The New Yorker Radio Hour

On shows as varied as “Jessica Jones,” “Unbreakable Kimmy Schmidt,” and “Game of Thrones,” characters are confronting sexual violence in ways never shown before on television. Emily Nussbaum, The New Yorker’s Pulitzer Prize-winning television critic, thinks this is probably a good thing. Also, the jazz pianist Robert Glasper explains why sometimes there’s no need to take a solo; and a troubled man takes to the water for a series of adventures, like something out of Mark Twain. Originally aired December 15, 2015

A former prison counsellor discusses the abuse and torture of mentally ill inmates she suspected inside a Florida correctional institution—and the emotional price she paid for staying silent. Plus, Anohni, the former lead singer of Antony and the Johnsons, discusses her recent turn to pop music; Annie Dillard talks with David Remnick about a new collection of essays; and William Finnegan takes us surfing.

In this week’s episode, the activist Ai-jen Poo envisions a happier, more affordable alternative to nursing homes, and we meet a home health aide who’s formed a remarkable bond of friendship with her client. David Remnick talks with a rising star of the Democratic Party who is rumored to be a potential Vice-Presidential candidate; and, finally, the ugly truth about picture-perfect weddings.

On this week’s show, Ben Taub shares his reporting on a group that’s gathering top-secret documents tying Bashar al-Assad’s regime to mass torture and killings, and David Remnick talks with a war-crimes expert about how to run a fair tribunal. Plus, Patricia Marx goes foraging in Central Park, and Kathryn Schulz explains her love of country music—it’s the stories, man.

This week, we look into the lives and careers of two giants of soul—Aretha Franklin and the late James Brown. From the campaign trail, Michael Friedman’s musical ode to a South Carolinian Trump supporter, and Jesse Eisenberg, along with his sister Hallie, performs the humor piece “Why I Broke Up with the Little Mermaid.”

This week, three highlights from The New Yorker Festival: Larry David explains why he envies his sociopathic alter ego on “Curb Your Enthusiasm,” Amy Poehler describes the joys of doing comedy while nine months pregnant, and Randy Newman on why he still can’t understand why some people bridled at his song “Short People.”

This week: Instagram co-founder Mike Krieger talks about how Instagram took over the world; the New Yorker’s cartoon editor, Bob Mankoff, shares his three favorite jokes; and George Packer reports from Tunisia, the birthplace of the Arab Spring, where democratic governance has led to an upsurge in jihadism.

This week: Three great political minds talk to David Remnick about the 2016 election, Roz Chast is visited by a young cartoonist who is following in her footsteps, and Hilton Als sits down with Cynthia Erivo, the English actress who stars in “The Color Purple” on Broadway. Take our WNYC Studios audience survey!

This week: Julia Louis-Dreyfus says that, in light of the 2016 Presidential race, “Veep” is now like a “sombre” documentary; Malcolm Gladwell looks at the subculture behind post-Columbine school shootings; and we explore the rumor that Alexander Hamilton’s ghost resides in an old house in Manhattan.

This week: A Manhattan bartender, prizefighter, and onetime bank robber returns to his ancestral mansion in Serbia; Michael Friedman brings us a new song written from the campaign trail; and a devastating play tackles rape culture.

This week, Father Michael Pfleger, a white priest on Chicago’s South Side, holds a funeral for a young man who threatened his life; Larry David applies his passive-aggression to Missed Connections listings; and the authors of a new book on autism discuss “patient zero,” an elderly man in Mississippi who was the first person ever to receive the diagnosis.

This week, two stories out of Baltimore: “The Wire” creator David Simon drives the city with Jelani Cobb, and David Remnick talks to the thirty-year-old mayoral candidate DeRay Mckesson. Also, Maria Bamford discusses mental illness and comedy, and the engineering evangelist Limor Fried tries to convince you—yes, you—to build some electronics.

This week, Cuba Gooding, Jr., and Jeffrey Toobin revisit the O.J. Simpson trial, a songwriter hits the campaign trail, and the lifelong night owl Patricia Marx tries some gizmos to help her sleep.

The Oscar-winning documentarian Laura Poitras (“Citizenfour”) talks to David Remnick about her first solo museum exhibition, “Astro Noise,” which channels her investigations of government surveillance into immersive installation art. A group of jazz musicians recall how David Bowie found them in a hole-in-the-wall club and enlisted them to create “Blackstar.” And the poet Brenda Shaughnessy reads Hilton Als a poem about living in a loft full of lesbians, back when New Yorkers could still afford to smoke.

This week, stars of the stage, screen, and earbuds. Marc Maron tells Kelefa Sanneh why talking into a mic saved his life. The magazine’s TV critic, Emily Nussbaum, speaks with Abbi Jacobson and Ilana Glazer about their raunchy and joyful TV comedy “Broad City.” And Lin-Manuel Miranda, the creator and star of “Hamilton,” takes comfort in knowing that dirty politics are as old as America.

In this episode, three epic battles: Jane Mayer recounts her experience investigating—and being investigated by—Koch Industries; Junot Díaz discusses his fraught relationship with his native Dominican Republic; and the undefeated boxer Heather Hardy prepares for a big fight at the Barclays Center. Finally, the astronomer who wrote “How I Killed Pluto and Why It Had It Coming” lays out his evidence for the existence of a ninth planet.

If Joaquín Guzmán Loera, the drug kingpin known as El Chapo, is extradited to the United States, he might face two formidable witnesses: identical twin brothers, former drug traffickers on a major scale, who gathered evidence against him for government prosecutors. Jack Handey tells some “Tales of Old Santa Fe,” where the cowboy past collides with the New Age present. And David Remnick talks with Alicia Garza, who co-founded Black Lives Matter, about the movement’s goals, and her issues with Hillary Clinton.

Sarah Koenig, the host of “Serial,” talks with David Remnick about why her podcast’s success caught her by surprise. Robin Coste Lewis, who recently won a National Book Award, explains how a devastating injury damaged her brain, but aided her poetry. And Jelani Cobb goes back to his high school.

What's the funniest way to spook a horse? Cartoonists Matt Diffee and Emily Flake give us a behind-the-scenes glimpse of how jokes get made. Then, comedian Aziz Ansari critiques Hollywood’s casting habits. Journalist Rukmini Callimachi shares her insight into how ISIS views itself. And the screenwriter and director Charlie Kaufman talks puppet sex and existential dread during a tour of the Whitney Museum.

Lenny Shiller owns some of the most recognizable cars around; his vintage vehicles have been appearing in movies for years (often with Lenny at the wheel). We’ll visit the garage in Brooklyn they call home. A black woman raised in a white family searches for the biological father she never knew, a man known as Big Brown, while coming to terms with her race.

Mark Singer had the temerity to write about Donald Trump, and Trump wanted revenge -- but just who came out on top? Sofia Coppola talks about working with Bill Murray on a Christmas special. And we offer safety tips on how to operate your new drone.

On shows as different as “Jessica Jones,” “Unbreakable Kimmy Schmidt,” and “Game of Thrones,” characters confront sexual violence in ways never shown before on television. Emily Nussbaum, The New Yorker’s television critic, thinks this is probably a good thing. Robert Glasper is a jazz pianist who explains why sometimes you don’t need to take a solo. And a troubled man takes to the water for a series of adventures, like something out of Mark Twain.

High school students in Queens mount a fraught election simulation, Salt Lake City’s openly gay mayor-elect talks about the Mormon Church, and Roger Angell speaks to David Remnick about writing in his tenth decade. And Lena Dunham tries to make plans with Allison Williams in “Let’s Get Drinks” -- it shouldn’t be this hard, should it?

Two interviews recorded live at the 2015 New Yorker Festival: Patti Smith talks with David Remnick about how her writing and music are intertwined, with a live performance of “Because the Night”; the fiction writers Jonathan Safran Foer and George Saunders interview each other.

George Booth started drawing cartoons when he was three-and-a-half years old. (His first was a race car stuck in the mud.) Now nearly ninety, he’s been contributing to The New Yorker for over forty-five years. He sat down with Matt Diffee, a fellow cartoonist who considers Booth his hero, to discuss the virtues of dogs versus cats, and other big questions of the cartoon world. “We are at war,” the French President, François Hollande, declared this week, after terrorists attacked Paris last Friday. David Remnick talks with staff writer George Packer about the banlieues of Paris, and how the the Iraq War hovers over Obama’s response to Syria. Sylvia’s, the soul food institution in Harlem, has ridden waves of change, from the riots of the 1960s through the gentrification of our time. Family-owned businesses are increasingly a thing of the past in New York, but Sylvia’s keeps coming out on top. Tayshana Murphy was eighteen when she was killed. She was the victim of a feud between two housing projects that has been going on for decades. Her father, Taylonn Murphy, has dedicated his life to ending the cycle of retribution and creating a safe space for young people in Harlem. New York City is believed to have one of the highest concentrations of endangered or ‘dying’ languages of any place in the world, and Daniel Kaufman, a linguist, wants to try to save them. Judith Thurman introduces us to Kaufman and the Endangered Language Alliance.

What is it like to grow up with twenty siblings? When Sue and Hector Badeau considered the lives of children in foster homes, which are often traumatic, they felt that had to do something, and eventually adopted twenty in addition to their two biological kids. Larissa MacFarquhar reports on a family shaped by extreme compassion. When William Finnegan isn’t covering conflicts in places like Mexico, Sudan, and Somalia, he goes surfing. It’s been his hobby for half a century, and, on a recent morning, he gave David Remnick, the editor of the magazine, his first and only surfing lesson. Elizabeth Kolbert is a staff writer who has been writing about the environment for years, and has covered many international talks on climate change. She tells David Remnick why the upcoming U.N. conference in Paris could really matter. Finding money on the ground isn’t a bit of luck for Roger Pasquier—it’s the result of diligent effort and skill. Pasquier, who is an ornithologist, pulls in around a hundred dollars a year in spare change, but he doesn’t do it for the money.

The hacker group Lizard Squad ruined Christmas for a lot of people last year when it hacked into Sony and Microsoft servers and rendered new PlayStations and Xboxes temporarily unusable for online gaming. Soon after, the hackers starting selling an inexpensive program that anyone could use to block a Web site. Vauhini Vara, a contributor to The New Yorker’s Web site, talked to Vinnie Omari, a hacker who has been associated with Lizard Squad, about the group. This week concludes Jill Lepore’s three-part story about a woman’s search for the biological father she never knew. He was known as Big Brown, a Greenwich Village street poet whose work Bob Dylan described as “the best poetry I ever heard.” This final installment of “The Search for Big Brown” explores the connection among Brown, Dylan, and rap. David Remnick, the editor of The New Yorker, speaks with Gloria Steinem about Hillary Clinton, Black Lives Matter, and a fundamental question for activists: which comes first, changing hearts or changing laws? Steinem also talks about her new memoir, “My Life on the Road,” and why she decided to change her book’s title. And staff writer Rebecca Mead discusses two of her current obsessions: the soundtrack to the Broadway hit “Hamilton,” and a classic novel by a man without children that offers surprising insights on motherhood.

Amy Schumer began her career playing a deranged, rich party girl. With three seasons of her Peabody Award-winning series Inside Amy Schumer now complete, Schumer has since shifted to a more deliberate agenda, one that’s earned her the favor of Hillary Clinton and her distant relative, Senator Charles Schumer. The New Yorker’s editor David Remnick spoke with Schumer about her evolution as a comic and a feminist spokesperson, and how she’s reconciled the desire for laughs with a changing climate of political correctness. In the second installment of staff writer Jill Lepore’s story “The Search for Big Brown,” Lepore’s childhood friend Adrianna Alty starts learning about her biological father, a black street poet whose time in Greenwich Village in the 1960s brought him the admiration of Bob Dylan. Some of the rumors seem to pan out, but the man remains elusive. For many Americans, Univision journalist Jorge Ramos first came to public prominence after Donald Trump kicked him out of a campaign event in August. But for Spanish speakers, Ramos has been one of the most recognizable and respected voices in the media for decades. New Yorker staff writer William Finnegan asked Ramos about the Republican party’s stance on immigration, and why he engages with people who seem to hate him. Then, writer Carolyn Kormann tries out Bird Genie, a new app that attempts to make birding easier by capturing snippets of songs in the field and comparing them to existing recordings. The app’s creator, Tom Stevenson, joins Kormann for some technologically assisted birding in Brooklyn’s Prospect Park.

In The New Yorker Radio Hour’s début episode, the magazine’s editor, David Remnick, speaks with Ta-Nehisi Coates, the author of “Between the World and Me,” about the profound influence of James Baldwin on his writing and why he’ll always be wary of optimism. Jill Lepore, a staff writer at The New Yorker, introduces us to a childhood friend who was one of the only people of color in their small New England town. This is the first part of a three-part story, “The Search for Big Brown.” Kelefa Sanneh, who is also a staff writer, takes a day trip to a suburb of Philadelphia to visit Spraynard, a pop-punk band. Most of their friends have moved into the city, but the members of Spraynard stayed to try to create a punk scene in their home town. Boarding a plane just got even more chaotic in a Shouts & Murmurs written by George Meyer and performed by Allison Williams, from “Girls,” that imagines a farcical airport scene. And Evan Osnos, who writes about Washington for the magazine, talks about sexism in politics with Senator Kirsten Gillibrand, of New York.

One of the nation’s most celebrated magazines comes together with New York’s flagship public radio station to create a new weekly radio program and podcast. What’s it all about?