
The Business
1,027 episodes — Page 13 of 21

Shot on iPhones: A 'Modern Family' Episode and 'Tangerine'
<p>ABC's <em>Modern Family</em> is staying modern. The show's co-creator Steve Levitan discusses how an upcoming episode was shot entirely on iPhones, iPads and MacBook Pros. <em>Tangerine</em> is a movie shot on iPhones that premiered at Sundance. It stars first-time actress Mya Taylor, who tells us about her journey to Park City.</p>

The Long Road to ‘The Imitation Game’
<p>Director Morten Tyldum and writer and producer Graham Moore tell Kim Masters how the journey of making their Oscar-nominated film about codebreaker Alan Turing started years ago at a fateful cocktail party.</p>

'Leviathan' Filmmakers Face an Unsettling Response in Russia
<p>Director Andrey Zvyagintsev and producer Alexander Rodnyansky's film <em>Leviathan</em> is Oscar-nominated, but back home in Russia, the official reaction has been one of displeasure.</p>

A Sundance Postcard and Director Pawel Pawlikowski on ‘Ida’
Kim Masters reflects on a personal Sundance first—actually appearing in a film featured at the festival. And a conversation with filmmaker Pawel Pawlikowski. His black and white Polish indie <em>Ida</em> is up for two Oscars.

Wash Westmoreland and Richard Glatzer on 'Still Alice'
<p>Julianne Moore is in Oscar contention for playing a woman struggling with Alzheimer's in <em>Still Alice.</em> The film was directed by a married couple with their own story of battling a debilitating disease.</p>

Richard Linklater and His Oscar-Nominated 'Boyhood'
<p>Thirteen years ago, Richard Linklater had a simple, but brilliant idea for a film. Investors loved the idea too. The catch? There'd be no return for over a decade. Now, the film is nominated for six Oscars.</p>

Ava DuVernay on 'Selma,' Building a Career Her Own Way
<p>Before she became a filmmaker, Ava DuVernay worked as a film publicist. DuVernay traces how she shifted her career and ended up making history as the first African American woman nominated for Best Director at the Golden Globes for the historical drama <em>Selma</em>.</p>

Alejandro González Iñárritu on 'Birdman,' the Future of Film
<p>Director Alejandro González Iñárritu talks about the struggles of getting <em>Birdman</em>, his dark comedy about a washed-up actor seeking redemption, off the ground. </p>

The Year in Film and Television: 2014 Edition
<p>Hollywood news banter partners Michael Schneider and Matthew Belloni join Kim Masters to mega-banter 2014, the year that may forever be known as the year of the Sony hack.</p>

Laura Poitras on Snowden, Watchlists and 'Citizenfour'
<p>Documentarian Laura Poitras on the secretive making of <em>Citizenfour</em>, the film about NSA leaker Edward Snowden. </p>

'Big Hero 6' Brings a Marvel Comic Book to a Disney Universe
<p><em>Big Hero 6</em> is the first Disney animated feature to use characters from the Marvel library, but it's not being marketed that way. Producer Roy Conli and Disney Animation Studios president Andrew Millstein explain why.</p>

Producer DeVon Franklin Keeps the Faith in Hollywood
<p>DeVon Franklin is a minister, former studio executive and now producer behind movies with a message. While he was at Sony, he worked on the upcoming remake of the musical <em>Annie</em>.</p>

Revisiting Kevin Spacey: The Disruptor
<p>Kevin Spacey calls for change in the entertainment business and backs it up by funding and self-releasing his first documentary.</p>

Documentary Filmmakers on "I'll Be Me" & "Finding Hillywood"
<p>Conversations with Leah Warshawski, director of <em>Finding Hillywood,</em> and James Keach, director of <em>Glen Campbell...I’ll Be Me</em>.</p>

Showrunner Jill Soloway on Amazon’s “Transparent”
<p>Writer and producer Jill Soloway traces how she went from being second-in-command on cable shows to creating the most-binged series on Amazon.</p>

TV Legend Norman Lear on a Lifetime of “Experience”
<p class="p1">Television icon Norman Lear wrote sitcoms that tackled real issues, like rape, abortion and race relations. Lear talks to Kim Masters about a few lifetimes worth of adventures in film and television and his new memoir.</p>

Damien Chazelle on 'Whiplash'; Jewish Émigrés & Film History
<p>Director Damien Chazelle tells Kim Masters how he was able to turn a 15-minute short film into a full-length feature that was the darling of Sundance. Then, a look at the role of Jewish émigrés in the birth of film noir. </p>

Producer Steven Schneider on Life After ‘Paranormal’
<p>When producer Steven Schneider discovered <em>Paranormal Activity</em>, he lived the Hollywood dream of sudden, stunning success. Then it all fell apart. He tells us how it happened, and what he’s doing now.</p>

Lynn Shelton’s ‘Laggies’ and Unlikely On-Screen Friendships
<p>Filmmaker Lynn Shelton shares the unique career path that took her from New York theater actor to Seattle indie director. Her new movie <em>Laggies</em> stars Keira Knightley.</p>

Mark Whitaker on ‘Cosby: His Life and Times’
<p>Author and journalist Mark Whitaker has written a new biography of a giant of American comedy. Kim Masters talks with Whitaker about what is and isn’t in the book on Bill Cosby’s life and career.</p>

‘Cristela’ Comes to ABC; Barbara Rosenblat’s Many Voices
<p>Cristela Alonzo was thrilled to sell a script to ABC, but the show seemed dead after the network decided not to shoot a pilot. She tells us how she was able to resurrect <em>Cristela</em>. Then, meet the woman who has been called the Meryl Streep of audiobook narration.</p>

Ben Mezrich Writes with Hollywood in Mind; ‘Hope for Film’
<p>Ben Mezrich’s books have been made into movies like <em>21</em> and <em>The Social Network</em>. His new novel, <em>Seven Wonders</em>, came with a movie deal already in place. Plus, Fandor CEO Ted Hope reflects on his many years in the indie film business in his new book <em>Hope for Film</em>.</p>

Gustavo Dudamel and Alberto Arvelo on ‘The Liberator’
<p>Filmmaker Alberto Arvelo and LA Philharmonic conductor Gustavo Dudamel sit down with Kim Masters at the Walt Disney Concert hall to talk about the special role of music in the new Simón Bolívar biopic, <em>The Liberator</em>.</p>

A Decade in the Making, ‘The Dog’ Finally Has Its Day
<p>Filmmakers Allison Berg and Frank Keraudren set out to make a documentary about the bank robber who inspired Al Pacino’s character in <em>Dog Day Afternoon</em>. Now, after more than ten years of filming and editing, their self-financed film <em>The Dog</em> is finally out in theaters and VOD.</p>

George Takei on Activism, Shatner and ‘To Be Takei’
<p>Best known for his role at Lieutenant Sulu on <em>Star Trek</em>, George Takei is now the subject of a new documentary, <em>To Be Takei</em>. The actor and activist talks about the chaos behind the first <em>Star Trek</em> movie and why William Shatner is like the crazy uncle of the <em>Star Trek</em> family.</p>

Creating Showtime's 'Masters of Sex'
<p>Michelle Ashford, creator of Showtime's <em>Masters of Sex</em>, talks about making a show about sex that's not exactly sexy.</p>

Radius Puts Summer Indies in Theaters and Your Living Room
<p>Tom Quinn, co-president of Radius-TWC, explains his multi-platform distribution plan for the sci-fi thriller <em>Snowpiercer</em>; director Charlie McDowell and actor and producer Mark Duplass share why they went the ultra-VOD release route with their movie <em>The One I Love</em>.</p>

Neal Baer on Coming Out Mid-Career; Saving Scarecrow Video
<p>TV writer and producer Neal Baer is known for his gay-friendly storylines. Now, he’s come out of the closet in his 50’s. And a famous video store hopes to go nonprofit to keep its doors open.</p>

Ray McKinnon on ‘Rectify'; James Garner’s Legal Legacy
<p>A decade after writing <em>Rectify</em>, Ray McKinnon’s drama finds a home on SundanceTV; Neville Johnson remembers James Garner’s courage in court.</p>

Greg Poehler Tries TV; Film Rating Advisors, Inc.
<p>Greg Poehler makes his television debut with <em>Welcome to Sweden</em>; two former MPAA rating board members go it on their own.</p>

‘Real Rob’ and TV Kind of Everywhere
<p>Rob Schneider is making his own TV show. He’s also paying for it. Media Analyst Rich Greenfield on why “TV Everywhere” is a problematic consumer proposition.</p>

Richard Linklater Builds a ‘Boyhood’
<p>Thirteen years ago, Richard Linklater had a simple, but brilliant idea for a film. Investors loved the idea too. The catch? There’d be no return for over a decade.</p>

Michael Jackson’s Hollywood Hopes; Groundlings Turn 40
The King of Pop also had aspirations to be a film star; LA’s famous improv troupe and school celebrates its 40th anniversary this year.

Steve James and Chaz Ebert on ‘Life Itself’
<p>Filmmaker Steve James and Chaz Ebert, the wife of Roger Ebert, discuss the surprises and challenges of creating a documentary based on the famous film critic’s memoir, <em>Life Itself</em>.</p>

Funding 'Citizen Koch'; Creative Indie Film Marketing
<p><em>Citizen Koch</em> filmmakers Tia Lessin and Carl Deal on why their deal with public television fell apart; Jenny Radelet tells a tale of a film that found a marketing partnership through potatoes.</p>

Paul Haggis on ‘Third Person’ and Leaving Scientology
<p>Screenwriter and director Paul Haggis on his new film <em>Third Person</em>, his first since his public break with the Church of Scientology.</p>

Guillermo del Toro on the Movie Biz, Failure and Saying 'No!'
<p>Filmmaker Guillermo del Toro on what he’s learned from failure and how he navigates the rocky waters of the film business.</p>

Kickstarter CEO Wants to Make Your Passion Project
<p>Kickstarter has crowdfunded more than $1 billion worth of projects in five years but CEO Yancey Strickler says it's just getting started.</p>

Directing 'Game of Thrones;' Filmmaker Gifts Viewers
<p><span>The complex business of directing "Game of Thrones." The unconventional release of "In Your Eyes."</span></p>

Two Women Who Made 'Frozen' a Modern Disney Classic
<p>Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter. </p>

Jon Favreau on 'Chef' and the Truth about Movie Studios
<p>Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter. </p>

Mike Judge and Alec Berg on Making HBO’s ‘Silicon Valley’
<p>Making 'Silicon Valley', testing 'Beavis and Butt-head' and losing an actor to cancer -- this and more from Mike Judge and Alec Berg.</p>

Kevin Spacey: The Disruptor
<p>Kevin Spacey calls for change in the entertainment business and backs it up by funding and self-releasing his first documentary.</p>

Steven Knight on 'Locke' and 'Millionaire;' 'Mad Men' Artist
<p>How Steven Knight created "Who Wants to Be a Millionaire" and made his new movie, "Locke." Also, an artist whose work hangs on the Mad Men set.&nbsp;</p>

Making TV the Amazon Studios Way
<p>Amazon Studios Director Roy Price and X-Files creator Chris Carter on making TV shows the Amazon Studios' way.</p>

Errol Morris Loves Directing Ads; Justified's Graham Yost
<p>Errol Morris on the interrotron and his love of directing ads. Graham Yost on making "Justified" in California.</p>

Darren Aronofsky on Making 'Noah'
<p>How Darren Aronofsky made the biblical epic he wanted to make despite push-back from the studio and test audiences.</p>

'Divergent' Producers Launch a Franchise
<p>"Divergent" producers talk launching a franchise, dealing with bad reviews, and making movies in today's Hollywood.</p>

Changes in Late Night; The Olympics, NFL, and 'Bubble' Shows
<p>Do changes in late night matter? Live sports: The Olympics and NFL; ‘Bubble’ Shows</p>

TCA's; Wherefore Pilot Season; Duck Dynasty
<p>What are the TCA's and do you care? Some TV networks are changing pilot season. What's the fallout from the "Duck Dynasty" drama?</p>