The Dangerous Art of the Documentary

David Terry Fine’s Netflix documentary “Dirty Pop” tells the story of Lou Pearlman, the architect of the modern boy band era and the extraordinary web of lies, deceit, exploitation and greed that propped up his music empire. In his discussion with Tiller, David reflects on his journey from the edit chair to the director’s chair (2:00), the importance of pushing against creative gatekeepers (11:30), posthumously bringing the lead character to life (24:00), the ethics of utilizing A.I. tools in documentaries (32:00) and his experience rewatching the final film (42:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Italian master Gianfranco Rosi makes some of the most ravishing big-screen nonfiction films you will find. His latest, “Pompei: Below the Clouds”, a black-and-white masterpiece shot with a fixed camera, explores the complex lives of the people living in a region that seems to always be teetering on the edge of a haunting archival status. In his conversation with Tiller, they discuss the love they hold for their shared mentor Chuck Bowden (3:30), how Naples is a reflection of a suspended time (16:00), the importance of selecting the frame (26:00), why it’s impossible to describe his process (34:00), his preferred shooting specs (42:00), and how he knew when the film was “finished” (51:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Soviet-born filmmaker Julia Loktev came to Moscow in 2021 to make a film about independent journalists being declared “foreign agents” by Putin’s regime. Her film “My Undesirable Friends” ended up becoming a rare glimpse into the lives of brave female journalists speaking truth to power in the face of Putin’s war against Ukraine. In her discussion with Tiller, Julia shares how loneliness inspires her to tell real stories (3:30), her secrets to filming verité (8:00), the advantages that filming on iPhones provided (18:00), the organization behind the chaos of shooting for hours (27:00), and what’s to come in Part Two of this film (36:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director David Borenstein’s latest documentary “Mr. Nobody Against Putin” is nominated for Best Documentary Feature in the 2026 Academy Awards. It follows a Russian teacher as he secretly documents his school becoming a war recruitment center during the Ukraine invasion. In his conversation with Tiller, David discussed the myth of the auteur director (3:00), adjusting his initial vision for the film (9:00), constructing the film with the teacher’s voice-over (17:00), the drama of the opening scene (24:00), and the broader context this film touches on (32:30). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director Isaac Gale’s film “Swamp Dogg Gets His Pool Painted” follows cult musician Swamp Dogg, alongside housemates Moogstar and Guitar Shorty, as they turn their home into an artistic playground. Isaac talks to Tiller about the singularity of Swamp Dogg as a film subject (2:25), finding the visual vibe of the film (16:30), subverting expectations for the audience (28:00), and the journey of getting into theaters (35:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director Tony Zierra’s 2017 film “Filmworker” tells the story of Leon Vitali, who surrendered his promising acting career to become Stanley Kubrick’s devoted acolyte. In his discussion with Tiller, Tony talks about his surprising first impression of Leon (3:00), why Leon could not adapt to the culture of Hollywood (12:00), developing trust with his film subject (19:30), the tragedy of Leon’s life after Kubrick died (31:00), and how the film redeemed him in front of the world (37:00). The remastered film is now available to watch on Doc Addicts at https://www.docaddicts.com/filmworkerdirectorscut. Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Directors Andrew Jarecki and Charlotte Kaufman take viewers deep inside one of the nation’s deadliest prison systems in their latest film “The Alabama Solution”, where incarcerated men defy the odds stacked against them to expose an explosive and shocking cover-up. They share with Tiller how this story inspired them (2:30), their co-directing method (6:45), the intention behind the cinematography (16:00), gaining access to an underground civil rights movement within the Alabama prison system (24:00), the construction of character in the edit (31:00), and the only way they know how to make documentaries (39:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director Geeta Gandbhir’s new film "The Perfect Neighbor" is largely made up of police bodycam footage, tracking the events of a seemingly minor neighborhood dispute in Florida escalating into deadly violence. Geeta shares with Tiller how she got her first film job on Spike Lee’s “Malcom X” (2:00), discovering the trove of archival evidence (7:00), how the system failed the entire neighborhood and how the entire tragedy was preventable (19:00), and the thought and craft behind the original photography (33:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Pulitzer Prize-winning Lynsey Addario has risked her life to capture the stark realities of war — from the Middle East and Afghanistan to Ukraine. From National Geographic Documentary Films and Academy Award-winning filmmakers Chai Vasarhelyi and Jimmy Chin, “Love+War” chronicles Addario’s ascent in the male-dominated world of conflict photography. In their conversation, Tiller learns why this is Chai’s most personal film (3:00), how Lynsey decided to become the subject of a film (9:00), the lifelong cognitive dissonance of Lynsey’s life (20:00), Chai’s standard of stories that actually matter (31:30), and how Lynsey has managed to sustain her challenging lifestyle (40:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director Gabe Polsky’s new documentary “The Man Who Saves the World?” tells the story of Patrick McCollum, a spiritual leader living in Moraga, California. The twist is this: certain Indigenous leaders in the Amazon believed Patrick is the answer to an ancient prophecy––the one who will unite and save the world. Gabe talks to Tiller about how he decided to dive all the way into this topic (3:45), his reliance on instinct while shooting (13:00), the complicated relationship he formed with the lead subject (20:00), the patchwork editorial process (27:30), and the hardest parts about making a film (31:00). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director Rebecca Miller’s latest five-hour docuseries profiles America’s greatest living director, Martin Scorsese. She talks to Tiller about how she framed her pitch to Scorsese (6:00), the selection of soundtrack (15:00), the importance of his key collaborators (24:00), how she took a cubist approach to Scorsese’s portrait (30:00), and what she learned about the art of directing (38:30). Produced by: Jacob Miller Executive Producer: Tiller Russell Music by: James Carroll, Graham Tracey & Zydepunk Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions