Slavery at the Rijksmuseum, Leonora Carrington and a Rubens Reunion
A landmark museum show, the Surrealist children's story behind the next Venice Biennale and Rubens's landscapes united after 200 years
The Week in Art · The Art Newspaper
June 18, 20211h 0m
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Show Notes
This week, we look at a much anticipated exhibition, Slavery at the Rijksmuseum in Amsterdam. The Rijksmuseum is the Netherlands’ national art and history museum and the curators of the exhibition state in the catalogue that the country’s colonial past has been "insufficiently examined in the national history of the Netherlands, including at the Rijksmuseum”. Ben Luke talks to Valika Smeulders, head of history at the Rijksmuseum and one of the four curators of the exhibition, focusing on several works in the show and exploring the people—from enslaved men and women to wealthy Amsterdam denizens who benefit from slavery—who feature in the exhibition. Also in this episode: as next year’s Venice Biennale is named after The Milk of Dreams, a children’s book by the Surrealist artist Leonora Carrington, Ben talks to Joanna Moorhead, a relative of Carrington’s and the author of The Surreal Life of Leonora Carrington, about the stories, what they tell us about the author, and what they might mean for the next Venice Biennale. And this episode’s Work of the Week is actually two works: Peter Paul Rubens’s two landscape masterpieces The Rainbow Landscape and A View of Het Steen in the Early Morning, which have been reunited for the first time in 200 years at the Wallace Collection in London.
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