The Theatre Podcast with Alan Seales

We explore the remarkable journey of Evan Alexander Smith, whose path from Ontario to Broadway—and beyond—has been marked by diverse experiences and significant milestones. Evan's passion for theatre ignited in his early years, catalyzed by a transformative production of "Oliver" and a pivotal audition opportunity presented by a friend for an arts high school. Evan reflects on his tenure with Disney Cruise Line, where he not only honed his craft but also experienced a "showmance" that blossomed into marriage, ultimately guiding him to the vibrant theatre scene of New York City. He discusses his role as an audition reader and how this experience helped him demystify the audition process, thereby alleviating his fears and enhancing his performance skills. Having shared the stage with luminaries such as Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez in the production of "Merrily We Roll Along," Evan emphasizes the centrality of storytelling in his approach to acting. He delves into his current portrayal of George McFly in "Back to the Future: The Musical," a role he approaches with a blend of humor and depth, focusing on George's distinct mannerisms and psychological complexity. Evan concludes with practical advice for aspiring performers: prioritize authenticity and self-belief over concerns about others' perceptions. His insights offer valuable guidance for those navigating the competitive landscape of the performing arts. Evan Alexander Smith is an actor, singer, and voiceover artist hailing from Toronto. A Dora Award nominee and Gemini Award winner, he starred in the original Canadian production of “The Toxic Avenger” musical and spent two seasons at Canada's prestigious Shaw Festival in productions of “Ragtime”, “His Girl Friday”, “Guys & Dolls”, and “Lady Windermere's Fan”. His National Tour credits include “Dirty Dancing” and “The Play That Goes Wrong”. His Broadway credits include “Amazing Grace” the recent revival of “Merrily We Roll Along" and now, “Back to the Future: The Musical” where he is currently starring as George McFly. Connect with Evan: Website: www.evanalexandersmith.com Instagram: @iamevansmith Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Isaac Mizrahi, an acclaimed fashion designer, performer, and television personality, has achieved an iconic status in the fashion industry—despite initially having little desire for a career in this field. In this episode, Mizrahi unveils the source of his bold creativity and charismatic presence, offering a candid look into his extraordinary journey. From his beginnings in Brooklyn, where his passion for fashion first took root, to his childhood fascination with designing clothes for puppets, his path has been both unique and inspiring. He discusses his formative years at Parsons School of Design and the subsequent launch of his celebrated fashion label. Mizrahi also shares his personal habit of reading obituaries, driven by a desire to ensure his own legacy is accurately remembered—ideally as a performer rather than merely a fashion icon. Despite his substantial success in fashion, Mizrahi reveals a long-held aspiration to act, sing, and perform—dreams he once hesitated to pursue. With new acting opportunities on the horizon, his future is poised to be as dynamic as ever. Reflecting on his experiences, Mizrahi expresses a preference for failure over success, acknowledging that setbacks are a natural part of pursuing an acting career. He emphasizes that, regardless of the outcome, delivering a stellar performance in auditions ensures that one's talent is recognized. Isaac Mizrahi is a creative force with an unparalleled ability to blend fashion, entertainment, and art. He has left an indelible mark on each field he touches, and his journey from the vibrant streets of Brooklyn to the glittering stages of Broadway and the forefront of fashion innovation has been nothing short of extraordinary. With a decades-long career, he has become a household name known for his sharp wit, bold designs, and magnetic personality. Whether behind the scenes or in the spotlight, he has consistently pushed boundaries and redefined what it means to be a modern-day Renaissance man. He can be seen performing at 54 Below from August 28th through 31st. Connect with Isaac: Website: https://www.isaacmizrahi.com/ Instagram: @imisaacmizrahi Isaac Mizrahi: A Brief History at 54 Below: Get tickets here Connect with Heather Vickery and the Was it Chance podcast: Slip into our Instagram DMs at @wasitchance More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files More about Was It Chance using bpn.fm/wasitchance Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Few musicals have captured the hearts of audiences quite like Disney's ALADDIN. But did you know the beloved stage adaptation of the classic animation almost never came to be? This podcast pulls back the curtain on the untold story of ALADDIN's journey from conception to Broadway triumph. Join 11-time Emmy Award winning entertainment journalist for NY1 and NY1OnStage host Frank DiLella on an in-depth exploration that begins with the initial spark of a stage adaptation. We'll delve into the challenges faced during out-of-town tryouts, the unwavering determination to overcome them, and the celebration of reaching over a decade on Broadway – a remarkable feat in the world of musical theatre. This captivating series features exclusive conversations with the original cast and creative team behind ALADDIN including Alan Menken, Casey Nicholaw, James Monroe Iglehart, Adam Jacobs, Courtney Reed, Sonya Balsara, Adi Roy and more as they recount their experiences with the show. Whether you're a lifelong Disney fan, a theatre enthusiast, or simply captivated by the magic of storytelling, this series is a must-listen. Unveil the untold story of ALADDIN and discover the passion, resilience, and drive that created a Broadway sensation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sophie reflects on her remarkable journey from a passionate young dancer in the UK to a celebrated triple-threat performer on London’s West End and New York’s Broadway. She recounts her early dedication to dance, including her practice sessions in a local church hall and self-recorded rehearsals for critique. This unwavering commitment laid the foundation for her illustrious career, which began in the West End and culminated in her Broadway debut. Sophie provides an insightful look into her audition process for “Moulin Rouge!” conducted via Zoom during the pandemic. She shares how she impressed director Alex Timbers with her fresh and dynamic interpretation of the role of Nini. Additionally, she discusses her transition into television and film, highlighting her significant milestone of securing a non-musical acting role in the UK soap opera “Casualty,” which demonstrated her versatility beyond dance and singing. Sophie also delves into the camaraderie of performing in productions like “Moulin Rouge!” where the cast becomes a close-knit second family. She contrasts her experiences working in the UK and the US, addressing the challenges of accessibility and financial concerns faced by performers. With her deep passion for the craft, Sophie offers valuable advice to aspiring performers: to push beyond their comfort zones and maintain a balanced life that includes both professional growth and personal enjoyment. Sophie Carmen-Jones has appeared in several West End productions and UK tours, including “Moulin Rouge!”, “Jersey Boys”, “Wicked”, “We Will Rock You”, and “Chicago”. Her film and TV credits include the live-action films of “The Little Mermaid”, “Cats”, “Aladdin”, and “Beauty and the Beast”, and she recently made her Broadway debut in the Broadway production of “Moulin Rouge!” as Nini. Connect with Sophie: Instagram: @sophiecarmenjones Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

David Harris is an Australian actor who somehow found himself moving from architecture school to the bright lights of Broadway. He shares his early passion for architecture and how he pivoted to a career in performing arts just three days into his studies. He looks back on his journey, including participating in talent quests at RSL clubs in Australia and having friendly competitions with Broadway performer Ricky Rojas. Being in the workshop and eventually being cast in "The Boy From Oz" marked a significant turning point in his career and what he considers his claim to fame. He reminisces about his experience working with Hugh Jackman in the show, and a memorable commercial shoot with him just before New York shut down for COVID (click here to watch). David reflects on the differences in how musical theatre is perceived in Australia, the UK, and the US, his personal experiences with it, and his frustrations with the lack of recognition for musical theatre actors in Australia compared to Broadway performers in the US. He emphasizes the critical importance of swings and understudies in theatre, and his gratitude for them in keeping the show running smoothly. While he’s already managed to prove naysayers wrong, David has no plans on stopping when it comes to the pursuit of growth and constant learning. David Harris is a native of Australia, where he's one of the most acclaimed leading men of his generation. In the US, he has received critical praise for his performance of Dan in TheatreWorks’ “Next to Normal”. He starred as Jean Valjean in the Connecticut Repertory Theatre production of “Les Misérables”, which was co-starred and directed by Tony Award winner Terrence Mann. He starred as Billy Crocker in Goodspeed's production of “Anything Goes” and as Father in Barrington Stage Company's “Ragtime” in 2017. He originated the role of Max Bronfman in Stephen Schwartz's new production of “Rags” at Goodspeed Opera House. After playing the role of the Duke on the first national tour of “Moulin Rouge” in 2022, he can now be seen playing the same role in “Moulin Rouge” on Broadway. Connect with Brian: Website: www.davidharrisofficial.com Instagram: @davidharrisoz Watch David with Hugh Jackman Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Stokes Mitchell is a two-time Tony Award-winning actor who has always thought the universe chose him. Born on Halloween when “people dress up in costumes and pretend to be other people”, the stars have indeed decided. Aside from performing, he also writes, dances, produces his own music, and orchestrates, but out of all the things he can do, his best quality is being a really good student. He details his latest project, “HOPE”, realizing that sometimes creative works have their own timing - this video dropping exactly when we need to hear it the most. He presents a profound metaphor about life as a "long sentence" full of commas rather than periods, and what his “dead questions” are. With an upcoming role in “3 Summers of Lincoln” at the La Jolla Playhouse, he recounts how the project deeply resonated with him upon reading the script. Aside from all his projects, he always makes sure to give back to the community–from being chairman of the board for the Entertainment Community Fund for 19 years to providing entertainment from his balcony during the pandemic. Stokes shares how curiosity continues to motivate him, and why we should follow our heart in all our endeavors. Brian Stokes Mitchell is a two-time Tony Award-winning, Drama Desk Award-winning, and Outer Critics Award winning actor. He is renowned for his powerful baritone voice and dynamic stage presence with standout performances in Broadway productions like “Ragtime”, “Kiss Me, Kate”, “Man of La Mancha”, and “Shuffle Along”. He's become a celebrated figure in musical theater, but beyond Broadway, he has showcased his talent on television, including shows like “Vampirina”, “Wolverine”, “Billions”, “Mr. Robot”, and of course, “Trapper John, M. D.” He's also recognized for his philanthropic work, particularly for his 19 years of serving as chairman of the board for the Entertainment Community Fund, and is a member of the Theater Hall of Fame since 2016. Connect with Brian: Website: www.brianstokes.com Facebook: @bstokesmitchell Instagram: @brianstokesm Youtube: @brianstokesmitchell7280 X: @bstokesmitchell Listen: Brian Stokes Mitchell - HOPE (feat. Jason Robert Brown) “3 Summers of Lincoln” at La Jolla Playhouse What’s Possible When the Arts Belong to Everybody | Lear deBessonet with Brian Stokes Mitchell | TED Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

André Ward never played house when he was little, but he always played “New York City Apartment”, and with impressive Broadway credits, he can fully say he’s finally living in the midst of his dream. Growing up a “talkative” child, his teacher recommended he might need to find a way to work out some of his excess energy, and so they sent him to a children's theater company and hasn’t stopped performing since. He also delves into the challenges of transitioning between theater and film, highlighting the differences in performance styles required for each. Currently playing as Toulouse-Lautrec in "Moulin Rouge! The Musical," Andre takes glee in the opportunity to showcase both his comedic and emotional range. He opens up about his fears and aspirations regarding directing and writing, his dream of playing a sci-fi character, and why he continues to strive for balance between work and his personal life. André Ward is a seasoned Broadway actor with an impressive Broadway resume dating back over 24 years or so, beginning with “Saturday Night Fever”, “Xanadu”, “Rock of Ages”, “Something Rotten”, and “Escape to Margaritaville”. He has five national tours under his belt, including performing as the leading player in “Pippin”, as well as numerous regional credits. His TV and film credits include “Masters of None”, “Broad City”, “Elementary,” and “High Maintenance”. He can be seen now as Toulouse-Lautrec in “Moulin Rouge! The Musical” on Broadway, which just celebrated its 5th Anniversary. Connect with André: Instagram: @theandrelward Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally aired as episode 276 on July 18, 2023. Conrad Ricamora is a talented actor known for his roles on Broadway and his portrayal of Oliver Hampton in the hit TV series "How to Get Away with Murder." He shares his insights as they delve into his background, including his family's journey from moving to the U.S. to growing up in military bases, and how he got into acting and theater. Conrad discusses the significance of "Here Lies Love," a groundbreaking Broadway production featuring an all-Filipino cast, and shares his experiences with the show, including how it explores the intertwined history between the Philippines and America. He also looks back on how he auditioned and got involved with it 11 years ago. The discussion expands to the challenges of performing on Broadway, the staging of "Here Lies Love," and the unique experiences of interacting with the audience up close. Conrad reflects on the current state of democracy and political issues, drawing parallels between historical events and the fragility of democracy today. From sharing personal anecdotes to addressing important social issues, Conrad's passion for his craft shines through as he tells what motivates him as an actor: storytelling and connecting through stories. Conrad Ricamora is an actor best known for his role as Oliver on the ABC network hit “How to Get Away with Murder”. His TV and film credits include “Fire Island”, “Over the Moon”, Talladega Nights: The Ballad of Ricky Bobby”, and “The Light of the Moon”. His stage credits include “The King and I”, which was his Broadway debut,” Little Shop of Horrors”, “Soft Power”, and numerous plays penned by Will Shakespeare. He is a 2016 Human Rights Campaign Visibility Award recipient and 2017 Equality California Award recipient. He can now be seen in the Broadway hit, “Here Lies Love”, reprising his role of Ninoy Aquino, which he developed 11 years ago in the original Off-Broadway Workshop. Connect with Conrad: Instagram: @conradricamora TikTok: @conradwaynericamora Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in a family deeply entrenched in the arts, Lori Alan naturally gravitated towards the stage and microphone. Her parents were theater majors who later ventured into advertising and directing, so it’s no surprise that growing up in a creative environment played a pivotal role in shaping her career path. She looks back on the early stages of her career, including a Shakey's Pizza commercial she starred in that marked her initial foray into professional acting at the age of 5. Despite getting bullied for her unique voice, she chose to embrace her talent instead. After studying and pursuing a career in acting in New York, she decided to move to LA to explore new opportunities. This marked the beginning of her extensive work in voice acting, including iconic roles in "SpongeBob SquarePants" and "Family Guy". She shares how she honed her skills, her ability to adapt to different genres, and where she usually draws inspiration from in bringing characters to life. Lori also talks about her time in “Reefer Madness”, the show’s success, and a memorable moment when she met Warren Beatty, who had once shown interest in her mother. Beyond her acting and voice career, she is also a dedicated voice acting coach, emphasizing the importance of studying the craft, being in the moment, and giving your all in whatever you do. Lori Alan is an award-winning actor, writer, producer, and coach who fell out of the womb sitting in front of a microphone. She is the voice of Pearl Krabs on the “SpongeBob SquarePants” animated series and among many other roles has brought to life Diane Simmons on “Family Guy”, Sue Richards aka The Invisible Woman on “The Fantastic Four”, and The Boss on the “Metal Gear Solid” video game series. She originated the role of Mae Coleman in the award-winning musical “Reefer Madness” in 1988, and is now reprising the same role in the current LA production. Connect with Lori: Website and VO Coaching: https://www.lorialan.com/ Instagram: @loritalk4 X: @LoriAlan1 Reefer Madness Tickets: https://reefermadness.com/ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexi Melvin is making significant strides in the Broadway community as a producer in shows like "Here Lies Love," "The Outsiders," and "The Notebook". She highlights the struggle of balancing commercial success with artistic bravery, advocating for more support for innovative and risk-taking productions. Growing up with a professional baseball playing dad, she looks back on her journey to finding her calling, how she developed a love for the arts thanks to her mom, and the unwavering support she got from both parents along the way. With almost 100k followers on TikTok, she reflects on her experience with social media, transitioning from queer relatable content to theater-focused posts, and how her audience has positively received this shift. She also delves into the role of social media in modern theater marketing, and how shows like "The Outsiders" leverage platforms like TikTok to reach more audiences. As more and more shows feature queer stories and diverse casting like "The Notebook" and "Illinois", she stresses the need for more queer representation on stage and the challenges of achieving this in an industry dominated by big-budget musicals. Alexi opens up about her journey with pronouns and gender identity, sharing her transition from they/them to she/they and the importance of creating a safe environment for self-exploration. Whether it’s producing or posting on social media, she encourages aspirants to channel their “fan girl energy” and not shy away from doing what you're a fan of. Alexi Melvin is a multi-Tony Award-nominated Broadway producer for her work on “Illinois” and “The Outsiders”. She has also done work on the producing teams of “Here Lies Love” and “The Notebook”. A writer and actor who takes the term multi-hyphenate to an all-new level, she is a proud member of and advocate for the LGBTQ-plus community and is deeply involved with type one diabetes organizations such as JDRF and Beyond Type 1. She has notable voice work in “Rogue One: A Star Wars Story” and “Star Wars: The Last Jedi”, onscreen appearances in “Time Out of Mind”, and “Quarter”, and a significant presence as an LGBTQ-plus creator on TikTok with almost 100,000 followers. Connect with Alexi: TikTok: @theonlylex Instagram: @thealexijames Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

From loving TikTok to enjoying cold readings playing “delightfully stupid” characters, Mary Testa is a talented actress who’s “not on a stardom path and never will be”. She starts off where her acting journey began: choosing between law school and performing. Ultimately, she pursued the latter and eventually moved to New York in 1976, explaining why she just likes working on interesting things with people she loves. She discusses self-taping auditions during the pandemic, and that while she believes it's better to be in the room for auditions, she understands the preliminary role of self-tapes. Known for playing strong-willed characters, Mary reflects on her career as a character actress. She recalls asking Michael John LaChiusa to write a role for her as “a very stupid character”, challenging the usual type casting she gets. She also admits to loving cold readings, the spontaneity, and the challenges that come with them. Reflecting on her journey, she gets real as she talks about perfectionism, how insecurities can lead to tyrannical behavior, and why self-awareness and being comfortable in your own skin is important to keep you grounded. Mary Testa is an actress with a phenomenal career spanning almost 50 years, which includes 12 Broadway shows such as “Oklahoma!”, “42nd Street”, and “On the Town”, resulting in her three Tony Award nominations. Her TV and film credits beginning in 1979 include “Cagney & Lacey”, “Sex and the City”, “Whoopi”, “The Battery's Down”, “Eat, Pray, Love”, and “The Good Fight”, “The Blacklist”, and many, many more. She's been a part of the “Ratatouille”, the TikTok musical, and is an experienced voiceover artist. She can be heard in the podcast comedy TWITS: A Streampunk Distraction available everywhere you find your podcasts. Connect with Mary: Instagram: @marytesta.actress Listen to TWITS: http://bpn.fm/twits Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Fontana admits that her need to feel like she’s in control impacts her journey in balancing her professional and personal life. Her passion for performing arts began with ballet, which eventually set the stage for her career in musical theater. While Jessica’s mom highly supported her artistic endeavors, her father initially wasn’t. She talks about her college experience at the University of Michigan and its role in shaping her career and changing her dad’s mind. Married to fellow actor, Santino Fontana, she recalls how they met at Birdland Jazz Club, recounting how he left before they could get a drink together, only to friend her on Facebook later that night, slipping into her DMs. Jessica explained her shift from performing regularly to creating her album, "Every Day Special" – a transition that allowed her more control over her creative work and schedule, reflecting her desire for creative autonomy and finding joy and fun in whatever she does. Jessica Fontana is an actress, and the writer, host, co-creator, and co-executive producer of “Everyday Special”, an improvised satirical podcast. She has starred on Broadway in the title role of Rodgers and Hammerstein’s “Cinderella”, “Baby It's You”, and “Pipe Dream” in New York City Center's Encores! Series. She's been seen in the hit web series “Submissions Only”, and has starred in the world premiere productions at regional theaters, including the Goodspeed Opera House, Paper Mill Playhouse, Signature Theater, and Carnegie Hall. Also a songwriter, she recently released her solo debut album, “Every Day Special”. Connect with Jessica: Website: www.jessica-fontana.com Instagram: @iamjessfontana Listen to “Every Day Special” Album Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen in behind the scenes with this special episode featuring media room speeches from 2024 Tony Award winners Shaina Taub, Dede Ayite, Tom Scutt, George C. Wolfe, Justin Peck, Ryan Rumery, Nikiya Mathis, Will Brill, Kara Young, Daniel Radcliffe, Kecia Lewis, Branden Jacobs-Jenkins, Sarah Paulson, Jonathan Groff, and Maleah Joi Moon. Guest hosted and edited by fellow Broadway Podcast Network host Sarah Goodman! Make sure to check out her podcast too. Connect with GOOD SHOW: Listen and follow the podcast at http://bpn.fm/goodshow Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

"I love this show and I love this production. This production was so much fun because it spans all theater fans, all ballroom fans, and just people who want to go have a good time will like this." This bonus episode is a recap of "CATS: The Jellicle Ball" featuring Mike and Alan Seales of the Theatre Podcast recorded immediately after seeing a preview of this incredible production. This episode contains a few spoilers about the show but gives a breakdown of the what to expect when you enter the PAC. Mike and Alan give the production high praise and rave about it from start to finish. Be sure to check out this Jellicle masterpiece during their limited run. Check out The Theatre Podcast on Instagram: @theatre_podcast Check out The Theatre Podcast on Tik Tok: @thetheatrepodcast Check out The Theatre Podcast's Website: bpn.fm/ttp Get your tickets to CATS: The Jellicle Ball: pacnyc.org/whats-on/cats-the-jellicle-ball Produced by: Alan Seales & Broadway Podcast Network Instagram/Twitter/Tik Tok: @TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

Currently captivating audiences as Jay Gatsby in the Broadway production of “The Great Gatsby”, Jeremy shares insights into his career, both on stage and screen as we join him for a special press event discussing the upcoming pro-shot release of “Bonnie and Clyde”. After initially performing B&C on Broadway in 2011. He shares the differences between the Broadway and West End productions, especially the challenges of maintaining continuity in his costumes during the filming process, admitting that the lack of tech rehearsals with costumes led to some fun on-the-fly decisions. He also shares his favorite moment in the production, specifically "Bonnie," a solo he performs on the ukulele that makes him feel like a musician. Jeremy Jordan is an incredibly versatile and dynamic Tony Award-nominated performer, and is currently captivating audiences as Jay Gatsby in the Broadway production of “The Great Gatsby''. He has established himself as a prominent figure in both theater and television, with credits such as “Waitress”, “Newsies”, “American Son”, “The Last Five Years”, “The Flash”, and “Supergirl” among others. Fans are eagerly anticipating the upcoming pro-shot release of “Bonnie and Clyde” on June 24, 2024, where he will once again bring his extraordinary talent to the screen in the beloved musical. Connect with Jeremy: Website: www.jeremy-jordan.com Instagram: @jeremymjordan Pre-order Bonnie and Clyde tickets: bonnieclydelive.com Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to a crossover episode of "Was it Chance" where Alan Seales and Heather Vickery peel back the layers of serendipity to uncover the hard work and opportunities behind what looks like mere chance. In today's episode, we bring you a conversation with the extremely handsome and talented Andy Mientus, a true maverick of the stage and screen. From accidentally becoming one of Broadway's first social media managers to his heartwarming experience with Dolly Parton on the set of Heartstrings, and one amazing Broadway production credit after another, Andy's journey is one you don’t want to miss. Andy shares with us his belief in staying proximate to your aspirations, even if the connection seems tangential, and how this philosophy led him to astounding opportunities—like touring with Spring Awakening and soaking in the Wicked Tour which felt like a "warm bath.” We're also have some juicy revelations—such as Alan Seales' surprising stance on Sondheim, the unexpected significance of The Met Gala for the theatre community, and the personal tales of failure that Andy calls his "close friends," teaching him resilience and the art of bouncing back. Moreover, Andy gives us a glimpse into his life beyond the stage lights. As a best-selling author of YA books and an actor who's not shied away from portraying significant LGBTQ+ roles, like the openly Gay character Hartley Rathaway in The Flash, Andy is a testament to the diverse avenues of artistic expression. Connect with Andy on Instagram. Get his books The Backstagers series: Backstagers and The Ghost, Backstagers and The Theater of the Ancients, Backstagers and the Final Blackout as well as his latest book, Fraternity. Make sure to follow this podcast everywhere you find podcasts, leave a rating and a review, and slip into our Instagram DMs at @wasitchance. More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Eden Espinosa’s performance as Tamara in “Lempicka” garnered her a Tony Award nomination for Best Actress in a Musical…and she’s not guilty about it. She highlights both the triumphs and tribulations of her career – from being a part of Colby's Clubhouse and working at Disneyland when she was young to dealing with rejections and criticisms. Maybe best known for her role in “Wicked”, she shares how she got involved with the show (thanks to fellow Disney performer Stephanie J. Block) and why chose to be a standby over understudy. She delves into her recent role in the musical "Lempicka", how she auditioned for the part, and why ever since then, she made sure it was in her contract that if she had to be replaced, they’d have to pay her. She opens up about the challenges faced by the production, including dealing with its unexpected closing. She reflects on the importance of authentic representation, particularly in portraying queer characters, and the responsibility she feels to honor such roles. Eden shares a memorable interaction with an audience member during the show’s final performance, where she broke character to address a disruptive phone use incident. Despite the show’s sudden closing, Eden’s motivation to connect with others in any way, shape, or form is definitely not going anywhere. Eden Espinosa made her Broadway debut in 2003 in the original cast of “Wicked” as the Elphaba standby and Nessarose understudy. She also garnered critical acclaim playing Elphaba full-time in the sit-down productions in Los Angeles and San Francisco. She originated the lead role in the show “Brooklyn” in 2004, before going on to the closing company of “Rent” as Maureen in 2008. She graced the screen with roles in shows like “Rapunzel's Tangled Adventure”, and “Alice's Wonderland Bakery” for which she earned an Emmy nomination for her portrayal of Queen of Hearts in 2022. She has two complete solo albums to her name, “Look Around” and “Revelation”, and most recently, her performance in the world premiere of “Lempicka” garnered her a Tony Award nomination for Best Actress in a Musical. Connect with Eden: Website: www.edenespinosa.com Instagram: @edenespinosa Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Dorian Harewood's career journey is anything but ordinary, and he's got three wonderful women (and luck) to thank for it. And after over 45 years, he’s back on the Broadway stage as Older Noah in “The Notebook”. He shares what made him want to come back, owing it to his manager who pushed him to audition for the role. With almost 200 credits under his name, he looks back on what got him to performing – from starting as a singer and auditioning for a four-year scholarship as advised by his teacher to moving to New York at 22 and doing a musical with the legendary Bette Davis, who also became his acting mentor. He looks back on his first acting role, “Don’t Call Back”, and why even though the show opened and closed the same night, it led him to even better opportunities. Being in an industry inherent to rejection and hardship, he discusses the necessity of having hobbies outside of one's profession and pursuing one's passion to help navigate life's challenges. Aside from theater, he actually has more passions: bowling, pool, and blackjack and shares the importance of respecting passions other than theater, whatever they may be, in order to stay happy and healthy. Currently starring as Older Noah in Broadway’s “The Notebook”, he talks about the challenge of keeping performances fresh for the audience and the communal experience live theater offers. With so many accomplishments and lasting legacy to leave behind, Dorian isn’t done learning new things. He shares his philosophy of viewing every day as a "birthday" and a new beginning, expressing gratitude for life itself. Dorian Harwood made his Broadway acting debut in the 1971 production of “The Two Gentlemen of Verona”. His additional Broadway credits include “The Mighty Gents”, “Streamers”, and “Don't Call Back”. He pivoted to TV and film for almost the next 50 years, racking up a total of 187 credits on IMDb. His film credits include “Gothika”, “Levity”, “Pacific Heights”, and “Full Metal Jacket”. His TV credits include “7th Heaven”, “Criminal Minds”, “Twelve Angry Men”, and “The Roots: The Next Generations”. He's a voiceover artist for cartoons and video games and is now a Tony-nominated actor for his role as Older Noah in “The Notebook” on Broadway, which also happens to be his first time back on the Broadway stage since 1978. Connect with Dorian: Website: www.dorianharewood.com Instagram: @officialdorianharewood YouTube: officialdorianharewood Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

If there’s one lesson to take away from Rick Elice’s life story, it’s to never say no to a free lunch. He shares anecdotes from his past, including childhood memories of seeing theatre productions that got him to pursue acting and getting fired for his first Broadway show as an actor. While he’s always loved theatre, Rick also looks back on the beginning of his advertising career, which happened at a musical’s opening night at the Public Theatre where he found himself standing next to Matthew Serino. With so many successful stints and an amazing career trajectory, he likens himself to a pinball, getting flipped from one project to the next. Having written the book for Broadway’s “The Addams Family”, he recalls the show’s timeline and why the national tour became a much more successful version of the story then they had originally written. He talks about his latest work, “Water for Elephants”, and the show’s universal themes of belonging and loss. He reflects on his personal experiences, including grief over the loss of his partner that deeply influenced his approach to writing the musical – emphasizing the importance of storytelling as a way to connect with the audience and to provide comfort to those who feel marginalized or unheard. Ultimately, he talks about his motivations and inspirations in life, citing the beauty of the world and his sense of his own unimportance as the main ones. Rick Elice is a four time Tony Award nominated author, a playwright, an actor, a teacher, and an entrepreneur who has been involved in the Broadway scene in one form or another since 1979. In 1982, he became the creative director of Serino Coyne, Inc., one of the top theatrical marketing agencies in New York, and then became a creative consultant for the Walt Disney Studio from 1999 to 2008. His first Broadway credit as a book writer aka playwright was “Jersey Boys”, which opened in 2005, and led him to write the stories, the books for the Broadway shows of “The Addams Family”, “Peter and the Starcatcher”, “The Cher Show”, and now, “Water for Elephants”, which just nabbed him his fourth Tony nomination. Rick is also writing the books for “The Princess Bride” musical, and “Smash” musical, among others. Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Liza lovers, this episode is for you! We had the incredible Bruce David Klein, director of the brand new documentary, "LIZA: A Truly Terrific Absolutely True Story," in the virtual studio dishing all about the film and the legendary Liza Minnelli herself. The first and only documentary Liza has personally approved and allowed herself to appear in, Klein pulls back the curtain on Liza's life and career, from her childhood under the spotlight with Judy Garland to her own meteoric rise and the challenges she's faced along the way. This is an exclusive look you won't want to miss! Tune in for behind-the-scenes secrets, never-before-heard stories, and all the reasons why we adore Liza Minnelli. See the world premiere of the documentary at the 2024 Tribeca film festival: https://tribecafilm.com/films/liza-a-truly-terrific-absolutely-true-story-2024 Emmy-nominated filmmaker Bruce David Klein is a force behind some of your favorite documentaries and television shows. Founder of Atlas Media Corp., Klein has directed, written, and produced across various platforms. Whether it's exploring the eccentric world of rock legend Meat Loaf or diving into the high-stakes world of finance with "Icahn: The Restless Billionaire," Klein consistently brings captivating stories to life. Connect with Bruce Get tix to see the film IG: @atlasmediacorp Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

For Tony Award winner Maryann Plunkett, she will always be a shy person. But thanks to theatre she's learned how to enter a room and own it. Currently playing as Older Allie in the Broadway adaptation of "The Notebook," Maryann delves into her approach to embodying the character, the collaborative process with her co-stars and director, and the importance of observing her fellow actors to create a seamless portrayal of Allie across three different ages. With previous experiences on Broadway, she notes that her last starring role in a Broadway musical was in 1987. She reflects on her decision to return to musicals, and how she resonates with “The Notebook”, seeing her role as a way to honor her mother who lived with dementia and showcase the importance of entering the world of those affected rather than dismissing their experiences. Maryann gets more personal as she talks about her family, how she met her husband on an episode of a television show, and their first kiss… which was actually scripted and caught on film. Growing up shy, she opens up about overcoming her struggles through theatre, and “the power and strength in living one's life in a way that one can be proud of.” Maryan Plunkett is a celebrated actress and singer who has captivated audiences on both Broadway and the screen for decades. Her career began on the prestigious stages of New York, most notably with her Broadway debut as Sister Agnes in “Agnes of God”, but it was her portrayal of Sally Smith in “Me and My Girl” that truly launched her into the spotlight and earned her a coveted Tony Award for Best Performance by an Actress in a Leading Role in a Musical in 1987. She has delivered powerful performances in plays, including but not limited to Arthur Miller's “The Crucible”, “Sunday in the Park with George”, replacing Bernadette Peters, “A Little Hotel on the Side”, “The Master Builder”, and “A Man for All Seasons”. She also spent 12 years doing Richard Nelson's “Rhinebeck Panorama”. Her TV and film credits include “Bull”, “Chicago Med”, “Little Women”, “Blue Valentine”, “Dr. Death”, and “Manifest”. She can now be seen as Older Allie in “The Notebook” on Broadway, which just nabbed her another Tony award nomination. Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Four time Tony Awards nominee David Korins lets us into his world as he talks about his creative process and the intricacies of set design. He shares insights into his work's detailed and often granular nature, emphasizing the importance of even the smallest elements in creating a believable world for actors and audiences alike. He discusses set design for complex productions like “Beetlejuice”, and how he and director Alex Timbers viewed the house as a character itself, which led to numerous model versions to perfect the design. For “Hamilton”, he recounts starting with imaginative sketches and how the final design emerged through collaboration and feedback. While it might not make sense to the audience at times, David underscores the importance of (unseen) detailed set elements, and how they play an important role in helping actors perform authentically. He reflects on coming up with set designs for different mediums and finding new techniques to make his visions come to life, highlighting the evolving role of technology in set design and using Dear Evan Hansen and “The Who’s Tommy” as examples. With countless visions realized, David reveals that ultimately, he gets his motivation from the desire to help others realize their own. David Korins is an internationally recognized award-winning creative director and designer responsible for creating 360-degree, fully immersive, holistic experiences for some of the biggest stars, brands, and events worldwide and in theatre and Broadway. He brought to life the environments for smash hits like “Hamilton”, “Dear Evan Hansen”, “Beetlejuice”, and “Mrs. Doubtfire”, among many others. He's worked as a creative director for Mariah Carey, Kanye West, Lady Gaga, Bruno Mars, Sia, and Andrea Bocelli to bring their musical visions to the stage. His film and TV experience includes series on HBO, CBS, Bravo, IFC, and PBS. He received the 2016 Primetime Emmy Award for Outstanding Production Design for a Variety Special for “Grease: Live”. His scenic designs were seen last season in the play, “Just for Us”, and this season's “Here Lies Love” and “The Who’s Tommy”. Connect with David: Instagram: @davidkorins Twitter: @DavidKorins Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to her competitiveness in sports and being a “terrible loser”, Hannah Cruz found her way into performing and theatre. She shares insights into her journey, including going viral on YouTube and getting asked to audition for “Legally Blonde”, and eventually moving to New York. She opens up about the pressures of performing, including the constant self-doubt and anxiety she experiences, her struggles with perfectionism, and the internal battle to find validation in her work. Having played complex characters such as Eliza in “Hamilton”, and Robin in “The Connector”, she sheds light on the emotional depth required to portray them, the research process involved in preparing for these roles, and the personal connections she has forged with her characters. As someone who learned from her co-actors’ tough love, Hannah believes that for musical theatre, you don’t necessarily have to go to school to be the best. Currently making her Broadway debut as Inez Milholland in “SUFFS”, she shares how it differs from pre-Broadway, why silence is essential (and powerful) in a show, and the importance of providing the most truthful performance to the audience. Hannah Cruz was most recently seen in the off-Broadway production of “The Connector”. Her additional off-Broadway credits include “Only Gold” and “SUFFS”. On tour and regionally, she was seen in “Hamilton”, “Bullets Over Broadway”, “The Da Vinci Code”, and “Young Frankenstein”. She is now making her Broadway debut in the Broadway transfer of “SUFFS”, playing the incomparable Inez Milholland. Connect with Hannah: Instagram: @thisishannahcruz Twitter: @heyhannahcruz Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Brent Comer caught the theater bug by accident in high school when he signed up for musical theatre class instead of a news casting class – and he hasn’t stopped performing since. While it was cut short for a bit during the pandemic, his passion for performing did not waver. He opens up about his struggles as an actor during the lockdown, learning how to do self-tapes, and why it hurt his heart to see a Zoom musical because the whole magic for him was being present. Currently starring as Daryl Curtis in the Broadway production of “The Outsiders,” he shares insights into his character, Danya Taymor’s unique audition process, and the broader themes explored in the show. Growing up in a household of predominantly male family members, he reflects on the impact of his upbringing on his portrayal of Daryl, highlighting the character's struggle to communicate and be seen authentically. He reflects on the authenticity of human interactions in contrast to what he terms as "robotic pleasantries", and the importance of experiencing life and connecting with others to fuel artistic creativity. Brent Comer is an actor previously seen in the “Les Misérables” National Tour and in the La Jolla production of “The Outsiders”. He just made his Broadway debut as Daryl Curtis at the Broadway production of “The Outsiders,” which was also recently nominated for 12 Tony Awards. Connect with Brent: Instagram: @_brentcomer_ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Schmidt and Alan Seales discussed their experiences in music and acting, including the challenges of pursuing a career in the entertainment industry. Schmidt shared his personal approach to writing music, drawing from his own experiences and emotions, while I emphasized the importance of authenticity and perseverance in the face of hardships. Both speakers highlighted the transformative potential of artistic expression in healing personal struggles. We both shared our experiences as an outsider in various contexts, including high school and a Broadway production of "The Outsiders"' Connect with Jason: IG/TikTok: @jason.s.schmidt Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

A multifaceted talent known for his work as a book writer, composer, and lyricist, Justin Levine delves deep into the creative process behind his works, particularly "The Outsiders" musical adaptation. He draws parallels between his work on that production and his involvement with "Moulin Rouge." He also discusses the balance of honoring the original source material while also infusing the adaptation with a fresh perspective and vision. He shares how the team encourages each other to contribute ideas beyond their traditional roles, emphasizing the collaborative nature of musical theater and describing the process as a relay race. Justin challenges stereotypes about musical theater, arguing that it's a misunderstood art form with deep cultural significance. He highlights the influence of musicals on popular music and culture – as proven when he was asked by Anna Wintour to do the music for the Met Gala to celebrate Broadway coming back. With long credits under his name, he still encourages people to prioritize personal well-being, maintain meaningful relationships, and pursue work that aligns with one's passions above anything else. Justin Levine is a theater book writer, lyricist, music supervisor, and orchestral arranger with Broadway credits that include “Bloody Bloody Andrew Jackson”, “Moulin Rouge!”, and “Here Lies Love”. His additional credits include creating original music for Shakespeare in the Park’s “A Midsummer Night's Dream”, arranging vocals for Vevo x Lorde - Melodrama, music directing “Love's Labour's Lost”, music directing “The Robber Bridegroom” at the Roundabout Theatre, and music directing “Murder Ballad” at MTC and Union Square Theatre. He is now the co-book writer, co-lyricist, music supervisor, and orchestral arranger for Broadway’s “The Outsiders”. Connect with Justin: Instagram: @justinlevine Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

For Brody Grant, his bug for performing all started with his love for Star Wars. He shares insights into his journey from being a shy kid and relating to the original "The Outsiders" book to receiving a Tony nomination for his role as Ponyboy (it’s just destiny!). He reflects on the significance of the book and how it resonated with both him and his mom, one of the most important people in his life. Brody discusses his initial audition experience, feeling uncertain about pursuing acting amidst his focus on music and songwriting. His passion for acting and love for "The Outsiders" persisted, eventually leading to his casting as Soda Pop and later as Ponyboy. Brody highlights the supportive and collaborative environment fostered by their director, Danya Taymor, emphasizing the importance of chosen family and genuine connections among the cast members. He shares moments of vulnerability and bonding during rehearsals, where checking in with one another became a norm, fostering a sense of trust and camaraderie. Nominated for the Tony Award for Best Performance by an Actor in a Leading Role in a Musical, he recalls how he found out about it through his mom, and the overwhelming support he got from his family and friends–proving that “if you continue to water the seed of the garden that you're in, you're going to end up with a forest and it's going to be beautiful.” Brody Grant is a New York-based, multi-hyphenate independent recording artist who has appeared in productions like “Parade” at the New York City Center and “The Outsiders” at La Jolla Playhouse. He just made his Broadway debut in “The Outsiders” as Ponyboy Michael Curtis, which has already nabbed him a Tony Award nomination for Best Performance by an Actor in a Leading Role in a Musical. Connect with Brody: Instagram: @brody_grant TikTok: @brody_grant Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma Pittman’s been “live, laugh, love-ing” dance ever since she was two years old–at least until she discovered in high school that it’s best partnered with acting. She looks back on her “The Search for Roxie” experience, winning and not being able to tell it to anyone right away, and the show getting postponed because of the pandemic. She shares her journey with the production of “The Outsiders”, including her early connection with the show, having read the book and performed in a play adaptation in high school. Emma describes the unique ensemble-based approach of the play and how it resonated with her. One standout moment she discusses is her audition process for the play, highlighting the personal connection established by director Danya Tamor, who prioritized genuine conversations with the actors during the audition process. Emma opens up about her personal experiences, including her life in high school and the challenge of breaking free from preconceived notions. She also talks about the impact of "The Outsiders" on younger audiences, and the profound effect of the show's raw and visceral scenes, particularly the rumble. In an industry where it’s easy to get boxed into a particular type, Emma imparts advice on embracing one's uniqueness and staying true to oneself wherever you go. Emma Pittman is a Mississippi native who graduated from New York City's Wagner College. In late 2019, she won “The Search for Roxie”, an online contest to find the next Roxie for “Chicago” on Broadway. After she won, she made her Broadway debut in 2022, replacing Pamela Anderson. Her regional credits include Janet in the drowsy chaperone and Lola in damn Yankees. She's also a teaching artist, a director, and a choreographer. Her choreography credits include “On the 20th Century,” “In the Woods,” and “The Cradle Will Rock”. She was part of the original cast of Broadway’s “Back to the Future,” and is now making audiences cry eight times a week as Cherry Valance in “The Outsiders”, which just received 12 Tony nominations. Connect with Emma: Instagram: @emmapittmanofficial TikTok: @emmapittmanofficial Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Rick and Jeff Kuperman talk about their roles as choreographers for the Broadway production of "The Outsiders," diving deep into various aspects of the show's creation, from choreography and staging to its technical elements like sound and lighting. The two share how their collaboration with Danya Taymor began, their non-traditional theatre practices, and the story behind “The Outsiders” choreography, particularly the rumble scene. Apart from theatre and directing, Rick and Jeff share their other interests, such as Jeff's appreciation for Russian literature and Rick's fascination with philosophical introspection. With their success, the two reflect on the role of luck and how things aligned for them, the pride they take in their work, and the collaborative aspect of their job, highlighting the importance of teamwork, creativity, and dedication to storytelling. Rick and Jeff Kuperman is a directing and choreographing team with many projects that you've seen on stage and screen. Their recent highlights include co-directing and choreographing the immersive show from the producers of “Sleep No More”, choreographing a new musical adaptation of “The Outsiders”, which just opened, and choreographing “Alice by Heart” which won the Lucille Lortel Award, the Chita Rivera Award, and the Callaway Award for Outstanding Choreography. They've also worked on “Cyrano” with Peter Dinklage, Phish at Madison Square Garden, and choreographed the feature film, “Dicks: The Musical”, which you can find streaming online. Other camera work includes “Living With Yourself” with Paul Rudd, and “Silent Retreat”. Connect with Rick and Jeff: Website: kupermanbrothers.com Instagram: @kupermanbrothers Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the first of many episodes for 'The Outsiders' takeover here on the podcast! Tony Award Nominee(!) Danya Taymor didn’t know that she was going to stick with theater until she was towards the end of her college career. She’s enjoyed being a director (or the captain of the ship, as they say) since then. She recalls doing plays in Duke and why it was a gift that allowed her to try and fail, and hone her directing style. Currently manning the ship for Broadway’s Tony Award Nominated “The Outsiders”, she discusses her experiences leading up to the opening night of the show, her creative process, and the challenges of bringing a beloved story to the stage. As a director, she emphasizes the importance of taking ownership of the collective health of a project and knowing when to stop working on it. She talks about how the show resonates with the younger audiences, her approach to make the show appealing and relatable to the youth, and the warmup they do every day to cultivate a safe space for the actors and crew. Dayna also looks back on her experience directing "Pass Over," the first Broadway show to reopen after the shutdown due to the pandemic. She describes it as an honor and a divine experience, and how it has been a blessing throughout her career. She shares the collaborative nature of directing, the importance of caring for actors' well-being and feeling their energies, and her belief in the healing power of theater. Danya Taymor is a New York-based director who reopened Broadway with the play, “Pass Over”. Her other works include the out-of-town production of “The Outsiders”, Samuel Beckett's “Endgame”, Will Arbery's Pulitzer Prize finalist, “Heroes of the Fourth Turning”, “Evanston Salt Costs Climbing”, and Jeremy O'Harris’ “Daddy”. She's the recipient of the Joan Cullman Award for Extraordinary Creativity from Lincoln Center. Her latest credit is the Broadway production of “The Outsiders”, which just opened at the Jacobs Theater. Connect with Danya: Website: about.me/danyataymor Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Full list of 2024 nominees here: https://www.nytimes.com/2024/04/30/theater/tony-awards-nominations.html Find more of The Theatre Podcast at http://bpn.fm/ttp Best Musical - Hell's Kitchen - Illinoise - The Outsiders - Suffs - Water for Elephants Best Play - Jaja's African Hair Braiding, Author: Jocelyn Bioh - Mary Jane, Author: Amy Herzog - Mother Play, Author: Paula Vogel - Prayer for the French Republic, Author: Joshua Harmon - Stereophonic, Author: David Adjmi Best Performance by an Actor in a Leading Role in a Play - William Jackson Harper, Uncle Vanya - Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch - Liev Schreiber, Doubt: A Parable - Jeremy Strong, An Enemy of the People - Michael Stuhlbarg, Patriots Best Performance by an Actress in a Leading Role in a Play - Betsy Aidem, Prayer for the French Republic - Jessica Lange, Mother Play - Rachel McAdams, Mary Jane - Sarah Paulson, Appropriate - Amy Ryan, Doubt: A Parable Best Performance by an Actor in a Leading Role in a Musical - Brody Grant, The Outsiders - Jonathan Groff, Merrily We Roll Along - Dorian Harewood, The Notebook - Brian d'Arcy James, Days of Wine and Roses - Eddie Redmayne, Cabaret at the Kit Kat Club Best Performance by an Actress in a Leading Role in a Musical - Eden Espinosa, Lempicka - Maleah Joi Moon, Hell's Kitchen - Kelli O'Hara, Days of Wine and Roses - Maryann Plunkett, The Notebook - Gayle Rankin, Cabaret at the Kit Kat Club Best Performance by an Actor in a Featured Role in a Play - Will Brill, Stereophonic - Eli Gelb, Stereophonic - Jim Parsons, Mother Play - Tom Pecinka, Stereophonic - Corey Stoll, Appropriate Best Performance by an Actress in a Featured Role in a Play - Quincy Tyler Bernstine, Doubt: A Parable - Juliana Canfield, Stereophonic - Celia Keenan-Bolger, Mother Play - Sarah Pidgeon, Stereophonic - Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch Best Performance by an Actor in a Featured Role in a Musical - Roger Bart, Back To The Future: The Musical - Joshua Boone, The Outsiders - Brandon Victor Dixon, Hell's Kitchen - Sky Lakota-Lynch, The Outsiders - Daniel Radcliffe, Merrily We Roll Along - Steven Skybell, Cabaret at the Kit Kat Club Best Performance by an Actress in a Featured Role in a Musical - Shoshana Bean, Hell's Kitchen - Amber Iman, Lempicka - Nikki M. James, Suffs - Leslie Rodriguez Kritzer, Monty Python's Spamalot - Kecia Lewis, Hell's Kitchen - Lindsay Mendez, Merrily We Roll Along - Bebe Neuwirth, Cabaret at the Kit Kat Club Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Jayne Atkinson believes she has this kind of magic superpower of getting what she wants if she puts her attention to it, and she’s got a long list of credits to prove just that. She looks back on her childhood and having an English sensibility (and sense of humor) even though she grew up in America. She credits her high school drama teacher as the one who gave her the foundation of her work, and thinks fellow classmate Michael Greif is her “theatre angel”. Jayne talks about her latest play, "Still," which she stars in alongside her old friend Tim Daly. She shares the story of what made her say yes to the play after receiving the script from Will Rucker, and the show’s themes of love, connection, and the importance of listening to each other. Jayne gets real as she reflects on the impact of technology on human connection, why she thinks “the SAG strike didn’t hit some of the issues it needed to hit”, and the significance of live theater, especially today. With a successful acting career and so many credits under her name, she shares her personal motivations, advising aspirants to prioritize self-care and enjoyment in auditions. Jayne Atkinson is a British American actress who's graced everything from Broadway's grand stages to popular television shows. You might recognize her from her Emmy-nominated role as Karen Hayes on “24” or her powerful performances in “House of Cards” and “Criminal Minds”. Her accolades extend far beyond the screen, including Tony Award nominations for her captivating theater work in the 2000 production of “The Rainmaker” and the 2003 production of “Enchanted April”. Her other TV and film credits include “Parenthood”, “A Year in the Life”, “Gossip Girl”, “Madam Secretary”, and “Death and Other Details”. Jayne is also a three-time Drama Desk Award nominee. She was last seen on stage starring alongside Angela Lansbury in “Blithe Spirit”, and can now be seen in the off-Broadway production of “Still” at the DR2 Theater. Connect with Jayne: Instagram: @jayneatkinsonofficial Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

A lot has changed since Izzy McCalla first appeared in episode 38 back in 2019 and she’s more than happy to share the latest news in her journey – from her early roles to now playing Marlena in "Water for Elephants." She reflects on how each role built her confidence and prepared her for new challenges, her tendency to gravitate towards ensemble pieces, and her ability to go back and forth between the comedic and dramatic genres. Izzy opens up about the challenges of replacing actors in established shows, the pressure of delivering in front of audiences, and the process of finding inner peace and self-acceptance. She shares an important lesson on being funny on stage, and that nothing kills comedy faster than hesitation and anxiety. Currently playing as Marlena in “Water for Elephants,” she talks about the character’s complexities, and her evolving perspective on love, relationships, and self-worth. She also discusses her Haitian heritage and its personal connection to her role, sharing her family's history and how they immigrated to Haiti with the Danish circus. Izzy gets real as she opens up about vulnerability, self-discovery, her tendency to fix others, and the importance of setting boundaries while maintaining empathy as she navigates emotional growth. Izzy McCalla first appeared in episode 38 back in 2019 and our special 150th Pride episode in June of 2021. Since then, she has added more credits, including the Paper Mill Playhouse production of “Clue” and “Hercules”, and “Footloose” at the Kennedy Center, and was part of the closing cast of "Shucked" earlier this year. She’s currently part of the recently opened production of “Water for Elephants” as Marlena. Connect with Izzy: Instagram: @izzymccalla Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew Samonsky believes that Jerry Garcia’s death (yes that Jerry Garcia) may have instigated his performance career in some way. From being a “deadhead” to becoming a Broadway actor, Andrew opens up about his years of following the Grateful Dead and dealing with drug problems that led him to go to rehab. Lost and feeling helpless, he decided to pray to help find his path. He soon received a letter from his old voice teacher encouraging him to pursue a career in singing, and the rest is history. He looks back on his childhood, his love for singing despite being a shy kid, and how, ultimately, theatre and its community are what saved him during his troubled years. Currently playing as Tadeusz Lempicki in “Lempicka”, Andrew shares the story behind his cosmic connection to the show, which goes all the way back to 22 years ago and a random interaction with the Peace Corps. He discusses the challenges and joys of originating a role, the importance of trust and collaboration between actors and creative teams, and the feeling of gratitude for the opportunity to bring characters to life and how it can impact audiences. Andrew Samonsky made his Broadway debut in the 2008 production of “South Pacific” and has additional Broadway credits, including “The Mystery of Edwin Drood”, and “Scandalous: The Life and Trials of Aimee Semple McPherson”. His TV credits include “Madam Secretary”, “It Could Be Worse”, and “Elementary”. He can now be seen as Tadeusz Lempicki in the Broadway production of “Lempicka”. Connect with Andrew: Instagram: @asamonsky Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan Vasquez looks back on his career journey, including living with French acrobats in a seven-bedroom house while doing a show, and eventually booking Hamilton. Playing as many characters as he has in Hamilton was to him just “paid therapy”. Having passed up competing offers to star in Water for Elephants and The Outsiders, he is now starring as Middle Noah in "The Notebook", Ryan opens up about why he chose to be part of the show–believing in its impact and just how it personally hits him hard. He reflects on the various aspects of the show, from having diverse couples portray the different stages of Noah and Allie's relationship to witnessing the audience cry and experience deep emotions during performances. He also discusses the misconception that the show is purely about sadness, noting that it touches on a range of emotions like joy and self-actualization. Ryan also talks about her chemistry with his co-star Joy Woods and how much real life fun they have performing together. Aware that he's stepping into an iconic role, he reveals that he doesn't feel pressured but instead focuses more on the importance of bringing his own authenticity to the character. After all, it’s what motivates him: bringing his “authentic-isms” and self to the world. Ryan Vasquez can probably reenact all of Hamilton on his own having played multiple roles in the ensemble, including Philip Schuyler, Reynolds, Hercules Mulligan, James Madison, George Washington, Marquis de Lafayette, Thomas Jefferson, Aaron Burr, and ultimately, the title role of Hamilton himself. He has been in “Wicked” as Fiyero and other roles, and in Broadway's production of “Waitress”. He can be seen on both the big and little screens in “The Good Fight”, “Curb Your Enthusiasm”, “Tick, Tick... Boom!”, and “In the Heights”. He can now be seen as Middle Noah in the Broadway cast of “The Notebook”. Connect with Ryan: Website: www.ryanvasqueznyc.com Instagram: @itsryanvasquez Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for an extraordinary deep dive inside the most transformative decade on Broadway through gripping behind-the-scenes accounts of shows such as Sunset Boulevard, Rent, Angels in America, Chicago, The Lion King, and The Producers - shows that changed the history of the American theater. Host Michael Riedel, author of the best-selling book Singular Sensation: The Triumph of Broadway, has created a companion podcast featuring his never-before-heard, taped audio interviews with legendary artists from Andrew Lloyd Webber, Stephen Sondheim, Patti LuPone, and so many more. Michael presents the drama behind the decade’s mega-hits and shocking flops, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on. Enjoy Singular Sensation: The Podcast everywhere you get your podcasts or use http://bpn.fm/singularsensation to listen and learn more, and be sure to get the book here: https://amzn.to/4cNdfO3. Learn more about your ad choices. Visit megaphone.fm/adchoices

You don't have as much time as you think you do, so you better be prepared. At least that’s how Joy Woods lives her life. She shares how she caught the acting bug, starting as a dancer but eventually fell in love with theatre and acting. She looks back on her time in “Little Shop of Horrors”, her audition process in “SIX The Musical” and the sisterhood among cast members. She moved around during the pandemic, “broke, alone and free”, realizing that part of her needed that freedom to grow. Now starring as Middle Allie in Broadway’s “The Notebook”, Joy talks about the different aspects of the show, including the depth of its characters, and the unique experience of performing in a production that resonates deeply with audiences while also invoking intense feelings of nostalgia. She reflects on her personal connection to her character, and the things she’s learned about herself in the process. Joy Woods made her Broadway debut in 2022, taking over the role of Catherine Parr in “Six The Musical”. She was part of the ongoing hit production of the off-broadway production of “Little Shop of Horrors,” returning to play the role of Audrey in 2023 after originating the role of Chiffon in the original 2019 revival cast. Her additional credits include the 2020 production of “Mac & Mabel” at City Center on Chorus!, the viral “Ratatouille: The TikTok Musical”, and a 2023 production of “I Can Get It For You Wholesale” off-Broadway, and a 2023 production of “Dreamgirls,” which took place at Raleigh Memorial Auditorium. She has just opened “The Notebook” on Broadway as Middle Allie. Connect with Joy: Instagram: @joynwoods TikTok: @joynwoods Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Cayleigh Capaldi may have the perfect pitch, but she’s not letting perfectionism get in the way of finding who she is as an individual and as a performer. She delves into her background, growing up surrounded by artists, and how it helped her embrace her talents. She also reflects on her role in “Titanique”, the challenges and joys of portraying Celine Dion, including incorporating her own style while honoring the character's legacy, and how the show helped her grow as a performer. Now part of “Figaro: An Original Musical”, she shares her involvement in the musical and the collaborative process behind recording the album. Cayleigh candidly shares her unique vocal abilities, and what actually happens to her throat muscles when she does a whistle tone. Having millions of views and thousands of followers on her social media, she talks about how it all started during the pandemic, and how she eventually found and established her niche–giving her a new and different avenue to be creative and express herself. Cayleigh Capaldi is an actress and singer whose performance career started at the age of three and was recording professional vocals by the age of seven. She had her undergraduate studies in music and East Asian studies at Columbia University and trained in acting and performance at New York University Tisch School of the Arts, AMDA, and AADA. She hosted the “Discovery Channel Europe and China's Hangzhou Global Tour”, and has a massive following on social media where she's known for her incredible riff challenges, harmonies, whistle-tone videos, and perfect pitch videos. Her stage credits include “Tatanique”, “Frozen”, “Macbeth”, “Into the Woods”, and “Little Women” among others. Cayleigh can now be heard leading a brand new world premiere cast recording called “Figaro: An Original Musical”. In addition to her film, TV, and theater credits, Cayleigh has amassed an impressive social media following of over 275K followers. Her fanbase has grown primarily on TikTok, where she has gained over 7 million total likes, 80 million views, and countless viral videos. She is best known for her riff challenges, harmonies, covers, and her musical theater & lifestyle content. Connect with Cayleigh: Website: www.cayleighcapaldi.com Instagram: @cayleigh.capaldi TikTok: @cayleigh.capaldi Learn more about Figaro: An Original Musical: https://www.figaromusical.com/ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

John Tartaglia believes everything happens for a reason, and his career trajectory is a testament to this. He lets us into the world of puppetry and theatre as he shares his experiences, and how he got started in pursuing his “dual dream” of becoming a successful puppeteer and performing on Broadway. He talks about the influence of Jim Henson in his career, how devastated he was when Jim died, and how one earnest letter he sent Jim when he was eight years old led to working for “Sesame Street” as a puppeteer at the age of 16. He reflects on the profound impact of puppetry on audiences, recalling heartwarming moments from doing shows. He also talks about the process of creating characters for shows like “Fraggle Rock: Back to the Rock”, and finding the balance between practical puppetry and CGI. John offers advice to young puppeteers and performers, encouraging them to trust their passion, ignore naysayers, and being as certain in your dreams as possible. John Tartaglia is an Emmy and Tony award nominated actor who began his professional career at age 16 as a puppeteer for “Sesame Street”. His Broadway debut in “Avenue Q” earned him a Tony nomination for originating the dual roles of Princeton and Rod. His other Broadway credits include Lumière in “Beauty and the Beast” and originating Pinocchio and the Magic Mirror in “Shrek The Musical” on Broadway. He has received eight Emmy Award nominations for “Johnny and the Sprites” on Disney Junior, a show that he created, executive produced, and starred in. John is also an executive producer, director, writer, and radio personality. He most recently wrapped filming season two of “Fraggle Rock: Back to the Rock”, and this time he is also the creative supervisor for the whole series. Connect with John: Website: www.johntartagliaproductions.com Instagram: @johnnytartags Facebook: @John-Tartaglia Cameo: www.cameo.com/johnnytartags/book Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Powerhouse actors Cecily Strong and Andrea Syglowski provide insights into their acting careers, and how they navigated life’s complexities throughout their journey. The two talk about the show they currently co-star in,“Brooklyn Laundry”, their admiration for playwright John Patrick Shanley, and the play’s portrayal of women. Cecily opens up about how she relates to the play’s themes, reflecting on her own experiences of loss and self-discovery, particularly the loss of her cousin to brain cancer and the impact it had on her outlook on life and love. This loss inspired her to write her memoir, "This Will All Be Over Soon". She recalls her time on SNL, and what made her shift from comedy to “serious acting”. Andrea shares her love for teaching acting, how she deals with uncertainties. Both recall their motivations for pursuing careers in the theater, highlighting the joy of storytelling and the opportunity to connect with audiences, and perseverance. Andrea Syglowski is an actress who was last seen in “DIG” at Primary Stages. Her additional stage credits include Broadway's “Passover”, off-Broadway’s “Halfway Bitches Go Straight to Heaven” and “queens”. Her TV credits include “Evil”, “New Amsterdam”, “Blue Bloods”, “Elementary”, “The Good Wife”, and “How to Get Away with Murder”. Cecily Strong is best known for her work as a cast member on Saturday Night Live from 2012 to 2022, which garnered her multiple Emmy Award nominations. She was most recently seen on Apple TV's hit musical series, “Schmigadoon!”, in addition to film credits that include “The Female Brain”, the recent “Ghostbusters” reboot, as well as Melissa McCarthy's “The Boss”, “The Bronze”, and “The Meddler”. She made her New York stage debut in 2021 and hasn't looked back since. Together, Andrea and Cecily are 50% of the four-member cast of “Brooklyn Laundry”, a world premiere play written by Tony and Pulitzer Prize-winning author, John Patrick Shanley. Connect with Cecily and Andrea: Instagram: @justcaseylikes Twitter: @justcaseylikes TikTok: @justcaseylikes Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Schele Williams has never been afraid to immerse herself in the thing that she loves in order to achieve what she wants. She reflects on her journey, the motivations and support from her family, and the significance of storytelling in her life, which has led her to where she is today. She shares how she chooses which projects to work on, given her busy schedule, her creative process, and making sure to foster a sense of involvement and connection with her children in whatever she does. She also emphasizes the importance of building relationships throughout her career and creating a supportive network. While she’s accomplished so many things already, Schele opens up about dealing with imposter syndrome, particularly when transitioning to new roles, and how she overcame it. Currently co-directing “The Notebook”, Schele explains the conscious choice to diversify the casting in the show, which aims to make the story more inclusive and relatable to a broader audience. We also dive into her excitement about directing “The Wiz”, its impactful storytelling, how it celebrates blackness, friendship, and courage, and the joy of seeing children in the audience. Schele Williams is a Broadway director who was originally pursuing her dreams of playing with the London Philharmonic Orchestra as a teenager. She eventually became an actor with credits, including both “RENT” and “Aida” on Broadway, leading her to become dance captain for “RENT” on Broadway and an associate choreographer for the tour. She uncovered her true calling to being a director. She associate-directed “Motown the Musical” on Broadway, and is currently working on a stage adaptation of “Hidden Figures”. She is also co-directing “The Notebook” alongside Michael Greif, which just opened on Broadway, and is also solo directing the incoming extremely highly-anticipated production of “The Wiz”, scheduled to open on April 17th at the Marquis Theater–the first black woman to direct a Broadway musical in over 50 years. Connect with Schele: Website: schelewilliams.com Instagram: @schelewilliams Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Ali became enamored by the idea of performing since he was a kid as a way to study the human condition. He looks back on his multicultural upbringing that blends American and Moroccan influences, and his journey into acting and performing, revealing his passion for storytelling. Despite growing up surrounded by artists, he opens up feeling alone at one point when his dad wasn’t fully on board with his dream of pursuing an acting career yet. Playing the lead role in the production of “The Who’s Tommy”, Ali shares his involvement in the show, highlighting his deep dive into the music and ethos of The Who for his role. He also talks about the cathartic nature of performing and the immersive experience of being on stage, as well as its unique format, which eliminates applause during the show to maintain uninterrupted storytelling and for the audience to fully immerse themselves into the story. Ali Louis Bourzgui is one of the industry's newest rising stars who truly embraces what makes him unique. He recently just finished the first national tour of “Company 1st”. He was previously in the national tour of “The Band’s Visit” and originated the role of young amazing Yosef in The Goodman’s World Premiere play, “Layalina”. Apart from that, he’s also an accomplished voiceover artist. You can hear him in the popular podcast, “Quiet Part Loud”, produced by Jordan Peele. He is also a jazz artist, a guitar player, and a songwriter, and you can soon catch him making his Broadway debut in the lead role of Tommy in the upcoming production of “The Who's Tommy”. Connect with Ali: Website: www.alilouisbourzgui.com Instagram: @ali.louis Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Exclusive interviews from inside the 'The Outsiders' rehearsal room on a special, invite-only press junket. Watch the behind the scenes video here: https://www.instagram.com/theatre_podcast/reel/C4mRRe6uoYG/ Hear from: Brody Grant (Ponyboy Curtis) Sky Lakota-Lynch (Johnny Cade) Joshua Boone (Dallas Winston) Brent Comer (Darrel Curtis) Jason Schmidt (Sodapop Curtis) Emma Pittman (Cherry Vallance) Daryl Tofa (Two-Bit Matthews) Kevin William Paul (Bob Sheldon) Dan Berry (Paul Holden) Tilly Evans-Krueger (Ace, Associate Choreographer) Danya Taymor (Director) Adam Rapp (Book) Justin Levine (Book, Score) Zach Chance (Score) Jonathan Clay (Score) Jeff & Rick Kuperman (Choreography) Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Marc Summers believes that if he didn’t have Obsessive Compulsive Disorder (OCD), he wouldn’t be where he is today. He looks back into the humble beginnings of his diverse career, his struggles with severe OCD, battles with cancer, and his resilience that ultimately defined his career journey. Marc highlights the unique aspects of “Double Dare”, how he landed the job, and his creative input in the physical challenges and the show's distinctive nose that’s supposedly modeled after his own. His off-Broadway show, “The Life and Slimes of Marc Summers” written by Alex Brightman and featuring music by Drew Gasparini, showcases his life, including the various challenges he faced throughout, from a car crash where he broke every bone in his face to the stigma of having obsessive-compulsive disorder on his career. It also touched on his early career as a magician and comedian, his experiences at the Comedy Store alongside legends like Dave Letterman and Robin Williams, and the supportive role his wife played in his life and career for over 50 years. He discusses the show's exploration of overcoming obstacles and the theme of perseverance–traits that Marc takes pride in. Director Chad Rabinovitz and composer Drew Gasparini talk about their collaboration on "The Life and Slimes of Marc Summers", including the creative process and thematic elements behind bringing the show to fruition. Chad reminisces about his childhood admiration for Marc, his dream of participating in "Double Dare", and the journey from being a fan to collaborating with Marc, Drew, and Alex Brightman in creating and directing the show. Drew shares how a summer stock production of "Grease" brought him and Marc together, the immersive nature of the production, intertwining the nostalgic elements of "Double Dare" with heartfelt storytelling about Marc's life, and his unique perspective as the composer of the show. Marc Summers is a TV personality, comedian, game show host, producer, and talk show host known from the original “Double Dare” game show on Nickelodeon, and as the host of “Unwrapped” on the Food Network. He was the executive producer for Food Network's “Dinner: Impossible” and “Restaurant: Impossible’, and now he has an off-Broadway, almost one-man show called “The Life and Slimes of Marc Summers” written by Alex Brightman, and with music by Drew Gasparini. Connect with Marc Summers: Instagram: @realmarcsummers Instagram: @drewgasparini Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

A globally renowned actor known for his iconic roles in shows like "Quantum Leap", “Star Trek: Enterprise” and "NCIS: New Orleans," Scott Bakula looks back on his fruitful and diverse career, including his time as Dr. Sam Beckett (Becket?), and some interesting behind-the-scenes details including whether or not that final end screen of the series actually has a typo! With so many changes that occurred post-pandemic, he shares his thoughts on doing self-tapes for auditions, why he thinks it’s become an empty experience, and why it can be limiting and isolating. He talks about his current role in the new Jason Robert Brown musical “The Connector”, his view on journalism after doing the show, and the reason behind their incredibly designed double-raked stage. With his family and the joy of connecting with people as his driving forces, Scott advocates theater as a foundational learning ground for aspiring actors. Scott Bakula is an actor who commanded the leading role of Dr. Sam Beckett in “Quantum Leap” from 1989 to 1993 and has earned him a Golden Globe Award and multiple Emmy Nominations. His other TV and film credits include “Star Trek: Enterprise” where played Captain Jonathan Archer, “American Beauty”, “Necessary Roughness”, “Murphy Brown”, and Ray Romano's “Men of a Certain Age”. Aside from lending his voice to animated series such as “American Dad”, “The Simpsons”, and “Archer”, he also has a Tony Award nomination for his performance in the 1988 Broadway production of “Romance/Romance”. His additional stage credits include “Is There Life After High School” in 1982, “Marilyn” in 1983, and “Three Guys Naked from the Waste Down” in 1985 for which he received a Drama Desk Award nomination. Apart from acting, he’s now showing off his dancing and singing skills eight times a week as Conrad O'Brien in “The Connector”, extended through March 17th at MCC Theater in New York. Connect with Scott: Instagram: @scottbakula Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

A renowned choreographer, director, and educator, Camille A. Brown gives us a rundown of her artistic journey and the challenges and triumphs she faced in the world of dance and theatre. She looks back on her early experiences and influences, particularly her introduction to dance through her mother. From concert dance to musical theatre, she reveals how she got the courage to pursue her passion despite facing skepticism and stereotypes as a black female choreographer in a field dominated by males, including reaching out to mentors like Diane McIntyre and Marlee Ciorri for guidance. Camille’s Broadway directorial debut with “for colored girls who have considered suicide / when the rainbow Is enuf” was a success, earning her Tony nominations for Best Direction and Best Choreography. She shares her emotional journey working on a beloved work and the value of staying true to your artistic vision. Her latest project, "Hell's Kitchen: The Musical" opens up new challenges and opportunities for Camille, such as her approach to the choreography and working with Alicia Keys' music. With her continuous success, she imparts simple but valuable advice to aspiring artists: to believe in the possibility of all things. Camille A. Brown is a widely acclaimed choreographer, director, educator, and storyteller. She has a total of 62 award honors to her credit so far, including three Tony Award nominations. Her 2016 TED-Ed talk, “Camille A. Brown: A Visual History of Social Dance in 25 Moves” was chosen as one of the most notable talks of the year by TED curator Chris Anderson. Her Broadway credits include “A Streetcar Named Desire”, “Once On This Island”, “Choir Boy”, “for colored girls who have considered suicide / when the rainbow is enuf”, and now, the upcoming production of “Hell's Kitchen: The Musical”. Connect with Camille: Website: www.camilleabrown.org Instagram: @camilleabrown Facebook: @camilleabrownanddancers Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

With Anoushka Lucas’ talent and success as a songwriter, it may come as a surprise for some that she initially had no interest at all in working in theatre. Just like in most of her endeavors, she fell into it. She expands on this as shares her journey, revealing her initial passive disposition, which contrasts with her willingness to embrace diverse experiences–the duality of man, as they say. From playing the piano and writing songs at an early age, Anoushka talks about her upbringing, writing songs from the point of view of the characters on TV, and how the piano became her sanctuary. She reflects on failure and her aversion to it, and the heartbreak and acceptance that her initial plan of becoming a pop star and securing a record deal isn’t going to happen. Despite the initial struggle, she recognizes the value of the experience, emphasizing the usefulness of failure in shaping her life positively, proving that tenacity goes a long way. Anoushka Lucas is a singer, songwriter, musical theatre composer, and actor who has starred in West End productions, including “Oklahoma!” and “Jesus Christ Superstar”. She began composing music at the age of 14 and has a degree in Russian and Italian from Oxford University. She has been nominated for an Olivier award, an Evening Standard Theatre Award, and a Black British Theatre Award. She was the recipient of the Best Writer award in the 2023 stage debut awards. Among other films. You can also see her in “Murder on the Orient Express” and starting on the 21st of February, she can be heard in a brand new original musical podcast called “U.Me: The Complete Musical”. Connect with Anoushka: Website:www.anoushkalucas.com Instagram: @anoushkalucasmusic Listen to U.Me: The Complete Musical Connect with Heather Vickery and the Was it Chance podcast: Slip into our Instagram DMs at @wasitchance More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files More about Was It Chance using bpn.fm/wasitchance Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

From cults and documentaries to their deeply thought out character motivations, actors John Lavelle and Haskell King look back on their theatre journey. The two share their background, doing productions when they were younger, and what eventually made them pursue acting as a career. Currently starring in "Russian Troll Farm: A Workplace Comedy", they talk about how they got involved with the show, hitting it off on the first meeting, and the allure of cults and how people get drawn into them. With the show being as relatable as ever today, they reflect on how it changed their relationship with social media, how they interact with it, and the complexity of playing as bad guys. John and Haskell also impart some advice to aspiring actors and their motivations, including the desire to be seen and connect with others and become a better person for one’s family. Haskell King has performed all over the Off-Broadway and regional stages such as the Irish Repertory Theatre, Ensemble Studio Theatre, and the Abingdon Theatre. His TV and film credits include “Dear Edward”, “Law & Order: Criminal Intent”, “As the World Turns”, “The Fly Room”, and “Shadow & Lies”. John Lavelle has been on Broadway in “The Graduate”, and off-Broadway stages including La Jolla Playhouse, The Shakespeare Center LA, and The Old Globe. His TV and film credits include “Selma”, “Frozen”, “Wreck-It Ralph”, “Zootopia”, “The Taking of Pelham 123”, “Kipo and the Age of Wonderbeasts”, and “Grace and Frankie” among many others. They are both part of the stellar cast of the off-Broadway production of “Russian Troll Farm”, an office comedy, at the Vineyard Theater in New York City. More info and tix here: https://vineyardtheatre.org/shows/russian-troll-farm/ Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Among all the things Jai Rodriguez knows how to do well, not punching down is at the top of the list . Sharing his journey from going to Broadway to landing a role in the groundbreaking TV series, “Queer Eye For The Straight Guy”, his grit and talent took the stage by storm, playing in shows like “Rent” and “The Producers”. He shares how he got started by going to his first audition at the age of 12 – a funny but inspiring anecdote on why you shouldn’t take ‘no’ for an answer easily. Jai also recounts his “Queer Eye” audition, the success of the show, and the overwhelming response they received early on. Despite the external glamor, Jai reveals his financial struggles during the press tours. He also gets real as he talks about a pivotal moment in his career during a meeting with agents, and how he was told that he may not be castable due to his identity – an untrue trope that stayed with him throughout a lot of his career. While it may have affected him deeply, Jai did not let it stop him from taking up space in the industry by rephrasing “you can’t do it” as “it’s just never been done before”. Jai Rodriguez is an actor and musician best known for his role in the original Fab Five 'Culture Vulture' in the award-winning show “Queer Eye For The Straight Guy”. He had his Broadway debut at the age of 18 when he was cast as Angel in the critically-acclaimed musical, “Rent”. His other credits include the long-running musical, “The Producers”, “Zanna, Don’t!”, and an off-Broadway hit, “Sex Tips for Straight Women from a Gay Man”. He has a web series, “The Horizon”, which is the most-watched LGBTQ web series in the world. Connect with Jai: Website: linktr.ee/jairodriguez Instagram: @jairodriguez TikTok: @jairodriguezworld Connect with Heather Vickery and the Was it Chance podcast: Slip into our Instagram DMs at @wasitchance More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files More about Was It Chance using bpn.fm/wasitchance Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

A multifaceted artist, Melissa Errico talks about her career, including her album "Sondheim In The City," her latest project which pays tribute to the legendary Stephen Sondheim. Melissa also reveals the reason behind her Instagram username, what it’s like raising kids in a “tough city”, and how theatre became her place to organize her emotions. Living in New York, she’s developed a deep connection with the city, which also reflects on her exploration of Sondheim's profound relationship with Manhattan–emphasizing the importance of preserving its vibrant and pluralistic spirit. With an upcoming residency at Birdland, Melissa shares her plans to combine Sondheim, jazz, and film noir elements, creating a unique and immersive experience for the audience. Melissa Errico is a Tony Award nominated actress who made her Broadway debut in the 1992 production of “Anna Karenina”. She's since added a bazillion more credits to her resume, including “My Fair Lady”, “Amour”, “High Society”, and “Dracula, The Musical”. Her TV and film credits include the 1995 TV series, “C.P.W.”, “Law & Order”, “Blue Bloods”, “The Good Wife”, “The Jim Gaffigan Show”, “The Knick”, and “Billions” among many others. She's also a writer and a recording artist and was a frequent collaborator with the late great Stephen Sondheim for decades. Her 2018 album, “Sondheim Sublime”, was called “The best all-Sondheim album ever recorded” by the New York Times. She now has a new album dropping on February 16th called “Sondheim in the City”. Connect with Melissa: Website: melissaerrico.com Instagram: @melissa_errico_fairymom TikTok: @melissa_errico_fairymom Melissa Errico and Billy Stritch: "BABY ITS WOKE OUTSIDE" by Adam Gopnik Listen to Sondheim in the City: found.ee/SondheimInTheCity Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices