The Incomparable Mothership

Get your cowboy hat and your favorite Radiohead playlist, because it’s time to venture into the park for our first-season review of HBO’s “Westworld.” Is Anthony Hopkins running Westworld the park or “Westworld” the show we’re watching? Why can’t the Man in Black take a hint? Who is good and who is evil? Are the hosts sympathetic characters or empty, scripted shells? (And can’t you ask that question that about any fictional character?) We provide some quick analysis and also ponder where the show might take us in season two.

As a new “Star Wars” movie nears its release, we turn our attention to some of our least favorite features of this franchise we love. Our panelists draft our least favorite Special Edition changes, retcons, Original Trilogy and “Force Awakens” elements, and more. Plus we each pitch a new “Star Wars” movie that can right a wrong in the existing canon.

We deconstruct and reconstruct the recent release “Arrival,” staring Amy Adams, Jeremy Renner, and Forest Whitaker, and based on a story by Ted Chiang that we discussed nearly 300 episodes ago. There’s praise for the story’s restraint, quiet tone, beautiful scenes of solitary obelisks in remote cow pastures, and realistic portrayal of its main characters. We also enter a spirited debate about the film’s sci-fi plot mechanism, the way its aliens (and alien language) are portrayed, and the morality of a choice that one character may—or may not—have made.

Submitted for your approval: A discussion of one of the finest and most influential television series of all time, “The Twilight Zone.” We dive into a few handpicked episodes and try to explain the reason why the show still resonates more than 50 years later. Is Anthony really just a misunderstood kid? Why do we hope that the Air Force re-uses its flying saucers? How much Shatnering is too much? And how many years should you let cherry brandy age? You’ll be shocked by the twist at the end of the story. (It turns out we were the monsters all along.)

The epic film about the early days of the space race, 1983’s “The Right Stuff,” is on the launch pad this week. What does the film say about modern mythmaking? Can you have too much Chuck Yeager? Is this peak Dennis Quaid? Why do astronauts have to be test pilots instead of demolition-derby drivers? We’ll figure it out. Let’s light this candle!

Live from the Now Hear This podcast festival in Anaheim, it’s our supervillain/monster draft. What makes a villain super? When is hating a monster actually just a misguided case of space racism? Who—other than Lex Friedman—is the greatest monster of all? It might be you! Listen to find out!

We’ve spoken many times about the great deal the Marvel Unlimited all-you-can-read comic subscription service can be… but if you’ve got tens of thousands of comics available to you, where do you start? We convened our Comic Book Club to come up with 20 suggestions—ranging from single issues to long runs and major events—that will help you make the most of a month or a year of Marvel Comics.

Leave the gun and take the cannoli—it’s time for us to discuss 1972’s “The Godfather,” truly one of the most lauded films of all time. We discuss why Al Pacino’s Michael Corleone is truly the main character, ponder how that horse head really got in that bed, marvel at how long it takes for news of assassination attempts to reach family members, explain the Vito Corleone retirement plan… and then drop our hands to our side and let the podcast slide naturally out of our hands.

We’ve done episodes where we’ve sat around and drunk beer before, but we always had the thin veneer of some other topic to guide us. This time, however, the topic of the episode is beer, and we’ve conscripted listener (and Almanac Beer co-founder) Jesse Friedman to select five different beers for us to imbibe and discuss. Is Jason a monster for liking dark beer? What will our panel think of the sour and bitter choices? What’s the difference between a lager and an ale? What makes dark beer dark? Jesse has the knowledge, and we let him share it while we drink the beer he bought us.

Our review of Pixar movies reaches 2010’s “Toy Story 3”, the first film in more than a decade for a bunch of classic characters. Are the toys traveling from purgatory to hell to heaven, Divine Comedy-style? Who’s working on that garbage truck? Does the climactic slide to death go too far? And yes, our panel of parents gets a bit weepy as Andy prepares to go off to college.

Our rocket surgeons take on 1981’s “Frankenstein Island,” Jason’s go-to bad movie from his high school days. What do balloons have to do with Frankenstein? What’s that brain doing in that tupperware container? Why are there zombies dressed like longshoremen? What is John Carradine doing? How did Jocko lose the eye? There are so many questions, but so few answers.

Get out your space pen and take the cat out of its hibernation chamber, because it’s time to take on the 1979 classic “Alien.” We discuss how the film cleverly layers sci-fi and horror movie conventions, discuss its initially slow pace, and speculate about the crew’s taste in underpants and footwear. Corporate android betrayals! Questionable parenting! Phallic concept art! Chest bursting! We break it all down.

We discuss Playdead’s video game “Inside”, a compelling and meticulously realized side-scrolling puzzle game with some amazing surprises along the way.

On the occasion of Star Trek’s 50th anniversary, we’re talking about one of our very favorite Star Trek movies: 1996’s “Star Trek: First Contact.” (What? We already did a two-parter about TOS!) Featuring zombie-like Borg, a time travel plot, and some great guest stars, it’s the definitive Next Generation movie.

After 20 years, we revisit Mary Doria Russell’s first-contact classic “The Sparrow.” It’s a story about aliens, spirituality, and why God allows terrible things to happen to good people. And boy, do terrible things happen to people in this book. (Content advisory: One of those things is sexual assault of humans by aliens.)

Old Movie Club returns with two classic films directed by Billy Wilder and starring William Holden: The darkly tragi-comic Hollywood story “Sunset Boulevard” and the dramati-comic World War II prisoner-of-war story “Stalag 17.” Monty pitches a “Sunset Boulevard” prequel featuring a butler and a chimp. We notice the similarities between “Stalag 17” and an enormous number of sitcoms and comedy films from the following 30 years.

There are a million stories in Kurt Busiek’s “Astro City”—and that’s why we love this comic-book anthology series. From alien invaders to creepy floating protectors to regular everyday people, the broad canvas of “Astro City” awards the reader with short stories and longer arcs. Plus: What are we reading?

Nope, Jason, John, Serenity, and Dan aren’t going to analyze the trailer for “Star Wars: Rogue One.” It’s not going to happen. It would take rebel podcasters, striking from a hidden studio, to bring this podcast to its knees…

Our Rocket Surgery series returns to the heady days of the ’90s, home of questionable cyberpunk movies, to watch Keanu Reeves in “Johnny Mnemonic.” How can a movie written by the godfather of cyberpunk, William Gibson, be such a disaster? We’ll fax you the answer.

Grab your Wrist Rockets and toast some Eggos—it’s time to talk Stranger Things! Even though only one of our panel was alive when the show takes place, we talk ’80s influences, our favorite characters, theories about Season 2, and much more. [Originally posted as TeeVee #187.]

We review “Star Trek Beyond,” the latest installment in the J.J. Abrams-produced “Star Trek” movie universe. What are the best cast pairings? Why was Idris Elba’s character in need of simplification? When does the spin-off about Jaylah in Starfleet Academy start filming? And what is this franchise’s best destiny?

Women instead of men! Slimer with a girlfriend! Dogs and hats living together! Mass hysteria! We review the 2016 version of “Ghostbusters.”

Strap in and prepare for the jump to lightspeed—it’s time for us to pick the very best (and weirdest) spaceships throughout film, TV, books, and more. Let’s hope this thing where we draft spaceships doesn’t get too nerdy!

We convene a panel to discuss the TV shows we’re watching and liking from the past year, and then take our traditional deep dive into the latest “Game of Thrones” season.

Our Rocket Surgery panel attempts to apply logic to “Cool Cat Saves the Kids,” an inexplicable educational film featuring a couple of people in animal suits, some music videos, parade footage, and many questionable lessons for children. But there are cameos by Erik Estrada and Vivica A. Fox! Anyway, our logic slides right off.

Professor Siracusa’s Anime class is back in session, as we watch two short films with similar themes, both by director Makoto Shinkai. First there’s “The Voices of a Distant Star,” which features a boy and a girl separated by light-years as she fights an alien scourge. Then there’s “5 Centimeters Per Second,” in which a boy and a girl are separated by… a long train journey. Both are beautiful explorations of teenage romantic angst and isolation, with images that will stick with our panelists for a long time.

Ride like the wind, Bullseye! Our survey of Pixar films continues with “Toy Story 2,” the movie that introduced us to that Pixar Moment. You know the one. (Bring tissues.) We also discuss the philosophy of the Toy Story movies, a bunch of amazing gags, the state of the art of computer animation in 1999, and a whole lot more.

We convene a panel of superhero TV experts to recap the past year’s superhero series, including “Arrow”, “The Flash”, “Gotham”, “Agents of SHIELD”, “Agent Carter”, “Daredevil”, “Supergirl”, “Legends of Tomorrow”, and “Jessica Jones.” (If you’re a complete spoiler-phobe, you may want to avoid some of these segments, though there is probably not a single character death or other twist that couldn’t be reversed at any point…)

We celebrate all of mutantkind with a broad discussion of Marvel’s Uncanny X-Men, especially the versions we grew up reading in comics. What makes their outsider status resonate? Where should new readers start? And we choose some of our favorite X-Men characters in a sequence of choices that is definitely not a draft.

Old Movie Club views two films produced—and some would say directed—by Howard Hawks. The fast-paced comedy “His Girl Friday” leads us off, followed by the original sci-fi horror film “The Thing from Another World.” Both feature snappy overlapping dialogue, but only one features a murderous alien carrot man.

It’s time for our annual survey of some of the best science fiction and fantasy novels of the year, as we read all seven of the nominees for the Nebula Award. If you’re looking for some new books to read, check out our discussion—we tread lightly on the spoilers.

After 300 episodes, we discuss how our media-consumption habits have changed because of the podcast. Then we shift gears for a couple of drafts, and we answer a bunch of questions from listeners.

Flash! Direct from theaters to this podcast, we convene a panel of recent viewers of the latest Marvel superhero epic, “Captain America: Civil War.” Do the rationales of the two sides hold together in the face of reality? Is Tony a bad dude for recruiting a kid to use against his opponents? How do the new faces, including Spider-Man and Black Panther, fare? And how well does this movie fit into the entire Marvel Cinematic Universe series as a whole?

It’s a cult show that could’ve hit the zeitgeist if it had just happened a few years later. From angsty vampire-human romances to a butt-kicking lead in a nice dress, the first season of “Buffy the Vampire Slayer” delivers. We break down our favorite episodes, marvel at the show’s great casting, and appreciate the unlikely nature of a smart, character-driven teen series emerging from the wasteland that was The WB network in the late ’90s.

Our survey of director Hayao Miyazaki’s work continues with 1984’s “Nausicaä of the Valley of the Wind,” in which a post-apocalyptic world (of the 1980s nuclear armageddon variety) is populated by princesses, bugs that can’t help but be buggin’, a bunch of flying vehicles, and a suspicious fall through quicksand.

You asked for it, and we delivered! Batman University is in session, as we dive into “Batman: The Animated Series.” Lifelong Batman fan Tony Sindelar has provided us with a 10-episode watch list, which served as a refresher for our panel and an introduction for our host. What makes many people call this version of Batman the definitive one? How does a show that’s for kids end up being so strikingly adult? How is the character of this Batman not like recent movie depictions? We’ve got the answers.

The first teaser trailer for “Rogue One: A Star Wars Story” has dropped, and so in the spirit of our “Force Awakens” teaser breakdown, we’re back to provide frame-by-frame analysis of all 90 seconds. This is the first in a new series of “Star Wars” anthology movies, this one set before and around 1977’s original film. How do you make a period piece about a fictional period? What’s Felicity Jones’s character all about? Why does Forrest Whitaker have a Darth Vader breathing harmonica? And why does Jason refer to all droids like they’re vacuum cleaners? For some questions there are no good answers.

Our survey of questionable science fiction films moves to the 1950s for “GOG,” a story featuring a secret nuclear base, a couple of “robuts,” a shifty Swiss scientist, a neglected Coke machine, a whole lot of science lectures, and then many dead scientists.

Comic Book Club returns with a discussion of Kieron Gillan and Jamie McKelvie’s “The Wicked + The Divine.” It’s a story about the temporary return of a pantheon of gods, and touches on issues of fame, youth culture, and—as Wikipedia informs us—pop music. Fortunately, there’s also a murder-mystery plot to drive everything forward. Plus: Lisa tells us what comics to read next!

The worst of the Next Generation “Star Trek” movies, “Insurrection” and “Nemesis”, are in our sights. Why don’t they work? What were the producers thinking? How tenuous was Star Trek’s life as a franchise that two bad movies in a row could kill it? You’ve got to laugh to keep from crying.

Our Book Club returns to read two recent, highly praised science fiction novels. From Kim Stanley Robinson comes “Aurora,” the story of a spaceship sent from Earth to a far-off star in a trip that will take generations. And from Ian McDonald comes “Luna: New Moon,” a sort of “Dallas” (or is it “The Godfather”?) set on and under the surface of the moon. Plus, what else are we reading?

The recently released video game “Firewatch,” by Campo Santo and Panic, is the subject of our discussion this week. This is a game that’s got a plot, but so much of the richness comes from characters and dialogue. Also, there are a lot of trees.

And now for something completely different: A draft of our favorite albums. Live from that metaphorical desert island, we select some favorite collections of music for you to listen to again and again… or to discover for the very first time. Opera, classical, and show tunes are heard from, amid the squalls of electric guitars. Also, we lose our Canadian government funding. But you’re sure to find (or rediscover) some music of interest! [This episode was originally two episodes, 288 and 289. It’s been rejoined into a single, double-length episode.]

What does God need with a starship? We take a look at the two most (justly) maligned films starring the original “Star Trek” cast, “Star Trek: The Motion Picture” and “Star Trek V: The Final Frontier.” What do these two films have in common? Do they have any redeeming qualities? We watched them so you didn’t have to, because we need our pain!

It’s taking the culture by storm, the biggest Broadway musical in years—and it’s about… the first U.S. secretary of the treasury, Alexander Hamilton? It seems unlikely, but nothing about the “Hamilton” story is likely. Lin-Manuel Miranda took the biography of a lesser-known early American figure and turned it into a story full of catchy songs and social commentary, including the rapid-fire hip-hop lyrics and the casting of non-white actors in most of the parts. Four of our “Hamilton”-mad panelists discuss the appeal of the show and why it works so incredibly well. (This we’ve also launched an entire podcast devoted to “Hamilton”, so if you want to hear various panels discuss the show song by song, you may want to subscribe to that, too.) Piano intro and outro music from Hamilton played by Christopher Breen.

In this edition of Comic Book Club, we discuss one of Marvel’s newest heroes, Kamala Khan, the star of G. Willow Wilson and Adrian Alphona’s “Ms. Marvel.” She’s a Muslim from New Jersey, so in some ways she’s a very different kind of Marvel super hero, but she’s also a tortured teen trying to come to terms with her identity—so in other ways, she’s very much the model of a Marvel super hero. Plus: What are we reading?

Just as “The X-Files” is revived for a limited-run miniseries, we take time to look back at this classic TV series from the 90s. (With gorgeous new HDTV versions available on Netflix!) We discuss some classic episodes, the dynamic between Scully and Mulder that really made the show work, and a whole lot more. The truth is in here—you just have to want to believe.

We celebrate the amazing life and career of David Bowie, from his stunningly varied music career (yes, including those collaborations with Queen, Mick Jagger, and Bing Crosby) to his film and theater roles. (And between Major Tom and the Spiders From Mars, who was more sci-fi than Bowie?)

Jump in your TARDIS, visit the Space Lions, and get prepared for a 24-year-long night! This week our panel takes on the recently-concluded ninth series of “Doctor Who.” How does this season measure up to the previous ones? Was the more character-focused conclusion a good change of pace? How did Missy, Ashildr, and Clara make things feel a bit different? And how well did the show handle the moment when Clara faced the raven? This episode is bigger on the inside.

In this year-end review episode, our panelists discuss their favorite bits of entertainment from 2015. When that’s done, we review the top moments from The Incomparable in 2015, complete with clips—and a mysterious visitor.