Talk Art

Special Episode presented by BMW. We meet artist and curator Ronan Mckenzie at Carl Freedman Gallery, Margate to discuss her monumental new group exhibition To Be Held. The show is now open and runs until 25th June 2023. Free entry, so we really recommend visiting Margate to see this EXTRAORDINARY show.To Be Held brings together nineteen artists and three furniture designers in an immersive exhibition which aims to open a dialogue on tenderness, and what it means to care and be cared for. The show presents works from a range of disciplines including painting, sculpture and scent; inviting us to consider the relationship between our experiences, and our internal sense of grounding and joy. To Be Held explores the impact of how we choose to share our spaces with all that they encompass, intentionally creating environments that we fill with love, and allow them, and those who inhabit them to care for us in return.What does it mean to be held?To see and be seen, to be warmed by surroundings which create space for one to feel and be felt, to be comforted by the knowing of acceptance and to leave by choice, when one chooses. For the doors to always be open, for ears to always be available, to be soothed by an atmosphere which calms and cares, which touches old memories that tickle before becoming visual. To be held in a space is to relax into one’s breathing because we know that we’re not alone.Participating artists include: Annan Affotey, Alvin Armstrong, Mabintou Badjie, Chris Bramble, Toby Cato, CHUKES, Mac Collins, Rayvenn D’Clark, Shaye Gregan, Ezra-Lloyd Jackson, Adama Jalloh, Julianknxx, Alfie Kungu, Mario Moore, Ronan Mckenzie, Sola Olulode, Natassja E Swift, Naomi Williams and Joy Yamusangie.With furniture designs by: Modular by Mensah, ROL Studio by Holly Rollins and Miminat Shodeinde.The collaboration with BMW organically formed through conversations around responding to space, interiors, design, and artwork, informed by the desire to have an expansive experience of everyday spaces. Both Mckenzie’s and BMW foundations have developed instinctively through the attention to tactility and texture, fabrication, sound, and an interest in activating multiple senses to shape emotional responses and experiences. Inspired by a shared vision for more meaningful connections, this collaboration forms one of an ongoing discourse between design and the arts.For over 50 years, the BMW Group has initiated and been engaged in hundreds of cultural collaborations worldwide. The main focus of its long-term commitment is set on modern and contemporary art, classical music, jazz and sound, as well as architecture and design.Follow @RonanKSM on Instagram to learn more about #ToBeHeld. Follow: @CarlFreedmanGallery on Instagram #CarlFreedmanGalleryVisit the exhibition: https://carlfreedman.com/exhibitions/2023/to-be-held-curated-by-ronan-mckenzie/Follow @BMWGroupCulture to learn more about BMW's commitment to art. BMW has created an Art Guide listing over 300 private art collections that are accessible to the public in 224 cities and 51 countries around the world. Get your free copy by clicking here. Hosted on Acast. See acast.com/privacy for more information.

New @talkart!! We meet Antoni Porowski, inspiring chef, New York Times Bestselling Author and star of Netflix’s Emmy Award-winning series Queer Eye. We discover his passion for Louise Nevelson’s sculptures, the impact his art teacher had on his life, the paintings of Giacomo Balla, Les Lelannes sheep sculptures, collecting furniture and photography by Simen Johan, Ryan McGinley and Paul Mpagi Sepuya! We also discuss Sally Mann’s photos, visiting New York galleries like Team Gallery and art fairs Frieze NY and The Armory, museums including the Met and Guggenheim, his love of living in the city and Patti Smith.Born in Canada to European emigrants, Antoni is an outspoken advocate for LGBTQ+ rights everywhere, especially his family’s native Poland where he serves on the board of the Equaversity Foundation which was established to organize international fundraising to support the LGBTQ+ community in Poland.Follow @Antoni on Instagram and watch the new series of Queer Eye, hitting screens this May on Netflix! #AntoniPorowski @QueerEye Hosted on Acast. See acast.com/privacy for more information.

We meet living legend DUANE MICHALS (b. 1932, McKeesport, PA) one of the GREATEST photographic innovators of the last century, widely known for his work with series, multiple exposures, and text. For more than 60 years he has pushed photography and art to new dimensions. Without doubt, so many contemporary artists have been inspired by, and have directly referenced, the groundbreaking work of Duane Michals - he has truly shifted the way we think about art forever!!! Duane Michals is an artist who has been much imitated, highly influential and endlessly re-inventive. He celebrated his 91st birthday the week before this episode was recorded, so a big HAPPY BIRTHDAY to Duane!!!Michals first made significant, creative strides in the field of photography during the 1960s. In an era heavily influenced by photojournalism, Michals manipulated the medium to communicate narratives. The sequences, for which he is widely known, appropriate cinema’s frame-by-frame format. Michals has also incorporated text as a key component in his works. Rather than serving a didactic or explanatory function, his handwritten text adds another dimension to the images’ meaning and gives voice to Michals’ singular musings, which are poetic, tragic, and humorous, often all at once.Over the past five decades, Michals’ work has been exhibited in the United States and abroad. The Museum of Modern Art, New York, hosted Michals’ first solo exhibition (1970). In 2019, The Morgan Library and Museum in New York exhibited a career retrospective of Michals' work The Illusions of the Photographer: Duane Michals at the Morgan. More recently, he had one-person shows at the Odakyu Museum, Tokyo (1999), and at the International Center of Photography, New York (2005). In 2008, Michals celebrated his 50th anniversary as a photographer with a retrospective exhibition at the Thessaloniki Museum of Photography, Greece, and the Scavi Scaligeri in Verona, Italy.Michals's work belongs to numerous permanent collections in the U.S. and abroad, including the Israel Museum, Jerusalem; the J. Paul Getty Museum, Los Angeles; the Metropolitan Museum of Art, New York; the Moderna Museet, Stockholm; the Museum of Modern Art, New York; the National Museum of Modern Art, Kyoto; and the Philadelphia Museum of Art. Michals's archive is housed at the Carnegie Museum of Art, Pittsburgh.Michals received a BA from the University of Denver in 1953 and worked as a graphic designer until his involvement with photography deepened in the late 1950s. He currently lives and works in New York City, USA.Follow @TheDuaneMichals on Instagram.Views more than 50 recent short films at Duane's Vimeo channel: https://vimeo.com/duanemichalsLearn more at DC Gallery: https://www.dcmooregallery.com/artists/duane-michals Hosted on Acast. See acast.com/privacy for more information.

Paula Siebra is a Brazilian painter born in Fortaleza, Ceará, in 1998. The artist focuses on images related to everyday life and scenes of intimacy using Brazilian northeastern culture as her starting point. Her paintings emerge from the exploration of established themes such as portraits, landscapes and still lifes. These motifs, throughout her research, acquire a peculiar aspect: a certain simplification in the contours, added to a reduction in the contrast between chromatic tones, polarizing reality and reverie – as if the artist were daydreaming about ordinary life.In addition to following a straightforward continuum from tradition, her paintings relate to an inherent visualness of her native land of Ceará and the Brazilian Northeast as a whole. She is particularly close to with folk art, since her interests encompass the synthetic form of clay objects, laces and other textile works such as crochet and embroidery, as well as the geometric and colorful architectural features of traditional houses. Surrounding villages, household objects and anonymous faces are elements of the landscape in which the artist is immersed, appearing as if clothed by a light mist that covers everything - alternately concealing or revealing them. Paula Siebra (1998, Fortaleza, Brazil) lives and works in Fortaleza, Brazil).Follow @Paula_Siebra on Instagram and her gallery @MendesWoodDMVisit: https://mendeswooddm.com/en/artist/paula-siebra Hosted on Acast. See acast.com/privacy for more information.

We meet legendary artist MIKE NELSON!!!Nelson’s installations take the viewer on enthralling journeys into fictive worlds that eerily echo our own.Constructed with materials scavenged from salvage yards, junk shops, auctions and flea markets, the immersive installations have a startling life-like quality.Weaving references to science fiction, failed political movements, dark histories and countercultures, they touch on alternative ways of living and thinking: lost belief systems, interrupted histories and cultures that resist inclusion in an increasingly homogenised and globalised world.Utterly transforming the spaces of the Hayward Gallery, the exhibition features sculptural works and new versions of key large-scale installations, many of which are shown here for the first time since their original presentations.Nelson represented Great Britain at the 54th Venice Biennale in 2011 and has shown in leading galleries around the world. He has also been featured in numerous international exhibitions, including the 13th Biennale of Sydney, the 8th Istanbul Biennial and the 13th Lyon Biennale.Follow @HaywardGalleryVisit Mike's major solo exhibition EXTINCTION BECKONS at Hayward Gallery, runs until 7th May 2023: https://www.southbankcentre.co.uk/whats-on/art-exhibitions/mike-nelson-extinction-beckons Hosted on Acast. See acast.com/privacy for more information.

We meet Péjú Oshin, a British-Nigerian curator, writer and lecturer born and raised in London. Her work sits at the intersection of art, style & culture with a keen interest in liminal theory and diasporic narratives. Core to her practice is working with visual artists, brands and people globally. Since starting her career working in arts & culture in 2015, Péjú has worked broadly in engaging audiences through public programming, exhibitions, and outdoor art projects in a number of cultural spaces and institutions with a history of supporting artists at various stages of their careers. Péjú is the curator of the forthcoming Gagosain exhibition Rites of Passage which brings together nineteen artists with shared histories of migration.Her previous work and projects include managing the delivery of the Workshop Artists in Residence programme, curating live performance Stillness: We Invoke the Black to Rest (2020), Beyond Boundaries (2021), Late at Tate Britain: Life Between Islands (2021), Late at Tate Britain: Hew Locke (2022) and in-person and online programming at Tate. Leading Barbican’s first Young Curators Group (2019-2020) and delivering a number of public-facing events at Wellcome Collection in response to exhibitions such as Living with Buildings and Being Human. As a writer, Péjú has written texts for artists which have been used in exhibitions and solo presentations of artists internationally. She has also been commissioned to write for various platforms and published her first collection of poetry and prose Between Words & Space (2021) which explores performativity, a fear of vulnerability both in public and private spheres and relationships in their varying complexities through the nuances of culture, liminality and where we find home.In 2021 Péjú was shortlisted for the Forbes 30 Under 30 Europe list in the Arts & Culture category and nominated and selected for one of fifteen memberships to AWITA sponsored by Martin Millers Gin, the Adara Foundation and Hauser & Wirth (2021). Péjú currently works at @Gagosian as Associate Director (2022 - present), is an Associate Lecturer at Central Saint Martins. She previously worked at Tate (2018-2022) most recently as Curator: Young People’s Programmes.Follow @PejuOshin on InstagramVisit: www.pejuoshin.com and https://gagosian.com/exhibitions/2023/rites-of-passage/ Hosted on Acast. See acast.com/privacy for more information.

Welcome to this very special edition of Talk Art brought to you by "The Recharge in Nature Project", a three-year collaboration between National Parks UK and BMW. Our guest for today is the extremely talented Hannah Lees, a Margate-based artist whose art is deeply influenced by the beauty of nature, its landscapes, discarded treasures and sustainability.Hannah's artistic vision aligns seamlessly with The Recharge in Nature Project's mission, which aims to promote nature restoration, biodiversity, wellbeing, and accessibility. This initiative seeks to improve the electric vehicle charging infrastructure in and around our National Parks, making it more convenient for visitors to use an electric car while exploring the great outdoors. In this episode we delve into Hannah's work, her personal background, and the inspiration behind her creations.Hannah Lees’ work encompasses painting, drawing, sculpture, installation, textiles, ceramics, internet art, performance, writing, sound and video.Lees investigates ideas of cycles: constancy and mortality; the sense that things come to an end and the potential for new beginnings.This constancy, be it in religion, science, history or in organic matter, is visible in her practice through her attempts to make sense of and recognise traces of life.Through appreciating this, her work is focused towards an understanding of the essential nature of the materials she uses.Visit: https://www.hannahlees.com/Follows @hannahjleesHannah Lees' solo show 'Not now not anymore' opens at Roland Ross, 11.03.23 - 29.05.23Preview: 11.03.23 2-5pm Follow: @rolyrossTo discover more about the Recharge in Nature Project, visit bmw.co.uk/NationalParks"...Not really now, not anymore... For what does the phrase point to if not a fatal temporality? No now, not any more, not really. Does this mean that the present has eroded, disappeared - no now any more?Are we in the time of the always-already, where the future has been written; in which case it is not the future not really"p91, Mark Fisher "The Weird And The Eerie" 2016 Pub. Repeater Books, London, UKPlease join us for the opening of Not Now Not Anymore at 174-176 Hither Green Lane where Hannah Lees will present a series of new tablet works that combine beach combed objects with the elements of mica dust and rust converted iron powder, to create a kind of alchemy, embedded in plaster forms that are reminiscent of ancient artefacts. The works alternate between exploring circularity and linearity, at times following a process by which objects are permanently transformed and reactivated as painterly abstractions.Roland Ross | 174-176 Hither Green Lane, London SE13 6QBBy appointment only Fri-Sat 12-4pm Hosted on Acast. See acast.com/privacy for more information.

Talk Art EXCLUSIVE! We meet Hollywood icon SHARON STONE!!! In this feature length special episode, we discover Sharon's obsession with painting, her current debut solo exhibition 'Shedding' at Allouche Gallery in Los Angeles and her lifelong passion for art. We learn about her journey collecting art, her close friendships with artists including Robert Rauschenberg and her love of museums. But most of all, we reveal Sharon’s LOVE for MARGATE, Turner and @turnercontemporary!!!!!Stone has a diverse range of creative projects - writing, producing, acting, activism and painting. Sharon Stone’s paintings are predominately abstract, meditative landscapes. Yet occasionally figurative elements appear within her colourful abstractions. Dream worlds, nostalgia, imagined landscapes, views of idyllic nature. Motifs recur including an ominous moon. Sharon Stone is best known for her acting roles in Basic Instinct, Casino, Total Recall, The Specialist, Catwoman and more recently Ryan Murphy's Ratched. She is the recipient of various accolades including an Emmy Award, a Golden Globe Award, and an Academy Award nomination. She received a star on the Hollywood Walk of Fame in 1995 and was named Officer of the Order of Arts and Letters in France in 2005 (Commander in 2021). She has been honoured with a Nobel Peace Summit Award, a Harvard Humanitarian Award, a Human Rights Campaign Humanitarian Award and an Einstein Spirit Award. She currently lives in Los Angeles with her family.Follow @SharonStoneVisit @AlloucheGallery and https://allouchegallery.com/exhibitions-laSharon Stone 'Shedding' runs until 31st March at Allouche Gallery, Los Angeles.Read Sharon's extraordinary memoir 'The Beauty of Living Twice', published by Allen & Unwin. Order from Waterstone's in UK. Hosted on Acast. See acast.com/privacy for more information.

Talk Art special episode!! We meet awesome artist RYCA to explore his new collaboration with Stella Artois Unfiltered to reimagine an iconic pub sign as a nude artwork to raise awareness and support for pubs struggling with rising energy bills!!!RYCA is one of 11 contemporary artists who’s original artworks will be sold at online auction, with all profits going to Hospitality Action.'The Pub Renaissance', a new art collection curated by Stella Artois, features work from renowned artists including Reuben Dangoor and Heath Kane.The campaign is in direct response to the threat facing pubs across the country. Amid the cost of living crisis, many are struggling to pay their bills as energy prices continue to skyrocket - latest data from charity, Hospitality Action, has revealed applications for financial support are up by almost a third (29 per cent) on the previous year. The nude signs are available for online auction for a limited time only at The Auction Collective. All profits will be donated to Hospitality Action to assist pubs with rising energy bills and Stella Artois will match funds raised, up to £50,000. Inspired by the recent launch of Stella Artois Unfiltered, the eleven-piece collection celebrates the beauty of living life 'au naturel' - just like the naturally unfiltered beer itself.The cheeky series includes ‘The Cricketers’ reimagined by Reuben Dangoor to star a batsman with a strategically placed bat, a new view of 'Queen Victoria' by Samuel Rees-Price, and a brand-new portrait of HRH King Charles for 'The Kings Head' by Heath Kane. Spanning a variety of signs from across the UK, the full collection includes: ● Reuben Dangoor x The Cricketers● Bernadette Timko x Duke of Wellington● Emma Wesley x The Bricklayers Arms● Becki Gill x Britannia● Samuel Rees Price x Queen Victoria  ● Alice Tye x The Plough● Mattia Guarnera x Horse & Jockey● Natasha Klutch x George & Dragon● RYCA x Robin Hood● Enigma x The Cannon● Heath Kane x King’s Head The original works will be sold via The Auction Collective, with online auction closing on 5th April. So... Buy nude art. Help pubs.Follow@RYCA_Artist #StellaPubSigns #ad #RYCALearn more by visiting@StellaArtoisUKRyan Callanan (a.k.a. RYCA, born 1981) draws on his disparate experiences in 3D design, commercial printing, and street art to make paintings, prints, hand-etched signs, and sculptures that riff on pop culture. Common themes include Star Wars, 1980s acid house culture, song lyrics, and art historical figures such as Johannes Vermeer and Andy Warhol. RYCA has exhibited extensively in London and has had shows in Brighton, New York, Miami, and Hong Kong. Hosted on Acast. See acast.com/privacy for more information.

We meet Arthur Lambert from the Estate of artist LARRY STANTON (1947-1984).Larry Stanton was a Manhattan-based portrait artist whose work was championed by David Hockney, Henry Geldzahler, Ellsworth Kelly and others. He was a gay man who lived in Greenwich Village in New York City. Stanton produced a significant body of work—mostly drawings and paintings—in the four years leading up to his death from AIDS-related complications. Stanton drew portraits of the young men he slept with, as well as his friends and family. Many of Stanton’s subjects were other gay men who died in the 80s from AIDS, and his brightly colored faces sketched quickly in crayon and colored pencil stand as an archive of lives lost. Lambert inherited all of Stanton’s work after he died.We discuss the new book, edited by Italian theatre director Fabio Cherstich and Stanton's lover Arthur Lambert titled Larry Stanton: Think of Me When It Thunders. A tribute to yet another artist that died before they could leave their mark and is the definitive publication on Stanton’s art and life to date. It includes 139 artworks, many of them portraits of the boys he met on nightly outings, as well as friends and family and a large collection of self- portraits, plus previously unpublished archive imagery of Stanton’s circle. With texts by Cherstich, Lambert, Hockney, Geldzahler, and more, it’s part artbook, part personal history, a round-up of the faces and names that formed Stanton’s world.Since meeting Cherstich, the two have founded the Estate of Larry Stanton to bring renewed attention to Stanton’s art. A collection was recently on display at Daniel Cooney Gallery, while Acne Studios has presented an exhibition of works and objects featuring Stanton’s drawings in Milan, Seoul, Tokyo and New York in Feb 2023.‘The portraitist is an observer of people; his attitudes and feelings will be reflected in his observations, and usually the interest in personality makes one study faces. Other aspects of personality show in the body—posture, ways of moving, etc.—but most is revealed in the face. People make their own faces, and Larry knew this instinctively’.—David Hockney'Larry Stanton lived and painted in Manhattan until he died of AIDS at the age of 37. In Greenwich Village, he was a familiar sight, starting his practice every day in the early afternoon, drinking coffee at the same spot while balancing his sketchbook and drawing someone who caught his eye. His studio developed into a gathering place for artists and writers and they became subjects for his portraits.In the late '70s and early '80s, NYC was a magnet for boys who were escaping from homes and places where being gay was not accepted. Many of these boys became models for Larry. His work provides a telling picture of faces from a segment of NYC life which shortly disappeared with the advent of AIDS, an epidemic that annihilated so many of these faces, including Larry's own.' Text by Visual AIDS.Follow @Larry_Stanton_Art, @DanielCooneyFineArt and @ApalazzoGalleryView the Acne Studios recent collaboration: https://www.acnestudios.com/eu/en/man/larry-stanton/ Hosted on Acast. See acast.com/privacy for more information.

We meet painter KATY MORAN to discuss More Me, the artist's first presentation in Australia to date, showcasing her signature style of painting that defies and dispels traditional genres of landscape, portraiture or still life, instead, existing as free, gestural explorations of colour and line. Moran’s practice hovers in a productive space between figuration and abstraction. She paints over canvases found in flea markets and charity shops, blurring the found images beneath her layers of paint, evoking a deliberate sense of nostalgia and longing, as if unravelling a distant memory.Katy Moran’s paintings reflect a responsive working process: shifting or rotating the canvas while painting, reworking textures, and reconsidering the shapes and figures that emerge. With this approach to painting along with the inclusion of collage, often partially obscured, her work conveys a deliberate tension between materiality and subject. Moran creates a dynamic push and pull between the addition and the removal of paint; some works exhibit thick application of paint, while in others the painterly gesture is removed with rags dipped in varnish or even by sanding. Via the oscillation between representation and abstraction, composition and narrative, texture and space, Moran engages thought and sense simultaneously.Follow @KatyMoran123 on Instagram and visit her gallery Modern Art: https://modernart.net/artists/katy-moranKaty Moran's new exhibition More Me is now open and runs until 1st April at Station, Melbourne, Australia.Visit https://stationgallery.comKaty Moran lives and works in Hertfordshire. She was born in Manchester in 1975 and completed an MA Fine Art in painting at the Royal College of Art, London in 2005. Moran’s work has been the subject of solo exhibitions at Parasol Unit for Contemporary Art, London (2015); the Douglas Hyde Gallery, Dublin (2013); Wexner Center for the Arts, Columbus (2010); Tate St. Ives (2009); and Middlesbrough Institute of Modern Art, UK (2008). Her work has been featured in group exhibitions at Tate St. Ives (2018); Aspen Art Museum (2015); Walker Art Center, Minneapolis (2013); SFMOMA (2012); and Tate Britain, London (2008). Her work is included in important public and private collections including Arts Council Collection, London; David Roberts Art Foundation; Government Art Collection, London; The Rachofsky Collection, Dallas; Royal College of Art, London; Tate; SFMOMA; and Walker Art Center; Yale Center for British Art, New Haven; and Zabludowicz Collection. Hosted on Acast. See acast.com/privacy for more information.

SEASON 16!!! We meet LEGENDARY artist Nicolas Party!!!! We discuss his major new solo show Cascade, Nicolas Party’s third exhibition with Xavier Hufkens. A stunning group of new works, including pastels, cabinets and oil-on-copper paintings. Large tripartite pastels and smaller cabinet paintings point to a new trajectory, both formal and technical, that has opened up in his practice. Mastering the all but forgotten art of painting on copper, Party’s paintings are as luminous as their historical counterparts. A group of single arched pastels and oil-on-copper paintings echo the shape of the cabinet’s central panels.Born in Lausanne in 1980, Party is a figurative painter who has achieved critical admiration for his familiar yet unsettling landscapes, portraits, and still lifes that simultaneously celebrate and challenge conventions of representational painting. His works are primarily created in soft pastel, an idiosyncratic choice of medium in the 21st-century, and one that allows for exceptional degrees of intensity and fluidity in his depictions of objects both natural and manmade. Transforming these objects into abstracted, biomorphic shapes, Party suggests deeper connections and meanings. His unique visual language has coalesced in a universe of fantastical characters and motifs where perspective is heightened and skewed to uncanny effect.In addition to paintings, Party creates public murals, pietra dura, ceramics, installation works, and sculptures, including painted busts and body parts that allude to the famous fragments of ancient Greece and Rome. His brightly-colored androgynous figures vary in scale from the handheld to the monumental, and are displayed on tromp l’oeil marble plinths of differing heights that upend conventional perspective. Party’s early interest in graffiti and murals—his projects in this arena have included major commissions for the Dallas Museum of Art and the Hammer Museum in Los Angeles—has led to a particular approach to the installation and presentation of his work. He routinely deploys color and makes architectural interventions in exhibition spaces in order to construct enveloping experiences for the viewer.The artist’s childhood in Switzerland imprinted upon him an early fascination with landscape and the natural world, and the influence of his native country places Party firmly within the trajectory of central European landscape painting. Points of reference in his work include celebrated 19th-century Swiss artists Félix Vallotton, Ferdinand Hodler, and to Hans Emmenegger. One can also find within his works a 21st-century synthesis of the sorts of impulses and ideas that fueled the Renaissance and late 19th-century, early 20th-century figurative painting, the compositional strategies of Rosalba Carriera and Rachel Ruysch, and the visions of such self-taught artists as Louis Eilshemius and Milton Avery.Based in New York, Party studied at the Lausanne School of Art in Switzerland before receiving his MFA from Glasgow School of Art in Scotland.Follow @NicolasParty on Instagram and @XavierHufkensView his new exhibition at https://www.xavierhufkens.com/exhibitions/nicolas-party Hosted on Acast. See acast.com/privacy for more information.

We meet artist Aubrey Levinthal from her studio in Philadelphia!!!Softly-rendered portraits by Aubrey Levinthal explore contemporary psychology. In the works, figures go about familiar daily routines - eating, sleeping and daydreaming. The artist is inspired by a range of modernist painters, from portraitist Alice Neel to collagist Romare Bearden and modernist David Hockney. Her intentionally muted palette of predominantly grey tones is created by layering light washes of oil paint onto panels, and then scraping them down with a blade. This technique renders the skin of her characters as almost translucent - either emerging from, or dissolving into, their surfaces.Much of Levinthal’s recent work relates to the COVID-19 pandemic. The loneliness and claustrophobia of social isolation is told through melancholic facial expressions and slumped postures. Recurring motifs, such as browning bananas and unfinished meals, allude to the passing of time, while irregularities in proportion and perspective engage the ways in which a home becomes strange when you spend all your time within it. These details embody the crux of Levinthal’s practice - how we inhabit spaces, and how they inhabit us.Levinthal’s paintings focus on her own daily interiority and the quotidian, mostly situated in the home. More recently, Levinthal reflects on ones’ relationship to the outside world and moves the psychology away from the isolated self to a more unknown drifting space. The paintings are infused with more daylight, colour has become brighter, and the figures are larger. Shared environments, such as neighborhood coffee shops, yoga studios, hospitals, hotels and pools are fraught with nuanced tension and personal connection. Levinthal heightens the psychological space between observing and knowing. The paintings explore a sense of insecurity, self-reflection and curiosity in collective spaces. In Bagel Line (2022), a group of friends situated outside a bagel shop huddle closely together in winter coats. Their expressions range from anxious to annoyed to eager highlighting ones’ own duality. The artist projects an interior life onto these strangers: a barista, a person standing in line, a blue-haired teenager at a take-out counter, or a shopper in a clothing store. Within the paintings, objects take on abstract shapes and act as barriers. In Crab Shack (2022), two brown paper bags give the impression of a wall in front of a pensive young woman. Levinthal draws inspiration from the Renassiance period to Modernists such as, Mary Fedden (1915-2012), Milton Avery (1885-1965) and Fairfield Porter (1907-1975). Levinthal’s tenderly observed paintings illuminate the strangeness of daily interiority and introspection. In Yoga Mat (2022), the viewer is confronted with a lone woman in a yoga pose. The figure also doubles as an ancient sculpture, most evident in the shapes used and the manner in which the feet are depicted, as if resembling stone. This painting was directly inspired by the Egyptian sculpture titled Statue of Sitepehu (1479-1458 BCE), which is part of the permanent collection at the Penn Museum, Philadelphia. The artist lives and works in Philadelphia, PA and is represented by Monya Rowe Gallery, NY.Follow @AubreyLevinthal on Instagram and their official website https://aubreylevinthal.com/ Follow their gallery: @Monya_Rowe_GalleryAubrey's new work is included in group show 'Close' at GRIMM Gallery curated by Talk Art co-host Russell Tovey from 4th March - 6th April, 2023 2 Bourdon Street, London (UK). Hosted on Acast. See acast.com/privacy for more information.

We meet leading artist TOM BURR from his studio in Connecticut, USA!In his spare, enigmatic, mixed-media sculptures and installations, Tom Burr explores the ways in which we imbue the spaces and things by which we are surrounded—like clothing, furniture, or the patterns in wood—with our memories and emotions. As he explains: “I know that objects retain the stain of people and that our memory can be physically located out of longing or grief.” Though his work is grounded in his own memories, it is deliberately ambiguous, allowing viewers to invest it with their own life experiences. He uses what he calls a “focused spectrum” of humble materials and found objects, including plywood, old blankets and t-shirts, radiators, doors, books, and bits of hardware. By draping a pair of nylons over a radiator, encasing sneakers in yellow Plexiglas, or constructing stripped-down rooms, Burr makes his (and our) memories material.Tom Burr (b. 1963 in New Haven, Connecticut) lives and works in New York. He has shown extensively throughout Europe and the United States. He most recently was the subject of a solo exhibition entitled Hinged Figures at the Wadsworth Atheneum Museum of Art, Hartford, CT. His work was recently featured in Queer Abstraction at the Des Moines Art Center, Des Moines, IA.Burr’s work has been collected by major museums internationally, including the Whitney Museum of American Art, New York, NY; Migros Museum, Zurich, Switzerland; MOCA, Los Angeles, CA; MuMOK, Vienna, Austria; New York Public Library, New York, NY; Sammlung Grasslin, Germany; Sammlung Verbund, Vienna, Austria; Ludwig Museum, Koln, Germany; Hammer Museum, Los Angeles, CA; FRAC, Champagne Ardenne, France; FRAC, Nord-Pas de Calais, France; Baltimore Museum of Art, Baltimore, MD; and the Israel Museum, Jerusalem, Israel. Burr attended the School of Visual Arts and the Whitney Independent Study Program in New York.Tom Burr’s forthcoming solo exhibition runs from 10th March 2023 at Bortolami in New York.Follow @BurrTomBurrVisit: Maureen Paley, London, Bortolami, NYC and Galerie Neu, Berlin. Hosted on Acast. See acast.com/privacy for more information.

New Talk Art!!! For this VERY special episode we meet artist couple - photographer Ian Lewandowski and painter Anthony Cudahy to discuss how their individual art practices overlap through their life together and the idea of the 'muse'.Ian Lewandowski (born 1990) is a photographer from Northwest Indiana. He’s exhibited photographs at School 33 Art Center (Baltimore), 1969 Gallery (New York), Skylab Gallery (Columbus), and Lamar Dodd School of Art (Athens). Ian has been published in Unseen, The Fader, American Chordata, and Capricious. In 2017 Dashwood Books published Vigil (RHYTHM) Vigil, a volume of his photographs alongside paintings and drawings by his partner Anthony Cudahy, which was in 2018 featured in theQueering Space group exhibition at Alfred University (Alfred). He holds an MFA from the State University of New York at Purchase. Ian’s work negotiates picture and body histories. He also archives the photo work of Kenny Gardner (1913-2002). He lives in Brooklyn. Ian Lewandowski’s first monograph, The Ice Palace is Gone, published by Magic Hour Press, is a collection of large format color photographs depicting queer identities and interiors within the context of community and care. Alluding to the nightclub on Fire Island, the Ice Palace is a space that represents the temporal and precarious nature of queer spaces, and the necessity for them to be constantly rebuilt and reimagined. In The Ice Palace is Gone, Lewandowski creates honest depictions of those he photographs, while presenting a potentiality for who they could be. Lewandowski’s portraits crystalize his subjects as characters within this seductive and surreal world, blurring the boundaries between fact and fiction. Anthony Cudahy (born 1989) is a painter living and working in Brooklyn, NY Anthony Cudahy (b.1989 Florida, USA) received a BFA from Pratt Institute, NY in 2011 and completed an MFA at Hunter College, NY in 2020. He lives and works in Brooklyn, NY. Cudahy’s tender paintings reveal the nuanced complexities of life. In masterful compositions he creates a world for unspoken stories, intimate moments and romantic gesture. Personal and poetic, Cudahy’s figures coalesce with the atmosphere of their environments in fluid brushstrokes. At once dark and luminous, Cudahy’s paintings often have a phosphorescent quality to them, as though they are lit from within. For the artist, how the paint is handled has its own narrative potential – the thick textures, light airy space, patterning and delicate marks are all active in the story he is creating. Alongside painting, Cudahy makes incredibly detailed colored pencil drawings, in an all-consuming process of mark making. Unlike his paintings which transform throughout the making, the challenging medium calls for the compositions to be decided beforehand.Follow @AnthonyCudahy and @ILewando on InstagramVisit: https://anthonycudahy.com/ and https://ianlewandowski.com/ Hosted on Acast. See acast.com/privacy for more information.

We meet SANDRA BERNHARD, performer, actress, singer, comedian, author and ICON!!!! We discover the influence of her artist mother, growing up in Flint Michigan and meeting/collaborating with artists as wide-ranging as Nan Goldin, Mike Kelley, John Boskovich, Robert Mapplethorpe, Herb Ritts, and Keith Haring and her deep admiration for the work of Cindy Sherman. We also learn about her passion for expressing herself via fashion, walking the runway for Chanel and Comme des Garçons, and her iconic performances on Late Night with David Letterman in the 80s and 90s.Bernhard is currently starring (alongside our very own Russell Tovey) in the new season of American Horror Story: NYC, having previously made a special guest appearance on AHS: Apocalypse. Her successful, decades long television career also saw her as a series regular in the immensely popular FX Television/Ryan Murphy show POSE as brassy but caring Nurse Judy Kubrack, who works with H.I.V. / AIDS patients. She is also currently in her fifth year hosting her weekly radio show Sandyland on Sirius XM's Radio Andy channel 102, for which she won a broadcasting Gracie Award.She first gained attention in the late 1970s with her stand-up comedy, where she often critiqued celebrity culture and political figures. A pioneer of the one-woman show, Bernhard brings a completely unique and raucous mix of cabaret, stand-up, rock-n-roll, and social commentary to her live stage performances. Just last year she celebrated the 10 year anniversary of her iconic annual holiday shows at Joe's Pub in New York City, while she also continues to tour throughout the country and overseas. Extremely notable past live stage shows, which she has performed both on and off-Broadway, include Without You I'm Nothing, I'm Still Here, Dammit, Everything Bad and Beautiful, and #blessed.Bernhard's film credits include The King of Comedy, for which she was awarded Best Supporting Actress by the National Society of Film Critics, Track 29, Hudson Hawk, Dinner Rush, and the live performance film Without You I'm Nothing. Past television credits include Two Broke Girls, Brooklyn Nine-Nine, Broad City, Difficult People, You're the Worst, The New Adventures of Old Christine, Will &Grace, The Sopranos, The Larry Sanders Show and Roseanne. Music albums include I'm Your Woman (Polygram, 1986), Excuses for Bad Behavior (Epic, 1994) and the world music album Whatever It Takes (Mi5, 2009). She has written three books: May I Kiss You on the Lips, Miss Sandra?, Confessions of a Pretty Lady, Love, Love and Love.Follow: @SandraGBernhard on Instagram. Visit her official website: https://www.sandrabernhard.com/ Hosted on Acast. See acast.com/privacy for more information.

New Talk Art! We head to London's Pippy Houldsworth Gallery to meet leading artist Nengi Omuku (b.1987, Nigeria)!!!Grappling with ideas around gender, cultural heritage and race, Nengi Omuku’s practice explores the complexities of identity, focusing on interior psychological spaces and how they manifest within the physical world. Rendered in oil paint on strips of sanyan – a traditional Nigerian fabric used for draped clothing – Omuku creates ethereal scenes of figures in constant flux, interacting with one another and the landscape around them. Inspired by both archival and current images taken from the Nigerian press and media, she creates worlds in which the distinction between bodies and nature is often blurred, reflecting on the intricacies around navigating place and belonging.  The spectral figures in her works have their faces deliberately obscured; silent observers whose gaze penetrates out towards the viewer. Reflecting the fluctuation in her paintings between the figurative and abstract, they too resist singularity and instead look to embrace the collective experience, echoing the choruses in Greek theatre. Omuku’s interrogations of the ambiguous spaces in between is equally explored in her use of materials. Weaving together strips of sanyan, she often combines vintage textiles from different fabrics, creating an amalgamation of materials to which she then reverses and applies oil paint to the back. The dichotomy between the intricately woven and carefully designed materials combined with the fluidity of the oil paint, speaks to living between cultures whilst at the same time feeling deeply connected to her country of birth.Nengi Omuku (b.1987, Nigeria) has completed both her BA and MA at the Slade School of Fine Art, University College London. Omuku’s work is inspired by the politics of the body and the complexities that surround identity and difference. With every journey, she considers how human beings position themselves in space in relation to other beings. Foremost on her mind are the ways in which the body needs to adapt in order to belong. It is constantly selecting and gathering its identity, mentally, physically, and emotionally. Follow @NengiOmuku and @PippyHouldsworthGalleryLearn more at Pippy Houldsworth Gallery: https://www.houldsworth.co.uk/artists/168-nengi-omuku/works/ Hosted on Acast. See acast.com/privacy for more information.

Talk Art is back!!! To kick off the new year 2023, we bring you an exclusive interview with artist JAKE GREWAL on the occasion of his major solo show of new paintings at Thomas Dane.In Jake Grewal’s paintings and drawings nude figures, nearly always male and often based on the artist’s own image, inhabit verdant forests and woodland landscapes. Unmoored from any specific time or place, Grewal’s dream-like scenes are spaces of desire and projection, where the artist’s exploration of self opens out into narratives surrounding the fractious relationship between human and nature, and the search for an idealised place of queer communion. Grewal’s figures appear at once in harmonious cohabitation with their natural surroundings and seemingly on the verge of being consumed by them, an ambiguity that suffuses his works with an atmosphere of quiet uncertainty and longing.Drawing is central to Grewal’s practice. In his charcoal and pencil sketches, images and narratives are slowly brought into focus, often through the insistent repetition of an idea made in different mediums, on varying grounds and scales. There is an intimacy and expediency offered by charcoal and graphite that Grewal harnesses and embeds in his work in order to lend his figures the quality of being just out of reach. The exhibition includes a number of small charcoal studies made in the studio and out of doors the close-cropped framing of bodies and natural forms makes them feel like fragments of much larger scenes.Sketching from Old Master paintings informs the way in which Grewal constructs many of his images, drawing from painters such as Constable, Corot, Degas, and Gauguin; artists for whom a deeply evocative relationship to the natural world was central. Close scrutiny of these works allows Grewal to extract formal passages and devices from a quintessentially European landscape idiom and transpose these onto the landscapes of his imagination. As stage sets for subjects cast in the image of his own body, Grewal’s works challenge the entrenched white, heteronormativity of the Western canon of painting.Once Grewal finds an image that holds enough complexity or embodies a satisfying sense of evasiveness, he will explore the image in paint. Now I Know You I Am Older brings together a number of new works depicting single or double figures, though the multiplying of figures in Grewal’s work can often be read as the observation of a single figure across time, a cubist interrogation of physical and psychological space, or like the unfolding of a filmic sequence. Grewal puts pathetic fallacy to dramatic effect, using twilight or dramatic sunsets to add a sense of drama or foreboding to an image. In If I Stay You’ll Break Me (2021­–2022) a piercing orange light cleaves the canvas in two, turning a large tree into a dramatic tracery of shadowed forms across a brooding sky; two ghostly figures appear in the centre of the work but appear to have been erased. In another large-scale image two figures walk across a watery landscape that recedes into an infinite sublime. The open expanse and quiet movement of its protagonists present an open-ended scenario onto which the viewer is invited to project any number of narratives, their purposeful stride towards a place not yet discovered.Jake Grewal (b.1994). View Jake's show at Thomas Dane until 28th January 2023, free entry. View at https://www.thomasdanegallery.com/ Follow @JakeGrewal on Instagram and their website: http://www.jakegrewal.com/ Hosted on Acast. See acast.com/privacy for more information.

HAPPY NEW YEAR!!!! We have a very funny gift of an episode for you before we take a few weeks off!!! We will return in mid January 2023!We meet the one and only BILLY EICHNER!!! Leading American comedian, actor, producer, and screenwriter, Eichner is the star of new gay romcom Bros and also the creator of Billy on the Street, the iconic comedy game show. The show earned Eichner a nomination for the Daytime Emmy Award for Outstanding Game Show Host.We discuss how Billy grew up with access to the arts in New York City but how he went on to discover most of his favourite artists via musicals, movies and TV shows! Most notably Six Degrees of Separation, the 1993 American comedy-drama starring Will Smith. We learn how Joan Rivers became a mentor and friend and how Madonna's SEX book by Steven Meisel was the first art book he ever owned!Follow Billy on Instagram: @billyeichner and check out Bros The Movie: @BrosTheMovie Hosted on Acast. See acast.com/privacy for more information.

Talk Art Christmas Special!!!! We meet the one and only Julian Clary, comedy pioneer, camp icon and bonafide Talk Art hero!!!! BORN TO MINCE!!!!We discuss living with art, the lasting influence of his art teacher and the fine art of Christmas pantomimes! We learn about his interest in the work of Keith Haring, Peter Blake, Jean Cocteau, queer life in the 1980s and his admiration for Noël Coward, Lindsay Kemp and Renaissance Art! We also have an art quiz in the style of Mastermind, to encourage maximum festive drama!!!After studying Drama and English at Goldsmiths College, University of London, Julian Clary began working on the cabaret and alternative comedy scene in the 1980s, first under the alias Gillian Pieface and later as The Joan Collins Fan-club. We reminisce about Fanny the Wonder Dog and Julian's hosting of groundbreaking TV show Sticky Moments with stage sets inspired by painter Marc Chagall, plus his radical stand-up comedy performances on Friday Night Live, which returned in October 2022 for a special, critically acclaimed & award-nominated brand new episode, as part of the 40th anniversary of Channel 4!Julian made his London Palladium debut in 2016 and returns to the stage in 2022! This Christmas join comedy superstars Dawn French and Julian Clary, with Alexandra Burke making her Palladium pantomime debut, as they lead the cast of a brand-new production of Jack and the Beanstalk at London’s iconic home of pantomime! Book tickets now: https://palladiumpantomime.com/ or @PalladiumPantoVisit Julian's Instagram: @JulianClaryRenownedHomosexual and his official website: https://JulianClary.co.uk/HAPPY HOLIDAYS EVERYONE!!! Thank you for another amazing year!!! With love, Russell and Robert X Hosted on Acast. See acast.com/privacy for more information.

New Talk Art! We meet Jammie Holmes from his studio in Dallas, Texas. Holmes is a self-taught painter from Thibodaux, Louisiana, whose work tells the story of contemporary life for many black families in the Deep South. Through portraiture and tableaux, Holmes depicts stories of the celebrations and struggles of everyday life, with particular attention paid to a profound sense of place. Growing up 20 minutes from the Mississippi River, Holmes was surrounded by the social and economic consequences of America’s dark past, situated within a deep pocket of the Sun Belt, where reminders of slavery exist alongside labor union conflicts that have fluctuated in intensity since the Thibodaux Massacre of 1887. His work is a counterpoint to the romantic mythology of Louisiana as a hub of charming hospitality, an idea that has perpetuated in order to hide the deep scars of poverty and racism that have structured life in the state for centuries.Despite the circumstances of its setting, Holmes’ work is characterized by the moments he captures where family, ritual, and tradition are celebrated. His presentation of simple moments of togetherness and joy within the black population that nurtures the culture of Louisiana has made him an advocate for this community. Holmes’ paintings fall somewhere between realistic depiction and raw abstraction, incorporating text, symbols, and objects rendered in an uncut style that mirrors a short transition from memory to canvas. He often references photographs from home, but also draws heavily on his own recollection of moments and scenes and works quickly to translate his emotions to paint.Follow @JHolmes214 and visit https://www.jammieholmes.com/Learn more at Marianne Boesky Gallery: https://marianneboeskygallery.com/artists/440-jammie-holmes/biography/ Hosted on Acast. See acast.com/privacy for more information.

We meet leading artist Peter Halley from his studio in NYC!Throughout the 1980s and 1990s, Peter Halley’s paintings and extensive writings about the ever-growing digitisation of cultural, artistic, and social life established him as a leading figure of the Neo-Conceptualist movement in New York City. In his paintings and writings, Halley described the increasingly isolated built environment through his uniquely invented language of ​‘cells’, ​‘prisons’ and ​‘conduits’. These central motifs were a means of thinking through the French Post-Structuralist ideas of Michel Foucault and Jean Baudrillard – among others – in relation to digital technology and capitalism. The gridded forms of Halley’s paintings reference not only the societal structures of the urban grid and the expansion of its underlying network of information technologies, but also the legacies of minimalist painting with which Halley grew up. It was during this period of the 1980s, while re-evaluating some of the inherited traditions of modernism, that Halley began to use synthetic colours and materials such as Day-Glo paint and Roll-a-Tex, which continue to characterise his work to this day. Alongside his teaching, painting and writing, in 1996, Halley founded index magazine, which was a further locus of his contribution to critical discourse around contemporary culture.Halley’s exhibition at Modern Art comprises a group of new shaped-canvas paintings that Halley has been evolving over the past several years. Building on his well-developed language of cells, prisons and conduits, these new shaped-canvas paintings further elaborate a relationship between two-dimensional and three-dimensional space in relation to the built environment. While remaining faithful to his painterly vocabulary and chosen materials: acrylic, Roll-a-Tex, and fluorescent Roll-a-Tex on canvas, Halley’s new works mark a departure from his paintings from the 1980s which assumed rectangular forms. The shapes of Halley’s new canvas surfaces are defined through the painted geometric compositions, associative of another dimension – perhaps an architectural plan, or a circuitry board – while the works continue to inhabit a point of contradiction between pure, rationalist geometry and playful, irreverent colour and texture. Peter Halley was born in 1953 in New York City, where he continues to live and work. He received his ba from Yale University in 1975 and his mfa from the University of New Orleans in 1978, remaining in New Orleans until 1980.Follow @PeterHalleyStudio on Instagram and https://www.peterhalley.com/View his works at his gallery Stuart Shave/Modern Art: https://modernart.net/artists/peter-halley Hosted on Acast. See acast.com/privacy for more information.

We meet emerging artist Nash Glynn, from her studio in New York's Seaport! Nash Glynn (b.1992) is a transdisciplinary American artist currently working in NYC. Working across painting, photography, and video, Glynn is best known for her groundbreaking nude self-portraits of her experience and life as a transgender woman, an underrepresented figure in the Western art canon until recently. Glynn was born and raised in Miami, Florida and learned to paint while working at her father's set design shop. Speaking about their work, the artist says, ‘I use paint as I use my body, and as such the possibilities for spontaneity of form and change become inexhaustible. By crafting affective figures I seek to create empathy. The work serves as an affirmation, a reminder that representation has no outside, meaning we choose the reference, add and remove as we please, manipulate each stroke with unique gesture and tone. A process of painting, also known as self-determination.’Nash Glynn (b.1992) received her BFA in 2014 from the School of the Museum of Fine Arts, and in 2017 her MFA from Columbia University. She has had solo shows at Participant Inc. in 2019, OCD Chinatown in 2020, and an upcoming exhibition at Vielmetter Los Angeles in Fall 2021. Her work has been in publications such as Artforum, Candy Transversal Magazine, and New American Paintings. Glynn was the recipient of the Leslie-Lohman Museum Artist Fellowship in 2017."Interiors, with its plural title, belies the singularity of Glynn’s point of view. Lately, she sticks to painting what she sees from the swivel stool she’s positioned between window and easel, things like: apples in a bowl, closed door, knife. Herself in a mirror, or her mind’s eye. Mostly windows. Yet this self-imposed agreement comes with a proviso to also see with her eyes closed, so as to produce landscapes that look mental. Glynn’s intuitive aversion to the rules of the physical world finds its clearest expression in her palette, which has the firmness of a signature. Alice Neel’s cobalt, Paul Gauguin’s vermillion, Lucian Freud’s mauve are all her colours now. Mixing: as little as possible. Earth tones: no. When she concedes the need for green in a landscape, the shade she uses is not actually grass but jade, à la Ferdinand Hodler; the resulting swath of field looks undulant and cold enough to pass for ocean. Then of course there is white. Rauschenberg’s white, or Ryman’s. The white of a well-rested eye, of the sand under the sun, of nothing said. Glynn has, over the past several years, developed a style of both still life and portraiture in which objects and/or subjects are exquisitely rendered and then set out on a ground that is white except for traces of shadow, so that the knife or flower or girl appears surfaced from memory." Excerpt from Catalogue Essay by Sarah Nicole Prickett from show Interiors.Follow Nash on Instagram: @NashGlynnVisit Nash's official website: http://www.nashglynn.com/View images at Vielmetter, LA: https://vielmetter.com/exhibitions/nash-glynn and @Vielmetter Hosted on Acast. See acast.com/privacy for more information.

We meet artist Kyle Coniglio to discuss his paintings which have been described as 'fictional tellings based on authentic experiences'. Naturally, this leads viewers to search for clues in his paintings to understand Coniglio as an artist, as a painter. A good starting point, as his recent solo exhibition title suggests is Last Summer. The title talks about the particular kind of warming nostalgia from memories of the past, and also Coniglio’s time spent on Fire Island.Fire Island which is parallel to the south shore of Long Island, New York, has long been a haven to LQBTQ+ visitors and residents alike. The island, a utopian-like place that is bountiful with queerdom, offers social freedoms that are less experienced in the outside heteronormative world. The island provides a space to build a society around another set of values. There is the sexual context which is well documented, but Coniglio also places importance on friendship, and how it brings people together. Because of this queer framework in which interactions are less bounded by traditional notions – connections to each other are more fluid. In turn, feelings of the fevered nature come to the forefront such as rejection, insecurity, isolation and shame. It is within the context of expanded communal interactions that these challenging notions can be candidly embraced.Orange, reds, blues, soft tans and even black –each portrait in the exhibition have different colours that are tied to a distinctive narrative. All the paintings together function to create a cast of characters and lexicon of emotional experiences. Characters wear briefs that are comfortably sculpted to their bodies, cut off shorts that are tailored around the waist to reveal lean legs, shirts that have been tied above the navel, or an epic combination: tote/beach/paint-brush bag that brings together queer, summer and artist modes of dress.Kyle Coniglio has his MFA in painting from Yale University and a BFA from Montclair State University. He has been a fellow of the Queer Art Mentorship program in New York and an affiliated fellow at the American Academy in Rome. His work has been included in shows in New York, Los Angeles, and Berlin. Conilgio had a solo exhibition with Taymour Grahne Projects, London, May 2022. Coniglio lives and works in Hoboken, New Jersey.Follow @KyleFyles on Instagram and visit Kyle's official website at: https://kyleconiglio.com/You can view images of Kyle's solo show at Taymour Grahne at this link: https://taymourgrahne.com/exhibitions/kyle-coniglio-last-summer Hosted on Acast. See acast.com/privacy for more information.

Season 15 continues!!! We meet our dear friend Katy Hessel!!!! Art historian, podcaster, author and presenter. She is best known for creating and curating The Great Women Artists; under this label, she runs an Instagram account and a successful podcast named by British Vogue as one of the top podcasts of 2021. In 2020, Katy wrote and presented a documentary on Artemisia Gentileschi for BBC Four’s Inside Museum series, followed by a documentary on Monet in for BBC Four’s Art on the BBC entitled The French Revolutionary and an appearance on BBC Two’s Inside Culture with Mary Beard. Beyond the BBC, Katy has presented films for the likes of Dior, the Tate, the Barbican, the Royal Academy of Arts, and the National Portrait Gallery. She has engaged in keynote speeches and panel events at the Oxford Union, Intelligence Squared, and the National Gallery, and has curated exhibitions at Victoria Miro, Timothy Taylor, and the Tate Modern. In 2021, Katy was named one of Forbes’ 30 Under 30 in Arts and Culture. In 2022, Katy published her debut book, The Story of Art Without Men, to much fanfare and critical acclaim, hitting the Sunday Times’ bestseller list in its first week of publication. How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Discover the glittering Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century USA and the artist who really invented the Readymade. Explore the Dutch Golden Age, the astonishing work of post-War artists in Latin America and the women artists defining art in the 2020s. Have your sense of art history overturned, and your eyes opened to many art forms often overlooked or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan this is the history of art as it's never been told before.​Follow @Katy.Hessell on Instagram. Thanks for listening!!! Hosted on Acast. See acast.com/privacy for more information.

Talk Art is back for Season 15!!!! This special Talk Art live episode with DJ Fat Tony is brought to you in partnership with L’OR coffee for the Secret Podcast Experience.We met artist Fat Tony live from Spring Studios London in front of a live audience for an incredible thought provoking chat about his life experiences, inspirations and interesting people he has met along the way.Follow @DJ_FatTony_ on Instagram and his official website: www.djfattony.co.uk Thanks for listening!!! We are so excited to share this new season with you. Keeping you company through the Winter!!!We would love to hear your feedback: https://survey.euro.confirmit.com/wix/2/p703696360272.aspx?l=9&src=1&HQLType=6&foreignID=%5BID%5DStarting his career 3 decades ago at an age too young to mention, Fat Tony has had his say in paving the way for the UK’s current music scene. Early on he won residencies for Trade at Turnmills, Egg and Limelight while also making his mark in New York holding a weekly show at The Palladium for Steve Rubell during the height of Paradise Garage. He has also graced the main floor of Privilege Ibiza, Space, Amnesia and DC10. A regular at Ministry of Sound and Glitterbox, Tony has already in this short season of 2021 played Defected Festival in Croatia, One Out & Wilderness Festival and countless other venues with The Warehouse Project and so much more around the corner. As official DJ to the icons like Elton John, Kate Moss and Donatella Versace, he is also one of the fashion scene’s go to performers.As one of club culture's most notorious - and best loved - figures, Tony is a complete force of nature. In his recent book I Don't Take Requests, he tells the most extraordinary stories of depravity and hedonism, of week-long benders and extreme self-destruction - and of recovery, redemption, friendship and the joy of a good tune.'Anyone can get a party started, but no one keeps it going like Fat Tony, the energy never dips andwhat a life he's lived.. He's a tosser but we still love him.' ELTON JOHN & DAVID FURNISHDJ Fat Tony has been described as 'the closest thing that club culture has to a national treasure' and the 'unlikely cult hero of quarantine'. Few people have crammed so many lives into one: when your first line of cocaine is aged 16 with Freddie Mercury, where do you go from there? I Don't Take Requests is Fat Tony's breathtakingly candid and outrageous memoir of a life of extremes. From his childhood on an estate in Battersea where he honed his petty criminality, was abused by an older man and made friends with Boy George, to his teenage years spent parading the Kings Road in his latest (stolen) clobber, working as a receptionist for a prostitute, hanging out with Leigh Bowery and Sue Tilley and creating his drag persona, to his life as DJ to the stars and his spiral into serious drug addiction. Now, he is 16 years sober and, alongside working to help others overcome addiction, DJing for everyone from Elton John to Louis Vuitton - and running one of lockdown's most popular Instagram accounts with its wickedly funny memes. Hosted on Acast. See acast.com/privacy for more information.

It's the Season 14 finale! We meet Skinder Hundal MBE who is the British Council's Director of Arts!!!! We discuss his extraordinary career in Visual Arts including recently working with Sonya Boyce, for the 2022 British Pavilion, who won the Golden Lion prize for her exhibition 'Feeling Her Way', which runs until 27th November.Before joining British Council, Hundal was CEO/Director of New Art Exchange, a contemporary arts space in Nottingham where he worked for 12 years to create connections between the UK and overseas through arts and cultural projects. Working across art forms, his international experience includes projects for La Biennale di Venezia, TED Global, Google Cultural Institute and for the UK’s official arts programme for the First World War Centenary, 14-18 Now.Major projects under his tenure at New Art Exchange includes Here, There & Everywhere, an ambitious international programme of artistic development, cultural exchange and artist residencies between the UK and Africa, South Asia, South Korea, Middle East, North America and Europe.Skinder Hundal is Executive Producer and co-Artistic Director of the UK’s original South Asian outdoor festival, Nottingham Arts Mela, and a Board member at Artist News (a-n) and Tom Dale Dance Company. In 2019, he was awarded an MBE for his contribution to visual arts.As Director of Arts, British Council, Hundal oversees multiple art forms, including: Architecture, Design and Fashion; Film; Literature; Music; Theatre and Dance; and Visual Arts. The British Council’s major arts activity includes cultural programmes for annual bilateral seasons such as UK/Italy 2020 and UK/Australia 2021-22; the British Pavilion exhibitions at La Biennale Arte and La Biennale Architettura, Venice; and the Market Focus Cultural Programme at the London Book Fair."Connecting, engaging and sharing knowledge through arts and culture is now more important than ever. I believe artists and cultural professionals help challenge, provoke and make sense of the world, so I’m looking to connect the unique and diverse UK’s arts scene with many brilliant artists and organisations around the world in my role at British Council.' Skinder Hundal MBEFollow @SkinderHundal and @BritishArts on Instagram, or @SkinsBC on Twitter. Learn more: https://www.britishcouncil.org/arts and explore the British Council Visual Arts Collection here: http://visualarts.britishcouncil.org/collectionThanks for listening to Season 14!! We will be back next week with a whole new series 15!!! Plus we will be announcing some very exciting news next week. WATCH THIS SPACE!!! Enjoying the podcast? Follow us and say hello via our Instagram: @TalkArt Hosted on Acast. See acast.com/privacy for more information.

We meet Alex Rotter, Chairman of Christie’s 20/21 Art Departments, to discuss Christie’s New York forthcoming auction 'Visionary: The Paul G. Allen Collection' which runs from 9–10 November 2022 at Rockefeller Center. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. Reflecting the depth and breadth of Paul G. Allen’s collection, the auctions connect this visionary innovator to a range of ground-breaking artists, joining Paul Cezanne with David Hockney, Alberto Giacometti with Louise Bourgeois, Georges Seurat with Jasper Johns and Agnes Martin with Yayoi Kusama. Valued in excess of $1 billion, The Paul G. Allen Collection is poised to be the largest and most exceptional art auction in history. Pursuant to his wishes, the estate will dedicate all the proceeds to philanthropy.From 29 October – 8 November 2022, view The Paul G. Allen Collection in-person at Christie's Rockefeller Center galleries in New York. Follow @ChristiesInc and visit their official website: https://www.christies.com/en/events/visionary-the-paul-g-allen-collection/overviewFrom Canaletto’s famed vistas of Venice and Paul Cezanne’s magisterial vision of the Mont Sainte-Victoire to Gustav Klimt’s Birch Forest, Georgia O'Keeffe's 'Red Hills with Pedernal, White Clouds', and latterly, David Hockney’s joyful depictions of his native Yorkshire, the collection highlights landmark moments in the development of landscape painting through centuries. Botticelli’s Madonna of the Magnificat, Georges Seurat’s pointillist masterwork Les Poseuses, Ensemble (Petite version) and Lucian Freud’s Large Interior, W11 (after Watteau) demonstrate the enduring power of the human figure in art, while the polyvalent practice of artists such as Max Ernst and Jasper Johns show how artists can subvert tradition to move art forward. We explore some of our own personal favourite works by Georgia O'Keeffe, Agnes Martin, David Hockney, Louise Bourgeois, Bridget Riley and Barbara Hepworth.Alex Rotter grew up in a family of art dealers in his native Austria, and studied at the University of Vienna. He currently lives in New York and is responsible for overseeing a global team of specialists spanning the full scope of 20th and 21st Century art. Rotter’s progressive approach to presenting extraordinary works of art to the market has yielded many of the most groundbreaking moments in auction history. Career highlights include the 2017 sale of Leonardo da Vinci’s Salvator Mundi , which sold for $450 million, becoming the most expensive object ever sold at auction, and Jeff Koons’ Rabbit from the Collection of SI Newhouse, which sold for $91.1 million and set a world auction record for a living artist. Hosted on Acast. See acast.com/privacy for more information.

Woody De Othello (b. 1991) is a Miami-born, California-based artist whose subject matter spans household objects, bodily features, and the natural world. Everyday artifacts of the domestic tables, chairs, television remotes, telephone receivers, lamps, air purifiers, et cet era—are anthropomorphized in glazed ceramic, bronze, wood, and glass. Othello’s sense of humor manifests across his work in visual puns and cartoonish figuration. “I choose objects that are already very human,” says Othello. “The objects mimic actions that humans perform; they’re extensions of our own actions. We use phones to speak and to listen, clocks to tell time, vessels to hold things, and our bodies are indicators of all of those.” Othello’s scaled-up representations of these objects often slump over, overcome with gravity, as if exhausted by their own use. This sophisticated gravitational effect is a central formal challenge in his work. Informed by his own Haitian ancestry, Othello takes interest in the supernatural objects of Vodou folklore, nkisi figures, and other animist artifacts that inspire him. Woody's work is part of epic new group show at Hayward Gallery, London: Strange Clay: Ceramics in Contemporary Art runs from 26 Oct 2022 –⁠ 8 Jan 2023.Learm more here: https://www.southbankcentre.co.uk/whats-on/art-exhibitions/strange-clay-ceramics-contemporary-artFollow @WoodyOthello on Instagram and his official website: http://woodyothello.com/Special thanks to @Hayward.Gallery and Karma NY and Jessica Silverman, SF. Hosted on Acast. See acast.com/privacy for more information.

We meet the one and only ZACHARY QUINTO!!!! Leading actor, film producer and art collector, best known for his roles Sylar in Heroes, Spock in Star Trek, Margin Call, Angels in America and numerous seasons of American Horror Story, for which he received an Emmy award nomination.We discuss living with art, making his own watercolours, growing up in Pittsburgh, coming out publicly as gay in 2011, meeting Cindy Sherman, his close friendship with Leonard Nimoy, the original Spock and also an accomplished artist/art collector, plus what it was like filming the latest series of AHS with none other than our very own Russell T!We learn about Zachary's favourite contemporary artists including the photography of Pablo Zuleta Zahr, Wolfgang Tillmans and Paul Mpagi Sepuya, the paintings and sculptures of Izumi Kato, Nash Glynn, Katharine Kuharic, Ross Bleckner, Wyatt Kahn, Elizabeth Jaeger, the collages of both Jens Fänge and Matt Lipps, needlepoint of Loji Höskuldsson, the carved wood panels of Zach Harris, and numerous inspiring visits to galleries and art fairs around the world including Vielmetter, Hauser & Wirth, Perrotin and Marc Selwyn Fine Art.We also explore the power of acting on stage and the 'devotional space' of theatre. Zachary will soon take to the stage in London's West End this November alongside David Harewood, in 'Best of Enemies'.Learn more and buy tickets for the 'Best of Enemies' play: https://bestofenemiesplay.com/Follow @AHSfx on Instagram for details of the all-new Season 11 'American Horror Story: NYC', starring both Russell Tovey and Zachary Quinto. Learn more at FX in the USA: https://www.fxnetworks.com/shows/american-horror-story. Or Disney+ in the UK: https://www.disneyplus.com/en-gb/series/american-horror-story/Thank you QUINNY, we love you!!!! Hosted on Acast. See acast.com/privacy for more information.

Season 14 continues!! We remember the life and work of one of the greatest artists of the 20th Century: KEITH HARING!!! We meet GIL VAZQUEZ, Executive Director and President at Keith Haring Foundation in New York, one of Haring’s closest friends, confidants and heir. We explore how Haring attracted an audience worldwide by expressing universal concepts of birth, death, love, sex and war, using a primacy of line and directness of message. Like Talk Art’s core values, Haring's work really was, and is, the embodiment of ART FOR EVERYONE!!!!! Gil Vazquez was one of Keith Haring's closest friends in the years prior to his tragic passing. As Ingrid Sischy documented in her 1997 article for Vanity Fair: "Gil Vazquez, a man Haring had fallen for, was often by his side. Haring and Vazquez were never lovers, because Vazquez is straight, but by all accounts their friendship gave Haring a kind of companionship he’d been longing for." Read the full article titled 'Kid Haring' here: https://www.haring.com/!/selected_writing/kid-haringThe mission of the Keith Haring Foundation is to sustain, expand, and protect the legacy of Keith Haring, his art, and his ideals. The Foundation supports not-for-profit organizations that assist children, as well as organizations involved in education, prevention, and care related to AIDS.Keith Haring (1958-1990) generously contributed his talents and resources to numerous causes. He conducted art workshops with children, created logos and posters for public service agencies, and produced murals, sculptures, and paintings to benefit health centers and disadvantaged communities. In 1989, Haring established a foundation to ensure that his philanthropic legacy would continue indefinitely.The Keith Haring Foundation makes grants to not-for-profit groups that engage in charitable activities. In accordance with Haring’s wishes, the Foundation concentrates its giving in two areas: the support of organizations which enrich the lives of underprivileged children and the support of organizations which engage in education, prevention, and care with respect to AIDS and HIV infection.Keith Haring additionally charged the Foundation with maintaining and protecting his artistic legacy after his death. The Foundation maintains a collection of art along with archives that facilitate historical research about the artist and the times and places in which he lived and worked. The Foundation supports arts and educational institutions by funding exhibitions, programming, and publications that serve to contextualize and illuminate Haring’s work and philosophy.Visit the official website: https://www.haring.com/Follow: @KeithHaringFoundation and @_GilVazquez Hosted on Acast. See acast.com/privacy for more information.

Talk Art Special LIVE EPISODE with Ruinart!!! We meet leading artist JEPPE HEIN!!! Live from London's Frieze week, this inspiring episode was recorded in South Kensington in front a live audience.Trustful that art can enlighten and connect us across time and places, Ruinart gives Carte Blanche to leading contemporary artists to pay tribute to the Maison’s legacy. Their artworks echo Ruinart’s values, raising awareness about climate change.To renew the experience of nature and bring it into our daily life, Ruinart Carte Blanche Artist Jeppe Hein uses “fragments of matter and emotion” that awaken our senses and connect us to ourselves and the world.Right Here, Right Now is a participatory installation that summons the four elements – earth/soil, water/rain, air/wind and fire/sun – essential to champagne making. It is on show now at Frieze London in the Ruinart Art Bar until 16 October. A digital extension to it can be experienced at Ruinart.comFollow @JeppeHein and @RuinartTHANKS FOR LISTENING!!! Special thanks to everyone who got a ticket and came to watch this episode recording Live in London!!!We will back very soon. Hosted on Acast. See acast.com/privacy for more information.

Talk Art special episode!!! We meet leading artist NIKITA GALE! It's Frieze London and we explore an incredible new art installation for BMW Open Work by Frieze. Artist Nikita Gale worked with BMW i7 designers to present the site-specific installation “63/22” in the BMW Lounge at the fair from October 12-16, 2022.Curated by Attilia Fattori Franchini, BMW Open Work by Frieze invites an artist to develop an ambitious project utilising BMW design and technology to pursue their practice in innovative new directions. BMW Open Work offers artists the possibility of engaging in a rich dialogue with BMW engineers, designers, and experts from different fields to create unique artistic projects.Investigating the politics of sound and its surrounding, Nikita Gale’s practice enquires themes of invisibility and audibility, recasting the complicated dynamic between performer and spectator. Within the work, notions are subverted and destabilized. Nikita Gale’s interest in the history of sound continues with “63/22”, in which the artist reflects on the relationship between automotive and sound technologies, already closely associated since the 1960s. In fact, the Gibson Firebird, one of the most popular electric guitars, was designed by a car designer in 1963. Emerging from an intense dialogue with BMW i7 designers and engineers whilst reinforcing BMW’s commitment to art and music, Gale presents for Frieze London 2022 a sculptural installation comprising of five customised electric guitars. The guitars will be named historically significant and iconic Black women guitarists: Memphis Minnie, Sister Rosetta Tharpe, Barbara Lynn, Big Mama Thornton, and Joan Armatrading. Activated in the lounge through a series of live acts performed by musicians invited by Gale, the guitars will play through the BMW i7, transforming the car into a sound amp, amplifying the relationship between the car, sound technologies and creativity. The guitars have been created in collaboration with BMW i7 designers and realised by a UK-based luthier, Ian Malone. View more: https://frieze.com/bmw-open-workGale's work employs objects and materials like barricades, concrete, microphone stands, and spotlights to address the ways in which space and sound are politicized. Gale’s broad-ranging installations blur formal and disciplinary boundaries, engaging with concerns of mediation and automation in contemporary performance. Follow: @NikitaGale on Instagram. Gale is represented by Commonwealth & Council (LA), Reyes | Finn (Detroit), and 56 Henry (NYC).Follow @BMWGroupCulture to learn more about BMW's commitment to art, more than 50 years supporting artists and culture. Hosted on Acast. See acast.com/privacy for more information.

Season 14 continues with VERY special episode with one of our all-time ART WORLD ICONS!!!! We meet the legendary gallerist MAUREEN PALEY. Inspiration to many of today's international contemporary galleries, Maureen was in fact the reason our co-host Robert Diament became inspired to change careers to work full-time in a gallery!We discover how she began her gallery programme in 1984 in a Victorian terraced house in London’s East End. Initially named Interim Art, the gallery changed its name to Maureen Paley in 2004 as a celebration of its 20th anniversary. Since September 1999 the gallery has been situated in Bethnal Green, and in September 2020 relocated to Three Colts Lane. In July 2017 Maureen Paley opened a second space in Hove called Morena di Luna. In October 2020 a third space was opened in Shoreditch, London called Studio M. From its inception, the gallery’s aim has remained consistent: to promote great and innovative artists in all media.-Maureen Paley was one of the first to present contemporary art in London’s East End and has been a pioneer of the current scene, promoting and showing a diverse range of international artists. Gallery artists include Turner Prize winners Lawrence Abu Hamdan, 2019; Wolfgang Tillmans, 2000 and Gillian Wearing, 1997 as well as Turner Prize nominees Rebecca Warren, 2006; Liam Gillick, 2002; Jane and Louise Wilson, 1999 and Hannah Collins, 1993. Represented artists also include AA Bronson, Felipe Baeza, Tom Burr, Michaela Eichwald, Morgan Fisher, General Idea, Anne Hardy, Peter Hujar, Michael Krebber, Paulo Nimer Pjota, Olivia Plender, Stephen Prina, Maaike Schoorel, Hannah Starkey, Chioma Ebinama, Oscar Tuazon, and James Welling.Maureen Paley, the gallery’s founder and director, was born in New York, studied at Sarah Lawrence College, and graduated from Brown University before coming to the UK in 1977 where she completed her Masters at The Royal College of Art from 1978–80.Together with running the gallery, Maureen Paley has also curated a number of large-scale public exhibitions. In 1994 she organised an exhibition of works by Felix Gonzales Torres, Joseph Kosuth and Ad Reinhardt at the Camden Arts Centre. In 1995 Wall to Wall was presented for the Arts Council GB National Touring Exhibitions and appeared at the Serpentine Gallery, London, Southampton City Art Gallery and Leeds City Art Gallery showing wall drawings by international artists including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol Lewitt, and Lawrence Weiner. Maureen Paley also selected an exhibition of work by young British artists in 1996 called The Cauldron featuring Christine Borland, Angela Bulloch, Jake & Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing for the Henry Moore Sculpture Trust which was installed in their Studio space in Dean Clough, Halifax.Follow @MaureenPaley on Instagram. Visit the gallery's official website at https://www.maureenpaley.com/Maureen Paley are exhibiting at Frieze London art fair next week in Regent's Park, Stand C19, 12th-16th October 2022. See works from her booth at Frieze's website: https://viewingroom.frieze.com/viewing-room/1750 Hosted on Acast. See acast.com/privacy for more information.

We meet leading artist Amy Sherald, one of the defining contemporary portraitists in the United States. We discuss her new works about to be exhibited in London, growing up in Columbus, Georgia, the experience of painting Michelle Obama's portrait and how New York has become her home.From 12th October, Sherald will unveil a suite of new paintings in a major exhibition at Hauser Wirth London, marking the artist’s first solo show in Europe. Featuring a series of small-scale and monumental portraits across both the gallery’s London spaces, this presentation is the artist’s largest to date with the gallery. Sherald is acclaimed for her paintings of Black Americans at leisure that have become landmarks in the grand tradition of social portraiture—a tradition that for too long excluded the Black men, women, families, and artists whose lives have been inextricable from public and politicised narratives. In this new body of work, Sherald humanises the Black experience by depicting her subjects in both historically recognisable and everyday settings, at once immortalising them and reinserting them into the art historical canon. Sherald foregrounds the idea that Black life and identity are not solely tethered to grappling publicly with social issues and that resistance also lies in an expressive vision of self-sovereignty in the world. By subverting existing narratives, Sherald hopes to offer the viewer a reflection of themselves and the complexities of their interior lives, void of the constructs of race, gender, religion and preconceived notions.The first widely available monograph on Amy Sherald will accompany this exhibition, published by Hauser & Wirth Publishers. Newly commissioned texts include an art historical analysis of Sherald’s work by Jenni Sorkin, a meditation on the poetics of the Black ordinary by cultural scholar Kevin Quashie and a conversation between Sherald and author Ta-Nehisi Coates.Amy Sherald has recently donated $1 million to the University of Louisville to fund the Brandeis Law School’s Breonna Taylor Legacy Fellowship and the Breonna Taylor Legacy Scholarship for undergraduates, a gift made possible by the sale of Sherald’s portrait of Breonna Taylor made in 2020 to the Ford Foundation and the Hearthland Foundation.Amy Sherald's major new solo show 'The World We Make' opens at Hauser & Wirth London from 12th October – 23rd December 2022.Follow @ASherald on Instagram and her gallery @HauserWirth. Learn more at Hauser & Wirth's website: https://www.hauserwirth.com/artists/11577-amy-sherald/THANK YOU FOR LISTENING!!! Hosted on Acast. See acast.com/privacy for more information.

SPECIAL EPISODE!!! Live Talk Art!!! Robert Diament meets legendary artist Ai Weiwei (*1957, Beijing) recorded at Kite Festival, Oxfordshire on 12th June 2022. Ai Weiwei lives and works in multiple locations, including Beijing (China), Berlin (Germany), Cambridge (UK) and Lisbon (Portugal). He is a multimedia artist who also works in film, writing and social media. Special thanks to Tortoise Media, Tom Macklin and the wonderful team at Kite Festival."Expressing oneself is a part of being human. To be deprived of a voice is to be told you are not a participant in society; ultimately it is a denial of humanity." www.aiweiwei.comAi Weiwei is renowned for making strong aesthetic statements that resonate with timely phenomena across today’s geopolitical world. From architecture to installations, social media to documentaries, Ai uses a wide range of mediums as expressions of new ways for his audiences to examine society and its values. Recent exhibitions include: Ai Weiwei: Resetting Memories at MARCO in Monterrey, Ai Weiwei: Bare Life at the Mildred Lane Kemper Museum in St. Louis, Ai Weiwei at the K20/K21 in Dusseldorf, and Good Fences Make Good Neighbors with the Public Art Fund in New York City.Ai was born in Beijing in 1957 and currently resides and works in Berlin. Ai is the recipient of the 2015 Ambassador of Conscience Award from Amnesty International and the 2012 Václav Havel Prize for Creative Dissent from the Human Rights Foundation.A global citizen, artist and thinker, Ai Weiwei moves between modes of production and investigation, subject to the direction and outcome of his research, whether into the Chinese earthquake of 2008 (for works such as Straight, 2008-12 and Remembering, 2009) or the worldwide plight of refugees and forced migrants (for Law of the Journey and his feature-length documentary, Human Flow, both 2017). From early iconoclastic positions in regards to authority and history, which included Dropping a Han Dynasty Urn and a series of middle-finger salutes to sites of power, Study of Perspective (both 1995), Ai’s production expanded to encompass architecture, public art and performance. Beyond concerns of form or protest, Ai now measures our existence in relation to economic, political, natural and social forces, uniting craftsmanship with conceptual creativity. Universal symbols of humanity and community, such as bicycles, flowers and trees, as well as the perennial problems of borders and conflicts are given renewed potency though installations, sculptures, films and photographs, while Ai continues to speak out publicly on issues he believes important. He is one of the leading cultural figures of his generation and serves as an example for free expression both in China and internationally.Follow @aiww on Instagram and @aiww on Twitter. See more of Ai Weiwei's work at Lisson Gallery's website: https://www.lissongallery.com/artists/ai-weiweiTo learn more about Kite Festival, visit: https://kitefestival.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

Talk Art Season 14 continues with a truly special episode!!! We meet artist Jimmy Wright (b. 1944, Kentucky) who has lived and worked in New York since the early 1970s. We discuss queerness, Queer Art of the 1960s & 70s, grief, a lifetime of painting, his close friendship with the Chicago Imagists, being taught by Ray Yoshida and his extraordinary new solo exhibition ‘Flowers For Ken’, which has just opened in New York at Fierman West gallery, 19 Pike Street and runs until October 23rd 2022.Text by Ashton Cooper: "In 1988, Ken Nuzzo was diagnosed with HIV, an official pronouncement that confirmed years of suspicion, but had long been avoided for fear of losing the insurance coverage provided through his government job. For the next three years, Ken’s partner Jimmy Wright cared for him in ways both familiar and painfully unfamiliar in their 16-year-long relationship. During that time, Wright also began work on a pair of monumental paintings titled Flowers for Ken. The first of these, Flowers for Ken, Sunflower Stem, was dated 1988-1991 to reflect those “three years of horror,” as Wright described them, and the painting’s date of completion was mirrored by Ken’s death in 1991 at the age of 41. Measuring 6 feet high and wide, Flowers for Ken, Sunflower Stem depicts the backside of a massively enlarged sunflower in the process of decay, its spindly petals withered but still vibrantly orange-yellow as they erupt around the rim of the top-heavy flower. Its partner, Flowers for Ken, Sunflower Head, 1989-92, was completed in the months after Ken’s passing. It renders the same blossom, but this time from the front. Also measuring six feet high, the entire canvas is occupied by the dark center of the flower’s head, its spiral-patterned disc florets rendered in somber tones of brown and gray."Read more at: https://fierman.nyc/ and http://www.jimmywrightartist.com/Follow @JimboAlley and @FiermanGallery on Instagram.Wright's work is in the collections of The Whitney Museum of American Art; The Metropolitan Museum of Art; The Art Institute of Chicago; the Hammer Museum, Los Angeles; the Center for Book and Paper Arts, Columbia College, Chicago; The Springfield Art Museum, MO; among other institutions. Recent gallery exhibitions include The Queen’s Court, Fierman, NYC (solo), LA 73 – NY 74, M&B Gallery, Los Angeles (solo) and Rachel Harrison, Albert Oehlen, Jimmy Wright, Corbett Vs. Dempsey, Chicago, both in 2019. Fierman released a limited edition publication of Wright’s tearoom drawings, featuring writing by Alissa Bennett and Alison Gingeras, published by Heinzfeller Nileisist. In 2016 Corbett Vs. Dempsey published a major monograph of his work from the 1970s entitled New York Underground. Wright stopped making this body of work as the AIDS crisis wracked the gay community and New York changed. The extant drawings from the period as such serve as a dreamlike document of an oft mythologized cultural moment. The first of Wright’s many flower works, were painted 1988-91, in homage to the artist’s partner who had recently died of AIDS. In 2018 he was named Academician of the National Academy of Design.We love Jimmy's paintings. Thanks for listening!!! Hosted on Acast. See acast.com/privacy for more information.

New Talk Art!!! SEASON 14!!!! We begin with a generous, heartfelt conversation with emerging artist Pam Evelyn who creates paintings that read as abstractions, however she incorporates a sensitivity and consideration towards figurative and landscape structures. Born 1996, Guildford, we speak to Pam from a residency in Cornwall on the southern coast of UK.To tolerate occupying a space of unresolved.To hover in the perpetual state of building towards.Every step forwards feels like it’ssupported by clay.Each application can sink.As one element emerges another isdemolished.– Pam Evelyn, 2022Evelyn's recent debut solo exhibition Built on Clay at The Approach took its title from the geological composition of the city of London, which has a predominantly clay foundation. As a material, clay is volatile and unpredictable, it shrinks and expands depending on its water content, imbuing it with the capacity for collapse. Evelyn’s painting process shares similar qualities, the title becoming a comment on the work itself. From the moment she approaches the canvas, Evelyn begins with a problematic and challenging foundation, an untackled and incalculable terrain. Yet, through placing trust in her own intuition, following her own painterly impulses, Evelyn builds – brushstroke by brushstroke, layer by layer, ‘brick by brick’ – a densely rich and textured canvas. Thick layers of paint sediment atop one another; abstracted landscapes and figurations slowly emerge, disappear and reappear like changeable weather, a process which the artist likens to “a mist rising.”On entering the main gallery, four large scale paintings hang impressively in the space. Promised Land, the largest painting in the exhibition is composed of three segments and echoes an abstracted version of Edvard Munch’s monumental painting The Sun both in scale and composition. This sublime landscape behaves like a mirage that oscillates between psychological and physical space.In Built on Clay, waves appear to swirl, circle and crash on an open ocean. Recalling a recent essay by Martin Herbert, Evelyn’s “art is a productive meeting of two perspectives: the slower, airier time by the sea—where, as anyone who has lived there knows, you simply think differently—and its recollection amidst metropolitan tumult. In the paintings, the maritime world is infused with headlong pace and concrete clang.”In Sweet Smelling Smoke, tangles of red and blues paint intertwine, outlines of figures emerge and fade away. Warm autumn shades evoke a woodland scene, or perhaps, more menacingly, suggest the drama of forest fires still in the throes of flame and destruction. Whilst in Routine Escape, blues and greens taken from the palette of a Turner painting move fluidly together, brushstrokes round and fold back on themselves, waves of paint settle and recede. A sailing vessel appears to drift through swells of paint and choppy patchworks of canvas. Recalling Herbert once again, Evelyn’s: “compositions themselves arise out of a process of repeated strategic wrecking and partial salvage, destruction of what was there before until a sense of vivid spontaneity is achieved, as if the painting had achieved its final form in an instant.”Follow @PamEvelyn and @ApproachGalleryLearn more about Pam at: https://theapproach.co.uk/artists/pam-evelyn/images/ Hosted on Acast. See acast.com/privacy for more information.

Talk Art Season 13 FINALE!!!! And what a corker of an episode we are bringing you!!! WE MEET SELF ESTEEM!!!! Iconic pop star, singer, songwriter, producer, poet, actor, novelist, soundtrack composer... and our dear, DEAR friend!!!! We discuss sincerity and her supportive artistic community in Margate, her surprise love of making ceramics and painting, her creative process for songwriting and all art, collaborating with her longterm friend & leading artist Lindsey Mendick, visiting exhibitions and artspaces like Sheffield's S1, and how she's adapting to her recent global mega stardom!!!! We also discover her admiration for artists including Marina Abramović, Tracey Emin and Jenny Holzer.Rebecca Lucy Taylor, known professionally by her stage name Self Esteem, is an award winning English singer-songwriter. On her recent hit album, Prioritise Pleasure, Taylor states “I suppose this record is just me going, what if this isn’t failure? What if this is actually pretty good?” Pretty good feels like a modest estimation as Taylor was nominated for a BRIT award and wins numerous other accolades including BBC Music Introducing’s Artist Of The Year and Attitude Magazine’s Music Award. Self Esteem continues to sell-out shows at ever-growing venues across the UK and plays the largest gigs of her career –in recognising herself and others, Rebecca Taylor has made countless people feel esteemed.We love Self Esteem SO much! You can stream her award-winning album PRIORITISE PLEASURE now at Spotify, Apple or wherever you listen to your music!!!Follow @SelfEsteemSelfEsteem on Instagram and @SelfEsteem___ on Twitter. Hosted on Acast. See acast.com/privacy for more information.

We meet leading artist Guy J Oliver in his hometown of Margate to discuss video art and film! Guy's award-winning interdisciplinary practice employs video as well as text, painting, collage and performance.We discuss his major film 'You Know Nothing of My Work'. This extraordinary project is a multi-chapter rumination on the cultural dilemma of the disgraced popular icon. Considering how collective, systematic failure led to cases of abuse from powerful figures in the cultural scene, this work proposes a conflict between the enjoyment of and respect for their creative work and what we now know (or at times failed to recognise) about their behaviour. Can we erase the existence of abusive yet influential figureheads, or should we acknowledge and discuss their actions alongside their work? Through a piece that uses elements of film musical and music video traditions within the form of an experimental essay, Oliver takes the pulse of society’s reaction to this fast-evolving and contentious subject. You Know Nothing of My Work was commissioned for the Jerwood/ and Film and Video Umbrella Awards 2020. See the work online at Jerwood/FVU Awards 2020: Hindsight | Online ExhibitionWe also discuss 'The Year Everyone Died', a meditative video essay that looks back at the year 2016 and explores the artist’s own feelings towards the various deaths that were announced during those twelve months. 2016 appeared to have an unusually high number of well-known figures pass away, from David Bowie at the beginning of the year through to George Michael on Christmas Day and Carrie Fisher on Boxing Day followed by her mother Debbie Reynolds the day after. Guy was recently nominated for the Jarman Award 2021. Inspired by Derek Jarman, the Jarman Award recognises and supports artists working with moving image and celebrates the spirit of experimentation, imagination and innovation in the work of artist filmmakers in the UK. In July 2022, Film London announced Guy was one of its Lodestars 2022, the annual list honouring innovative UK-based creators and practitioners to watch.We also discuss Quench, a project space and gallery in Margate, Kent run by artists Lindsey Mendick and Guy Oliver. Quench was created in the pandemic with the aim of giving artists and curators an opportunity to develop new work and put on exhibitions. We are a not-for-profit venture and all possible art sales and proceeds go directly to the artists. We will also be housing one-off events within the gallery such as screenings and performances, as well as, pop-up opportunities for local practitioners.Visit Guy's official website: GuyOliver.co.ukFollow: @GuyJOliverLearn more about Quench at: @QuenchGallery or visit their website at:https://www.quenchgallery.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

We meet leading artist Jonathan Baldock who works across multiple platforms including sculpture, installation and performance. With work often taking on a biographical form, Jonathan Baldock addresses the trauma, stress, sensuality, mortality and spirituality around our relationship to the body and the space it inhabits.Baldock’s work is saturated with humour and wit, as well as an uncanny, macabre quality that channels his longstanding interest in myth and folklore. He has an ongoing focus on the contrast between the material qualities of ceramic and fabric in his work. Concerned with removing the functional aspects of the materials he uses, Baldock instead works in a performative way through his sculptural assemblages, bringing the viewer, the object and the space they simultaneously occupy into question as a theatrical or ritualistic act.Jonathan Baldock was born in 1980 in Kent, UK. He lives and works in London. He graduated from Winchester School of Art with a BA in Painting (2000-2003), followed by the Royal College of Art, London with an MA in Painting (2003-2005).In 2021 Baldock had solo exhibitions at La Casa Encendida, Madrid, Spain and at Accelerator, Stockholm, Sweden. He participated in group shows in 2021 including ‘Threadbare’ at Stephen Friedman Gallery, London; ‘Human Conditions of Clay’ at Chapter Arts Centre, Cardiff, Wales and ‘Right About Now’ at No.9 Cork Street, London. Baldock’s work was included in the inaugural Towner International biennial at Towner Art Gallery, Eastbourne, UK in October 2020. Baldock’s first solo exhibition with Stephen Friedman Gallery opened in September 2019 and presented a series of ceramic masks featuring bright colours and outlandish expressions. This show coincided with the presentation of a large-scale, interactive sculpture by Baldock at Fitzrovia Chapel, London during Frieze week. In the spring of 2019, Baldock’s solo exhibition ‘Facecrime’ opened at Camden Arts Centre, London following a Freelands Lomax Ceramics Fellowship. The exhibition travelled to Tramway, Glasgow in August 2019 and Bluecoat, Liverpool in March 2020.  Follow @Jonathan_Baldock on Instagram. Visit Stephen Friedman Gallery for more details: https://www.stephenfriedman.com/artists/25-jonathan-baldock/Plus Jonathan's own website: https://jonathan-baldock.com/ Hosted on Acast. See acast.com/privacy for more information.

Talk Art Season 13 continues with a broadcasting LEGEND!!! We meet Clara Amfo, one of British radio and television’s most dynamic voices and faces. An award winning broadcaster, podcaster and television presenter best known for her work on BBC Radio 1, where she hosted the official chart and the world famous Live Lounge. She currently hosts Future Sounds, breaking the new music from rising and established musicians.A little known fact about Clara is that she collects art and is friends with many artists. Her brother also collects art and photography and his record collection even inspired the teenage Clara to get into the artistic side of music - including the album artwork of Lauryn Hill. We discuss the art scene in Accra, the awesome capital of Ghana. We learn about Clara's art collection and why she is an advocate for living with art at home - from postcards to prints to unique paintings! We learn about her new role as Trustee of Royal Academy of Arts in London's Green Park and how she's been brainstorming about how to make art more accessible for everyone.During the pandemic, Clara collaborated with the Serpentine Gallery during their major survey of British-Ghanaian photographer James Barnor. Clara is a big fan of Barnor's work, whose career spans six decades, two continents and numerous photographic genres through his work with studio portraiture, photojournalism, editorial commissions and wider social commentary. Clara also introduces us to the work of Ted Pearce aka Ted’s Draws known for illustrations of iconic musicians, as well as Josephine Chime, a contemporary painter who has in recent years created portraits of Clara’s mother and father.She remembers an Inspiring studio visit to the Brixton-based artist Abe Odedina. We explore why art exhibitions are the perfect venue for dating and Clara reminisces about memorable exhibitions she's visited such as Faith Ringold, Kehinde Wiley at the National Gallery and Lubaina Himid's current solo exhibition at Tate Modern and the impact that Yinka Ilori’s 'Better Days Are Coming I Promise' public artwork had on London during lockdown.Follow Clara on Instagram: @ClaraAmfoVisit her official website: www.claraamfo.comLearn more about the Royal Academy and the Summer Exhibition 2022 at @RoyalAcademyArts Hosted on Acast. See acast.com/privacy for more information.

Talk Art special episode!!! We meet Andrew Moncrief (b.1987), a visual artist from Comox Valley, Canada. We speak on the eve of Gucci presenting his first exhibition in France at their Saint-Germain boutique, during the men's fashion shows in Paris.Influenced at an early age by a rigid and immobile interpretation of masculinity, Andrew’s work explores depictions of the male identity, questioning idealism, queerness, and representation. The Canadian artist, now based in Berlin, questions masculinity and the representation of queer bodies in his surreal and powerful canvases inspired by existing images, reworked as collages where colours and shapes intermingle.For this exhibition, Andrew Moncrief has chosen to create his 5 new paintings inspired by images photographed for this occasion. In collaboration with photographer Julien Barbès, the Canadian artist created a fashion series around five queer Berlin personalities wearing pieces from the Gucci Love Parade collection and offering a diversity of approaches to masculinity. These images, in which bodies move in soft and sensual choreographies, served as the original material for the collages in preparation for the paintings presented this summer in Paris.”My work deals with my identity as a gay and queer man”, explains the artist. “To compose my collage-like paintings, I usually use existing nude images, but here, everything was built from fashion photos made for the occasion. I am sensitive to clothed bodies, classical drapery and Renaissance painting. Clothes generate tension and folds, as a metaphor for the body and the tensions it is capable of feeling."In Andrew Moncrief's paintings, the male body seems to be in perpetual metamorphosis. Dislocated and intertwined, he melts into his environment and dialogues with other bodies as much as with colours, textures and clothes. The fluid and hybrid body thus escapes all the categories and norms that society imposes on it. The artist's painting forms an act of freedom and canvases are queer safe spaces where all attitudes and representations become possible. The liberated and phantasmagorical body is celebrated through a palette of delightful colours that explode across the canvas. This new work is also a reference to the famous painter Francis Bacon, and more particularly to his representation of the body crossed as much by the beauty as by the grotesque.Since graduating with a BFA in Painting & Drawing from Concordia University in 2013, Andrew Moncrief has presented his work internationally in Canada, the U.S.A., and Europe, where he currently lives and works. He has been featured in numerous international publications, is part of respected private collections, and has received a Professional Development Grant from the Canada Council for the Arts to pursue a full-time mentorship with Justin Ogilvie to study classical techniques and anatomy in 2019. Andrew has two upcoming shows at New Art Projects and Beers, both in London, UK, as well as a collaboration with GUCCI and Numero Art Magazine, all taking place in the first half of 2022.Visit Andrew's website: http://andrewmoncrief.com/Follow on Instagram: @an_drew_moncriefSpecial thanks to GUCCI and Alex Malgouyres for supporting this episode.Follow: @Gucci @GucciEquilibrium Hosted on Acast. See acast.com/privacy for more information.

We meet leading artist Zoë Buckman from her studio in Brooklyn, NY!!! We discuss grief, trauma, her precise textile artworks and a powerful, new film titled 'Show Me Your Bruises, Then' (2021-2022) - a 3 channel video installation, written, performed and directed by Zoë Buckman, and featuring actors Cush Jumbo and Sienna Miller.Zoë Buckman’s multidisciplinary practice incorporates sculpture, textiles, ceramics, photography, and large-scale public installations. Adopting an explicitly feminist approach, her work explores identity, trauma, and gendered violence, subverting preconceived notions of vulnerability and strength. The artist regularly chooses to work with objects symbolically associated with gender. Whilst her oft-adopted boxing gloves hint at a bellicose masculinity, Buckman also incorporates vintage fabrics into her work, from lingerie to dishcloths and table linen. These textiles, traditionally used and decorated by women, recall an intimacy with the body and a proximity to the domestic space. Bearing traces of their past, vintage fabrics point to a history of patriarchal subjugation, but also to the necessity and comfort of intergenerational dialogue between women. Indeed, both verbal and non-verbal dialogue is an integral part of Buckman’s practice. Buckman’s eclectic choice of source material, the snatches of conversation, stained tablecloths, hip-hop lyrics, and, especially, lines from her late playwright mother’s scripts, all represent mnemonic totems which, when taken together, establish a deeply personal constellation of the artist’s lived experience.'Show Me Your Bruises, Then' is the first filmic work of London-born, Brooklyn-based artist, Zoë Buckman. The 17-minute long, 3-channel, video installation builds a portrait of the multigenerational experience of domestic violence, and explores the shame and stigma prescribed to the female body in a patriarchal society. The film depicts three women, each seated at the end of the table, reciting Buckman’s own free flowing poem by the same name that she started writing in 2018. Although excerpts of the poem have appeared as text within Buckman’s embroidery works and in the titles of pieces, this is the first time it is presented in its entirety.In tandem with both the sculptural and wall-based works that have formed the basis of Buckman’s artistic practice to date, Show Me Your Bruises, Then, seeks to foster nuanced conversation around consent, power, and violence, as well as highlighting the intrinsic joy, pleasure, and resilience that abounds the female experience. The rhythmic pattern of the poem and the three screen visuals build this notion of the power in sharing one’s voice and story.Visit: https://www.zoebuckman.com/ and her page at Pippy Houldsworth Gallery, London: https://www.houldsworth.co.uk/artists/57-zoe-buckman/overview/Follow: @ZoeBuckman and @PippyHouldsworthGallery Hosted on Acast. See acast.com/privacy for more information.

We meet Ashley Joiner, Founder & Director of QUEERCIRCLE a new public gallery space, library and home for LGBTQ+ Arts, Culture and Social Change.QUEERCIRCLE seeks to develop an ecology of artists, curators, writers, thinkers, community organisers, grassroots organisations and charities who collectively work together to strengthen links between culture, health and wellbeing.Set in the pioneering Design District in North Greenwich, their new gallery, library and project spaces enable us to action our ground-breaking community focused programme of exhibition commissions, collaborative artists residencies and year-long learning and participation opportunities. With the support of Greater London Authority, Outset's Studiomakers Initiative, and the generous contributions of private patrons, Queercircle is within a new site designed by award-winning David Kohn Architects.Since 2016, QUEERCIRCLE has hosted exploratory workshops and events with artists, curators, writers and community organisers to develop a programme that is befitting to the needs and aspirations of the LGBTQ+ community. Their new home first opened its door in June 2022, providing a holistic environment which celebrates queer identity, champions arts and culture, and supports the wellbeing of our community.Follow: @Queercircle on InstagramVisit https://Queercircle.org/Current show: MICHAELA YEARWOOD-DAN’S “LET ME HOLD YOU” Queercircle's INAUGURAL EXHIBITION runs from JUNE 8 - SEPTEMBER 8 2022 Michaela Yearwood-Dan’s “Let Me Hold You” sets the tone for our new home as we move forward - a safe space for the LGBTQ+ community. A sweeping curved mural embraces visitors, creating a sanctuary for visitors to confront their own true selves in a safe and holistic environment. Ceramic sculptures and furniture encourage visitors to rest, contemplate, and connect with others. We interviewed Michaela on Season 12 of Talk Art, so do check out her episode also!!!Utilising flora and fauna motifs, Yearwood-Dan refutes the concept that LGBTQ+ people are “unnatural”. Instead she visualises the interconnectedness of the human and non-human experience, all the while expanding our understanding of what it means to be queer and to love. “The moment we choose to love we begin to move against domination, against oppression. The moment we choose to love we begin to move toward freedom, to act in ways that liberate ourselves and others. That action is the testimony of love as the practice of freedom.” - bell hooksAs nature and marginalised communities continue to be exploited around the world - compounded by the effects of climate change disproportionately impacting marginalised communities - Michaela Yearwood-Dan provides a vital tonic; encouraging us to adopt love as an action against societal and ecological injustice. Hosted on Acast. See acast.com/privacy for more information.

Talk Art Special Episode!!! We catch up on all things Art Basel with legendary Global Director Marc Speigler - Art Basel is the biggest art fair in the world where thousands of people flock to the city of Basel every year to discover and witness new art, new ideas and the changing of culture - this is art world insider magic.Marc Spiegler (born 1968) is an American/French art journalist and columnist since 1998. In 2012 he became global director of Art Basel. Marc leads the organization’s development, including all three shows and our expanding artworld activities. He is ranked in ArtReview's Power 100 among the top 25 most influential individuals in the art world. Art Basel fair brings the international art world together. It features over 200 leading galleries and more than 4,000 artists from five continents. Many high-quality exhibitions take place concurrently in and around Basel, creating a region-wide art week (June 16 – 19, 2022).Follow @ArtBasel and @MarcSpeigler Visit: https://artbasel.com/ Hosted on Acast. See acast.com/privacy for more information.

New Talk Art! We meet leading artist Sonia Boyce. Boyce’s practice is fundamentally collaborative and inclusive, fostering a participatory approach that questions artistic authorship and cultural difference. Last month, she became the first Black female artist to represent Britain at the Venice Biennale, the world’s oldest international art exhibition. The work she presented in the British Pavilion won the prestigious prize, the Golden Lion. Six years before, she had been the first Black British woman to get elected to the Royal Academy of Arts.The British Council presents Feeling Her Way by Sonia Boyce at the British Pavilion for La Biennale di Venezia, running from 23 April – 27 November 2022. Boyce’s powerful exhibition explores the potential of collaborative play as a route to innovation. The installation brings together video works featuring five Black* female musicians (Poppy Ajudha, Jacqui Dankworth MBE, Sofia Jernberg, Tanita Tikaram and composer Errollyn Wallen CBE) who were invited to improvise, interact and play with their voices. The video works take centre stage among Boyce’s signature tessellating wallpapers and golden geometric structures, and the Pavilion’s rooms are filled with sounds – sometimes harmonious, sometimes clashing – embodying feelings of freedom, power and vulnerability.This new commission expands on Boyce’s Devotional Collection, built over more than two decades and spanning more than three centuries, which honours the substantial contribution of Black British female musicians to transnational culture.Artist and academic Sonia Boyce OBE RA (b. London, 1962) came to prominence in the early 1980s as a key figure in the burgeoning Black Arts Movement of that time with figurative pastel drawings and photo collages that addressed issues of race and gender in Britain. In 1987, she became one of the youngest artists of her generation to have her artwork acquired by Tate and the first Black-British female artist to enter the collection. Since the 1990s Boyce’s practice has taken a significant multi-media and improvisational turn by bringing people together in a dynamic, social practice that encourages others to speak, sing or move in relation to the past and the present. Incorporating film, photography, print and sound in multi-media installations, Boyce’s practice is fundamentally collaborative and inclusive, fostering a participatory approach that questions artistic authorship and cultural difference. At the heart of her work are questions about the production and reception of unexpected gestures, with an underlying interest in the intersection of personal and political subjectivities.Follow @SoniaBoyceArtist and @SimonLeeGallery. Visit https://www.simonleegallery.com/artists/277-sonia-boyce/ and https://venicebiennale.britishcouncil.org/feeling-her-way Hosted on Acast. See acast.com/privacy for more information.

Talk Art SPECIAL EPISODE!!!! This week we talk to Rafael Lozano-Hemmer to discuss his new collaboration with Superblue (@superblue.art) and BMW i, “Pulse Topology” presented on the occasion of this year’s Art Basel (@artbasel). The participatory artwork is composed of 6.000 lightbulbs, suspended from the ceiling at different heights, that glimmer to the heartbeat of visitors detected by custom-made pulse sensors.The presentation is inspired by a shared vision for a sustainable future, and a desire to create experiences for retreat, reflection, joy, and social connection. Following an inspiring dialogue with BMW engineers and designers, Lozano-Hemmer’s team will use the same technology as in “Pulse Topology” to activate the BMW i7’s interior with passengers' heartbeats. This intervention can be seen as an extension of the i7’s use of light and new technology to emphasize the human-centric design of the new BMW i7.Stay tuned to see this immersive experience come to life.Follow @lozanohemmer on instagram to see more of his work. #PulseTopology #ThisIsForwardism Follow @BMWGroupCulture to learn more about BMW's commitment to art. Hosted on Acast. See acast.com/privacy for more information.

New Talk Art!!! JUBILEE SPECIAL with an ACTUAL QUEEN!! We meet Rose Matafeo, the BAFTA nominated comedian, writer and actor from New Zealand. Self confessed "curious nerd" who has a passion for art, craft and photography.We discover Rose's joy for creating her own artworks including dioramas and miniature models, photography and Lomo cameras, her obsession with the Pepper's Ghost illusion technique, textile art, embroidery and crochet. We learn about her artistic family including her artist father and how she was encouraged to collect and live with art since childhood!! We explore her passion for comic book artists and fanzines!! We also discuss the work of New Zealand experimental artist Len Lye.Rose’s critically acclaimed show Horndog won the award (formerly the Perrier) for Best Show at The Edinburgh Fringe Festival and was nominated for Best Show at the Melbourne International Comedy Festival. She has since recorded the show as a special for HBO MAX. Rose is a regular face on TV. Her own sitcom, Starstruck, which she has written and stars in was commissioned by BBC3 in the UK and HBO Max in the US. Season One premiered on BBC One and BBC Three in the UK where it became the channel’s best performing new comedy of the year with over three million requests on BBC iPlayer to date, and later on HBO Max in the US, the show was also pre-sold to over 50 territories including Australia (ABC) and New Zealand (TVNZ). The show is a critical and ratings success and has returned to BBC3 and HBO Max for a second series in 2022. In the US, Rose has performed a stand up slot on Conan (TBS). In New Zealand Rose was the lead writer and star of the sketch show Funny Girls (TV3), and a regular on panel show 7 Days (Three Now NZ). 2020 saw her star to great acclaim in the feature Baby, Done (Piki Films). She also co-hosts the podcast Boners of the Heart with fellow comic Alice Snedden. Follow @RoseMatafeo on Instagram. Watch Rose's TV show Starstruck, Series 1 and 2 (including Russell Tovey himself) at BBC iPlayer: https://www.bbc.co.uk/iplayer/episodes/p09djx02/starstruck Hosted on Acast. See acast.com/privacy for more information.

Talk Art SPECIAL EPISODE!!!! We travel to Somerset to have an exclusive 5am visit to Stonehenge and an art adventure to Hauser & Wirth in Bruton. We visit Henry Moore's exhibition 'Sharing Form' for a guided tour with the artist's daughter Mary Moore and curator Hannah Higham. Hauser and Wirth Somerset present a comprehensive survey spanning six decades extends across all five gallery spaces, in addition to an open-air presentation of seminal works including: ‘The Arch’ (1963/69), ‘Large Interior Form’ (1953 – 1954) and ‘Locking Piece’ (1962 – 1963).The exhibition takes as its starting point the artist’s early fascination with the Neolithic site of Stonehenge, which Moore first encountered the prehistoric monuments under the moonlight as a young man in 1921, fifty-two years later he embarked on a series of lithographs on the subject. Moore was fascinated by the relationship between the towering masses of ancient stone, their size and siting in the landscape, and the mysterious ‘depths and distances’ evoked on his returning visits. For Moore, the power and intensity of such large forms set against land and sky precipitated career-long investigations into scale, material and volume and the juxtaposition of art and nature, which are presented throughout the exhibition.Alongside Moore’s most celebrated works, the viewer is immersed in a deeply personal selection of artworks and objects curated by Mary Moore, set within the centre of the exhibition. The collection contains almost 100 items from her father’s studio and home, providing an insight into the working life of the sculptor and intimate memories she holds through these objects. The unique experience brings together Moore’s visual library and the vocabulary of ideas that he developed during his working life. The exhibition was organised with support from the Henry Moore Foundation.Alongside Moore’s most celebrated works, the viewer is immersed in a deeply personal selection of artworks and objects curated by Mary Moore, set within the centre of the exhibition. The collection contains almost 100 items from her father’s studio and home, providing an immersive insight into the working life of the sculptor and intimate memories she holds through these objects. This exhibition was organised with support from the Henry Moore Foundation.BMW has been involved in cultural projects across varied genres for over 50 years creating unique content initiatives with key partners such as artists, galleries, passionate collectors, art fairs and digital art platforms (such as Talk Art!). As a long-term partner, creative freedom is key – and as essential for groundbreaking works as it is for major innovations within our company.Thanks to @BMWUK we had the opportunity to experience the all new fully-electric BMW i7 on our trip to Somerset. The car is BMW’s new flagship, demonstrating how an exclusive driving experience and the ultimate feeling of on-board wellbeing can be combined with an unwavering commitment to sustainability. Follow @HauserWirthSomerset and visit: https://www.hauserwirth.com/hauser-wirth-exhibitions/36155-henry-moore-sharing-form/ for more details on this major exhibition #HenryMooreSharingForm! Follow @BMWGroupCulture to learn more about BMW's commitment to art. Hosted on Acast. See acast.com/privacy for more information.