Tales of a Red Clay Rambler: A pottery and ceramic art podcast

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Brenda Quinn. Her vibrant functional pottery explores the line between hard and soft through the blending of architectural and floral elements. In the interview we talk about how a childhood phobia led her to practice mindfulness, methods for generating pattern, and helping her students understand the value of handmade goods. To see examples of her work, visit www.brendaquinn.com. Hey Red Clay Rambler fans, in the lead up to this year's NCECA conference in Minneapolis I want to support a few excellent exhibitions that you should attend. Roberto Lugo has curated at show at St. Olaf College in Northfield, MN titled More Than That: Diversity within Diversity. The show brings artists of color together that work in a multiplicity of genres and forms that defy cultural expectations. Each member of the show creates work that is pushing the field of ceramics to engage with the communities in which artists find themselves. For more information visit wp.stolaf.edu/flaten.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Matt Wedel. He uses a gestural sculpting style and vibrant glazes to create large-scale works around the themes of the figure, landscape, and what he calls "Flower Trees". In the interview we talk about keeping up with the speed of his imagination, understanding color and surface, and the place of ceramics in the art world. To see examples of his work visit www.mattwedel.com or www.lalouver.com. Hey Red Clay Rambler fans, in the lead up to this year's NCECA conference in Minneapolis I want to mention a few events that will be happening. The first is Penelope Van Grinsven's Reprocessing Project. She will be in the project space March 27th-29th smashing ceramic pieces that participants bring to the conference. She says of the project, "I think there will be something beautiful and unnerving about ceramists breaking their pieces together in one space. Reprocessing will take a private activity that we all engage in and make it public." In exchange for one piece, each participant will receive a postcard that contains a few shards from the project in a small plastic container. For more information on Penelope visit www.penelopevangrinsven.com.

Today on the Tales of a Red Clay Rambler Podcast I have Linda Christianson's closing lecture from the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. She talks about the human preoccupation with fire and how that is being replaced by the back lit screens of modern technology. She also addresses problems that face the field of wood firing including gender inequity and resource depletion. To find out more about Linda visit www.christiansonpottery.com. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a panel on nonacademic paths for learning wood firing featuring Robin Dupont, Jody Johnstone, Scott Parady, Martin Tagseth, and Tara Wilson. The panelists discuss a wide range of personal experience from Johnstone's time in a traditional Japanese apprenticeship to Parady establishing his Cobb Mountain Art & Ecology Project to teach wood firing and ecology. To see examples of the panelists work and find out more about each artist visit www.culturalconfluencewoodfiresymposium.com/artists. The presentation was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a panel on education featuring John Neely, Matthew Blakely, Pascal Geoffroy, Sandy Lockwood, and Linda Lid. The panelists discuss how they came to learn wood firing and the current status of the firing technique in educational institutions in Australia, the United States, and Western Europe. To see examples of the panelists work and find out more about each artist visit www.culturalconfluencewoodfiresymposium.com/artists. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a panel on applied aesthetics. Denny Gerwin, Linda Christianson, Shirobey Kobayashi, Trevor Dunn, and Neil Hoffman talk about the objects and experiences that have shaped their artistic worldviews. To see examples of their work and find out more about each artist visit www.culturalconfluencewoodfiresymposium.com/artists. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a lecture from Daniel Lafferty on building wood fired kilns based on Islamic architecture. He uses the squinch arch, which allows him to improvise kiln characteristics to meet the specific needs of the user. In his talk he discusses building without form work, the pros and cons of burying the majority of the kiln underground, and building with diatomaceous earth bricks. To find out more about Daniel visit www.daniellafferty.bigcartel.com. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a lecture from noted physicist and ceramic artist Hideo Mabuchi. He is currently working on a joint research project with Utah State University to better understand the behavior of iron in atmospheric kilns. In this lecture Hideo talks about the concept of vital materiality and his research into the unique colors that form when iron-bearing clays are reduction cooled. Hideo is a Professor of Applied Physics at Stanford University and was named a MacArthur Fellow in 2000 for his work using optical methods to understand quantum states. To find out more about Hideo visit www.firemouse.me. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a lecture from Catherine White. She talks about the intuitive process, where ideas come from and how they shift as they come to fruition. She also describes the development of her dust prints and the visual relationship between ceramic form and written language. To find out more about Catherine visit www.catherinewhite.com. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a mega panel discussion on the state of wood firing around the world. We start by talking about gender dynamics in the artists home countries before moving onto the environmental impact of firing and finding one's voice in the process. The panel features Lindsay Oesterritter (USA), Nancy Fuller (SCT), Robin Dupont (CAN), Zac Chalmers (AUS), Tristan Chambaud-Heraud (FRA), Shikamaru Takeshita (JPN), John Neely (USA), and Linda Lid (NOR). For more information on each artist visit www.culturalconfluencewoodfiresymposium.com/artists. The panel was recorded at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. I want to send a special thank you to the Studio Potter Journal for sponsoring this episode of the podcast. Since 1972, the Studio Potter non-profit organization has promoted the discussion of technology, criticism, aesthetics, and history within the ceramic's community, through their semi-annual print and online journal. Many guests of this podcast have written for the journal and you can find those articles along with more information and more information about how to subscribe at www.studiopotter.org.

Today on the Tales of a Red Clay Rambler Podcast I have a lecture from Scott Ross about building large scale sculpture for wood kilns. He builds his work by ram casting laminated layers of solid clay, which he then manipulates into geometric forms. In the lecture he discusses ram casting forming methods and the logistics of moving a 900-pound piece into a kiln. Ross is an Assistant Professor of Sculpture at Linfield College in McMinnville, OR. For more information on Scott visit www.scottrossstudio.org. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a lecture from John Neely about the evolution of the Train Kiln. Neely developed this unique style of wood burning kiln to achieve similar aesthetics to Japanese Anagama. Neely's design however is easier to build and more environmentally friendly, generating heavy ash surfaces using less wood and man power than a tube kiln. Neely is a Professor of Art at Utah State University. For more information on John visit www.usu.edu. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a lecture from George McCauley. Over his 50-year career he has made pottery, mixed media sculpture, and metal work, as well as being a cowboy, carpenter and movie producer. His self-described "casual" approach to art making highlights the emotive quality of gestural mark making and loose brushwork. In this lecture he talks about his experience with low fire wood firing. For more information on George visit www.georgeshouseofclay.com. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a lecture from Sandy Lockwood. A clay worker for many decades, Sandy discusses how morphogenic making and bodily learning can be a foundation for understanding the practice of wood firing. Sandy recently completed a PhD in Creative Arts from University of Wollongong and is currently a lecturer at the National Art School, Sydney. For more information visit www.sandylockwood.com.au. The lecture was given at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have a lecture from Josh Deweese on the history of wood firing in Montana. During his talk he recounts stories of historic Montana kilns and the influential artists who fired them. The lecture was given as the keynote speech at the Cultural Confluence Wood Fire Symposium, held in Helena, MT in October 2018. Josh was the Resident Director of the Archie Bray Foundation for the Ceramic Arts from 1992-2006 and is now an Associate Professor of Art at Montana State University. For more information visit www.joshdeweese.com. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Mark Campden. He makes two distinct lines of functional pottery at his studio in Co Kilkenny, IE. The first a majolica line featuring decoration pulled from his surrounding landscape, and the second a lusterware line featuring dense geometric patterns based on fish, butterflies and other fauna. In our interview we talk about the influence of his father Edgar Campden, who worked at Aldermaston pottery with Alan Caiger Smith for over thirty years, and the science behind making reduced luster pottery. For more information on Mark visit www.thebridgepottery.com. Hey Red Clay Rambler fans, I want to take a minute to talk to you about our sustaining membership program. As we head into 2019, I want to appeal to you directly to help us meet our new goal of having 120 patrons by April 1st. I'm asking you to make a $5 pledge today at patreon.com/redclayrambler. That's only $1.25 per episode to help me document the field of ceramics. This new goal will help me record interviews with Canadian artists on my upcoming trip in April. If you prefer you can make a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. If you have been thinking about getting involved don't wait any longer. Every dollar helps, and no donation is too small. Thanks again for supporting the podcast!

Today on the Tales of a Red Clay Rambler Podcast I have an interview with members of the Society of Cork Potters: Sara Roberts, Charlie Mahon, Darren Francis Cassidy. The group started in the 1970's with the aim to create the exchange of information between ceramic artists working in County Cork. In our interview we talk about making a living in rural Ireland, the value of working with an artist group, and dealing with the effects of the Great Financial Crisis. For more information on Sara visit www.sramics.net. For more information on Charlie visit www.charliemahon.ie. For more information on Darren visit www.darrenfranciscassidy.com. Hey Red Clay Rambler fans, thanks for listening to this episode and for supporting the show with your donations and iTunes comments. About a year ago I started using Patreon to create a sustaining membership campaign. It has been a great tool to raise funds, but I continue to need your help to meet my operating budget. If you can spare a few dollars a month I ask that you sign up at www.patreon.com/redclayrambler or give a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. Every dollar helps, and no donation is too small. Thanks for helping to keep this show on the air!

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Mary Gallagher. She opened the Blue Egg Gallery in Wexford in 2011, and shows a variety of craft artists from Ireland and abroad. In our interview we talk about the Norman history of Wexford, the state of craft in Ireland and how she uses large art fairs, like Ceramic Art London, to help her curate shows for the gallery. For more information on the Blue Egg Gallery visit www.blueegggallery.ie. Hey Red Clay Rambler fans, thanks for listening to this episode and for supporting the show with your donations and iTunes comments. About a year ago I started using Patreon to create a sustaining membership campaign. It has been a great tool to raise funds, but I continue to need your help to meet my operating budget. If you can spare a few dollars a month I ask that you sign up at www.patreon.com/redclayrambler or give a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. Every dollar helps, and no donation is too small. Thanks for helping to keep this show on the air!

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Susan O'Byrne. Susan creates ceramic animal sculptures that convey the complex emotional landscape of human relationships. She sculpts around a wire armature using layers of paper clay before surfacing the forms with mosaic-like patterns. In the interview we talk about her building process, creating a life in Glasgow, Scotland, and how she used animals to represent family history in her traveling exhibition "The Five Sisters". For more information on Susan visit www.susanobyrne.co.uk. This interview was taped at the 2018 Ceramics Ireland International Festival in Thomastown, Kilkenny. Hey Red Clay Rambler fans, thanks for listening to this episode and for supporting the show with your donations and iTunes comments. About a year ago I started using Patreon to create a sustaining membership campaign. It has been a great tool to raise funds, but I continue to need your help to meet my operating budget. If you can spare a few dollars a month I ask that you sign up at www.patreon.com/redclayrambler or give a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. Every dollar helps, and no donation is too small. Thanks for helping to keep this show on the air!

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Gus Mabelson. In 1991 Gus came to Thomastown, Ireland to start a throwing course that would provide trained workers for the booming Irish ceramic field. Twenty-seven years later he continues to shape generations of Irish artists with the expanded skills and design course. In the interview we talk about the education principles that he prioritized when setting up the program, generating momentum for craft in a rural location, and hosting Prince Charles for a visit to the school. For more information about the course visit the Design and Craft Council of Ireland's website www.dccoi.ie. This interview was taped at the 2018 Ceramics Ireland International Festival in Thomastown, Kilkenny. Hey Red Clay Rambler fans, thanks for listening to this episode and for supporting the show with your donations and iTunes comments. About a year ago I started using Patreon to create a sustaining membership campaign. It has been a great tool to raise funds, but I continue to need your help to meet my operating budget. If you can spare a few dollars a month I ask that you sign up at www.patreon.com/redclayrambler or give a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. Every dollar helps, and no donation is too small. Thanks for helping to keep this show on the air!

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Tina Byrne and Elaine Riordan. Both are talented ceramic sculptors that are dedicated advocates for Irish ceramics. Tina is the editor of Ceramics Ireland magazine and an organizer of the International Festival. Elaine is a member of the Ceramics Ireland organization, helping to organize the festival, as well as year-long programing that supports visibility of Irish artists. In our interview we talk about their recent bodies of work, the development of the Ceramics Ireland magazine, and how Irish ceramic artists are gaining more visibility in the global ceramic world. This interview was taped at the 2018 Ceramics Ireland International Festival in Thomastown, Kilkenny. Hey Red Clay Rambler fans, thanks for listening to this episode and for supporting the show with your donations and iTunes comments. About a year ago I started using Patreon to create a sustaining membership campaign. It has been a great tool to raise funds, but I continue to need your help to meet my operating budget. If you can spare a few dollars a month I ask that you sign up at www.patreon.com/redclayrambler or give a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. Every dollar helps, and no donation is too small. Thanks for helping to keep this show on the air!

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Isobel Egan. Her geometric forms are constructed from porcelain slabs that appear both fragile and immense. Her recent work spans multiple feet in diameter and is made by combining modular box forms that are arranged in patterns that reference cityscapes and architecture. In the interview we talk about her porcelain hand building process, pricing work that is labor intensive, and how showing at large art fairs, like Ceramic Art London, has helped propel her career. For more information visit www.isobeleganceramics.com. This interview was taped at the 2018 Ceramics Ireland International Festival in Thomastown, Kilkenny. Hey Red Clay Rambler fans, thanks for listening to this episode and for supporting the show with your donations and iTunes comments. About a year ago I started using Patreon to create a sustaining membership campaign. It has been a great tool to raise funds, but I continue to need your help to meet my operating budget. If you can spare a few dollars a month I ask that you sign up at www.patreon.com/redclayrambler or give a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. Every dollar helps, and no donation is too small. Thanks for helping to keep this show on the air!

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Darien A-Johnson. In his most recent body of work he uses digital and manual mark making to create complex surface imagery that shifts as the viewer moves around his sculptural forms. In the interview we talk about how a computer glitch changed his creative practice, his experience living in Denmark, and how he gives visual form to the foggy business of remembering the past. To find out more about his work visit www.darienjohnson.com. I want to send a special thank you to Ceramic Materials Workshop for sponsoring this episode of the podcast. Ceramicists at all levels can now learn how clay and glazes function in convenient online courses taught by Matt Katz. Ceramic Materials ​Workshop will help you explore why clay and glazes work empowering you to troubleshoot problems and generate creative solutions in your own studio. Visit www.ceramicmaterialsworkshop.com to register for the next session, which starts January 2nd.

Today on the Tales of a Red Clay Rambler Podcast I have a rebroadcast of a 2015 interview with an icon of the American studio pottery movement, Warren Mackenzie. After an early apprenticeship at the Leach Pottery in St. Ives, Cornwall (1949-1952), Mackenzie became a ceramic professor at the University of Minnesota (1953-1990). During his nearly four-decade tenure at the school, he influenced generations of students including Michael Simon, Randy Johnston, Sandy Simon, Mark Pharis and many more. In the interview we talk about his time at the Leach Pottery, pricing for domestic wares, and his thoughts on what makes a good pot. Warren passed peacefully in his Stillwater, MN home on December 31st, 2018. I want to send a special thank you to the Studio Potter Journal for sponsoring this episode of the podcast. Since 1972, the Studio Potter non-profit organization has promoted the discussion of technology, criticism, aesthetics, and history within the ceramic's community, through their semi-annual print and online journal. Many guests of this podcast have written for the journal and you can find those articles along with more information and more information about how to subscribe at www.studiopotter.org.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Liz Zlot Summerfield. Her hand-built pottery is created in small groups, or collections, using color and pattern to create visual interplay between the forms. She says of the idea, "Within a collection, everyday objects have the ability to gain importance as members of a whole. They start to become more than the sum of their parts, subtle nuances are noticed, and there is the potential to give value to valueless objects." In our interview we talk about the psychological impact of color, building a bisque library of forms, and establishing work-life balance. To see examples of her work visit www.lzspottery.com. This episode was taped as part of the Red Handed Symposium at the Clay Lady Campus in Nashville, TN. I want to send a special thank you to Ceramic Materials Workshop for sponsoring this episode of the podcast. Ceramicists at all levels can now learn how clay and glazes function in convenient online courses taught by Matt Katz. Ceramic Materials ​Workshop will help you explore why clay and glazes work empowering you to troubleshoot problems and generate creative solutions in your own studio. Visit www.ceramicmaterialsworkshop.com to register for the next session, which starts January 2nd.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Marty Fielding. His ceramic vessels live at the scale of domestic pottery, but often feel monumental with their architectural volumes and angles. In our interview we talk about his love of Frank Gehry's architecture, building up layers of underglaze to create abstract fields of color, and how music has shaped his creative practice. For more information on Marty visit www.martyfielding.com. This episode was taped as part of the Red Handed Symposium at the Clay Lady Campus in Nashville, TN. I want to send a special thank you to Ceramic Materials Workshop for sponsoring this episode of the podcast. Ceramicists at all levels can now learn how clay and glazes function in convenient online courses taught by Matt Katz. Ceramic Materials ​Workshop will help you explore why clay and glazes work empowering you to troubleshoot problems and generate creative solutions in your own studio. Visit www.ceramicmaterialsworkshop.com to register for the next session, which starts January 2nd.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Amy Sanders. Her hand-built pottery is decorated with stamped patterns and layers of terra sigillata that refer to her love of vintage clothing and fabric. In our interview we talk about developing low fire surfaces, using the 80% rule in the studio and the value of an artist's group. Amy is a member of Thrown Together, a group of four artists who exhibit their work together and provide feedback on each other's work. For more information on Amy's work visit www.amysanderspottery.com. For more information on Thrown Together visit www.throwntogetherpotters.com. This episode was taped as part of the Red Handed Symposium at the Clay Lady Campus in Nashville, TN. I want to send a special thank you to Joel Cherrico Pottery for sponsoring this episode of the podcast. Every month, Joel films a great series of instructional videos that show how he operates his studio giving insights into making a living as a potter. To see those, search Cherrico Pottery on Facebook and after you do sign up to support the video channel at www.patreon.com/cherricopottery.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Ronan Peterson. The surface of his pottery is decorated with colorful terra sigillatas and bright glazes that reference the cycle of growth and decay in the natural world. In our interview we talk about the influence of comic books on his aesthetic, learning to critique his pottery, and pushing a body of work until it lives in its own reality. For more information on Ronan visit www.ninetoespottery.com. Hey Red Clay Rambler fans, thanks for listening to this episode and for supporting the show with your donations and iTunes comments. About a year ago I started using Patreon to create a sustaining membership campaign. It has been a great tool to raise funds, but I continue to need your help to meet my operating budget. If you can spare a few dollars a month I ask that you sign up at www.patreon.com/redclayrambler or give a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. Every dollar helps, and no donation is too small. Thanks for helping to keep this show on the air!

Today on the Tales of a Red Clay Rambler Podcast I have a live episode featuring Liz Zlot Summerfield, Ronan Peterson, Amy Sanders and Marty Fielding. Our wide-ranging conversation includes advocating for handmade through arts education, creating engaging low fire surfaces and why potters seem to dress like their pots. This episode was taped in front of a live audience as part of the Red Handed Symposium at the Clay Lady Campus in Nashville, TN. Liz Zlot Summerfield is a ceramic artist based in Bakersville, NC. For more information visit www.lzspottery.com. Ronan Peterson is a ceramic artist based in Chapel Hill, NC. For more information visit www.ninetoespottery.com. Amy Sanders is a ceramic artist based in Charlotte, NC. For more information visit www.amysanderspottery.com. Marty Fielding is a ceramic artist based in Tallahassee, FL. For more information visit www.martyfielding.com. Hey Red Clay Rambler fans, thanks for listening to this episode and for supporting the show with your iTunes comments. About a year ago I started using Patreon to create a sustaining membership campaign. It has been a great tool to raise funds, but I continue to need your help to meet my operating budget. If you can spare a few dollars a month I ask that you sign up at www.patreon.com/redclayrambler or give a one-time donation through the Pay Pal portal at www.talesofaredclayrambler.com. Every dollar helps, and no donation is too small. Thanks for helping to keep this show on the air!

Today on the Tales of a Red Clay Rambler Podcast I have a lecture by noted potter and educator Linda Arbuckle on the merits of low fire terracotta. She delivered this talk as the keynote speech at the Red Handed Symposium, held in May of 2018 in Nashville, TN. In her lecture Linda talks about her introduction to terracotta at the Cleveland Art Institute, historic traditions who worked with low fire materials, and how to make a functionally sound low fire glaze. For more information on Linda visit www.lindaarbuckle.com. I want to send a special thank you to the Studio Potter Journal for sponsoring this episode of the podcast. Since 1972, the Studio Potter non-profit organization has promoted the discussion of technology, criticism, aesthetics, and history within the ceramic's community, through their semi-annual print and online journal. Many guests of this podcast have written for the journal and you can find those articles along with more information and more information about how to subscribe at www.studiopotter.org.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Richard Stratton. He uses late 19th century industrial ceramic techniques to make sculptural vessels that are steeped in the aesthetics of modernist architecture. In our interview we talk about how mud larking on the banks of the Thames reignited his interest in English industrial ceramics, the importance of research on aesthetic development, and selling ceramics in the NZ fine art market. For more information on Richard visit www.richard-stratton-ceramics.nz. This interview is part of a New Zealand series taped in April and May of 2018. I want to send a special thank you to the Ceramics Association of New Zealand for their support in making the series. To join the association, or to subscribe to their journal Ceramics New Zealand, visit www.ceramicsnz.org. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 5 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Nicole Kolig. Nicole's studio and farm are nestled into the side of an extinct cinder cone volcano that rises above the surrounding Otago Peninsula outside of Dunedin, NZ. In our interview we talk about harvesting local ceramic materials for sculpture, the history of the Ceramic Association of New Zealand, and her time working with indigenous artists in the Kimberly region of Australia in the early 1970's. This interview is part of a New Zealand series taped in April and May of 2018. I want to send a special thank you to the Ceramics Association of New Zealand for their support in making the series. To join the association, or to subscribe to their journal Ceramics New Zealand, visit www.ceramicsnz.org. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 5 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Cheryl Lucas. Throughout her ceramic career she has worked in many formats including functional pottery, sculptural installation and architectural work. In 2011 multiple earthquakes hit her home area of Christchurch, devastating the city and creating a turning point in Cheryl's work. She has reacted to the destruction and subsequent rebuilding of the city with multiple bodies of work that deal with the events. In our interview we talk about making art as a way to make sense of tragedy, transitioning between technical and conceptual bodies of work, and helping to rebuild the city by making large scale chimney pots used on historic buildings. For more information on Cheryl's work please visit her profile on the International Academy of Ceramics www.aic-iac.org/en/member/lilian-cheryl-lucas/. This interview is part of a New Zealand series taped in April and May of 2018. I want to send a special thank you to the Ceramics Association of New Zealand for their support in making the series. To join the association, or to subscribe to their journal Ceramics New Zealand, visit www.ceramicsnz.org. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 5 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Tatyanna Meharry and Gwen Parsons. A large part of our interview focuses on Otago Polytechnic's Diploma in Ceramic Arts program, which is a distance learning program with satellite campuses across New Zealand. Tatyanna is the head of the Christchurch satellite, where she facilitates a two-year program guiding students through the ceramic's curriculum, and Gwen is currently a second-year student in the program. In the interview we also talk about the history of ceramic education in New Zealand, diversifying the income of a business, and rebuilding Christchurch after the 2011 earthquakes. For more information on Tatyanna and Gwen search Studio 380 on Facebook. For more information on the distance learning program visit www.ceramicsnz.org/Education/Education.cfm. This interview is part of a New Zealand series taped in April and May of 2018. I want to send a special thank you to the Ceramics Association of New Zealand for their support in making the series. To join the association, or to subscribe to their journal Ceramics New Zealand, visit www.ceramicsnz.org. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 5 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Chris Weaver. After rediscovering his grandmother's Iron, he started making teapots that referenced its angular form. This has led to twenty-five years of exploring the form through a variety of firing techniques and forming methods. In our interview we talk about incorporating wooden parts into his functional ceramics, keeping the teapot form fresh, and making tools to create specific marks in clay. For more information on Chris visit www.chrisweaver.co.nz. This interview is part of a New Zealand series taped in April and May of 2018. I want to send a special thank you to the Ceramics Association of New Zealand for their support in making the series. To join the association, or to subscribe to their journal Ceramics New Zealand, visit www.ceramicsnz.org. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Michael O'Donnell. A longtime resident of the Coromandel region, Michael is an environmental advocate that uses ceramic sculpture to tell the story of the local ecology. His role as clay worker, story teller and spiritual seeker has been spurred on in defiance of multinational mining corporations that are working in the region. In our interview we talk about the influence of Barry Brickell, creativity as an antidote to depression, and Maori spiritual beliefs about water. To see images of Michael's studio and work search Tarariki Pottery on www.artzentao.co.nz. This interview is part of a New Zealand series taped in April and May of 2018. I want to send a special thank you to the Ceramics Association of New Zealand for their support in making the series. To join the association, or to subscribe to their journal Ceramics New Zealand, visit www.ceramicsnz.org. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Duncan Shearer. His interest in atmospheric firing has led him to build kilns from nontraditional materials, such as wood blocks, telephone directories and ice. These performance firings captivate audiences and have informed the kilns he has built at his studio in Paeroa, NZ. In our interview we talk about firing as a communal activity, the geologic diversity of the Coromandel Range, and his interest in the Albarello form used in medieval Europe. For more information on Duncan visit www.duncanshearer.co.nz. This interview is part of a New Zealand series taped in April and May of 2018. I want to send a special thank you to the Ceramics Association of New Zealand for their support in making the series. To join the association, or to subscribe to their journal Ceramics New Zealand, visit www.ceramicsnz.org. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Greg Barron. In the 1970's he started building his own ceramic processing equipment to make plastic clays for use in his studio. He applied this same ingenuity to build an energy efficient home and studio in Whangarei, NZ, that is made from compressed adobe and other ceramic materials. In our interview we talk about the effect deregulating ceramic imports had on New Zealand studio potters in the mid 1980's, how his priorities have shifted over time, and his do-it-yourself philosophy for running a business. For more information on Greg visit www.glenberviepottery.com. This interview is part of a series taped in New Zealand in April and May of 2018. I want to send a special thank you to the Ceramics Association of New Zealand for their support in making the series. To join the association, or to subscribe to their journal Ceramics New Zealand, visit www.ceramicsnz.org. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Jack Troy, Carolanne Currier and Amy Burk. We came together at the home studio of Jack and Carolanne to talk about their careers in ceramics. We had a wide-ranging discussion on wood kiln technology, the founding of the ceramic program at Juniata College, Jack's passion for writing and the ceramic history of the region. We end our conversation talking about the Strictly Functional Pottery National, which Amy is a co-organizer, and Jack has been the juror three times. More information on Jack can be found at www.jacktroy.net. More information on Amy can be found at www.amyburkpottery.com. More information on Carolanne can be found on her Face Book pages. More information on the Strictly Functional Pottery National can be found at www.strictlyfunctionalpottery.net, where you can see this year's exhibition and award winners. I want to send a special thank you to the Studio Potter Journal for sponsoring this episode of the podcast. Since 1972, the Studio Potter non-profit organization has promoted the discussion of technology, criticism, aesthetics, and history within the ceramic's community, through their semi-annual print and online journal. Many guests of this podcast have written for the journal and you can find those articles along with more information and more information about how to subscribe at www.studiopotter.org.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Cynthia Bringle. Since moving to Penland, NC in 1970 she has become a pillar of the art community, influencing many generations of artists and helping the Penland School of Craft to become a mecca for ceramics. In our interview we talk about educating your audience on the value of handmade, the evolution of studio pottery since the 1960's and the growth of the Penland School. To see examples of her work, visit www.cynthiabringlepottery.com. I want to send a special thank you to the Studio Potter Journal for sponsoring this episode of the podcast. Since 1972, the Studio Potter non-profit organization has promoted the discussion of technology, criticism, aesthetics, and history within the ceramics community, through their semi-annual print and online journal. Many guests of this podcast have written for the journal and you can find those articles along with more information and more information about how to subscribe at www.studiopotter.org.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with King Houndekpinkou. King is a Franco-Beninese artist, based in Paris, who makes sculptural vessels that are covered with rich amorphous surfaces created by layering slips and glazes. In 2016 he started the Terra Jumelles project matching pottery centers in Se, Benin with partners in Bizen, Japan. The sister city format aims to create cultural exchange between two regions with abundant historical and contemporary ceramic activity. In our interview we talk about the influence of video games, animism and rituals, and Japanese ceramic culture. To see examples of his work, or find out more about Terra Jumelles, visit www.kinghoundekpinkou.com. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Keith Brymer Jones. He started his career with an apprenticeship at Harefield Pottery in London, where he learned high production methods of producing hand made pottery. After learning the business, he started his own pottery selling through major retailers like Barney's of New York and Heals of London. The Keith Brymer Jones brand has now expanded to include production centers in India and China, which help supply worldwide markets for commercial ceramics. In addition to his studio work Keith is an expert judge on the BBC's Great Pottery Throw Down. In the interview we talk about his apprenticeship training, expanding his business by selling with major retailers, and starring on the BBC's Great Pottery Throw Down. To see examples of Keith's work, visit www.keithbrymerjones.com. To watch an episode of the Great Pottery Throwdown visit www.bbc.co.uk/programmes/b08d6897. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Kelly Austin and Joey Burns. Both are emerging artists that are establishing themselves in the Australian ceramic community. Austin is based in Hobart, Tasmania, where she teaches at TasTAFE and maintains an active studio practice. Burns splits time as the studio technician for the Ernabella Arts Center in Ernabella, South Australia and a studio artist in Gundaroo, New South Wales. In our interview we talk about their educational paths, working in indigenous communities and developing multiple bodies of work. For more information on Kelly visit www.kellyaustin.co. More information on Joey can be found at @sawpitstudios on Instagram. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Owen Rye. An elder statesman of the Australian ceramic community, Owen has made significant contributions through his research into wood firing and his time teaching at Monash University. Before starting his studio practice he spent ten years documenting the ceramic practices of Pakistani potters laying a foundation for a PHD focused on developing versatile porcelain bodies. In the interview we talk about his time in Pakistan, the need for ceramic history in today's universities and the development of the woodfire community in Australia. You can see examples of Owen's work and read his writings at www.owenrye.com. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Glenn Barkley. He served as the head curator of the Museum of Contemporary Art Australia from 2008–14 and curator of the University of Wollongong Art Collection 1996–2007. During these years he developed a curatorial style that questioned art world hierarchies by showing artists outside the mainstream, focusing specifically on giving voice to marginalized populations. He is co-founder of Kil.n.it Experimental Ceramics Studio Glebe and Co-Director of The Curators Department an independent curatorial agency based in Sydney. For the last four years Glenn has focused on his own ceramic practice making work that references popular music, gardening, and ceramic history. His vessels are covered with sprigs and obsessive mark-making that are highlighted with saturated pastel colors. In the interview we talk about his philosophy of curation, the role of ceramics in major Australian collections, and his current body of work. In June of 2018 he had a solo show at Sullivan Stumpf Gallery in Sydney. To find out more about that exhibition visit www.sullivanstrumpf.com/artists/glenn-barkley. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Daniel Johnston. Based in Seagrove, NC, Daniel is an compelling mix between a traditionally trained potter and a contemporary artist who makes ceramic vessels to utilize their conceptual potential. He studied under NC pottery luminaries J.B. Cole and Mark Hewitt before traveling to Thailand to learn large vessel making. His recent work is installation-based and features numerous jars that are arranged within gallery spaces to modify the viewers perception of light and scale. In the interview we talk about learning to communicate verbally to combat dyslexia, studying big pot making in Thailand, and his One Hundred Pot project. To find more information on Daniel visit www.danieljohnstonpottery.com. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have an interview with figure sculptor Tip Toland. In the interview we talk about her 2014 Portland Art Museum exhibition, which featured Tanzanian children that are both revered and persecuted because they have Albinism. For the exhibition Toland created twelve larger than life size busts that show the complex emotional landscape of persecuted peoples. To see examples of the work, visit www.cfileonline.org/exhibition-tip-toland-enlarges-albinism. In the interview we also talk about the qualities that make a sculpture feel animate and the role hypnotherapy has played in Toland's personal development. This interview was taped at the 2018 Clay Gulgong Festival in Gulgong, NSW, Australia. For more information on the festival visit www.mansfieldceramics.com. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have the second of two interviews with John Gill. In this episode we continue with a conversation about the lineage of teachers at Alfred and discuss how John's dyslexia has influenced his creative problem solving. John is one of the truly unique thinkers and educators in American ceramics. Gill started teaching at the New York State College of Ceramics at Alfred in the mid 1980's and has helped shape a generation of ceramic artists pushing the boundaries of the field. He is a member of the International Academy of Ceramics and in 2014 became a Fellow of the American Crafts Council. His work is represented in the collections of the Brooklyn Museum, New York; the Victoria and Albert Museum, London; Newark Museum, New Jersey and the Los Angeles County Museum of Art, California. To see examples of his work, visit www.harveymeadows.com. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have the first of two interviews with John Gill. John is one of the truly unique thinkers and educators in American ceramics. Gill started teaching at the New York State College of Ceramics at Alfred in the mid 1980's and has helped shape a generation of ceramic artists pushing the boundaries of the field. He is a member of the International Academy of Ceramics and in 2014 became a Fellow of the American Crafts Council. His work is represented in the collections of the Brooklyn Museum, New York; the Victoria and Albert Museum, London; Newark Museum, New Jersey and the Los Angeles County Museum of Art, California. In our interview we talk about his teaching philosophy, developing a personal sense of touch and becoming a "visual journalist". To see examples of his work, visit www.harveymeadows.com. Hey Red Clay Rambler fans, I need your help to keep this show on the air. We need 10 new patrons to reach our monthly fundraising goal. Visit www.patreon.com/redclayrambler to pledge your support and become a sustaining member. We have a batch of rewards to offer including the new Vintage Radio shirt, handmade pots, posters and much more. Visit www.patreon.com/redclayrambler to sign up today.

Today on the Tales of a Red Clay Rambler Podcast I have a panel discussion with Tucker Claxton, Bridget Fairbank, Emmett Freeman, Amanda Bury, and Colby Charpentier. The group are current resident artists at the Morean Center for Clay in St. Petersburg, FL. Our discussion covers a wide range of topics including their research interests and making it work in St. Petersburg. More information on the artists can be found on their websites. (Click their name to visit - Colby Charpentier, Amanda Bury, Bridget Fairbank, Emmett Freeman, Tucker Claxton. Not included in the interview Jacob Meer.) This episode of the Tales of a Red Clay Rambler is sponsored by National Clay Week Open Studios, a nationwide event that celebrates clay, community, and creativity. October 12-14 artists across the U.S. are invited to open their doors for demonstrations, lectures, and exhibitions. For more information on how you can join visit www.nationalclayweek.org/openstudio. Join us for a celebration of the ceramic arts!