The Bowery Boys: New York City History

An account of a mysterious typhoid fever outbreak from the early 20th century and the woman — Mary Mallon, the so-called Typhoid Mary — at the center of the strange epidemic. The tale of Typhoid Mary is a harrowing detective story and a chilling tale of disease and death. Why are whole healthy families suddenly getting sick with typhoid fever — from the languid mansions of Long Island’s Gold Coast to the gracious homes of Park Avenue? Can an intrepid researcher and investigator named George Soper locate a mysterious woman who may be unwittingly spreading this dire illness? boweryboyshistory.com This show was originally broadcast on September 18, 2015 Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Once upon a time, the streets of the Lower East Side were lined with pushcarts and salespeople haggling with customers over the price of fruits, fish and pickles. Whatever became of them? New York's earliest marketplaces were large and surprisingly well regulated hubs for commerce that kept the city fed. When the city was small, they served the hungry population well. But by the mid-19th century, massive waves of immigration and the necessary expansion of the city meant a lack of affordable food options for the city's poorest residents in overcrowded tenement districts. Then along came the peddler, pushcart vendors who brought bargains of all types -- edible and non-edible -- to neighborhood streets throughout the city. In particular, on the Lower East Side, the pushcarts created bustling makeshift marketplaces. Many shoppers loved the set-up! But not a certain mayor -- Fiorello LaGuardia, who promised to sweep away these old-fashioned pushcarts that packed the streets -- and instead house some of those vendors in new municipal market buildings. For those immigrant peddlers, the Essex Street Market -- in sight of the Williamsburg Bridge -- would provide a diverse shopping experience representing a swirl of various cultures: Eastern European, Puerto Rican, Italian and more. But could these markets survive competition from supermarkets? Or the many economic changes of life in New York City?Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The discovery of radio changed the world, and New York City was often front and center for its creation and development as America’s prime entertainment source during the 1930s and 40s. In this show, we take you on a 50-year journey, from Marconi’s news making tests aboard a yacht in New York Harbor to remarkable experiments atop the Empire State Building. Two of the medium’s great innovators grew up on the streets of New York, one a fearless inventor born in the neighborhood of Chelsea, the other an immigrant’s son from the Lower East Side who grew up to run America’s first radio broadcasting company (RCA). Another pioneer with a more complicated history made the first broadcasts that featured the human voice, the ‘angelic’ tones of a Swedish soprano heard by a wireless operator at the Brooklyn Navy Yard. What indispensable station got its start as a department-store radio channel? What borough was touted in the very first radio advertisement? What former Ziegfeld Follies star strapped on a bonnet to become Baby Snooks? Featuring tales of the Titanic, the rogue adventures of amateur operators, and a truly scary invasion from outer space! MINOR CORRECTION: The radio show of yore was obviously called Everready Hour, not Everready House! boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To wrap up this month's series of spooky-themed shows, we're releasing this 2018 episode of our "Bowery Boys Movie Club", in which we conjure up New York City in the early 1980s in Ivan Reitman's box-office smash Ghostbusters. How does this zany horror comedy use the plight of New York City as a backdrop for its grab bag of goofy ghosts? How do the histories of the New York Public Library, Columbia University, Central Park and the Upper West Side become entangled in its strange and hilarious plot? And why is the Tribeca location of Ghostbusters headquarters -- in an abandoned firehouse -- so important to the story? Enjoy the show -- and be sure to join us on patreon.com/boweryboys to support the show and hear all episodes of the Movie Club! Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the 14th annual Bowery Boys Halloween podcast, we celebrate some classic strange and supernatural terrors written by the most famous horror writers in New York City history. Since 2020 is already a year full of absurd twists and frights, we thought we'd celebrate the season in a slightly different way. Don't worry! Tom and Greg are delivering a new batch of frightening stories. But this time the selected stories have been made famous by great writers who have lived and worked in New York City. Included in this year's terrors: -- A celebration of the 200th anniversary of Washington Irving's "The Legend of Sleepy Hollow," featuring the Headless Horseman and the backstory of this classic story's creation; -- The unsettling days of H.P. Lovecraft in Brooklyn where his xenophobia, racism and anxiety manifest into a pair of dark, claustrophobic tales, plucked from the waterfront and the West Village; -- A bizarre and allegedly true story (or is it an urban legend?) of an unconventional jewel thief, made famous by that 20th century purveyor of all things unbelievable -- Robert Ripley; -- And a look at the life of Patricia Highsmith -- celebrating the 100th anniversary of her birth a bit early -- whose nasty little tales of mad murderers have inspired Hollywood and unsettled a new generation of suspense lovers.Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Prepare to hear a few spirited stories in a whole new way. For the past couple years hosts Tom Meyers and Greg Young have also done a LIVE cabaret version of their annual ghost story show at Joe’s Pub at the Public Theater. For reasons related to the fact that it’s the hellish year of 2020, we cannot bring you a live performance this year. But we miss the wonderful Joe’s Pub so much – and we miss being with our listeners in a cabaret setting with cocktails – that we’re presenting to you a live recording of our last show at the storied venue, recorded on Halloween night 2019, featuring pianist and composer Andrew Austin and vocalist Bessie D Smith. Prepare to hear new versions of your favorite ghost stories including: -- A Brooklyn house haunting that may be related to the spectres from a colonial-era prison ship; -- A famous murder trial from the year 1800 and a mysterious well that still stands in the neighborhood of SoHo; -- The ghosts (or other supernatural entities) which guard the treasure of the famous Captain Kidd; and -- The mournful secrets of a famed Broadway theater and the inner demons of a Hollywood icon. With an all new ghostly tale -- WHO HAUNTS THE FORMER ASTOR LIBRARY? boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Celebrating the history of the Metropolitan Museum of Art in the 150th year since its founding -- and certainly one of the strangest years in its extraordinary existence. The Met is really the king of New York attractions, with visitors heading up to Central Park and streaming through the doors by the millions to gasp at the latest blockbuster exhibitions and priceless works of art and history. And who doesn’t love getting lost at the Met for a rainy afternoon — wandering from the Greek and Roman galleries to the imposing artifacts within the Arms and Armor collection and the treasures of the Asian Art rooms? But this museum has some surprising secrets in its history -- and more than a few skeletons (or are those mummies?) in its closet. WITH Ancient temples, fabulous fashions, classical relics, Dutch masters, controversial exhibitions and the decorative trappings of the Gilded Age. AND Find out how the museum building has evolved over the years, employing some of the greatest architects in American history. PLUS An interview with the Met's Andrea Bayer, Deputy Director for Collections and Administration, on the museum's celebratory exhibition Making the Met 1870-2020. How do you launch an anniversary celebration during a pandemic and lockdown? boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cleopatra’s Needle is the name given to the ancient Egyptian obelisk that sits in Central Park, right behind the Metropolitan Museum of Art. This is the bizarre tale of how it arrived in New York and the unusual forces that went behind its transportation from Alexandra to a hill called Greywacke Knoll. FEATURING The secrets of the Freemasons, a mysterious and controversial fraternity who have been involved in several critical moments in American history (including the inauguration of fellow Mason George Washington.) PLUS A newly recorded tale about another ancient landmark that has made its way to New York City -- a column from the ancient city of Jerash, brought here because of ... Robert Moses? boweryboyshistory.com boweryboyswalks.com This is a re-presentation of a show originally released on June 26, 2014 with new 2020 bonus material recorded for this episode. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Charles Stratton, who would become world famous as “Tom Thumb” in the mid-19th century, was born in Bridgeport, CT on January 4, 1838 to parents of average height, and he grew normally during the first six months of his life -- to about 25 inches or so. And then, surprisingly, he just stopped growing. When P.T. Barnum, the master showman, would meet Charles and his parents, Charlie was 4, and he’d be signed on the spot to play the part of “General Tom Thumb” at Barnum’s American Museum. He’d be given a fancy new wardrobe, a new nationality (British), and a new age -- 11 years old. Charles would perform for the rest of his life as “Tom Thumb”. He’d enchant European royalty and American presidents, and sell out crowds around the world. And in 1863, during the darkest days of the Civil War, he’d be married in New York’s Grace Church to Lavinia Warren, another Barnum employee and another performer of short stature. Their wedding would be a sensation, and would actually knock news from the battlefields off the front page of the New York Times for three days. We're joined in today’s show by four guests: Dr. Michael Mark Chemers is a Professor of Dramatic Literature and Director of Graduate Studies in the Department of Theatre Arts at the University of California, Santa Cruz. He’s the author of Staging Stigma: A Critical Examination of the American Freak Show published by Palgrave MacMillan in 2008, in which he looks into the career and reception of Charles Stratton. Eric Lehman is an Associate Professor of English at the University of Bridgeport and the author of 18 books, including Becoming Tom Thumb, published in 2013 by Wesleyan University Press. Kathy Maher is the Executive Director of the Barnum Museum and is celebrating her 22nd year with the Museum. Located an hour out of New York City, P.T. Barnum's last museum continues to stand on Main Street in the heart of downtown Bridgeport, CT, his adopted home. Although the Barnum Museum is currently closed due to covid-19 regulations, the Museum remains active with social media, virtual programming and a major historic restoration and re-envisioning https://barnum-museum.org/ Robert Wilson has been the editor of The American Scholar magazine since 2004. Before that, he edited Preservation magazine and was the book editor and columnist for USA Today. His previous books include The Explorer King (2006), about the 19th-century scientist, explorer, and writer Clarence King, and Mathew Brady: Portraits of a Nation (2013), about the Civil War photographer. His most recent book, Barnum: An American Life (from 2019), has just been published in paperback. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fraunces Tavern is one of America’s most important historical sites of the Revolutionary War and a reminder of the great importance of taverns on the New York way of life during the Colonial era. This revered building at the corner of Pearl and Broad street was the location of George Washington‘s farewell address to his Continental Army officers and one of the first government buildings of the young United States of America. John Jay and Alexander Hamilton both used Fraunces as an office. As with many places connected to the country’s birth — where fact and legend intermingle — many mysteries still remain. Was the tavern owner Samuel Fraunces one of America’s first great black patriots? Did Samuel use his position here to spy upon the British during the years of occupation between 1776 and 1783? Was his daughter on hand to prevent an assassination attempt on the life of George Washington? And is it possible that the basement of Fraunces Tavern could have once housed a dungeon? ALSO: Learn about the two deadly attacks on Fraunces Tavern — one by a British war vessel in the 1770s, and another, more violent act of terror that occurred in its doorway 200 years later! PLUS: Where to find the ruins of Lovelace's Tavern, dating back to the days of New Amsterdam. boweryboyshistory.com frauncestavernmuseum.org This is a re-presentation of a show originally released on March 18, 2011 with new 2020 bonus material recorded for this episode. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Interview with author Eric K. Washington, author of “Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal”. The Red Caps of Grand Central Terminal were a workforce of hundreds of African-American men who were an essential part of the long-distance railroad experience. Passengers relied on Red caps for more than simply grabbing their bags -- they were navigators, they helped with taxis, offered advice, and provided a warm greeting. In his 2019 book, “Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal”, author Eric K. Washington tells the remarkable story of Williams, “The Chief” of the Grand Central Red Caps. He was a boss to many, a friend to thousands of passengers, and a confidant to celebrities, politicians… even occupants of the White House. He also tells the story of Grand Central Terminal, and specifically, of the Red Caps who worked here, especially during the Terminal’s heyday in the first half of the 20th century. And along the way, the book chronicles how New York’s African-American enclaves and communities developed and moved around the city. That huge story is told through the lens of this one, often underappreciated, and yet instrumental man -- James Williams. He was the chief of the Red Caps, but also an under-reported figure in the Harlem Renaissance. www.boweryboyshistory.com www.patreon.com/boweryboysSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ancient space rocks, dinosaur fossils, anthropological artifacts and biological specimens are housed in New York's world famous natural history complex on the Upper West Side -- the American Museum of Natural History! Throughout the 19th century, New Yorkers tried to establish a legitimate natural history venue in the city, including an aborted plan for a Central Park dinosaur pavilion. With the creation of the American Museum of Natural History, the city finally had a premier institution that celebrated science and sent expeditions to the four corners of the earth. Tune in to hear the stories of some of the museum's most treasured artifacts and the origins of its collection. But there's also a dark side to the museum's history, one that includes the tragic tale of Minik the Inughuit child, subject by museum directors to a bizarre and cruel lie. PLUS: How exactly do you display a 68,100 lb meteorite? AND: What will be the fate of that controversial Theodore Roosevelt monument? A 2020 update! boweryboyshistory.com This is a re-presentation of a show originally released on November 24, 2010 with bonus material recorded in 2020. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

PART 2 of our two-part podcast series, "A NEW DEAL FOR NEW YORK" In this episode, we look at how one aspect of FDR's New Deal -- the WPA's Federal Project Number One -- was used to put the country's creative community back to work and lift the spirits of downtrodden Americans. Federal Project Number One -- the "artistic wing" of the Works Progress Administration -- inspired one of the most important and lasting cultural revolutions in the United States, an infusion of funds that put musicians, painters, writers and the theater community back to work, creating works that would promote and celebrate the American experience. The already-rich creative communities of New York City thrived during the program in several unique ways -- from the stages of Broadway to the art studios of Harlem. In this episode we present several tales from the four main units of Federal One -- the Federal Music Project, the Federal Theatre Project, the Federal Art Project and the Federal Writers' Project Including the stories of these WPA creators -- -- Juanita Hall: A future Tony-winning actress whose WPA-funded gospel chorus performed more than 5,000 times -- Orson Welles: A brilliant stage producer (not yet a filmmaker) whose bold stage inventions pressed the limits of government censorship. -- Jackson Pollock: A budding painter just finding his artistic voice, making a living working on murals and canvas -- Zora Neale Hurston: The Harlem Renaissance anthropologist and novelist who used the WPA program to explore folklore and traditions in Florida. PLUS: The mural program, the WPA Guides and the contributions of WNYC and the New York Public Library boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

PART ONE of a two-part podcast series A NEW DEAL FOR NEW YORK. For Part One, we look at the impact FDR and New Deal funding had in shaping New York City's bridges and parks -- thanks to an especially tenacious parks commissioner! New York City during the 1930s was defined by massive unemployment, long lines at the soup kitchens, Hoovervilles in Central Park. But this was also the decade of the Triborough Bridge and Orchard Beach, new swimming pools and playgrounds Faced with the nationwide financial crisis, newly elected President Franklin Delano Roosevelt chose to boldly take the crisis on a series of transformative actions by the government that became known as the New Deal. No other American city would benefit more from the New Deal that New York City. At one point, one out of every seven dollars from the Works Progress Administration (WPA) was being spent in New York. And the two men responsible for funneling federal funding to the city was Mayor Fiorello LaGuardia and his new parks commissioner Robert Moses. Moses amassed a great amount of unchecked power, generating thousands of projects through out the city -- revitalizing the city landscape. How did Moses acquire so much power? And how did manage to funnel so much federal assistance into his own projects? boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Serbian immigrant Nikola Tesla was among the Gilded Age's brightest minds, a visionary thinker and inventor who gave the world innovations in electricity, radio and wireless communication. So why has Tesla garnered the mantle of cult status among many? Part of that has to do with his life in New York City, his shifting fortunes as he made his way (counting every step) along the city streets. Tesla lived in Manhattan for more than 50 years, and although he hated it when he first arrived, he quickly understood its importance to the development of his inventions. Travel with us to the many places Tesla worked and lived in Manhattan -- from the Little Italy roost where the Tesla Coil may have been invented to his doomed Greenwich Village laboratory. From his first job in the Lower East Side to his final home in one of Midtown Manhattan's most famous hotels. Nikola Tesla, thank you for bringing your genius to New York City. PLUS: The marvelous demonstration at Madison Square Garden in 1898 that proves that Tesla invented the drone! Visit our website for more images illustrating the events from this week's show: boweryboyshistory.com This episode was originally released on April 29, 2016. Now including newly recorded bonus material for 2020! (And you might hear from David Bowie.)Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The newspapers of Joseph Pulitzer and William Randolph Hearst -- the New York World and the New York Journal -- were locked in a fierce competition for readers in the mid 1890s. New Yorkers loved it. The paper's sensational style was so shocking that it became known as "yellow journalism". So what happens when those flamboyant publications are given an international conflict to write about? On February 15, 1898, the USS Maine mysteriously exploded while stationed in Havana Harbor in Cuba. While President McKinley urged calm and patience, two New York newspapers jumped to a hasty conclusion -- Spain had destroyed the ship! The Spanish-American War allowed Hearst (with Pulitzer playing catch up) fresh opportunities to sell newspapers using exaggerated reports, melodramatic illustration and even outlandish stunts. (Think Hearst on a yacht, barreling into conflicts where he didn't belong.) But by 1899, with the war only a recent memory, the publishers faced a very different battle -- one with their own newsboys, united against the paper's unfair pricing practices. It's a face-off so dramatic, they wrote a musical about it! PLUS: How have the legacies of Pulitzer and Hearst influenced our world to this day? And where can you find the remnants of their respective empires in New York City today? This is Part Two of our two-part series on Joseph Pulitzer and William Randolph Hearst. Listen to Episode 335 (Pulitzer vs. Hearst: The Rise of Yellow Journalism) before listening to this show. boweryboyshistory.com Support the Bowery Boys Podcast on Patreon, the patronage platform where you can support your favorite content creators for just a small contribution. Visit patreon.com/boweryboys for more information. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the 1890s, powerful New York publishers Joseph Pulitzer and William Randolph Hearst engaged in an all-out battle for readers of their respective newspapers, developing a flamboyant, sensational style of coverage today referred to as "yellow journalism". This battle between the New York World and the New York Journal would determine the direction of the American media landscape and today we still feel its aftermath -- from melodramatic headlines to the birth of eyewitness reporting and so-called "fake news". The two men come from very different backgrounds. Pulitzer, a Hungarian immigrant who started his publishing empire in St. Louis, used the World to highlight injustices upon the working class and to promote worthy civic projects (like the pedestal of the Statue of Liberty). Hearst, himself the wealthy publisher of the San Francisco Examiner, entered the New York publishing world, specifically aimed at competing with Pulitzer. In many ways, he "out-Pulitzered" Pulitzer, creating extraordinary daily publications which appealed to all types of New Yorkers. (Even children!) In Part One of this two-part series, we introduce you to the two publishers and meet them on a battlefield of newsprint and full-page headlines -- located on just a couple short blocks south of the Brooklyn Bridge. boweryboyshistory.com Support the Bowery Boys Podcast on Patreon, the patronage platform where you can support your favorite content creators for just a small contribution. Visit patreon.com/boweryboys for more information. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The story of the Lenape, the native people of New York Harbor region and their experiences with the first European arrivals — the explorers, the fur traders, the residents of New Amsterdam. Before New York, before New Amsterdam — there was Lenapehoking, the land of the Lenape, the original inhabitants of the places we call Manhattan, Westchester, northern New Jersey and western Long Island. This is the story of their first contact with European explorers and settlers and their gradual banishment from their ancestral land. Fur trading changed the lifestyles of the Lenape well before any permanent European settlers stepped foot in this region. Early explorers had a series of mostly positive experiences with early native people. With the Dutch settlement of New Amsterdam, the Lenape entered into various land deals, “selling" the land of Manhattan at a location in the area of today’s Inwood Hill Park. But relations between New Amsterdam and the surrounding native population worsened with the arrival of Director-General William Kieft, leading to bloody attacks and vicious reprisals, killing hundreds of Lenape and colonists alike. Peter Stuyvesant arrives to salvage the situation, but further attacks threatened any treaties of peace. But the time of English occupation, the Lenape were decimated and without their land. And yet, descendants of the Lenape live on today in various parts of the United States and Canada. All that and more in this tragic but important tale of New York City history. Visit our website for more images illustrating the events from this week's show: boweryboyshistory.com This episode was originally released in June 2016. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's summer in the city, so we're re-issuing our Bowery Boys Movie Club podcast devoted to Midnight Cowboy, the 1969 buddy film starring Dustin Hoffman and Jon Voight. There are few time capsules of New York’s darker days quite as pleasurable as Midnight Cowboy. It’s hardly as provocative as when it was released in May 1969, but its ragged edges have only become more remarkable to view as a piece of history, paying tribute to an era often romanticized today. If you’ve never seen the film — don’t worry, we’ll walk you through it, scene by scene, with some history and bad jokes thrown in. Or you could stop and watch it now, and then listen — it’s up to you! Be sure to check out our blog post about Midnight Cowboy, which includes filming locations around the city. This episode is made possible by our supporters on Patreon, and is part of our patron-only podcast series "Bowery Boys Movie Club". Join us on Patreon to access all Movie Club episodes, along with other patron-only audio.Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A history of the comic book industry in New York City, how the energy and diversity of the city influenced the burgeoning medium in the 1930s and 40s and how New York’s history reflects out from the origins of its most popular characters. In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzee helped bring about the birth of the comic strip and, a few decades later, the comic book. Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City. What’s Spider-Man without a tall building from which to swing? But not only are the comics often set here; the creators were often born here too. Many of the greatest writers and artists actually came from Jewish communities in the Lower East Side, Brooklyn or the Bronx. For many decades, nearly all of America’s comic books were produced here. Unfortunately that meant they were in certain danger of being eliminated entirely during a 1950s witch hunt by a crusading psychiatrist from Bellevue Hospital named Frederic Wertham. FEATURING a special chat with comics historian Peter Sandersonabout the unique New York City connections of Marvel Comics’ most famous characters. Sanderson is the author of The Marvel Comics Guide to New York City and The Marvel Encyclopedia. WITH: The Yellow Kid, Little Orphan Annie, Batman, Doctor Strange and the Teenage Mutant Ninja Turtles! The episode is a rebroadcast of a show which first aired on July 24, 2015. boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In New York City, during the tumultuous summer of 1776, the King of England lost his head. Two hundred and fifty years ago, Colonial New York received a monumental statue of King George III on horseback, an ostentatious and rather awkward display which once sat in Bowling Green park at the tip of Manhattan. On July 9, 1776, angry New Yorkers violently tore down that statue of King George and, as the story goes, rendered his body into bullets used in the battles of the Revolutionary War. Flash forward to 2020 — cities across the United States today are reevaluating the meaning of their own public monuments. Critics say that removing memorials to the Confederacy, for instance, work to ‘erase history’. But a monument itself is not history lesson, but a time capsule of the motivations of the culture who created them. And that’s why this story from 1776 resonates so strongly today. Public statues do have meaning. And for New Yorkers — in the run up to American independence — one statue represented oppression, servitude and annihilation. In this episode, take a trip back to the city right before the war, when New York was split into those sympathetic to the Tories and those to the Sons of Liberty, an early organization dedicated to the liberty of the American colonies. PLUS: The story lives on! Find out where you can locate artifacts from this story throughout the city today. FEATURING A young Alexander Hamilton, that rascal Cadwallader Colden and an unsung hero named William Pitt boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 332 The Manhattan neighborhood of Yorkville has a rich immigrant history that often gets overlooked because of its location on the Upper East Side, a destination usually associated with wealth and high society. But Yorkville, for over 170 years, has been defined by waves of immigrant communities which have settled here, particular those cultures from Central and Eastern Europe -- Germans, Austrians, Hungarians, Czechs and Slovaks. The neighborhood developed thanks to its location to various streetcar and train lines, but that proximity insured that Yorkville would evolve in quite a different way from the more luxurious Fifth Avenue just a few blocks away. Yorkville's German cultural identity was centered around East 86th Street -- aka "Sauerkraut Boulevard" -- where cafes and dance halls catered to the amusements of German Americans. The Yorkville Casino was a 'German Madison Square Garden', featuring cabaret, film, ballroom dancing and even political rallies. Does the spirit of old Yorkville still exist today? While events in the early 20th century brought dramatic change to this ethnic enclave, those events didn't entirely erase the German spirit from the city streets. In this show, we tell you where can still find the most interesting cultural artifacts of this often overlooked historical gem. This episode is brought to you by the Historic Districts Council. Funding for this episode is provided by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and Council Member Benjamin Kallos. boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The history of black and African-American settlements and neighborhoods which once existed in New York City in the 17th, 18th and 19th centuries. Today we sometimes define New York City's African-American identity by the places where thriving black culture developed -- Harlem, of course, and also Crown Heights and Bedford-Stuyvesant, neighborhoods that developed for groups of black residents in the 20th century. But by no means were these the first in New York City. Other centers of black and African-American life existed long before then. In many cases, they were obliterated by the growth of the city, sometimes built over without a single marker, without recognition. This is the story of a few of those places. From the 'land of the blacks' -- the home to New Amsterdam and British New York's early black population -- to Seneca Village, a haven for freed people of color in the early 19th century that was wiped away by the need for a city park. From Little Africa -- the Greenwich Village sector for the black working class in the mid 19th century -- to Sandy Ground, a rural escape in Staten Island with deep roots in the neighborhood today. And then there's Weeksville, Brooklyn, the visionary village built to bond a community and to develop a political foothold. In this collection of short historical stories, Greg welcomes Kamau Ware (of the Black Gotham Experience) and Tia Powell Harris (formerly of the Weeksville Heritage Center) to the show. The episode is a rebroadcast of a show which first aired on June 9, 2017. Stay tuned to the end of this show for some newly written material and an update on the Black Gotham Experience and the Weeksville Heritage Center. Visit our website for more images and information.Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

During the Gilded Age, New York City had one form of rapid transit -- the elevated railroad. The city's population had massively grown by the 1870s thanks to large waves of immigration from Ireland and Germany. Yet its transportation options -- mostly horse-drawn streetcars -- were slow and cumbersome. As a result, people rarely lived far from where they worked. And in the case of most working class New Yorkers, that meant staying in overcrowded neighborhoods like the Lower East Side. In the 1870s, New York hoped to alleviate the population pressure by constructing four elevated railroad lines -- along 2nd, 3rd, 6th and 9th Avenues -- in the hopes that people would begin inhabiting Upper Manhattan and the newly acquired portion of Westchester County known as the Annexed District (today's South Bronx). In this show, we focus on the two eastern-most lines and their effects on the city's growth. Take a ride with us -- through Lower Manhattan, the Lower East Side, Midtown Manhattan, Yorkville, East Harlem and Mott Haven! FEATURING an interview with elevated expert and tour guide Michael Morgenthal. This episode is brought to you by the Historic Districts Council. Funding for this episode is provided by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and Council Member Benjamin Kallos. boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"To the beat of muffled drums 8,000 negro men, women and children marched down Fifth Avenue yesterday in a parade of 'silent protest against acts of discrimination and oppression' inflicted upon them in this country." -- New York Times, July 29, 1917 EPISODE 330 The Silent Parade of July 28, 1917, was unlike anything ever seen in New York City -- thousands of black men, women and children marching down Fifth Avenue. Today it is considered New York's (and most likely America's) first African-American civil rights march. The march was organized by the NAACP in direct response to a horrible plague of violence against black Americans in the 1910s, culminating in the East St. Louis Riots, a massacre involving white mobs storming black neighborhoods in sheer racial animus. There were no chants or rallying cries. The women were dressed all in white, the men in black. Thousands of onlookers had lined the parade route that day out of curiosity, amusement, pride, anger and joy. How did this unusual protest come to be? How did New Yorkers really react? And why has the Silent Parade gone mostly forgotten for most Americans? FEATURING: W.E.B. Du Bois, Madam C.J. Walker, James Weldon Johnson, Lillian Wald and more boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 329 Did you know that the first modern ambulance -- as in a 'mobile hospital' -- was invented in New York City? On June 4, 1869, America’s first ambulance service went into operation from Bellevue Hospital with a driver, a surgeon, two horses and equipment including a stretcher, a stomach pump, bandages and sponges, handcuffs, a straight-jacket, and a quart of brandy. Within just a couple years, the ambulance became an invaluable feature of New York health, saving the lives of those who might otherwise die on the streets of the city. They proved especially helpful in a riot -- of which there were many in the 19th century! In this show, you'll be introduced to a new way of thinking about urgent injuries and emergency care. True emergency medicine was not a serious factor in major hospitals until the 1960s. Yet on-the-job injuries and terrible trauma from violent crime was a perpetual problem in New York. What was life like in the city before the advent of the ambulance? How did ambulances work in the era before the telephone? PLUS: A tribute to the ambulance workers -- the EMTs, paramedics and drivers -- who have risked their lives to save those of other New Yorkers. boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 328 New Yorkers eat a LOT of Chinese food and have enjoyed Chinese cuisine – either in a restaurant or as takeout – for well over 130 years. Chinese food entered the regular diet of the city before the bagel, the hot dog and even the pizza slice. In this episode, Greg explores the history of Chinese food in New York City -- from the first Mott Street kitchens in Manhattan's Chinatown to the sleek 20th century eateries of Midtown. We have one particular dish to thank for the mainstreaming of Chinese food -- chop suey. By the 1920s, chop suey had taken New York by storm, a cuisine perfect for the Jazz Age. Through the next several decades, Chinese food would be transformed into something truly American and the Chinese dining experience would incorporate neon signs, fabulous cocktails and even glamorous floor shows by the 1940s. FEATURING: Such classics as the Port Arthur Restaurant, the Chinese Tuxedo, Ruby Foo's Den, Tao, Lucky Cheng's and the eateries of 'Szechuan Valley'. PLUS: Bernstein-on-Essex and the love affair between Chinese food and Jewish New Yorkers. boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 327 This is Part Two of a special Bowery Boys podcast event featuring the voices of our listeners. What makes New York feel like home — whether you live here or not? Why do people feel comfortable in New York City -- even in troubling times? When do you officially become a New Yorker? In this episode, we focus on a few tales from New York transplants, those who were born here and moved to the city in search of employment, adventure, love -- or purpose. And stories from those native New Yorkers who have moved away but keep a part of the city with them always (and in a couple cases, we mean this literally.) ALSO: How the residents of New York City come together in crisis times. Featuring the 'origin stories' of both Tom and Greg, both of whom moved to New York City in the early 1990s. It took both the simple pleasures of urban living and major traumatic events to turn them into New Yorkers. boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 326 A special episode featuring the listeners of the Bowery Boys: New York City History podcast. What makes New York feel like home -- whether you live here or not? What is that indefinable connection that people make with the city? Why do so many people feel a city as large as New York speaks to them personally?We asked our listeners to tell us about feeling “at home in New York," about that feeling of familiarity and nostalgia that one can feel here. Thanks to the presence of New York City in so many films, books and television shows, it's an emotion that can be felt even by those who live elsewhere.Well the listeners delivered -- in a wonderful abundance of voicemails and emails. In this episode we hear from three groups of New York City lovers: the native New Yorkers, the commuters and the frequent visitors. (In part two, we'll hear the tales of the transplants, those who, in the words of E.B. White, "came to New York in quest of something.") boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 325 In 1858, during two terrible nights of violence in September, the needs of the few outweighed the needs of the many when a community, endangered for decades and ignored by the state, finally reached its breaking point. In Staten Island, near the spot of today’s St. George Ferry Terminal, where thousands board and disembark the Staten Island Ferry everyday, was once America’s largest quarantine station – 30 acres of hospitals, medical facilities, shanties and doctors' homes, surrounded by a six-foot-tall brick wall. Since its construction in the year 1799, Staten Islanders had fought for the removal of the Quarantine Ground, considered a menacing danger to the health of residents and a blight upon any possible development. Yet the need for such an extensive facility at the Narrows -- the gateway to the New York Upper Bay and the Hudson River -- was so important that the state of New York mostly turned a blind eye to their wishes. And so the residents of Staten Island took matters into their own hands. Was this a case of righteous revolution in the service of safety and well-being against a tyrannical state? Or a grave and malicious act of terror? FEATURING: Cornelius Vanderbilt and two American vice presidents. And origins of New York neighborhoods, Tompkinsville, St. George and Bay Ridge, Brooklyn! boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 324 At last! The Bowery Boys: New York City History podcast looks at one of the strangest traditions in this city's long history -- that curious custom known as Moving Day. Every May 1st, for well over two centuries, from the colonial era to World War II, rental leases would expire simultaneously, and thousands of New Yorkers would pack their possessions into carts or wagons and move to new homes or apartments. (Later on, October 1st would become the second ‘moving day’.) Of course, for the rest of the world May 1 would mean all different things – a celebration of spring or moment of political protest. And it would mean those things here in New York – but on a backdrop of just unbelievable mayhem in the streets. There are a few theories about the origin of Moving Day but most of them trace back the Dutch colony of New Netherlands. So why did New Yorkers continue the custom for centuries? FEATURING Davy Crockett, The Jeffersons, Mickey Mouse and an amazing New Yorker named Amy Armstrong with a really stubborn husband. boweryboyshistory.com Make sure you're subscribed to the Bowery Boys: New York City History podcast so you don't miss an episode.Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 323 Two tales from New York’s incredible history with tattooing. The art of tattooing is as old as written language but it would require the contributions of a few 19th century New York tattoo artists — and a young inventor with no tattoos whatsoever — to take this ancient art to the next level. The first documented tattoo parlor (or atelier) in the United States was a small second-floor place near the East River waterfront and close to the site of the Brooklyn Bridge. But as more sailors and seamen — the principal customers for tattoo purveyors — came to New York, more would-be tattoo artists opened shops. By the 1880s, there were a great number of professional tattooists, scattered along the waterfront and up along the Bowery. Meanwhile, over in Brooklyn, sailors in need of a fresh tattoo could head to small shops in Coney Island or near the Brooklyn Navy Yard. In this episode, Greg shares two tales from New York City tattoo history: — An unsuccessful Thomas Edison invention becomes a revolutionary device for tattoo artists. The electric tattoo machine was first perfected in a tiny tattoo parlor underneath a New York elevated train in Chatham Square. — Believe it or not, tattooing was outlawed in New York City in 1961! And would remain so for 36 years. How is that even possible in a city with a vibrant music scene and iconic venues like CBGB just steps from the heart of Manhattan’s old tattooing industry? boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 322 The historic movie studio Kaufman Astoria Studios opened 100 years ago this year in Astoria, Queens. It remains a vital part of New York City's entertainment industry with both film and television shows still made there to this day. The Museum of the Moving Image resides next door in a former studio building. To honor this anniversary, we are re-issuing a new version of one of our favorite shows from the back catalog -- New York City and the birth of the film industry. New York City inspires cinema, but it has also consistently manufactured it. Long before anybody had heard of Hollywood, New York and the surrounding region was a capital for movies, the home to the earliest American film studios and the inventors who revolutionized the medium. It began with Thomas Edison's invention of the Kinetoscope out in his New Jersey laboratory. Soon his former employees would spread out through New York, evolving the inventor's work into entertainments that could be projected in front of audiences. By the mid 1900s, New Yorkers fell in love with nickelodeons and gasped as their first look at moving pictures. Along the way, films were made in locations all throughout the city -- from the rooftop of Madison Square Garden to a special super-studio in the Bronx. This is a special 'director's cut' of a podcast we first released on February 18, 2011. For more information, visit our website. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 321 The Hollywood icon and Broadway star Lauren Bacall lived at the Dakota Apartments on the Upper West Side for 53 years. Her story is intertwined the Dakota, a revolutionary apartment complex built in 1884. In this episode, we tell both their stories. Bacall, born Betty Joan Perske, the daughter of Jewish Eastern European immigrants, worked her way from theater usher to cover model at a young age, then became a movie star before she was 20 years old. Her film pairings with husband Humphrey Bogart define the classic Hollywood era. After Bogart died, she returned to New York City to reinvent her career, her sights aimed at the Broadway stage. And she chose the Dakota as her home. Built by Singer Sewing Machine president Edward Clark, the Dakota was a pioneer of both apartment-style living and of living, generally speaking, on the Upper West Side. This is the story of second and third acts -- both for an woman of grit and independent spirit and for a landmark with a million stories to tell (and a million more to come). boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Few people are allowed to go onto Hart Island, the quiet, narrow island in the Long Island Sound, a lonely place in sight of the bustling community of City Island. For more than 150 years, Hart Island has been New York's potter's field, the burial site for more than one million people -- unclaimed bodies, stillborn babies, those who died of AIDS in the 1980s and 90s, and, in 2020, the location of burials of those who have died of COVID-19 coronavirus. Hart Island's appearance in the international press this past week has drawn attention to the severity of the pandemic in New York City, but it has also drawn attention to the island itself. By the early 19th century, this peaceful place -- most likely named for deer which may have called it home -- had already developed a violent reputation as a renegade site for boxing matches. During the Civil War, black Union troops trained here and later Confederate soldiers were imprisoned in refitted prison barracks. But in the late 1860s the city prepared the island for its eventual and longest lasting purpose. Today it is the world's largest potter's field. And thanks to groups like the Hart Island Project, New Yorkers may finally get a glimpse at this strange, forlorn place and the previously forgotten people buried here.Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 319 In simpler times, thousands of tourists would flock to the northern tip of Bowling Green in Lower Manhattan to take a picture with a rather unconventional New Yorker -- the bronze sculpture Charging Bull by Italian-American artist Arturo Di Modica. Bull is a product of the 1980s New York art scene, delivered as a gift to the New York Stock Exchange (and to the American people, according to the artist) one late night in December 1989. Nobody may have asked for this particular gift, but soon New Yorkers fell in love with the bull, and the sculpture was soon placed near Bowling Green, one of New York City's oldest public spaces. By the early 1990s, Charging Bull had become one of the most photographed pieces of art in America, beloved as both work of sculpture and a genuine, photo-friendly curiosity. But in 2017, the bull faced down an unusual new neighbor -- another bronze named Fearless Girl by Kristen Visbal. Girl soon became very popular with budding selfie-takers, but her proximity to Bull changed its fundamental meaning. An art scandal in lower Manhattan was brewing! boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 318 Moonstruck, the 1987 comedy starring Cher and Nicolas Cage, not only celebrates that crazy little thing called love, but also pays tribute to the Italian working class residents of the old "South Brooklyn" neighborhoods of Brooklyn Heights, Cobble Hill and Carroll Gardens. Listen in as Greg and Tom recap the story and explore the many real New York City settings of the film -- from the glamorous Lincoln Center to the still-gritty streets of 1980s Little Italy. While the film's most recognizable location (the townhouse on Cranberry Street) is still with us, other places like the Cammareri Bros. Bakery are no longer with in business. This podcast can be enjoyed both by those who have seen the film and those who’ve never even heard of it. We think our take on Moonstruck might inspire you to look for the film’s many fascinating (but easy to overlook) historical details, so if you don’t mind being spoiled on the plot, give it a listen first, then watch the movie! Otherwise, come back to the show after you’ve watched it. Also: Announcing the Bowery Boys "Safe At Home" Listener Challenge Take part in a future Bowery Boys: New York City History podcast! We're looking for stories about feeling at home in New York City. As we discuss at the beginning of the show, we're looking for stories about "home in New York" from native New Yorkers, those who have moved to New York, and those who only visit New York. Just call our Bowery Boys hotline and record a message. Our number is (844) 4-BOWERY. Messages can be up to one minute long. Be sure to leave your first name and the city you’re calling from. And we’ll include as many stories as we can in our upcoming show. Thank you!Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 317 In 1916 New York City became the epicenter of one of America's very first polio epidemics. The scourge of infantile paralysis infected thousands of Americans that year, most under the age of five. But in New York City it was especially bad. The Department of Health took drastic measures, barring children from going out in public and even labeling home with polio sufferers, urging others to stay away. That same year, up in the Bronx, a young couple named Daniel and Dora Salk -- the children of Eastern European immigrants -- were themselves raising their young son named Jonas. As an adult, Jonas Salk would spend his life combating the poliovirus in the laboratory, creating a vaccine that would change the world. In 1921 a young lawyer and politician named Franklin Delano Roosevelt would contract what was believed at the time to be polio. He would use his connections and power -- first as governor of New York, then as president of the United States -- to guide the nation's response to the virus. FEATURING: The story of Albert Sabin and the origin of the March of Dimes. ALSO: The second half of the show is devoted to the question -- who came up the first vaccine anyway? Presenting the story of Edward Jenner -- and a cow named Blossom. boweryboyshistory.com Subscribe to the Bowery Boys podcast today on your favorite podcast player. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 316 What happens when P. T. Barnum, America's savviest supplier of both humbug and hoax, decides it's time to go legit? Only one of the greatest concert tours in American history. If you've seen the film musical The Greatest Showman, you've been introduced to Jenny Lind, the opera superstar dubbed "The Swedish Nightingale". And you also know that Barnum, taken with the Swedish songstress, brings her to New York to begin a heavily promoted American debut. But the film sidesteps many of the more fascinating details. Lind was greeted like a queen and rock star when she arrived at the Canal Street dock despite most New Yorkers having never heard her sing. Her stage was Castle Garden, the former fort turned performance venue that sat in New York harbor, connected to the Battery by a small bridge. The concert proved legendary. And Lind proved herself an enterprising businesswoman, bending even the will of a profiteer like Barnum. Her financial arrangement for the tour would influence 170 years of musical performances and cement her reputation as one of the greatest vocalists of the 19th century.Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 315 The Hall of Fame for Great Americans, founded in 1900, was a precursor to the Nobel Prize and the Presidential Medal of Freedom, a vaunted tribute to those who have contributed greatly to the development the United States of America. Located on the campus of Bronx Community College in the University Heights neighborhood of the Bronx, the Hall of Fame features the sculpted bronze busts of 96 individuals considered worthy of renown in their day, arranged along a columned arcade designed by Stanford White. It was so important in the early 20th century that the Baseball Hall of Fame and the Hollywood Walk of Fame derive from its example. The Hall of Fame for Great Americans even pops up in The Wizard of Oz! But today it is virtually forgotten. And no person has been elected to the Hall of Fame since the 1970s. This is the story of a university with lofty intentions, a snapshot of early 20th century optimism, and a look at a few questionable considerations of 'greatness'. *There were once 98 busts but two were removed in 2017. boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

London Terrace, an English-inspired apartment complex, is a jewel of apartment living in the neighborhood of Chelsea. In 1929, a set of historic townhouses -- also named London Terrace -- were demolished to construct this spectacular set of buildings. That is, all townhouses but one -- the home of Mrs. Tillie Hart, a tenacious tenant who refused to leave. In a real-life example of the movie Up, Hart's tale is a battle between urban development and an individual's right to their longtime home -- a genuine David vs. Goliath tale on the landscape of New York City real estate. In her favor -- the support of the public and the regular attention of the New York Daily News. Will Hart prevail? PLUS: A history of the Chelsea neighborhood and its "godfather" Clement Clarke Moore.Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 313 "No man likes to have his hat snatched from his head by somebody he has not yet been introduced to." During the month of September 1922, as summer passed into autumn, large groups of rowdy 'hoodlums' swarmed the streets of New York City, grabbing straw hats off the heads of men, leaving the gutters filled with thousands of smashed lids. Why in the world would so many people become outraged at the sight of a straw hat? This is the story of the ultimate fashion faux pas, Jazz Age style, and a look at the dangers of men's wear uniformity. NOTE: As this is our first remotely recorded episode, we're a bit more slap-happy than usual. Expect an extra dosage of puns. boweryboyshistory.com Special thanks to Newspapers.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 312 The Whitechapel murders of 1888 -- perpetrated by the killer known as Jack the Ripper -- inspired one of the greatest cultural hysterias of the Victorian era. The idea that the Ripper could appear anywhere -- even in New York City. The usual vicious crimes of gang members and roughs on the Bowery were not only compared to those of the Ripper, they were often framed as though they were the Ripper himself, an omnipresent specter of evil. The sordid misdeeds of other criminals were elevated by the press in comparisons to Jack the Ripper. But then, in April of 1891, a crime was committed on the East River waterfront that was so brutal, so garish, that comparisons to the London killer were inevitable.The victim was named Carrie Brown. But people along the waterfront knew her by her nickname Shakespeare (or Old Shakespeare). This is also the story of a man named Ameer Ben Ali, an Algerian immigrant who also became a victim -- of one of the greatest instances of criminal injustice in New York City history. This is a tale of an infamous crime, a controversial detective and an unjust conviction. And hovering over it all -- a devil, a specter of fear and violence. Who killed Old Shakespeare?Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 311 Nobody had seen anything quite like it. In late November 1909, tens of thousands of workers went on strike, angered by poor work conditions and unfair wages within the city's largest industry. New York City had seen labor strikes before, but this one would change the city forever. The industry in question was the garment industry, the manufacture of clothing -- and, in the case of this strike, the manufacture of shirtwaists, the fashionable blouse worn by many American women. The strikers in question were mostly young women and girls, mostly Eastern European Jewish and Italian immigrants who were tired of being taken advantage of by their male employers. Leading the charge were labor leaders and activists, and in particular, a young woman named Clara Lemlich who would incite a crowd of thousands at Cooper Union with a rousing speech that would forever echo as a cry of solidarity for an underpaid and abused workforce. PLUS: A visit to the New-York Historical Society's new exhibition Women March and an interview with Valerie Paley, co-curator and director at the Historical Society's Center for Women's History. boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On February 17, 1919, in the waning months of World War I, the Harlem Hellfighters – officially the 369th Infantry Regiment, originally a New York National Guard division that had just come from intense battle in France – marched up Fifth Avenue to an unbelievable show of support and love. The Hellfighters were comprised of young African-American men from New York City and the surrounding area, its enthusiastic recruits made up of those who had arrived in the city during a significant period of population migration from the Reconstruction South to (only slightly) more tolerant Northern cities. They were not able to serve in regular American military units because of segregation, but because of an unusual series of events, the regiment instead fought alongside the French in the trenches, for 191 days in the year 1918, more than any other American unit during the war. They became legends. They were known around the world for their valor, ferocity and bravery. This is the story of New York musicians, red caps, budding painters, chauffeurs and teenagers just out of school, serving their country in a way that would become legendary. FEATURING the voices of World War I veterans telling their own stories. PLUS some brilliant music and a story from Barack Obama (okay it’s just a clip of the former president but still.) boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

They're tearing down your favorite old building and putting up a condo in its place. How can this be? Before you plunge into fits of despair, you should know more about the tools of preservation that New Yorkers possess in their efforts to preserve the spirit and personality of the city. In the 1960s, in the wake of the demolition of Pennsylvania Station and other beloved historic structures, the New York City Landmarks Law was enacted, granting the city powers to protect its most precious endangered places. Walking down the beautiful street and see a brown street sign instead of the usual green? You're in a historic district. But preservation can be a tricky business; after all, the city is basically imposing rules about how someone else’s private property, in most cases, should look and be maintained. How do you preserve the past amid a rapidly changing metropolis In this episode, we present a sort of "landmarking 101", mapping the history of the New York City preservation movement and looking at the surprising and sometimes mysterious process of landmarking. It's everything you’ve wanted to know about landmarks (but were afraid to ask)! FEATURING SPECIAL GUESTS — Simeon Bankoff, Executive Director, Historic Districts Council— Peg Breen, President, New York Landmarks Conservancy— Anthony C. Wood, Board Member, New York Preservation Archive Project and author of Preserving New York: Winning the Right to Protect a City’s Landmark This show was recorded live at the Bell House in Gowanus, Brooklyn, as part of the Brooklyn Podcast Festival Visit our website for more information and images from this show. boweryboyshistory.com Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 308 In the final decades of his life, steel tycoon Andrew Carnegie -- one of the richest Americans to ever live -- began giving his money away. The Scots American had worked his way up from a railroad telegraph office to amass an unimaginable fortune, acquired in a variety of industries -- railroads, bridge building, iron and steel. In the age of the monopoly, Gilded Age moguls often made their money in ways we might consider unethical and illegal today. But Carnegie's view of his wealth was quite different than that of his rarefied clubhouse peers Carnegie devoted his latter years to philanthropy, primarily devoting his energies to the creation of libraries across the country. By the late 19th century, the New York City area already had dozens of libraries and reading rooms throughout the future five boroughs. But they were certainly not welcoming to every person. And those circulating libraries that were available were limited and woefully overburdened. Carnegie's unprecedented financial gift to the city would jump start the city's nascent library systems (the New York Public Library, the Brooklyn Public Library and the Queens Public Library) and broaden their reach into communities with the development of dozens of new branch libraries. In this episode, we are joined by Adwoa Adusei and Krissa Corbett Cavouras, hosts of the Brooklyn Public Library podcast Borrowed, who give the Bowery Boys a tour of one of Carnegie's most popular New York City libraries. In the winter of 1908, thousands stood in line to visit the new Brownsville branch library. How do treasured structures like Brownsville continue to serve the needs of the neighborhood in the 21st century? Are Carnegie libraries, most of which still stand, prepared for the future? boweryboyshistory.com bklynlibrary.org/podcasts Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 307 The Holland Tunnel, connecting Manhattan with Jersey City beneath the Hudson River, is more important to daily life in New York City than people may at first think. Before the creation of the Holland Tunnel, commuters and travelers had painfully few options if they wanted to get to and from Manhattan. And for the city's many waterfront industries, there was mostly only one option --- barges and ferries that carried cargo across the crowded Hudson River, maneuvering through an overcrowded port system which profited from the grotesque congestion. And then along came the automobile, rapidly transforming the American way of life. How could an average motorist -- or a regular cargo truck -- get back and forth to New York City in its current chaotic state? The new tunnel envisioned by chief engineer Clifford Milburn Holland would create a new pathway for motor vehicles, the first for such conveyances under the Hudson River. Yet one pressing problem stood in the way of its completion. Railways and mass transit could travel through long, underground tunnels because their tracks were electrified. But automobiles produced poisonous exhaust -- carbon monoxide -- making a contained tunnel almost 100 feet underwater a deadly proposition. The ingenious solution would ensure not only the success of the New York/New Jersey tunnel, but would change the fate of automobile transportation in the United States and around the world. PLUS: The tragic story behind the naming of the Holland TunnelSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 306 Recorded live at the WNYC Greene Space in downtown Manhattan In this special episode, the Bowery Boys podcast focuses on the delicious treats that add to the New York experience. These aren't just the famous foods that have been made in New York, but the unique desserts that make the city what it is today. The origins of some of these treats go way, way back -- the Dutch New Amsterdam. Others have become staples of the New York diet thanks to immigrant groups who first developed and perfected them in neighborhoods like the Lower East Side. So while this show may seem like a trifle, the underlying story celebrates the contributions of local communities in creating timeless food classics, served in historic bake shops, candy stores, soda fountains and cafes. Cheesecake and cannoli are two of our five historic treats. What are the other three? Tune in and find out! (And definitely save some room after dinner for dessert.) boweryboyshistory.com patreon.com/boweryboys Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 305 There's a special kind of magic to Christmas in New York City, from that colossal Christmas tree in Rockefeller Center to the fanciful holiday displays in department store windows. But in the past three decades, a new holiday tradition has grown in popularity and in a surprising quarter -- the quiet residential neighborhood of Dyker Heights in Brooklyn. Every December many residents of this area of southwestern Brooklyn ornament their homes in a wild and brilliant parade of Christmas lights and decorations -- from gigantic animatronic Santas to armies of toy soldiers. This electrical spectacle draws thousands of tourists a year, attracted to this imaginative (and often mind-blowing) display of Christmas spirit. In this episode, we look at the lights of Dyker Heights from a few angles. First we explore the history of Christmas lighting in New York City and how such displays, at first mere promotional uses of Edison lighting, brought Christmas into the secular public sphere. Then we look at the history of Dyker Heights, tracing back to one of the first Dutch settlements and a neighborhood which has developed into a stable Italian community. Finally, we send our researcher and producer Julia Press on an excursion into Dyker Heights to reveal the origin of the Christmas display extravaganza. Featuring an interview with one of the residents who started it all! boweryboyshistory.com A big thank you to Lucy Spata and Tony Muia of A Slice of Brooklyn Bus Tours for allowing us to record at the synagogue. And of course thanks to Julia Press for contributing to this show and helping up over the past few months. Please check out her website for more links to her past work.Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.