The Writing Life

In this episode of The Writing Life, writer and translator Daniel Hahn speaks with three former virtual residents Nur-El-Hudaa Jaffar, Sim Wai-chew and Tse Hao Guang about the quirks of virtual residencies, and how their expectations compared to reality. We were delighted to host them from June to December 2023, in a virtual residency generously supported by the National Arts Council of Singapore. In this episode, they discuss the projects they were working on during their residencies with us, how they found inspiration when writing as though they were in Norwich UNESCO City of Literature, and their lives and careers as translators. They also touch on the blogs they wrote for our Writing Hub, which you can read here.

In this episode of The Writing Life podcast, NCW Senior Communications and Marketing Manager Steph speaks with author Heather Parry about writing the grotesque body. Heather Parry was born in Rotherham and lives in Glasgow. She has won the Bridge Award for an Emerging Writer, Cove Park's Emerging Writer Residency and the Laxfield Literary Launch Prize. In 2021 she was a Hawthornden Fellow and her first novel, Orpheus Builds a Girl, was released in 2022. Heather discusses writing the grotesque body, which combines elements of comedy and horror. She explores reimagining gothic tropes, the impact of who gets a voice in your narrative, and the differences between long- and short-form writing. Heather also mentions her experience on the writing residency and programme Here and Now 2023, bringing together established Scottish and West African writers, and how instrumental residencies are for writers.

In this episode of The Writing Life, NCW Emerging Translator Mentorships Programme Manager Annie speaks with author Polly Atkin about writing with a chronic illness. Polly Atkin is a multi-award-winning writer, essayist and poet. She is the author of the poetry collections Basic Nest Architecture, which won a Northern Writers' Award, and Much With Body, which was longlisted for the Laurel Prize, as well as Recovering Dorothy, the first biography to focus on Dorothy Wordsworth's later life and illness. In this episode, Polly and Annie discuss writing and navigating the publishing industry as a chronically ill person. The pair discuss Polly’s memoir Some of Us Just Fall, released in summer 2023, and explore how Polly imagined time as a chronically ill person, how to advocate for yourself as a disabled writer, and hopes for embedded accessibility in the future of the publishing industry. They also look ahead to their exciting joint writing project on Dorothy Wordsworth and Annette von Droste-Hülshoff, investigating their common identities and experiences.

In this episode of The Writing Life, NCW Programme Officer Ellie speaks with author and NCW mentor Chip Colquhoun about oral storytelling and writing for younger audiences. An NCW Associate Artist, Chip is a storyteller and children’s author. He’s trained teachers through the Department for Education’s English Hub, young creatives through Rathbone College, vicars through Ridley Hall in Cambridge, and children’s writers with publisher Epic Tales. Together, they discuss Chip’s journey into oral storytelling, and some of the distinctions between story writing and storytelling. They also explore the importance of understanding your reader, the key components needed for every story, and how to target your writing to different age groups. Discover Chip’s mentoring offer here. Chip is launching his educational handbook, All the Better to Read You With: Stories & Lessons to Inspire Reading for Pleasure at the London ExCel on Wednesday 24 January. Get your free ticket to the Bett Show where this will be launched here.

In this episode of The Writing Life podcast, NCW Programme Officer Ellie speaks with American author Margot Douaihy about the development of the noir genre in crime writing. Margot Douaihy is the author of several noir titles including the mystery novel Scorched Grace, the inaugural title of Gillian Flynn Books. Douaihy is originally from Scranton, Pennsylvania, and now lives in Northampton, Massachusetts, in the US where she teaches popular fiction and literature with Emerson College. Margot stayed with us on a writing residency in September in the Dragon Hall Cottage. Together, Ellie and Margot explore growth and changes in the noir genre, and how crime novels are well-equipped for generating social commentary. They also touch on alienation and the representation of queer identities in crime writing.

In this episode of The Writing Life podcast, Head of Programmes and Creative Engagement Holly speaks with novelist Hannah Vincent about point of view and different types of narration. Hannah Vincent is a novelist, short story writer and playwright. Her first novel, Alarm Girl was published in 2014 and her second, The Weaning in 2018. Her 2020 short story collection, She-Clown and Other Stories was shortlisted for the Edge Hill Prize. Her stage plays have been produced by among others, The Royal Court Theatre and The Royal National Theatre Studio and her radio play Come to Grief won a BBC Audio award. Together, they discuss the specifics of different perspectives that writers can inhabit, and the effects perspectives and voices can have on readers. They also touch on why a writer’s choice of perspective is fundamental to the way a story is told, and whether any narrative voice can truly be reliable. Hannah explores this topic in a free, self-paced course for NCW Academy entitled How to Write Unreliable Narrators. Find out more on our website!

In this episode of The Writing Life, NCW CEO Peggy Hughes speaks to four dazzling voices in contemporary poetry. On Wednesday 22 November, Jay Bernard, Anthony Vahni Capildeo, Gail McConnell and Joelle Taylor gathered to celebrate the launch of exciting new poetry archive collection, ‘Towards a Centre for Contemporary Poetry in the Archive'. This project, delivered by the British Archive for Creative Writing at the University of East Anglia, is supported by the Mellon Foundation with partners the National Centre for Writing and Norfolk County Council Library and Information Service. The project aims to promote and preserve the archives of contemporary poets of colour, LGBTQ+ poets and writers from other historically underrepresented backgrounds and practises in the UK and Ireland. Together, they talk about the archival project, their individual contributions and creative processes. They discuss their understanding of their own work, and how poetry and spoken word can be archived. Visiting Poetry Fellow, Will Harris, joins them to explore the project.

In this episode of The Writing Life podcast, writer and theatre director Jen Dewsbury speaks with writer, performer and NCW Academy tutor Molly Naylor about the craft of scriptwriting. Molly Naylor is the co-creator and writer of Sky One comedy After Hours. Her plays have been toured nationally and broadcast on BBC Radio 4. She wrote and performed the acclaimed solo spoken-word shows Stop Trying To Be Fantastic, Whenever I Get Blown Up I Think Of You and My Robot Heart. Jen Dewsbury is an actress, theatre director, and voice and acting coach. She recently completed an MA in Writing for Script and Screen with Falmouth University. Together, they discuss the process of developing a script, and their experiences teaching and studying on the NCW Academy online tutored scriptwriting course. They also discuss tools and techniques for developing an initial story idea into the first full draft of a script, and the benefits of investing time and energy into the planning stages, delving into phases such as the premise, steps outline and treatment.

In this episode of The Writing Life podcast, former NCW CEO Chris Gribble spoke to bestselling crime writer Ian Rankin about his new standalone short thriller The Rise. Ian Rankin was born in the Kingdom of Fife in 1960 and graduated from the University of Edinburgh in 1982. He is the internationally bestselling author of the Inspector Rebus and Detective Malcolm Fox novels, as well as a string of standalone thrillers. His books have been translated into thirty-six languages and are bestsellers on several continents. Together, they discuss Ian’s much-loved series character Inspector Rebus and his return to the page in a new phase of life, in Ian’s new Amazon Original Story The Rise. Ian shares the challenges he experienced while writing the short story and considers how writers always find a way to tell the stories they need to tell. They chat about Ian’s thoughts on the upcoming TV adaptation Rebus, and the differences between novel writing and screenwriting.

In this episode of The Writing Life podcast, former NCW CEO Chris Gribble caught up with author Fiona Mason to discuss her memoir 36 Hours and the craft of life writing. Originally from the Midlands, Fiona Mason now lives between the salt marshes of the east of England, and the Ariege Pyrenees in southwest France where she's renovating a house with her partner. She holds MAs in Philosophy and Creative and Life Writing, and combines her work as a writer with roles as a coach, mentor and creative writing tutor. Together, they discuss how she was compelled to write her incredibly personal memoir. She explores her journey into writing, the stigma around talking and writing about death and how she makes a living from her writing. Fiona also mentions that she received a Developing Your Creative Practice grant from Arts Council England, which helped her to dedicate time and energy to writing this memoir. You can find out more about Arts Council funding on their website here.

In this episode of The Writing Life, NCW Programme Officer Vicki Maitland caught up with writer and NCW Academy tutor Yan Ge to discuss the process of writing short stories. Yan is a fiction writer, writing in both Chinese and English, and is the author of thirteen books in Chinese, including five novels. She has received numerous awards and was named by People’s Literature magazine as one of twenty future literature masters in China. Together, they discuss Yan's experience writing her English language debut short story collection Elsewhere, and the unique challenges and opportunities that writing short stories can present to writers. Yan also provides personal insights on editing short form pieces of writing.

This episode of The Writing Life features musician and writer Kalaf Epalanga and writer, editor and translator Daniel Hahn on the process of writing and translating Kalaf’s exhilarating debut novel, Whites Can Dance Too. They were interviewed by NCW Programme Manager Rebecca DeWald. Kalaf Epalanga is a musician and writer. Best known internationally for fronting the Lisbon-based dance collective Buraka Som Sistema, he is a celebrated columnist in Angola and Portugal. Daniel Hahn is a writer, editor and translator with over one hundred books to his name. He has translated fiction and non-fiction for adults and children, from Europe, Africa and the Americas. Rebecca chatted with Kalaf and Daniel about many aspects of writing and translating Whites Can Dance Too, including the structure of the book and whether it can be called non-fiction. They also discuss the process of translating music and different forms of Portuguese, from Portugal, Angola and Brazil.

In this episode we’re bringing you a conversation with debut novelist and creative writing teacher Priscilla Morris. Priscilla’s first novel Black Butterflies is the author’s personal response to the war that devastated her mother’s hometown of Sarajevo, Bosnia, in the former Yugoslavia, from 1992-1996. Priscilla spoke to NCW Communications Assistant Molly-Rose Medhurst about her approach to researching and writing sensitively about the Siege and the atrocities of war, drawing from memory and from the recollections of family and friends. She also talks about her desire to centre the importance of community in the book and her narrative approach to time. Priscilla and Molly’s conversation contains references to sexual assault, death, violence and the horrors of war linked to the Siege of Sarajevo. Please take care when listening.

In this episode of The Writing Life, we are joined by author, screenwriter and lecturer Tom Benn to discuss his latest novel, Oxblood. Set in 1980s South Manchester, Benn's blazing novel of female solidarity and the legacy of male violence centres on three generations of women at the heart of an underworld family. It won the 2022 Sunday Times Charlotte Aitken Young Writer of the Year Award and was longlisted for the Gold Dagger 2023 and Gordon Burn Prize 2022. Tom chats to NCW CEO Chris Gribble about the genesis of Oxblood and why it took six years for him to write. He talks about choosing to write a crime novel in a ‘different way’ from a female perspective; and his aim to re-sensitise the reader through dark or violent stories. He and Chris also discuss how publishers may react to a book like Oxblood, which sits within the crime genre but also interweaves elements of other genres. For the introduction, Steph is joined by NCW Development Manager Dan Scales to talk about a new fundraising campaign launched this month for Escalator, our long-running talent development programme for underrepresented writers. You can support the campaign here: https://nationalcentreforwriting.org.uk/support-us/donate/escalator-campaign/ Applications for Escalator 2023-24 close at 10am BST on Tuesday 19 September 2023. Find out more and apply here: https://nationalcentreforwriting.org.uk/get-involved/writers/escalator/

In this episode of The Writing Life, NCW Programme Officer Vicki Maitland speaks with writer, editor and workshop leader Katy Massey about the process of writing real people in memoir. Katy was a journalist for many years before studying for an MA and PhD in Creative Writing. Her memoir, Are We Home Yet? was published in 2020 and praised by Bernardine Evaristo as ‘a gem’. It was shortlisted for the Jhalak Prize and the Portico Prize. In addition, her work has been widely anthologised, including Common People edited by Kit de Waal, The Place for Me, and speculative collection Glimpse. Her first novel All Us Sinners, an unusual take on the crime genre, is due to be published by Sphere in January 2024. Together, they discuss how her new self-paced course for NCW, How to Write Real People in Memoir, provides the tools you need to think of yourself as the main character in your story: from creating distinct voices in your narrative to discovering the difference between memory, truth and perspective.

In this episode of The Writing Life, NCW Chief Executive Chris Gribble caught up with Claire McGowan to discuss how she got started as a writer, her route(s) into publishing and how she’s maintained and developed a career in writing across a range of genres and over a lengthy period of time. Claire McGowan published her first novel in 2012, and has followed it up with many others in the crime fiction genre and also in women’s fiction (writing as Eva Woods). She has had four radio plays broadcast on the BBC, and her thrillers What You Did and The Other Wife were both number-one bestsellers. She ran the UK’s first MA in crime writing for five years, and regularly teaches and talks about writing. Her first non-fiction project, the true-crime book The Vanishing Triangle, was released in 2021. She also writes scripts and has several projects in development for TV. Together, they discuss how Claire's teaching work has developed across her writing career and how her new course for NCW distils a lot of what she’s learned about the many different ways and means of creating suspense in your writing: from character to landscape, to plot to style. Claire's self-paced online course 'How to Create Suspense in Fiction' will launch on the NCW website on Monday 7 August.

In this episode of The Writing Life, NCW Chief Executive Chris Gribble speaks with writer Patrick Barkham about the process of writing his new book The Swimmer, and how he found ways to ‘hear’ the voice of an author whose work he knew well, but who he never met. Patrick Barkham is an award-winning author and natural history writer for the Guardian. His books include The Butterfly Isles, Badgerlands, Islander and Wild Child. He is President of Norfolk Wildlife Trust and lives in Norfolk with his family. His new book The Swimmer is a creative biography of the late writer, filmmaker and environmentalist Roger Deakin. The book is told primarily in the words of the subject himself, with support from a chorus of friends, family, colleagues, lovers and neighbours. Together, they touch on the impact and legacy of Roger, as one of the forerunners of the new nature writing movement, the ethics of biography, and the hard graft of reconstructing a life from the myriad of physical and emotional traces a writer has left behind.

In this episode of The Writing Life, NCW Chief Executive Chris Gribble speaks with writer, poet and educator Raymond Antrobus in an interview which was recorded ahead of his performance at the City of Literature weekend 2023. City of Literature takes place in May each year and is a National Centre for Writing and Norfolk & Norwich Festival partnership, programmed by National Centre for Writing. Raymond was born in London, Hackney to an English mother and Jamaican father. He is the author of Shapes & Disfigurements (Burning Eye, 2012), To Sweeten Bitter (Out-Spoken Press, 2017), The Perseverance (Penned In The Margins / Tin House, 2018) and All The Names Given (Picador / Tin House, 2021). In 2019 he became the first ever poet to be awarded the Rathbone Folio Prize for best work of literature in any genre. Raymond chats to Chris about his development and life as a poet and educator: from finding a community in the London spoken word scene to winning the Folio Prize for The Perseverance through to his most recent collection All The Names Given. He discusses the challenges and joys of working in the poetry ‘business’ as well as the poetry community.

In this episode of The Writing Life, National Centre for Writing’s Head of Programmes & Creative Engagement Holly Ainley caught up with Victoria Mackenzie after her event in Norwich to discuss her debut novel For Thy Great Pain Have Mercy on My Little Pain, the joys and pitfalls of researching historical periods, and how you communicate this to contemporary readers. Victoria is a fiction writer and poet. She is the winner of the Scottish Book Trust New Writer Award and the inaugural Emerging Writer Award from Moniack Mhor. She was shortlisted for the Lucy Cavendish Fiction Prize, as well as being awarded prestigious writing residencies in Scotland, Finland and Australia. This insightful discussion covers the blurry lines between fact and fiction; the moral responsibility of authors when writing about real historical figures; and what the term historical fiction actually encompasses – how it is used by the publishing industry and what it really means to authors.

In this episode of The Writing Life, NCW Programme Manager Rebecca DeWald had the pleasure of talking with Katherine Gregor and Caroline Lamarche about the process of writing and translating The Memory of the Air, a novella by Caroline which explores a universal experience of gender and sexual violence and challenges common notions of victimhood. The book was translated into English by Katherine and published by Héloïse Press in 2022. Together with Rebecca, they discuss how Katherine first discovered Caroline’s book and the experience of it being rediscovered and translated in a post-#MeToo era. Caroline talks about the process of drawing on personal experiences to write this book, and about finding her voice. Please note that this conversation contains references to domestic violence and sexual assault, so listener discretion is advised.

On this episode of The Writing Life, we are delighted to welcome Max Porter back to Norwich! Max was here in April for an event hosted by The Book Hive to celebrate the publication of his latest novel, Shy. NCW Executive Director Peggy Hughes settled in for a cosy chat with Max upstairs in The Book Hive. Their expansive conversation covers the special power of bookshops, questions of masculinity and vulnerability portrayed through Shy’s protagonist, the musicality of Max’s language, and much more. Max’s first novel Grief Is the Thing with Feathers won the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year, the International Dylan Thomas Prize, the Europese Literatuurprijs and the BAMB Readers’ Award and was shortlisted for the Guardian First Book Award and the Goldsmiths Prize. His second novel, Lanny, was a Sunday Times bestseller and was longlisted for the Booker Prize. The Death of Francis Bacon was praised as a ‘miniature masterpiece’ and his new book, Shy, has been called a ‘miracle of language’. Editing by Omni Mix

On this episode of The Writing Life, we speak to news journalist turned non-fiction writer and biographer Richard Balls about interviewing difficult subjects. Richard is the author of three books: A Furious Devotion: The Life of Shane MacGowan; Be Stiff: The Stiff Records Story, and Sex & Drugs & Rock 'n' Roll: The Life of Ian Dury. In this conversation with Steph McKenna, he talks about using the experience and techniques acquired through a 20-year journalism career to inform the way he approaches, interviews, and writes about high-profile figures such as Shane MacGowan, whose life story is as much fiction as fact! How do you secure an interview with a reluctant subject? What do you do when an interview isn’t going to plan? And what ethics or responsibilities are involved when writing about someone’s complex, contradictory, or unacceptable behaviour? Richard covers all this and more on the podcast.

A conversation from the archive! National Centre for Writing’s Kate Griffin talks to writer, translator and editor Rabi Thapa. Kate is our Associate Head of Programmes and Rabi stayed in the Dragon Hall cottage as part of our Visible Communities programme in June 2021. Rabi is a British-born Nepali writer and translator. He is also the Editor of La.Lit, the literary magazine from Nepal, and the author of Nothing to Declare and Thamel, Dark Star of Kathmandu. From 2010 to 2011, he was the Editor of the weekly paper, Nepali Times. Kate and Rabi discuss a number of topics including his background - spending the first six years of his life in Plymouth - his relationship to the UK and Nepal, the Katmaundu literary scene, bridge languages and the 123 languages used in Nepal.

As part of the annual Norfolk and Norwich Festival we run a series of events called City of Literature. A central part of our programme is the Harriett Martineau Lecture which celebrates the legacy of a remarkable, world-changing woman by inviting globally-renowned radical speakers to respond to her life and work. In 2022, we were excited to welcome bestselling novelist, memoirist and literary activist Kit de Waal - presenting the lecture in the beautiful environs of the Spiegeltent. Kit gave a thought-provoking lecture covering a range of topics, including human rights, equality, hunger and, as she calls it, ‘compassion without judgement’. Kit is a fantastic writer and speaker, and, in the course of the lecture, talks about social mobility and what it really takes; how smartphones are essential for some of the most marginalised people in society; as well as quoting Terry Pratchett as she explains what keeps the poorest in our society poor. This episode is that lecture - recorded at the event back in May - more relevant now than ever with inflation rampant, the cost of living impacting everyone in society, and the energy crisis hitting those with the least worst of all.

We speak to writer and teacher Okechukwu Nzelu. Why? To discuss that greatest pillar of creative writing - character. Gill and Okechukwu discuss many aspects of character development, including those in his latest novel Here Again Now. Based in Manchecter, Okechukwu Nzelu was the recipient of a Northern Writers' Award from New Writing North in 2015. His debut novel, The Private Joys of Nnenna Maloney won a Betty Trask Award. It was also shortlisted for our very own Desmond Elliott Prize among others. In 2021, it was selected for the Kingston University Big Read. His second novel, Here Again Now was published by Dialogue Books in March 2022. He is also a Lecturer in Creative Writing at Lancaster University so he is perfectly positioned to help us understand how we can write compelling characters.

Earlier in the year, our very own Ellie Reeves spoke to local writer James Kinsley. James’s first novella, Playtime’s Over, was published by Propolis in 2021 - a love letter to his native Norwich. James Kinsley’s new book, Greyskin, will be published by Deixis Press on 27th April. Greyskin is a stylish collection of interconnected fantasy stories, inspired by the cinematic mythology of the Old West. On its first day of pre-order, the book topped the Amazon chart for Western Science Fiction. Ellie sat down with James following the publication of Playtime's Over. They discuss his journey from self-publishing to traditional publishing, and offers an insight into the challenges of drawing personal experiences into fiction. They also discuss genre, mental health, and the ability of writing to move beyond the writer's intentions.

Norwich-based poet and writer Shannon Clinton-Copeland speaks to our virtual residents Akshita Nanda, Crispin Rodrigues and Daryl Qilin Yam about writing and literary life in Singapore. Their residencies are supported by Singapore’s National Arts Council. Akshita, Crispin and Daryl touch on everything from the relationship between writing and culture, to writing as a method for finding common experiences. They also discuss understanding across social, cultural and linguistic borders. Virtual residencies for writers and translators can bring national and international voices and ideas to places like Norwich. Through commissions, online events and podcasts like this one, those voices can also reach a global audience. You can find out more about our virtual and in-person residences on our website: nationalcentreforwriting.org.uk.

We speak to Caimh McDonnell about humour. Caimh is a comedian and writer. He’s written for TV shows such as Mock The Week and Have I Got News for You. He was also a professional stand-up comedian and has written a dozen books under the names Caimh and CK McDonnell. Being funny in fiction is hard, so we wanted to ask the Manchester-based Irishman how to do it - or at least, how he does it. The cover of The Stranger Times says: What if the weird news was the real news? An apt way to describe the premise. The book is the first in a series of novels set in Manchester in which the weird phenomena of the Fortean Times is alive and well - from mythical beasts to UFOs. We get to explore this weird world through the staff of the namessake newspaper and the result is a Pratchett-esque treatment of the supernatural thriller/mystery genre. And it is funny. Some things are easier to teach than others. You might argue that being funny is the hardest thing of all. Nonetheless, the conversation will hopefully give you some insights into how to bring humour to your writing. The conversation covers characters, dialogue, conflict, genre and the inversion of expectation. Find out more about Caimh at whitehairedirishman.shop

For this episode, we speak to the wonderful Kirsty Logan. Kirsty is completely devoted to books: she is the award-winning author of several novels, including The Gloaming and The Gracekeepers, and short story collections including A Portable Shelter and The Rental Heart & Other Fairytales. She recently wrote the Audible Original The Sound at the End, an Arctic ghost story. She’s also a book reviewer, editor and mentor. Kirsty’s new novel, Now She is Witch, came out this month. It is a medieval witch revenge story unlike any other. We discuss the book as well as aspects of craft, including character, theme, structure, research, routine and inspiration. We talk about how to build complex characters within fairy tales, the difference between historical fiction and Medievalism and how witch stories reflect our feelings of being under threat in our world. We talk about identity, revenge and research beyond the internet. Kirsty also starts our conversation with a reading - a poem she wrote during a writing residency.

National Centre for Writing’s Rebecca DeWald talks to translator Clare Richards. Rebecca is our Emerging Translator Mentorships Programme Manager and Clare is a previous mentee, who was mentored by Anton Hur. Clare is a translator of Korean, but has a passion for the more challenging scripts such as Japanese, as she explains in their conversation. As a neurodivergent person, Clare is perfectly placed to reflect on our ablist workplaces and the male-skewed view of autism - and she also describes how learning new languages can help change the way we think and communicate. Clare really found her calling in literary translation allowing her to build a way of working that suits her skills and preferences. She has also set up a Discord channel for D-deaf, disabled and neurodivergent people and you can find her on Twitter @clarehannahmary Clare is just one of our Emerging Translator mentees. The scheme itself matches experienced translators with emerging translators for a six-month period. During this time they work on practical translation projects together and learn about the ins and outs of professionalizing as a literary translator. You can find out more about the scheme on our website.

In this episode, we speak to novelist and NCW tutor Megan Bradbury, who gives us a wealth of great advice to help you build your writing routine. We cover a lot of ground in this discussion, the focus of which is removing mental, physical and even temporal blocks to get you writing - from tackling your own avoidance excuses to noise-cancelling headphones. Many of you will already know Megan from the podcast, and it was a pleasure to welcome her back. Megan is a long-time friend of the writing centre having won a place on Escalator - our talent development programme. Megan also won a ‘Grant for the Arts’ to help fund the completion of her first novel, Everyone is Watching. Megan is also one of our online course tutors. What online courses, I hear you say? Well, the National Centre for Writing has a variety of online learning activities from courses to mentorship sessions. Head to our website to browse free short courses, in-person classes and workshops, and our much-loved 12 and 18-week tutored online courses. These courses have been designed specifically to get you writing. https://nationalcentreforwriting.org.uk/support-for-writers/

This episode is a Writing Life special, featuring an hour of new writing read by the writers on this year’s National Centre for Writing Escalator programme - recorded earlier this year at the showcase event, here at Dragon Hall. Melody Bowles Bang Wang Ben Cartwright Shirley Day Isabelle Higgins Adam Leeder Joanna Miller Carrie Patten Rick Roydes Mark Stocker Escalator is our talent development programme. And each year, we look for ambitious, challenging, unconventional and affecting new voices in fiction writing from the East of England. The region is made up of a diverse society of people, and supporting writers who are under-represented on UK bookshelves has become a core objective of the project. The programme has been running since 2004 and includes eight months of mentoring, training, guidance and networking for participants. To date we’ve supported more than 130 writers, many of whom have gone on to sign with agents, publish and win awards and critical recognition for their novels and short stories. We had a fantastic group of writers in 2022 and we hosted them here for the annual Escalator Showcase event where they all read from their work. This is the audio from that event. https://nationalcentreforwriting.org.uk/escalator/

In this episode: How to grip your readers, with crime and noir writer Julia Crouch. Julia is a crime and noir novelist so she really knows how to grip readers, and this episode has dozens of great tips for writers of all genres. Julia explains how characters and their development can grip readers; she explains how we can build narrative tension; and how conflict is a key driver of a reader’s attention. We also discuss the role of dead bodies, how to create and use twists as well as lots of great technical tips on how to sow seeds of intrigue. Julia Crouch - the queen of domestic noir - has written seven novels, including Cuckoo, The Long Fall, her new novel The Daughters, and Tarnished. Julia is also the tutor for our Start Writing Crime Fiction course, which starts in January. So, if you want to kickstart your crime novel, why not head to the website to explore the course modules?

In this episode, Isabelle King speaks to our recent writer-in-residence, Els Beerten. Els is an award-winning Belgian writer, and, in this wide-reaching conversation, she discusses how she develops characters as well as uses the senses to bring places and people to life. Els is part of our residency programme in which writers and translators from around the world stay in our cottage, here at Dragon Hall - or work remotely on a virtual residence. Isabelle King writes historical fiction and works in museums in Norfolk. Her work focuses on helping communities to tell their stories inspired by local history.

This month, we explore the short story: what makes a great short story and how the format differs from longer forms such as the novel. Lots of writers and teachers extol the virtues of short stories as a training ground for novels, and while this might be true, short stories are a great medium in their own right - doing many things that novels can’t. To help us delve into this topic, we spoke to writer and teacher Jenn Ashworth. Jenn is probably best known for her novels, which include A Kind Of Intimacy, Cold Light and Notes Made While Falling - and her most recent novel, Ghosted. But, as you will hear, Jenn is also a writer and lover of short stories - including Misummer Eve, which we discuss in this episode. Incidentally, if you’d like to read Midsummer Eve you will find it in the collection of the same name, published by Black Shuck Books. Head to blackshuckbooks.co.uk/midsummer-eve and you can buy the paperback for £12 or an ebook for £2.

How to write about love in its various forms with Maddie Mortimer. Maddie is the author of Maps Of Our Spectacular Bodies which won her a 2022 Desmond Elliott Prize. The first part of our conversation was about her Desmond Elliott Prize win, but we soon started talking about the novel, writing craft and writing love. This episode features the section of the conversation about writing love, from the intimate and tender to the physical and visceral, from the romantic to the familial. As part of the Early Career Awards, we regularly publish our free EC Packs - bundles of advice, interviews, audio and video to help writers tackle particular areas of writing. We have packs on Editing, Beginnings, Structure, Plot, World Building and lots more. Access them for free on our website. This podcast forms a part of our new Early Career Pack - on the subject of love. It includes exercises, articles and indeed, this episode of the Writing Life.

This episode is a Writing Life special to celebrate Noirwich, the 2022 Norwich Crime Writing Festival here in our fine city. The festival featured Ukrainian-born American and French artist and writer, Yelena Moskovich. Yelena has written for Vogue, The Times Literary Supplement, Paris Review and many more. She has also just released her third novel, A Door Behind a Door, an exploration of the post-Soviet diaspora. We invited our friend, creative writing tutor and the godmother of domestic noir, Julia Crouch whose 7th novel The Daughters came out earlier this year, to interview Yelena. Strap in for a lively discussion about routes to becoming a writer, identity as a writer, ownership of your art, reading, what is crime writing, ideas of Hell and much much more. Image copyright Beth Moseley

This month, we discuss revision. To help us understand how, when and why writers should revise, rewrite and redraft our work, we speak to writer and NCW course tutor, Lynne Bryan. We discuss the importance of revising one’s work, how revision is different for different types writer, when to do what kind of revision, and the role of third-party feedback. This is a great discussion for anyone doing creative writing. Lynne received her MA in Creative Writing in 1985. Her first book - Envy At The Cheese Handout - was a collection of short stories back in 1995. Two novels, Gorgeous and Like Rabbits followed in 1999 and 2002. She’s co-edited six anthologies of short prose, her work has been broadcast on Radio 4 and her story – ‘A Regular Thing’ – was made into an award-winning short film in Denmark. Needless to say, Lynne knows her stuff, so this is an invaluable discussion for anyone who writes.

We talk to international bestselling writer Mohsin Hamid about his new book, The Last White Man. The conversation covers the key themes of his new novel: race, transformation, freedom, loss - as well as his journey into writing fiction, and, how a story is only ever half-told, until it finds a reader… Many will know his Booker shortlisted novels The Reluctant Fundamentalist and Exit West. And some may also know his other novels Moth Smoke and How to Get Filthy Rich in Rising Asia - and a non-fiction book, Discontent and its Civilizations. He writes regularly for The New York Times, the Guardian and the New York Review of Books. Born and mostly raised in Lahore, Pakistan, he has since lived between Lahore, London and New York.

In this episode, we speak to novelist, teacher and doctor of letters, Ashley Hickson-Lovence to explore story and plot. Ashley is the author of The 392 and the prize-nominated novel Your Show (which he talks a little about in our chat). We also discuss the difference between story and plot, key plot devices and how you can ensure your story has a plot that keeps people turning pages. Ashley is also the tutor for our Start Writing Fiction course. We also have courses on fiction, crime, memoir, historical fiction creative non-fiction and poetry. You can read more about the modules and see which course would help you in your writing.

Novelist and creative writing lecturer Ian Nettleton explains how to structure a novel - the devices and structural elements that can keep readers engaged, and how to ensure your story becomes a page-turner. The episode covers characters’ wants and needs, conflict, obstacles, narrative tension and building a compelling story scene by scene, chapter by chapter. We also discuss quests, commitments, reversals and resolutions. Ian has been shortlisted for a number of prestigious awards including those for his novels The Last Migration and Out of Nowhere. He is also an associate lecturer in creative writing courses at the Open University and works with the National Centre For Writing on a number of our own creative writing courses.

This is a special episode to celebrate our City of Literature programme at the Norfolk & Norwich Festival. As part of the festival, we organised, curated and hosted a series of events at the legendary spiegeltent as well as talks and our publishing fair, here at Dragon Hall. Called Wandering Words, we commissioned five poets and five sound designers to create an interactive digital experience. This episode hosts the poems and the soundscapes.

What is translation and how is it experienced? In this episode, three translators explore their experiences of inhabiting multiple languages in a portrayal of life in translation, of translation as a part of everyday life, of translation as survival, and of people as translated beings. Interviews with Kavita Bhanot, Yovanka Paquete Perdigão and Nariman Youssef. Made by Gitanjali Patel and Miia Laine as part of the Visible Communities residency at the National Centre for Writing.

Novelist Megan Bradbury and Sam Ruddock from Story Machine Productions discuss the role of research in writing. Megan describes how she went to New York to research the geniuses who lived there, to bring her novel to life. She also talks about working with Professor Pete Wilde on NCW’s Translating Science project. Megan explains how different types of research can become a regular part of your writing routine as well as helping to inspire stories and characters, while making worlds feel rich and authentic. She describes some of the more immersive and unusual methods that help her get inspired, build characters and develop the creative process. Browse our online creative writing courses.

Khairani Barokka is an Indonesian writer and artist living in London. She is the co-editor of Stairs and Whispers: D/deaf and Disabled Poets Write Back, the author-illustrator of Indigenous Species, and author of debut poetry collection Rope. She was Modern Poetry in Translation’s Inaugural Poet-In-Residence, National Centre for Writing’s Associate Artist in 2020 and she has been a Researcher-in-Residence at UAL’s Decolonising the Arts Institute. Rishi Dastidar's debut collection Ticker-tape is published by Nine Arches Press, and his work has been published by Financial Times, New Scientist and the BBC amongst many others. Okka and Rishi are poets and stable mates of independent poetry publisher Nine Arches Press. Join them for a deep dive into the unconscious process of writing poetry and what they both call 'the daze' of writing, as well as the environmental elements of Okka's writing. Check out our upcoming creative writing online courses, designed in partnership with the University of East Anglia. On sale now

Mattho Mandersloot is a literary translator working from Korean into English and Dutch. He holds a degree in Classics from King’s College London and one in Translation from the School of Oriental and African Studies. He has won the Korea Times’ 51st Modern Korean Literature Translation Award, the World Literature Today Translation Prize and the Oxford Korean Poetry Translation Prize. In July 2021, we welcomed Mattho to Norwich for a month-long residency with support from the Literature Translation Institute of Korea. During his residency he worked on Choi Jeongrye’s final collection of poetry, Net of Light, alongside award-winning poet and translator George Szirtes. In this conversation between Matthow and George, they discuss the intricacies of language, the power of K-pop, the rise in popularity of Korean studies, and how Mattho's love of taekwondo led him to a career in literary translation. Find out more about what we do: https://nationalcentreforwriting.org.uk/ Hosted by Steph McKenna. Music by Bennet Maples.

Translator and editor Anam Zafar and poet, novelist and translator Meena Kandasamy discuss translation as activism and helping under-represented communities to tell their own stories. Anam was mentored by Meena on NCW's Emerging Translator Mentorship programme, supported by Visible Communities. We have a discount for Writing Life listeners, courtesy of our friends at Bloomsbury! Until 1 March 2022 anyone in the UK can get 25% off the workbook as long as you buy through the Bloomsbury website. The code is AWJW25 and can be used here: https://www.bloomsbury.com/uk/writers-journal-workbook-9781472987365/ Find out more about what we do: https://nationalcentreforwriting.org.uk/ Hosted by Steph McKenna. Music by Bennet Maples.

Lucy van Smit is an award-winning author, a screenwriter, and artist. She has worked internationally for NBC News, has made documentaries for Canadian TV on writers like John Le Carre and Ian McEwan and in 2018 her debut novel The Hurting won the inaugural Bath Children’s Novel Award. She's now put together A Writer's Journal Workbook, for Writers & Artists, which is jam packed with bite-sized exercises and tips for dismantling writer's block, improving observational skills, developing characters and much more. It's designed to help new writers get started, find their voice and improve their skills. Simon talked to Lucy about her own struggles with writer's block, which she experienced after publishing her first novel, and how creating The Writer's Journal helped her as much as anyone who might read it. We have a discount for Writing Life listeners, courtesy of our friends at Bloomsbury! Until 1 March 2022 anyone in the UK can get 25% off the workbook as long as you buy through the Bloomsbury website. The code is AWJW25 and can be used here: https://www.bloomsbury.com/uk/writers-journal-workbook-9781472987365/ Find out more about what we do: https://nationalcentreforwriting.org.uk/ Hosted by Simon Jones. Music by Bennet Maples.

We have a great translation double-bill today, with a conversation between Archana Madhavan and Sawad Hussain. Sawad was a virtual translator in residence in 2021 during our Visible Communities project, and this interview was arranged as part of that residency. https://nationalcentreforwriting.org.uk/translation/visible-communities/ Sawad Hussain is an Arabic translator with a focus on bringing narratives from the African continent to wider audiences. She has contributed to journals such as ArabLit and Asymptote, she was co-editor of the Arabic-English portion of the Oxford Arabic Dictionary and recent translations include Passage to the Plaza by Sahar Khalifeh and A Bed for the King’s Daughter by Shahla Ujayli. Archana Madhavan is an Indian-American translator from Korean into English. She started teaching herself Korean ten years ago and has now worked on many projects including The Man Who Became A Flamingo by Oh Han Ki, contract work with Lezhin Entertainment on genre webtoons and Glory Hole by Kim Hyun (co-translated with Suhyun J. Ahn), which is coming from Seagull Books in May 2022. She has contributed to chogwa and is a staff translator for The Hanok Review. chogwa: https://www.chogwa.com/ Find out more: https://nationalcentreforwriting.org.uk/ Hosted by Simon Jones. Music by Bennet Maples.

Andy Hamilton is a comedian, game show panellist, television director, comedy screenwriter, radio dramatist, novelist and actor and you have probably seen and/or heard him on Have I Got News For You, The News Quiz, QI or I'm Sorry I Haven't A Clue. He's written for television shows including Drop the Dead Donkey and Outnumbered and is currently working on Kate & Koji for ITV with regular writing partner Guy Jenkin. Simon talks to Andy about his novels, specifically his latest Longhand, which is an especially unique book in that the entire thing is handwritten, perfectly reproducing Andy's original longhand manuscript. The story is of Malcolm George Galbraith, a Scotsman who is writing a letter to his wife - hence the longhand - to explain why he has to leave and never return. The explanation involves a vast, surprising, moving and funny dive into mythology. Simon chats with Andy about finding a publisher who was willing to reproduce his handwriting, how the unusual form supports and enhances the story being told and why it's probably a one-off. Find out more about everything we do on our website: https://nationalcentreforwriting.org.uk/ Join our Discord: https://nationalcentreforwriting.org.uk/join-our-discord-community/ Music by Bennet Maples.