The Daily Poem
893 episodes — Page 1 of 18
Gerard Manley Hopkins' "Spring and Fall"
Christina Rossetti's "Spring"
Alexander Pope's "To Mrs. M. B. On Her Birthday"
Randall Jarrell's "Well Water"
R. S. Thomas' "This"
Ogden Nash's "Taboo to Boot"
Robert Burns' "John Barleycorn"
A. R. Ammons' "Poetics"
from Malcolm Guite's "Galahad and the Grail"
Norman Maccaig's "Interruption to a Journey"
James Joyce's "On the Beach at Fontana"
Edward Rowland Sill's "The Fool's Prayer"
Ellis Parker Butler's "The Final Tax"
R. S. Thomas' "The Bright Field"
Jonathan Henderson Brooks' "The Resurrection"
"Pangur Ban"
William Shakespeare's "Sonnet 99"
Nicholas Samaras' "The Second Death of Lazarus"
Today’s poem imagines the long life of Lazarus as he awaits, like Eliot’s magi, “another death.” Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Sean Johnson's "How many beards gild the lapses of time"
Today’s poem is a hirsute parody of a much better poem. Sorry in advance. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Elizabeth Drew Barstow Stoddard's "One morn I left him in his bed"
In the 19th century, poems about the loss of children became a little genre of their own. Today’s poem is a decidedly uncharacteristic example of the form. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Seamus Heaney's "Poem"
Today’s poem answers the question you never thought to ask: what do a poem, a barnyard, and a marriage have in common? Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Rainer Maria Rilke's "Annunciation to Mary"
In today’s poem, Rilke (trans. J.B. Leishman) imagines the Annunciation from Gabriel’s perspective. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Frances Ellen Watkins Harper's "Dandelions"
Today’s poem wonders what it means to recognize and appreciate a gift. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Naomi Shihab Nye's "My Uncle’s Favorite Coffee Shop"
Today’s poem contemplates the ways and “why”s of saying nothing, before culminating in a shattering pun on “nothing.” Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
W. H. Auden's "Funeral Blues"
Today’s poem began its life as a bit of black humor, but lives on as a raw and relatable expression of real grief. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Thomas Hardy's "During Wind and Rain"
Today’s poem juxtaposes scenes of summer warmth to scenes of torrential bluster with a seamlessness that would make the best film editor jealous. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
William Carlos Williams' "Love Song"
Today’s poem captures the agonies and ecstacies of thinking about the absent beloved. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Rhina P. Espaillat’s “Butchering”
Today’s poem employs an image worthy of Homer to touch the stark reality of a mother’s intuition. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Beowulf prepares for battle
Today’s poem is a selection from the Old English, Beowulf, translated by R. M. Liuzza. In these lines, Beowulf prepares for a harrowing showdown with Grendel’s mother, and the cold, clear beauty of the lines almost makes you wish you were there. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
T. S. Eliot's "Macavity: The Mystery Cat"
Today’s poem answers the question: if cats are the animal world’s “Napoleon of crime,” who is the cat world’s “Napoleon of crime?” Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Robert Graves' Proem to The Iliad
Today’s poem comes from Graves’ verse/prose rendering of Homer’s Iliad, The Anger of Achilles, and highlights the inglorious causes of the Trojan War’s glorious climax. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Wilfred Owen's "Anthem for Doomed Youth"
Today’s poem is a sonnet for a war-torn world with a collapsing center. “…As the oldest of four children born in rapid succession, Wilfred developed a protective attitude toward the others and an especially close relationship with his mother. After he turned four, the family moved from the grandfather’s home to a modest house in Birkenhead, where Owen attended Birkenhead Institute from 1900 to 1907. The family then moved to another modest house, in Shrewsbury, where Owen attended Shrewsbury Technical School and graduated in 1911 at the age of 18. Having attempted unsuccessfully to win a scholarship to attend London University, he tried to measure his aptitude for a religious vocation by becoming an unpaid lay assistant to the Reverend Herbert Wigan, a vicar of evangelical inclinations in the Church of England, at Dunsden, Oxfordshire. In return for the tutorial instruction he was to receive, but which did not significantly materialize, Owen agreed to assist with the care of the poor and sick in the parish and to decide within two years whether he should commit himself to further training as a clergyman. At Dunsden he achieved a fuller understanding of social and economic issues and developed his humanitarian propensities, but as a consequence of this heightened sensitivity, he became disillusioned with the inadequate response of the Church of England to the sufferings of the underprivileged and the dispossessed. In his spare time, he read widely and began to write poetry. In his initial verses he wrote on the conventional subjects of the time, but his work also manifested some stylistic qualities that even then tended to set him apart, especially his keen ear for sound and his instinct for the modulating of rhythm, talents related perhaps to the musical ability that he shared with both of his parents.In 1913 he returned home, seriously ill with a respiratory infection that his living in a damp, unheated room at the vicarage had exacerbated. He talked of poetry, music, or graphic art as possible vocational choices, but his father urged him to seek employment that would result in a steady income. After eight months of convalescence at home, Owen taught for one year in Bordeaux at the Berlitz School of Languages, and he spent a second year in France with a Catholic family, tutoring their two boys. As a result of these experiences, he became a Francophile. Later these years undoubtedly heightened his sense of the degree to which the war disrupted the life of the French populace and caused widespread suffering among civilians as the Allies pursued the retreating Germans through French villages in the summer and fall of 1918.In September 1915, nearly a year after the United Kingdom and Germany had gone to war, Owen returned to England, uncertain as to whether he should enlist. By October he had enlisted and was at first in the Artists’ Rifles. In June 1916 he received a commission as lieutenant in the Manchester Regiment, and on December 29, 1916 he left for France with the Lancashire Fusiliers.”-via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Wendy Cope's "Men and Their Boring Arguments"
Today’s poem goes out to all of the women who have been stuck between two pugilistic men at a dinner party. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Anna Kamienska's "On the Threshold of the Poem"
Today’s poem asks: “What happens inside a poem?” Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Charles Lamb's "Cleanliness"
Today’s poem is a seemingly innocuous enjoinder to handwashing that nevertheless invites a deeper inspection. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Friedrich von Schiller's "Light and Warmth"
Anyone with children can recognize the degree to which we enter this life “Warm with the noble vows of youth,/Hallowing [one’s] true arm to the truth.” Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
T. S. Eliot's "Ash Wednesday (III)"
Today’s poem is a selection from Eliot’s profound contemplation of conversion and repentance. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Thomas Campion's "When to Her Lute Corinna Sings"
In today’s poem, the composer-poet identifies with an object he knows inside and out. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Aileen Fisher's "I Like It When It’s Mizzly"
Today’s poem is pure language joy. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Marianne Moore's "No Swan So Fine"
Today’s poem pits art against reality, with the French monarchy as the only clear loser. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Robert Frost's "Not to Keep"
If Robert Frost were a musician, today’s poem might be a B-side to one of his better-known poems. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Lucille Clifton’s “blessing the boats”
“may you kiss / the wind then turn from it” Today’s poem is a benediction for boats and, maybe, a lot of other things. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Pablo Neruda's "Ode to My Socks"
Today’s poem is a contemplation of sometimes-essential footwear that blossoms unexpectedly into a proverb on utility and beauty. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
William Stafford's "A Message from the Wanderer"
“That’s the way everything in the world is waiting.” Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
F. S. Flint's "London, my beautiful"
Today’s poem falls somewhere in the middle of a Venn diagram of haiku and English ode. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Scott Cairns' "Idiot Psalm 12"
Today’s poem is a song of (sometimes) hidden nearness. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Matthew Arnold's "The Buried Life"
Today’s poem is a frank examination of words and their paradoxical power to create and destroy intimacy, bringing forth the deepest self or walling it off–and what is possible when we make the best use of them. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Jane Taylor's "Twinkle, twinkle, little star"
Today’s poem has taken on a life of its own; we return, for a moment, to its humble beginnings. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Dylan Thomas' "Prologue"
Today’s poem, unusual in its structure and rhyme, turned out to be more of an epilogue: Thomas composed it for inclusion in his Collected Poems, no more than a year before his death. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Wendell Berry's "Sabbath IV, 1996"
I may be the only other man who has had some version of the cold-night-existential experience described in today’s poem, but I doubt it. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe