people who still express negative views on AI based on outdated information [0:08:42-0:09:01]. He contrasts this with a positive conversation he had with his friend, Webmaster Josh, about the advancements and practical applications of AI in their work [0:06:51-0:07:37]. The host describes his own successful utilization of ChatGPT for organizing and streamlining his tasks [0:10:18-0:11:33].* The Business Side of Comic Book Creation: [0:17:37-0:22:55] The host emphasizes the need to approach comic book creation as a business endeavor. He draws an analogy to a concert where an unresponsive audience can lead to a band not being invited back [0:27:41-0:28:33]. He stresses the importance of understanding audience engagement and making decisions based on data [0:18:39-0:22:24].* Purging Inactive Subscribers: [0:22:55-0:27:41] The host explains his rationale for removing inactive subscribers from his comic book email list, stating that it helps him understand his true audience and make better decisions about his content [0:23:54-0:27:18]. He acknowledges that some might perceive this as ungrateful, but reiterates that it's a business decision aimed at improving the effectiveness of his efforts [0:20:22-0:20:36].* Vision for Helping Other Artists: [0:30:00-0:30:57] The host shares his goal of developing a system to help other comic book artists by providing them with a proven strategy for success [0:30:14-0:30:38]. He wants to empower artists and ensure their work reaches a wider audience [0:30:44-

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People are becoming more and more unhinged and it's easy to see why. But the controversial scapegoat of the day is AI. We've all been chasing our dreams on our own and refuse to let them die. But if you think that I'll slow down for your preferences, go sit down and cry. (Man I really suck at poetry) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Welcome to the monthly newsletter for all the subscribers who follow my substack and my podcast. There's going to be a lot of good stuff in the like announcements, free downloads, and some other stuff that I don't want you to miss. So please be looking out for that email. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Watch the trailer online while you listen to this. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Where Do We Stand (Plus Ultra Mix) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

I wish I didn't have to defend the new Linkin Park, but some of y'all out here hating for weird reasons. I was scrolling through the comment section on the new music video, and reading how many retards are comparing the new singer to Chester. First of all, he's dead. You guys got to get over it. It's been more than 5 years the dude is not coming back. I get it. He's one of my favorite singers of all time and was inspirational to the way that I sang when I was in the rock band. But I got to tell you, as one of the few people on the planet who can sing and scream at the same time, this new girl has a great voice. I'm not sure what her energy is going to be like but she gives me that early 2000s garbage and whole vibes, something that is reminiscent of the Marilyn Manson years which was a great time for me, and is around the time that Linkin Park came out. Singing and screaming at the same time requires an incredible amount of control and is really freaking hard to do. I wrecked my throat a few times when I fell out of practice because it's a technique that has to be constantly maintained. Push too hard and you can blow out your vocal cords, leaving yourself without a voice for days or weeks. I remember doing this during the recording of my album Ascension. It was one of the most humbling experiences of my life. Don't push hard enough and your voice cracks on stage in front of everybody. It's embarrassing. It's forgivable, but it also means you have to start a new take if you're recording. So if Emily Armstrong is able to perfect this technique and maintain it, then I say go with God. You have my blessing. With all that said, Linkin Park has a serious downfall right now. The song emptiness machine sounds like it was written by chat GPT. It's the most generic crap I've heard come out of them since Chester died, and I'm not going to stand for it. You guys are making a change, taking some bold steps forward, and doing what you love. But you can't be writing retarded generic music. Figure it out or get off the stage! This has always been one of my favorite bands, and I've loved their music up until Meteora. Everything after Meteora just sounds like bad relationship heroin songs. I mean how many times can you describe having a face on your skin, and why do you keep writing the same songs? But for a while, it was a defining factor of my life about what music could be, and how experimentation can be good. It was an incredible inspiration on how I created art for the next 20 years of my life. Of course I want to see them creating more art and doing well, and above all else, getting back to their roots. But to all the people who are hating on Linkin Park just to hate on them, do me a favor. Do it for the right reasons! Or go see don't be one of those stupid people who just says the popular thing because it's popular when it's popular! Put some thought into what you're actually saying because saying that Emily Armstrong is a bad singer just sounds retarded. Clearly she's a great singer. I hope she does well. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

[Verse 1]I see the Storm a-comin' I see the clouds a-formin' Pay no attention to the weather today (Cuz it's dead behind those darkened eyes )[Break][Verse 2]Ain't no emotion stirrin' ain't no ideas a-formin' Pay no attention to the wind and the waves (Cuz it's cold inside that hardened mind )[Break][Bridge]But could it be that as we're livin' in a fantasy (living in a fantasy)we've given over our minds to a life we never wanted to lead (never wanted to lead)[Build up]and so I, turn up the bottle and try to forget tomorrow like it doesn't really matter to me cuz these eyes have been blind to the dark and the light and all I see is the gray in between [Chorus]when the lights go out and the darkness falls how long will you hold on? when the push comes to shove and the time finally comes how far are you willing to go? [Hook]I knew I wouldn't be the only one (I knew I wouldn't be the only one)I knew I wouldn't be the only one (I knew I wouldn't be the only one)fighting the Zombie Virus off (I knew I wouldn't be the only one)fighting the Zombie Virus off [Verse 3]I don't care what you're saying Can't hear the song you're playing Pay no attention to the kids in the way (Cuz I'm numb behind this hollow smile )[Break] [Bridge]But could it be that as we're livin' in a fantasy (living in fantasy)we've given over our minds to a life we never wanted to lead (we never wanted to lead)[Build up]And so I, I pop another pill I take the chaser like it doesn't really matter to me cuz these eyes have been blind to the dark and the light and all I see is the gray in between [chorus]when the lights go out and the darkness falls how long will you hold on? when the push comes to shove and the time finally comes how far are you willing to go? [Hook]I knew I wouldn't be the only one (I knew I wouldn't be the only one)I knew I wouldn't be the only one (I knew I wouldn't be the only one)fighting the Zombie Virus off (I knew I wouldn't be the only one)fighting the Zombie Virus off [Guitar Solo/Breakdown][Final Chorus]I knew I wouldn't be the only one (Cuz it's dead behind those darkened eyes)I knew I wouldn't be the only one (Cuz I'm numb behind this hollow smile)[Refrain]I knew I wouldn't be the only one (I knew I wouldn't be the only one)I knew I wouldn't be the only one (I knew I wouldn't be the only one)fighting the Zombie Virus off (I knew I wouldn't be the only one)fighting the Zombie Virus off [End] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Types of indiesSuperhero Saturday morning cartoons (Action)* Super Powered Edgelord* Dark AntiheroMonster in the closet (Horror)* Everybody dies* Zombies* SurvivalIn the Kingdom of Faunia (Fantasy, Romance)* It's like Star wars but it's notBooty butt cheeks (NSFW)* Chibi and furrySlice of Life (Drama)* Girls do it better* Teen drama, did you hear what Becky saidThe Netflix pitch (Mystery, Horror, Drama)* Joss Whedon finishes stories here* The Nostalgic remake* Kids stuff for adultsThe parody (Comedy)* Weird inside jokes* Over the top comedy charactersFoursquare (Strips)* Stonetoss, but not as funny* Chibi and furry* Old school newspaper cartoonistThemes* Monster of the day* We're besties getting foodsies* We're besties getting foods in our superhero costumes* Wall of text* Little kid bedtime stories for neuro divergent people* Oh my gay* You can't do that because you're a girlfollow my comic at www.thelastdaycomic.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

For those who support the podcast and have been following my work for a long time, you know that I use different platforms for different reasons. In this podcast I'll be talking about my reason for leaning into the platform known as Tapas very heavily this year. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

The way that we used to think about things and the things that we were told about how the world works aren't lining up anymore, and so it might be time to consider that you were either being lied to or that you're just wrong. Or maybe you've just changed it and haven't taken the time to update your thinking. I talk a lot about this in today's episode. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

In this episode of *The Xero for Hire Podcast*, the host dives deep into the harsh realities of indie comics in 2024, sharing personal challenges, market observations, and strategies for survival. Reflecting on a year since launching his Substack page, he grapples with the difficulty of pricing comics in a time of rising costs. He discusses how indie creators face an uphill battle competing against the major publishers like Marvel and DC, who dominate the market with low-priced books that squeeze out smaller players.The podcast explores pricing dilemmas for indie creators, especially regarding "floppies" (22-page comic books). The host argues that to stay afloat, indie creators often need to sell their books at $10 or more, while mainstream comics remain priced around $3.99. He emphasizes that creators need to value their work appropriately while ensuring they don't burn themselves out by underpricing. He also touches on the additional costs of printing, art, and shipping, highlighting the importance of crowdfunding and building local support through ads and partnerships with businesses.The host is candid about the challenges of navigating the indie comic space, from overcoming competition to dealing with stores that prefer mainstream distribution. He encourages persistence, realistic pricing, and creativity in promotion, emphasizing the necessity of balancing passion with business sense. The episode wraps up with practical advice for creators looking to sell their work, such as seeking local sponsorships or selling comics in unconventional places like grocery stores.Ultimately, the podcast provides a mix of gritty realism and encouraging strategies for aspiring indie creators, offering a glimpse into the creator's own journey in the comic book world.C and P Sports Cards and Collectibles, Harrison AR This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

00:51 a brief history of collecting comics 03:05 the rise and fall of comics in the 90s and 2000s09:46 Valiant Comics is a dark future version of myself11:50 working with public domain characters 14:00 TurnKey business style comics (origin stories)17:00 my writing challenge 17:18 more about valiant comics 19:01 death by diversity 20:18 those cool valiant comic foil covers and the glasses20:54 bad Comics with good covers21:29 how I found comic pirate sites (please no crush me) 23:40 the rabbit hole of old comics (after buying some trash comics)26:39 '90s was a time of Bad Girl Comics 27:50 and then there was Dawn 31:23 it turns out they're all the same silly stories32:49 Jesus Christ demon Slayer34:30 the pirate site is a resource 36:44 Antarctic press put out a cache of old digital comics 37:07 conclusion The Dawn comic.The cover artThe interior art later on…And believe me it gets way worse. This was one of the only tame pages I could find in this book where someone isn't having sex, being torn apart, or screaming the f word. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe