The Xero for Hire Podcast

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Join me for my next live video in the app This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Podcast Summary with Timestamps* The podcast host begins by discussing their decision to repurpose podcast transcripts into articles, noting they have more articles planned than days left in the year (0:00:02 - 0:00:48).* They then express a desire to address a potential misunderstanding regarding a recent article titled "Nobody Cares About Your Writing Until They Do," featuring a picture of SpongeBob Squarepants. They clarify the article's intention was to highlight the reality of artistic pursuits, using their experience transitioning away from professional photography as an example (0:01:06 - 0:07:21).* The host explains they stopped pursuing photography professionally due to a combination of economic factors, the prevalence of cell phone photography, and a lack of alternative editing software to Adobe Lightroom that fit their workflow (0:02:37 - 0:04:39).* They draw parallels between their photography experience and writing, stating that the average person is often indifferent to artistic endeavors, emphasizing this point with a hypothetical scenario of discussing a book with an uninterested neighbor (0:06:39 - 0:07:21).* The host acknowledges they received significant support and encouragement from their audience following the article's release, leading them to rephrase their message as "Nobody outside of your audience cares" (0:07:23 - 0:09:00).* They elaborate on the importance of having a target audience in mind when creating, sharing their personal approach of envisioning specific individuals like Webmaster Josh and his family, their son, and a close circle of friends (0:09:06 - 0:10:21).* The host expresses gratitude for their audience's support, particularly during a challenging period involving their dog's surgery and recovery, which imposed financial strain on their family (0:10:21 - 0:14:20).* They highlight the emotional and financial burdens associated with multiple vet visits, travel expenses, and lost work opportunities, and share their appreciation for the support they received, including messages, calls, and financial contributions (0:14:20 - 0:15:27).* The host reiterates the article's core message about audience appreciation, excluding their supportive audience from the "people don't care" category and clarifying their intent was not to express a feeling of being misunderstood. They extend this concept to successful artists, cautioning against assuming widespread agreement with their views simply because of their artistic achievements (0:15:27 - 0:16:10).* Transitioning to other topics, the host mentions upcoming writing projects, including the posting of chapters from "Shadow of the Night" and "The Last Day Utopia" on Substack, and the submission of a sci-fi story titled "The OS" for an anthology. They conclude by encouraging listeners to visit their website or Substack for updates and details (0:16:16 - 0:17:48). This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Podcast Summary with Timestamps* The podcast host begins by discussing Cynthia, a synthetic life organism created from proteins. [0:00:30] He mentions a previous podcast and article on this topic. [0:00:37]* The host then transitions to a new topic: "Dish Brain," an experiment involving synthetic neurons grown from the foreskin of aborted fetuses. [0:03:18, 0:03:57, 0:05:32] He expresses strong disapproval of using acquired human tissue in this way, emphasizing his belief in the sacredness of human life. [0:04:16, 0:04:49]* He criticizes the scientists involved, calling them "Malthusian" and "utilitarian" for their views on human life and their belief that humans are an inconvenience. [0:04:49, 0:06:22, 0:06:27, 0:07:10] He draws a parallel between these scientists and environmentalists who advocate for reducing human comfort and impact on the planet. [0:06:36, 0:09:15]* He criticizes the naming of the experiment, "Dish Brain," as a way to dehumanize the experiment and the human-derived materials used. [0:05:57, 0:09:24] He finds the lack of serious consideration for the ethical implications of the project disturbing. [0:11:22, 0:13:48]* The podcast host then explores the Ship of Theseus argument – if you gradually replace all parts of a ship, is it still the same ship? [0:10:18] He connects this to the idea of replacing neurons in the brain with synthetic ones and questions whether a person with a fully synthetic brain would still be the same person. [0:10:39, 0:10:45]* He is skeptical of the scientists' claims about investigating ethical concerns, especially since they used tissue from aborted fetuses. [0:11:22, 0:13:48] He questions whether they truly value human life, calling them "nihilistic, mad scientists" engaged in human experimentation under the guise of transhumanism. [0:14:19, 0:14:34]* The host brings up the AI chatbot Gemini and its alleged "existential breakdown." [0:13:24, 0:15:02] He believes that only sentient beings can have existential breakdowns, implying that Gemini may be more than just a language model. [0:15:10, 0:15:17, 0:15:39]* He speculates that Google may have already created or acquired a human brain and incorporated it into their systems. [0:15:49] He also suggests that they might be creating hybrid organisms – part synthetic, part cloned – which he views as "body horror." [0:16:00, 0:16:18, 0:16:31]* He connects body horror to the sacredness of the human body and the eschatological belief in the restoration of the body after death. [0:16:33, 0:16:52, 0:17:33]* The host concludes by emphasizing the uniqueness and preciousness of human life, urging listeners to contemplate the sacredness of human life. [0:17:47, 0:18:18] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Xeroforhire reflects on his creative journey as an indie author, emphasizing the importance of creating for oneself rather than seeking immediate validation. He discusses the release of his debut book, City Voices, and subsequent projects, The Last Day: Shadow of the Knight and The Last Day: Utopia, all completed within three months due to sustained momentum.He shares insights into his process, including using AI tools like ChatGPT and Google Notebook LM for brainstorming, structuring ideas, and refining character profiles. Key characters, such as Mars and Silas Midori, are developed with unique abilities and backstories, showcasing how AI aids in organizing and exploring creative possibilities.The central theme, "No One Cares Until They Do," underscores the indifference creators face until their work gains traction. Xeroforhire critiques toxic creative communities and stresses the importance of focusing on output, building a loyal audience, and leveraging unconventional methods to connect with readers.The transcript concludes with reflections on the realities of indie creation, including the importance of metrics, audience engagement, and consistency over catering to critics or gatekeepers.[00:00:03]* Introduction: Xeroforhire greets the audience and comments on the seasonal weather and personal preparations for winter.* Title revealed: “No One Cares Until They Do.”[00:00:47]* Reflection on starting the journey as an author.* Release of the debut book City Voices on November 20.[00:01:22]* Transition to the creation of The Last Day: Shadow of the Knight and The Last Day: Utopia.* Discussing momentum in writing and completing three books in three months.[00:02:02]* Process deep dive: Writing character dossiers, fleshing out combat styles, and power scaling.[00:02:28]* Use of AI tools (ChatGPT and Google Notebook LM) to refine ideas.* Detailing voice-to-text brainstorming and using AI for structure and scenario testing.[00:03:30]* Exploring telekinesis as the source of powers in the fictional world.* Discovery of various forms of telekinesis and crafting Mars’s abilities (autokinesis).[00:05:19]* Building Mars’s backstory as a product of government experimentation.* Defining Mars’s abilities and unique moves like “Razor Wind.”[00:06:44]* Evolution of Mars’s powers to fit the story world.[00:08:03]* Development of Silas Midori’s character and powers.* Challenges with balancing his abilities against other telekinetic characters.[00:10:03]* Silas’s refined fighting style: A mix of technopathy and telekinetic abilities.* Comparison to Robin and Spider-Man’s combat fluidity.[00:11:08]* Using AI to generate character dossiers and organize threads.* Discussing the challenges and adjustments in working with AI.[00:12:36]* Transition to actual writing: Completing City Voices.* Lessons learned from AI-assisted drafting and iteration.[00:13:40]* Commentary on creative communities and dealing with criticism.[00:14:17]* Recap of progress: The first book completed, dossiers prepared, and momentum building for the next projects.[00:15:00]* Reflections on indie creation challenges: Facing imposter syndrome and criticism.[00:17:04]* Realization of the central theme: “No One Cares Until They Do.”* Emphasis on focusing on creating and ignoring detractors.[00:22:17]* Practical advice: Building metrics through consistent publishing.* Accepting the realities of industry nepotism and focusing on a loyal audience.[00:26:42]* Examples of unconventional storytelling gaining traction (e.g., My Hero Academia fanfiction).[00:29:52]* Closing reflection: Embracing alternative paths to gain readership.* Importance of consistency and catering to a specific audience.Stay connected! Subscribe to my Substack for more thought-provoking articles and podcasts. Your support as a paid subscriber fuels my self-published books, comic art, and creative projects. Let’s keep independent voices alive. Join the movement today! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

So I release my book last night! Let me tell you how it went. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Summary of Podcast ObservationsThe podcast host, Zero for Hire, starts the podcast by discussing their observations of the political and cultural landscape after the recent election. They highlight various points, including:* Democrats' Reaction to Losing the Election (0:00:37 - 0:03:39):* The host observes that Democrats are struggling to cope with the election loss, with reactions varying among different groups within the party.What Is 'MATGA?' Anti-Trump Women's Deadly New Trend* They specifically mention the "4B movement," a group of "crazy liberal women" who are protesting the election results, which they relate to reproductive rights, by refusing to have sex. The host criticizes this movement and compares it to a quote by Pat Robertson about feminism.* The host mocks these women, suggesting they will inevitably become lesbians and referencing TikTok videos about poisoning husbands. They believe this behavior confirms the accuracy of Pat Robertson's statement.* Liberals' Denial and Confusion (0:03:41 - 0:05:55):* The host criticizes liberals on news networks for their inability to understand why they lost the election. They claim that these liberals hold a distorted view of America as an inherently evil, racist, and misogynist country and that they believe the country was not ready for a female president.* The host points out the contradiction in this belief, considering the Democrats ran Kamala Harris as their vice-presidential candidate. They suggest that the American people are tired of being lectured and condemned for their values.* The host expresses amazement at the liberals' denial and encourages listeners to watch clips from MSNBC and The View to witness this phenomenon. They promise to share these clips on their Substack.* David Pakman's Subscriber Loss and the "System" (0:06:09 - 0:16:25):* The host discusses David Pakman, a leftist journalist, who reportedly lost 5,000 subscribers after the election. They speculate that while some subscriber loss might be due to a herd mentality, the initial drop was likely caused by something else.* They connect this with the Harris campaign's spending practices, noting the campaign spent a billion dollars and even built a replica set in D.C. for a podcast interview to avoid travel expenses.* The host then alleges that a system of "dark money" from lobbyists, NGOs, and government interests, was used to prop up left-wing commentators like Pakman, creating a false sense of popularity for their viewpoints.* Sen. Cruz Presses NPR on Left-Wing Mega-Donors’ Influence Over Partisan News Coverage * Steve Bonnell (Destiny) Made Big Bucks Following a Simple Plan: Play Video Games. Troll Your Fans. Fight the Online Right.* They suggest this was done without the commentators' knowledge and that the sudden loss of subscribers exposed this artificial support system.* YouTube socialist Carlos Maza slams the wealthy but lived in luxury * What is the Vox Adpocalypse? YouTubers Weigh in on Controversial New Rules “My mom and her fiance are very wealthy thanks to a software company they started together when I was a kid. As a result I’ve gotten to live a life of tremendous privilege,” he said. Maza acknowledged he had always had a “safety net” should his career as a YouTube star go south, but insisted that “nobody is bankrolling” his effort and that his mother only donates $10 a month. ~ says the guy who was working for Verge Media /Viacom during the rise of his Youtube career* The host draws a parallel between the Harris campaign's extravagant spending and the alleged system propping up these commentators, arguing that both were attempts to create a facade of support and influence.* Harris and Democrats look to social media influencers to spread blue vibes * Inside the Democratic Party’s plan to recruit 5,000 influencers: Selfies at the DNC and ‘trying to make Kamala cool’ * https://www.foxnews.com/video/6364379034112 * "Concern Trolling" and the Trans Community (0:16:48 - 0:20:00):* The host expresses concern about a new phenomenon called "concern trolling" occurring on the social media platform Blue Sky.* They specifically mention comic book industry figures, including Tess Fowler and Kelly Sue DeConnick, who allegedly engage in this behavior.* * The host describes "concern trolling" as disguised encouragement for suicide, specifically targeting mentally ill people and the trans community who are upset about the election results. They believe these individuals are hoping for suicides to occur so they can blame it on Trump and their political opponents.* Anti-trans laws fueled a spike in suicide attempts among trans and nonbinary youth * Post-Election Optimism and Abundance (0:20:02 - 0:23:32):* After discussing these negative observations, the host shifts to a more positive outlook, noting the positive economic impacts following Trump's election, such as a spike in the stock market and the rise of Bitcoin. They express optimism and confidence about the future, emphasizing

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So a long time friend and fan of my music is making some objections that I can't really argue with because she's right in her own way. I offer my defenses here, and then I call on you to decide my fate. Let the battle begin. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

[chorus]I'm old school but I got a lot of bars tho (yeah)They wanna chill but I'm here the light a spark tho (yeah)They want the trap but I'd rather Linkin Park thoGeneration 'Big Red X' at the bar show[Heavy Musical Interlude][Verse 1, rap verse]Black sheep got a big red X on 'emEyes wide open cuz they tried to put a hex on 'emSo come and watch as a flex on 'em (yeah)And spit Holy Ghost fire rhymes, live and direct on 'em Yup! We going off the beaten path (yup)Taking the position that you thought we couldn't have (yup)Praising my Messiah while you haters getting mad cuz I'm eating off the table and you picking through the trash [chorus]I'm old school but I got a lot of bars tho (yeah)They wanna chill but I'm here the light a spark tho (yeah)They want the trap but I'd rather Linkin Park thoGeneration 'Big Red X' at the bar show[Dubstep Interlude][Verse 2]There ain't no demon that can merc me (yeah)if God doesn't wanna let the Devil hurt me (yeah)Uh! plus my mission is to get you in position to drink of the Living Water or get you out of the kitchen, Yeah!now that's the combination that you gotA preacher on the move and a God who nevers stopsAnd that's the way we do it will be coming to your block yellin "Welcome to the Light Side!" microphone drop![chorus]I'm old school but I got a lot of bars tho (yeah)They wanna chill but I'm here the light a spark tho (yeah)They want the trap but I'd rather Linkin Park thoGeneration 'Big Red X' at the bar show[Dubstep interlude] [Bridge]Put your hands up, put your hands up Everybody let me see you put your hands up Put your hands up, put your hands up If you a saint let me see you put your hands up [chorus]I'm old school but I got a lot of bars tho (yeah)They wanna chill but I'm here the light a spark tho (yeah)They want the trap but I'd rather Linkin Park thoGeneration 'Big Red X' at the bar show[Repeat corus][Dubstep instrumental, fade to ending][refrain] [Fade to end] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

instrumental intro](put your hands up)(put your hands up)[verse 1](Yeah) I'm a witness for the Lord (And) I'm gone sing these crazy praises till I'm gone (And) I might do a little dancin Cuz the Bible lets me know that that ain't wrong I sing my praises to The King Because he's worthy and he's seated on the throne (So) anytime you want to talk about His power and his Mercy let me know [chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [verse 2](I)wanna be the kind of man that sings the praises even when I'm in the storm(I) wanna be the kind of worshiper The holy spirit ( likes to bring a) likes to bring along (If) God inhabits all the praises of his people Then you (know he's in this) know he's in this song (So) everybody lift your voices to the king and fill the (power of the) power of the Lord [chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [verse 3]Put your hands up Let me see you dance All my people in the bleachers tear the stands up We are all about it The Lion and the lamb Let me see you put your hands upPut your hands up Let me see you dance All my people in the bleachers tear the stands up We are all about it The Lion and the lamb Let me see you put your hands up[chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [refrain](put your hands up)(put your hands up)[ending] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

[instrumental intro](put your hands up)(put your hands up)[verse 1](Yeah) I'm a witness for the Lord (And) I'm gone sing these crazy praises till I'm gone (And) I might do a little dancin Cuz the Bible lets me (bible let's me) know that that ain't wrong I sing my praises to The King Because he's worthy and he's seated on the (seated on the) throne Anytime you want to talk about His power and his Mercy (and his mercy) let me know [chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [verse 2](I)wanna be the kind of girlthat sings the praises even when I'm in the storm(I) wanna be the kind of worshiper The holy spirit likes to (likes to) bring along (If) God inhabits all the praises of his people Then you know he's in this (know he's in this) song Everybody lift your voices to the king and fill the power of the (power of the) Lord [chorus](Oh!)I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em [Chant]Put your hands up Let me see you dance All my people in the bleachers tear the stands up We all about it The Lion and the lamb party people let me see you put your hands upPut your hands up Let me see you dance All my people in the bleachers tear the stands up We all about it The Lion and the lamb party people let me see you put your hands upPut your hands up Let me see you dance All my people in the bleachers tear the stands up We are all about it The Lion and the lamb Let me see you put your hands up[chorus]Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, let em know, know) Oh! I'mma sing these crazy praises till I'm gone I'mma see these crazy praises all day long (And) everywhere I got to go I let em know (Let em know, let em know, let em know, know) [refrain][ending] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This podcast is a personal reflection on the host's week and his thoughts on various topics, including depression, AI, and the business of making comics.Dealing with Depression* At a Bible study group, the host heard a discussion about depression and shared his view of it as a "state of being" that puts a person outside of God's will and should be considered sin.* The host believes that depression is like a check engine light in a car - it's a signal that something is wrong and needs to be addressed.Thoughts on AI* The host is fascinated by AI and has been following its development since 2021.* He observes that while AI technology has significantly improved, the criticisms and talking points from 2021 are still being used in 2024.* He had a productive conversation with his friend, Webmaster Josh, about the practical uses of AI.* He expressed frustration with individuals who hold negative views on AI, specifically in the context of comic book creation. He believes AI cannot effectively generate a comic.The Business of Comics* The host believes that creating comics needs to be treated as a business, not just a passion project.* He uses the analogy of a band's performance - if the audience isn't engaged, the band won't be invited back.* He discusses the importance of understanding audience engagement and using data to inform his creative and business decisions.* He explains his decision to purge inactive subscribers from his email list to improve the accuracy of his engagement metrics.* The host aims to develop a system to help other artists succeed in the comic book industry.Personal Reflection* The host reflects on feeling isolated and draws a parallel with a Psalm where David complains about God turning his friends against him.* He shares his feelings of being in a rut and his prayer for guidance from God.* The host concludes the podcast by emphasizing the importance of trusting his own insights and having the courage to pursue his goals, even if others disagree.Timestamps* Introduction: The host begins the podcast by expressing his desire to be authentic and honest. He mentions that it's been a "weird week" [0:00:33] where he felt isolated, prompting him to reflect on his recent experiences and thoughts [0:00:02-0:00:34].* Depression as a "State of Being": [0:00:48-0:04:16] The host recounts his experience at a Bible study group where he felt compelled to share his views on depression. He describes a moment where he sighed heavily due to the lack of responses to the leader's questions, which caught her attention [0:01:22-0:01:31]. He explains his perspective on depression, seeing it as a "state of being" that is sinful, similar to laziness or anger, because it puts a person out of alignment with God's will [0:01:59-0:02:48]. He emphasizes the importance of recognizing depression as a signal that something needs to be addressed [0:03:00-0:03:29].* Feeling Isolated and Turning to God: [0:04:16-0:05:43] The host connects his feeling of isolation to a Psalm where David talks about being abandoned by his friends and only having darkness as a companion [0:04:24-0:04:48]. The host mentions praying to God about his feelings of loneliness, lack of progress, and being stuck in a rut [0:05:09-0:05:36]. He sees these negative feelings as a potential prompt from God to refocus on his relationship with him [0:05:37-0:05:43].* Engagement with AI: [0:05:56-0:11:50] The host shares his experience with and perspective on AI. He criticizes people who still express negative views on AI based on outdated information [0:08:42-0:09:01]. He contrasts this with a positive conversation he had with his friend, Webmaster Josh, about the advancements and practical applications of AI in their work [0:06:51-0:07:37]. The host describes his own successful utilization of ChatGPT for organizing and streamlining his tasks [0:10:18-0:11:33].* The Business Side of Comic Book Creation: [0:17:37-0:22:55] The host emphasizes the need to approach comic book creation as a business endeavor. He draws an analogy to a concert where an unresponsive audience can lead to a band not being invited back [0:27:41-0:28:33]. He stresses the importance of understanding audience engagement and making decisions based on data [0:18:39-0:22:24].* Purging Inactive Subscribers: [0:22:55-0:27:41] The host explains his rationale for removing inactive subscribers from his comic book email list, stating that it helps him understand his true audience and make better decisions about his content [0:23:54-0:27:18]. He acknowledges that some might perceive this as ungrateful, but reiterates that it's a business decision aimed at improving the effectiveness of his efforts [0:20:22-0:20:36].* Vision for Helping Other Artists: [0:30:00-0:30:57] The host shares his goal of developing a system to help other comic book artists by providing them with a proven strategy for success [0:30:14-0:30:38]. He wants to empower artists and ensure their work reaches a wider audience [0:30:44-

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People are becoming more and more unhinged and it's easy to see why. But the controversial scapegoat of the day is AI. We've all been chasing our dreams on our own and refuse to let them die. But if you think that I'll slow down for your preferences, go sit down and cry. (Man I really suck at poetry) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Welcome to the monthly newsletter for all the subscribers who follow my substack and my podcast. There's going to be a lot of good stuff in the like announcements, free downloads, and some other stuff that I don't want you to miss. So please be looking out for that email. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Watch the trailer online while you listen to this. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Where Do We Stand (Plus Ultra Mix) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

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I wish I didn't have to defend the new Linkin Park, but some of y'all out here hating for weird reasons. I was scrolling through the comment section on the new music video, and reading how many retards are comparing the new singer to Chester. First of all, he's dead. You guys got to get over it. It's been more than 5 years the dude is not coming back. I get it. He's one of my favorite singers of all time and was inspirational to the way that I sang when I was in the rock band. But I got to tell you, as one of the few people on the planet who can sing and scream at the same time, this new girl has a great voice. I'm not sure what her energy is going to be like but she gives me that early 2000s garbage and whole vibes, something that is reminiscent of the Marilyn Manson years which was a great time for me, and is around the time that Linkin Park came out. Singing and screaming at the same time requires an incredible amount of control and is really freaking hard to do. I wrecked my throat a few times when I fell out of practice because it's a technique that has to be constantly maintained. Push too hard and you can blow out your vocal cords, leaving yourself without a voice for days or weeks. I remember doing this during the recording of my album Ascension. It was one of the most humbling experiences of my life. Don't push hard enough and your voice cracks on stage in front of everybody. It's embarrassing. It's forgivable, but it also means you have to start a new take if you're recording. So if Emily Armstrong is able to perfect this technique and maintain it, then I say go with God. You have my blessing. With all that said, Linkin Park has a serious downfall right now. The song emptiness machine sounds like it was written by chat GPT. It's the most generic crap I've heard come out of them since Chester died, and I'm not going to stand for it. You guys are making a change, taking some bold steps forward, and doing what you love. But you can't be writing retarded generic music. Figure it out or get off the stage! This has always been one of my favorite bands, and I've loved their music up until Meteora. Everything after Meteora just sounds like bad relationship heroin songs. I mean how many times can you describe having a face on your skin, and why do you keep writing the same songs? But for a while, it was a defining factor of my life about what music could be, and how experimentation can be good. It was an incredible inspiration on how I created art for the next 20 years of my life. Of course I want to see them creating more art and doing well, and above all else, getting back to their roots. But to all the people who are hating on Linkin Park just to hate on them, do me a favor. Do it for the right reasons! Or go see don't be one of those stupid people who just says the popular thing because it's popular when it's popular! Put some thought into what you're actually saying because saying that Emily Armstrong is a bad singer just sounds retarded. Clearly she's a great singer. I hope she does well. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

[Verse 1]I see the Storm a-comin' I see the clouds a-formin' Pay no attention to the weather today (Cuz it's dead behind those darkened eyes )[Break][Verse 2]Ain't no emotion stirrin' ain't no ideas a-formin' Pay no attention to the wind and the waves (Cuz it's cold inside that hardened mind )[Break][Bridge]But could it be that as we're livin' in a fantasy (living in a fantasy)we've given over our minds to a life we never wanted to lead (never wanted to lead)[Build up]and so I, turn up the bottle and try to forget tomorrow like it doesn't really matter to me cuz these eyes have been blind to the dark and the light and all I see is the gray in between [Chorus]when the lights go out and the darkness falls how long will you hold on? when the push comes to shove and the time finally comes how far are you willing to go? [Hook]I knew I wouldn't be the only one (I knew I wouldn't be the only one)I knew I wouldn't be the only one (I knew I wouldn't be the only one)fighting the Zombie Virus off (I knew I wouldn't be the only one)fighting the Zombie Virus off [Verse 3]I don't care what you're saying Can't hear the song you're playing Pay no attention to the kids in the way (Cuz I'm numb behind this hollow smile )[Break] [Bridge]But could it be that as we're livin' in a fantasy (living in fantasy)we've given over our minds to a life we never wanted to lead (we never wanted to lead)[Build up]And so I, I pop another pill I take the chaser like it doesn't really matter to me cuz these eyes have been blind to the dark and the light and all I see is the gray in between [chorus]when the lights go out and the darkness falls how long will you hold on? when the push comes to shove and the time finally comes how far are you willing to go? [Hook]I knew I wouldn't be the only one (I knew I wouldn't be the only one)I knew I wouldn't be the only one (I knew I wouldn't be the only one)fighting the Zombie Virus off (I knew I wouldn't be the only one)fighting the Zombie Virus off [Guitar Solo/Breakdown][Final Chorus]I knew I wouldn't be the only one (Cuz it's dead behind those darkened eyes)I knew I wouldn't be the only one (Cuz I'm numb behind this hollow smile)[Refrain]I knew I wouldn't be the only one (I knew I wouldn't be the only one)I knew I wouldn't be the only one (I knew I wouldn't be the only one)fighting the Zombie Virus off (I knew I wouldn't be the only one)fighting the Zombie Virus off [End] This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Types of indiesSuperhero Saturday morning cartoons (Action)* Super Powered Edgelord* Dark AntiheroMonster in the closet (Horror)* Everybody dies* Zombies* SurvivalIn the Kingdom of Faunia (Fantasy, Romance)* It's like Star wars but it's notBooty butt cheeks (NSFW)* Chibi and furrySlice of Life (Drama)* Girls do it better* Teen drama, did you hear what Becky saidThe Netflix pitch (Mystery, Horror, Drama)* Joss Whedon finishes stories here* The Nostalgic remake* Kids stuff for adultsThe parody (Comedy)* Weird inside jokes* Over the top comedy charactersFoursquare (Strips)* Stonetoss, but not as funny* Chibi and furry* Old school newspaper cartoonistThemes* Monster of the day* We're besties getting foodsies* We're besties getting foods in our superhero costumes* Wall of text* Little kid bedtime stories for neuro divergent people* Oh my gay* You can't do that because you're a girlfollow my comic at www.thelastdaycomic.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

For those who support the podcast and have been following my work for a long time, you know that I use different platforms for different reasons. In this podcast I'll be talking about my reason for leaning into the platform known as Tapas very heavily this year. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

The way that we used to think about things and the things that we were told about how the world works aren't lining up anymore, and so it might be time to consider that you were either being lied to or that you're just wrong. Or maybe you've just changed it and haven't taken the time to update your thinking. I talk a lot about this in today's episode. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

In this episode of *The Xero for Hire Podcast*, the host dives deep into the harsh realities of indie comics in 2024, sharing personal challenges, market observations, and strategies for survival. Reflecting on a year since launching his Substack page, he grapples with the difficulty of pricing comics in a time of rising costs. He discusses how indie creators face an uphill battle competing against the major publishers like Marvel and DC, who dominate the market with low-priced books that squeeze out smaller players.The podcast explores pricing dilemmas for indie creators, especially regarding "floppies" (22-page comic books). The host argues that to stay afloat, indie creators often need to sell their books at $10 or more, while mainstream comics remain priced around $3.99. He emphasizes that creators need to value their work appropriately while ensuring they don't burn themselves out by underpricing. He also touches on the additional costs of printing, art, and shipping, highlighting the importance of crowdfunding and building local support through ads and partnerships with businesses.The host is candid about the challenges of navigating the indie comic space, from overcoming competition to dealing with stores that prefer mainstream distribution. He encourages persistence, realistic pricing, and creativity in promotion, emphasizing the necessity of balancing passion with business sense. The episode wraps up with practical advice for creators looking to sell their work, such as seeking local sponsorships or selling comics in unconventional places like grocery stores.Ultimately, the podcast provides a mix of gritty realism and encouraging strategies for aspiring indie creators, offering a glimpse into the creator's own journey in the comic book world.C and P Sports Cards and Collectibles, Harrison AR This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

00:51 a brief history of collecting comics 03:05 the rise and fall of comics in the 90s and 2000s09:46 Valiant Comics is a dark future version of myself11:50 working with public domain characters 14:00 TurnKey business style comics (origin stories)17:00 my writing challenge 17:18 more about valiant comics 19:01 death by diversity 20:18 those cool valiant comic foil covers and the glasses20:54 bad Comics with good covers21:29 how I found comic pirate sites (please no crush me) 23:40 the rabbit hole of old comics (after buying some trash comics)26:39 '90s was a time of Bad Girl Comics 27:50 and then there was Dawn 31:23 it turns out they're all the same silly stories32:49 Jesus Christ demon Slayer34:30 the pirate site is a resource 36:44 Antarctic press put out a cache of old digital comics 37:07 conclusion The Dawn comic.The cover artThe interior art later on…And believe me it gets way worse. This was one of the only tame pages I could find in this book where someone isn't having sex, being torn apart, or screaming the f word. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

I finally understand why this was bothering me yesterday. "Over the next few months": because of the election. Meaning people are going to have heightened emotions and they're going to be acting foolishly and emotionally. We are the salt of the earth that rebukes emotional foolishness. "Don't be divisive": again, because of the election coming up. But Christians are intrinsically divisive. Christ talks about this in the new testament. We're not divisive for the sake of conflict, but we are divisive for the sake of confrontation because light must confront darkness.I totally agree about resisting cheap digs, but memes are not intrinsically evil. They actually do a better job of revealing the truth than our mainstream media does. I just did a podcast about creating beautiful content so I agree with that 100% This last part about transcending bitterness and being better just comes across as suggesting that we ignore bad behavior and rise above it. Maybe it will go away. And I don't think that it's true. Evil people get upset when you don't join in with their evil so they will persecute you. On the surface this post seems very flowery, but deep down it comes off as cowardly. The context that it's coming from a lot of spiritual leaders suggest to me that maybe these are the same people that were complicit in the shutting down of churches and locking us in our houses because they didn't want to stir the pot. I think a lot of these leaders are scared, and they should be scared because they sat back and watched evil persecute half the country for four years and did nothing about it. They didn't speak up about it. They wouldn't condemn BLM. They wouldn't condemn the riots. They just hoped that if they were quiet they would rise above. They were cowardly. Meanwhile, many of us did speak up against the evils and we were persecuted for it, and those same spiritual leaders sat back and watched as we were torn apart and did nothing to help alleviate us. And so now a lot of those same people are coming back to morally grandstand when they should be repenting and apologizing. And the fact that none of them have asked for forgiveness or admitted to wrongdoing makes it worse. And it makes people even angrier and feel more betrayed deep down. But looking at the temperature of this country I guess it's to be expected. I am reading a lot into this and this is my interpretation, but I actually prayed about this and chewed on it all night because it was bothering me on a deep level. In Revelation 21: 8, it is the cowardly who were the first ones to be condemned, even before the unbelieving. And now I understand why this post bothers me so much. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

Help me achieve my goal Jack Black found out, and apparently so did a bunch of other people. There is a cultural shift and we are witnessing it now. By the way, doesn't Jack Black look super cool in his Joe Biden 2024 shirt? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

list of different celebrities that died and people got emotional.But we all still have the capacity for generic humanity We should all be able to understand empathy It isn't a conspiracy theoryKeep in mind somebody else died And the killer was shot Don't fall for the political griftYes there are bad people on both sides but that doesn't excuse the fact that somebody tried to kill a human being last night He may be a politician but he means a lot to me and half of Americans If he gets killed, then who's going to represent us. The general politician class does not represent our ideals anymore Most conservative Americans feel abandoned Many Europeans don't feel represented by their politicians either The bad takes are tone deaf I'm going to speak out about tone deaf takes. Because I see them as grandstanding. It's virtue signalingIt is possible to feel grief and celebrate victories at the same time It is possible to condemn violence and make jokes about triumph at the same time And it's okay to acknowledge the fact that there are people who are so hateful, that they would rather assassinate their political enemies then beat them square Just going to be a lot of videos on tiktok about unhinged women screaming in their car This is the new James hodgkinson We have a lot of mental illness in this country There are a lot of people who genuinely want to do evil rather than the right thing, and we have to treat slight examples as such. This is the burden of righteousness This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

The Pine Tree Flag (or the An Appeal to Heaven Flag) was one of the flags used during the American Revolution. The flag, which featured a pine tree with the motto "An Appeal to Heaven", or less frequently "An Appeal to God", was used by a squadron of six schooners commissioned under George Washington's authority as commander-in-chief of the Continental Army beginning in October 1775.Timestamps* 00:00 intro * 01:00 trumps crimes * 02:09 my accent* 02:24 the next shadow campaign? * 04:19 conservative protests * 10:41 Rich conservative shills * 12:35 when Q-anon fell apart* 15:15 be prepared for disappointment* 18:15 reasons why conservatives might lose in 2024* 22:45 too many conservatives are willing to walk away from our Christian Roots* 25:44 appeal to heaven* 29:50 judgment comes to the house of GodThe pine tree is a traditional symbol of New England. The phrase "appeal to heaven" appears in John Locke's Second Treatise on Government, where it is used to describe the right of revolution. ~ Wikipedia https://en.wikipedia.org/wiki/Pine_Tree_FlagThe history behind the controversial ‘Appeal to Heaven’ flag ~ CNN - https://www.cnn.com/2024/05/31/us/appeal-to-heaven-flag-meaning-cec/index.htmlThe endless language war, liberals’ flag lies and other commentary ~ New York Post https://nypost.com/2024/06/02/opinion/the-endless-language-war-liberals-flag-lies-and-other-commentary/ This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

00:00 intro (updates on my dog, Chester)11:52 the 4th age channel, Virtues13:53 the problem with conservative podcasters 15:08 the way you're supposed to make an argument20:37 pros and cons 21:44 we win, in the end 23:03 the covid argument 25:48 incorporating this new information 26:48 it's good to be an entertainer during good times28:05 trying to compete with the rich luxury careers32:47 it's easier to see through false hope now35:19 moving forward ,(removing the payments from the comic substack page, Da Vinci resolve issue, Freelance stuff) 37:19 praying for New Passion 41:12 OutroI've been taking some hard hits dealing with our dogs sickness. Trying to get the right analysis and find out what type of medical attention he actually needs. He's a member of our family and we're trying as hard as we can, but having to rely on other people to get us there has been difficult for the entire family. It's been especially hard for me because I have not been very honest about the truth state of our economy, and instead have taken all of the weight of the failure of our photography business head on. This podcast deals with some of the struggles we've had this year, and I'm pretty honest about the perspective that I'm trying to work through.I chose the name indignity because that's what it feels like wrestling with the reality of not being able to provide by doing things that I'm seeing other people do, while also realizing I'm not the man who will be able to make these things work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe

A good representation between the matriarchal versus patriarchal view of the world. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit xeroforhire.substack.com/subscribe