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Itamar Kubovy, Executive Director of Pilobolus Dance Company, speaks with The Creative Process Founder Mia Funk about play, collaboration, and dance as a mode of storytelling.· www.pilobolus.org· www.creativeprocess.info

Avra Sidiropoulou is the author of two monographs Directions for Directing: Theatre and Method, published by Routledge, and Authoring Performance: The Director in Contemporary Theatre. She is an assistant professor at the MA Program in Theatre Studies at the Open University of Cyprus. She holds a PhD in Directing Theory, an MFA in Directing, MPhil in American Literature, and MA in Text & Performance. She is the Artistic Director of Athens-based Persona Theatre Company, for which she has directed work from a Classical and Contemporary repertory and lectured and conducted directing workshops in Greece, Cyprus, Turkey, the United States, UK, Japan, Israel, Bulgaria, Estonia, and Iran. · https://ouc.academia.edu/AvraSidiropoulou · http://persona.gr · www.creativeprocess.info

Avra Sidiropoulou is the author of two monographs Directions for Directing: Theatre and Method, published by Routledge, and Authoring Performance: The Director in Contemporary Theatre. She is an assistant professor at the MA Program in Theatre Studies at the Open University of Cyprus. She holds a PhD in Directing Theory, an MFA in Directing, MPhil in American Literature, and MA in Text & Performance. She is the Artistic Director of Athens-based Persona Theatre Company, for which she has directed work from a Classical and Contemporary repertory and lectured and conducted directing workshops in Greece, Cyprus, Turkey, the United States, UK, Japan, Israel, Bulgaria, Estonia, and Iran.· https://ouc.academia.edu/AvraSidiropoulou· http://persona.gr· www.creativeprocess.info

Lan Samantha Chang's fiction has appeared in Atlantic Monthly, Story and The Best American Short Stories 1994 and 1996. Chang is the author of the award-winning books Hunger and Inheritance, and the novel All Is Forgotten, Nothing Is Lost. She is the recipient of the Wallace Stegner and Truman Capote fellowships at Stanford University. She also received, from the Iowa Writers' Workshop, a Teaching-Writing fellowship and a Michener-Copernicus fellowship. Her many awards include a Guggenheim Fellowship, and she was a finalist for the Los Angeles Times Book Prize. She lives in Iowa City, Iowa, where she directs the University of Iowa Writers’ Workshop.www.creativeprocess.info

Lan Samantha Chang's fiction has appeared in Atlantic Monthly, Story and The Best American Short Stories 1994 and 1996. Chang is the author of the award-winning books Hunger and Inheritance, and the novel All Is Forgotten, Nothing Is Lost. She is the recipient of the Wallace Stegner and Truman Capote fellowships at Stanford University. She also received, from the Iowa Writers' Workshop, a Teaching-Writing fellowship and a Michener-Copernicus fellowship. Her many awards include a Guggenheim Fellowship, and she was a finalist for the Los Angeles Times Book Prize. She lives in Iowa City, Iowa, where she directs the University of Iowa Writers’ Workshop.www.creativeprocess.info

Helen A. Harrison is the director of the Pollock-Krasner House and Study Center and an authority on 20th century American art. She is the author of Hamptons Bohemia and Such Desperate Joy: Imagining Jackson Pollack. In 1990, after serving as curator of the Parrish Art Museum, director of the Public Art Preservation Committee in Manhattan, and curator of Guild Hall Museum in East Hampton, she became the director of the Pollock-Krasner House, a National Historic Landmark museum and research collection in East Hampton. She has lectured widely at Stony Brook University, the School of Visual Arts, and other universities. For five years her visual art commentaries, “Art Waves,” were heard on NPR affiliate WLIU 88.3 FM.www.creativeprocess.info

The technique, the means of expression is dictated by what those feelings are. It's not the other way around. People think – Oh, he used the liquid material and then he sort of danced around and that kind of gave him ideas. – No."Helen A. Harrison is the director of the Pollock-Krasner House and Study Center and an authority on 20th century American art. She is the author of Hamptons Bohemia and Such Desperate Joy: Imagining Jackson Pollack. In 1990, after serving as curator of the Parrish Art Museum, director of the Public Art Preservation Committee in Manhattan, and curator of Guild Hall Museum in East Hampton, she became the director of the Pollock-Krasner House, a National Historic Landmark museum and research collection in East Hampton. She has lectured widely at Stony Brook University, the School of Visual Arts, and other universities. For five years her visual art commentaries, “Art Waves,” were heard on NPR affiliate WLIU 88.3 FM.

Bruce Wolosoff is a composer and pianist whose work has been recognized for the way it integrates modern, classical, jazz, and blues together into "an authentic American voice".In recent years, Wolosoff has been composing music in response to visual art. "Astronomer's Key", inspired by the artwork of Milton Resnick, was commissioned by the Roswell Artists in Residence Foundation for the Montage Music Society in celebration of the Roswell Artist-in-Residence Program's 50th Anniversary. “The Loom”, inspired by the watercolors of Eric Fischl, was commissioned by the Eroica Trio and premiered at the Isabella Stewart Gardner Museum in Boston. “for April” a work for cello and piano inspired by the charcoal drawings of April Gornik was recorded by Wolosoff with cellist Sara Sant'Ambrogio and released as part of a book of Gornik’s drawings.In July 2018, Bruce Wolosoff’s “Concerto for Cello and Orchestra” was recorded in London by Sara Sant’Ambrogio and the Royal Philharmonic Orchestra, conducted by Grzegorz Nowak. ​A frequent collaborator in the field of dance, Wolosoff has collaborated with choreographer Ann Reinking on two ballets for Thodos Dance Chicago. “The White City” was named "Best Dance of 2011" by the Chicago Sun-Times, and a film version of “A Light in the Dark”, based on the story of Helen Keller and Ann Sullivan, received an Emmy nomination for Outstanding Achievement for Arts Programming. Wolosoff’s recording “Darkling, I Listen” is being used for a new Ann Reinking ballet based on the life of John Keats. An accomplished pianist as well, Bruce Wolosoff received early acclaim for a recording of piano music by Busoni. More recently, he has performed and recorded his own compositions, including "Shenandoah Variations", “Many Worlds", "Four Blues", and "Darkling, I Listen”. Wolosoff’s discography also includes “Songs without Words” on Naxos American Classics. Mia sat down with Bruce in his home on Shelter Island to discuss his creative life and music.

Bruce Wolosoff is a composer and pianist whose work has been recognized for the way it integrates modern, classical, jazz, and blues together into "an authentic American voice". In recent years, Wolosoff has been composing music in response to visual art. "Astronomer's Key", inspired by the artwork of Milton Resnick, was commissioned by the Roswell Artists in Residence Foundation for the Montage Music Society in celebration of the Roswell Artist-in-Residence Program's 50th Anniversary. “The Loom”, inspired by the watercolors of Eric Fischl, was commissioned by the Eroica Trio and premiered at the Isabella Stewart Gardner Museum in Boston. “for April” a work for cello and piano inspired by the charcoal drawings of April Gornik was recorded by Wolosoff with cellist Sara Sant'Ambrogio and released as part of a book of Gornik’s drawings.In July 2018, Bruce Wolosoff’s “Concerto for Cello and Orchestra” was recorded in London by Sara Sant’Ambrogio and the Royal Philharmonic Orchestra, conducted by Grzegorz Nowak. ​ A frequent collaborator in the field of dance, Wolosoff has collaborated with choreographer Ann Reinking on two ballets for Thodos Dance Chicago. “The White City” was named "Best Dance of 2011" by the Chicago Sun-Times, and a film version of “A Light in the Dark”, based on the story of Helen Keller and Ann Sullivan, received an Emmy nomination for Outstanding Achievement for Arts Programming. Wolosoff’s recording “Darkling, I Listen” is being used for a new Ann Reinking ballet based on the life of John Keats. An accomplished pianist as well, Bruce Wolosoff received early acclaim for a recording of piano music by Busoni. More recently, he has performed and recorded his own compositions, including "Shenandoah Variations", “Many Worlds", "Four Blues", and "Darkling, I Listen”. Wolosoff’s discography also includes “Songs without Words” on Naxos American Classics. Mia sat down with Bruce in his home on Shelter Island to discuss his creative life and music.www.creativeprocess.info

Born in New Zealand, Jennifer Flay has lived in France since the early 80s, initially arriving with a French government scholarship to pursue her studies of Art History at the University of Nice. Having honed her skills working for prestigious Parisian galleries Daniel Templon and Ghislaine Hussenot, today, Flay is the internationally renowned Director of Paris’ contemporary art fair FIAC.www.creativeprocess.info

Born in New Zealand, Jennifer Flay has lived in France since the early 80s, initially arriving with a French government scholarship to pursue her studies of Art History at the University of Nice. Having honed her skills working for prestigious Parisian galleries Daniel Templon and Ghislaine Hussenot, today, Flay is the internationally renowned Director of Paris’ contemporary art fair FIAC.www.creativeprocess.info

What kind of world do you want to live in? What kind of world are we leaving the next generation? One Wish for the Future is a series of podcasts where students come together to discuss their wishes for the future and what we can do to achieve those dreams. Co-hosted by Johns Hopkins student Yujin Lee and The Creative Process founder Mia Funk, One Wish takes a practical approach of listening to students and learning from our notable interviewees across the arts and sciences. The goal is that together, one generation inspiring another, we can collectively explore ways to work towards a better tomorrow.www.creativeprocess.info

What kind of world do you want to live in? What kind of world are we leaving the next generation?One Wish for the Future is a series of podcasts where students come together to discuss their wishes for the future and what we can do to achieve those dreams. Co-hosted by Johns Hopkins student Yujin Lee and The Creative Process founder Mia Funk, One Wish takes a practical approach of listening to students and learning from our notable interviewees across the arts and sciences. The goal is that together, one generation inspiring another, we can collectively explore ways to work towards a better tomorrow.

Ioannis Trohopoulos is Director of Greek operations for The Heritage Management Organization. He began his career at the Veria Central Public Library, where he served as a director for more than 20 years. In 2012, he began serving as the managing director of the Stavros Niarchos Foundation Cultural Center and oversaw the largest cultural project in Europe at the time. He is also the co-founder of Future Library, an NGO which supports the development of public libraries, and he was the manager of UNESCO’s Athens World Book Capital 2018-2019.

Ioannis Trohopoulos is Director of Greek operations for The Heritage Management Organization. He began his career at the Veria Central Public Library, where he served as a director for more than 20 years. In 2012, he began serving as the managing director of the Stavros Niarchos Foundation Cultural Center and oversaw the largest cultural project in Europe at the time. He is also the co-founder of Future Library, an NGO which supports the development of public libraries, and he was the manager of UNESCO’s Athens World Book Capital 2018-2019.

Bay Street Theater & the Sag Harbor Center For The Arts is a year-round, not for profit professional theater and community cultural center which endeavors to innovate, educate, and entertain a diverse community through the practice of the performing arts. Programs include Mainstage Performances, The Comedy Club, Workshops, Special Events, and Educational Outreach. Executive Director Tracy Mitchell, created Literature Live! launching the Free Ticket Initiative and has expanded reach into nearly every aspect of the local and island-wide community. Director of Education and Community Outreach Allen O’Reilly, has worked across the country as an educator and actor for thirty years.www.creativeprocess.info

Bay Street Theater & the Sag Harbor Center For The Arts is a year-round, not for profit professional theater and community cultural center which endeavors to innovate, educate, and entertain a diverse community through the practice of the performing arts. Programs include Mainstage Performances, The Comedy Club, Workshops, Special Events, and Educational Outreach. Executive Director Tracy Mitchell, created Literature Live! launching the Free Ticket Initiative and has expanded reach into nearly every aspect of the local and island-wide community. Director of Education and Community Outreach Allen O’Reilly, has worked across the country as an educator and actor for thirty years.www.creativeprocess.info

Krys Lee is the author of the short story collection Drifting House and the recent debut novel How I Became a North Korean, both published by Viking, Penguin Random House. She is a recipient of the Rome Prize and the Story Prize Spotlight Award, the Honor Title in Adult Fiction Literature from the Asian/Pacific American Libraries Association, and finalist for Center for Fiction First Novel Prize and the BBC International Story Prize. Her fiction, journalism, and literary translations have appeared in Granta, The Kenyon Review, Narrative, San Francisco Chronicle, Corriere della Sera, and The Guardian, among others. She is an assistant professor of creative writing and literature at Yonsei University, Underwood International College, in South Korea.

Krys Lee is the author of the short story collection Drifting House and the recent debut novel How I Became a North Korean, both published by Viking, Penguin Random House. She is a recipient of the Rome Prize and the Story Prize Spotlight Award, the Honor Title in Adult Fiction Literature from the Asian/Pacific American Libraries Association, and finalist for Center for Fiction First Novel Prize and the BBC International Story Prize. Her fiction, journalism, and literary translations have appeared inGranta, The Kenyon Review, Narrative, San Francisco Chronicle, Corriere della Sera, and The Guardian, among others. She is an assistant professor of creative writing and literature at Yonsei University, Underwood International College, in South Korea.· www.creativeprocess.info

EMMA WALTON HAMILTON is a best-selling children’s book author, editor, producer, and arts educator. She has co-authored over thirty children’s books with her mother, Julie Andrews, seven of which have been on the New York Times best-seller list, including The Very Fairy Princess series (#1 NY Times Bestseller), Julie Andrews’ Collection Of Poems, Songs And Lullabies; Julie Andrews’ Treasury: Poems and Songs to Celebrate the Seasons; the Dumpy The Dump Truck series; Simeon’s Gift; The Great American Mousical and THANKS TO YOU – Wisdom From Mother And Child (#1 New York Times Bestseller). She serves as the Editorial Director for The Julie Andrews Collection publishing program, dedicated to quality books for young readers that nurture the imagination and celebrate a sense of wonder.www.creativeprocess.info

EMMA WALTON HAMILTON is a best-selling children’s book author, editor, producer, and arts educator. She has co-authored over thirty children’s books with her mother, Julie Andrews, seven of which have been on the New York Times best-seller list, including The Very Fairy Princess series (#1 NY Times Bestseller), Julie Andrews’ Collection Of Poems, Songs And Lullabies; Julie Andrews’ Treasury: Poems and Songs to Celebrate the Seasons; the Dumpy The Dump Truck series; Simeon’s Gift; The Great American Mousical and THANKS TO YOU – Wisdom From Mother And Child (#1 New York Times Bestseller). She serves as the Editorial Director for The Julie Andrews Collection publishing program, dedicated to quality books for young readers that nurture the imagination and celebrate a sense of wonder.www.creativeprocess.info

DBC Pierre is an Australian-born writer currently residing in London. Born Peter Warren Finlay, the “DBC” stands for “Dirty But Clean”. “Pierre” was a nickname bestowed on him by childhood friends after a cartoon character of that name. Pierre was awarded the Booker Prize for fiction on 14 October 2003 for his novel Vernon God Little. He is the third Australian to be so honoured, although he has told the British press that he prefers to consider himself a Mexican. In an interview with the Guardian (U.K.), Pierre explains his varied upbringing:I grew up with a real sense of cultural homelessness…. I haven’t been successful in fitting in anywhere. I clearly wasn’t Mexican, although I could move in that culture as easily as anywhere. I’m a British national but wasn’t quite from here; and I went to school with a lot of expat Americans…. There’s nothing I love more than to just be part of something, for someone to pay you a hello.· www.dbcpierre.com· www.creativeprocess.info

DBC Pierre is an Australian-born writer currently residing in London. Born Peter Warren Finlay, the “DBC” stands for “Dirty But Clean”. “Pierre” was a nickname bestowed on him by childhood friends after a cartoon character of that name. Pierre was awarded the Booker Prize for fiction on 14 October 2003 for his novel Vernon God Little. He is the third Australian to be so honoured, although he has told the British press that he prefers to consider himself a Mexican. In an interview with the Guardian (U.K.), Pierre explains his varied upbringing:I grew up with a real sense of cultural homelessness…. I haven’t been successful in fitting in anywhere. I clearly wasn’t Mexican, although I could move in that culture as easily as anywhere. I’m a British national but wasn’t quite from here; and I went to school with a lot of expat Americans…. There’s nothing I love more than to just be part of something, for someone to pay you a hello.· www.dbcpierre.com· www.creativeprocess.info

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob’s Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D’Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet’s NEXT STEP, and Pacific Northwest Ballet School’s annual School Performance. In 2015, he choreographed Signature for PNB’s mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle’s Olympic Sculpture Park.Christopher D’Ariano | Corps de BalletChristopher D’Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D’Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D’Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School’s exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

Pacific Northwest Ballet, one of the largest and most highly regarded ballet companies in the United States, was founded in 1972. In July 2005, Peter Boal became artistic director, succeeding Kent Stowell and Francia Russell, artistic directors since 1977. The Company of nearly fifty dancers presents more than 100 performances each year of full-length and mixed repertory ballets at Marion Oliver McCaw Hall in Seattle and on tour. The Company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob’s Pillow and in New York City and Washington DC.In this interview, we speak with soloist Price Suddarth and corps de ballet Christopher D’Ariano and Amanda Morgan.· www.pnb.org· www.pnb.org/artists/price-suddarth/· www.pnb.org/artists/christopher-dariano/· www.pnb.org/artists/amanda-morgan · www.creativeprocess.infoPrice Suddarth | SoloistPrice Suddarth is from Westfield, Indiana. He studied at Central Indiana Dance Ensemble, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses on scholarship at Pacific Northwest Ballet School, the Rock School, the School of American Ballet, and Miami City Ballet. Mr. Suddarth joined Pacific Northwest Ballet as an apprentice in 2010. He was promoted to corps de ballet in 2011 and soloist in 2018.Mr. Suddarth has performed as a guest artist with Panama National Ballet. He has choreographed for the Regional Dance America gala in Pittsburgh, Pennsylvania, Pacific Northwest Ballet’s NEXT STEP, and Pacific Northwest Ballet School’s annual School Performance. In 2015, he choreographed Signature for PNB’s mainstage repertory, and in 2017, he choreographed Shifted Figures for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle’s Olympic Sculpture Park.Christopher D’Ariano | Corps de BalletChristopher D’Ariano is from The Bronx, New York. He studied at Ballet Tech, the School of American Ballet, and Pacific Northwest Ballet School, and he attended summer courses at Ballet Tech, Boston Ballet, Nederlands Dans Theater, and Pacific Northwest Ballet. He was the recipient of the School of American Ballet Mae L. Wien Award for Outstanding Promise. Mr. D’Ariano joined Pacific Northwest Ballet as an apprentice in 2017 and was promoted to corps de ballet later that year.Mr. D’Ariano also has danced with Lunge Dance Collective, and he has choreographed for the Seattle International Dance Festival.Amanda Morgan | Corps de BalletAmanda Morgan is from Tacoma, Washington. She studied at Dance Theatre Northwest and Pacific Northwest Ballet School, and she attended summer courses at Alonzo King LINES Ballet, Boston Ballet School, and the School of American Ballet. She participated in PNB School’s exchange with the Palucca University of Dance in Dresden, where she also performed with Dresden Semperoper Ballett. Ms. Morgan joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet in 2017.

Georgina Kakoudaki is a director, dramaturg and theater specialist. She focuses on adolescent audience education through theatrical productions and creative workshops. Organizations she has worked with include the Stavros Niarcos Foundation Cultural Center, the Athens & Epidaurus Festival, the Drama International Short Film Festival, and the Athens Conservatoire. She has led theatrical workshops around the world with people from all age groups and cultural backgrounds.www.creativeprocess.info

Georgina Kakoudaki is a director, dramaturg and theater specialist. She focuses on adolescent audience education through theatrical productions and creative workshops. Organizations she has worked with include the Stavros Niarcos Foundation Cultural Center, the Athens & Epidaurus Festival, the Drama International Short Film Festival, and the Athens Conservatoire. She has led theatrical workshops around the world with people from all age groups and cultural backgrounds.www.creativeprocess.info

Paul Levinson is an author, musician, and professor at Fordham University, where he teaches communications and media studies. His fiction and non-fiction work has been translated into 16 languages, and includes the sci-fi novels The Silk Code and The Plot to Save Socrates. Before his academic career, he spent much of the late 1960s and early 70s as a singer-songwriter, writing over 100 songs. He returned to music in 2020 with the release of his album “Welcome Up: Songs of Space and Time.”· http://paullev.com · www.creativeprocess.info

Paul Levinson is an author, musician, and professor at Fordham University, where he teaches communications and media studies. His fiction and non-fiction work has been translated into 16 languages, and includes the sci-fi novels The Silk Code and The Plot to Save Socrates. Before his academic career, he spent much of the late 1960s and early 70s as a singer-songwriter, writing over 100 songs. He returned to music in 2020 with the release of his album “Welcome Up: Songs of Space and Time.”· http://paullev.com · www.creativeprocess.info

Paul Hirsch received the Academy Award for his editing work on "Star Wars" in 1978. In 2005, he received his second Academy Award nomination for Taylor Hackford's "Ray". He is the only person to ever win the Saturn Award for Best Editing twice. He is the author of "A Long Time Ago in a Cutting Room Far, Far Away".

Paul Hirsch received the Academy Award for his editing work on "Star Wars" in 1978. In 2005, he received his second Academy Award nomination for Taylor Hackford's "Ray". He is the only person to ever win the Saturn Award for Best Editing twice. He is the author of "A Long Time Ago in a Cutting Room Far, Far Away".

“As a child, music felt very natural for me. I didn’t feel I needed to put any effort into learning the piano. I wanted to find all the musical information that was there. What was the purpose of studying the piano? Suddenly the whole thing became so creative. I felt that the sound is something malleable and you can have an infinite number of possibilities and ways of phrasing and expressing, so that opened a whole new area of possibilities and I found this just fascinating.”Lorenda Ramou, PhD, is a pianist, musicologist, piano teacher and concert curator, with a particular interest in 20th and 21st c. repertoire. She has appeared in many festivals and concert tours in Europe, USA and Chile. She has extensively researched, published and lectured on Greek piano repertoire; her numerous CD recordings for BIS, ECM, NAXOS and Athens Music Society include, among others, solo and chamber music works by Nikos Skalkottas, Dimitris Dragatakis, Konstantia Gourzi and Yiannis Ioannidis. She collaborates as Project Manager for contemporary music projects with Onassis Cultural Centre, Athens. Eager to transmit her knowledge of 20th and 21st century’s piano repertoire to a younger generation of performers, she is teaching a yearly workshop on the subject at the Athens Conservatory. She had collaborated with composers Mauricio Kagel, Maurice Ohana, Frederic Rzewski and with French author Pascal Quignard. She had received guidance by pianists Claude Helffer, Marie-Françoise Bucquet, Pierre-Laurent Aimard and Steve Drury, while studying at the Paris Conservatory (CNSMDP), City University, London, and New England Conservatory, Boston. Her projects have been supported by the French Ministry of Culture, the British Council, Fulbright Foundation and the Center of Hellenic Studies, Harvard University.· www.onassis.org/people/lorenda-ramou · www.creativeprocess.info

Lorenda Ramou, PhD, is a pianist, musicologist, piano teacher and concert curator, with a particular interest in 20th and 21st c. repertoire. She has appeared in many festivals and concert tours in Europe, USA and Chile. She has extensively researched, published and lectured on Greek piano repertoire; her numerous CD recordings for BIS, ECM, NAXOS and Athens Music Society include, among others, solo and chamber music works by Nikos Skalkottas, Dimitris Dragatakis, Konstantia Gourzi and Yiannis Ioannidis. She collaborates as Project Manager for contemporary music projects with Onassis Cultural Centre, Athens. Eager to transmit her knowledge of 20th and 21st century’s piano repertoire to a younger generation of performers, she is teaching a yearly workshop on the subject at the Athens Conservatory. She had collaborated with composers Mauricio Kagel, Maurice Ohana, Frederic Rzewski and with French author Pascal Quignard. She had received guidance by pianists Claude Helffer, Marie-Françoise Bucquet, Pierre-Laurent Aimard and Steve Drury, while studying at the Paris Conservatory (CNSMDP), City University, London, and New England Conservatory, Boston. Her projects have been supported by the French Ministry of Culture, the British Council, Fulbright Foundation and the Center of Hellenic Studies, Harvard University.· www.onassis.org/people/lorenda-ramou· www.creativeprocess.info

Dr. George Maginis is the Academic Director of the Benaki Museum in Athens Greece. He holds a PhD in archaology and history of art. He has taught Byzantine, Islamic, and Chinese Art History at the University of London for SOAS and the Courtauld Institute of Art (University of London), the Victoria & Albert Museum, the British Museum. He has excavated in Greece, Cyprus, France and Egypt, and has worked for the Hellenic Children’s Museum and the Archaeological Museum of Ioannina. He has also acted as museum development consultant in the United Kingdom.· www.benaki.org · benaki.academia.edu/GeorgeManginis · www.creativeprocess.info

Dr. George Maginis is the Academic Director of the Benaki Museum in Athens Greece. He holds a PhD in archaology and history of art. He has taught Byzantine, Islamic, and Chinese Art History at the University of London for SOAS and the Courtauld Institute of Art (University of London), the Victoria & Albert Museum, the British Museum. He has excavated in Greece, Cyprus, France and Egypt, and has worked for the Hellenic Children’s Museum and the Archaeological Museum of Ioannina. He has also acted as museum development consultant in the United Kingdom.· www.benaki.org · benaki.academia.edu/GeorgeManginis · www.creativeprocess.info

“I decided that I wanted to explore the flute. I mean really explore the flute. People had known a few multi-phonics where you could play two notes. But they had been basically “special effects”, sort of sprinkled into a traditional line to spice it up. And I thought, why not just go the whole way? So my concept that first of all music is made by people. All art is made by people. Music is not made by instruments. The sound of the flute is silence. The sound of the piano is silence. The mark of a brush is a white canvas until the person makes the mark. So music comes from people. We use instruments.”Robert Dick is a revolutionary flutist, composer, teacher and author. His musical style is a mix of classical, contemporary, electronic and jazz, and he is the inventor of the "glissando headjoint" a custom flute head joint that brings the instrument closer to the sound of a human voice. He has received the National Flute Association’s Lifetime Achievement Award and authored several books. Robert Dick intends to keep learning, growing and improving for all of his life and does not feel that there will be a moment to say “I’ve arrived, its time to rest”.  · robertdick.net · www.creativeprocess.info

Robert Dick is a revolutionary flutist, composer, teacher and author. His musical style is a mix of classical, contemporary, electronic and jazz, and he is the inventor of the "glissando headjoint" a custom flute head joint that brings the instrument closer to the sound of a human voice. He has received the National Flute Association’s Lifetime Achievement Award and authored several books. Robert Dick intends to keep learning, growing and improving for all of his life and does not feel that there will be a moment to say “I’ve arrived, its time to rest”.  · robertdick.net · www.creativeprocess.info

Born in 1926, Jacques Villeglé is a major artist of the second half of the 20th century and considered one of the first street artists. He lives and works between Paris and Saint-Malo. He attended the School of Fine Arts in Rennes and Nantes, where he studied architecture. He soon gave up painting and became interested in found objects which he appropriated for his work.In 1949, he became fascinated by posters and discovering beauty in urban fragments. Having always lived in cities, he was drawn to architecture, colors, typography, and other elements of post-war society. In 1960, Villeglé joined the New Realists with Yves Klein, Arman, and Jean Tinguely as the group turned its gaze on the burgeoning consumer society. Jacques Villeglé is represented in prestigious collections, including Centre Pompidou, MoMA, and Tate Modern, among others.This interview has been translated and abridged from French by Sarah Bortel. · villegle.free.fr · www.galerie-vallois.com/en/artiste/jacques-villegle/ · www.creativeprocess.info

Né en mil neuf cent vingt six, Jacques Villeglé est un artiste majeur de la deuxième moitié du vingtième siècle et est considéré comme l’un des premiers street artists. Il partage son temps entre Paris et Saint-Malo.  Il est allé à l’École des Beaux Arts à Rennes et à Nantes, où il a étudié l'architecture. Il a rapidement abandonné la peinture et s'est intéressé aux objets qu’il s’est approprié pour son travail.À partir de mille neuf cent quarante neuf, il se fascine pour les affiches et la découverte de la beauté dans les débris urbains. Puisqu’il a toujours vécu dans des villes, il est attiré par l'architecture, les couleurs, la typographie, et de la société d’après-guerre. En mille neuf cent soixante, il a rejoint les Nouveaux Réalistes avec Yves Klein, Arman, et Jean Tinguely, où la groupe s’est focalisé sur la société de consommation florissante. Jacques Villeglé est présent dans les collections prestigieuses au Centre Pompidou, au MoMA, et au Tate Modern, entre autres.Born in 1926, Jacques Villeglé is a major artist of the second half of the 20th century and considered one of the first street artists. He lives and works between Paris and Saint-Malo. He attended the School of Fine Arts in Rennes and Nantes, where he studied architecture. He soon gave up painting and became interested in found objects which he appropriated for his work.In 1949, he became fascinated by posters and discovering beauty in urban fragments. Having always lived in cities, he was drawn to architecture, colors, typography, and other elements of post-war society. In 1960, Villeglé joined the New Realists with Yves Klein, Arman, and Jean Tinguely as the group turned its gaze on the burgeoning consumer society. Jacques Villeglé is represented in prestigious collections, including Centre Pompidou, MoMA, and Tate Modern, among others.This interview has been translated and abridged from French by Sarah Bortel. · villegle.free.fr · www.galerie-vallois.com/en/artiste/jacques-villegle/ · www.creativeprocess.info

“Over the years I’ve had a career as an actor, as a writer. I wrote books for many years. I’ve been singer, singer, songwriter, radio host… When I look at the whole drawing on the napkin, and I tried to ask myself–What unifies all of these things? And it came down to songs. Songs really are at the heart of all of these pursuits. Something about songs really matters to me. In the same people believe in Jesus Christ, and they can’t really get through the day without connecting with that figure. That’s how I am about songs. They are the fuel for me.”Julian Fleisher is a singer, writer, producer and performer who lives in New York. His songwriting credits include the music for the plays Almost Maine and The Performers on Broadway. Fleisher is also the composer and lyricist for the new musical Measure for Success alongside librettist Kirsten Guenther. As a professional writer, Fleisher has authored multiple books on grammar and self-improvement for Random House.· www.julianfleisher.com · www.creativeprocess.info

Julian Fleisher is a singer, writer, producer and performer who lives in New York. His songwriting credits include the music for the plays Almost Maine and The Performers on Broadway. Fleisher is also the composer and lyricist for the new musical Measure for Success alongside librettist Kirsten Guenther. As a professional writer, Fleisher has authored multiple books on grammar and self-improvement for Random House.· www.julianfleisher.com · www.creativeprocess.info

Joydeep Roy-Bhattacharya was educated in politics and philosophy at Presidency College, Calcutta, and the University of Pennsylvania. His novels The Gabriel Club and The Storyteller of Marrakesh have been published in fourteen languages. He lives in the Hudson Valley in upstate New York.www.creativeprocess.info

Joydeep Roy-Bhattacharya was educated in politics and philosophy at Presidency College, Calcutta, and the University of Pennsylvania. His novels The Gabriel Club and The Storyteller of Marrakesh have been published in fourteen languages. He lives in the Hudson Valley in upstate New York.www.creativeprocess.info

Dyer is the author of four novels: Paris Trance, The Search, The Colour of Memory, and Jeff in Venice, Death in Varanasi; two collections of essays, Anglo-English Attitudes and Working the Room; and six genre-defying titles: But Beautiful, The Missing of the Somme, Out of Sheer Rage, Yoga For People Who Can’t Be Bothered To Do It, The Ongoing Moment and Zona, about Andrei Tarkovsky’s film Stalker. A collection of essays from the last twenty years entitled Otherwise Known as the Human Condition was published in the US in April 2011 and won the National Book Critics Circle Award for Criticism. His most recent book is White Sands: Experiences from the Outside World.www.creativeprocess.info

Dyer is the author of four novels: Paris Trance, The Search, The Colour of Memory, and Jeff in Venice, Death in Varanasi; two collections of essays, Anglo-English Attitudes and Working the Room; and six genre-defying titles: But Beautiful, The Missing of the Somme, Out of Sheer Rage, Yoga For People Who Can’t Be Bothered To Do It, The Ongoing Moment and Zona, about Andrei Tarkovsky’s film Stalker. A collection of essays from the last twenty years entitled Otherwise Known as the Human Condition was published in the US in April 2011 and won the National Book Critics Circle Award for Criticism. His most recent book is White Sands: Experiences from the Outside World.www.creativeprocess.info

Douglas Kennedy was born in Manhattan, New York. He has lived all over the world, including Dublin, London, and Paris. He has a passion for the theater and has worked with multiple companies and shows. He is the author of thirteen novels, including the international bestsellers The Big Picture, The Pursuit of Happiness, Leaving the World and The Moment. His latest novel is Isabelle in the Afternoon, published by Penguin Random House. · www.douglaskennedynovels.com · www.creativeprocess.info

Douglas Kennedy was born in Manhattan, New York. He has lived all over the world, including Dublin, London, and Paris. He has a passion for the theater and has worked with multiple companies and shows. He is the author of thirteen novels, including the international bestsellers The Big Picture, The Pursuit of Happiness, Leaving the World and The Moment. His latest novel is Isabelle in the Afternoon, published by Penguin Random House. · www.douglaskennedynovels.com · www.creativeprocess.info

Viet Thanh Nguyen was born in Vietnam and raised in America, and currently lives in Los Angeles. His novel The Sympathizer won the 2016 Pulitzer Prize for Fiction and other awards. He is also the author of the nonfiction books Nothing Ever Dies and Race and Resistance and the short story collection The Refugees. Apart from writing, Nguyen is also the Aerol Arnold Professor of English and American Studies and Ethnicity at the University of Southern California. He has been the recipient of fellowships from the Guggenheim and MacArthur Foundations, and is also a contributing opinion writer for the New York Times and the editor of The Displaced: Refugee Writers on Refugee Lives.www.creativeprocess.info

Viet Thanh Nguyen was born in Vietnam and raised in America, and currently lives in Los Angeles. His novel The Sympathizer won the 2016 Pulitzer Prize for Fiction and other awards. He is also the author of the nonfiction books Nothing Ever Dies and Race and Resistance. Apart from writing, Nguyen is also the Aerol Arnold Professor of English and American Studies and Ethnicity at the University of Southern California. He has been the recipient of fellowships from the Guggenheim and MacArthur Foundations, and is also a contributing opinion writer for the New York Times and the editor of The Displaced: Refugee Writers on Refugee Lives.www.creativeprocess.info

Jay McInerney lives in Manhattan and Bridgehampton, New York. He is a regular contributor to The Guardian and Corriere della Sera, and his fiction has appeared in The New Yorker, Esquire, Playboy, Granta, and The Paris Review. In 2006, Time cited Bright Lights, Big City as one of nine generation-defining novels of the twentieth century, and The Good Life received the Prix Littéraire at the Deauville Film Festival in 2007. How It Ended: New and Collected Stories (2009) “reminds us,” Sam Tanenhaus wrote in The New York Times Book Review, “how impressively broad McInerney’s scope has been and how confidently he has ranged across wide swaths of our national experience. His third novel charting the lives of Corrine and Russell Calloway is Bright, Precious Days.