The Getcha Some Productions Podcast

📘 Featured BookBefore we dive in, be sure to check out Kat Reinhert’s newly released book, a practical guide for songwriters and independent artists navigating today’s music landscape. Learn more and get your copy here:👉 https://amzn.to/44VHAI9Episode OverviewThis episode explores the full spectrum of modern music-making, from the first spark of a song idea to the realities of releasing music and performing for an audience.We’re joined by Kat Reinhert, a professor of songwriting at Berklee College of Music, who brings deep insight into lyric writing, creative development, and the challenges facing independent artists in today’s digital landscape. Drawing on her experience as a songwriter, vocalist, producer, and educator, Kat shares how she helps artists nurture creativity, embrace ambiguity in lyrics, and balance artistic integrity with the practical demands of the music business.The conversation moves fluidly between philosophy and practice. We discuss songwriting craft, harmonic concepts like tritone substitutions and modal interchange, and the often-overlooked realities of being a working musician, including stage presence and gig attire. Personal stories and hard-earned lessons from real performances help ground the discussion in lived experience.A key segment of the episode features a deep dive into the new single “1989” by The Handshake, unpacking its songwriting choices, lyrical themes, production decisions, and how those elements translate from the studio to the listener. The song serves as a real-world case study that brings the broader discussion of songwriting and release strategy into sharp focus.We also spend time exploring Kat’s newly published book, co-authored as a practical guide for musicians navigating the modern music release process, including distribution, copyright, and audience connection.Ultimately, this episode is about seeing music as both an art form and a lifelong practice. It’s an honest, wide-ranging conversation designed to help musicians better understand their craft, their industry, and themselves.Key TakeawaysMusic production is a holistic journey, from creative conception to audience engagement.Strong songwriting often depends on vulnerability, ambiguity, and trust in the listener.Independent artists benefit from understanding both the creative and business sides of music.Branding, presentation, and stage presence meaningfully affect how music is received.A behind-the-scenes breakdown of “1989” shows how songwriting, production, and release strategy come together in a finished track.Creative challenges like a Song-a-Day practice can unlock momentum and artistic growth.Musicians are encouraged to embrace their identities and experiment freely with form and style.Companies &amp; Organizations MentionedIKEABerklee College of MusicAmazonASCAP<li...

The salient point of today's discussion revolves around the rich tapestry of experiences shared by Terence Boylan, a distinguished musician whose career began in the 1960s. We delve into the intricacies of his journey, from his formative years as a young songwriter, crafting melodies on a three-string ukulele, to his notable collaborations with prominent figures in the music industry. Boylan reflects on his evolution as an artist, highlighting the serendipitous moments that propelled him into the limelight, including encounters with legendary musicians such as Bob Dylan. Throughout our dialogue, we explore the challenges and triumphs of navigating the ever-evolving music landscape, emphasizing the significance of authenticity and creativity in the songwriting process. As we conclude, we extend an invitation for listeners to engage with Boylan's ongoing musical endeavors, promising a captivating glimpse into the creative process of a seasoned artist.The dialogue unfolds with a warm welcome to listeners, introducing the Getcha Some Productions podcast, a platform dedicated to exploring the myriad facets of the music industry. We delve into themes ranging from the inception of a song to the fervent devotion of its fans, ensuring a positive discourse on all music-related subjects. Our esteemed guest for this episode is Terence Boylan, a musician whose career blossomed in the 1960s. Boylan shares insights into his formative years, revealing how a serendipitous encounter with a three-string ukulele ignited his passion for songwriting. The conversation seamlessly transitions to his early experiences in the vibrant music scene of Buffalo, New York, where he began performing at local coffee houses and quickly garnered attention for his talent. Boylan's narrative is rich with anecdotes of influential encounters, including his pivotal meeting with Bob Dylan, which profoundly shaped his artistic journey. We learn of the challenges and triumphs he faced while navigating the complexities of the music industry, as well as his reflections on the evolving nature of music production and distribution in the digital age.Takeaways: The podcast delves into the intricate narrative of the music industry, exploring aspects from creation to audience engagement. We are graced with the presence of Terence Boylan, a notable musician whose career began in the 1960s, enriching our discussion. The dialogue reveals the significance of positivity in music discourse, encouraging open conversations about various genres and topics. Listeners gain insight into the personal and professional journey of Boylan, including his formative experiences at Bard College. The episode emphasizes the collaborative nature of music production, illustrating how relationships and connections shape artistic endeavors. We discuss the evolving landscape of music consumption, highlighting the shift from physical media to digital streaming platforms. Links referenced in this episode:terenceboylan.comCompanies mentioned in this episode: Asylum Records Bard College MGM Warner Brothers Rhino Records Columbia Records Geffen Steely Dan Eagles Linda Ronstadt Buffalo Bob The Loving Spoonful Little Feat Bonnie Raitt The Kingston Trio Peter, Paul and Mary Joni Mitchell Neil Young Van Morrison Herb Lavelle Tatum O'Neal Chrissy McDickell Dustin Hoffman John Voight Bob Dylan Timothy Chalametmusic industry, podcast, Terence Boylan, music production, songwriting, 60s musician, psychedelic folk, Alias Buna, Bard...

This podcast episode delves into the impending release of our single titled "Hope." We discuss the creative process surrounding the song and the accompanying album artwork, which embodies a unique aesthetic approach. In addition, we explore innovative grassroots strategies for promoting the single in the contemporary music landscape, particularly emphasizing the importance of digital engagement. Our conversation also touches upon the necessity of personal outreach to micro-influencers and the utilization of social media platforms to maximize exposure. Through this dialogue, we aim to provide insights and inspiration for independent artists navigating the complexities of music promotion today.The podcast episode presents a profound examination of the music production process, as the hosts delve into the launch of their upcoming single, 'Hope'. Keith and Daniel engage in a dynamic conversation that reflects on the myriad components involved in the creation of music, with particular emphasis on the aesthetic presentation of their work, including the album cover. They discuss their artistic vision and the collaborative efforts that shape the visual identity of their music, underscoring the significance of artwork as a narrative tool that complements the auditory experience.As the discourse progresses, the hosts transition to the subject of promoting their single in an increasingly competitive market. They explore various grassroots marketing strategies that leverage digital platforms to enhance engagement with potential listeners. This part of the dialogue reveals their understanding of modern promotional tactics, as they advocate for the use of short-form videos and social media interactions to foster a deeper connection with audiences. The hosts express the belief that such approaches not only broaden their reach but also invite listeners into the narrative of their creative journey.In the episode's denouement, the emphasis shifts towards the importance of collaboration within the music community. Keith and Daniel articulate their desire to connect with other musicians and creators, suggesting that such partnerships can amplify their collective impact. The episode culminates in an invitation for listeners to participate in the artistic endeavor, reinforcing the idea that music is not merely a product but a collaborative experience that thrives on shared passion and creativity.Takeaways: In today's episode, we explored various grassroots methods for promoting a single effectively without substantial financial backing. We discussed the significance of visually appealing short-form video content to capture audience attention and promote music. One intriguing idea was to engage micro content creators who align with our musical style for promotional collaborations. We emphasized the importance of personal storytelling in music promotion, particularly concerning the song's meaning and its connection to listeners. Another method we considered was the strategic use of QR codes to lead potential listeners to our music in various public spaces. Ultimately, we highlighted the value of collaboration with other musicians to expand our reach and audience engagement.

The primary focus of this podcast episode is an insightful discussion surrounding the intricate relationship between artwork and music production, particularly as it pertains to the creative process of album creation. We delve into the significance of visual art in enhancing the auditory experience, emphasizing how the artwork for our band, the Handshake, plays a crucial role in establishing a cohesive brand identity. Our guest, Thomas Warming, a talented artist and longtime friend, shares his artistic journey, detailing how his experiences and inspirations shape his work, including the album cover he designed for us. Through this conversation, we also explore broader themes such as the emotional resonance of art, the challenges of artistic expression, and the process of finding personal meaning within creative endeavors. Ultimately, this episode serves to illuminate the profound connection between visual and musical artistry, inviting listeners to reflect on their own creative pursuits.Takeaways: The podcast explores the intricate relationship between music production and visual artistry, reflecting on the significance of artwork in conveying thematic elements of an album. Thomas Warming shares his journey as an artist, detailing how his early inspirations shaped his development and eventual foray into professional illustration. The conversation emphasizes the importance of mentorship in the arts, highlighting how guidance from experienced professionals can profoundly influence an artist's creative journey. A recurring theme in the discussion revolves around the emotional impact of art, as both speakers articulate how visual elements can evoke deep feelings and provoke thought in viewers. The relationship between the artwork and the musical themes of the album is examined, underscoring how visual aesthetics can enhance the listener's experience and understanding of the music. The episode delves into the creative process, illustrating how spontaneity and meticulous planning coexist in the development of compelling artwork, resulting in pieces that resonate on multiple levels. Links referenced in this episode:thomaswarming.blogspot.comCompanies mentioned in this episode: Handshake Thomas Warming Marvel DC

This podcast episode delves into the intricate process of songwriting, with a particular focus on the song "Hope," created by my band, The Handshake. We engage in a profound discussion regarding the thematic elements of the song, particularly the notion of feeling different and the quest for belonging. As we analyze the lyrics, I express my introspective reflections on the creative process and the challenges of conveying a coherent narrative through abstraction. The conversation further explores the merits of vulnerability in songwriting, as well as the importance of constructive feedback in refining one’s artistic expression. Ultimately, we aim to illuminate the complexities of the songwriting journey and the evolving nature of musical creation.The dialogue unfolds within the framework of a simulcast show, wherein the hosts delineate their multifaceted engagement with the realm of music production. The primary focus of this episode is on the exploration of songwriting, with particular emphasis on a piece composed by one of the hosts. They engage in a profound discussion that encompasses not only the intricacies of the song's composition but also the broader implications of artistic expression. The guest, Kat Reinhert, a respected musician and educator, provides insights into her background, which includes a significant tenure in jazz music, before transitioning to original songwriting. This narrative trajectory serves to underline the transformative journey of artists as they evolve from performing established works to creating their own. The conversation navigates through themes of vulnerability, the artistic process, and the constant pursuit of self-improvement in songwriting, culminating in a candid exchange about the challenges and triumphs inherent to the creative process. By bridging personal anecdotes with professional critiques, the hosts create an engaging dialogue that resonates with both aspiring and seasoned musicians alike.Takeaways: The podcast episode explores the intricacies of music production, emphasizing the creative process involved in songwriting. The hosts engage in a dialogue about the significance of feedback and its role in the songwriting journey. Listeners are introduced to the concept of navigating artistic identity, particularly in relation to feeling different from societal norms. The discussion highlights the importance of understanding lyrical intent and how it influences the overall message of a song. The episode underscores the value of vulnerability in artistic expression, encouraging artists to embrace their unique journeys. Lastly, the conversation reflects on the balance between abstraction and clarity in songwriting, urging artists to find their authentic voice. Links referenced in this episode:https://katreinhert.com/https://www.facebook.com/katreinhertmusic/https://www.instagram.com/katreinherthttps://open.spotify.com/artist/7nuxkoDFWfRhdfpnJgw9M1?si=-z1VgGSyTK6pn-6IG6Rwxwhttps://www.youtube.com/channel/UCCyOzDMNAoZdWNR_r1I35gwCompanies mentioned in this episode: www.getchasomeproductions.com www.thehandshake.band Berkeley College of Music University of Miami

The central theme of this episode revolves around the inception of a new initiative known as the Masters of the Universe Club, which aims to foster a community dedicated to personal development and mutual support. We articulate the vision of this club as a collective of individuals striving to enhance their own lives while simultaneously contributing positively to the broader society. As we delve into the foundational principles of this endeavor, we emphasize the importance of cultivating an environment that prioritizes personal growth alongside altruism. Moreover, we discuss the operational aspects of establishing the club, including potential structures for community interaction and the significance of maintaining a positive and supportive ethos. Ultimately, our dialogue seeks to inspire listeners to engage in their own journeys of self-improvement and to connect with others who share a commitment to becoming the best versions of themselves.In this engaging episode, the hosts present The Masters of the Universe Club, an ambitious endeavor centered on personal growth and collective betterment. They elucidate their vision of a community where members are united by a common goal: to enhance their lives while uplifting those around them. The discussion is anchored in the belief that true fulfillment arises from the harmony of self-improvement and altruism, prompting the hosts to experiment with a mastermind-like structure that encourages shared learning and support.Throughout the conversation, the hosts grapple with the practicalities of launching this initiative. They emphasize the importance of developing a coherent communication strategy that effectively conveys the club's mission. The notion of creating a welcoming environment is paramount, and they explore various platforms to establish connections among members. Social media groups, email lists, and potential in-person gatherings are proposed as avenues for fostering engagement and maintaining a sense of community.Moreover, the episode delves into the philosophical underpinnings of the club’s ethos, particularly the commitment to cultivating a positive and constructive atmosphere. The hosts discuss the necessity of a code of conduct that aligns with their values, ensuring that the club remains a safe haven for personal exploration. They conclude by committing to actionable steps towards realizing this vision, including the establishment of a book club format. This initiative aims to promote ongoing dialogue and reflection, reinforcing the club’s mission of becoming the best versions of themselves while contributing positively to the world.Takeaways: The podcast delves into the concept of fostering a community dedicated to personal growth and collective improvement, aptly named The Masters of the Universe Club. We emphasize the importance of creating a safe space where individuals can engage in personal development without the interference of divisive ideologies. The discussion highlights the significance of leading by example in our efforts to become both competent individuals and compassionate community members. A key takeaway from this episode is the commitment to reading self-improvement literature together and sharing insights within the community. Listeners are encouraged to engage with the podcast and community by contributing ideas and participating in discussions about personal development. The episode outlines the foundational principles of maintaining a positive environment that fosters growth, collaboration, and mutual respect among members. Companies mentioned in this episode: Reverb Affiliate Link: https://tidd.ly/3O5lme6

https://www.aaronenglish.com/Immersed in a vibrant discussion of music and creativity, the podcast features a compelling dialogue that delves deeply into the multifaceted journey of Aaron English, a distinguished singer-songwriter and performer. The conversation traverses a broad spectrum of themes, including the profound influence of cultural diversity on music, the significance of storytelling in songwriting, and the intricate relationship between personal experiences and artistic expression. Aaron shares his transformative experiences from living in various global contexts, particularly his time spent in Africa, where he not only collected instruments for underprivileged youth but also immersed himself in local musical traditions. The podcast encapsulates a rich tapestry of narratives, emphasizing how music serves as a universal language that transcends geographical and cultural boundaries, fostering connections among people from diverse backgrounds.The episode further illuminates the importance of collaboration in the creative process, as Aaron discusses his approach to songwriting, which often involves blending different musical styles and influences acquired from his extensive travels. He articulates the notion that every song carries with it a unique story—crafted from a confluence of experiences, emotions, and cultural elements. This perspective invites listeners to appreciate the depth and complexity of musical compositions, encouraging them to explore the stories behind the songs they love. Additionally, Aaron's reflections on his charitable work provide a poignant reminder of the power of music to effect positive change in the world, demonstrating that artistry is not only a personal endeavor but also a communal responsibility.As the conversation unfolds, there is a palpable sense of camaraderie between the hosts and Aaron, creating an engaging atmosphere that resonates with authenticity and warmth. Listeners are treated to a wealth of insights regarding the creative process, the significance of mentorship in the arts, and the enduring impact of music on individual lives. The episode culminates in a heartfelt discussion about Aaron's upcoming projects, including a series of new releases that promise to explore themes of grief, healing, and resilience. The podcast serves as both an homage to the art of music and a testament to the enduring spirit of creativity, leaving audiences inspired and eager to support the ongoing journey of this remarkable artist.Takeaways: The podcast delves into the intricate nuances of music production, exploring various aspects and techniques. Listeners are introduced to the guest, Aaron English, an accomplished artist with a rich musical background. The discussion encompasses personal anecdotes and the profound impact of music on lives and communities worldwide. A pivotal theme in this episode is the intersection of storytelling and musical expression, highlighting their intrinsic connection. Listeners gain insight into Aaron's songwriting process, showcasing the blend of inspiration and craft that shapes his work. The episode emphasizes the importance of art as a vital component of human experience, providing context and meaning to life. Links referenced in this episode:Reverb Affiliate Link: https://tidd.ly/3O5lme6aaronenglish.comCompanies mentioned in this episode: Reverb Bard College

This podcast episode serves as a reflective discourse wherein we meticulously examine the myriad accomplishments we have attained over the past year in the realm of music production. Our primary focus revolves around the significance of the interviews we have conducted, which not only provided invaluable insights into the artistic processes of our guests but also fostered deeper relationships within the music community. We deliberate on the importance of these dialogues, particularly highlighting the meaningful exchanges with notable figures such as John Esposito, which have enriched our understanding and broadened our network. Additionally, we outline our aspirations for the forthcoming year, including enhancing the quality of our production and exploring new collaborative opportunities. Through this introspective journey, we aim to acknowledge our progress while setting ambitious goals for the future of our podcast and its contribution to the music industry.The podcast episode encapsulates a reflective dialogue between the hosts, Daniel and Keith, as they delve into the accomplishments and aspirations of their podcasting journey. The conversation initiates with a casual exchange regarding their respective beverage choices, setting a relaxed tone that belies the depth of the subsequent discussion. They navigate through a retrospective examination of the past year, acknowledging the significance of the interviews conducted and the profound connections forged with various artists. Their exploration emphasizes the importance of not merely producing content but curating meaningful narratives that resonate with both the artists and their audience. They contemplate the value added by notable interviews, particularly with John Esposito, which transcended conventional discussions, ultimately serving a higher purpose by providing unique insights into the artists' processes and experiences.As the dialogue progresses, Daniel and Keith contemplate future endeavors, highlighting the potential for further collaborations and the pursuit of grants to support their artistic initiatives. They express a shared vision of enhancing the podcast's production quality and expanding its reach, suggesting an eagerness to innovate and grow. The conversation culminates in a sense of optimism and determination, as they reaffirm their commitment to continuous improvement and the nurturing of their creative community. They contemplate the necessity of strategic planning for the upcoming year, indicating a desire to not only sustain but elevate their podcasting efforts to new heights. This episode serves as a rich tapestry of reflection and ambition, encapsulating the essence of their shared journey in the world of music production and podcasting.Takeaways: In the recent episode, we reflected on our podcast's journey, celebrating the numerous interviews we successfully conducted this year. We discussed the significance of forging deeper connections with our podcast guests, which has enriched our content and listener engagement. The collaboration with Bard College emerged as a pivotal achievement, marking a significant milestone for our podcast this year. Throughout the episode, we emphasized our commitment to continuous improvement, aiming for a 1% enhancement in our podcast production quality for every episode. We acknowledged our efforts in promoting artists through interviews, which not only provides exposure but also fosters a sense of community within the music industry. Finally, we deliberated on future aspirations, including the potential development of a modes course that could significantly impact our listeners and generate revenue. Links referenced in this episode:Reverb Affiliate Link: https://tidd.ly/3O5lme6<a href="https://www.getchasomeguitar.com/" rel="noopener noreferrer"...

https://www.salantsound.com/Reverb Affiliation: https://tidd.ly/3O5lme6The crux of our discussion centers on the intricate dynamics of music production and the innovative collaboration we seek to establish. In this episode, I, Keith Fredrickson, engage with esteemed guest Josh Salant, whose expertise in the realm of sound and recording is both profound and inspiring. We explore the multifaceted process of music creation, from conceptualization to the final mix, emphasizing the importance of thorough preparation and collaboration. Josh elaborates on his studio practice, aimed at facilitating a seamless recording experience for artists, and we consider how to effectively integrate a structured questionnaire to better understand artists’ visions. As we navigate through the nuances of music production, we aim to empower aspiring musicians to produce high-quality recordings that resonate with their artistic intent.The podcast episode featuring the esteemed Keith Fredrickson and the talented Josh Salant delves into the intricacies of music production, providing listeners with a comprehensive understanding of the creative process involved in producing original music. The conversation begins with an exploration of Fredrickson's ambitious plans to transition from podcasting to actual music production, emphasizing the significance of collaboration and the necessity of structured processes in achieving artistic goals. Salant shares his insights as a seasoned drummer and producer, shedding light on the importance of preparation and communication between artists and producers to ensure successful recording sessions. Throughout the dialogue, the pair discuss the establishment of a new production service aimed at assisting aspiring musicians in navigating the complexities of the recording process, highlighting the value of pre-production planning and the role of questionnaires to clarify artistic visions. As the discussion evolves, both Fredrickson and Salant articulate their shared vision of fostering a supportive environment for musicians, particularly those who may lack experience in the studio setting. They emphasize the need for artists to focus on crafting individual songs rather than overwhelming themselves with entire albums, advocating for a more measured approach to recording that prioritizes quality over quantity. Salant recounts his experiences working with various bands, offering practical advice on managing expectations and effectively utilizing studio time to produce polished tracks. The episode culminates in a forward-looking perspective, with Fredrickson expressing his eagerness to embark on his own musical journey, armed with the knowledge gained from his conversation with Salant. The pair leave listeners with a sense of optimism about the potential for collaboration and creativity in the music industry, encouraging aspiring artists to engage with the production process thoughtfully and purposefully. This enlightening exchange serves not only as a guide for those interested in music production but also as a testament to the enduring power of collaboration in the artistic realm.Takeaways: The podcast episode features an engaging discussion between host Keith Fredrickson and guest Josh Salant about music production. Keith expresses a desire to collaborate with Josh on producing original music and recording services. Josh shares insights into his studio, Salant Sound, and the importance of preparing artists before recording sessions. The conversation touches on the significance of focusing on one song at a time to ensure quality over quantity in music production. They explore the logistics of recording, including the need for proper equipment and rehearsal before...

Links referenced in this episode:jennalanmusic.comReverb - Affiliate: https://tidd.ly/4iNAtpRjazzandbluesinthegroove.comThe discourse presented herein features the esteemed jazz pianist, composer, and educator Jen Allen, who engages in a profound exploration of her artistic journey alongside hosts Keith Fredrickson and Daniel Kutcher. The episode commences with an emphasis on the vibrant jazz scene, particularly as it pertains to Allen's formative experiences and influences, which have significantly shaped her musical identity. Throughout the conversation, we delve into the intricacies of her creative process, reflecting on the intertwining of melody and harmony, as well as the importance of improvisation in her compositions. Allen articulates her commitment to education and mentorship, highlighting the vital role of storytelling in preserving the history of jazz. As the episode unfolds, listeners are invited to appreciate not only Allen's musical prowess but also her dedication to fostering creativity and connection within the community.The episode features an enlightening dialogue with Jen Allen, an accomplished jazz pianist and educator. The discussion commences with an introduction to her musical journey, which is deeply intertwined with her upbringing in Foxborough, Massachusetts. Jen elaborates on her formative years, highlighting the pivotal influence of her high school music program and the notable band director who recognized her potential. She shares anecdotes that illustrate her initial struggles with traditional music lessons, the transition from cello to piano, and her eventual passion for jazz, which blossomed during her high school years. Keith and Daniel, the hosts, engage with Jen's narrative, expressing their admiration for her talent and the vibrant jazz scene in Hartford that she represents.As the conversation progresses, Jen delves into her influences as a musician and composer, citing notable figures such as Kenny Kirkland and Cedar Walton. She articulates her approach to melody and improvisation, emphasizing the significance of creativity in her music. Throughout the dialogue, the hosts interject with their own experiences and insights, creating a dynamic exchange that highlights the collaborative spirit of jazz. Jen's perspective as an educator also surfaces, as she reflects on the importance of sharing the history of jazz and mentoring the next generation of musicians. The episode culminates in a discussion about Jen's upcoming projects, including her new album set to be released in 2025, which promises to showcase her evolving artistry and commitment to innovation in the genre.Takeaways: The vibrant jazz scene in Hartford has been a revelation for many musicians and fans alike, showcasing the city's rich musical culture. Jen Allen's journey into music was influenced by a supportive family and a strong local music education program, highlighting the importance of mentorship. The collaborative nature of jazz allows for spontaneous creativity, where melody and harmony coalesce in unexpected ways during performances. Jen emphasizes the significance of storytelling in jazz education, bridging the history of the genre with contemporary practices for future generations. The role of improvisation in jazz is vital, as it fosters an environment where musicians create unique interpretations of familiar pieces. Jen's upcoming album will explore new creative territories, integrating elements of breath work and meditation into the performance experience. Links referenced in this episode:<a...

The salient point of our discussion revolves around the concept of the "Masters of the Universe Club," which we envision as a platform for self-improvement and personal development. Throughout the dialogue, we dissect the importance of purpose in one's life, particularly within the context of masculinity, emphasizing that true mastery comes from self-governance rather than the subjugation of others. We reflect on our journey as podcasters, nearing the milestone of our hundredth episode, highlighting the growth and evolution of our show and its audience. Additionally, we explore the potential for new formats, such as guest interviews and book reviews, that could enrich our content and engage listeners more deeply. Ultimately, our aim is to create a community that fosters personal transformation and inspires individuals to realize their fullest potential.The dialogue commenced with a technical discussion surrounding the optimal recording settings for their podcast sessions, particularly focusing on achieving a gallery view during Zoom recordings. This conversation highlighted the persistent challenges they faced with the recording software and their attempts to rectify these issues over the course of numerous episodes. Keith Fredrickson and Daniel Kutcher reflect on their journey as podcasters, noting the impending milestone of approaching their 100th episode, a significant marker that they believe symbolizes the maturation of their podcasting venture. They draw inspiration from prominent figures in the podcasting world, such as James Altucher, stressing the importance of establishing one's own platform and the myriad benefits that come with owning a podcast. This contemplation serves as a prelude to deeper discussions about the evolving nature of their show, embracing their niche audience, and the steady influx of guests that have enriched their content.Takeaways: In the realm of podcasting, it is imperative to cultivate a unique platform that one can control, as articulated by James Altucher and Gary Vaynerchuk. The impending milestone of approaching episode 100 serves as a significant marker of growth and evolution for our podcasting journey. The concept of the Masters of the Universe Club aims to foster a community dedicated to self-improvement and the exploration of personal purpose. The integration of authentic storytelling from guests is envisioned as a means to inspire listeners through shared human experiences and personal journeys. The importance of establishing a coherent format for the podcast is recognized as a key factor in enhancing its impact and accessibility for the audience. Through the proposed branding, the intention is to redefine traditional notions of masculinity by promoting a more compassionate and constructive approach. Companies mentioned in this episode: James Altucher Gary Vaynerchuk Gacha Some Productions Masters of the Universe Club

John Esposito, a highly influential figure in the jazz world, shares insights into his extensive musical journey and the evolution of his compositional process. He discusses the importance of mentorship in his career and reflects on how his teaching experiences shape his approach to music. Throughout the conversation, John emphasizes the significance of collaboration and adaptability in his work, highlighting his recent projects, including writing for a string ensemble that draws inspiration from diverse musical traditions. The episode also touches on the challenges and rewards of navigating the contemporary music scene, as John balances his artistic pursuits with family responsibilities. Listeners will gain a deeper appreciation for the artistry behind John's music and the rich stories that have shaped his career. For more information on John's work, visit his website at http://sunjumprecords.com, and check out the affiliate link for Reverb: https://tidd.ly/3O5lme6.A celebration of music, mentorship, and the journey of creativity unfolds as John Esposito, a prolific musician and educator, joins the podcast. With a rich background in jazz spanning decades, John shares his experiences and insights that have shaped his career and influenced countless students. He reflects on his early days of experimentation with composition and performance, revealing how he navigated through the influences of iconic jazz figures while carving out his unique sound. The conversation delves into the significance of reaching milestones in podcasting, particularly the symbolic 'podcaster card' received upon hitting episode 100, which serves as a metaphor for dedication and growth in any artistic endeavor.John's storytelling captivates listeners as he recounts his time teaching at Bard College, where he mentored young musicians. He emphasizes the importance of diverse influences in shaping one's artistic voice, contrasting this with the often dogmatic approaches found in academic jazz education. This discussion leads to an exploration of the interconnectedness of music and spirituality, as John candidly shares how martial arts has provided him with a grounding experience, mirroring the discipline required in music. The episode is punctuated with humor and heartfelt anecdotes, including a memorable story about a run-in with thieves in Barcelona, adding a layer of personal connection to John's journey.Listeners gain a deeper understanding of John's artistic philosophy, which encourages embracing various musical styles while remaining true to oneself. He hints at future projects, including collaborations with string musicians and the exploration of new sonic territories, revealing his relentless pursuit of creative expression. The episode not only highlights John's vast knowledge and love for music but also serves as an inspirational reminder of the impact of mentorship and the continuous evolution of an artist's journey.Takeaways: The journey of a musician often involves learning from various styles and influences. John Esposito emphasizes the importance of trusting one's intuition in the creative process. Experiences from diverse musical backgrounds can significantly enhance one's artistic expression. Collaborating with varying artists allows for a richer, more dynamic musical experience. Esposito discusses the significance of teaching and mentoring young musicians today. The concept of 'musical language' highlights the expressive power inherent in music. Links referenced in this episode:tidd.ly/3O5lme6sunjumprecords.com<a href="https://en.wikipedia.org/wiki/Arthur_Rhames" rel="noopener noreferrer"...

This podcast features an engaging discussion with John Esposito, a seasoned jazz pianist and composer, who shares his profound insights on the evolution of jazz education and the challenges faced by musicians in the industry. John reflects on his experiences teaching at Bard College and the importance of fostering individuality and innovation in music, moving beyond traditional frameworks. He recounts his close relationship with the late Arthur Rhames, detailing how their collaboration shaped his understanding of improvisation and expression in jazz. As they delve into the complexities of the jazz scene, they highlight the need for musicians to embrace their unique voices while navigating the pressures of conformity. The episode also touches on the historical context of jazz, exploring its roots and the impact of cultural influences on its evolution, making it a rich resource for both aspiring musicians and jazz enthusiasts alike. For more information about John and his work, visit http://sunjumprecords.com.John Esposito's journey through the world of jazz unfolds with a captivating narrative that intertwines personal anecdotes and broader themes of musical evolution. The discussion highlights Esposito's transition from student to educator, emphasizing the transformative power of mentorship in jazz. He reflects on his experiences studying under influential musicians and how those relationships have informed his teaching style at Bard College. Esposito's philosophy centers around the idea that jazz is not just a genre but a living, breathing art form that thrives on individual expression and innovation. He contrasts the conventional approaches of classical music education with the need for improvisation and creativity in jazz, advocating for an educational framework that empowers students to explore their unique voices.The episode further delves into the life and artistry of Arthur Rhames, a talented musician whose legacy resonates within the jazz community. Esposito shares poignant stories about Rhames, spotlighting the challenges he faced as an avant-garde artist in a landscape that often favors tradition over experimentation. Through these narratives, the episode underscores the importance of preserving and honoring the contributions of artists who dare to redefine boundaries. The conversation also touches on the significance of community in jazz, illustrating how collaborations and shared experiences foster growth and understanding among musicians.As the dialogue progresses, Esposito and his co-hosts candidly discuss the intricacies of music production and the realities of running a podcast dedicated to jazz. They share insights into the creative process behind the podcast, revealing the effort and dedication required to cultivate a platform for musical dialogue. This behind-the-scenes perspective enriches the conversation, allowing listeners to appreciate the labor that goes into advocating for jazz and its artists. The episode culminates in a celebration of the resilience and adaptability of jazz, affirming its role as a cultural touchstone that continues to inspire and connect individuals across generations.Takeaways: Jazz music has evolved significantly over the decades, incorporating diverse influences and styles. The importance of individuality in jazz is essential for artistic expression and innovation. Education in jazz often lacks the inclusivity of different musical styles and influences. Personal experiences, such as those shared between musicians, shape the understanding of jazz. Improvisation is a core element of jazz, allowing musicians to express themselves freely. The history of jazz highlights the struggles and triumphs of African American musicians. Links referenced in this episode:<a href="https://sunjumprecords.com" rel="noopener noreferrer"...

Check out John Esposito here: http://sunjumprecords.com/Support the show here: https://tidd.ly/3O5lme6Join Keith, Dan, and special guest John Esposito, a renowned jazz pianist, as they delve into the rich tapestry of music history and personal anecdotes that shaped their artistic journeys. The conversation highlights the importance of mentorship and the profound influence of experienced musicians on the next generation, exemplified by John's own experiences with his students and his mentors. Listeners will be treated to captivating stories that span decades, from John's familial roots in music to his transformative workshops with legendary figures. The episode also touches on the evolution of jazz and how contemporary artists navigate the complexities of the genre today. With humor and candid reflections, this discussion offers an engaging look at the interconnectedness of music, culture, and personal growth.Rich in personal anecdotes and reflections, this podcast episode features the esteemed jazz pianist John Esposito, who shares his unique experiences and insights into the world of jazz. The conversation takes listeners on a journey through John's life, from his musical upbringing in a family rich in artistic talent to his professional development as a musician in New York's vibrant jazz scene. The hosts, Keith and Daniel, create an engaging atmosphere that encourages John to delve into his past, discussing the formative influences that shaped his love for music, including the unexpected impact of African music during his mother's pregnancy. As the dialogue unfolds, John addresses the evolution of jazz, emphasizing the generational shifts in the genre and the role of education in shaping modern musicians. He shares personal stories of collaboration with legendary figures, highlighting the camaraderie and creativity that define the jazz community. The episode also touches on the challenges contemporary artists face in navigating the music industry, particularly the influence of technology and the importance of authenticity in artistic expression. John reflects on his experiences during the pandemic, discussing how the hiatus from performing spurred a creative resurgence and led to new projects and collaborations. The conversation culminates in John's announcement of his upcoming memoir and a double album dedicated to his work with Arthur Rhames, illustrating his dedication to documenting jazz history and fostering a new generation of musicians. This episode not only captivates with its rich storytelling but also serves as a reminder of the importance of music as a means of connection and expression in an ever-changing world. Listeners are left inspired by John's journey and the enduring spirit of jazz, as he emphasizes the importance of continuing to push boundaries and explore new artistic territories.Takeaways: John Esposito shares his unique journey in music, highlighting the influence of his family's artistic background. The podcast discusses the importance of connections in music, as exemplified by John's encounter with a Nigerian who recognized his homage to their culture. Esposito reflects on the evolution of jazz music and its changing landscape through generations, emphasizing the need for adaptation. The hosts express their gratitude for Esposito's insights, noting the significant impact of his teachings on their musical development. Throughout the episode, there is a humorous exchange about the challenges of maintaining creativity in a changing industry. Esposito's experiences underscore the importance of perseverance and adaptability in a musician's career, especially during challenging times.

To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQA podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.Join Saint Uno in a dynamic hip hop masterclass where the core lesson emphasizes that the job of an MC is not to overshadow the beat but to enhance it. Through engaging conversation with Keith, they explore the essential elements of hip hop, including the importance of freestyling, the significance of a rapper’s name, and the art of storytelling. The discussion delves into literary devices such as metaphors, similes, hyperboles, and entendres, highlighting how they can elevate lyrics and create deeper meanings. Keith shares his experiences and aspirations, while Saint Uno offers insights on how to cultivate authenticity and creativity in music. This session is both a practical guide and a philosophical exploration of what it means to be a hip hop artist, encouraging listeners to embrace their unique voices and stories.Saint Uno leads an engaging hip-hop masterclass with Keith, diving deep into the essence of freestyling and the importance of music in personal expression. The conversation begins with Keith's hesitance about freestyling, but Saint Uno encourages him to embrace the discomfort that comes with trying something new. This sets the tone for the episode, where the importance of spontaneity in hip-hop is emphasized. The duo discusses the significance of being authentic in one's music, with Saint Uno sharing insights on how freestyling can help artists connect with their true selves. He highlights that music is about thinking on your feet and being present, which is crucial for aspiring artists looking to make their mark in the industry.As the episode progresses, the conversation shifts to the intricacies of music creation, particularly focusing on the role of beats and rhythm. Saint Uno illustrates how the beat is central to hip-hop, reminding listeners that while lyrics are important, they should complement the music rather than overshadow it. This leads to a discussion on the various elements that contribute to effective lyrics, including the use of rhymes, metaphors, and storytelling. Keith and Saint Uno explore how personal stories can resonate with audiences, regardless of their grandeur, and the value of authenticity in crafting narratives through music.The episode culminates in a call to action for listeners to embrace their unique voices and experiences in their artistry. Keith expresses his desire to create original music, and Saint Uno provides practical advice on finding beats and developing a personal style. Their dialogue serves as both a tutorial and an inspiring reminder that hip-hop is about more than just lyrical prowess; it is about connection, creativity, and the joy of making music that reflects one's journey. By the end, listeners are left with a sense of empowerment and a clearer understanding of how to navigate their own artistic paths...

Katarzyna Sadej, a talented mezzo-soprano and classical singer, shares her inspiring journey from growing up in Poland under a communist regime to becoming a celebrated artist in Canada. The conversation delves into her unique approach to music, particularly her recent album "Evocations," which features evocative vocalizations that create a meditative experience for listeners. Katarzyna discusses the influence of natural settings on her work, as she recorded her vocals in stunning outdoor locations, capturing the essence of the environment. Throughout the episode, she emphasizes the therapeutic potential of music, highlighting how her compositions can support emotional healing. With insights into her creative process and plans for future performances, this episode invites listeners to explore the intersection of classical music, personal storytelling, and the power of voice.Links referenced in this episode:www.katarzynasadej.comwww.instagram.com/katarzynasadej/x.com/MezzoSadejwww.facebook.com/KatarzynaSadejMezzoSopranoyoutube.com/@katarzynasadej?si=fIO06s3K_wkFb6USKatarzyna Sadej’s musical journey is a testament to the power of perseverance and passion. Growing up in communist Poland and later immigrating to Canada, Katarzyna’s early life was marked by challenges, including limited access to music education. However, her innate love for singing led her to take lessons at the age of 17, setting her on a path of discovery and growth in the world of classical music. The podcast captures her experiences as she navigates through various educational institutions, ultimately earning degrees in vocal performance that solidified her place as a professional artist. This segment of the episode highlights the importance of resilience in pursuing one’s dreams, especially in the competitive field of music.Katarzyna elaborates on her latest album, "Evocations," which emerged from her experiences during the pandemic. The album is unique in its approach, focusing solely on vocal improvisations without lyrics. This creative choice was influenced by her desire to evoke emotions and imagery in listeners, allowing them to interpret the music in personal ways. Throughout the episode, she shares insights into her recording process, which involved capturing her voice in various natural settings, creating an immersive soundscape that reflects the beauty of her surroundings. The discussion about her music is rich with reflections on the meditative qualities of sound, emphasizing how music can serve as a therapeutic tool for both the artist and the audience.The conversation also explores Katarzyna’s role as a teacher and her efforts to foster a love for classical music in her community. She discusses the challenges of building a music scene in a small town, where access to classical performances is limited. By offering workshops and performances, she aims to create a supportive environment for aspiring musicians. The episode concludes with Katarzyna’s vision for the future, including potential collaborations and new projects that continue to push the boundaries of her artistry. Her thoughtful approach to music-making and commitment to community engagement leave listeners inspired and eager to follow her journey.Takeaways: The podcast explored the journey of Katarzyna Sunday from Poland to becoming a celebrated classical...

This podcast episode delves into the concept of creating a series of musical compositions that traverse all twelve keys, inspired by the lineage of jazz and the methodology of notable musicians like Coltrane and Arthur Rhames. Keith and Daniel engage in a candid discussion about the potential for writing a grant to support this innovative project, emphasizing the importance of education and collaboration with other musicians. They explore the historical significance of Arthur Rhames, debating how best to integrate his influence into their narrative while ensuring it resonates with grantors. The conversation touches on the necessity of storytelling in grant writing, aiming to highlight both the artistic and educational merits of their work. Through this dialogue, they seek to crystallize their vision and actionable steps moving forward, including reaching out to key figures in the jazz community for insights and support.In an engaging dialogue, Daniel and Keith delve into the world of jazz music and the intricacies of grant writing, creating a thought-provoking episode that blends humor with serious discussions. The episode begins with a light exchange about recording conversations, establishing a laid-back tone before transitioning to more profound topics. Keith shares his vision for a project that would create a series of compositions exploring all twelve keys, drawing inspiration from jazz luminaries like John Coltrane. This concept not only pays homage to the complexities of jazz but also aims to push the boundaries of traditional music education.As the conversation unfolds, the two hosts explore the historical context of jazz and the significance of figures like Arthur Rhames, emphasizing the need for a narrative that honors the past while looking toward the future. Keith articulates his idea for a grant proposal that seeks to involve students in the creative process, fostering a new generation of musicians who appreciate the lineage of jazz. Daniel’s role becomes pivotal as he offers constructive feedback, encouraging Keith to refine the educational aspect of the grant and ensure that it resonates with potential funders.Towards the end of the episode, the hosts express their eagerness to collaborate with musicians and educators, highlighting the project’s potential to inspire creativity and innovation within the jazz community. They emphasize the need for storytelling and the importance of personal connections to the music as they navigate the complexities of grant writing. This conversation serves as a reminder of the value of jazz as an evolving art form, encouraging listeners to embrace their own creative journeys in the vibrant world of music.In an engaging dialogue, Daniel and Keith delve into the world of jazz music and the intricacies of grant writing, creating a thought-provoking episode that blends humor with serious discussions. The episode begins with a light exchange about recording conversations, establishing a laid-back tone before transitioning to more profound topics. Keith shares his vision for a project that would create a series of compositions exploring all twelve keys, drawing inspiration from jazz luminaries like John Coltrane. This concept not only pays homage to the complexities of jazz but also aims to push the boundaries of traditional music education.As the conversation unfolds, the two hosts explore the historical context of jazz and the significance of figures like Arthur Rhames, emphasizing the need for a narrative that honors the past while looking toward the future. Keith articulates his idea for a grant proposal that seeks to involve students in the creative process, fostering a new generation of musicians who appreciate the lineage of jazz. Daniel’s role becomes pivotal as he offers constructive feedback, encouraging Keith to refine the educational aspect of the grant and ensure that it resonates with potential...

Getcha Some Productions Podcast Episode 91To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQA podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:GSP 91 - Saint UnoYoutube:https://youtube.com/@saintunoatl?si=UC2_89ONvA9qLkCDInstagram:https://www.instagram.com/saintunoatl?igsh=Nmxia2hkazJ5c2wwStreaming:https://music.apple.com/us/album/musec/1754036775https://open.spotify.com/album/616sTZQuekZUphVU7auBn7?si=H1QdPAYCSo2AJK-oIrhccwKeith from Getcha Some Productions podcast interviews Saint Uno from Atlanta about his music journey. Saint Uno, who grew up in a non-musical family, discovered his passion for music during college at Bard College. He credits a spiritual awakening and a book called "A Wish Can Change Your Life" (affiliate link: https://amzn.to/4gA5E7q ) for inspiring him to pursue a music career. His album, titled "Musec," blends lyrical and melodic elements, influenced by artists like OutKast, Lupe Fiasco, Gucci Mane, and Future. Saint Uno emphasizes the importance of authenticity and spirituality in his music, aiming to inspire listeners.Transcripthttps://otter.ai/u/FPbhaZRqhdRioUZBKn9Y8Gn7cV8OutlineIntroduction and Podcast Overview• Keith introduces the podcast, covering various aspects of music production, including songwriting, musicianship, and fan interactions.• Keith mentions that Dan couldn't make it due to a last-minute conflict but sends a text praising the album.• Keith plugs Reverb (affiliate link: https://tidd.ly/3O5lme6), an online marketplace for music gear, and explains their affiliate relationship.• Keith sets the stage for the interview with Saint Uno from Atlanta.Keith's Initial Impressions of the Album• Keith shares his positive feedback on the album, mentioning his favorite tracks and appreciating the upbeat groove and lyrics.• Saint Uno acknowledges the interplay between lyrical and melodic elements in his music.• Keith asks Saint Uno to share his origin story and how he got into music.Saint Uno's...

GSP 90Keith and Daniel discuss the Getcha Some Productions podcast, highlighting their affiliation with Reverb (https://tidd.ly/3O5lme6) , which provides a commission for listeners who use their referral link (https://tidd.ly/3O5lme6). They express regret over losing an episode due to a platform conversion. The conversation shifts to their new animated intro, which they plan to introduce in episode 90. They also discuss potential guests for future episodes, including a jazz-rock-Middle Eastern fusion band, a 1960s-70s artist, a hip-hop artist from Atlanta, and an opera singer who creates vocal-only music. They decide to respond to all four inquiries and encourage more Bard alumni to reach out.Transcripthttps://otter.ai/u/kO6Xlgx5DNddszHmiiqYi_3-VCMAction items• [] Respond to all 4 people who reached out about being interviewed on the podcast• [] Tell those who reached out that they should share the podcast contact info with other Bard alumni musicians• [] Schedule an interview with Nephew Cube or whoever is first availableOutlineIntroduction and Podcast Setup• Keith introduces the podcast, "Getcha some productions," and mentions that this episode is a business meeting with Daniel.• Keith encourages listeners to like, subscribe, and leave reviews for the podcast.• Keith and Daniel discuss the importance of clicking the Reverb link in the show notes to support the podcast financially.• Keith explains their affiliation with Reverb.com and how it helps them financially without additional cost to listeners.Technical Issues and Past Episodes• Keith mentions that the last episode was with Michelle Green, and there was an interim episode with Andy that was lost due to a platform change.• Keith explains the technical issue where audio data was deleted during a platform conversion, affecting an episode on grant writing.• Keith and Daniel discuss the possibility of revisiting the grant writing topic in a future episode.• Keith expresses frustration over the lost data and the potential to redo the episode.New Animation and Podcast Format• Keith introduces the new animation for the podcast, which will be featured in this episode.• Keith mentions that he will not do fancy editing but will crudely slap the animation together.• Daniel expresses excitement about the new animation, which he believes elevates the podcast's production value.• Keith shares details about the animation process, including the use of Fiverr and the cost involved.Upcoming Podcast Episodes and Potential Guests• Keith mentions that four people from Bard have reached out to do podcasts, and he plans to respond to them.• Keith introduces the potential guests: Julia Morin and her band Nephew Cube, Terence Boylan, Saint Uno, and Katarzyna Saday.• Keith provides background information on each guest, including their musical styles and recent releases.• Daniel expresses interest in the Nephew Cube band and the acapella opera singer, while the other guests are ranked based on interest.Scheduling and Future Plans• Keith and Daniel discuss the challenges of scheduling interviews with potential guests.• Keith plans to reply to all four guests and ask them to reach out to other Bard alumni for future podcast episodes.• Keith emphasizes the importance of having a steady stream of guests to keep the podcast content fresh.• The conversation ends with Keith and...

Getcha Some Productions Podcast Episode 89To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:https://www.michellegmusic.com**Show Notes: Getcha Some Productions Podcast - Episode 89****Hosts:** Keith and Daniel &nbsp;**Special Guest:** Michelle Green---**Introduction:**- **Keith (0:03):**&nbsp;&nbsp; - Welcome to the Getcha Some Productions Podcast.&nbsp; - This show covers everything music-related, from songwriting to gig attire.&nbsp; - Recap of previous discussions, including the debate on wearing shorts at gigs.- **Daniel (0:32):**&nbsp;&nbsp; - Adds humor and confirms the unique topics covered on the podcast.- **Keith (0:37):**&nbsp;&nbsp; - Introduction of today's special guest, Michelle Green.&nbsp; - Mentions the episode number (89) and where it can be accessed.&nbsp; - Announces affiliation with Reverb for monetization through affiliate links. https://tidd.ly/3O5lme6---**Guest Introduction:**- **Michelle Green (0:59):**&nbsp; - Describes herself as a singer, songwriter, and soul musician.&nbsp; - Shares her genre-blending style, including electronic, dance, pop, and acoustic soul music.&nbsp; - Discusses her musical evolution and current focus on acoustic soul pop.---**Interview Highlights:**- **Michelle's Origin Story (4:12):**&nbsp; - Born and raised in Tel Aviv, Israel, with a period living in Paris, France.&nbsp; - Discusses early musical influences and starting music education at age six.&nbsp; - Mentions her experience in Israel's mandatory military service and serving in a military band.&nbsp; - Reflects on her participation in the Israeli version of American Idol and its impact on her career.- **Education and Career (10:58):**&nbsp; - Attended Berklee College of Music, majored in Music Business.&nbsp; - Explains the benefits of studying music business and her parents' influence on this decision.&nbsp; - Details her experience in acapella and beatbox shows, and voice acting in multiple languages.- **Musical Journey (17:29):**&nbsp; - Talks about her collaboration with Daniel Henri, her musical director and producer.&nbsp; - Shares insights into the songwriting process, especially the creation of "New Moon."&nbsp; - Describes the creative dynamics and challenges of producing new music.- **Live Performances and Future Plans...

Getcha Some Productions Podcast Episode 88To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:http://doceoperator.com**Episode 88 - Interview with Raja on Music Production and the 'Stay Automatik' EP**In this episode, Keith and Daniel welcome Raja, an old friend and electronic music producer. The trio dives into a fascinating conversation about Raja's musical journey, his creative process, and the inspiration behind the new EP "Stay Automatik" by his band, Doce Operator. Here’s what to expect:1. **Background and Origins**: Learn about Raja's musical origins, from moving to the U.S. in 1985 to discovering a passion for piano and synthesis during college. He shares how working with modular synthesizers sparked his fascination with electronic music.2. **Inspiration and Process**: Raja explains the intriguing concept behind the band's name "Doce Operator," which hints at the electronic music term "operator" and Portuguese influences. The discussion also explores the creative journey from the band's formation to the release of "Stay Automatik."3. **EP and Production Insights**: Get an insider's look at the new EP, including the challenges Raja faced in self-producing, mixing, and mastering. Hear how he overcame obstacles and pushed creative boundaries, achieving a distinctive blend of funky, irreverent sounds.4. **Album Artwork and Tech**: Discover how the album artwork was created using AI tools like MidJourney, and the importance of community in supporting creative projects. The episode also touches on the benefits of working with synthesizers and innovative software.5. **Final Thoughts and Future Plans**: The episode wraps up with Raja sharing his hopes for the band's future and giving insights into upcoming projects. He also discusses the evolution of electronic music and the excitement of continuing his creative pursuits.88 Show Notes Continued&nbsp;In this episode, musicians Raja and Keith and Daniel dive deep into music production. They discuss their experiences with audio mixing and mastering, revealing the challenges and nuances that come with achieving a professional sound.&nbsp;**Key Highlights:**1. **The Art of Compression:**&nbsp;&nbsp;&nbsp; - Raja explains how managing frequency clashes between vocals and synths using sidechain compression can create clarity without sacrificing quality.&nbsp;&nbsp; - He emphasizes that compression controls dynamic range, but overuse can diminish the track's life and dynamics.2. **Evolution of...

Getcha Some Productions Podcast Episode 87 To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:We’re back working on Social Media Automation on Hookle.Should you wear shorts on a gig?Should you get involved in a dispute between fans?Facebook is a wastelandFeel like it’s ok to let some posts hit every single day.We discovered that there is a maximum timeframe to post before they exireWe’re cracking up because I’m having to scroll through my gallery of hystericalWe spend a bunch of time deciding how long to schedule posts for, which brands to post to and which sites.Oh, it says Jollyship the Whiz-Bang on it.&nbsp; And Carl Thompson.&nbsp; Ok, everything is on there.&nbsp; Everything is fine.Are you sending me emojis?Can people see these emojis?What side is my good side?We had no plan when we started this videoDan says, next podcast, let’s talk about musical journeys we’ve been on lately.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#Creative Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#ServantsOfUniversalLove

Getcha Some Productions Podcast Episode 86Artemy’s website: https://artemys.artTo support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Interview with Artemy Mukhin.Born in Boston.&nbsp; Lived there for 5 years but moved to Pennsylvania.&nbsp; Lived outside of Philadelphia.&nbsp; Started learning piano around 6 or 7 years old.&nbsp; Started improvising a lot as a child.&nbsp; With the help of a great teacher, he stated writing down music and so was improvising and composing.&nbsp; He moved to NY when he was 11 years old.&nbsp; Started learning composition more seriously at that time.He writes most of his music through improvisation.&nbsp; He improvises, records it and tries to find stuff he likes.&nbsp; He says that he can’t compose without the piano.The connection for us is that Artemy goes to Bard College where Dan and I graduated from.&nbsp; He is currently a sophomore.&nbsp; He is in the conservatory which is a 5-year program.He studies with Joan Tower.&nbsp; Dan comments that Joan was an inspiration for him in how she forced him to work with rhythmic subdivisions.We discuss Artemy’s compositional process in more detail.&nbsp; He improvises until he finds something he likes.&nbsp; Then he manually types it into Sibelius.&nbsp; “It’s good to hear different things you can do which are hard to imagine on pen and paper.”&nbsp; “I’m used to using the computer as a compositional tool.”He’s composed for many different types of orchestrations.&nbsp; Hasn’t done solo piano In a while.&nbsp; Recently did a string quartet composition.&nbsp; Did an ensemble with flute, clarinet, piano, cello.&nbsp; Orchestra.&nbsp; Solo pieces.“Singing out loud helps you figure out intuitively what you think should be the next thing.”“I think of the ensemble that I’m going to write for.&nbsp; I have hopefully people in mind to play it.”&nbsp; “I want to have people in mind to work with.”When asked which composers he likes: Ravel, Debussy, Beethoven, Bach.&nbsp; Joan Tower.&nbsp; Philip Glass.&nbsp; John Adams.&nbsp; Julia Wolf.&nbsp; Missy Muzzoli.“I love harmony.&nbsp; Good harmony in a simple pop song.”“I like Disco.”You can check out all of Artemy’s recordings on his website with links to soundcloud.https://artemys.artHe took a class on film composition and he wants to pursue that in addition to composing for the concert...

Getcha Some Productions Podcast Episode 85To support the podcast, shop on Reverb here: https://tidd.ly/3O5lme6Please subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:It’s the Christmas season of 2023 as of this recording.&nbsp; I talked about how I am recording in my former childhood home and my old room where I used to have an Abbey Road poster on the wall.We reconfirm that we put everything out there.&nbsp; Mistakes and all.&nbsp; No preparation or rehearsal.We are starting/learning to use the app Hookle which is a social media scheduler.&nbsp; We’re trying to transition into automated social media posting rather than manual.&nbsp; Which is what we’ve been doing for years!Dan seems to have a little cold or runny nose.Hookle is a social media scheduler.&nbsp; They are one of the few (or only) which allows for recurring posts on social media.This is our initial run-through of using this app.&nbsp; So, on this episode, we are actually learning to use the app and scheduling a post or two.Up until this day, I had been using the reminders app inside the iPhone to schedule posts.&nbsp; Before starting to use Hookle, I was just getting a reminder on the app, then I would just go in and copy paste the verbiage, click the image and manually post to each social media platform.We go through scheduling a post which is an advertisement for one of the Handshake albums.&nbsp; We discuss which social media accounts, platforms and profiles to post the ad to.&nbsp; We discuss whether we like the verbiage of the ad.&nbsp; We discuss the frequency of the post and what’s appropriate.Turns out that the first post we make, is appropriate for quarterly posting but Hookle only does daily/weekly/monthly.&nbsp; So, we decide that this particular post will stay in the reminders app of the phone and continue to be manual.Then we discuss a bunch of scheduled posts and ads that are potentially duplicative and we delete some and consolidate.That’s it.&nbsp; Time is up.&nbsp; That’s enough podcasting for the day.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#Creative Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#ServantsOfUniversalLove

Getcha Some Productions Podcast Episode 84To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Special Guest Andy Marcinkowski.Getcha Some Productions is a music production company.&nbsp; I’m explaining to Andy what we do.&nbsp; What our mission is.Vision Statement: Tapping the unlimited creative potential of the human mind!Mission Statement: To create constantly, to entertain, to connect and inspire.Andy and I discuss bringing him on as a partner or member of the business.&nbsp; We discuss briefly the idea that we can also be a profitable business.&nbsp; Currently the business is actually money losing to the tune of ~$200/month.&nbsp; We discuss the goal of making actual money with the projects.Andy asks a very good question:&nbsp; Where do we feel that we’re lacking?&nbsp; Making content?&nbsp; Learning about different revenue streams?We need to get more consistent with recording and releasing podcasts.&nbsp; We discussed me doing a podcast per month with him and Dan so I would be doing 2 per month.&nbsp; We also discussed me doing solo shows with AI generated scripts.The dreamer in me is thinking that one day this will be a full-on business and Getcha Some Productions will be a production company that people actually have heard of.If you go back, you can listen to me and Dan building this business from a “dead-start.”Andy says, ‘it’s the seed mentality, where you’re just talking about things our loud and they might become something bigger.”We discuss one of our brands/channels - Oliver’s Musical GeniusWe discuss some of the many, many ideas we have on our list in our master plan shared document.&nbsp; There are more than 80 ideas on there as of the recording of this show.Andy makes a great recommendation that we should take only about 6 of the 84 things from the to-do list to really focus on.&nbsp; Maybe that’s even too many.Andy likes working with me and Dan so he will consider joining the team.There’s something special about us.&nbsp; A lot of people give up after a while.&nbsp; There are a few of us who keep working on our dreams.&nbsp; That makes us special in a way.&nbsp; Andy is one of the guys that’s still doing it.&nbsp; I don’t feel like I have talent.&nbsp; I just feel relentless.Andy agrees.&nbsp; “It’s just perseverance and a drive to create regardless if it is good or bad.&nbsp; You’re just plucking things out of the ether.&nbsp; If your antennae is up, it’s hard to ignore that.”“My antennae for life will be up.”“I think we’re destined for something great.&nbsp; I just feel it,...

Getcha Some Productions Podcast Episode 83To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:We took a very long break from recording shows, but we are back. Our last show before this one was from May 2023.I start off this episode by suggesting that we approach the entire show the entire idea of the show as an improv comedy routine and we adhere to the “yes, and” concept.So, the main focus of this episode is to go over the to do list for our company. We only go over the top 10 items.&nbsp; Actually, we resolve to do the top 10 at the top of the episode but actually only get through about 5.The first thing on that to do list was to record and make videos for all the etudes for the song, all steps, which is based on giant steps. I have to make videos, and then I have to have the transcriptions made.The second thing on the list was to Research whether Captivate has marketing tools for the podcast but we decide that it’s not important because we’re not really making podcasts consistently and almost no one is listening anyway so there’s no real reason to start advertising. So number two on the list actually gets put to the back of the list.The new number two on the to do list is to make a blog entry or a blog post of every transcript of every episode of the podcast and put them in the blog on the website. This is a labor intensive process. Dan suggests using AI.Dan suggests that the new number two on the list and maybe even the number one on this list should actually be to harness the power of AI for our business. We should definitely be leaning heavily on AI. Let AI work for us.Dan is trying to convince me that he’s actually an AI and it’s not him talkingWe need to harness the power of AI.The number three item on our to do list is actually a great idea. It’s to make a webpage and have every music based movie. Listed somehow. So we would essentially have a website set up or at least a webpage on our main site that serves as a resource for people who just want to find movies where the main topic is music or a musician.Number four is also so awesome! Have Perry nice become an ordained, reverend or minister. Actually, it’s so weirdly coincidental that I thought of this or Dan and I talked about this and then I discovered Mindvalley and noticing how much the Mindvalley spiritual ideas appealed to me.&nbsp; Maybe the universe is trying to tell me something.I want to cultivate spirituality in me. However, I want to cultivate a more universal spirituality. Kind of like an atheist spirituality.The paths are many, the truth is one.For me, it’s...

Getcha Some Productions Podcast Episode 82To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Dan Just got a haircut.&nbsp; We often start off by just talking about nonsense.&nbsp; We talked a bit about our last show.&nbsp; Jason Keiser sent Dan a signed copy of his album and a thank you letter for being on the show.Then we talked about the Vox video about Giant Steps which I posted on socials recently.&nbsp; Dan said he liked the circle of 5ths model that the lady built.&nbsp; We talked about Coltrane’s diagram of the circle of 5ths and how they overlayed it with the M.C. Escher stairway picture.We talked about slang and how youth movements always had counter-culture/defiant slang.Then Dan makes fun of me for trying to “one up” John Coltrane.First bit of business is that I’m cutting costs right now.&nbsp; I personally cancelled my online singing lessons and my online Jazz Guitar lessons.&nbsp; But, business wise, I’m going to cancel Leadpages.&nbsp; We don’t use it.I’m dying to get John Esposito on the show along with Carl Thompson.&nbsp; I need to reach out to them as soon as possible to work that out.&nbsp; We’re just spitballing but I listed Thurman Barker and Kyle Gann.E-mail to Jordan KlemonsHey man,Hope you’re doing well!!I want to ask you for a favor which hopefully will be a value-add for you.&nbsp; Our businesses are really about showing people the behind-the-scenes stuff.&nbsp; The lessons I took with you were very important to me in the development of the songs I was working on and I want people to see the influence you had on them. &nbsp;First off, would you mind if I posted these on my channel?Second, is there anything you would want me to say upfront besides the glowing praise I already have planned?&nbsp; Like specific sites or branding stuff you want me to mention?My plan is put an intro on the videos which explain them and then would be very happy to plug your sites/businesses and say anything you want me to.Would you want to come on our show sometime soon?&nbsp; We’d love to interview you.&nbsp; You could tell your story and plug anything you want.Then we talked about having a follow-up program for all of our guests.&nbsp; Like, every time we do an interview, we set a reminder for 11 months to check in on that person.Follow up with the Guitar Center guy, copying Dan.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#Creative...

Getcha Some Productions Podcast Episode 81https://www.jasonkeisermusic.comTo support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:https://www.jasonkeisermusic.comThis is our interview with Jason Keiser. Born and raised in San Jose California.&nbsp; Jason has five siblings and he’s a twin. He loves to cook.Jason starts out talking about the killer jazz in the San Jose/Bay area.&nbsp; Jason drops a lot of names so we’re taking notes. He mentions Mimi Fox, of course who comes up a couple times in the episode.&nbsp; One of Jason’s mentors, John Stowell, played in the LA jazz scene with Joe Diorio, and was in that GIT related to scene as well.Jason’s older sister actually played guitar but didn’t pursue it further and that’s kind of where he picked it up a little bit but he comes from a big family where no one else was musical. No one else really pursued music.&nbsp; He really started getting serious about Guitar when he found out there was a jazz band in his high school and he tried out for it and got in and started learning. Jazz really spoke to him.His grandpa was really into music. His grandpa played trombone in a marching band, and he was really into music like Creedence, Clearwater, Revival and Ray Charles.&nbsp; His dad, not a musician, was really into Music as well, and was always playing a lot of good stuff.We listened to Jason’s jazz stuff in preparation for this episode, but he’s also into Bluegrass. Of course, he corrected us to say that he categorizes this other form of music as “Space Grass” or New Acoustic Music.He leads a string band that fuses, Bluegrass and jazz, which is called the New Acoustic Collective.Jason studied with Tony Rice’s, younger brother, Wyatt Rice.&nbsp; Jason recommends that we check out the Tony Rice Project. Their first record is called actually it’s called the Tony Rice Unit and the first record is called Acoustics.&nbsp; Tony Rice was David Grisman’s first guitarist.The Modal jazz of the 60s had a great influence on Tony Rice and David Grisman. Speaking of space grass.Jason mentions again, Tony Rice and Wyatt Rice as his two main influences when it comes to the more bluegrass side of things and the flatpicking technique on guitar. With respect to the jazz players, John Stowell is one of his mentors along with Mimi Fox both contemporary artists.&nbsp; He also mentions Joe Pass.I wanted to take the technical efficiency of&nbsp;...

Getcha Some Productions Podcast Episode 80To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:We chat a bit about our upcoming interview with Jason Keiser, and how he’s connected to John Stowell. And, even after recording this podcast, I noticed that he has a gig with Mimi fox. So good for him.In preparation for the interview, I listen to to have his albums, conversations with Jason, a piano and guitar duo album, and the AXE axis, which is I think a quintet album.The title of this show will be moral supportWe should discuss how we’re going to grow from $100 million company two or $300 million company.Dan is collecting watchesDan talks for a while about his band element 115 which is live electronic music or Livetronica. They just had a technological breakthrough where they were able to set up a Local net work in order to sync all their MIDI devices.Put in a link to element 115.I talk a bit about my current music projects. A singing and playing type of project where I hope to record an album by the end of the year of original music. I talk about some of the jazz stuff that I’ve been working on for a while, which I’m getting pretty excited about but I’m still not really feeling confident with my improvisation. And then finally, I talk about my original concept from 2014 of DJ dragonfly and how that’s morphed into Mitochondriac. The original idea was that I was going to just jam along shred guitar words, guitar acrobatics over instrumental, versions of pop, tunes, and hip-hop tunes, and things like that but I haven’t been able to realize that vision until recently with the combination of Apple Music karaoke feature, and the fender, mustang micro, which completely transformed my workflow.Then, Dan talks about how his son Henry is listening to all types of heavy-metal now. Metallica, Megadeth, Pantera, etc..And Dan says he’s listening to Tribe Called Quest - Scenario Ace, and I said I was just getting back into Wu-Tang.Then we start talking about the chronicles of Riddick for a whileThen Dan reminds me that he recommended that I watch the show fringe which I did finally start, and I love it!I can’t punk out. I gotta just go for it.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#Creative Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#SoulsofService

Getcha Some Productions Podcast Episode 79To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:This episode is inspired by my daughter, Elizabeth and James Carrancio, who got me talking about how I have respect for Taylor Swift’s songwriting.&nbsp; I’m even jealous of her songwriting at this point. And, the idea, that if we start a habit of sitting down and talking about her music and her lyrics, then we might learn something or it might just be fun to do.Today we’re talking about the song, The 1 by Taylor Swift.&nbsp; This is the first track on the album Folklore.Written by Aaron Dessner and Taylor Swift.We discuss how conversational Taylor Swift lyrics are. In fact, you can imagine someone saying the lines of her songs in the context of a conversation very easily. They are literally things people say.The line where she says “been saying yes, instead of no”, is reflective of culture today where people are chronically busy.&nbsp; It has become a cultural phenomenon to say no to things to protect your own time. However, Taylor is tapping into an alternative energy where she’s decided to allow some potentially unexpected energy into her life by saying yes to things.Elizabeth says this particular song feels like a diary entry which I totally agree with.One of the takeaways from this particular song is that sometimes the best songs are not really very deep at all. Sometimes the best songs are the simplest songs. That’s a hard lesson for a songwriter to take because it goes against our ego which wants to make something impressive..One thing that I think I’ve come to realize about Taylor Swift is that she does seem to brood and obsess over things quite a bit.&nbsp; I don’t think she could be as productive as she is if she didn’t obsess over things like she obviously does.The song is very slay.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#Creative Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#SoulsofServiceLyricsI'm doing good, I'm on some new shitBeen saying "yes" instead of "no"I thought I saw you at the bus stop, I didn't thoughI hit the ground running each nightI hit the Sunday matinéeYou know the greatest films of all time were never madeI guess you never know, never knowAnd if you wanted me, you really should've showedAnd if you never bleed, you're never gonna growAnd it's alright...

Getcha Some Productions Podcast Episode 78To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:We start off by talking about some personal stuff. Then I talk about the pending launch of the masters of the universe club brand.The Mustang micro is gear of the year, 2021.Then we discuss getting back on track with our overall mission. We discuss our accomplishments of having started a podcast and now having done 78 episodes which is great. We also discuss how we started doing interviews and how that should be the core of the podcast going forward. However, the podcast will also continue to serve as the top of the funnel, where we just discuss ideas, and all the ideas we put into the top of the final are generated or discussed on the show, but then the bottom of the funnel will determine which ideas materialize which get put on the back burner.The prototypical podcast is two white dudes that have too much to sayDan wants to have more content that focuses on other peoples music, which is a really good idea, because it is someplace where we can bring a lot of energy to the situation. Plus there’s a higher value marketing aspect to it. So I think we need to add some some podcasts that are just talking about other people’s music in some format or another.I told Dan that I want to record album in 2023.Then we just go through the to do list. Copy and paste to do list here.Dreams/Goals/Wish-List/To-do List:Webpage: every music based movieBecome ordained reverend Perry niceApply for NYC GrantsiReal Pro affiliateBarry Greene AffiliateJTC Affiliate Production Services on website!! Develop Band Practice/Jam Session/Open Mic App Business Pays it’s own expenses. Business Pays to Produce More Content Business Pays to Set Up Recording Studio Business Expands to “Hire” or Recruit More Friends/Partners Business Pays for Plane Tickets to visit each other to collaborate in person We Sell Merch Own Recording Studio Own Rehearsal Studio Own Music Store Have The Flop House Guys review (and trash/roast) The Handshake Album Have The Flop House Guys come up with insane video/narrative ideas and produce videos based on that. Have Devon/Katie make puppet videos for us. Produce a Rock Opera based on The Handshake Album Collaborate with Ars Nova and/or Ars Nova artists Collaborate with The Flux FactoryCollaborate with Rubulad Collaborate with Peter Kohl Wikipedia Entries for all...

Getcha Some Productions Podcast Episode 77To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Introducing Andy Marcinkowski! Andy is a longtime friend and collaborator since high school.&nbsp; He was in a band with my good friend Justin Wertz and we often hung out in the mid to late 90s and early 2000s.&nbsp; Andy played a critical role in the production of the handshake’s 2012 self titled album. Andy has also helped with many of the Getcha Some Guitar jam tracks.We start off just by chitchatting. I talk about how I want to buy a van and Andy says that reminds him of Clown Core.Andy says that it’s an open secret that Louis Cole is the drummer in keyboard player of Clown Core.Then, we get into the meat of the episode. I do the intro and then discuss with Andy what the topic of this particular show is going to be. We had initially discussed doing a book club thing together where we read a book in advance of the show and then discuss on the show. However, today, I want to just do an interview of Andy because even though I’ve known him for a long time I don’t really know his full story in music. I ask him whether this is acceptable on the show and he says OK. And off we go.When Andy was younger, he was a big fan of very cheesy pop music. He says he was a sucker for Melody.“The first thing musical that I really latched onto was good vibrations by Marky Mark and the Funky Bunch. So, it wasn’t even the good Good Vibrations.”He also highlights CNC Music Factory as a specific touchstone for his musical development but also to say that it was that general error when he really started getting into music.His sister was a bit older and used to carpool to high school with a friend who is into more grunge type stuff. One day, due to this other girl’s influence, his sister came home with Nirvana Nevermind. When Andy heard that he ran that tape into the ground.&nbsp; He also mentions the Nine Inch Nails Wish album.“1994 was my musical awakening.”Nirvana is like, sure Kurt is screaming at all but, the musical elements have a nursery rhyme element to them.“Nirvana at its core - sure Kurt screaming and all that stuff - but here’s a certain nursery rhyme/elementary nature to it. It just hooks.&nbsp; It’s really great catchy hooks.”I tell a story about how kids today are into Nirvana as well. My daughter is 11 and has been through a Nirvana phase.&nbsp; In fact, I listened to Nirvana more in the past two years that I did when I was a kid, when it came out.We spent a good bit of time talking about the contrast

Getcha Some Productions Podcast Episode 76To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:We start off by just catching up for a bit. Talking about how my wife and daughter are sick and I’ve been doing double duty. Then we talk about Christmas music for a little while.Then we talk about the fact that we were supposed to do a quarter quell episode for episode 75 but that we just released an album and it seems silly to keep pushing the issue when we actually have business to take care of and the whole point of the podcast is that we do business meetings live in front of people. So that’s what we’re gonna do we’re gonna move forward with the original intent of the show.So this is the episode where we just brainstorm as many ideas as possible to market our new album which we just released which is the handshake live at big sky works.Actually, before we even start brainstorming about the marketing of our new live album, I just got an idea for marketing the podcast in general. The verbiage for a weekly ad for the podcast should be we are the catchers and productions podcast a podcast covering all things related to music production from the first night/fan of everything in between. We create music and inspire others to do the same. That’s what the verbiage of the ad should be on a weekly basis.Just to recap, we released the album, the handshake live at big sky works, on December 1, 2022. The live show and recording took place on December 1, 2012. So the album was released on the 10th anniversary of the actual show. So that’s nifty.Here are our ideas to market this album release.Hey, we released this album on 12/1/2022 (the 10th anniversary of the actual show) and are just getting around to promoting it!&nbsp; Check it out at the links below!The Handshake Live at Big Sky WorksGSPHey!&nbsp; We’re an actual Production Company!&nbsp; As such, we released this record on 12/1/2022We’ve been showing you these photos from our show!&nbsp; Check out the audio on streaming!Once per day for the rest of the month.Ads to post:Facebook all brandsTwitterInstagramCassie and Mike Peel of RRRPlaylisters of live rockFacebook Groups - Live Rock, Original Music, etc.Create video using stock footagePut the album streaming links on the website.We discuss how it was a good decision to re-order the songs to feature different songs from the original “studio” album.First idea is just a regular post, we’ve been bugging you about it, now here it is! The handshake live in big sky works December 1, 2012....

Getcha Some Productions Podcast Episode 75To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Super quickie episode.This was the final planning meeting before the release of our album Live at Big Sky Works.Live at Big Sky Works Linkshttps://youtube.com/playlist?list=OLAK5uy_kOcWcBAVvZ7sKdSjW-xQb89ag9NiIMtDUhttps://open.spotify.com/album/4Y0ERJ53NM8h9a6uQ0GTC9?si=sGEQLF4hQGKxt8Ik4tdRdghttps://music.apple.com/us/album/live-at-big-sky-works-12-1-2012/1657879351https://amazon.com/music/player/albums/B0BNWG151W?marketplaceId=ATVPDKIKX0DER&amp;musicTerritory=US&amp;ref=dm_sh_gHbVSGXaNKkLZBaaIF4xqp2jPOur friend Andy Marcinkowski has agreed to help us lightly master our tracks for release.We discussed some audio flaws in some of the tracks that may have been caused by mishandling of the recorder or perhaps the recorder’s compressor not turning on quickly enough in the beginning of the show.We discussed either trying to clean those up and having Andy try to clean them up or if they wouldn’t clean up enough just releasing them as bonus tracks or outtakes and acknowledge the fact that there is some issues with the audio. But at least will release them for posterity’s sake.Then we discussed some ideas for the album cover art. I told Dan about my idea to release the album cover art as a collage of all the pictures from the show. We ended up not going with that idea after all.Off topic random thought: We really want to do an interview with John Esposito but he didn’t get back to us. We’re going to keep reaching out.Dan makes a comment that any little Squirrely parts of the recording will be fine because it’s a live show and as long as the energy is captured it’s all good we should just go forward and release it all.I remember that the worst part of the recording actually is my vocal performance partially because I was experiencing some vocal strain from rehearsals plus some vocal fatigue from the winter time and my throat...

Getcha Some Productions Podcast Episode 74To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:The fact that I can always hear birds in the background gives our shows a nice ambience. This is because Dan typically records in his backyard.This episode is mostly about the plan to release the recording of our cd release party concert on its 10 year anniversary which is coming up in December 2022. So that’s mostly what we discussed on this episode.Need to change the verbiage to indicate upcoming album release.We discuss cleaning up some of the audio and possibly fixing a strange noise that was occurring on one of the songs. We resolved to ask our friend Andy who has done audio editing for us in the past.Then we talk a bit about designing the album cover and we go over some choices that we might have. One of the choices would be to use one or more of the pictures that were taken at the show. I believe Jan has a picture from the show that he thought was cool so we brought that up as a choice. Of course one of the choices is always to hire an artist to design some thing. And then another choice we had wise, since this was a city release party, we could take the original album cover and put a treatment on it so that it’s apparent that all the same songs were played. We discussed all those different choices. In the end I think that maybe a collage of the photos from the show with some sort of treatment on them would be a cool choice for that.Then we talked for a bit about a new track that I’m planning on releasing and how I’m getting a little excited to release an actual album maybe at some point. But, I’m starting with just one track at this point.Then, I had to apologize because of course I want to do two versions of my song, a short one and a long one. However, I wasn’t really planning on doing two distinct versions in the beginning. I was planning on doing a version with a long ending in a version without a long ending. However Justin Wertz convinced me to change the format of the song a little bit to make the short version more of a single version and then keep the long version as some more weird thing that I’m prone to do. So I found myself being a bit apologetic about doing two versions of the song which is very typical for me anyway.Then I posed to Dan an idea that maybe his band would learn a few of my songs and I could come down and we could do a recording a live recording of some of the tunes just to get some different takes. His band is mostly electronic so it would definitely put an interesting spin on things.Dance project is called element 115. Richmond live Tronic car. Live...

Getcha Some Productions Podcast Episode 73Decoster on Spotify: https://open.spotify.com/artist/14x05HyDuyJAVdt9Gv65FCreverbnation profile: https://www.reverbnation.com/decosterInstagram Profile: https://www.instagram.com/paul.decoster.3/Facebook Profile: https://www.facebook.com/TigermanPCD/YouTube Channel: https://www.youtube.com/user/pauldecosterTo support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Special guest Paul DecosterDecoster on Spotify: https://open.spotify.com/artist/14x05HyDuyJAVdt9Gv65FCreverbnation profile: https://www.reverbnation.com/decosterInstagram Profile: https://www.instagram.com/paul.decoster.3/Facebook Profile: https://www.facebook.com/TigermanPCD/YouTube Channel: https://www.youtube.com/user/pauldecosterWe start off talking about the key ingredients to a great city: food, music and art. I guess I would add some sort of industry.We do our own stunts on this podcast.Paul has a new album coming up with 11 songs on it.“The worlds first superheroes on planet earth are the trees.”Paul’s very first memory of really loving music was (as a small child) first hearing the Nutcracker Suite by Tchaikovsky and being very excited and dancing around to the sound of it.His first guitar lessons were from a person named John Porcino in summer camp in 1979.Paul studied classical guitar throughout college in addition to doing musical...

Getcha Some Productions Podcast Episode 72To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:We talk a bunch about our Reverb affiliation (link above).&nbsp; Dan says that he wants to sell his Eric Johnson Fuzz.&nbsp; Dunlop EJF1.&nbsp; I talk about how I gave my ElectroHarmonix Big Muff to Mike Menditto.We talk a bit about how chill we think Eric Johnson is.Getting back into introducing anarchy into the show.&nbsp; So, we start with one of my random thoughts.&nbsp; Every time I do the Reverb affiliate advertisement, I use a music related quote.&nbsp; I thought it would be very funny to rewrite music quotes by famous people to be silly and aligned to our brands.RejiggerThen we talk about how important it is to cultivate conversational flow and a flow of ideas in the podcast.Then we talk about perhaps taking comedy classes on Udemy.&nbsp; They have classed on how to use nunchaku and dance.&nbsp; Dan asks&nbsp;The algorithm was feeding me things that correlate highly with Napoleon dynamite like nunchuck classes and hip hop dance classes.We discuss the improv comedy concept/process of “Yes And”Also, No!Going to quit the podcast for now and go watch the Godzilla Movies with Millie Bobby Brown.Lastly, Marc Tappan.Bonus:It is Dan’s day off so he is doing some domestic stuff.&nbsp; Walk the dog.&nbsp; Cooking.&nbsp; Laundry.&nbsp; Chores.I have to keep my head on a swivel due to pigeons.&nbsp; Dan misses Brooklyn.&nbsp; I feel a bit wasted after going for a very long walk and doing squats and pushups.We discuss longevity.&nbsp; Repping a little Ray Kurzweil on your A$$.&nbsp; Wondering if eating sesame chicken will help me live longer.Phlegm.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#TheArtistsLife#Creativity#Creative Music#Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#SoulsofService

Getcha Some Productions Podcast Episode 71To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:We had some technical difficulties today so there’s a bit of stopping and starting.&nbsp; First we talk about bakeries and Villabate Alba in Bensonhurst, Brooklyn, NY.Then we proceed to have a business meeting.&nbsp; So, this particular meeting came about because I saw that we had ~$11 worth of commissions on our Amazon Affiliate page.&nbsp; That doesn’t sound like a lot but it is for folks who do almost no marketing of anything on it.Also, it hit me that we have 70 episodes and that’s an accomplishment.&nbsp; So, the overarching thing is that I wanted to have a meeting or series of meetings where we get back to the core mission of the podcast.&nbsp; Ultimately, this meeting is about how we need to just talk about how we need to just talk about the business without a specific agenda.&nbsp; Or, perhaps have a series of calls where we have different agendas where we’re not necessarily being practical but rather dreaming about what this business/project could be.Gut check.Brainstorming.Mission.Channel Elon Musk or Ray Kurzweil.Dan is the practical one in this relationship.Humble beginnings.I truly believe that this can be a legit business that pays our bills.&nbsp; Or facilitates the life we want.Dreaming of a grandiose future of GSP.&nbsp; Dreaming of our grandiose future.It’s cool to just talk.&nbsp; Lets inject a little bit of anarchy.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#TheArtistsLife#Creativity#Creative Music#Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#SoulsofService

Getcha Some Productions Podcast Episode 70https://www.genesegal.comTo support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:https://www.genesegal.comSpecial guest: Gene SegalPlanning on how we can work together to produce some tracks together.&nbsp; Utilizing Gene’s services to produce some tracks for me.Decided that, since I don’t have a band, I would use Gene since he can program drums.My whole thing is keeping the cost down.&nbsp; As it is with everyone, of course.What gene needs from me is a reference track of my song recorded to a click track.&nbsp; Gene can do the bass as well.We also discussed a collaboration where we offer music production services on our website www.getchasomeproductions.comWe’ll set up a page on the site that describes music production services and has a contact link. &nbsp; Then we send out the info as a referral to our stable of producers and we earn a small fee for the referral.https://www.genesegal.com#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#TheArtistsLife#Creativity#Creative Music#Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#SoulsofService

Getcha Some Productions Podcast Episode 69https://www.genesegal.comTo support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Special guest: Gene Segalhttps://www.genesegal.comGene is originally from Russia and he moved to the Kensington area of Brooklyn in 1979. He went to Ditmas Junior High School and Midwood High School.He went to the guitar arm of Musicians Institute in Los Angeles. GIT.&nbsp; Guitar Institute of Technology.We talk about Jude Gold for a second because of the GIT connection. He listens to Jude’s podcast, No Guitar is Safe.&nbsp; Gene recommends the podcast Guitar Wank which Scott Henderson is on regularly.&nbsp; Podcast is with Bruce Forman.I wish I would have asked more about GIT.But where he really flourished in school was William Paterson where he studied with Gene Bertoncini and Vic Juris.&nbsp; Vic was one of the few teachers with an actual pedagogy.Gene has one self produced record and a few under the Steeplechase label.Gene comes from a musical family. His father was a Drummer and his uncle was one of the top session guitarists in Russia.&nbsp; He remembers always going to rehearsals and gigs for his family members and he would always pick up the instruments and try to write something. Far as long as he can remember his main motivation was to actually write music, so when he was a kid he would sit down on the piano and try to write a little Melody or something.I try to just close my eyes and play sometimes. You know, Music gets complicated, and you have to read music know all the theory, but sometimes you just have to play.&nbsp; I don’t think of anything when I play.I added Gene’s trio record to my trio grand playlist.&nbsp; Double Rainbow is the name of the record.Playing with Adam Nussbaum and Jay Anderson, those guys are special. They have a connection.&nbsp; The record sounded like they were a band with a strong connection but that was actually the first time they ever played together.Every guitar player has to do a trio record, it’s kind of a right of passage.We talk about the John Scofield record En Route and Bill Stewart and Steve Swallow and how great the trio is.&nbsp; Jean recommends listening to any record that Steve swallow made with Paul Bley.Jean lists all of his big influences which he already mentioned John Scofield.&nbsp; Jim Hall, West Montgomery, Charlie Christian.&nbsp; Gene really started...

Getcha Some Productions Podcast Episode 68To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:This episode was recorded on Father’s Day 2022. Apparently.We are using the disc makers 90 Day release planner.https://blog.discmakers.com/2021/06/record-release-promote-an-album/https://www.discmakers.com/request/90-day-album-release-planner.aspx?utm_campaign=BLOGREQARC&amp;utm_source=DiscMakersBlog&amp;utm_medium=HANAThe whole point of this episode is to put together a plan to release a live record sometime in the future. The live record is the Handshake live at big sky works from December 1st I believe 2012. We start off by talking about just getting some advertising rolling. The main idea was to post pictures from our gallery on the website which is mostly are all pictures from that show.12/1/2012Dan of course has a hilarious idea about posting completely unrelated photos but say that they’re from our show. So his idea was to post a picture of a scene from Braveheart and superimpose our faces on it and say that its photo from our live show. Which is kind of funny and I definitely think we should do it in general though perhaps not connected with the particular release but just as an ongoing joke would be hilarious.We talk about what we think the album should be called. I think we’re just gonna call it live at big sky works and then the date.We talked and decided to reach out to Tanya to see if she wants some input on what the album cover should look like. Follow up notice that I have to do that.Dan needs to find the photo or photos that he took a Big Sky Works which we can potentially use for the album cover.Next follow up task is to find the online mastering service, sign up, load up all the tracks, and then start the mastering process.Then, we have to reach out to everyone that was involved in the party and the band at the time and just advised him that we’re going to be releasing the live album in case they want input or anything like that.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#TheArtistsLife#Creativity#Creative...

Getcha Some Productions Podcast Episode 67Follow Patrice on Facebook: https://www.facebook.com/profile.php?id=100063725641624Follow Patrice on Instagram: https://www.instagram.com/pryanmusic.lessons/ To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Special guest Patrice RyanPatrice is from Suffolk County, Long Island.&nbsp; Both of her parents are artists. They met at Pratt Institute.&nbsp; Patrice is from the Village of Northport in Suffolk County.Growing up, she had a piano in the house. Her parents said that she would play a lot on the piano by ear when she was very young (like one or two years old).&nbsp; She grew up listening to her parents music which was Frank Zappa, the Beach boys, the Kinks and the Beatles.She also had an older sister, so she was exposed to Britney Spears, N Sync and the Backstreet Boys.&nbsp; According to her dad, she would pick the notes out on the piano by ear as young as one or two years old.Patrice is identified as the musician who loves dogs. As a kid she always wanted to be a veterinarian.Patrice remembers having very intense separation anxiety from her parents at a young age. Perhaps around three years old when she started going to school.A major turning point in her anxiety was when she started out playing the cello. She says that even though the anxiety never really went away she was able to interact much better with other kids through the sharing of the musical relationship.&nbsp; She was able to form an identity around that.&nbsp; The downside was that she actually broke 12 cellos in one year. They nicknamed her The Cello Eater.Middle school was the toughest time for her in terms of her awkwardness and trying to fit in etc. Music really helped her through that. I think we all have that experience.During high school, Patrice’s mom got very sick and it was a particular tough time in her life. Listening to music really helped her a lot as a form of escape and comfort. In particular she calls out the song Hey Jude as being particularly comforting to her and resonating with her.That was when she started to pick up Guitar. She highlights the difficulty in switching from cello because of the enhanced polyphony a guitar versus cello.&nbsp; On cello it’s very common to just play one note at a time though you can...

Getcha Some Productions Podcast Episode 66To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Special guest Gene SegalWe start off talking about jazz and about how hard it is to make a living playing jazz in general nowadays and I guess forever.We both love jazz but we admit that it’s a four letter word in some respects.Gene has opened up an official studio in North Jersey and is accepting new clients to record. In fact, he’s offered for a limited time I suppose, for anyone who wants to make a record to come down and make one track for free.&nbsp; I’m probably going take him up on that offer to do one track for free and perhaps to do another one or another couple of tracks paid and maybe an EP or something.The idea is that I probably will record some tracks with him. So we start talking about whether I’ll have to put a band together or whether I will hire some musicians to get this thing going. Not really firming up any plans but just laying it all out on the table.I told Gene that I want to get a band together and I don’t necessarily want to hire musicians to make the recording. I’d rather have a band so that I could get some rapport going with the players.A great part of Gene service is that he has a bunch of top-notch musicians to perform on records. It’s all about the net work.&nbsp; He has a deep bench.&nbsp; I’ve heard some of the tracks he’s produced and they sound great!Every producer has musicians that they like to work with.Gene asked me if I was thinking of doing an EP. I told him I was thinking more along the lines of a single with an A side and a B side. And he said that yeah that’s a lot what a lot of people are doing nowadays.&nbsp; No one is really releasing albums now. Of course we both discussed the fact that we are more inclined to make albums because that’s what we’re used to experiencing.&nbsp; Making an album feels like an accomplishment. It feels like a complete work.Gene can program drums as well. He uses high-quality samples and he can get it to the point where some people wouldn’t even know that it’s not a real drummer.#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#TheArtistsLife#Creativity#Creative Music#Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#SoulsofService

Getcha Some Productions Podcast Episode 65To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:We start off the episode with some really classy technology issues. But we let it ride. We let it all ride. We put it all out on the line.We just spent the episode talking about some music we’ve been listening to over the past few weeks. Inspired by Rick Beato.Dan was listening to Alice In Chains this week.&nbsp; Dan says the album dirt is outstanding.We talk about listening to Albums cover to cover. Like in the old days when people used to actually do that.Then I talk about my congruent experience which was that Rick Beato reminded me of how great Tori Amos’s album little earthquakes was.Then we talk about another congruency in that Elizabeth my daughter really likes Nirvana right now so I’ve been listening to a lot of Nirvana just like Dan was listening to Alice in chains.Then we talk about then I talk about the fact that I listen to Chicago’s greatest hits recently because of Rick Beato and how much I listen to that in high school how that also brought me back in time even more so than the grunge stuff. Even though Chicago’s greatest hits was anachronistic to my high school experience.Ted Hudson, we’re coming for you#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#TheArtistsLife#Creativity#Creative Music#Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#SoulsofService

Getcha Some Productions Podcast Episode 64To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:A new part of our process is to ask all our prior guests for a referral of one person who they think would be a good guest for the show.We talk a bit about the fact that podcasts are best when they are candid, free flowing conversations. We do need to build up our interview chops a bit but we also have to lean into the unplanned conversational aspect of podcasting which is the true beauty of it. Podcasting is like the anti-TikTok. It is not a low attention span venture.We talked about how Dan and I have complementary vibes which work well in the context of co-hosting an interview format podcast.We talked about the dynamic of shutting up and letting someone else talk.I updated Dan that I’m actually going to be playing music with actual human beings for the first time in several years. I also updated him on the progress of Olivers Musical Genius and the fact that we have 123 subscribers now.We talked a bit about the dynamic of our business and the fact that Getcha Some Productions is the top of the funnel but Oliver‘s musical genius is sort of right below it. Everything kind of flows through Oliver‘s Musical Genius. I was saying that my hope is to have subscribers come into Oliver‘s Musical Genius but then have them routed to where their real interest might be to the other brands. Dan rightfully commented that it might be better to just treat Oliver’s Musical Genius like the primary brand since it’s the one getting the most traction and just focus on that and put more energy into that. That was a very good comment. Of course, Oliver’s Musical Genius is its own brand in addition to it being kind of a flow through for all the other brands.https://www.element115.bandDan updated me on his band Element 115. They are looking to get a gig at a weed related farmers market. They would share the bill with a Grateful Dead cover band that has common members.&nbsp; This would be Dan‘s first gig in many many years. He says the band is evolving quite a bit and they’re really falling into a groove with the type of electronic music they play. They also have scaled back their rehearsals to only once per week versus many times per week as they have been going previously.The only thing is that Dan hasn’t really been paying Bass much lately in the band and he’s mostly playing keyboards now. They are an electronic music band.One of my favorite things that we talk about is the logistics of Element...

Getcha Some Productions Podcast Episode 63To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Special Guest: James CarrancioWe started off talking about cigars. The consensus is that cigars look cool but they do not taste cool.Jim moved to Brooklyn to pursue stand-up comedy, nine years ago.Both art forms tell you about the world in a way that you can sit back and not have to think about it.“When I was eight or nine, my mom sat me down and made me watch a whole bunch of George carlin.”George Carlin &amp; Bill Hicks are on Jim’s Comedy Mt. Rushmore. Right now his favorite working comics are Bill Burr, Tom Segura and Nate Bargatze.His song, I’m dead from his new album lost boy is about 80s slasher flicks from the point of view of the victims. The jumping off point for that song was Friday the 13th part five I believe. It shows that he did a lot of research before starting to write that song.As Jim goes through his list of musical influences, I noticed it spans a very wide range of genres.&nbsp; His mom was the first real influence on him because she always listened to B105 the oldies station, I guess that it’s an upstate New York radio station.His first real exposure to music was the Temptations, Marvin Gaye, Sam Cook and those types of artists.&nbsp; In fourth grade he loved hip-hop like Busta Rhymes and Notorious B.I.G.&nbsp; But by the eighth grade he listened to nothing but punk rock.&nbsp; In high school he transitioned to Screamo and Grindcore.&nbsp; He always had a taste for the Pop Punk and Indie Rock genres.&nbsp; By the time he started writing songs himself he was really listening to a lot of Johnny Cash and Elvis.You can pinpoint the moment when he thought, that’s what I wanted do!. He was watching the Elvis 1968 come back special and Elvis was performing the song Trying to get to you. On the official recording Elvis keeps the song pretty mellow throughout. But in the live version he really starts growling his vocals in the second verse. That was the moment when Jim said, this is what I want to do.Lost boy album has a very live sound. It is very much a an old-school americana/blues style record with a very live sound. Jim says that through his life he’s been struggling to record music well and it was because he was taking the official recording route of recording each part separately and using overdubs to get the clarity. It wasn’t until this record did he decide, with the help of Josh Salant, that he would go for a live sound and it worked. The album sounds and feels great.“I’m one of those people that will randomly write down their top 10

Getcha Some Productions Podcast Episode 62To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Hey Kat,We likely won’t get to all of these or we may just cover them in the course of a normal flowing conversation.&nbsp; The most important thing about our show is that it is a candid/unrehearsed/honest conversation.&nbsp; So, feel free to prepare your thoughts but…we will be winging it.&nbsp; We’ll make sure that we look dumber than you, that’s a guarantee!! 1. Where are you from? 2. How did you get into music?&nbsp; Superhero origin story? 3. What kind of music do you make?&nbsp; What’s your main instrument?&nbsp; Current projects? 4. What’s your position in the store?&nbsp; What do you do there?&nbsp; Describe a normal day at the store?&nbsp; How long have you been there? 5. You have an important role in the store in helping people with their creative process.&nbsp; How do you think about that or relate to your role? 6. Do you prefer helping people know what they’re looking for or do you prefer to help them search? 8. What’s your favorite part of your job? 9. Most interesting or memorable experience at the store?&nbsp; People you’ve met?&nbsp; Off the wall occurrences?&nbsp; Tell us a Brooklyn story? 10. Craziest day at the store? 11. Vision for the future or dreams for your music career?We can do video&nbsp; (Zoom) or audio, up to you.Looking forward to the call!!Dan says: Those are Keith’s questions. Mine are different:1. WTF is your problem?2. Why did you do it?3. If train A leaves the station traveling at 30mph, how many guitars is it carrying?4. Does anyone really give a f*ck?5. Why does my hair hurt?#MusicProduction#DIYMusician#MusicRecording#MusicTechnique#TheArtistsLife#Creativity#Creative Music#Music#10,000Hours#GetchaSomeProductions#TheHandshake#GetchaSomeGuitar#OliversMusicalGenius#ErosPragma#Mitochondriac#PerryNice#SoulsofService

Getcha Some Productions Podcast Episode 61To support the podcast, shop on Reverb here: https://reverb.grsm.io/GetchaSomePlease subscribe on your favorite podcast app: http://www.getchasomeproductions.com/podcastPlease like and subscribe to our YouTube Channel:&nbsp; https://www.youtube.com/channel/UC_nc0nleQ5Yk_eKuNpkDFvQBuy the Book Club Featured Book here: Unlocking Creativity by Michael Beinhorn https://amzn.to/3B9f458A podcast covering all things related to music production: from the first note to the last fan and everything in between.&nbsp; We create music and inspire others to do the same.&nbsp; Every episode is a live business meeting between me and Dan (me and Keith) as we build this media empire right before your very eyes/ears.In this episode we discuss:Special Guest: Joshua SalantOwner of Salant sounds studios.https://www.salantsound.comhttps://www.instagram.com/joshsalant/?hl=enhttps://www.facebook.com/SalantSound/We talk about the mixed veggie platter entrée at Tanoreen.Josh is over in Canarsie, Brooklyn.Two hippies and a square. Two hippies and a suit.We talk about the punk scene in Virginia Beach. And then I’ll bar called Kogan’s.&nbsp; Or was it Keagan’s.Josh‘s superhero origin storyJosh’s dad plays music. He plays bass guitar and sings but he was more of a hobbyist than a professional.&nbsp; His dad was actively play gigs in the 60s and 70s. And he used to leave his instruments laying around the house where Josh and his brother with toy around with them from time to time. Josh’s brothers name is Sean.&nbsp; Sean is a professional guitar player.&nbsp; Josh has been playing drums since he was 15 and he’s almost 35 now so he’s been playing for almost 20 years.Josh tell us a funny story about how his friend met Joe the guitarist from Gojira because he always comes into the Home Depot where his friend works.“I’m gonna play it till it’s perfect guys, please bear with me” Josh SalantOne of Josh’s favorite drummers is Nick Mason of Pink Floyd. He’s very understated and underrated. “I really like the way he plays behind the beat “He also mentions Chad Smith,AC/DC, Megadeth and Pantera among others as influences. A lot of influences but very firmly in the rock to hard rock genres.‘I just wanna make the artist happy. Because it’s their work.&nbsp; It’s not about my drumming at all, I just want them to feel like “yeah this is gonna really enhance my song.”’Josh was running his studio and since 2005. He only officially opened it for business in 2014. He’s got a lot of years running that sound.The first record ever made was for his thrash band in 2005 called Name Your Poison. A thrash band from high school - everyone was from Canarsie Brooklyn.Josh says that he sees certain genres coming back right now. He sees a resurgence of the old school Brooklyn hard-core and a lot of metal stuff (lotta metal projects being started right now). He also noticed a big resurgence in film scoring.&nbsp; A...