Talk Easy with Sam Fragoso

For actor Myha’la, the role of a lifetime arrived less than a year out of college. “Lightning struck,” she says, “and in so many ways I have been preparing my entire life to be here.” In this case ‘here’ is Industry’s Harper Stern, a fiercely ambitious New Yorker who has come to London to join Pierpont, a prestigious financial investment bank. With the season finale of HBO’s breakout hit approaching, we sat down with Myha'la to discuss all things Industry (4:42): how the evolution of Harper can be charted by her changing hairstyles (8:05), her recent pivot into “ethical investing” (10:45), and the Gen-Z qualities she best embodies (14:04). We also discuss the actor’s first experiences singing and dancing (16:00), her time as front-woman of a Christian Rock band (20:30), and a formative experience at her Catholic high school (23:01). On the back half, Myha’la reflects on her years at Carnegie Mellon (34:55), her views around “method acting” (39:30), the first day on the set of Industry (42:55), the personal investment she’s made in Harper Stern (48:00), a humbling performance never far from mind (53:50), and the ‘picture’ she’d like to paint as an artist in the years ahead (56:50). This conversation was recorded at Spotify Studios and Pushkin Industries. Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the past couple decades, actor Ken Leung has played scene-stealing characters in films like Rush Hour, Keeping the Faith, and A.I. Or, prestige TV shows like Lost and The Sopranos. Today, he joins us to discuss his spectacular turn in HBO’s Industry (7:30), how he created his character in baseball-bat-wielding manager Eric Tao (9:55), and his Brooklyn upbringing to a family of Chinese immigrants (17:35). Then, he shares how he found his footing as an actor (23:30), a memory of his late younger brother, Kevin (29:27), and why he views each film and TV set as a ‘spiritual space’ (30:56). On the back-half, we walk through Leung’s work on The Sopranos (32:30), his present-day collaboration with actor Myha’la (37:45), the arc of this latest season of Industry (44:15), the state of representation in Hollywood (48:06), and why he feels at peace in this moment (53:00). Clips courtesy of HBO. Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To commemorate his 30th birthday, Abbi Jacobson interviews Sam! They talk about Sam's early days in journalism (8:00), his Almost Famous-like experience as a teenage film critic (10:30), making Talk Easy and how the show evolved post-pandemic (13:15), and the email from the late Roger Ebert that changed his life (22:30). On the back-end, they discuss Abbi’s annual birthday questions (28:00), why Sam’s episode with filmmaker Werner Herzog has stayed with her (31:57), and how he approaches asking hard questions on Talk Easy (36:43). To close, a passage from Sam's debut episode with Don Cheadle (45:28) and a philosophy captured in his short film Sebastian (53:20). Listen to our first conversation with Abbi Jacobson from 2022. Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To start, Sam sits with another week in American life, before returning to our timely conversation with Congressman Maxwell Frost (FL-10). At the top, we discuss the five-year aftermath of the horrific shooting at Stoneman Douglas High School in Parkland, Florida (10:29), his first two months in office as the first Gen-Z Congressman (12:10), and the legislature he’s fighting for to reduce gun violence (17:14). Then, we walk through his impassioned response to the Sandy Hook shooting (19:40), how it cemented his early commitment to politics (26:17), and embracing his Afro-Cuban identity as an adopted child (30:15). On the back half, Frost reflects on his road to Congress (37:58), the connection he shares with his biological mother (41:00), the blend of grassroots organizing and policy-making he leads with today (49:22), and the progress he hopes to see in the years to come (57:40). Original air date: February 26, 2023.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, our guest is trailblazing filmmaker Lee Daniels. At the top, we discuss his fifteen-year journey to the new Netflix film The Deliverance (5:00), Daniels’ relationship to spirituality (9:16), and his memories of directing theatre at eight-years-old (14:55). Then, we dive into the therapeutic quality of filmmaking (17:14), his work as a casting director at Warner Brothers in the 80s (19:48), and what it meant for Daniels to manage young performers like Morgan Freeman and Loretta Devine (23:38). On the back-half, he unpacks the tumultuous process of making his award-winning film Precious (32:00), the projects that followed in The Paperboy and The Butler (39:30), the rise of Empire and his paradigm-shifting work in Hollywood (41:10), the peace that guided him to make his new film (46:10), and what motivates him to keep working (50:31). Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Since 1989 (Sex, Lies, and Videotape), filmmaker Steven Soderbergh has been a pioneering voice in American cinema. Part free-wheeling iconoclast, part exacting technician. Today, we return to our conversation with the legendary artist. First, Soderbergh describes his process making No Sudden Move amid the pandemic (8:38), his ability to push past creative blocks (14:34), the importance of 1998’s Out of Sight (31:00), the seismic impact of his late mentor, Mike Nichols (27:28), and how a formative moviegoing memory (28:48) informed his ideas on the role of storytelling (32:43). Before we go– Steven speaks candidly on the future of movies (39:20) and his role in them (41:13). This episode originally aired June 27th, 2021. To hear our latest talk with Sean Fennessey, listen here. Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We’re so back at the movies… with head of content at The Ringer and co-host of The Big Picture, Sean Fennessey! At the top, Sam and Sean discuss Sean Wang’s Dìdi (8:52), the father-daughter story at the heart of M. Night Shyamalan’s Trap (15:52), and why the documentaries Brats (19:39) and Faye (22:35) make the perfect weekend watch. Then, they talk about the real-life story behind A24’s Sing Sing (27:45), what Borderlands reveals about post-strike Hollywood (29:57), the anticipation building around Sean Baker’s triumphant upcoming feature Anora (32:13), Jason Reitman’s Saturday Night (33:17), Joshua Oppenheimer’s apocalyptic musical film The End (35:49), and James Mangold’s A Complete Unknown (37:17). On the back-half, we dive into Sean’s childhood in Long Island (43:37), his early writing at Ithaca College (44:15), working at Complex Magazine in the mid-aughts (53:00), his pivot to Grantland (1:02:10), launching The Ringer (1:15:50), his on-mic personality on The Big Picture (1:11:50), the future of his podcast(s) (1:18:31), and why he remains optimistic about the film industry (1:27:09). This conversation was recorded at Spotify Studios. Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What’s the difference between an interview and a first date? For the past decade, Amelia Dimoldenberg has been walking that fine line on her hit YouTube series, Chicken Shop Date. The premise is in the title: filmed at various chicken establishments across London, the show features a series of funny (sometimes awkward) ‘dates’ with everyone from Paul Mescal to Billie Eilish. To celebrate the 10th anniversary of her beloved series, Amelia and Sam have a cup of tea to discuss her recent sit-down with Hugh Jackman and Ryan Reynolds (5:00), her upbringing in London (7:20), and how Mary-Kate and Ashley inspired the young creative ambitions (11:10) that lead to Chicken Shop Date (17:17). We also highlight a few pivotal episodes of the show with rapper Ghetts (24:50), actor Daniel Kaluuya (32:10), and documentarian Louis Theroux (32:52). On the back-half, we unpack Dimoldenberg’s comedy influences—from Amy Poehler in Parks and Recreation to Zach Galifianakis’ Between Two Ferns (36:34), how she continues to expand her reach as an independent creator (43:00), why the ‘anti-interview’ genre has come into vogue (49:12), and what she hopes for in the decade to come (1:02:12). For questions, comments, or to join our mailing list, drop us a line at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vinson Cunningham has been a staff writer at The New Yorker for the past eight years, covering theater, television, and politics. He joins us this week to unpack his personal debut novel Great Expectations. At the top, we discuss the state of the US election (5:00), the emergence of the new Democratic ticket in Kamala Harris and Minnesota Governor Tim Walz (10:00), and the fickleness of internet hype (15:00). Then, Cunningham explains how his new book dovetails with his time working on Barack Obama’s 2008 Presidential campaign (19:00), his process writing fiction (30:00), and his early memories of getting involved in politics (35:30). On the back-half, we talk about Vinson’s upbringing in the church (38:00), the role of faith in his life (47:00), and his personal feelings about divine intervention (57:00), both in politics and on the heels of a tragic personal loss (1:01:40). To close, he shares a moving piece of his review of Hamlet (1:07:00), reflects on his growth over the past year (1:15:00), and reveals why this moment for Kamala Harris gives him hope for his daughters (1:22:00). This conversation was recorded at Spotify Studios and Condé Nast. Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Last fall, Zadie Smith published her prescient historical novel The Fraud. We return to our conversation with the beloved author this week, on the heels of our latest sit-down with writer Taffy Brodesser-Akner. At the top, Smith details her most recent book (7:48), her instinctive writing process (13:37), and the role of projection in her work (20:08). Then, Zadie reflects on her upbringing in North West London (23:48), the art that influenced her growing up (26:42), and the media circus that followed the publication of her debut novel, White Teeth (31:28). On the back-half, we discuss her desire to frequently reinvent herself as an artist as a writer (41:53), why she prioritized pleasure after her book On Beauty (45:24), her evolving relationship to humanism (48:06), the nuanced politics of her work (54:13), a striking passage from Intimations (1:01:56), and what she sees in this next generation of novelists (1:04:55). This conversation was recorded at Spotify Studios. Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Taffy Brodesser-Akner (“Fleishman Is in Trouble”) is a staff writer at The New York Times, where she covers everything from The Eras Tour to Tom Hanks. She joins us today to unpack her new book Long Island Compromise (7:30), its central questions about wealth, trauma, and inheritance (11:58), and the real-life crime that inspired the story (12:52). Then, we dive into the process of writing a novel (15:17), a formative passage from the book (24:31), and Brodesser-Akner's memories of growing up in between Brooklyn and Long Island (29:54). On the back-half, she describes her work as a journalist (40:14), profiling Nicki Minaj (45:38) and Bradley Cooper (45:54), how those experiences propelled her to write Fleishman Is in Trouble (46:20), her reflections while writing about Taylor Swift (54:05), and the transformational power of storytelling (1:04:07). Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today, we're revisiting our special conversation with actor Tom Hanks. We begin by discussing his debut novel, The Making of Another Major Motion Picture Masterpiece (5:58), his nomadic upbringing across California (13:28), and the Stanley Kubrick film that made him want to be an artist (19:40). Then, we talk about his early work at the Great Lakes Shakespeare Festival (24:00) and moving to Los Angeles for his television debut in Bosom Buddies (28:30), before pivoting to dramatic roles in films like Philadelphia and Forrest Gump (32:44). On the back-half, Hanks describes the transformative, eight-year process of making Cast Away (39:00), receiving an AFI Lifetime Achievement award for his work at age forty-six (41:35), the vital performances that followed (42:40), and his insatiable desire to reflect the human experience (46:23). To close, Hanks reflects on the kinship he found with Yankee hall of famer Joe DiMaggio (59:08), his formative friendships with actor Holland Taylor (52:30) and the late Nora Ephron (54:40), and the Cecil B. DeMille story he hopes to keep telling (55:50). Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, on the heels of our live show with Julia Louis-Dreyfus, we’re presenting a special conversation from her podcast Wiser Than Me. The episode features award-winning author Isabel Allende (The Wind Knows My Name). They discuss motherhood, falling in love again in her seventies, an influential piece of advice by writer Elizabeth Gilbert, and how Allende remains present in her life and work. Find more episodes of Wiser Than Me through Lemonada Media. To hear Julia on Talk Easy, listen here. The episode is also available to watch on YouTube. Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Julia Louis-Dreyfus (Seinfeld, Veep) is a national treasure with more primetime Emmys than any performer in the history of television. Then there’s her latest decade in film: two collaborations with Nicole Holofcener (Enough Said and You Hurt My Feelings) along with a devastating turn in the heart-rending fairytale from A24, Tuesday. Her range is unparalleled, including in the role of host on her excellent, award-winning podcast, Wiser Than Me from Lemonada. We sat with Julia as part of this year’s Aspen Ideas Festival, where we discussed her powerful new film, Tuesday (6:33), her early performances in the basement of her childhood home (15:45), a formative high school yearbook quote (16:45), landing at SNL in the 1980s (22:06) with Larry David (24:56), the legacy of Seinfeld (28:42), and where she stands on the issue of “political correctness in comedy” (31:54). On the back-half, a celebration of her uproarious turn as Selina Meyer on Veep (36:47), a life-changing diagnosis on the heels of her historic Emmy win (40:00), and the support she received from showrunner David Mandel (42:52) and President Biden (46:23). To close, we sit with the stakes of this upcoming election (50:40), words of wisdom from Jane Fonda (52:14), and the poem “Explanation” by Julia’s father, the late Gérard Louis-Dreyfus (54:00). You can watch this conversation on YouTube. Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the heels of his first Emmy win, actor Ebon Moss-Bachrach joins us on the show to unpack the return of The Bear. At the top, we dive into the making of the hit series (9:22), a powerful scene with co-star Jeremy Allen White (11:20), and how Moss-Bachrach manages to keep adding layers to his portrayal of Cousin Richie (14:26). Then, he describes the mounting pressures around this new season (19:23), the day he knew he wanted to be an actor in Williamstown, Massachusetts (27:35), and the early days of his collaboration with actor Jon Bernthal (30:26). On the back-half, Ebon reflects on a formative role as a jazz musician in Warren Leight’s play Side Man (35:34), his ideas about success and living a more balanced life (38:19), his experience playing Desi in Girls (43:33), a philosophy depicted in The Bear (47:35), and the work he hopes to continue making in years to come (50:38). Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“You’re never gonna forget where you were last night at 7:30,” says James Carville. “It has the potential to be that consequential.” Carville is regarded as one the most influential (and animated) operators in the Democratic Party. He came to prominence as the chief architect behind Clinton’s 1992 Presidential campaign, and has remained one of the most incisive political analysts in the country. He joins us this week from the Aspen Ideas Festival, the day after the first presidential debate between Joe Biden and Donald Trump (8:15), to discuss what he saw from each candidate (10:30), whether Biden should (or will) step aside in the months ahead (16:16), and who, theoretically, would be fit to run come August at the DNC (26:00). On the back-half, Carville shares how he would reframe the Democrats' political strategy (33:19), the “coastal condensation” that has slipped into the bloodstream of the left (36:30), his advice on winning elections (54:00), and how he aims to inspire swing voters in purple states through the American Bridge project (59:48). To close, a scene from the 1993 documentary The War Room (1:01:57), and why his love of politics remains undiminished even after this dark week in American democracy (1:05:10). Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Beloved playwright Annie Baker won the Pulitzer for Drama in 2014 for her play, The Flick. A decade later, she’s releasing her directorial debut, Janet Planet, through A24. We begin by talking about her striking first feature (7:55): the Western Massachusetts origins of the project (11:00), the mother-daughter love story at its center (13:24), how Thomas Mann’s “The Magic Mountain” shaped Baker’s understanding of time (22:55), and why she’s routinely sidestepped the slippery-slope of “confessional” autobiography in her own work (30:30). On the back-half, we discuss Annie’s early jobs in New York before she turned to the page and the classroom (40:00), the issues of class that continue to plague contemporary theater (45:00), a formative Rainer Maria Rilke poem as read by Sam (55:50), and whether she believes art “matters” in 2024 (1:00:18) Thoughts or future guest ideas? Email us at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This Father's Day, we're revisiting our special talk with actor Ethan Hawke. After a phone call with Dad Fragoso (2:00), we dive into the episode. At the top, Hawke unpacks his docuseries The Last Movie Stars (9:24), describing his introduction to Paul Newman through Butch Cassidy and the Sundance Kid (12:13). Then, he reflects on his personal history: growing up with his mother on the east coast (16:43), his on-screen debut at fifteen in Explorers with River Phoenix (20:04), the enduring legacy of Robin Williams (25:57), and how Richard Linklater’s Before trilogy transformed his career (33:01). On the back-half, we revisit a memorable scene from Before Midnight (42:28), how capturing Chet Baker in Born to Be Blue helped Hawke process loss (52:31), what he learned about longevity from director Paul Schrader (55:29) and how that definition evolved in making The Last Movie Stars (58:32). To close– we discuss the importance of family (1:02:12), Hawke’s hopes for his third act (1:04:24), and why he continues to honor The Actor’s Vow by Elia Kazan (1:07:38). Drop us a line at [email protected]. See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Director Richard Linklater has made a career out of telling personal stories with universal appeal. Dazed and Confused, Waking Life, the Before trilogy, Boyhood. No matter the genre or form, Linklater's human touch remains. He joins us this week around the release of his latest film, Hit Man (7:36), an action-packed neo-noir (9:15) that also explores the malleability of identity (12:00). Then, Linklater reflects on his athletic career in college (18:20), the health scare that ushered in a period of creative exploration (19:48), and the renegade spirit that drove his first two feature films, It’s Impossible to Learn to Plow by Reading Books and Slacker (29:12). On the back-half, Linklater describes a formative Sundance memory with director Robert Altman (36:00), his first experience at the helm of a major motion picture (39:48), and the lived serendipity that inspired his Before films (54:22). To close: a Hollywood state of the union (1:02:54), why Richard continues to create art from the fabric of his life (1:10:00), and whether Sam should return to directing himself (1:19:36). You can watch Sam’s directorial work here, including his short film Sebastian. Drop us a line at [email protected]. See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the heels of her breakout role in Stranger Things, Maya Hawke has gone her own way as an artist— both as an actor and singer-songwriter. That’s especially true on her striking new record, Chaos Angel. We begin our conversation by diving into this third record of hers (5:37), the ‘emotional pendulum’ that guided her creative process (9:15), and how director Paul Thomas Anderson’s Magnolia inspired the first track (16:12). Then, Maya discusses a piece by novelist Flannery O’Connor (21:20) that shaped her portrayal of the Southern Gothic writer in the new film, Wildcat (25:28), directed by her father (Ethan Hawke). On the back-half, we sit with Hawke’s childhood growing up in a household of actors (41:55), a passage from her father reflecting on Before Midnight (45:10), the connective tissue between her latest projects (55:10), and how she’s recently found a place of peace in the aftermath of her new album, Chaos Angel (59:36). For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we’re joined by comedian and actor Ilana Glazer. At the top, Glazer reflects on her recent tour across the country (4:55), portraying a new mother in Babes while having her first child (8:30), and the film’s timely politics around reproductive rights (10:28). Then, we dive into the creation of Broad City with collaborator Abbi Jacobson (16:06), how the show ascended to five seasons on Comedy Central with the support of Amy Poehler (22:40), and their maternal approach to creating the series (26:14). On the back-half, we talk about her regenerative period following Broad City (37:10), why Glazer has yet to rewatch the series (39:00), her daily practice of presence (48:05), the joy of parenthood (50:05), and why she still has faith in humanity (58:10). This conversation is available to watch on YouTube. For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hacks co-creators Paul W. Downs and Lucia Aniello, who are also husband and wife, have been performing and writing together for over a decade. Today, we discuss the road to season three of their hit HBO series. At the top, they unpack the makings of their creative partnership (8:20), how they chronicled the evolving state of comedy in Hacks (14:38), and Jerry Seinfeld’s recent comments about the medium (20:05). Then, we walk through Paul and Lucia’s origin stories (33:45), their meeting in an improv class at UCB (38:00), and the New York comedy pipeline they fell into with Broad City (46:59). On the back-half, we talk about the making of their feature film debut Rough Night (49:35), the road trip where they first imagined the premise for Hacks (53:25), their guiding principle while creating the show (59:10), and their journey into parenthood (1:05:48). To close, a piece of advice on art-making today (1:11:30). For questions, comments, or to join our mailing list, reach me at [email protected]. This conversation was recorded at Spotify Studios. Clips courtesy of HBO.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This Mother’s Day, our very special episode with actor, writer, and director Pamela Adlon. We discuss her new movie Babes (7:27), directing a comedy about reproductive rights in 2024 (12:38), and her creative upbringing between New York City and Los Angeles (17:55). Then, we dive into her early roles as a child actor, including appearances on The Facts of Life and The Redd Foxx Show (19:06), her foray into voice acting (23:15), and the MTV Madonna music video contest that made her want to become a filmmaker (34:16). On the back-half, Pamela describes how motherhood shaped her career (41:50), including her semi-autobiographical show Better Things (44:30) and her newfound mission to mentor women in the industry through her production company, Slam Book Inc. (1:00:40). To close, a tribute to Pamela’s mother (1:04:30). For questions, comments, or to join our mailing list, reach me at [email protected]. This conversation was recorded at Spotify Studios.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In just under a decade, comedian, writer, and actor Jerrod Carmichael has had a remarkably varied career. On the heels of his Emmy-winning HBO special Rothaniel, he embarked on a personal new project: Jerrod Carmichael Reality Show. Carmichael joins us today to discuss the origin of the program (6:30), his early days making his NBC sitcom (10:57), and why he decided to broadcast a deeply intimate conversation on the reality show (13:00). Then, he unpacks his view of the camera as a vessel for honesty (17:10), the response from audiences witnessing Jerrod ‘Truman Show’ himself (21:30), and his three-decade history of storytelling (34:15). On the back-half, Carmichael describes the artists who inspired his work (43:00), a formative performance in his first HBO special Love at the Store (50:50), and the evolution of his comedy (57:37). To close, he reflects on the central truth he explores in this new series (59:30) and how he hopes this art will at long last set himself—and his family—free (1:08:30). For questions, comments, or to join our mailing list, reach me at [email protected]. This conversation was recorded at Spotify Studios in Los Angeles.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today, actor and author Nick Offerman returns to the show! We call him up to unpack his latest role as a fictional president in Alex Garland’s Civil War (2:30), the function of the film’s politics (9:30), and a powerful poem by Wendell Berry (26:15). Then, we turn to Offerman’s personal journey, beginning with his recent book Where the Deer and the Antelope Play (32:48), which was inspired by growing up in rural Minooka, Illinois (33:30) and his experiences with the late Sam Shepard at Steppenwolf Theatre (35:55). Shortly after working with Shepard, Offerman began to find his footing—on and off the stage—as a performer, carpenter, and fight choreographer (39:48). He reflects on his galvanizing role in the film Going All the Way (42:37), the guiding principles of George Saunders (45:30), lessons from his sensei Shōzō Satō (52:10), the start of his nearly two-decade marriage with actress Megan Mullally (54:05), the phone call that changed his life (1:00:00), and the complicated legacy of Ron Swanson from Parks and Recreation (1:06:36). Then, before we go, we return to the timely (and urgent) message of his latest book (1:11:30), a piece by Jeff Tweedy (1:14:10), and words by Wendell Berry (1:16:45). For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today, in honor of National Poetry Month, we’re returning to our conversation with Rupi Kaur. Her debut collection, milk and honey, turns 10 this year. At the top of our conversation, Kaur reflects on her international tour (4:44), her childhood in Canada (13:05), how she processes trauma through writing (22:13), her college photo series on menstruation that went viral (23:33), and the self-published poetry collection (milk and honey) that followed (29:20). In the aftermath of this unexpected attention, Rupi speaks candidly on the emotional toll of the last decade (30:43) and how she reckons with her critics today (32:35), before reading a poem written in response to their harassment (41:09). On the back-half, Rupi describes her powerful connection to her heritage (42:41), understanding her mother’s sacrifices (43:15), which she recounts in Broken English (45:52), and the ways in which her work has evolved (54:08). To close, she performs two personal pieces from home body (56:17) and shares why she’s ready to get back on the stage, doing what she loves to do (58:43). For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Actor Jeff Daniels is always writing. Plays, songs, a script or two. Even in interviews you get the sense the Michigan native is trying to relay the stories of his life in a way he’d find compelling as a reader, or listener. Bystander — as a viewer. He joins us this week around the latest chapter of his crime series American Rust (12:30), reprising his role as Police Chief Del Harris. It’s a performance inspired by his midwestern upbringing in Chelsea, Michigan (16:06) and the formative teachings of theater director Marshall W. Mason (21:20). Then, Daniels reflects on his arrival to New York City in 1976 (24:06), performing in Lanford Wilson’s play Fifth of July (27:20), and his early on-screen roles in Jonathan Demme’s Something Wild (31:10), Woody Allen’s The Purple Rose of Cairo (34:20), and Noah Baumbach’s The Squid and the Whale (44:20). On the back-half, we walk through his years making The Newsroom (51:48), working with screenwriter (and then playwright) Aaron Sorkin (53:20), and how the two of them reimagined Atticus Finch and To Kill a Mockingbird for both Broadway (59:49) and what he calls “a country at a crossroads” (1:05:33). To close, we sit with the utility of good writing in this fraught era (1:10:30), and a musical tribute to his late father, Robert (1:15:32). For questions, comments, or to join our mailing list, reach me at [email protected]. See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Actor Dev Patel has pursued interesting, complex roles in Hollywood since his arrival in Slumdog Millionaire fifteen years ago. He joins us today to discuss Monkey Man, his directorial debut and most personal project to date. At the top, we walk through the Hindu mythology that inspired the film (12:30), his decade-long fight to get the project greenlit (16:17), and the conditions of filming on an island during the pandemic (18:08). Then, Dev describes his intense creative process (27:02), how he landed his TV debut at sixteen as a sex-crazed teenager on Skins (28:33), and his life-changing role in Danny Boyle’s Slumdog Millionaire (35:40). On the back-half, Patel reflects on his years in The Newsroom (47:24), the films that followed, including Garth Davis’ Lion (49:52) and David Lowery’s The Green Knight (51:30), and how director/producer Jordan Peele saved Monkey Man from oblivion (56:32). For questions, comments, or to join our mailing list, reach me at [email protected]. See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today we're sharing two special conversations, featuring our friends at Revisionist History. First, Malcolm Gladwell joins Sam to discuss "Development Hell," a new series about the untold stories of Hollywood that never left the page (2:00). Then, we turn to Gladwell's recent sit-down with director M. Night Shyamalan (25:00). Before Shyamalan became a household name for his mind bending thrillers like “The Sixth Sense” and “Signs”, he was just a young screenwriter in love. And during those blissful early years of marriage he wrote a love story. The screenplay for “Labor of Love” sold right away, and over the next 30 years or so there would be numerous attempts to make it into a movie. There was a major studio, there were A-list directors, Shyamalan even found his perfect star. In this episode, M. Night Shyamalan reveals the script that haunts him. To hear the full series from Revisionist History, listen here. For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This weekend, comedian Ramy Youssef released a powerful and personal new HBO special, More Feelings. To commemorate the one-year anniversary of our first talk, we begin with a phone call with Ramy (5:35). Then, we dive into our talk from 2023, discussing the third season of his Hulu show Ramy (32:59), a timely scene from the show (35:46), and the questions that shaped it (39:37). Then, we walk through his coming of age as a first-generation Egyptian-American in New Jersey (42:28), his early forays into film (47:07), and the sketch inspired by his life-altering Bell’s palsy diagnosis (48:25). On the back-half, we discuss Youssef's television debut in the sitcom See Dad Run (59:00), how he found his “essence” as a performer (1:00:54), and the politics of his stand-up comedy (1:03:50). To close, he describes the influences behind Ramy, from The Carmichael Show to Curb Your Enthusiasm (1:08:25), a philosophy that guides his work (1:14:58), and the future of the series (1:21:36). For questions, comments, or to join our mailing list, reach me at [email protected]. This conversation was recorded at Spotify Studios in Los Angeles.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Happiness Lab’s Dr. Laurie Santos brings together other Pushkin hosts to mark the International Day of Happiness. Revisionist History’s Malcolm Gladwell talks about the benefits of the misery of running in a Canadian winter. Dr. Maya Shankar from A Slight Change of Plans talks about quieting her mental chatter. And Cautionary Tales host Tim Harford surprises everyone with the happiness lessons to be learned from a colonoscopy. Hear more of The Happiness Lab HERE.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Writer Evan Osnos (The New Yorker, CNN) has been interviewing Joe Biden on and off for the past decade. He recently profiled the 46th President ahead of his State of the Union, offering a rare (and revealing) portrait of the elder statesman from Pennsylvania. In act one, we outline the state and stakes of the 2024 election (7:20), Biden’s demeanor “behind closed doors” (12:07), the accomplishments (15:42) and failures (21:00) of his first term, and what’s changed since his initial pitch to be a ‘transitional candidate’ (26:31). In act two, we turn to the twice-impeached, four-time criminal indictee, and presumptive GOP nominee for president, Donald Trump: his symbolic campaign announcement in Waco, Texas (32:40), the ‘combat mentality’ at the center of his bid for reelection (35:54), and the authoritarian vision (38:00) he has for America, come 2025 (39:25). In act three, a speed-round of pressing questions you may have about the 2024 election (54:27), an attempt to wrestle with Biden’s psychology (1:03:08), and, to close, a timely passage from Osnos’ stunning book Wildland: The Making of America’s Fury (1:12:18). For questions, comments, or to join our mailing list, reach me at [email protected]. This conversation was recorded at Spotify Studios in Los Angeles.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To celebrate Oscar Sunday, we're returning to our talk with Oppenheimer composer Ludwig Göransson! To begin, Göransson describes the collaborative process with director Christopher Nolan (6:48), the instrument at the heart of the film (9:30) and its hauntingly beautiful theme (11:06). Then, we walk through Ludwig’s instinctive approach to making music (13:07), his coming of age in Sweden (15:20), and the influence of Metallica and Danny Elfman (18:51). On the back-half, Ludwig reflects on his early years in Los Angeles (24:56), finding kinship with director Ryan Coogler (27:55) and polymath Donald Glover (34:53), and how he slowly began to understand his voice (38:21). To close, he shares how his process has evolved from Black Panther to Oppenheimer (42:30), the potential impact of AI on the music industry (44:58), and what he hopes for in the years ahead (49:15). For questions, comments, or to join our mailing list, reach me at [email protected]. See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For over twenty-five years, Cate Blanchett has been as vital as any performer we have. In the lead-up to this Sunday's 96th annual Academy Awards, we're returning to our special talk with Cate. To begin, we unpack her femme fatale turn in Nightmare Alley (6:06), the way director Guillermo del Toro wrestles with truth and deception in the neo-noir (9:34), the first time Blanchett understood her gift for shapeshifting (11:18), the lasting presence of her late father (14:46), an early job as a script reader that changed how she approached her craft (19:14), the challenge of getting comfortable with “being seen” (22:40), a prophetic encounter with a psychic while filming The Gift (25:46), and how becoming a parent clarified her purpose (31:58). On the back-half, we sit her work in I’m Not There (34:52) and Manifesto (38:54), her affinity for the Eastern philosophy of imperfection (42:33), words of wisdom from dancer Martha Graham (48:00), and how she’s beginning to accept the “divine dissatisfaction” of being an artist (51:54). For questions, comments, or to join our mailing list, reach me at [email protected]. See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As we enter month six of the Israel-Hamas war, a dispatch from Dr. Seema Jilani. She’s provided critical aid in the West Bank for nearly two decades, and recently returned from Gaza working with the IRC (the International Rescue Committee) to offer humanitarian support and medical assistance. At the top, we discuss her latest trip to the region (10:40), the devastating conditions she witnessed (14:46), and the details of her rescue efforts at Al-Aqsa Hospital (16:34). Then, she describes the decision-making process of her colleges on the ground (20:28), how medical supplies are dwindling (28:39), and the subsequent consequences of those shortages on children (34:46). On the back-half, Dr. Jilani underscores the importance of how doctors communicate with the media (40:36), how she views her responsibility as a physician (44:34), what she hopes comes out of the recent protest by U.S. airman Aaron Bushnell (45:55), and, to close, she reads a passage from poet Audre Lorde (55:02). For questions, comments, or to join our mailing list, reach me at [email protected]. This conversation was recorded at Spotify Studios in Los Angeles and Circle Music Group in Houston.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In celebration of Dune’s 40th anniversary, we have a damn fine cup of coffee with actor (and now podcaster) Kyle MacLachlan. We discuss his new true crime podcast Varnamtown (7:08), MacLachlan’s small-town upbringing (15:36), and what inspired him to pursue acting after college (18:15) before landing his debut role in Dune (21:16). Then, he describes the film’s momentous premiere (27:42), his second collaboration with David Lynch in Blue Velvet (32:40) and the personal challenges he faced while making the film (34:08). On the back-half, we talk through Twin Peaks (41:25), Showgirls (46:57), how he taps into raw emotion as an actor (50:22), his recent foray into social media (58:25), and to close, a poignant George Price cartoon (1:01:00). For questions, comments, or to join our mailing list, reach me at [email protected]. This conversation was recorded at Spotify Studios in Los Angeles.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Actor Lily Gladstone made history last month when she netted a Best Actress nomination for her work in Martin Scorsese’s Killers of the Flower Moon. At the top, we discuss this landmark moment for the film (7:00), her personal approach to the role of Mollie Kyle (9:58), and a revealing scene between Lily and Leonardo DiCaprio (15:40). Then, we walk through Gladstone’s connection to the “trickster” story (19:00), her creative upbringing on the Blackfeet Reservation in Montana (21:55), and her road to acting as a teenager (26:50) and later a touring performer in her twenties (30:40). On the back-half, Gladstone reflects on her early, complicated experiences auditioning in Hollywood (44:15), how she and Martin Scorsese aimed to honor the Osage legacy in this new project (48:30), the life-changing performance that came to be (58:00), and her hope for a true paradigm shift in the entertainment industry (1:03:25). For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today, we return to our conversation with “Abbott Elementary” creator and star, Quinta Brunson! On the heels of her historic Emmy wins, we discuss the guiding principles behind the series (6:02), its incomparable cast (9:41), and the show’s personal connection to Quinta’s upbringing in West Philadelphia (14:49). Then, we unpack her earliest comedic influences (19:21), performing in improv in college (26:31), and the solace she found in Second City Chicago (29:09). On the back-half, Quinta reflects on moving to Los Angeles at twenty-three (33:27), the feelings of alienation that followed (35:02), and the Comedy Store performance that irrevocably altered her course (36:55) and brought her to Abbott Elementary (46:56). To close, she shares her hopes for the years to come (51:00). For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Following the success of her autobiographical 2019 film, The Farewell, Lulu Wang has emerged as one of the most exciting voices in Hollywood. With the arrival of her new series Expats, she joins us to discuss the responsibility she felt creating the Hong Kong-based show (6:55), collaborating with actor Nicole Kidman (12:30), and Wang’s personal connection to the project (13:12). Then, we unpack the contrasting perspectives embedded in the story (19:44), what she witnessed growing up in Miami, as an expat herself (22:55), and how she processes her family history today (24:15). On the back-half, Lulu reflects on her college years (34:45) where she began to find her creative voice (36:46), the road to her debut feature film Posthumous (45:32), and why she wanted to tell a more personal story in The Farewell (50:30), which she first narrated on This American Life (51:25). To close, we talk about her full-circle moment creating Expats (1:04:00) and the importance of community (1:06:30). For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wesley Morris has served as critic at large at The New York Times since 2015, covering film, politics, and pop culture. He joins this week to discuss this year’s Academy Award nominations. At the top, we discuss the omission of Greta Gerwig from the Best Director category (6:07), former Secretary Clinton on Barbie-gate (10:12), the ‘perversely effective’ nature of Killers of the Flower Moon (16:30), and the ways in which Bradley Cooper’s Maestro upends the traditional biopic (21:45). Wesley then reflects on his early adventures in moviegoing (30:43), the indie film boom of the late ‘90s (35:15), the rise of the Marvel Cinematic Universe (36:23) what the Best Picture nominations of 1988 can tell us about 2023’s slate (38:05), and the erosion of the ‘middle’ across film and culture (41:02). On the back-half: Todd Haynes’ beguiling new film May December (44:10), Ava DuVernay’s Origin (45:53), the Academy’s fraught relationship to diversity (53:05), the function of Wesley’s work in 2024 (1:05:58) and a reading of his moving, personal review about Alexander Payne’s The Holdovers (1:10:54). For questions, comments, or to join our mailing list, reach me at [email protected]. This conversation was recorded at Spotify Studios.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Over the past decade, writer and actor Dan Levy rose to prominence for his work on Schitt’s Creek. After co-creating the series with his father, Eugene Levy, he turned to a more personal project. Said project is his heartfelt directorial debut, a film entitled Good Grief (4:40). At the top of our conversation, Dan shares the origin of this story (13:22) and we discuss the importance of friendship (15:18), his experience working as a director (18:30), and a pivotal, full-circle moment from his time in London (20:32). Then, we discuss how he charted his course as a co-host on MTV Canada (28:00), the red carpet experience that clarified his path forward (35:22), and his ultimate arrival at making Schitt’s Creek (37:40). On the back-half, we unpack the pure, timeless nature of the hit series (45:25), Dan’s journey to making Good Grief after the show’s momentous conclusion (49:15), a powerful scene from the film (52:18), the universality of loss (56:40), and the responses that encourage him to continue creating (1:00:00). For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Over the past 15 years, filmmaker Ava DuVernay (Selma, Queen Sugar) has become something of an institution in Hollywood. As a writer, director, and producer she’s worked to make our industry more just and diverse—creating opportunities for voices that have historically been underrepresented both in front and behind the camera. In many ways her latest film, Origin, examines a hierarchy she’s worked to upend through a bold body of work. And so we begin today’s episode discussing her creative adaptation of Isabel Wilkerson’s best-selling book, Caste: The Origins of Our Discontents (7:30) and the timely questions she hopes to pose as we begin 2024 (11:35). Then, Ava reflects on the influence of her Aunt Denise (17:42), what a typical Saturday looked like in the DuVernay household (21:56), her formative years as an underground emcee at UCLA (28:55), and how working on Michael Mann’s Collateral (34:33) inspired her to direct. On the back-half, we talk about the making of Ava’s first narrative feature I Will Follow (38:46), a life-changing review from Roger Ebert (44:42) and the resulting decade as a director (49:15). We also wade through this past year in Hollywood (56:00), her hopes for ARRAY in the years to come (1:04:06), and the words of Angela Davis that keep her moving forward (1:06:00). For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As we begin the new year, we're returning to our conversation with brilliant actor Michelle Williams. We walk through the making of Showing Up (6:05), Williams’ fifteen-year partnership with director Kelly Reichardt (8:10), and her upbringing in Montana and San Diego (10:42). Then, she describes coming of age on the set of Dawson’s Creek (14:50), her pivotal turn in Tracy Letts’ Killer Joe (20:00), and her path to Ang Lee’s Brokeback Mountain (26:10). On the back-half, we discuss a healing passage from Rebecca Solnit’s A Field Guide to Getting Lost (29:37), Williams’ memorable performances in Blue Valentine (32:12) and My Week with Marilyn (37:47), and her final day shooting The Fabelmans (40:50). To close, she shares how she remains present as a mother (45:40), a formative Walt Whitman quote (47:22), and how—at age 42—she’s begun to create from “a place of peace.” (50:36). For questions, comments, or to join our mailing list, drop me a line at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As we say goodbye to 2023, a collection of passages from some of our favorite episodes of the year. Featuring journalist and podcast host Sam Sanders on the stories of the summer (4:10), director and actor Natasha Lyonne on being a child actor in New York City (18:42), the Stanley Kubrick film that propelled Tom Hanks into performing (28:55), critic Hilton Als on the late Joan Didion (41:45), novelist Zadie Smith on the politics of writing (52:15), and to close, a tribute to the late Norman Lear (1:15:00). For questions, comments, or to join our mailing list, reach me at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This holiday weekend, we're presenting a special conversation between actor and director Bradley Cooper and David Remnick of The New Yorker Radio Hour. In this episode, they discuss Cooper's ‘fearless’ new film Maestro, his lifelong fascination with music, and how he constructed his intimate portrayal of legendary conductor and composer Leonard Bernstein. To hear David Remnick on Talk Easy, listen here.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

David Remnick has been the editor of The New Yorker since 1998 and a staff writer since 1992. He joins us this week to discuss his latest dispatch from the Middle East (9:50), reporting on the aftermath of October 7th (18:09) in what has become the Israel-Hamas war. He also shares the personal story of Avichai Brodutch, how he imagines this conflict may resolve (25:10), and our ‘failure to communicate’ in this increasingly polarized moment (29:35). Then, we turn to Remnick’s personal history: from the art that influenced him growing up in New Jersey (35:05) to his pathway to journalism at Princeton University (42:28) and his start at The Washington Post under the tutelage of legendary editor Ben Bradlee (48:00). On the back-half, we talk about Remnick’s early days running The New Yorker (56:45), the state of journalism today (1:00:30), why he cautions against despair as we head into 2024 (1:07:00), and a tribute to the creative longevity of musician Joni Mitchell (1:17:10). For questions, comments, or to join our mailing list, drop me a line at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Willem Dafoe has built a career out of shapeshifting. His latest role in Yorgos Lanthimos’ Poor Things demonstrates exactly that. Today, he joins us to discuss his compelling performance in the imaginative tale (7:00), the elaborate details he discovered on set (9:20), and the three-hour physical transformation he underwent each day of filming (12:38). Then, Dafoe describes his upbringing in Wisconsin (15:15), his early love of B-movies (20:04), and his formative years in the theater as part of The Wooster Group in New York City (26:45). On the back-half, we dive into his task-based approach to acting (35:55) and how it guided his memorable performances in the late William Friedkin’s To Live and Die in L.A. (41:10), Oliver Stone’s Platoon (43:52), and Sean Baker’s The Florida Project (49:44). To close, Dafoe reflects on the joy of collaboration (53:30), his search for truth as an actor (57:25), and his desire to continue creating in years to come (1:00:50). For questions, comments, or to join our mailing list, drop me a line at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nobel Peace Prize-winner Maria Ressa has spent the past decade advocating for the protection of journalists. Today, we return to our urgent conversation with the trailblazing author and activist. We begin by unpacking the fragmenting effects of social media (6:08), how the internet gave power to authoritarian regimes around the globe (8:49), and Ressa’s five years uncovering those operations (9:20). Then, we walk through her early years: moving from the Philippines to suburban New Jersey at age ten (14:08), three lessons from childhood (16:52), and her discoveries at Princeton (22:10). On the back-half, we discuss Ressa’s serendipitous entry to the newsroom (32:18), why she founded Rappler in 2012 (35:12), and her critical reportage on President Rodrigo Duterte’s drug war (36:52), which led to her arrest by the Filipino government in 2019 (41:22). Now, she’s charted this fight in her book, How to Stand Up to a Dictator (47:12). To close, we unpack her continuous pursuit of the truth (50:03), her recognition as a 2021 Nobel Laureate (52:37), and an ode to a lifelong friend (56:11). For questions, comments, or to join our mailing list, drop me a line at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Throughout his fifteen-year moviemaking career, director and actor Benny Safdie has been drawn to naturalism and first-time performers. Fittingly, his recent collaboration with comedian Nathan Fielder (“Nathan for You”) was a perfect match. Benny joins us today to discuss their satirical black comedy series The Curse (9:10), the timely premise that inspired the show (13:35), and Safdie’s history of capturing real-life personalities on film (15:58). Then, he describes his early connection to the 1979 movie Kramer v Kramer (19:00), a New York encounter with photographer Robert Frank (23:18), and how directors Robert Bresson and Frederick Wiseman opened his eyes to the possibilities of street casting (26:05). On the back-half, we dive into Benny’s co-directing work alongside his brother, Josh Safdie (29:55), a heartbreaking scene from their debut feature Daddy Longlegs (34:30), and the projects that followed: Good Time (40:00), Lenny Cooke (42:45), and Uncut Gems (55:00). To close, Safdie talks about why he worked as a boom operator while directing (48:15), his recent pivot to acting (52:35), and his full circle moment of playing an astrophysicist in Oppenheimer (1:00:40). For questions, comments, or to join our mailing list, drop me a line at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For more than a decade, actor and writer Brit Marling has made futuristic work that reveals truths about our disquieting present. Her latest endeavor, A Murder At the End of the World, is no exception. We recently sat with Marling in front of a live audience as part of this year’s On Air Fest LA Annex, where we discussed her excellent new show on FX (8:34), the role artificial intelligence may play in the future of filmmaking (14:26), and where she first fell in love with science fiction (20:35). Then, Brit reflects on her winding path at Goldman Sachs and Georgetown (23:40), where she met longtime collaborators Zal Batmanglij and Mike Cahill (25:25) that would eventually result in films like Another Earth and Sound of My Voice (36:18). On the back-half, we speak on the power of collective action (41:30), the public outcry that followed the cancellation of The OA (45:15), the state of Hollywood (51:12), and why Brit was inspired to direct (57:00) upon finding a passage from the late Polish auteur, Krzysztof Kieślowski (57:35). You can listen to our 2019 conversation with Marling here. For questions, comments, or to join our mailing list, drop me a line at [email protected] omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.