The Jet Set Breakfast

PETROLHEADMOTORING WITH NICO SMIT (IN-STUDIO)

GUEST: TRACEY ROSE - Artist

GUEST: SIYA MTHEMBU - Lead Singer The Brother Moves OnSONGS: “BAYAKHALA” & “SWEETIE LOVE OH”

Zola gives praise to the uniquely South African seven-colour (or several-colour) concept with a selection of more simply delicious recipesthat tap into the heart of our food nostalgia, with a focus on goingback to basics. The idea of Simply Seven Colours is for you to create your ownunique seven-colour menu, by picking recipes from different chaptersor ‘colours’. From green, yellow, orange, brown, white, red, a rainbowof colours and, of course, desserts to round off your seven-colourmeal, this book is sure to bring you more simply delicious joy. GUEST: ZOLA NENE - Chef

The Wheelchair Division will make its debut at the 2022 Cape Town Marathontaking place on 16th October. Entries close on 12 September. GUEST: RENEE JORDAAN : Race Director of the Sanlam Cape TownMarathon

SAfm Celebrates Heritage Month with a live Broadcast in the North West nextSaturday 17th September. The unveiling of the memorial for Africa’s FirstOlympians Len Taunyane and Jan Mashiane at the Cedar Heritage Lodge.Unveiling of the memorial of Africa’s first Olympian GUEST: Sarah Ripley Forsyth – General Manager at Recreation Africa LeisureIndustries

GUEST: Kseniya Filinova-Burton – Founder of the Shakespeare Schools Festival

CLUE: A diverse collection of heritage museums that includes an1848 farm and wagon house that still stands today. ANSWER: DITSONG: Pioneer Museum. The Pioneer Museum in Silverton is part of DITSONG: Museumsof South Africa, a family of eight museums across Tshwane andJohannesburg. Today the DITSONG: Pioneer Museum in Silverton will be hostingSelaelo Selota’s inaugural One Country Concert. GUEST: LEMOHANG ZINCUME - Marketing Manager at ManagerDITSONG: Museums of South Africa

The Calendar of African History WWW.AFRICATODAYYESTERDAY.ORGhas been launched GUEST: JAMES HALL - Writer, Historian and Editor of The Calendar ofAfrican History www.africatodayyesterday.org

Guest: Ngaire Blankenberg- Director, National Museum of African Art Founded as a small museum on Capitol Hill in 1964, the museum became a part of the Smithsonian in 1979 and, in 1987, it moved to its current location on the National Mall. Guest: Luke Radolf- Luke Rudolf was born in 1977 in London where he lives and works. Rudolf’s paint-ings juggle digital and traditional mark-making to create enigmatic figures entan-gled in a kinetic matrix of lines and planes. While there are recognisably modernist elements, Rudolf tests the limits of painting by engaging digital techniques. Exhibitions include Screen Space, Slate Projects, London in (2014), Luke Rudolf, Kate MacGarry, (2012), Newspeak: British Art Now pt.2, Saatchi Gallery, Lon-don, TAPEWORM, Neon Parc, Melbourne, Luke Rudolf, Kate MacGarry, London and The Library of Babel / In and Out of Place, 176/Zabludowicz Collection, Lon-don, all 2010. https://www.lukerudolf.com Guest: Nelisiwe Xaba- Nelisiwe Xaba was born and raised in Soweto and is currently based in Jo-hannesburg, South Africa. She is a celebrated contemporary dance chore-ographer whose multi-media projects tour extensively and have brought her international acclaim. She collaborates with artists in and outside of her me-dium. Most notably, with fashion designer Carlo Gibson of Strangelove, cho-reographer Kettly Noel and film director Mocke J van Vueren for which they received a 2013 FNB Art Fair prize. Her body of work is politically driven and challenges stereotypes of the black female body and cultural notions of gen-der mainstreams. Xaba is currently represented by the Goodman Gallery in South Africa. Ngaire Blankenberg is the director of the Smithsonian’s National Museum of African Art, A premiere museum devoted to the arts of Africa. The museum’s collection of more than 12,000 objects represents nearly every area of the continent of Africa and contains a variety of media and art forms. Previously, Blankenberg was a consultant for museums and cultural destina-tions around the world, finding innovative ways to connect cultural resources to new audiences and -reimagining the museums of the future. She has advised clients on concept development, operations and business planning, programming, stakeholder and public engagement and more. Her recent consulting clients include the National Gallery of Canada, Superblue, Museum and Archive of the Constitution at the Hill (Johannesburg), the Ca-nadian Museum for Human Rights, MEG—Musée d’ethnographie de Ge-nève, Olympique de Marseille football club and other global and local institu-tions. In 2017, Blankenberg served as the head of content and strategy for Kossmanndejong, an Amsterdam-based design agency where she helped museum clients shape their interpretive approach to exhibitions, strategic planning, new business development and content development. Previously, she spent eight years (2008–2016) at Lord Cultural Resources as a principal consultant. From 2015 to 2016, she served as the director of Lord Cultural Resources in Europe. In addition to her extensive work consulting for museums and cultural herit-age sites, Blankenberg is an award-winning TV and documentary producer and director, public speaker and a published author. Blankenberg holds a Master of Arts in media and cultural studies from the University of Natal, in Durban, South Africa, and a bachelor’s degree in jour-nalism from Carleton University in Ottawa, Ontario, Canada. She succeeds Augustus Casely-Hayford, who was director of the museum until March 2020. Deborah Mack from the Smithsonian’s National Museum of African American History and Culture has served as the interim director of the museum.

Guest: Dr. Sian Tiley-Nel, Head of the University of Pretoria Museums NEW BOOK ON MAPUNGUBWE ARCHIVE "PAST IMPERFECT: The Contested Early History of the Mapungubwe Archive, South Africa" by Sian Tiley-Nel. Guest: DR. SIAN TILEY-NEL - Head of University of Pretoria Museums Mapungubwe is a world heritage site and national park located on the border be-tween South Africa, Zimbabwe and Botswana. From about 1000 AD the settlement there developed into a major African state before being abandoned by the 1300s. Mapungubwe has been the subject of diverse scientific enquiry and archaeological research since the early 1930s. As a heritage site, however, it challenges colonial, nationalist and apartheid views of prehistory. The vast global trade that’s evi-denced by masses of trade glass beads and local artisanship of metals at Mapun-gubwe shows that Africa was not a ‘dark continent’, devoid of technology and inno-vation. Mapungubwe’s prehistory was excluded during apartheid to support more Eurocentric views of South Africa’s past. Now a new book, Past Imperfect, offers a study of this archive of research and reveals gaps, silences and missing voices, some deliberately erased. The author, a curatorial specialist, historian and archae-ologist, Sian Tiley-Nel, discusses her findings. What is the Mapungubwe Archive? For more than two decades the Mapungubwe Collection has been on public dis-play at the University of Pretoria. The world-class collection, including a famous gold rhino and other significant materials, is a critical research collection for the precolonial era. It has been viewed by hundreds of thousands of people since be-ing made more accessible after 1999 at the University of Pretoria. The same cannot be said for the associated Mapungubwe Archive, which for dec-ades lay in departmental storerooms at the university in boxes, as old papers and ageing photographs. As an academic, historian and conservator, I was responsible for the archive, which was often unfunded and unvalued as a research asset. It was only in 2018, when I submitted a grant application to the US Ambassadors Fund for Cultural What was neglected and what would the missing voices tell us? The gaps, silences and missing voices in the Mapungubwe Archive usually indi-cate highly selected material that was deliberately not kept and is most probably in private possession or was simply destroyed. There were missing letters, photo-graphs and other content. There were gaps in the archive chronology, no field re-ports and the like. Some of the Mapungubwe Archive material is related to when the site was used as a military terrain on the farm Greefswald. Many military rec-ords are tied up in the Department of Defence and some still have an embargo. Other forms of missing narratives outlined in the book refer to the neglect of oral history and indigenous knowledge of Mapungubwe Hill as a sacred site by local communities. Fortunately the recognition of community voices has increased over the decades. Is this the case in many archives in South Africa? Sadly, the destruction, reckless handling and poor conservation efforts of historical records is notable and widespread even today, globally. The book acknowledges upfront the loss of countless important South African archives over years, not just by research institutions, but by government, private and public institutions as well. Yet the fact remains that the Mapungubwe Archive does exist. Even if with gaps and omissions, it remains one South Africa’s greatest heritage archives for the continent

Guest: Nokulinda Mkhize, Sangoma, Writer In her debut book Ancestory, Nokulinda Mkhize distils a lifetime of insights from her family and community life, as well as her experience as isangoma. WORD DOMINATION NOKULINDA MKHIZE'S DEBUT BOOK ANCESTORY GUEST: NOKULINDA MKHIZE - Sangoma, Writer In her debut book Ancestory, Nokulinda Mkhize distils a lifetime of insights from her family and community life, as well as her experience as isangoma. " I am in-spired and honoured to be able to share information, insights and knowledge from my life in my community, and as isangoma, that enriches the quality of people’s lives,” says Mkhize. Ancestory is a work of reclamation and remembrance. It draws on the timeless wis-dom of African forms of knowing and seamlessly integrates history, research and folklore, as well as centuries of cultural intelligence

Guest: Debbie Engelbrecht – Executive founder of Up To Me

Guest: Wesley Diphoko – Editor in Chief of Fast Company

Guest: Xhanti Payi – Economist

Guest: Isabella Silva – Founder of Teen Matt

Guest: Prof. Jason Buck - Assistant Professor in the Department of Biology at Austin University.

Guest: Craig Reid – Park Manager

Guest: Lungi Morrison – Associate Director

GUEST: Simon Capon – Business Director at Gonarezhou Conservation Trust

Guest Presenter: Dr Mandla Langa – Author Guest 1: Lisa Combrinck Guest 2: Andries Oliphant

Word Domination: Book Review: The Eye of the Beholder – Margie Orford

Guest: Thandiwe Mchunu

Guest: Teboho Motsatse

Guest: Olefile Masangane

Guest: Toby Shapshak – Publisher of Stuff and Scrolla.Africa

Guest: Lehlohonolo Ditshego – Sports Journalist

Guest: Wendy Weyer- Henderson – Community Member

GUEST: Vittoria Jooste - CEO of the SA Olive Industry Association

GUEST: Jan Arkert – Geologist

Gavin Cocker – Former Captain of the team in the 2015 World Cup and current coach

Guest:Nico Smith

Guest: Lungi Morrison – Associate Director

GUEST: Emilia Potenza – Museum curator

Wits University celebrates its centenary with curated events Guest: Peter Berzone

Guest: Rob Ailgnham

GUEST: Msaki

Guest: Nico Smith

GUEST: ZENZI MAKEBA LEE - Singer-Songwriter

GUEST: KARABO LEGOABE – Producer and Operations Manager of the Jazz Workshops.

GUEST: Dr Desmond Oriakhogba - Senior Lecturer, Department of Mercantile and Private Law at the University of Venda

Guest: Thompson Mutshinyalo – Director of Gardens at South African National Biodiversity Institute.

GUEST: MANDLA SIBEKO - Director Art Joburg

GUEST: Charles Baloyi

Books that have shaped our world

Guest Presenter

Guest: Sibulele Makalima

Guest: Melusi Ncala - Senior Researcher at Corruption Watch

Guest: Sewela Langeni

Guest: Nabiella De Beer - Communications Manager DKMS Africa