The Director’s Cut - A DGA Podcast

Director Maggie Gyllenhaal discusses her new film, The Bride!, with fellow Director Greta Gerwig in a Q&A at the DGA theater in New York. In the conversation, she discusses the influence of 1930s cinema on the film’s themes, using dance sequences as a medium for her characters to express complicated emotions, and working with her Costume Designer to create striking looks for the cast. Set in an alternate 1930’s Chicago, the film follows Ida, a murdered woman brought back to life to be the monster Frankenstein’s companion. Ida’s second chance sparks a whirlwind of romance, police interest, and radical social change. See photos and a summary of this event below: https://www.dga.org/events/2026/may2026/thebride_qna_0326

Directors Carl Deal, Tia Lessin and the film’s subject, Amy Goodman discuss their new film, Steal This Story, Please!, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, the filmmakers discuss the structure of the film as a way to get to know Amy before her work, how the filmmakers originally met Amy, and the relevance of Democracy Now! in a modern corporate news landscape. Screened as part of the DGA’s Documentary Series, the film follows Goodman as she becomes a leader in the movement for independent media. Set against some of the most consequential stories of our time, Goodman works to amplify voices excluded from the mainstream and faces off against forces trying to silence her. See photos and a summary of this event below: https://www.dga.org/events/2026/april2026/docseries_stealthisstoryplease-0326

Director Kevin Williamson discusses his new film, Scream 7, with fellow Director Paul Feig in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the original concept of Scream came to be, how he balanced horror and comedy to establish the tone, and the importance and careful use of score needed to maintain the film’s tension. In the newest installment of the Scream franchise, original victim Sidney Prescott hopes to reinvent her life in a different town. But when a new killer emerges, her darkest fears are realized as her daughter becomes his prized target. See photos and a summary of this event below: https://www.dga.org/events/2026/april2026/scream7_qna_0326

Director Tom Harper discusses his new film, Peaky Blinders: The Immortal Man, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses working with Actor Cillian Murphy, how making a Peaky Blinders film differed from an episode of the series, and working closely with his composer to find a soundtrack befitting the tone. A sequel to the award-winning television series Peaky Blinders, the film follows Tommy Shelby as he returns from exile to a post-World War II Birmingham. With unsettled business and his future at stake, he must face his demons and choose whether to confront his legacy or burn it to the ground. See photos and a summary of this event below: https://www.dga.org/events/2026/april2026/peakyblinders_qna_0326

Director John Patton Ford discusses his new film, How to Make a Killing, with fellow Director Kobi Libii in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses inspirations and early iterations of the film, managing the tone as over-the-top events happening in a grounded and believable world, and the importance of sound design to the construction of the film. Loosely inspired by the 1949 feature Kind Hearts and Coronets, the film tells the story of Becket Redfellow, a blue collar worker disowned by his wealthy relatives. Determined to reclaim his inheritance, he launches a campaign of manipulation, betrayal and calculated violence to eliminate everyone standing between him and the fortune. See photos and a summary of this event below: https://www.dga.org/events/2026/april2026/how2makeakilling_qna_0226

Director Gore Verbinski discusses his new film, Good Luck, Have Fun, Don’t Die, with fellow Director Sacha Gervasi in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he wanted to approach the story with a modern take on AI, how Actor Sam Rockwell’s costume was made from scrap technology found in surplus stores, and finding a delicate balance for the film's tone in between apocalyptic, comedic and irreverent. The film follows a man, allegedly from the future, who arrives at a Los Angeles diner and takes the patrons hostage. Claiming they are the precise combination of strangers he needs, he convinces them to join a quest to save the world from a rogue artificial intelligence. See photos and a summary of this event below: https://www.dga.org/events/2026/april2026/goodluckhavefundontdie_qna_0226

Director Emerald Fennell discusses her new film, Wuthering Heights, with fellow Director J.J. Abrams in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses her approach to adapting the original text, working with her Production Design team to create surreal landscapes and environments reminiscent of human features, and collaborating with musical artist Charli XCX to create a soundtrack for the film. Based on the novel by Emily Brontë, the film follows the impoverished Heathcliffe and the wealthy Catherine, two young lovers hailing from different social classes. After Catherine marries someone else and Heathcliffe disappears in despair, years pass and he returns with mysterious wealth and nefarious intentions. See photos and a summary of this event below: https://www.dga.org/events/2026/april2026/wutheringheights_qna_0226

Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Josh Safdie (Marty Supreme) and Chloé Zhao (Hamnet) engage in a conversation with moderator Jeremy Kagan for the 35th Annual DGA Meet the Nominees: Theatrical Feature Film Symposium. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2026/March2026/MTN_TheatricalFeatureFilm2026

Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Josh Safdie (Marty Supreme) and Chloé Zhao (Hamnet) engage in a conversation with moderator Jeremy Kagan for the 35th Annual DGA Meet the Nominees: Theatrical Feature Film Symposium. Please note: spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2026/March2026/MTN_TheatricalFeatureFilm2026

Director Paul Feig discusses his new film, The Housemaid, with fellow Director Lesli Linka Glatter in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the intentional casting of Actors Amanda Seyfried and Sydney Sweeney opposite one another, finding the house that served as the main location and how its architecture led to the discovery of scenes, and balancing the film’s tone between comedy and drama to give breathing room for heavier aspects of the film. The film tells the story of Millie, who accepts a job as a live-in housemaid for a wealthy couple as a way of trying to put her troubled past behind her. But what begins as a dream job quickly unravels into something far more dangerous — a seductive game of secrets, scandal, and power. See photos and a summary of this event below: https://www.dga.org/events/2026/february2026/housemaid_qna_1225

Director Bradley Cooper discusses his new film, Is This Thing On?, with fellow Director Bennett Miller in a Q&A at the DGA theater in New York. In the conversation, he discusses the true story circumstances that inspired the film, how he envisioned and cast Will Arnett and Laura Dern in the leading roles, and utilizing his cinematography to emphasize the vulnerability of performing stand up comedy. The film tells the story of Alex, a middle aged man facing a divorce, who finds new purpose in the New York comedy scene. As he pursues comedy, his wife, Tess, confronts the sacrifices made for their family, forcing them both to navigate co-parenting and their changing identities. See photos and a summary of this event below: https://www.dga.org/events/2026/february2026/isthisthingon_qna_1225