The Reel Girls Club

In this episode, I chat with Klara Klariger, about the journey behind Hopes and Beans, a comedy short that explores the realities of social anxiety with humour and heart.Klara is a Croatian-born, London-based actor, director and writer. Klara shares insights into the film, why comedy can be such a powerful way to talk about difficult experiences, and how everyday awkward moments can become meaningful stories on screen.We also dive into her creative beginnings in theatre, what led her to fall in love with performing, and the experience of starting her own improvisational theatre group. From stage to screen, it's a conversation about creativity, vulnerability, and finding confidence through storytelling, and letting go of your ego on set.Whether you're a filmmaker, performer, or someone who has ever overthought a simple social interaction, this episode is full of honest reflections and inspiration.You can find out more about Klara and her work here: klara kaliger - Google Search

In this episode of The Reel Girl's Club, I sit down with Writer & Director Rosie May Bird Smith to talk about her brilliantly surreal short film Egg Timer - a dark comedy that turns the pressure of the biological clock into a bold, hilarious, and chaotic cinematic experience.Rosie shares how the idea came to life, her process for creating eye-catching practical effects, and how she used humour and absurdity to explore deeper personal themes about womanhood and fertility.We also dive into her beginnings as a director of commercials, writing to briefs and creating treatments for brands such as Andrex, Asda, Durex and Muller Light, finding your creative voice as a filmmaker and much more.In this episode:The inspiration behind Egg TimerWhy surrealism and comedy are powerful tools for female storytellingBehind-the-scenes details from the film's productionHow to use your creative voice while working to a brief for huge brandsWhether you're an emerging filmmaker, a film lover, or just someone who's ever felt "the clock ticking", this conversation, and Rosie's film Egg Timer is just for you.For more information, find Rosie's website here: Rosie May Bird SmithProduction company: Biscuit Filmworks - Rosie May Bird SmithRosie's Instagram: Rosie May Bird Smith (@rosiemaybirdsmith) • Instagram photos and videosEgg Timer Instagram: Egg Timer (@eggtimerfilm) • Instagram photos and videosRosie's Vimeo: Rosie May Bird Smith - Director & ScreenwriterRosie's IMDb: Rosie May Bird Smith - IMDbRosie's LinkedIn: Sign Up | LinkedInDirectors Notes: Egg Timer by Rosie May Bird Smith // Comedy // Directors Notes

In this episode of The Reel Girls Club, I'm joined by Swiss/French Writer & Director, Julie Magnaudet, whose work shines a light on the complexities of women's lives. With a background in both writing and filmmaking, Julie brings a sharp eye for storytelling that blends intimate character work with broader social themes,Her latest short film, The Contraception Fair - produced by Candid Broads Productions - offers a witty yet poignant look at contraception, autonomy, and the cultural narratives that shape women's choices.In honor of World Contraception Day, Julie shares the inspiration behind the project, her creative process as a writer and director, and the importance of telling stories that challenge stigma and spark conversation.It's an engaging discussion about cinema, reproductive rights, and the power of women behind the camera,Learn more about Julie's work here: juliemagnaudet.comWatch The Contraception Fair trailer here; The Contraception Fair — Candid Broads Productions

In this episode of The Reel Girl's Club, I'm joined by Canadian-Italian, filmmaker, writer and creative producer Issabella Orlando, to explore her stunning short film, Topos - a poetic reflection on place, heritage, and the archeology of identity.Blending ancient myth with visual storytelling, Topos meditates on what it means to be rooted in a place, to inherit memory, and to make art that honors cultural lineage.Issabella and I discuss how material culture, language and sound shape narrative - and how a short film can carry deep emotional and historical weight. We also touch on Issabella's background in Classics and archeology, and her broader vision for storytelling that bridges the past with the present, and much more.You can discover more of Issabella's work here and here.

In this special bonus episode, I'm joined by Oscar-nominated (The Edge Of Democracy) filmmaker Petra Costa to discuss her powerful new documentary Apocalypse In The Tropics, now streaming on Netflix.The film explores the rise of evangelical power in Brazilian politics and the erosion of democracy through a deeply personal lens. Petra shares the story behind the making of the film, her creative process, and what it means to document history in real time.A short but essential conversation with one of the most fearless voices in contemporary documentary filmmaking today.Watch Apocalypse In The Tropics on Netflix hereDisclaimer: This conversation includes discussion of religion and its role in politics.

In this episode, I sit down with multidisciplinary talent, Ella Dorman-Gajic, English-Serbian writer, performer, and filmmaker - to explore her powerful short film Back of the Net, a multi-award-winning short film directed by Klara Kaliger and written by Ella Dorman-Gajic.Back of the Net is more than just a sports film - it's a moving portrait of girlhood, power, and persistence and is the perfect film to see right now as excitement builds in the run up to the Women's Euros in July!Synopsis: 'Maya, a passionate young footballer, is given an opportunity that could offer her the future she’s always dreamed of. But now, the one person who inspired her pursuit of this dream, her grandmother, is the only thing holding her back. A heartfelt, bitingly human story of care, female aspiration and the evolution of women’s football in a male-dominated world.'It has been selected for 20+ film festivals globally (including BAFTA and BIFA-accredited festivals) and picked up 5 awards, including ‘Best Screenplay’ (at Healdsburg International Festival, judged by Tom Waits) and ‘Youth Jury Prize’ (at Women X Festival).It stars Ella herself, and Maureen Casey alongside Emmy-nominee Tom Goodman-Hill. It is Executive Produced by Lewes Depot Cinema, Declan Lowney (director of TED LASSO), Sandro Monetti, Football scholar Jean Williams, Rob MacDonald, Sushant Sharma Bhattarai, Ella Dorman-Gajic.We dive into the inspirations behind the project, the creative process from script to screen, and the deeply personal themes it tackles - from identity and belonging to resilience on and off the pitch.Ella shares insights into her journey as a storyteller, the importance of platforming underrepresented voices in British film and advice for aspiring writers and creatives alike. We also unpack the challenges and joys of blending poetry, performance, and activism through visual storytelling.You can review Back of the Net on Letterboxd HERE.For more information about Ella's work, visit her website HERE.KEY DATES mentioned in the podcast:4th-6th July: 'Off The Chest' poetry performance during the 'Love Supreme Festival'7th July: Poetry headline performance at 'Everything Poetry Night'19th July: LA Premiere, Lumiere Cinema Beverly Hills27th July: Screening at Lewes FC, including match and screening of Women's Euro FinalsIn July (TBA): Online premiere of Back of the Net during the Women's Euro Finals

In this special bonus episode, I'm joined by directors and writers, Vickie Curtis and Doug Anderson, from the US, to discuss their powerful new documentary 'COMPARSA', which will be premiering at the Sheffield DocFest 2025.Set in Ciudad Peronia, Guatemela, the film follows sisters Lesli and Lupe, whose activism is ignited by the 2017 fire at a state-run children's home that killed 41 girls - a tragedy emblematic of Guatemala's wider crisis of gender-based violence. Told through the eyes of young women who have survived and endured, Comparsa captures a powerful journey of healing and resistance. Through music, dance, and collective protest, Lesli & Lupe lead their community in reclaiming space, voice, and dignity.The filmmakers share how they approached this deeply sensitive story, the role of creative collaboration, and what it means to bear witness to the strength of girls rising up.Comparsa premieres at the upcoming Sheffield DocFest on the following dates:Sat 21 June 20:45 - 22:24Curzon - Screen 1English Subtitles ThroughoutQ&A with directors Vickie Curtis and Doug Anderson, and protagonists Marta Chicoj, Lesli and Lupe Perez. Moderated by Mathy Selvakumaran.Sun 22 June 12:45 - 14:24The Light - Screen 9English Subtitles ThroughoutQ&A with directors Vickie Curtis and Doug Anderson, and protagonists Marta Chicoj, Lesli and Lupe Perez. Moderated by Amy Bryant.To book your tickets, follow the link HERE.Disclaimer: the sound drops out at 1:44 (the word intended was 'teenagers'), at 3:18 (word: seamstress) and again at 8:11.

In this special bonus episode for the Sheffield DocFest, I sit down with UK-based filmmaker and writer, Jessi Gutch to talk about her deeply personal and beautifully crafted documentary, Blue Has No Borders.Set in the port town of Folkestone, the film explores themes of migration, identity, and community through a hybrid documentary style that blurs the lines between filmmaker and subject, observer and participant. Jessi reflects on the power of collaborative storytelling, the emotional complexity of borders - visible and invisible - and the importance of vulnerability and humour in her creative process.Synopsis: 'A young filmmaker is determined to know her neighbours in the port town of Folkestone. But in the aftermath of Brexit, building new relationships isn’t easy. In Folkestone, which refugees attempt to reach from France on a daily basis, tensions are rife. Old traditions die hard, voices struggle to be heard and the notion of British identity is regularly asserted and contested. In the face of mounting pressure, Jessi Gutch sets out to do the unthinkable: seek common ground. Honest conversations with six people, grappling the divisions surrounding race, class and politics, give way to a rumination on how make sense of our present moment, in spite of all the uncertainty and fear. An ode to participatory filmmaking and forging messy friendships in your own backyard, Blue Has No Borders illustrates how spending time with people from all walks of life is in itself an act of hope.'Blues Has No Borders will be screening for the Sheffield Doc Fest on the following dates:Fri 20 June 21:00 - 22:47Showroom - Bertha DocHouse Screen 3Audio Description (AD)Q&A with director Jessi Gutch, and protagonists Heba Arab and Neil Jones. Moderated by Joan Parsons.Sat 21 June 10:15 - 12:02Curzon - Screen 3Audio Description (AD), Descriptive Subtitles (Open Captions)Q&A with director Jessi Gutch, and protagonists Dita Garbo and Josie Carter. Moderated by Dan Weldon.Sun 22 June 15:30 - 17:17Curzon - Screen 2Audio Description (AD)Q&A with director Jessi Gutch. Moderated by Hope Cook.Don't miss your chance to experience this powerful documentary film on the big screen!To book your tickets, click HEREYou can follow Jessi on Instagram @jessi_gutchPlease subscribe, share and leave a review if you enjoyed this episode and follow @reelgirlsclub on Instagram for updates, behind-the-scenes content and more.Disclaimer: Apologies for the imperfect sound, all is recorded over Zoom. Furthermore, I mention the Sheffield Doc Fest screenings in the interview, which had actually not yet happened at time of recording :)

From Cosmopolitan to the Cutting Room: Louise Ford on Editing Robert Egger's VisionIn this episode, I sit down with UK-born, NYC-based, Louise Ford, A.C.E., a dynamic creative force whose career journey has taken her from the fast-paced world of magazine journalism as a former Deputy Editor at Cosmopolitan UK to the immersive realm of film editing - where she's become a trusted collaborator of visionary director Robert Eggers (Nosferatu, The Witch, The Lighthouse, The Northman).In this episode, you'll learn:How Louise transitioned from print media to film post-productionWhat it's like editing for a filmmaker known for his atmospheric intensity and historical precisionThe creative and technical challenges of cutting films like NosferatuHer approach to storytelling through editing - and why rhythm, intuition, and trust are everythingHow she collaborates with directors and maintains her creative voiceAdvice for aspiring editors and her own inspirations in film editing... and so much more!Whether you're a filmmaker, editor, or just a lover of behind-the-scenes movie magic, Louise offers insight, honesty, and wisdom about the art of shaping a story frame by frame.Tune in and be inspired by a career that proves reinvention is not only possible - it can lead to your most fulfilling work!

In today's episode of the podcast, I'm joined by Oscar, BAFTA, Critics Choice & Emmy nominated (and Emmy winning!) set decorator, Regina Graves, the creative mind behind the richly detailed world of A Complete Unknown, The Irishman, Fallout and other major film productions. Regina is US-born & NYC-based.From her early days as an interior design student, to becoming a set decorator on one of the biggest films in the awards circuit this year, Regina shares her fascinating journey, the craft behind recreating historically authentic sets, and how she goes about finding the perfect pieces to decorate a film set.In this episode, you'll learn;How Regina & her team recreated Bob Dylan's NYC apartment in A Complete UnknownThe behind-the-scenes stories of sourcing authentic furniture, props, and materialsHow she builds a visual narrative across different time periodsThe inspiration and influences behind the sets of The Irishman...and much more!Whether you're a film buff, a budding set decorator or production designer, or just curious about what makes a movie come to life, this episode offers a rare look into the behind the scenes of set decorating.Disclaimer: I keep referring to decorating as designing in this episode, so just know the majority of the time, I meant decorating! ;)

In this bonus episode of The Reel Girls Club, I dive into the hauntingly beautiful short film Diary of a Ghost, directed by Caroline Hajny and written by Maren Koenigs. The film, which stars Genevieve Chenneour, Mia Rodgers, and Alfie Noble, explores love, loss, and grief with a deeply atmospheric and evocative approach.I'm joined by director Caroline Hajny and actor Alfie Noble for an insightful conversation about the creative process behind bringing this poignant story to life. They discuss how they captured the film's unique atmosphere, the challenges of telling such an intimate and emotional story, and what makes Diary of a Ghost such an important story to tell.You'll learn about:How Caroline Hajny and Maren Koenigs found the perfect cast for the film.The process behind capturing the film’s rich atmosphere, and the artistic decisions made to evoke such a strong emotional response.Insights from Alfie Noble on his role in the film and the experience of working on such a moving project.Tune in to hear all about this incredible short film and the talented women leading the charge behind it.CherryPick Presents:Event: Screening & Panel Discussion: Actors On ActingAn intimate screening of the short film Diary Of A Ghost followed by a Q&A with SAG-nominated actress Genevieve Chenneour (Bridgerton), Alfie Noble (Witness For The Prosecution) and Mia Rodgers (The Sex Lives Of College Girls) hosted by presenter and actress Zainab Jiwa.07 April 2025Clos Up Cinema Londondoors: 5.30pmstart: 6pmFollow @ReelGirlsClub on Instagram for more updates & content.

In this episode of The Reel Girls Club, I chat with Canadian (& a part Scottish!) costume designer Linda Muir. Known for her long-standing collaboration with director Robert Eggers, Linda takes us behind the scenes of her incredible work, particularly on the 2024 Nosferatu remake, which earned her both a BAFTA and Oscar nomination for Best Costume Design.You’ll learn about the challenges and rewards of designing costumes for a film that blends horror with artistry, as well as Linda’s unique approach to storytelling through costume design. From collaborating with Eggers to her creative process and techniques, this episode is packed with valuable insights for anyone passionate about film and design.What you'll learn in this episode:The creative challenges and process behind designing costumes for NosferatuHow Linda’s collaboration with Robert Eggers beganThe importance of costume design in conveying character and atmosphere in filmThe role of research and historical accuracy in her design workTips for aspiring costume designers working in the film industryTune in for a fascinating conversation about the intersection of art, history, and design in cinema!

In today's short but sweet bonus episode, I'm joined by Indian Film & TV actress, Radhika Apte! We talk about her latest project, Sister Midnight. Set in Mumbai, Uma, played by Radhika, enters an arranged marriage which quickly spirals into darkness as her spineless husband watches her morph into a ruthless, feral force within their marital confines. The film featured at the Director's Fortnight during the Cannes Film Festival 2024 and was nominated at the 78th BAFTA Awards for Outstanding Debut by a British Writer, Director or Producer for Director Karan Kandhari.Sister Midnight will hit UK cinemas on the 14th of March 2025, don't miss it!

In today's episode, I'm joined by two-time Oscar-nominated production designer, Judy Becker, from the US, whose work includes Brokeback Mountain, American Hustle, Carol and most recently,The Brutalist. Judy takes us behind the scenes of these iconic films, sharing her creative process and the challenges she faced in designing their unique worlds. We discuss how she collaborates with directors to bring their visions to life, as well as her approach to visual storytelling and 'method' production design. Judy also offers invaluable advice for aspiring production designers looking to break into the industry.In this episode, you'll learn:How Judy approached the production design for The Brutalist and other films such as American Hustle, Carol & Brokeback MountainThe process behind collaborating with directors to visually shape and bring their vision to lifeWhat she means by 'method' production design and an organic processValuable advice for aspiring production designersTime was limited, but I've included links below to other fascinating articles and interviews with Judy if you want to dig deeper intop her remarkable career and creative process. Don't miss this opportunity to learn from one of the best in the business!Watch the trailer for The Brutalist hereInside the Set | The Brutalist | Patricia Cuccia SDSA & Judy Becker - YouTubeMaking The Decision To Be A Production Designer and Nothing Else by Judy Becker of CAROL - YouTubeBrady Corbet, Mona Fastvold, Adrien Brody, Felicity Jones, and More on The Brutalist | NYFF62 - YouTubePart 1/3 Review - Reframing “The Brutalist”: Exploring Bauhaus and Marcel Breuer’s Hidden Influence - YouTubeSBIFF 2025 - Variety Artisans Judy Becker Discussion (Production Design - The Brutalist) - YouTubeTHE BRUTALIST Q&A with Mona Fastvold and Judy Becker || Sag Harbor Cinema - YouTubePodcast edited by Christopher Breckon.

In today's bonus episode, I'm joined by Audrey Diwan, the French-Lebanese filmmaker and writer behind the Venice Film Festival Golden Lion-winning Happening and now her latest film, Emmanuelle, starring Noemie Merlant. Emmanuelle will be released in UK and Irish cinemas on the 17th of January 2025, followed by a digital release on the 24th of January.

In today's episode, I'm joined by Croatian make up & hair designer, Ivana Primorac - one of the most renowned in the film industry today. From creating iconic looks in Atonement andThe Hours to her work more recently on Barbie, Lee & We Live In Time, Ivana's artistry has brought countless characters to life.We dive into her creative process, the challenges of balancing historical accuracy with artistic interpretation, and her experiences working with some of the biggest names in Hollywood.Whether you're a film buff, a budding makeup artist, or just curious about the behind-the-scenes magic of movie-making, this episode is packed with inspiration and insights.What you'll learn in this episode:How Ivana approaches character design and storytelling through makeup and hairThe role of collaboration in the filmmaking processStories from her career working in award-winning films alongside the likes of Margot Robbie, Kate Winslet, Greta Gerwig, Nicole Kidman & Florence PughAdvice for aspiring artists looking to break into the industry...and so much more!Enjoy & thank you for listening!

In today's episode, I'm joined by British Director, Writer & Activist Ruby Phelan. Ruby trained as a dancer and worked both as a choreographer and dancer across Europe, before attending the Fontainebleau School of Acting in France. She then studied an MA in Directing & Writing at RADA. Ruby worked on several sold-out London stage productions, as well as working as a Director's Assistant on the hit Netflix series 'The Crown'. With her producer, BAFTA-nominated & BIFA-winning, Cheri Darbon, of June & Stella Productions, she is the inaugural Activist in Residence at the Feminist Centre for Racial Justice. For their short film, The Woman In The Wardrobe (made during their residency), Ruby & Cheri have partnered with the UN to fundraise for birthing kits to be sent to labouring women and health professionals in warzones.In today's conversation, we talk all about Ruby's days at acting school in France, to her experience on set of The Crown, what inspired the making of her short film, The Woman In The Wardrobe, her plans for the future, and much more!You can find more info about Ruby here: Home | Ruby Phelan

TW: The following discusses themes of SA.Today, in a BFI London Film Festival Special Bonus Episode, I'm joined by Japanese Journalist, Filmmaker & Women's Rights Activist, Shiori Ito.In this short but insightful conversation, we discuss her recent documentary 'Black Box Diaries', which recently premiered at the BFI London Film Festival and will have it's UK cinema release on the 25th of October 2024.Shiori is known for her role in challenging Japan's legal and cultural attitudes toward sexual violence. In 2015, Shiori accused high-profile journalist Noriyuki Yamaguchi of raping her while she was unconscious, a case that brought significant attention to issues of consent and sexual assault in Japan. After the authorities declined to prosecute, Shiori filed a civil lawsuit and won in 2019, becoming a symbol for the MeToo movement in Japan.Her work has sparked broader conversations about gender inequality, victim-blaming, and the need for legal reforms in Japan's handling of sexual violence. In 2020, Shiori was named one of TIME magazine's 100 Most Influential People, recognising her bravery in confronting Japan's culture of silence around sexual violence.Shiori is also author of 'Black Box' (2017), a memoir detailing her personal experience of sexual assault and her fight for justice.In 2018, Shiori also directed the documentary 'Japan's Secret Shame', which aired on the BBC.Shiori continues to advocate for survivors and raise awareness through her investigative journalism and public speaking.If you or anyone you know is affected by the themes discussed above or in the podcast, here are some useful resources:National Hotlines - Victim Connect Resource CenterNational Sexual Assault Hotline: Confidential 24/7 Support | RAINNSexual Assault and Rape Resources | Joyful Heart FoundationFind Help | National Sexual Violence Resource Center (NSVRC)Want to talk? | Rape Crisis England & WalesHelp after rape and sexual assault - NHSThe national domestic abuse and sexual violence support line - 3919 - is now available in 185 languages - Women For Women FranceInformation and support - MindSamaritans | Every life lost to suicide is a tragedy | Here to listen

In today's episode of the podcast, I'm joined by Domee Shi. Domee is a Chinese-Canadian Director & VP, Screenwriter & Storyboard Artist at PIXAR Animation Studios (pinch me!)In this interview, we talk all about how Domee's childhood love of drawing, manga and anime turned into an education at Sheridan college starting out in storyboarding then finally, into a career at one of the biggest animation studios in the world.She started out as an intern, storyboarding on Inside Out & The Incredibles 2, to name a few, and has now gone on to make her Oscar-winning short Bao and has also directed her first feature length, Turning Red. She's currently co-directing on an upcoming feature-length, Elio, due for release in 2025.You can stream both Bao & Turning Red on Disney+ now!

In today's episode, I'm joined by Weronika Tofilska. Weronika is a Polish Director & Screenwriter based in London. Following studies at the Krzysztof Kieślowski Film School in Poland before later graduating from the National Film and Television School in England, she's gone on to direct the hit Netflix miniseries Baby Reindeer this year. She was also recently nominated for a Primetime Emmy Award for her work on the series' fourth episode. Weronika also worked as co-writer alongside Rose Glass on the romantic thriller, Love Lies Bleeding, starring Kristen Stewart.We chat about her studies both in Poland and the UK, her creative process when directing and the differences when working as a co-writer on a feature film, and much more!You can find more info about her work on Weronika's website hereFollow Reel Girls Club on Instagram hereThanks for listening!

In today's episode, I'm joined by Desiree Akhavan. Desiree is an Iranian-American Director & Writer.You may have heard of Desiree from her award-winning film The Miseducation of Cameron Post starring Chloe Moretz or her critcally acclaimed Channel 4 TV series, The Bisexual - where Desiree explores identity & the queer experience.In this episode, we talk about how her love for playwriting put her on a path towards a career in filmmaking, how music is inspiring her latest project, how she's finding her voice, what inspired her upcoming book 'You're Embarrassing Yourself: Stories of Love, Lust & Movies' & much more.To pre-order Desiree's new book head to this link:You're Embarrassing Yourself by Desiree Akhavan: 9780399588501 | PenguinRandomHouse.com: BooksPraise for the memoir: 'I laughed, I cried and then I laughed again' LENA DUNHAM'The film-maker's memoir is a smart, funny, painfully honest account of a 'loser' finding success.' THE GUARDIANGIVEAWAY!I'll be giving away one copy of Desiree's new book so follow @reelgirlsclub on Instagram to be in with a chance of winning!Disclaimer: this episode contains some swearing and some sound issues, but overall very wholesome and inspiring content!

In today's episode, I'm joined by Louisa Connolly-Burnham. Louisa is a British Actress & Director.She had an early start as an actress, best known her for her roles in the BAFTA-winning "Wolfblood" (BBC) and "Vampire Academy" (NBC Universal). She has made appearances in Channel 4's "Drifters", ITV's "Midsomer Murders", Sky1's "Little Crackers", BBC's "Holby City", "Doctors", "Outnumbered", "Casualty" and a lead role in Nickelodeon's "House of Anubis".Louisa is also an award-winning writer/director and founded her production company Thimble Films in 2019 and she is a member of the female filmmaking collective Cinesisters. Her directorial debut "The Call Centre", which she also wrote, had a successful festival run including the Oscar-qualifying Foyle Film Festival with a nomination for "Best International Film".She recently wrote, directed and starred in her new short film 'Sister Wives' starring Mia McKenna-Bruce (How To Have Sex, The Witcher) & Michael Fox (Downton Abbey, Dunkirk). Sister Wives explores a fictional relationship between two women living in a polygamous society based on the FLDS cult.Follow Louisa on Instagram here

In today's brand new 1ST episode of season 3 of the podcast, I'm joined by Ninna Pálmadóttir.Ninna, from Iceland, is a Film Director & Writer. Her filmography includes short films Paper Boy, which was the winner of the Edda Award for Best Short Film in 2020, & All Dogs Die. Her debut feature film Solitude, premiered at the 2023 Toronto International Film Festival. Solitude is a multilayered and heartfelt story about an old farmer who has to relocate to the city and forms a bond with his local paper boy and neighbor.In this episode, we chat about Ninna's formative years in Iceland, studying at TISCH in NYU and how she came to direct her first feature and much more!For more info check out Ninna's IMDb HERE!

In this BONUS episode, I'm joined by .Catherine Hardwicke! Catherine is an American Screenwriter, Director & Production designer, most famously known for having directed Thirteen & Twilight!I feel very lucky and grateful to have interviewed her, even if it was only for 15 minutes! In this short but sweet conversation, Catherine tells me what inspired her to make Thirteen, how she brought her own creative vision toTwilight, what it was like having imposter syndrome when working on Vanilla Sky as a production designer for Tom Cruise plus some advice for aspiring filmmakers.I've never really interviewed someone so quickly before, in such a rapid-fire style, but I really hope you enjoy it and find the conversation inspiring and helpful.PS. At the 11.34/35 time mark, Catherine showed me some of her story boarding/photographs for future film projects, incase there's any confusion to what we're referring to! I also think I may ask the same (ish) question twice as I'm clearly quite excited and nervous sorry!

In today's episode, I'm joined by Evgenia Alexandrova. Evgenia is a Russian cinematographer (or called director of photography/DOP) and is the cinematographer for both feature films by French actress Noemie Merlant, Mi Iubita Mon Amour, and The Balconettes (Les Femmes au Balcon) which will be premiering at the Cannes Film Festival this month!Evgenia gives an insight into the application process for studying at La Femis, advice for future cinematographers, stories from working on set, her future projects and much more!You can see more of Evgenia's work on her website here

In today's episode, I'm joined by Sophia Hardman. Sophia is a Foley Editor and Mixer from the UK who has worked on blockbuster films such as 1917 by Sam Mendes, House of Gucci by Ridley Scott and No Time To Die by Cary Joji Fukunaga as well as TV shows like Black Mirror and The Tourist.We chat about Sophia's career beginnings at Twickenham studios, what some of the most common props used in a foley studios are, her advice for people wanting to work in foley and much more.Disclaimer: ironically (while interviewing an expert sound person) my sound is not so great (mic gain issues) and you may also hear the odd motorbike passing my house, a car, birds tweeting...etc etc. No I was not experimenting with my own foley art. But that's the last time I record downstairs in my living room...but you can still hear the interview fine, so let's just say it adds some atmosphere!You can check out her impressive resume on IMdb here: https://www.imdb.com/name/nm6830147/Mubi Profile: https://mubi.com/en/cast/sophia-hardmanLinkedIn: https://uk.linkedin.com/in/sophiahardman?original_referer=

In today's episode, I'm joined by Mary Harron. Mary is a Canadian Director & Screenwriter of major feature films such as, I Shot Andy Warhol, American Psycho, Charlie Says, Daliland & The Notorious Bettie Page.In this interview, we talk about Mary's childhood growing up between Hollywood & Ontario, her student years in London, her first steps into the film world in New York, what it was like working as a music journalist for PUNK magazine and as a director on set with Christian Bale.

In today's episode, I'm joined by Mariayah Kaderbhai, of British Asian heritage, who is Head of Programmes at BAFTA. While you all may know BAFTA for the awards ceremony, it's also a membership organisation and charity that supports, develops, and promotes the arts of film, television and video games in the UK.BAFTA also has an international programme of events and initiatives offering access to talent through workshops, masterclasses, scholarships, lectures, and mentoring schemes in the United Kingdom and the United States.In this episode, we talk about Mariayah's career beginnings at the BFI and Al Jazeera English, she also shares her advice for interviewing film stars and documentary filmmakers as well as what BAFTA offers for those interested in working in the film industry, and much more,Links for information mentioned in podcast:Podcast: Countdown To The BAFTAs | BAFTABAFTA Connect Membership | BAFTAAbout BAFTA Membership | BAFTAJob Vacancies | BAFTABAFTA - Opportunities @ Creative AccessDisclaimer: podcast episodes are recorded on Zoom therefore the audio quality may reflect this. The episode was recorded in January 2024 so when I say next month for the BAFTAS, I mean February.

In today's episode, I'm joined by Charlotte Finlay. Charlotte is a British costume supervisor and has worked on some of the most major film productions you've definitely heard of: Harry Potter, Mission Impossible, Indiana Jones, Love Actually and much more (you can check out her full, impressive, IMDb resume here!).Charlotte also worked most recently alongside costume designer Jacqueline Durran and with director Greta Gerwig for the biggest blockbuster of 2023 - BARBIE!We talk all about her career beginnings in Paris, what kind of challenges a costume supervisor encounters on set, advice and tips for succeeding in the industry and much more.

In today's episode, I'm joined by Doroteya Droumeva. Doroteya is a Bulgarian screenwriter and director who now resides in Berlin.Her debut feature film 'The Vagabonds' featured at the International Cannes Film Festival last year following the success of her short-film 'The Letter' which won the Cinefondation prize in 2011.In this conversation, we talk about how she got into filmmaking, what inspired her to make 'The Vagabonds' and what she would like to see better representation of in cinema and much more.

In today's episode, the first of 2023, I'm joined by Canadian, award-winning, international production designer, Carol Spier.Carol is known for her long collaboration on several films with David Cronenberg, such as The Fly, Crash and Eastern Promises, to name a few. She has also worked with other renowned directors such as Guillermo Del Toro & Jodie Foster.In today's, short-but-sweet, episode, we talk all about how Carol went from studying interior design to working in theatre, to a lifelong career in cinema. We also talked about the 'pre pre' production process and where she finds inspiration for her set designs and much more.

In today's episode, I'm joined by Masha Novikova. Masha is a Ukrainian film director and writer. Growing up in a family of artists, Masha went on to study fine arts in Munich, Germany where she discovered a passion for video art. This led her to pursue a MA in Filmmaking at the London Film School.This is where she made her graduation short film 'Glorious Revolution' which received 3rd prize in the Cinefondation section at the 75th International Cannes Film Festival this year. The film tells the story of a mother who, following her son's death during protests of the Maidan Revolution in Ukraine in 2014, is confronted with corruption and red tape, in order to have her son buried.Masha is a Talents Sarajevo alumna, a member of Primetime Network UK, BAFTA Connect Network and European Women's Audiovisual Network.In this conversation, Masha shares her advice as a director, what it was like growing up in a family of painters, what motivated her to make 'Glorious Revolution' and much more.For more information, see Masha's website by clicking here.You can follow @reelgirlsclub on Instagram for all updates, and if you're enjoying the show, make sure to hit subscribe so that you are the first to get all the new episodes!

In today's episode I'm joined by two guests - Camilla Baier & Rachel Pronger. Camilla is a German Programmer and Curator based in Edinburgh. Rachel is a British curator, writer and producer based in Berlin. ​Together, they created Invisible Women, an archive activist film collective which champions the work of female filmmakers from the history of cinema. IW was created from their desire to seek out and champion the work of female filmmakers who have been overlooked, un-credited or left out of the history of cinema. By drawing attention to these forgotten stories, IW aims to reinsert female voices into the story of film.In this episode, we talk all about their initial meeting while studying the same masters degree at the University of Edinburgh, what it was like putting on their first ever IW event and how you can get involved with IW, too.Check out their website here where you can sign up to their monthly newsletter, follow their Instagram here & everything else hereFollow The Reel Girls Club on Instagram here

For the first episode of series 2 of the podcast, I met up with Natasza Chroscicki - live from the bustling Cannes Film Festival 2022, to chat all things ARRI, cameras, cinema, and much more!Natasza, who is of Italian Polish heritage, is the CEO of ARRI France & Business Development Director of ARRI Mediterranean. She is also currently a Jury Member of the Cannes Film Festival 'Caméra D'Or' for the festival this year (2022).After studying architecture in Rome, Natasza worked for a few years as a decorator in cinema and theater in Italy. In 1994, she arrived in Paris to lead Technovision France, in the footsteps of her father, Henryk Chroscicki. The latter having been director of photography, producer, distributor, and manufacturer as well as rental of shooting equipment, she has always been immersed in this wonderful world of cinema. She inherited not only his company but also this artisanal spirit essential to creation.In 2010 she created ImageWorks, an independent sales and marketing consulting company specializing in the cinema and audiovisual sector.Currently she is the CEO of ARRI France, Business Development Director of ARRI Mediterranean and was most recently a Jury Member of the Cannes Film Festival 'Caméra D'Or' in May 2022.Find out more about ARRI here: https://www.arri.com/enDisclaimer: this was my first ever, in person, live interview and not over Zoom (for once!)...recorded in a slightly noisy hotel restaurant hence the odd clinking noise, or plate clattering, but I like to think this adds some festival atmosphere :) Enjoy!

In today's episode, I'm interviewing two guests - Molly Vandermeer & Dr. Parvinder Shergill.Molly is a British Award winning, London-based Director, Writer & Producer. Since completing an English Literature & History of Art degree, and studying filmmaking and screenwriting, Molly has been working in Drama & Documentaries and has also gained experience working in the Development of both fiction & factual content.Parvinder is a British South Asian medical doctor within psychiatry for the NHS, a writer, public speaker, podcaster, radio show host, film director, producer, and actress.Together, they have joined creative forces to make the short film 'Twelve' (2022), written by Vandermeer which is a drama about an Eating Disorder help group, starring Leslie Ash, Parvinder Shergill, Duncan James & Ali Bastian.We talk all about their career beginnings in filmmaking, why creativity and art is synonymous with healing both mental and physical health, how they chose to portray eating disorders more accurately on screen and much more.You can see more of Molly's work here and Parvinder's hereTrigger warning: this episode discusses mental health issues and eating disorders.

In today's episode, I'm joined by Laura Torenbeek. Laura is a Dutch filmmaker based in both the Netherlands and the UK. After finishing her BA in Audiovisual Media at the Utrecht School of the Arts, she continued to do her MA in Filmmaking at the Northern Film School in Leeds.Alongside filmmaking, she is very passionate about the environment and sustainable filmmaking. This is why earlier this year she set up her own company Green Film Productions, which focusses on producing creative content and caring for the earth at the same time.Through the company she is creating a new web series called Girls with Capes, which consists of short stories up to 7 minutes in length and which are created by different writers and directors in various formats.She is currently working as a Health and Safety consultant at Creative Safety as well as freelance directing/producing film content.In this episode, we talk all about sustainable filmmaking including 'planet placement' and how to make productions better for the planet.Check out Laura's website hereFind out more about albert sustainable productions here

In today's episode, I'm joined by Ruth Pease. Ruth is a British award nominated freelance Makeup, Prosthetics & Hair Artist based in London with over 12 years experience.Graduating from London College Of Fashion with a BA in Specialist Makeup Design For Film & TV, she threw herself into the industry as an enthusiastic designer and artist.Working with both custom prosthetic creation and cosmetic makeup has given Ruth the opportunity to enjoy a varied career. Her work has featured on several award winning productions from 'Mystery Files II' - National Geograhic to music promo 'House' - Cool Fun, directed by Prano Bailey-Bond (WINNER - Best Pop Video, Budget at the UK Music Video Awards).Since then her career has taken her on an exciting journey working with talent including Crispin Glover, Sam Worthington, Hailee Steinfeld, Lily Cole, Niamh Algar and many more.Her latest work as designer of Prano Bailey Bond’s debut feature film ‘Censor’, was awarded the Méliès d’Argent for Best European Feature Film.In this episode, we delve into her career beginnings, her experience working on gorey scenes in Censor, her love for horror movies and much more.Follow Ruth on Instagram @4th_storm and check out Ruth's top 5 Horror Films here: https://www.instagram.com/p/CVN-h76qtqq/?utm_source=ig_web_copy_link

In today's episode, I'm joined by two guests.Sarah McCaffrey, from the UK, is an experienced training and development manager in the film and TV industry, a former actor, psychotherapist (MBACP) and a Suicide and Mental Health First Aid Trainer. She combines her psychotherapy training with industry knowledge to create bespoke, relevant courses for creative professionals.She is the founder of Solas Mind, the go-to mental health company in the film, TV and theatre industry - offering training, counselling and support to productions, studios and freelancers.Kim Whyte, from the US & of African American heritage, is a Licensed Professional Counselor in Georgia and Virginia, with a M.S. in Counseling and Psychology as well as certifications in Clinical Mental Health Counseling,Her background includes 20+ years working with diverse populations in military hospitals, outpatient clinics, offices, schools, and most recently, film and TV sets.Kim Whyte became the on-call, on-set counselor for The Underground Railroad, directed by Barry Jenkins. Kim uses several evidence-based psychotherapies and techniques to support and empower clients in a culturally sensitive setting.Disclaimer: at around 36:00 mark, mentioning Kim's experience in military hospitals, I wasn't comparing this to the plot of The Underground Railroad, just that it involved dealing with trauma.If you are dealing with any issues mentioned in the podcast, here are some useful resources:https://www.mind.org.uk/https://www.mentalhealthfirstaid.org/mental-health-resources/https://www.solasmind.com/https://www.artistwellbeing.co.uk/https://www.samaritans.org/

In today's episode, I'm joined by Miruna Straut. Miruna, from Romania, is a University of Southampton film graduate, aspiring filmmaker and rising entrepreneur.Most recently, she has founded Cinefilium, the first video streaming platform dedicated to helping young film students showcase their work. Their goal is to help young artists from all corners of the world be seen and heard, by offering them a platform through which their shorts can reach a film-loving audience.At the same time, she is working on her own creative projects, such as turning her artwork into custom t-shirts, writing a digital comic book or developing her very first feature film. Her works have always been about the pursuit of truth, blending elements of nostalgia, dream logic, 1960s film aesthetics, pop culture, and themes of existentialism; as she draws most of her inspiration from one of her greatest cinematic influences: the French New Wave.She is very much connected with her characters, and has made herself responsible for telling their stories because, in many ways, their story is her story, as well as that of anyone else’s.In this episode, we talk about what motivated her to study film, her cinematic influences, that time she saw Jodie Foster in Cannes, her advice to women wanting to work in film and much more!Disclaimer: this interview was recorded on Zoom therefore apologies in advance for any glitches in the sound quality/editing. Also sorry not sorry for the appearance (audibly at least!) of Miruna's dog Anakin.Miruna's portfolio: https://mirunastraut.carrd.coCinefilium: http://cinefilium.com/

It's a 74th Cannes Film Festival Special!In today's bonus episode and just in time for their premiere at the Cannes Film Festival, I'm joined by Mina Mileva and Vesela Kazakova, Bulgarian director, screenwriter and producer duo, in Paris, before they head to Cannes to showcase their new film ' Women Do Cry' in the 'Un Certain Regard' section.The dynamic director & producer duo Mina Mileva and Vesela Kazakova has created a strong wave of political activism in their own country Bulgaria with their political documentary "The Beast is still alive", aired by ARTE for the 30th Anniversary of the Fall of the Berlin Wall. The tandem made their first fiction film "Cat in the wall" in 2019 which deals with East European migrants in London awarded for Best Bulgarian Film at Sofia Film Fest."Women Do Cry" is their next fiction film - coproduction with France (Ici et La productions), supported by ARTE France , mk2 productions and the Bulgarian National Film Centre. In "Women Do Cry", the duo expose with 'Borat 2' breakthrough star Maria Bakalova, the absurd yet sadly realistic contradictions in Bulgarian society.In this podcast, we chat all about their career beginnings, what they hope for women in cinema in the future, and more!DISCLAIMER: There were some sound and connection issues over Zoom (they were calling from Paris, not me, as it may have sounded in the intro!) but tried to get rid of any glitches, thank you for your understanding!

In today's episode, I'm joined by Ita O'Brien.Ita is a British Intimacy Coordinator and Movement Director for film, television, and theatre. Since 2014, Ita O'Brien has been developing best practice when working with intimacy, scenes with sexual content, and nudity in film, TV, and theatre - the 'Intimacy on Set' guidelines. Ita pioneered the role of Intimacy Coordinator, which is gaining adoption in leading production houses, including HBO, Netflix, and the BBC on shows such as Sex Education, Normal People, It's A Sin and I May Destroy You.Ita's work has been featured widely in the media, including The Guardian, The New York Times, The Telegraph, Cosmopolitan, The Evening Standard, The Sunday Times an the BBC.​Ita founded Intimacy on Set to provide trained professional Intimacy Coordinators to the industry.

In today's episode, I'm joined by Rose Dymock. Rose is a British freelance film critic and festival editor at Screen Queens. She has written for major film publications such as Little White Lies, Zavvi and Film Inquiry.Her interests are centered on multilingual cinema and how this interacts with identity and power structures.Check out Rose's work here & here

In today's episode, I'm joined by Camilla Trombi, Italian-born, based in Marseille, in the South of France. Camilla is working as head of communications and mediation at the Films Femmes Méditerranée, a festival dedicated to discovering, supporting and showcasing female directors and actors in the Mediterranean.Disclaimer: this interview is, exceptionally, in French.You can find out more about the festival here

Disclaimer: I have mispronounced Jacarrea's name in the podcast. Please note that the correct pronunciation is: Jah-car-rah.In the first ever episode of The Reel Girls Club, I'm speaking to Jacarrea Garraway, African American & NYC-based Director, Screenwriter and Producer. She is additionally an academic scholar whose research centers around afrosurrealism, intimacy and Black archives.She is also known for her work as a visual curator, screenwriter and producer. Jacarrea received her BFA in Film and Television Production from New York University's Tisch School of arts with a minor in Art and Public Politics.While at NYU, she directed and produced over a dozen short films including Release (Best Youth Documentary at the Newark International Film Festival), Mothers are Like Mirrors (premiered at the Museum of Fine Arts in Boston, MA) and Blaxploitation (a visual album in post-production).Outside of her artistic practice, Jacarrea has worked for notable organizations and film festivals such as Tribeca, Sundance, Cannes, NEON and Magnolia pictures within their marketing, programming and development departments.You can check out her work at garrawayjacarrea.myportfolio.com.

An introduction trailer to The Reel Girls Club podcast.