The American Vandal

What is literary knowledge? And, for that matter, what is literature? A survey of new literary media takes on audiobooks [5:00], BookTube and BookTok [26:00], and Wattpad [75:00]. Cast (in order of appearance): Christopher Newfield, Matt Seybold, Laura McGrath, Mark McGurl, Sarah Brouillette Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/parabooks, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

What is the relationship between literary criticism and media studies? How has criticism adapted to the digital revolution? These questions are considered by examining the origins of the blogosphere [5:00], its recent reemergence [17:00], the specific case of "Brittle Paper" [29:00], and strategies of adaptation within the profession [46:00]. The episode then turns to two examinations of multimedia parasitical criticism: Jacque Derrida's "Limited Inc." [60:00] and Ryan Ruby's "Context Collapse" [71:00]. Cast (in order of appearance): Ainehi Edoro, Matt Seybold, Howard Rambsy, Sheri-Marie Harrison, John Guillory, Ryan Ruby Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/Parasite, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts

An attempt to triangulate politicization, professionalization, and publication by examining several periods in the history of criticism. The episode begins with Joe Locke describing an overt turn towards social justice in his music following police murder of George Floyd, followed by a discussion of the misperception of "Professing Criticism" as a call to depoliticize [7:00]. An epilogue to "The Chicago Fight" [17:00] and humanist criticism [24:00]. Discussion of the implicit politics of the paracademy [51:00], its emergence in response to conglomeration [56:00], and the reemergence of patronage [68:00] precede profile of Las Vegas Review of Books [81:00] and epilogue at University of Puerto Rico [100:30]. Cast (in order of appearance): Matt Seybold, Joe Locke, Bruce Robbins, John Guillory, Eddie Nik-Khah, Tom Lutz, Katie Kadue, John Hay, Jeffrey Herlihy-Mera Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/Paracademy, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

The Chicago Critics won the Chicago Fight of the 1930s, but they lost the Chicago Cold War. Chicago Economics got its start dismantling the Chicago Plan. This episode covers the brief victory of the Neo-Aristotelians, the long tail of Economics Imperialism [18:30], the rivalry between economics and literary criticism [39:00], the Chicago Economists' parody of "Treasure Island" [55:00], the implicit alliance between Chicago Economics and the New Critics [60:00], and Robert Hutchins's dream of "The University of Utopia" [72:00] Cast (in order of appearance): Edward Nik-Khah, Matt Seybold, Studs Terkel, Robert Hutchins, Anna-Dorothea Schneider, Christopher Newfield, Anna Kornbluh Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/ChicagoFight, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

A deep dive into the Chicago Critics who inspired John Crowe Ransom's 1937 essay, "Criticism Inc.," as well as their working conditions at the University of Chicago under Robert Maynard Hutchins. His implementation of "The Chicago Plan" and the resulting "Chicago Fight" [9:00], the afterlives of the Chicago Critics in contemporary literary studies [30:00], the import of the Walgreen Hearings [49:00], and the seeding of the Chicago School of Economics. Cast (in order of appearance): Matt Seybold, Bruce Robbins, Anna-Dorothea Schneider, John Guillory, Harold Langer, Edward Nik-Khah, Robert Maynard Hutchins Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/ChicagoFight, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

What is the political economy of New Criticism? Are the racist and reactionary Cold War politics of the New Critics immanent to their trademark method: close reading? The episode begins with the story of Langston Hughes testifying before the the House Un-American Activities Committee on what goes into the interpretation of a poem. What constitutes "tactical criticism" [9:00]? Critics try to rescue close reading from the "bad politics" at its origins [38:00], endorse supplementary methods [59:00], and describe how New Criticism looks from outside the U.S. and U.K. [1:07.30]. Cast (in order of appearance): Langston Hughes, Andy Hines, Matt Seybold, Jed Esty, John Guillory, Anna Kornbluh, Christopher Newfield, Ignacio M. Sanchez Prado Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/NewCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

Last week, West Virginia University announced that it would abolish its World Languages, Literatures, & Linguistics Department, proposing to replace it with automated digital instruction. This is the apotheosis of trends going back decades. In this episode we talk about the effects of monolingual education, the case study in Ponzi Austerity at WVU [5:00], alternative paths for literary studies [11:00], the cosmopolitan cultural abundance that is sometimes overlooked by Anglophone criticism [50:00], and Matt Seybold interviews Joe Locke about "Makram" and jazz education [57:00]. Cast (in order of appearance): Jeffrey Herlihy-Mera, Ignacio M. Sanchez Prado, Matt Seybold, Joe Locke Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/GeeGordonPonzi, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

How has the systemic defunding and deprofessionalizing of humanities academia impacted literary criticism? Why is there such a flourishing culture industry if demand for cultural education is supposedly declining? We look to megatrends like U.S. hegemony, organizations like the MLA (6:30), analogues like the Eurozone Debt Crisis (19:30), mechanisms of funding and distribution (28:00), and potential futures of disruption and declinism (1:01.30). Cast (in order of appearance): Jed Esty, Matt Seybold, Anna Kornbluh, Christopher Newfield, Yanis Varoufakis Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/PonziAusterity, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

What is criticism? Why should it matter? Can it be saved from the gun-toting businessman? A crossover episode with the High Theory podcast connects internal and external crises (6:00), imagines confrontations with gun-toting businessmen (22:00) and sociopathic administrators (33:00), salutes the vanguard of academic labor (45:00), eulogizes the star system (59:00), demystifies the bad old days of high theory (1.13:00), and recommends "The Shush" (1.24:00). Cast (in order of appearance): Kim Adams, Matt Seybold, Saronik Bosu, John Guillory, Christopher Newfield, Bruce Robbins, Ryan Ruby, Sarah Brouillette, Katie Kadue, Kyla Wazana Tompkins, and Michelle Chihara Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/HighTheory, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

The premiere of a new series, "Criticism LTD," on the contemporary state of criticism. This episode covers proclamations of crisis from legacy media earlier this year, demands for a cosmopolitan turn in literary studies (11:15), an alleged golden age of popular criticism (28:00), and the role of para-academic publications like the Los Angeles Review of Books (54:30). Cast (in order of appearance): Matt Seybold, John Guillory, Ignacio M. Sanchez Prado, Justin Smith-Ruiu, Ryan Ruby, Michelle Chihara For episode bibliography, please visit MarkTwainStudies.com/GoldenAge, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

A first look at the eighth season of The American Vandal Podcast, an assessment of the contemporary state of literary criticism and literary studies through conversations with more than two dozen scholars, students, editors, working critics, and other creators.

On the eve of the largest annual gathering of literary scholars, the MLA convention in San Francisco, a discussion of this year's presidential theme, Working Conditions, with the MLA President. For more about this episode, please visit MarkTwainStudies.com/WorkingConditions

Two scholars embedded in publishing discuss the impact of chaos at Twitter and in social media more generally upon journalism and academic presses. Also, some brief discussion of "The Twitter Files" and Mastodon migration. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/TheTwitterElegies

As the Elon Musk era at Twitter descends ever further into chaos, we discuss the canaries in the coal mine of surveillance, shadowbanning, algorithmic censorship, data firesales, and deplatforming: sex workers. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/Bollocks

Earlier this month, The Atlantic published an essay by our guest, Ian Bogost, titled "The Age of Social Media is Ending." Since then there have been layoffs at several social media companies, including Facebook and Twitter, and collapsing stock prices throughout the industry. What's happening? And what's next? For more about this episode, please visit MarkTwainStudies.com/Downscaling

With the end of Twitter seemingly imminent, content moderation and social media expert, Sarah T. Roberts, discusses Elon Musk's ideology, the labor of social media, and the migration to Mastodon. For more about this episode, please visit MarkTwainStudies.com/TheEndOfTwitter

The series finale finds "Dear Television" correspondents joining the podcast to discuss the Fall 2022 franchise season, foremost HBO's "House of the Dragon," but also Disney+'s "Andor" and Amazon's "Rings of Power." For more about this episode, including a bibliography, please visit MarkTwainStudies.com/CashDragons

A ranging conversation inspired by two forthcoming books about genre, work, and visual culture. The authors consider HBO series like "The Baby," "Barry," "Curb Your Enthusiasm," and "The Larry Sanders Show." For more about this episode, including a bibliography, please visit MarkTwainStudies.com/Cringe

Inspired by HBO shows "Insecure" and "Rap Sh!t," as well as Yvonne Orji's new stand-up special and recent Emmy wins for Quinta Brunson's "Abbott Elementary" and Jerrod Carmichael's "Rothaniel," Matt Seybold discusses the often precarious role of Black comic creators with two scholars of race, gender, and comedy in the U.S. For more about this episode, please visit MarkTwainStudies.com/RootingForEverybodyBlack

No single program transformed the HBO brand like "The Sopranos," which became a hit all over again upon the launch of HBOMax in the midst of the 2020 lockdown. For more about this episode, please visit MarkTwainStudies.com/TheSopranosRevival

Is Nathan Fielder's "The Rehearsal" a critique of Reality TV? Moreover, might it be read as an attack on HBO's new parent company, Warner Bros Discovery? A conversation about the show, the network, the conglomerate, and the streaming wars. For more about this episode, including a bibliography of works mentioned, please visit MarkTwainStudies.com/TheRehearsal

Our sixth season - "HBO, From Pulp to Prestige" - kicks off with a discussion of conglomeration, collective intention, and corporate authorship through HBO's original programming and especially "Succession," the Emmy-winning tentpole drama produced by Jesse Armstrong and Adam McKay. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/Succession

In the concluding episode of our series on Kerry Driscoll's field-shaping book, Mika Turim-Nygren seeks reception of the work in Native Studies and from Native communities. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/ReconsideringTwain

This seminal book in Twain Studies was a decades-long undertaking. Kerry Driscoll explains how she became "an accidental Twain scholar," and discusses with Mika Turim-Nygren the multifold archival discoveries - "good instincts and good luck" - which took Mark Twain Among The Indians from a short paper to a magnum opus. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/TalkingTwain

A new series hosted by Mika Turim-Nygren premieres with a discussion of Kerry Driscoll's 2019 book, "Mark Twain Among The Indians & Other Indigenous Peoples," featuring three established scholars in Twain Studies, all of whom regard in as one of the most important works in the field in the past quarter century. For more about this episode, including an extensive bibliography of works discussed, please visit MarkTwainStudies.com/ReviewingTwain

Produced in observance of and solidarity with the Worldwide Teach-In On Climate & Justice taking place on many campuses today, including Elmira College, we host discussion of a CliFi novel by Kim Stanley Robinson which helps us get "Beyond Climate Despair." For more about this episode, include a complete bibliography, please visit MarkTwainStudies.com/MinistryForTheFuture

Is is possible to imagine a world without work? Or, at least, a world in which work is not romanticized, is not treated as defining element of social and individual achievement? James Livingston has predicted that we need to prepare for a postwork world, and David Graeber has challenged us to imagine alternatives to organization by bureaucracy, credit, and corporations. This episode features Livingston talking to Matt Seybold and Corey McCall about Graeber's posthumous book (The Dawn of Everything), the Great Resignation, QuitToks, Risk Shifts, and much more. For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/FuckWork

Wes Anderson's acclaimed new movie, The French Dispatch, draws inspiration from the Golden Age of The New Yorker magazine, a period from roughly the early 1940s to the mid 1970s. This episode features two scholars researching that period in the publication's history. They are uniquely situated to consider the selections from the magazine's back catalog which make Anderson's cut, as well as what he chooses to leave out. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/FrenchDispatch

How do we explain the Great Resignation? Or, for that matter, other mysteries of the contemporary economy, like the high price of culture work and the low wages of culture workers? Two scholars of Post45 literature and culture discuss the work of art and the art of work. For more about this episode, visit MarkTwainStudies.com/GreatResignation

A conversation about the personal essay boom, iterations of the memoir in other literary genres, the constructive use of social media, the style of "too late capitalism," and other means of self-indulgence with two decorated literary critics and theorists. For more about this episode, visit MarkTwainStudies.com/AutoEverything

A ranging conversation with two scholars - Heather Berg (Porn Work: Sex, Labor, & Late Capitalism) and Michelle Chihara ("Radical Flexibility: Driving for Lyft & The Future of Work in The Platform Economy") - about platform capitalism from the perspective of gigworkers. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/Gigwork

"The World's Work" begins with a discussion of student debt, faculty deskilling, outsourcing, adjunctification, EdTech, and the financialization of U.S. higher education. Special theme music: "Work Song" by Dan Reeder For more information, visit MarkTwainStudies.com/EdWork

The season finale of Billions aired exactly 17 months after the season premiere. This was not by design. In this episode, scholars of finance and popular culture discuss the popular Showtime series and how its handling of the pandemic disruption is represented in both content and form. For more about this episode, please visit MarkTwainStudies.com/Billions

A discussion of the Antiracism project sponsored by University of Maryland's Center For Literary & Comparative Studies with three faculty members heavily involved in the project, as well as their insights into the Netflix original series, The Chair, which dramatizes a contemporary university English department.

In her recent PMLA essay, "The Shush," Kyla Wazana Tompkins writes, "The future of the English department cannot be the same as its past." The recent Netflix original series, "The Chair," offers one vision of that past and thus serves to generate conversation about "The Shush," the state of literary studies, and higher education. To learn more, including an episode bibliography, visit MarkTwainStudies.com/TheShush

The new Netflix original series, The Chair, focus on the first woman of color to Chair the English Department at fictional Pembroke University. Dr. Karen Tongson (University of Southern California) can empathize with this character, played by Sandra Oh, but she is also an exceptional media critic. She talks with Matt Seybold about the reception of The Chair, its representation of literary studies, and where it fits in the history of the U.S. sitcom. For more about this episode, visit MarkTwainStudies.com/TheChair

On a special Emancipation Week episode, three scholars with both personal and professional ties to the Southern Tier of New York, discuss the recently-reconstructed speech by Frederick Douglass which was part of the Emancipation Day celebration which took place in Elmira in August of 1880. For more information about this episode, visit MarkTwainStudies.com/InvisibleHome To read Frederick Douglass's "Lessons of Emancipation To The New Generation" & other Emancipation Week materials, visit MarkTwainStudies.com/LessonsOfEmancipation

With a series of recent events indicating bipartisan interest in antitrust reform from Congress and the Supreme Court, host Matt Seybold speaks with Law Professor, Sanjukta Paul, and economist, Marshall Steinbaum, about the history of antitrust movements in the United States from Mark Twain's Gilded Age to the New Gilded Age, as well as why they advocate for antitrust as a mechanism for improving worker welfare, reducing inequality, and protecting democracy. For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/Antitrust

The coordinators of the 2021 Summer Teachers Institute sponsored by the Center For Mark Twain Studies converse about the upcoming event, the state of U.S. education, the resonance of Mark Twain for contemporary students, and much more. For more about the Institute, please visit MarkTwainStudies.com/2021-Summer-Teachers-Institute/

The co-editors of a new collection on "Race, Resistance, & Reality in The Classroom" discuss the "flash point" of 2008 for American education, the recent Critical Race Theory panic, pedagogical strategies for teaching with tension, and Mark Twain's 'Adventures of Huckleberry Finn.' For more information about this episode, visit MarkTwainStudies.com/TeachingWithTension To Register for the 2021 Summer Teachers Institute, visit MarkTwainStudies.com/2021-Summer-Teachers-Institute

The authors of Genus Americanus (2020) join host Matt Seybold to discuss their 2011 road trip. Inspired by Mark Twain, they went looking for American identity through interviews with other journalists, scholars, immigrants, and nomads. What did the find? And how has it shaped their understanding of the decade which followed? For more information, please visit MarkTwainStudies.com/GenusAmericanus

The recent HBO documentary series, directed by Raoul Peck, offers a grand narrative of European colonialism and American imperialism which is broadly sympathetic with the works of Mark Twain from the final decade of his life. In this episode, a diverse group of scholars discuss Peck's film, as well as where it fits in global cinema, the U.S. media ecosystem, and postcolonial scholarship.

A beloved member of the Mark Twain Studies community, author, and St. Louis University Professor, Hal Bush, recently suffered a traumatic brain injury which has put him into a coma. In this episode, friends and fellow scholars read to him from a series of his favorite works, mostly by Mark Twain. To learn more about how you can help, please visit MarkTwainStudies.com/HalBush. Special Thanks to St. Louis University for providing theme music for this episode, a composition by Roberto Murguia and Róisín Malone.

Following on the heels of the grounding of the Ever Given in the Suez Canal last month, Matt Seybold speaks with Dr. Laleh Khalili, whose 2020 book, Sinew of War & Trade: Shipping & Capitalism in the Arabian Peninsula, covers the history, present, & potential futures of maritime transport. For a bibliography of this episode, visit MarkTwainStudies.com/SuezCanal

This episode brings together three scholars who have been researching and writing about Mark Twain's musical tastes and the role of music education and performance in the Clemens family household. For more information about the guests and a bibliography of works discussed during this episode, please visit MarkTwainStudies.com/TwainMusic

Very few embargoed archives are as momentous as Mark Twain's Autobiography, released a century after his death, but the Hale archive, opened last year, is an obvious rival. Emily Hale saved over a thousand letters from the poet and critic, T. S. Eliot, with whom she had a decades-long love affair. In this episode, we talk to three scholars who spent portions of 2020 reading the letters and processing their many surprising revelations. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/EmilyHale

The hit Disney+ & Lucasfilm TV series, The Mandalorian, was produced under the working title of "Project Huckleberry." This allusion the Mark Twain's under-appreciated legacy as an innovator in Science Fiction provides the grounds for a ranging conversation about Star Wars, The Mandalorian, and genre fiction with Emmet Asher-Perrin of Tor.com & Nathaniel Williams of UC-Davis. For more information about this episode, including a bibilography, please visit MarkTwainStudies.com/ProjectHuckleberry

Three scholars of finance and literature join to talk about the ongoing story of the "Reddit Revolution," members of the r/WallStreetBets forum who organized a run on several stocks, notably GameStop, using the retail trading app, Robinhood. How is this speculative mania interconnected with the 2008 financial crisis, the current economic recession, and the new U.S. Treasury Secretary, Janet Yellen? For more about this episode, please visit MarkTwainStudies.com/Robinhood

Following the storming of the Capitol Building on January 6th, there has been a resurgent interest in the era of Reconstruction following the American Civil War. Senators, journalists, and even scholars have perpetuated long-standing myths about Reconstruction. Brook Thomas explains and debunks some of these myths, while also arguing that an informed reckoning with the unfinished business of Reconstruction can help us understand and address the political volatility of the present day. For links to some of the works discussed in this episode, visit MarkTwainStudies.com/MythsOfReconstruction

The staff of the Center for Mark Twain Studies gathers in the library at Quarry Farm to discuss the recently-announced Quarry Farm Fellowships for the coming year, the peculiarities of living and working on the property, and the past and future of CMTS. For more information about applying for Quarry Farm Fellowships, please visit MarkTwainStudies.org.