Team Deakins

SEASON 2 - EPISODE 43 - MATT REEVES - DIRECTOR Team Deakins sits down with director Matt Reeves (THE BATMAN, CLOVERFIELD, WAR FOR THE PLANET OF THE APES) for a fascinating discussion. Matt indulges our appreciation for the craft behind THE BATMAN and shares how he and his collaborators envisioned Gotham and Batman as a city and as a person that could exist within our own world. We discuss how Matt's use of visual effects has evolved and the importance of references to maintain a level of reality in fully computer-generated shots. Throughout the episode, Matt reflects on how he spent much of his career learning how to have a career and how every new project is like enrolling in film school all over again. - Recommended Viewing: CLOVERFIELD - This episode is sponsored by Falca & TrueCut Motion

SEASON 2 - EPISODE 42 - DAVE CHAMEIDES - CAMERA AND STEADICAM OPERATOR Today, Team Deakins is joined by camera and steadicam operator Dave Chameides (SNOWFALL, THE WEST WING, ER) on the latest episode of the podcast. During our conversation, we discuss the effectiveness of the cinematography in 1917 and Dave's contribution to the creation of the final shot in ST. VINCENT. We also consider the responsibility an operator has towards the actors in front of the lens and the role of camera operation in storytelling. Towards the end, Dave also shares advice for anyone interested in steadicam operation as a possible career path. - This episode is sponsored by TrueCut Motion & Falca

SEASON 2 - EPISODE 41 - JOHN DE BORMAN - CINEMATOGRAPHER Team Deakins is happy to share our conversation with cinematographer John de Borman (AN EDUCATION, THE FULL MONTY, THE MIGHTY) on this episode of the podcast. We discuss working with different types of directors and battling the increasingly complex logistics of modern filmmaking and the ballooning number of crew sizes on projects. We also share our experiences working with actors of varying dispositions and the puzzles that arise during production to bring out their best performances. Finally, John offers advice for future cinematographers and highlights a skill he developed that elevated and enriched his work. - This episode is sponsored by Falca & TrueCut Motion

SEASON 2 - EPISODE 40 - HELEN KEARNS - EDITOR Team Deakins is happy to host editor Helen Kearns (GOOD NIGHT OPPY, THE KEEPERS, ASSASSINS) on this episode of the podcast. Helen reveals how earlier studio involvement in financing and distribution has affected documentary filmmaking, both in helpful and disruptive terms. We discuss the challenges (and comforts) of editing GOOD NIGHT OPPY during the pandemic and the finding the balance between telling a story and being honest when editing documentaries. - This episode is sponsored by TrueCut Motion & Falca

SEASON 2 - EPISODE 39 - RUTH E. CARTER - COSTUME DESIGNER Wake up! Today's Team Deakins Podcast forecast: costume designer Ruth E. Carter (MALCOLM X, BLACK PANTHER, LOVE & BASKETBALL). In an insightful conversation, Ruth shares how she integrated 3D printing into the design and production of costumes for BLACK PANTHER: WAKANDA FOREVER and how she collaborates with the visual effects department to augment her designs. Ruth also reveals how she intuits a director's potential reaction to costume ideas based on how they themselves dress. Finally, we clarify what are and are not a costume designer's responsibilities, and Ruth advocates for the increased participation of the costume designer in pre-production and post-production. You won't regret listening to this episode, "and that's the double truth, Ruth!" - This episode is sponsored by TrueCut Motion

SEASON 2 - EPISODE 38 - PATRICK TRESCH - CINEMATOGRAPHER Team Deakins is happy to have cinematographer Patrick Tresch (MY ENGLISH COUSIN, DIRTY GOLD WAR, MOTHER LODE) on today's new episode of the podcast. We discuss gaining a documentary subject's trust in the early stages of a project and the difficulties of filming someone who intellectually agrees to be filmed but subconsciously resists. Patrick also shares the insight he gained into how people relate with their environment after filming the indigenous peoples of the Amazon, and he reveals what it took to make his mother finally understand what it is exactly he's doing. - This episode is sponsored by TrueCut Motion

SEASON 2 - EPISODE 37 - PETER SARSGAARD - ACTOR Team Deakins is happy to host actor Peter Sarsgaard (THE BATMAN, BOYS DON'T CRY, JARHEAD) on today's new episode of the podcast. Peter shares the types of projects he prefers to work on and the different forms of direction he finds effective. We learn how he became involved in THE BATMAN, and he recounts the grueling six-day-long shoot he survived to capture his pivotal scene in the film. We were so happy to speak with Peter, and we hope you enjoy what he has to say! - This episode is sponsored by TrueCut Motion

SEASON 2 - EPISODE 36 - STUART WILSON - SOUND MIXER - THE BATMAN Team Deakins is glad to welcome back sound mixer Stuart Wilson (THE BATMAN, THE RISE OF SKYWALKER, SPECTRE) to discuss his wonderful work on THE BATMAN. Stuart shares how his team used the film's costumes to their advantage when miking the actors, and we learn how they utilized Catwoman's wigs to hide mics when the catsuit often offered no other options. We also learn how Stuart juggled a myriad of mixes simultaneously to facilitate communication between the actors and the director between and during takes. We hope you enjoy the episode! - This episode is sponsored by TrueCut Motion

SEASON 2 - EPISODE 35 - RUSSELL CARPENTER - CINEMATOGRAPHER Team Deakins speaks with cinematographer Russell Carpenter (TITANIC, TRUE LIES, AVATAR: THE WAY OF WATER) on this episode of the podcast. We dive headfirst into Russell's professional relationship with director James Cameron, beginning with a chance encounter at a local TV station that led to Russell working on some of the biggest movies in history. Russell also shares his appreciation for the technical challenges of working on Cameron's films and describes the sink-or-swim nature of filming TITANIC. We later discuss being submerged in anxiety when starting out and mustering the courage and discipline to put yourself out there. We also touch on developing a 'cinematic immunity' during production that instills the supernatural confidence needed to shoot a film. Wading through the years-long process of shooting AVATAR: THE WAY OF WATER, Russell describes the unique environment Cameron created to realize the film. Additionally, we compare working on smaller, less effects-heavy projects with the contrary and discuss the joys of knowing what you got on the day and the immediacy of that type of filmmaking. - This episode is sponsored by TrueCut Motion

SEASON 2 - EPISODE 34 - CAROLINE THOMPSON - WRITER / DIRECTOR Team Deakins is happy to share our conversation with writer, director, and novelist Caroline Thompson (EDWARD SCISSORHANDS, BLACK BEAUTY, THE NIGHTMARE BEFORE CHRISTMAS). We talk about the life of a screenwriter and the commitment Caroline demonstrated throughout her career. No other episode has featured this much discussion on animals and filmmaking! We cover working with horses on BLACK BEAUTY, apes on BUDDY, and birds in THE SECRET GARDEN. Caroline offers insight into the creative and logistical challenges of working with animals and of their unpredictable but inimitable benefits when compared to their digital counterparts. Towards the end of our conversation, Caroline also shares some straightforward advice for young screenwriters and filmmakers. Enjoy the episode! - This episode is sponsored by TrueCut Motion

SEASON 2 - EPISODE 33 - STEVE NICOLAIDES - PRODUCER Team Deakins is pleased to share our conversation with producer Steve Nicolaides (BOYZ N THE HOOD, WHEN HARRY MET SALLY, A FEW GOOD MEN). We discuss the shell game that is building and balancing the budget for a film before and during production, and Steve shares his thoughts on the role of the producer in post-production. At the end of our conversation, Steve leaves us with some wisdom for budding producers and production managers. We hope you enjoy the episode! - This episode is sponsored by TrueCut Motion

SEASON 2 - EPISODE 32 - KATE MCCULLOUGH - CINEMATOGRAPHER Team Deakins is pleased to share our conversation with the talented cinematographer Kate McCullough (THE QUIET GIRL, NORMAL PEOPLE, MONSTER). We talk with Kate about how she applies the skills she developed while shooting documentaries onto her narrative projects. We also dive into what she was looking for in locations and her strategies in framing and composition on THE QUIET GIRL. We had such a nice time speaking with Kate, and we hope you enjoy listening to what she has to say just as much! - This episode is sponsored by TrueCut Motion

SEASON 2 - EPISODE 31 - KOKAYI AMPAH - LOCATION MANAGER Location manager Kokayi Ampah (THE COLOR PURPLE, THE SHAWSHANK REDEMPTION, MILLION DOLLAR BABY) reunites with Team Deakins and shares his wisdom gleaned from his long career. Kokayi answers our many questions and details both the creative and logistical day-to-day work that goes into location management. He also shares how he views the role as a function in the greater filmmaking process. Towards the end of our conversation, Kokayi even asks us a couple of questions! There's a lot to learn from Kokayi, and we hope you enjoy listening to him as much as we did!

SEASON 2 - EPISODE 30 - CHAYSE IRVIN - CINEMATOGRAPHER Team Deakins chats with the creative cinematographer Chayse Irvin (BLONDE, BLACKKKLANSMEN, HANNAH) about filmmaking and his career. We discuss the benefits of preparing for a scene and then finding it on the day, and Chayse describes how he brings an audience into his work through his compositions. Chayse speaks on his ongoing collaboration with artist and director Khalil Joseph and the unique and artistically productive environment he creates. Roger and James also dive into Chayse's work on Andrew Dominik's BLONDE and the similarly unique challenges he faced when shooting the film. We hope you enjoy the episode! - Recommended Episode Viewing: BLONDE, HANNAH

SEASON 2 - EPISODE 29 - BENJAMIN CARON - DIRECTOR Today, we're happy to share our lively and humorous conversation with director Benjamin Caron (SHARPER, ANDOR, THE CROWN). We discuss Ben's early TV movie TOMMY COOPER: NOT LIKE THAT, LIKE THIS and the challenges he overcame to make it, as well as a reflection on Tommy Cooper himself. We also dive into Ben's experience filming SHARPER and finding the right ending for the film. We hope you enjoy the episode! - Recommended Episode Viewing: TOMMY COOPER: NOT LIKE THAT, LIKE THIS

SEASON 2 - EPISODE 28 - BILLY WILLIAMS - CINEMATOGRAPHER Cinematographer Billy Williams, BSC (WOMEN IN LOVE, ON GOLDEN POND, GANDHI) has seen it all, and he's sharing a generous amount of that with us on today's episode of the Team Deakins Podcast. Billy reveals what it was like to work with the spirited and thoughtful Katherine Hepburn and Henry Fonda on ON GOLDEN POND as well as his thoughts on Ben Kingsley's transformative performance in GANDHI. The advances in digital cameras and the effect on lighting design are discussed, and Billy recounts the difficulties of grading footage of a baby that, over the course of 12 takes of crying, turned purple. We hope you all enjoy this conversation as much as we did. - Recommended Episode Viewing: WOMEN IN LOVE, ON GOLDEN POND, GANDHI

SEASON 2 - EPISODE 27 - ZAYNE AKYOL - DIRECTOR Team Deakins shares our conversation with director Zayne Akyol (ROJEK; GULISTAN, LAND OF ROSES). Having shot two feature-length documentaries in dangerous environments, Zayne reflects with Roger & James on the therapeutic limits of filmmaking and the unique life experiences presented to documentary filmmakers. She speaks on her collaboration with her cinematographers and knowing when and what to shoot, even while soldiers shoot at their drone on its maiden flight over a land on fire. We hope you enjoy the episode! - Recommended Episode Viewing: ROJEK; GULISTAN, LAND OF ROSES

SEASON 2 - EPISODE 26 - BVK - THE GERMAN SOCIETY OF CINEMATOGRAPHERS Whether you're listening for the first time or reliving the livestream, you'll hear something new from this conversation between Team Deakins and members of the BVK (The German Society of Cinematographers). The origin of the Team Deakins Podcast is revealed, the balance between the creative and logistical demands of a shoot are discussed, and the pursuit of simplicity in one's work is considered by both James, Roger, and members of the BVK. Roger further talks about the design of 1917's shots, the definition of dark in THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD, and sleeping on the floor of an office while in film school. There's a lot to learn from this episode, and we hope you enjoy listening!

SEASON 2 - EPISODE 25 - JIM PLANNETTE - GAFFER Team Deakins had a great time speaking with the talented gaffer Jim Plannette (YOUNG FRANKENSTIN, E.T. THE EXTRA-TERRESTRIAL, BRAVEHEART). We talk with him about working on films ranging in size from BRAVEHEART to MAGNOLIA, and he shares numerous stories from his career across a wide variety of films. He also speaks on his productive relationship with director Steven Soderbergh. Jim offers a lot of insight into the work that goes into lighting and how technology has changed the way a scene can be lit. Jim was such a generous guest, and we think you're going to enjoy the episode!

SEASON 2 - EPISODE 24 - DAVID DASTMALCHIAN - ACTOR Team Deakins had a great time speaking with David Dastmalchian (DUNE, ANTMAN, PRISONERS) and you won't want to miss this episode! We get to learn his prospective as an actor on many subjects. We learn that he considers himself a "technical actor" being aware of being part of a many faceted collaboration, how he finds his characters and the importance of wardrobe, hair and make up in that process. We also touch on how vital it is to live a "normal life" to have experiences to draw from and put on screen. And he remembers a story from the set of Bladerunner 2049! It's a wonderful episode that tells us a lot about acting but, thanks to his generous sharing, we learn about an interesting life journey as well! Don't miss it! - Recommended Episode Viewing: ANIMALS, ALL CREATURES HERE BELOW

SEASON 2 - EPISODE 23 - DAMIEN CHAZELLE - DIRECTOR OK, here's the episode you've been waiting for! Team Deakins has an extensive conversation with the talented director Damien Chazelle (LA LA LAND, FIRST MAN, BABYLON). We talk about his approach to movie making and his experiences on his various movie sets. We learn how he likes to work with his collaborators as well as what is important to him in making a movie. It's a great conversation and we're happy to share it with you!

SEASON 2 - EPISODE 22 - EDWARD BERGER & JAMES FRIEND - DIRECTOR & CINEMATOGRAPHER On this episode of The Team Deakins Podcast, we connect with a talented filmmaking duo for a fabulous conversation. Director Edward Berger and cinematographer James Friend (YOUR HONOR, ALL QUIET ON THE WESTERN FRONT) tell us how they like to make their films using only a single camera. They explain how using one camera allows them a level of precision that isn't possible on a multiple camera shoot. We also discuss the importance of understanding the perspective of the film that's being made. For them, that perspective dictates where the camera is placed for every shot, and how the sequences are edited. Edward and James were wonderful guests, be sure not to miss it! Available now!

SEASON 2 - EPISODE 21 - CASEY AFFLECK - ACTOR For this episode of The Team Deakins Podcast, we have a delightful conversation with the brilliant actor, Casey Affleck (MANCHESTER BY THE SEA, AIN'T THEM BODIES SAINTS, GONE BABY GONE). Our conversation with Casey really shines a light on his dedication as an actor. We talk about the value of rehearsals, and the romantic notion of foregoing rehearsal in order to find it on the day. Casey is vert thoughtful when discussing the importance of connecting with a project emotionally, and making sure you are taking a role for the right reasons. We also share some fun memories from working together on THE ASSASSINATION OF JESSE JAMES! Listen in to hear it all. Available now.

SEASON 2 - EPISODE 20 - MANDY MOORE - CHOREOGRAPHER The effervescent and talented choreographer Mandy Moore (LA LA LAND, SILVER LININGS PLAYBOOK, DANCING WITH THE STARS) joins us in conversation for this episode of The Team Deakins Podcast. Mandy's enthusiasm is infections, and her knowledge of dance is vast. She walks us through the ways she designs a dance for a single camera shoot, and how her methods change on a multiple camera one. We also dig into some of her most iconic work, including the stupendous twilight at Griffith Park sequence she arranged for Emma Stone and Ryan Gosling. We also spend some quality time gushing over the persistent genius of CABARET, and why it's one of the all-time greats! Listen In! Available now!

SEASON 2 - EPISODE 19 - MARTIN MCDONAGH - DIRECTOR For this episode of The Team Deakins Podcast, we have a delightful conversation with the brilliant writer and director Martin McDonagh. (IN BRUGES, THREE BILLBOARDS OUTSIDE EBBING MISSOURI, THE BANSHEES OF INISHERIN) Martin tells us how he got his start as a playwright. He goes on to tell us all about the difference between writing plays and writing movies, especially when it comes to having control over the project. He also walks us through some of his experiences making his films, including where the inspiration for each of them came from. Martin is an absolute joy to talk to. Listen in, we know you will agree!

SEASON 2 - EPISODE 18 - CRIS GRAVES - DOCUMENTARIAN For this episode of The Team Deakins Podcast, we have a delightful conversation with the documentary producer and director, Cris Graves. Cris is a mover and a shaker, and her can-do spirit is infections. As she pivots her attention to launching her own narrative feature film, Cris tells us how she's not willing to compromise her own vision and how her story has already become an inspiration for others. Listen in and let her enthusiasm for filmmaking grab ahold of you! Available now.

SEASON 2 - EPISODE 17 - PEARCE ROEMER - ASSISTANT EDITOR On this episode of The Team Deakins Podcast we are joined by the fabulous assistant editor Pearce Roemer (1917, TENET, X-MEN: APOCALYPSE). Pearce really understands the nuts and bolts filmmaking that goes on in the editorial department, and he tells us everything we want to know. We learn how Pearce got involved with the X-Men franchise, and has become an indispensable part of that team over the years. We also touch on a wide array of topics, including how Covid completely restructured the editorial workflow, screening the very first day of dailies for 1917, and even how solar radiation can lead to dead pixels in your footage! Don't miss it!

SEASON 2 - EPISODE 16 - CALLUM MCDOUGALL - PRODUCER This week we are thrilled to be joined by the legendary producer Callum McDougall (1917, SPECTRE, INTO THE WOODS, SKYFALL). Callum tells us how his remarkable career in the film industry can be traced back to an afternoon when he got lost on the London subway system as a schoolboy. We also discuss how he climbed the ranks through the industry as an assistant director, and why that might be his favorite position on a shoot. Callum is a font of knowledge and experience. Listen in and hear him share some of his invaluable know-how! Available Wednesday, December 21st.

SEASON 2 - EPISODE 15 - ANDY HARRIS - 1ST AC This episode is one you've been asking for. We welcome brilliant 1st AC Andy Harris (THE TRAGEDY OF MACBETH, 1917, BLADE RUNNER 2049) to join us for a conversation on the Team Deakins Podcast. We discuss all parts of his role as a 1st AC. He tells us how he reads a room and an actor to determine where to make make marks, and perhaps more importantly, where to not! We also dig into the differences between having your hands right on the camera versus working off of a monitor from far away. Andy is more like family than colleague to us by this point. Listen in to find out why!

SEASON 2 - EPISODE 14 - MARTIN PARR - STILL PHOTOGRAPHER This episode is a fabulous conversation with the outstanding still photographer, Martin Parr. Our wide-ranging conversation delves into Martin's process in fascinating ways. Listen in to hear why he would rather take photos in a supermarket than a war zone. And when he and Roger get to comparing notes, we learn that when Roger goes out to shoot stills, he's lucky to come home at the end of the day having snapped five pictures. Meanwhile Martin will have snapped over five hundred! Don't miss our great discussion, it's available now!

SEASON 2 - EPISODE 13 - DAVID VALDES - PRODUCER For this week's episode, Team Deakins sits down for a great conversation with the fabulous producer David Valdes (UNFORGIVEN, THE GREEN MILE, AVATAR: THE WAY OF WATER). David tells us how he got his career started by sneaking onto a film shoot as a teenager. Eventually he found himself working on the Universal lot as a fireman, a position that doesn't even exist anymore and has little to do with putting out actual fires. Before long, our discussion turned to David's decades long relation with Clint Eastwood, who he made 18 films with. Listen in to hear our wide ranging conversation with one of the great producers in the business!

SEASON 2 - EPISODE 12 - MONAYA ABEL - CAMERA TRAINEE This week were are so excited to be joined by camera trainee Monaya Abel (EMPIRE OF LIGHT, THIS IS GOING TO HURT, CITADEL) on the Team Deakins Podcast. This is a great discussion since it's a category not often heard from. As a newcomer to film production, she provides a different perspective and her enthusiasm for the world of filmmaking is infectious. We discuss how she works to keep morale up on set for herself, and her whole team. We also get to hear first-hand what it's like to be the new kid on the block, and what surprised her when she came onto the set of a major production for the very first time. She also got us thinking about some of our early days in the business and how things have changed. With people like Monaya entering the world of production, movie making is in very good hands for the future. Listen in!

SEASON 2 - EPISODE 11 - STUART WILSON - SOUND MIXER Team Deakins is thrilled to welcome the magnificent sound mixer Stuart Wilson (THE BATMAN, THE RISE OF SKYWALKER, SPECTRE, WORLD WAR Z) to this week's episode of the podcast. We have a great conversation centered around the duties of the sound mixer, and his experiences on some wonderful films. Stuart explains to us how he's developed an instinct for catching great moments in a scene, and all of the nuances involved in capturing an exceptional recording of the human voice. We also drill down on some fun tricks of the trade. Just where do you hide a bulky mic, transmitter, and battery pack on Catwoman's skin-tight catsuit, and how could it possibly involve the NFL? Listen in to find out the answer to that question, and so many more!

SEASON 2 - EPISODE 10 - MATTHEW HEINEMAN - DIRECTOR For this week's Team Deakins podcast, we sit down with filmmaker Matthew Heineman (CARTEL LAND, THE FIRST WAVE, A PRIVATE WAR) for a fascinating and enthralling conversation. Matthew tells us how he captured footage, and survived, in two situations where his life was literally on the line. First, among the drug cartel border skirmishes in Cartel Land, and then imbedded in a New York City emergency room for months during the outbreak and initial spread of COVID-19 for The First Wave. We also talk about one of the major aspects of making documentaries that most people never think about: casting. Matthew also discusses everything involved in making the leap from directing documentaries over to directing narrative films. Don't miss it!

SEASON 2 - EPISODE 9 - ALEX PRITZ - DOCUMENTARIAN This week, Team Deakins is so happy to invite documentary filmmaker Alex Pritz (THE TERRITORY, MY DEAR KYRGYSTAN) to join us for a wide ranging conversation. Alex explains to us how his background in science spurred him into filmmaking, and still drives the larger questions his films attempt to ask. We also discuss the moral issues raised by documenting real life events - and perhaps more importantly, real people. And then we get into the importance of being 100 percent honest in grappling with those issues. Eventually, the conversation turns to a field we know almost too much about: how to maintain a healthy work/life balance when your spouse is also in the business!

SEASON 2 - EPISODE 8 - MARK TILDESLEY - PRODUCTION DESIGNER Team Deakins is so pleased to welcome the fabulous production designer Mark Tildesley (NO TIME TO DIE, PHANTOM THREAD, SUNSHINE) to the podcast for a delightful conversation. Mark unpacks the role of the production designer, and delves into how he works with hyper visual directors like Danny Boyle, and more contemplative, internal directors like Michael Winterbottom. He also sheds some light on how the role of the production designer differs on a small, personal movie compared to a mega blockbuster franchise like James Bond. This is a delightful conversation that drills down on the real world nuts and bolts of filmmaking. Don't miss it!

SEASON 2 - EPISODE 7 - MICHAEL WARD - ACTOR Team Deakins engage in a wonderful conversation with actor Micheal Ward (BEAUTY, TOP BOY, EMPIRE OF LIGHT). We cover a lot of ground including discussing his experiences on TOP BOY, working in television vs features and his viewpoint as an actor on a set. Micheal speaks of the importance of authenticity and the responsibility he feels as a black actor to provide opportunities behind the camera for others to learn the craft. He also shares some funny tales of auditioning and animal phobia. You won't want to miss this episode!

SEASON 2 - EPISODE 6 - RICHARD SHEAN - VIDEO PLAYBACK OPERATOR Video Playback Operator Team Deakins gets into the world of the Video Playback Operator with Richard Shean (HARRY POTTER, WAR HORSE, 28 DAYS LATER, SUNSHINE). He explains that the job differs because of the requirements of the specific film as well as the working method of different directors. Richard is also very candid about his long journey to find what he wanted to do and we were impressed by his tenacity in face of drawbacks. He talks about working with Steven Spielberg and Danny Boyle as well. And we learn how the technology has changed the job. We covered a lot in this episode and were thoroughly entertained in the process!

SEASON 2 - EPISODE 5 - KAMLAN MAN - SET DECORATOR Team Deakins has the pleasure in this episode of speaking with a set decorator, Kamlan Man (NO TIME TO DIE, PHANTOM THREAD, SKYFALL).We explore the role of set decorator in depth and learn all kinds of things. We learn how small items can tell the story of a character, the steps for properly dressing a location and compare dressing built sets vs locations. We also discuss the set decorator's relationship with the props department and definitely dive into the conversation of using practical lights and her relationship with the cinematographer. A full look at the job of a set decorator!

SEASON 2 - EPISODE 4 - MAT BERGEL - PROPS Team Deakins is so pleased to welcome props maestro Mat Bergel (ROBIN HOOD, HUGO, TRAINSPOTTING) to the podcast. Mat starts this conversation by detailing how he got into the movie business through managing restaurants, and landed in the props department. He explains why some of the hardest work for the props team involve eating, drinking, and smoking scenes. We talk about the different kinds of acting styles that relate to props, and why some actors latch onto them, while others seem to dismiss them out of hand. Then things get exciting with tales of jostled Faberge eggs, missing Rolex watches, and a stolen Picasso! You won't want to miss this one!

SEASON 2 - EPISODE 3 - TOBY JONES - ACTOR In this episode, Team Deakins sits down with the talented actor, Toby Jones (TINKER TAILOR SOLDIER SPY, INFAMOUS, THE HUNGER GAMES, ATOMIC BLONDE). We touch on a lot of subjects during the conversation including the all important relationship between an actor and a director. We talk about what an actor needs from a director and the necessity of sharing a common vision with the director. Toby also speaks about the responsibility and the freedom of playing figures from history. And we drill down to some practical points such as how to use the props without relying on them and the different processes of different actors. A very articulate look into the work of an actor that you won't want to miss!

SEASON 2 - EPISODE 2 ROD MCLEAN - ART DIRECTOR Team Deakins looks into the role of the art director with the talented Rod McLean (BLADERUNNER 2049, ZERO DARK THIRTY, 1917). We have a lot of fun delving into his role and cover such topics of the advantages/disadvantages of shooting a location or set, the difficulties of a far location, working on small movies and the fragility of creativity. Rod is very generous in sharing his knowlege and experience. A lot of information in one episode! Don't miss it!⁠

SEASON 2 - EPISODE 1 - RICHARD CHEAL - SPECIAL EFFECTS Team Deakins is joined by Special Effects (SFX) Technician RICHARD CHEAL (THE BATMAN, SPECTRE, STAR WARS) and we learn lots about the world of SFX. Richard tells us how the SFX team collaborates with many departments in the aim of making the shot the best it can be. The relationship of SFX and the DP is examined. And we go into detail about many shots in THE BATMAN and learn what they entailed. It was a very thorough look at the many aspects of Special Effects. You won't want to miss this episode. RECOMMENDED EPISODE VIEWING: The Batman

EPISODE 163 - Byways Team Deakins discusses Roger's new book BYWAYS as we head into a hiatus from the podcast. In this episode, we discuss what taking stills gives to Roger that film does not, how he enjoys observing things and places, how there is no pressure to shoot anything specific, what he likes to take images of, and why he prefers to shoot in black and white. We talk about his time shooting for the Beaford Archive and developing his eye. He likes dedicating his day to shooting on his stills camera and he only takes iPhone photographs when he's fishing. We discuss our incredible and collaborative experience working with Damiani, the publishers of BYWAYS. IMAGES WE DISCUSSED: The Joy of Flight (72), Budapest Runners (116), and Lightning Strikes (131)

EPISODE 162- Roberto Schaefer - Cinematographer Team Deakins is joined by cinematographer Roberto Schaefer (THE KITE RUNNER, QUANTUM OF SOLACE, MONSTER'S BALL) for a great conversation. In this episode, we discuss Roberto's journey into the industry (a serendipitous one). Roberto talks about his experiences working with directors Christopher Guest and Marc Forster, both of whom he has collaborated with many times. We learn what Roberto's approach was to lighting the film Best In Show and how he will not take a job if his initial reaction is clouded with doubt – he believes in following your instincts! We discuss the lighting cameraman, preserving a single vision while shooting multiple cameras, the rise of sky panels, shooting for television, and much more!

EPISODE 161 - Peter Kohn - First Assistant Director Team Deakins sits down with first assistant director Peter Kohn (LA LA LAND, BIRDMAN, PIRATES OF THE CARIBBEAN) for a conversation. In this episode, Peter tells us how his father's career in the industry influenced his aspirations and his taste in films– he loves watching and working on musicals. Peter shares stories from working on the Pirates of the Caribbean trilogy and Birdman, working with Gordon Willis, and doing smoke on the set of Ridley Scott's The Duellists. Together we talk about what makes a successful assistant director, having a big first day on set, the many factors that dictate the shooting schedule, and even car work. Peter also sneaks in a few questions about 1917!

EPISODE 160 - Sturla Brandth Grøvlen - Cinematographer Team Deakins enjoys a great conversation with cinematographer Sturla Brandth Grøvlen (ANOTHER ROUND, VICTORIA, HEARTSTONE, RAMS). In this episode, we learn that Sturla attended school until he was 31, but over the course of the interview, we find out it was well worth it! Sturla talks about shooting Songs for Alexis, his first documentary film, and explains what Scandinavian Folk high schools are. He tells us that he didn't show his work to the outside world until his final year at the National Film School of Denmark, which dared him to fail and allowed him to focus on developing his artistic sensibility. Together we discuss Victoria and how they decided to shoot it in real-time without cuts, working with harsh weather conditions while filming Rams, and Sturla's visual inspiration for Heartstone. Sturla also tells about his experience working with Thomas Vinterberg (Episode 101) on his film, Another Round. Tune in! RECOMMENDED EPISODE VIEWING: Victoria

EPISODE 159- ROBERT EGGERS & JARIN BLASCHKE - Director & Cinematographer Team Deakins sits down with director and cinematographer Robert Eggers and Jarin Blaschke (THE NORTHMAN, THE LIGHTHOUSE, THE WITCH). Robert and Jarin discuss their shared love of golden age fairy tale illustrations, the funny story behind the start of their collaboration, and the meticulous planning that went into making The Lighthouse. We learn how Robert transitioned from working in the art department on New York independent films to directing The Witch. Robert and Jarin talk about what it was like to work with Robert Pattinson and Willem Dafoe, how they chose aspect ratio for The Lighthouse, how shooting for historical accuracy removes choices, and how films are about editing down not about creation. A wonderful conversation with excellent filmmakers!

EPISODE 158 - HARIS ZAMBARLOUKOS - Cinematographer Team Deakins has a great conversation with cinematographer Haris Zambarloukos (MAMMA MIA!, SLEUTH, MR IN-BETWEEN, ARTEMIS FOWL) in this episode. Haris shares his experiences working with director Kenneth Branagh, Paul Sarossy, and Phyllida Lloyd. Haris talks about learning the steps of observation, contemplation, and action during his time in film school at St. Martins and about learning how to contribute to the feeling of a film while studying at AFI. We share many stories about our dear friend Conrad Hall and Haris beaks down how he shot Steven Knight's LOCKE in eight days. We discuss the idea of choosing a DP with whom a director could grow with or someone who could hold his hands and guide him as well as having trust in a director's ability to have an impact and to follow them every step along the way. Don't miss it! RECOMMENDED EPISODE VIEWING: Locke

EPISODE 157- MARK MANGINI- Sound Designer Team Deakins converses with sound designer Mark Mangini (DUNE, BLADE RUNNER 2049, MAD MAX: FURY ROAD, STAR TREK) about the world of sound. In this episode, Mark explains that his job is to tell stories with sound and to create universes that sonically don't exist. He walks us through designing the sound for the war rig in MAD MAX: FURY ROAD as well as his close collaboration with director Denis Villeneuve on BLADE RUNNER 2049, and Tom Holkenborg on BLACK MASS. We discuss how Mark decides when to use a music cue or sound effect cue, how you can earn loud sounds by buying silence early on in a film, and the creative necessity and financial incentive to capture production sound on set instead of recreating it in post. We learn a lot in this episode!! You don't want to miss it! BONUS: Use this link to download a sound file that Mark makes reference to when speaking of "Bladerunner 2049".