The Kitchen Sisters Present

Before the availability of the tape recorder and during the 1950s, when vinyl was scarce, ingenious Russians began recording banned bootlegged jazz, boogie woogie and rock ‘n’ roll on exposed X-ray film salvaged from hospital waste bins and archives. “Usually it was the Western music they wanted to copy,” says Sergei Khrushchev, son of former Soviet Premier Nikita Khrushchev. “Before the tape recorders they used the X-ray film of bones and recorded music on the bones, bone music.” “They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole,” says author Anya von Bremzen. “You’d have Elvis on the lungs, Duke Ellington on Aunt Masha’s brain scan — forbidden Western music captured on the interiors of Soviet citizens.” And we follow the making of X-ray recordings into the 21st century at Jack White’s Third Man Records in Nashville TN. Produced by The Kitchen Sisters and Roman Mars’ 99% Invisible

“Somewhere in the world there’s a Tupperware Party starting every 10 seconds.” And we’re going to one with The Kitchen Sisters. Parties. Rallies. Sales sessions. More than a way of storing leftovers in covered plastic bowls, for many it’s a way of life. Earl Tupper took the plastics he developed for WWII into post-war American kitchens. The Tupperware Party is one of the ways women have come together to swap recipes and kitchen wisdom, get out of the house and support each other’s entrepreneurial efforts. This story, which is used by instructors teaching audio classes around the country, was produced by The Kitchen Sisters in 1980, one of the first stories they created together. In this podcast the Sisters deconstruct the making of the piece and talk about the experiments and accidents that led to the development of their production style. We also hear from Tupperware historian Dr. Allison Clarke, Professor of Design Theory & History, University of Applied Arts, Vienna, and Tupperware consultant Lynn Burkhardt, and we hear vintage Tupperware ads from the Prelinger Archive—in a piece produced by Brandi Howell.

Nick Drake was a British singer songwriter from the early 1970s. His music has attracted a passionate, loyal following and influenced countless musicians. He’s often called a musician’s musician. But during his brief musical career he had little commercial success. Shy and private, Nick was never great on stage – but his guitar playing was brilliant and his songs were beautiful, melancholy, compelling. For years, he suffered from serious depression, and on November 25, 1974 he overdosed on anti-depressants. Thirty years after his death, Drake’s producer, Joe Boyd, gathered a group of musicians to pay tribute to Drake in a series of concerts and an accompanying record. In this episode of Fugitive Waves we go behind the scenes, into rehearsals, sound checks, and the making of Way to Blue: the Songs of Nick Drake.

Michael Baronowski was a 19-year-old Marine when he landed in Vietnam in 1966. He brought with him a reel-to-reel tape recorder and used it to record audio letters for his family back in Norristown, Pennsylvania. He was killed in action in 1967. Produced by Jay Allison & Christina Egloff as part of Lost & Found Sound.

When Sam Phillips sold Elvis’ contract in 1955 he used the money to start WHER, an all-girl radio station in Memphis, TN. In this episode we move from the pink plush studio in the Holiday Inn, with undies hanging on clotheslines in the lobby, into the 1960s and a new studio in the Mid-City building, Memphis. Set against the backdrop of the civil rights movement, the women’s movement, Vietnam, and the death of Martin Luther King—the story of WHER continues following the women who pioneered in broadcasting as they head into one of the most dramatic and volatile times in the nation’s history.

When Sam Phillips sold Elvis’ contract in 1955 he used the money to start an all girl radio station in Memphis, TN. Set in a pink, plush studio in the nations’ third Holiday Inn, it was a novelty—but not for long. He hired models, beauty queens, actresses, telephone operators. Some were young mothers who just needed a job. WHER was the first radio station to feature women as more than novelties and sidekicks. The WHER girls were broadcasting pioneers. From 1955 into the mid-1970s they ruled the airwaves with style, wit and imagination. “WHER was the embryo of the egg,” said Sam Phillips. “We broke a barrier. There was nothing like it in the world.”

April 1993: A small village in Sicily prepares for the first visit of 78-year-old baseball legend Joe DiMaggio to the town where his parents were born and raised. Fishermen, artisans, grandmothers — some 3,000 villagers brush up on The Yankee and Marilyn Monroe. Italian and American flags are strung from the buildings, two thousand baseballs are purchased for Joltin’ Joe to autograph. A feast of sea urchins, calamari, pasta sarda and marzipan is cooked in his honor. Nearly the entire annual budget of the town is spent preparing to celebrate the homecoming of the Yankee Clipper. The Mayor, the City Council, the Police Commissioner and hundreds of other Sicilian well wishers gather at the airport in Palermo waiting to greet their “native son”. But he never comes.

As construction commenced in 1968 on the largest building project since the pyramids, questions and controversies swirled around Lower Manhattan. How tall? Why two? What’s a slurry wall? A kangaroo crane? Where are the small businesses going to go? What’s a world trade center and who needs it anyway? Guy Tozzoli, the Port Authority visionary behind the building of the Twin Towers, had an inspiration—”Construction Guides.” Friendly co-eds in mini-skirt uniforms were posted at corner kiosks on the site to inform an inquiring public and put a pretty face on a controversial issue.

Robert King Wilkerson was imprisoned at Louisiana State Penitentiary in Angola, Louisiana for 31 years. Twenty-nine of those years he was in solitary confinement. During that time he created a clandestine kitchen in his 6×9 cell where he made pralines, heating the the butter and sugar he saved from his food tray over a tiny burner concocted from a Coke can and a toilet paper roll. King and two of his friends started a chapter of the Black Panthers in Angola Prison during the 1970s. King’s case was overturned in 2001 and he was released. He lectures around the world and makes candy — which he called Freelines — to bring attention to issues of prison reform and the plight of The Angola Three. King was living in New Orleans during Katrina, refused to leave his dog, and weathered the storm in his apartment. Two weeks in, his friends from Austin bought a boat and went in to get him.

Everyone in San Quentin calls him Wall Street. Curtis Carroll aka Wall Street teaches his fellow prisoners about stocks. Through friends and family on the outside, he invests and he’s also an informal financial adviser to fellow inmates and correctional officers. When Wall Street was put in prison almost two decades ago he couldn’t read or write. One day he stumbled on the financial section of the newspaper thinking it was the sports section, which his cellie used to read to him. An inmate asked him if he played the stocks. “I had never heard the word before,” says Wall Street. “He explained to me how it works and said, ‘This is where white people keep their money.’ When he said that I said, ‘Whoa, I think I stumbled across something here.’ ” Wall Street taught himself how to read and write beginning with candy wrappers and clothing logos. Today he pores over financial news: the Wall Street Journal, USA Today, Forbes. Business is like a soap opera, he says, and he’s always trying to anticipate what will happen next. “I like to know what the CEO’s doing,” he says. “I like to know who’s in trouble.” Wall Street doesn’t have access to a computer or the Internet, so he calls his family members to check the closing prices for the day, and he tells them what to buy. “I’m in prison, but I’m on just the same playing field as Warren Buffett,” Carroll says. “I can pick the exact same companies. I can’t buy as many shares, but technically we’re just the same.”

The Braveheart Women’s Society, a group of Yankton Sioux grandmothers and tribal elders, have re-established an almost forgotten coming of age ritual for young girls—the Isnati, a four day traditional ceremony on the banks of the Missouri River in South Dakota. The girls learn to set up their own teepee, collect traditional herbs and flowers used for remedies. They are not allowed to touch food or feed themselves for four days; they are fed and given water by their mother or other women at the ceremony. They are being treated as babies for the last time in their lives. One of the grandmothers makes each girl a special dress. On the last day of the ceremony, the girls, one at a time, go into the teepee with their mother or their auntie who bathes them and dresses them and does their hair. The elder tells the girl stories about what she was like as a baby, how beautiful she is and about the hopes and promises for her future.The girls prepare sacred ceremonial food and feed their community. She’s given a new name and is presented to the the community as a woman.

Horses and dolphins and unicorns—creatures that possess the imagination of so many young girls—borderland creatures—gateway animals to other worlds. “They let us be cowgirls and oceanographers and mermaids and princesses, wizardessess.”

Willie Nelson and Dallas-born actress Robin Wright, along with some wild and extraordinary tellers, take us across Texas and share some of their hidden kitchen stories. Gas station tacos, ice houses, the birth of the Frito, the birth of 7-Eleven, the birth of the frozen margarita, and more.

John Steinbeck called it the “Mother Road.” Songwriter Bobby Troup described it as the route to get your kicks on. And Mickey Mantle said, “If it hadn’t been for Highway 66 I never would have been a Yankee.” For the Dust Bowl refugees of the 1930s, for the thousands who migrated after World War II, and for the generations of tourists and vacationers, Route 66 was “the Way West.” Route 66, the first continuously paved highway linking east and west was the most traveled and well known road in America for almost fifty years. From Chicago, it ran through the Ozarks of Missouri, across Oklahoma and the Texas Panhandle, up the mesas of New Mexico and Arizona, and down into California to the Pacific Ocean. The first road of it’s kind, it came to represent America’s mobility and freedom—inspiring countless stories, songs, and even a TV show. In part II of Route 66, Studs Terkel reads from “The Grapes of Wrath” and comments on the great 1930s migration along Highway 66. We hear from black and white musicians including Clarence Love, head of Clarence Love and his Orchestra, Woody Guthrie, and Eldin Shamblin, guitar player for Bob Wills and his Texas Playboys—who remember life on the road for musicians during the 1930s. We travel the history of the road from its beginnings as “The Main Street of America,” through the “Road of Flight” in the 1930s, to the “Ghost Road” of the 1980s, as the interstates bypass the businesses and road side attractions of another era. Produced by The Kitchen Sisters and narrated by actor David Selby.

The birth of the Main Street of America—songwriter Bobby Troup tells the story of his 1946 hit Get Your Kicks on Route 66; Gladys Cutberth, aka Mrs. 66 and members of the old “66 Association” talk about the early years of the road. Mickey Mantle explains “If it hadn’t been for US 66 I wouldn’t have been a Yankee.” Stirling Silliphant, creator of the TV series “Route 66” talks about the program and its place in American folklore of the 60s.

For Memorial Day — a portrait of life on the homefront during World War II featuring 4 women’s stories, rare home recorded letters sent overseas to soldiers, archival audio, music and news broadcasts from the era.

Theresa Sparks has lived more than one life. Born a guy’s guy, a man’s man, cowboy boots, motorcycles, a stint in the army, married his childhood sweetheart, kids, big successful business. But the truth was more complicated than that. In this episode one of San Francisco’s most respected and outspoken transgender activists tells her truth, that she was walking around in the wrong suit for 50 something years. “Transparent” years before the series saw the light of day.

The worlds of a young Canadian immigrant, an Italian pasta-making family, and a 70-year-old survivor of the Armenian Genocide converge in this story of the San Francisco Treat. A Canadian women (Lois DeDomenico) marries an Italian immigrant (Thomas DeDomenico) whose family started Golden Grain Macaroni in San Francisco. Just after WWII the newlyweds rent a room from an old Armenian woman (Pailadzo Captanian) who teaches the young pregnant 18 year old woman how to cook. Yogurt, baklava, pilaf… After about 4 months the young couple move into their own place. A few years later, Lois’ brother-in-law is eating over at her house— looks down at the pilaf on his plate and pronounces: “This would be good in a box.” Prepared and packaged foods are just beginning to come on strong. They name it Rice-A-Roni. During those hours in the kitchen the old Armenian woman cooks and tells the younger women the story of her life — her forced trek from Turkey to Syria, leaving her two young sons with a Greek Family, her husband’s murder, the birth of her baby along the way (his name means child of pain), the story of the genocide. Mrs. Captanian shows Lois a book she wrote in 1919, directly after her experiences—one of the only eye-witness accounts written at the time. Most were published 30-40 years later by survivors. This one was published in 1919 for the Paris Peace Talks in hopes that it would help provide context for the establishment of an Armenian state.

Potlucks, church picnics, fish fries, family reunions — during the 1930s writers were paid by the government to chronicle local food, eating customs and recipes across the United States. America Eats, a WPA project, sent writers like Nelson Algren, Zora Neale Hurston, Eudora Welty, and Stetson Kennedy out to document America’s relationship with food during the Great Depression.

Eddie McCoy owned a janitorial service in Oxford, North Carolina, a tobacco town of some 10,000 people. When he was badly injured in a car wreck, frustrated and unable to work, a doctor told him, “Try using your head instead of your hands.” Eddie took his passion for local history and a scavenged cassette recorder from a trash can and began taping his town. Eddie records the who, what, when, where and why of slavery times, sharecropping, the civil rights era, and of who poured the first concrete in Oxford. Produced by The Kitchen Sisters and Leda Hartman

In 2001, a quarter-century after boxing’s celebrated “Thrilla in Manila,” Ali and Frazier were once again poised to enter the ring. But this time it was the daughters of the legendary combatants scheduled to battle at the Turning Stone Casino on the Oneida Indian Nation in upstate New York. Laila Ali, 22-year-old daughter of Muhammad Ali; and Jacquelyn Frazier-Lyde, 39-year-old daughter of Joe Frazier. The 2001 bout, broadcast on pay-per-view TV, was billed as “Ali vs. Frazier IV” —a continuation of the blood feud that fueled their fathers’ three title fights in the 1970s. A behind the scenes glimpse of the “Daughters of Destiny,” from the trash-talk of the press conferences to the sweat of the training camps.

Lawrence Ferlinghetti wrote a poem about them. Amy Tan’s mother was serenaded by them as she lay in state. Jessica Mitford’s memorial procession was led by them. And more than 300 Chinese families a year hire the Green Street Mortuary Band to give their loved ones a proper and musical send-off through the streets of Chinatown.The band traces its roots back to 1911 and the Cathay Chinese Boys Band, the first marching group in Chinatown.

In the early 1950s, at the same time legendary record producer Sam Phillips was making recordings of the pageants and events happening in Memphis’ white community—across town, R.A. Coleman, an African American photographer, was making recordings of the black community—weddings, church choirs, nightclubs and dance halls.

A look into the life of Taylor Negron—actor, comedian, and telephone message hoarder—told through the voicemails on his machine. We produced this piece with with Taylor’s dear friend producer Valerie Velardi in 1999 as part of the Lost & Found Sound series on NPR. Taylor died on January 10, 2015. We present this story in his honor.

Before Elvis walked through the door, before Sun Studios put Memphis on the map—Sam Phillips, a young man with a tape recorder, lived by the motto, “We Record Anything, Anywhere, Anytime.” Weddings, funerals, marching bands, the Miss Memphis Pageant—Sam recorded them all—anything to keep his fledgling Memphis Recording Service open to record Howlin’ Wolf, B.B. King, Little Junior, Ike Turner, Carl Perkins, Johnny Cash, Roy Orbison, Elvis Presley. The raw and rocking, unrecorded music of the 1950s South.

She rose every day at dusk and rehearsed, performed, ate and drank until dawn. Then slept all day, woke up and began to create and unravel again as the sun went down. Nearly every song Edith Piaf sang came from a moment of her life on the streets of Paris. She would tell her composer and musician lovers a story, or describe a feeling or show them a gesture and they would put music and words to her pain and passion, giving her back her own musical autobiography. Charles Aznavour, Francis Lai, Georges Moustaki, Henri Contet, some of France’s great musicians and writers recall their nights with Edith Piaf.The Nights of Edith Piaf was Produced by The Kitchen Sisters in collaboration with Raquel Bitton, who hosts and translates the program.

Narrated by Andy Garcia. At the turn of the century until the 1930s in the cigar factories of Tampa and Ybor City, a well dressed man in a panama hat with a loud and beautiful voice sat atop a platform and read to the cigar workers as they rolled. These readers, known as Lectores de Tabaqueres, read Cervantes, Zola, Victor Hugo, Karl Marx, Jules Verne…. It was the voices and words of these lectores – before radio and mechanization, who informed, organized, and incited the cigar workers, who labored by hand until the 1930s, when both the rollers and readers were replaced by mechanization. A lost tradition of story and smoke.

Part 3 of the Hidden Kitchens World Trifecta with host Frances McDormand: Hidden Kitchens Russia, stories of the role of the kitchen in the downfall of the Soviet Union.

Part 2 of the Hidden Kitchens World Trifecta with host Frances McDormand and special guests Werner Herzog, Gael Garcia Bernal and Stories of Atomic Wine and The Romance and Sex Life of the Date.

A Hidden Kitchens World Podcast Trifecta with Frances McDormand and The Kitchen Sisters. In this episode Salman Rushdie talks about his Hidden Kitchen. We travel to Sicily for The Pizza Connection—a story of fighting the mafia through food. And on to England for the seldom heard saga of a small dog bred to run in a wheel that turned a roasting spit in medieval kitchens—The Turnspit Dog: The Rise and Fall of the Vernepator Cur.

Just about anytime we walk out of The Kitchen Sisters office in San Francisco we stop and stare in the windows of City Lights bookstore, soaking in the covers of the new arrivals. A while back, we were stopped in our tracks by a book of photographs of Patti Smith – Patti staring down the camera, holding a movie camera herself. It turns out Patti wasn’t just the muse of photographer Robert Mapplethorpe in the Sixties, she was also muse and model for Judy Linn, an art student and budding photographer in New York.Paging through Patti Smith 1969-1976, we discovered Judy had that not only photographed Patti, she had made a super-8 movie too, as the two young women created a world together. The movies were missing, but the soundtracks remained. Lost and found sound, we thought. Got to hear those recordings, got to meet that photographer. And we did.

The story of three pioneering river activists and the damming of wild rivers in the west. Ken Sleight, now in his late 80s, is a long time river and pack guide in southern Utah who fought the damming of Glen Canyon and filling of Lake Powell. The inspiration for Ed Abbey’s character Seldom Seen Smith in his book The Monkey Wrench Gang, Sleight is currently working on the campaign to remove Glen Canyon dam. Katie Lee, born 1919, a former Hollywood starlet, ran the Colorado through Glen Canyon long before it was dammed and in 1955 was the 175th person to run the Grand Canyon. An outspoken conservationist, singer and writer, she has spent her life fighting for rivers. Mark Dubois, co-founder of Friends of the River, Earth Day and International Rivers Network, began as a river guide who opened up rafting trips to disabled people in the 1970s. Dubois protested the damming and flooding of the Stanislaus River by chaining himself to a rock in the river as the water rose.

The Kitchen Sisters ride the nightshift with The Homobile. Homobiles is a non-commercial, volunteer, 24/7 ride service created by Lynne Breedlove for the LGBTQ+ community and others around San Francisco who feel the need for safe, dependable rides, outside traditional services. “Moes getting hoes where they needs to goes,” is their motto. Homobiles is for people who feel at risk because they don’t conform to sexual or gender norms and have been targets of rudeness or shame or violence, says Lynne. Homobiles is a network of independent drivers who pilot their own cars, a non-profit organization that caters to this underserved, and sometimes harassed community in the Bay Area. This community car service operates on donations. No one is turned away for lack of funds. Homobiles has been called “Uber for Drag Queens,” but with a mission that is social, not financial.

Shirley Temple died on February 10. 2014. Watching the parade of clips from her 1930s movies on TV that night brought back the magic she had as a child to delight and entertain. How many hours did we spend watching her tap her way through hard times and good? It was actually Shirley Temple who triggered the story you’re about to hear. The year was 1999. I had been getting manicures for awhile at a Vietnamese nail shop in San Francisco from a woman named Shirley. Over the months I had come to know her a bit, she would ask about our radio shows, I would ask about her daughter Crystal. One day as we talked it occurred to me, why is this woman named Shirley? She is from Vietnam. There are no Shirley’s there. When I asked how she came to be Shirley she told the most harrowing story of her passage to America as a young girl, her separation from her brother and mother as they escaped Vietnam by boat, how she washed ashore in America alone, sick and scared out of her mind, speaking no English. She said in Vietnam her name was Hang, which means ‘Lonely woman looking at the moon.” Hang was hospitalized. In the hospital room she watched the black and white TV on the wall. Over and over she saw a little girl dancing, who was happy. She told herself she had to stop crying for her mother and brother. She was in America. She had to be happy too. Someone told her the little girl’s name was Shirley, Shirley Temple. So she took that name. Shirley led us into her world. We spent months in Vietnamese nail salons, chronicling the lives of the women working there. Today we call this story “French Manicure: The Long Shadow of Shirley Temple” Listen…..

The Kitchen Sisters take us to a little-known, hidden corner of London — to Eel Pie Island, a tiny slice of land in the middle of the Thames. Now a small bohemian community of artists, inventors, river gypsies and boat builders, on the edge of Twickenham, Eel Pie Island has a flamboyant history that stretches from Henry VIII to The Rolling Stones. Eel Pie Island is produced by The Kitchen Sisters with Nathan Dalton, mixed by Jim McKee / The Hidden World of Kate McGarrigle, produced by the Kitchen Sisters Fugitive Waves is produced by The Kitchen Sisters in collaboration with Tom Corwin

In 1947 Tennessee Williams and his lover Pancho stepped into a recording booth at a penny arcade in New Orleans and recorded 8 cardboard discs. Lost in a trunk under a friends bed for some 50 years, The Kitchen Sisters unearth these forgotten Pennyland Recordings and tell the story of Tennessee’s fugitive waves. Fugitive Waves is produced by The Kitchen Sisters in collaboration with Tom Corwin and mixed by Jim McKee

Look around your daily life. There’s a little piece of Thomas Edison almost everywhere. Your desk lamp. That x-ray you got when you broke your arm. The battery in your car. The movie you saw last night. The recording of this story that you’re about to hear… Welcome to Fugitive Waves. Today, a story from our Lost & Found Sound series on NPR, The Rise and Fall and Rise and Fall and Rise of Thomas Alva Edison. Fugitive Waves is produced by The Kitchen Sisters in collaboration with Tom Corwin and mixed by Jim McKee