Street Photography Magazine Podcast

Ave Pildas is a living legend in the world of street photography. Now 84 years old and based in Santa Monica, California, his career spans over six decades of capturing images that document the human experience. Pildas’ journey began in humble circumstances – by his own account, he was “a juvenile delinquent at 16” growing up in Cincinnati. However, he discovered a passion and a gift for artistic expression graphic design, then photography. Early in his career Ave embarked on a project to visually chronicle the jazz scene of the 1960s. He developed an innovative approach, gifting musicians with prints of his photos in exchange for access to intimately document legends like Thelonious Monk, John Coltrane, Dizzy Gillespie and Nina Simone performing at clubs. His timeless black and white portraits from this era demonstrated Ave’s ability to transcend being a mere observer. But he didn’t rest on the laurels of his jazz photographs. Ave’s insatiable curiosity prompted him to constantly experiment with new techniques over the decades. He used a tripod-mounted camera at a fixed location with a remote trigger to capture sequences on the street. He also crafts unusual studio setups and uses flash in low-light environments on the street do document gay pride and Halloween celebrations over the years. lighting sources, and even deconstructing and re-assembling. Each new approach allowed Ave to express a unique perspective. Ave’s dedication to his craft is matched by his generosity of spirit. He continues tirelessly documenting vibrant communities like the drum circle in LA’s Leimert Park, often gifting cherished prints to his subjects. A recent documentary titled “Ave’s America” produced and directed by his former photography student Patrick Taulère provides insight into his process and passion for using photography to open our eyes to communities most of us rarely interact with. The film is currently available on Amazon Prime Video and soon to be available on PBS. I watched the film as soon as it was released and although I’ve known Ave sor several years I learned so much by watching him interact with all types of people on the streets. The way he connects with others helped me understand that deep down we are all alike. Don’t miss this one. At an age when most have long settled into retirement, Ave Pildas still chases his muse daily on the streets seeking new ways to express himself. Links from the show Ave’s Website Ave’s America documentary on Amazon Prime Instagram Ave’s Book, Starstruck

In today’s episode I speak with, Swedish musician and photographer Johan Otterdahl who discusses his unique approach to photography, which includes using one camera and lens for an entire year. Our rambling conversation spans a range of topics, from his upcoming trip to photograph an eclipse in Finnmark, Norway in September, to his artistic background in music and how it parallels with his photography style, emphasizing diversity, improvisation, and the importance of evolving artistically. Johan also shares insights into the challenges of making a living in creative fields, the significance of engaging with subjects, especially in street photography, and the impact of modern technology like the Instax printer on his work. Our conversation extends to broader photography practices within the Ocoloy collective, focusing on the creative benefits of limiting oneself to specific equipment to foster growth and creativity. Discussions include technical preferences, such as the Fuji X-E1 and X100 series cameras, and the mental health benefits of photography. Johan highlights the influence of Swedish photographer Anders Petersen had on modern street photography. Petersen is known for his documentation of Hamburg’s red light district in the sixties. His work is currently exhibited at the Hasselblad Foundation in Gothenburg. We also discuss the process of printing photographs for galleries, the utility of website platforms like Squarespace for showcasing work, and the importance of receiving feedback on creative content. Before we wrap up by making reference to other notable photographers such as Gerard Exupery and Greg Girard, discussions about upcoming projects, song recommendations, and website updates, and the interconnectedness of the creative process across different mediums and the continuous search for unique perspectives and moments in photography. Johan’s Website The Ocoloy Collective Anders Petersen Greg Girard

Los Angeles-base street photographer, Richard Smith, is the featured photographer in the May 2024 issue of Street Photography Magazine. Through Rick’s work he expresses his love for his hometown’s diverse cultures, historical architecture, and the unexpected surprises of city life. One of his favorite spots is Union Station, where he often spends time capturing the beauty of the historic structure and its people. During our conversation he remembers his friendship with Don Young, a volunteer at the station, whose interactions with people and the emotion-filled moments they sparked became the subject of some of his memorable photos. Rick’s passion for visual storytelling began in junior high, dreaming of becoming a TV director. He studied film, worked in the industry, but found his true calling in photography. His filmmaking background has significantly influenced his photography techniques and style. Rick also shares his knowledge as a photography teacher, emphasizing patience and practical examples as essential teaching tools. Rick shares some insightful tips for aspiring street photographer by encouraging anticipation, patience, and observation. Street photography for Rick is not just about creativity, but also about mindfulness, presence, and learning from mistakes. It’s an embodiment of happiness in his life. Links from the show Rick’s Website Rick’s Facebook

In this episode, UK-based photographer, Bob Patefield, shares his lifelong passion for street photography, from his early fascination with cameras to encounters and collaborations. He tells us about his experience of being unjustly stopped by police while documenting an incident during Christmas near a British National Party event, which led to an 8-hour detainment without charges. Despite these challenges, Bob remains dedicated to the craft, reflecting on his equipment preferences and expressing curiosity about other models. His journey intertwines with notable interactions, including a surprise connection with the late great Glenn Capers over Skype, which evolved into a close friendship. Glenn became an inspiration to Bob through his kindness, friendship, and sense of fun. During their lengthy video calls, they shared favorite photos and discussed camera gear into the wee hours of the night. Bob said, “I consider myself incredibly privileged to have met and shared all that time with him.” Bob was heavily influenced by the themes of social justice, as seen in Capers’ project that depicts a janitor as Superman in solidarity with underpaid teachers. This led to his own story about property tax protests linked to the Freeman movement. These projects underscore Bob’s engagement with societal issues and the complexities of capturing such moments. He also touches upon the importance of ethics in street photography, a new project aimed at raising awareness about child abuse, and the therapeutic potential of focusing on simpler subjects like dogs. Bob shares plenty of practical advice, including his recommendation to print and display your work, and highlights the value of having a community of photographers who admire and learn from each other’s work. A selection of Bob Patefield’s personal street photographs A selection of Bob’s favorite street photos made by his friend Glenn Capers Throughout their friendship Bob Patefield and Glenn Capers shared and evaluated each other’s work. Bob asked that we use this space to show some Glenn’s photos that had the most impact on him. All of the photos below are ©Glenn Capers. Links from the show Bob’s 500px Bob’s Flickr Freedom-Minded – Bob’s Recent article in Street Photography Magazine Video of Bob’s arrest for the crime of Street Photography Expressions of Burnley – 100 Portraits Project Farmer Ken – Dry Stone Wall Repair Bob’s Peaceful Parenting Project Video SPM Podcast Episode 001 Interview with Glenn Capers

In today’s episode, Dallas-based fundraiser and street photographer Penny James shared the story of her creative evolution since she first picked up a camera in 2016. With a passion for capturing the spontaneous ballet of urban life, she has become a unique voice in the world of street photography. Her photographic journey began with a personal connection to her camera and a desire to document the world around her. The turning point came during expeditions to the streets of London and Paris, where she honed her skills and developed her own visual language. Penny’s work goes beyond mere observation; it’s an extension of her emotional landscape. She revealed the deep emotional investment she pours into her website, a curated digital gallery of her innermost expressions. The authenticity of her work is not just a philosophy; it’s the cornerstone of her approach to art. In a surprising twist of fate, her interest in clouds inspired a unique self-portrait project during the pandemic. This project resulted in a fusion of surrealistic cloud photographs with evocative self-portraits. Penny’s work during this period reflects a dreamlike atmosphere that has resonated with her audience. Navigating the ambiguities of the creative process, James spoke candidly about the exhilaration and hurdles she has encountered. From the painful process of self-editing to the connections made while capturing the lives of strangers, her journey has been as much about personal growth as it is about artistic expression. Despite the challenges of curating photographs for exhibitions and her website Penny’s dedication to visual storytelling remains strong. When reviewing Penny’s website in preparation for her interview we were most impressed by the intention she put into image selection and sequencing of the photos in each gallery. She said is was a painful process that has really paid off. We review countless websites each year and Penny’s is by far one of the best we’ve seen in years. Please don’t miss it. Penny’s story serves as an inspiration to all aspiring street photographers and a reminder of the possibilities that await around the next corner. Chapter Summary 07:05 Travel and Street Photography InspirationPenny discusses her solo travel experiences to London and Paris, highlighting how being alone with her camera in new places inspired her street photography work. 11:05 Authenticity in Art and ConnectionThe conversation delves into Penny’s approach to art and self-expression, emphasizing the importance of being genuine in connecting with others through creative work. 17:10 Website Design and Creative ExpressionPenny’s intentional and creative use of her website to showcase her photography, discussing the impact of thoughtful presentation in visual storytelling. 24:00 Pandemic-Inspired Self-Portrait SeriesDiscover how the pandemic sparked a burst of creativity and freedom leading to a unique self-portrait series by the artist. 41:09 Artistic Selections and Editing ProcessDelve into the Penny’s process of selecting and editing photographs for her website, showcasing intentional curation and critical evaluation. 46:06 Fleeting Scenes and Insignificant SignificanceExplore the artist’s perspective on capturing fleeting moments and the profound significance found in seemingly insignificant interactions with strangers. 51:14 Authenticity and Connection in PhotographyReflect on the power of authenticity and connection in photography, resonating with shared experiences and a sense of community among artists. Links from the show Penny’s Website Instagram

In Street Photography Magazine, we publish many personal projects and discuss them with photographers on the podcast. In this episode, I had an opportunity to speak with street photographer Valérie and writer (and photographer) Gina Williams about their collaboration on one of the most creative projects I’ve seen in a long time. Gina, a very talented writer, photographer, and artist, attended one of Valérie’s Paris workshops several years ago where they became friends. Several times over the years, they discussed a collaboration where Gina would create fictional vignettes inspired by subjects in a selection of Valérie’s street photos. Last year, they made it a reality. Valérie gave Gina access to her archive to choose photos that resonated with her. That in and of itself was a challenge because Valérie has a huge archive of very powerful street images. Some stories came to her instantly while others marinated in the back of her mind, only to be revealed while she was gardening or taking a walk. The result is an ebook titled Street Stories. It’s a collection of about 50 of Valérie’s street photos. Each photo with its vignette is depicted in a short chapter. The chapter opens with a title, assigned by Gina, on its own page followed by the photo on another with the page on the next page. This format can get very expensive in a printed book but works well in an ebook. We’ve reproduced one of my favorite stories from the book in the show notes of this episode to give you an example of what Gina and Valérie created. The title is Resistance. This type of book is best consumed a few chapters at a time rather than in long sittings. I imported my copy of the book into the Kindle app on my iPad. It gives me the ability to move between pages by sliding the screen right to left just like any book on the app. That way, I can glide through the images and titles and stop on whatever catches my attention. Each time, I’ve come away with new inspiration. Valérie’s strong images combined with Gina’s imagination and mastery of the language is a magical combination. Street Stories costs only $12.00, and Valérie has offered our listeners a $2.00 discount (so it’s only 10 bucks) by using the code SPM on checkout. In the meantime, give the podcast a listen. I know you’ll be inspired by their story. Here’s a sample chapter from Street Stories RESISTANCE I can hear their voices and feel their spirits in the wind when I visit this place. The horror. Fear. Desperation. Determination. Bravery. My father was on this beach in the summer of 1944. A resistance fighter, he guided the Americans to a river crossing, then helped stand guard over German prisoners as they cleared the beach of obstacles and brutal tangles of barbed wire. He didn’t talk much about it after the war—none of them did. But I can feel their presence here. Every gust of wind feels like youth leaving the body and I want to push it back like a rescue breath, return to them what they lost. Places like this hold memories forever. Now, the message of peace is peace itself. Lovers strolling arm-in-arm. Tourists sipping cocktails. Children splashing about and making castles in the once dangerous sand. No matter the weather, I let it chill me. I never cover my head or button my coat. I want to feel the cold air in my bones until it hurts. I scoop up a bit of soft sand and let it fall through my fingers, each grain a reminder of someone who sacrificed everything for the freedom I now enjoy. And then I look to the horizon, watch the storm clouds swirl in the distance, and offer a humble prayer of gratitude and remembrance. Links from the show Street Stories Download Use Discount code: SPM Valérie’s Website Gina’s Primary Website Gina’s Photography and Art Website Valerie’s Instagram Gina’s Instagram

Gerald Marie-Nelly, affectionately known as Mister Geez, is the featured photographer in the March 2024 issue of Street Photography Magazine. During our conversation in this episode he invites us into his world of visual storytelling. Mister Geez’s photographic journey is a combination of personal growth and artistic discovery. His transition from the sun-kissed shores of Martinique to the bustling streets of London is a story that resonates with anyone who has ever dared to dream beyond their horizon. Gerard opens up about finding solace in photography after the loss of his mother. It is a reminder of the healing power of art. His book “Inner Child Playground” is more than just a collection of images; it’s an invitation to view London through the fresh eyes of a child. Street Photography Magazine subscribers can an excerpt of his book in the December 2023 issue. What sets Mister Geez apart is not just his exceptional eye for detail but his commitment to community. He shares his craft by teaching photography to the homeless, helping them find their own voice through the language of imagery. Gerard also pays homage to the greats who have shaped his vision. He expresses admiration for documentary photography icons like Sebastião Salgado and Eugene Smith, whose works have influenced his approach to capturing reality. He dives deep into the meticulous process of curating a body of work for publication. Selecting and sequencing photos is a delicate dance that can make or break a narrative. During our conversation Gerard discusses his technique of using inexpensive prints to sort, compare and sequence photos for publication. Our conversation underscores the tangible joy of physical prints, the intricacies of layout design, and the struggle with technical dilemmas like color casts in printing. Gerard’s story is a reminder of the tactile relationship between photographer and photograph, in an age dominated by digital. Links from the show Mr Geez Website Instagram YouTube

In this episode we explore the world of Marco Campi where the rigid structure of mathematics and the expressive power of photography combine to tell stories of human experiences and the perils of climate change. If you’ve ever wondered how the precision of numbers and the creativity of visual arts could intertwine, then have a listen to my interview with Marco. Marco Campi is not your typical engineer. Hailing from the fashion and design capital of Milan, Italy, he is a man who sees the world through numbers and symmetries but captures emotion through a camera. His unique blend of interests has led him to become a thoughtful observer street photography, with a special focus on cognitive sciences. This dual passion has taken him from the Milan’s Monumentale Cemetery during the heart of the COVD-19 pandemic to the capturing the lives of people affected by the floodwaters swallowing the historic city of Venice. In a world where art and science are often viewed as separate entities, Marco Campi stands as a testament to the unity that can be found within diversity. His work challenges us to look beyond the surface and find the intricate connections that make our world a complex and beautiful composite. During every conversation I have with our podcast guests I look for one tidbit of knowledge that I can apply in my own work. This has served me well over the years. At the end of our conversation Marco made two points, almost in passing “don’t do things on the fly” and “keep going back to the same place…it’s always different.” Links from the show Marco’s Website Marco’s book: Diary of a Pandemic

In this episode of the Street Photography Magazine podcast, photographer the featured photographer in the February 2024 issue of Street Photography Magazine, discussed his 30-year exploration of street photography shooting on Mass Avenue in Boston and his shift from traditional photography to using a mobile phone. He emphasized the importance of feedback and critique in the photographic process, which was the inspiration to create The Crit House, his YouTube channel dedicated to providing creative guidance and feedback to photographers. Jeff reflects on the challenges and benefits of receiving constructive criticism and the value of having a trusted community for sharing work and feedback. Additionally, he shares insights into lessons from his career in broadcasting and his unique experiences with street and landscape photography using an iPhone, including nighttime shoots and long exposures to capture the moon’s motion. Larson also recounts the influence of critiques on his work, noting his experience exhibiting in the Smith Gallery in Johnson City, Texas. Exploring genres beyond street photography, Larson detailes his landscape project and encounters with wildlife during early morning shoots. Jeff encourages listeners to engage with his content available on YouTube, Instagram, and his personal website, and his published book, Sonder which is a compilation of his street photography over the past 30 years. Links from the Show The Crit House – Jeff’s YouTube Channel Jeff’s Website Sonder – Jeff’s Book Instagram

Show Notes: Episode 170 – “The Dublin Street Photography Festival Journey” Today, we have the founders of the Dublin Street Photography Festival, Paul Murray and Des Byrne, who are here to share their journey and insights into how their local street photography group has evolved into an international festival. Main Themes: Establishing the Festival: Paul’s expertise in branding and design played a crucial role in attracting sponsors and securing venues. The festival has become a significant event, drawing international photographers and retailers. Beginner’s Adaptation: Our guests discuss the learning curve for newcomers to street photography and the creative growth that comes with mastering this art form. Reflections and Digital Nuances: They touch on the art of capturing reflection shots and discuss the intricacies of digital photography in the context of street photography. Building Community: Des talks about creating an inclusive Facebook group that welcomes international workers and promotes street photography. The community extends to partnerships with local entities like the Dublin Camera Club. Global Camaraderie: Paul and Des emphasize the sense of unity among the international photography community and their excitement for upcoming features, such as a retrospective of Jill Freedman’s work at the festival. Travel Tales: The pair recount their adventures at photography festivals in Porto, Lisbon, and others, offering a glimpse into the diverse festival landscape. Light Challenges: They discuss the technical and artistic challenges of shooting in different lighting conditions, particularly highlighting the unique light of Dublin throughout the seasons. Grafton Street’s Winter Sunlight: A love letter to Dublin’s winter sunlight on Grafton Street, along with tips on how to capture distinctive images in this enchanting environment. Links from the show Dublin Street Photography Festival Website Des Byrne Instagram Paul Murray Website Paul Murray Instagram

Photos by Fan Ho Welcome to a special episode of the Street Photography Magazine podcast! We’re thrilled to share an exciting announcement that’s been in the works and is now ready to be unveiled to members of our community of passionate street photographers. Extending to The Print World with a Photo Book About Your Favorite Street Photography Places New Chapter: After years of digital publication, Street Photography Magazine is venturing into the tangible world with a physical book, celebrating the the places you love to shoot. Call for Submissions: Hosts Bob Patterson and Ashley Riffo invite street photographers to submit their work for this landmark project. This isn’t just any call for photos; it’s a call for images of places that hold a special place in the photographers’ hearts. Specificity Over Generalization: The focus is narrow, personal, and intimate. We’re not looking for the sprawling cityscapes or famous landmarks. We want those stories you tell in nooks and crannies that you return to time and time again, those specific locations that have become a part of your visual journey. Inspiration from a Master: The work of Fan Ho, who captured Hong Kong in the 50s and 60s, serves as a perfect example for this project. His repeated visits to the Hong Kong Central Market allowed him to tell deeper, more nuanced stories through his lens—a practice we encourage in our community. Capturing Change and Comfort: By revisiting familiar places, photographers can explore how their special spot evolves over time, becoming more attuned to the subtleties of light, atmosphere, and life that unfold there. Submission Details: Photographers have until February 15th to submit photos, complete with unique titles and the stories behind them. Patience is appreciated, as curating a book is a delicate and time-consuming process. Looking Forward: There’s a palpable sense of excitement as Bob and Ashley anticipate the diverse and profound collection of images that will be submitted, each with its own narrative and emotional resonance. Stay tuned for updates on this project, and remember to visit Street Photography Magazine’s website for the submission form and additional details. Good luck to all our street photographers out there, and we can’t wait to see the places that have captured your hearts and lenses. Until next time, keep making stories that are waiting to be told, on the streets you love. A Selection of Fan Ho’s Photos at the Hong Kong Central Market Links from the show Book Submission Form

Show Notes: Episode #168 In today’s episode, we delve into the serene and contemplative world of fine art street photographer and architect Cyrille Druart who is the featured photographer in the January 2023 issue of Street Photography Magazine. Street Photography Magazine subscribers can read Cyrille’s story and view his photographs in our feature story about in which is scheduled to publish on Sunday, January 7. Main Themes: “Plein Silence” Series: Dive into the discussion about Cyrille’s powerful “Plein Silence” series, a body of work that poignantly captures the stillness and solitude of the COVID-19 pandemic through the lens of a fine art photographer. Artistic Evolution: Follow Cyrille’s artistic journey, including his affinity for minimalistic monochrome imagery and the development of his distinct graphic series that showcase his evolving style. Methodical Approach & Self-Critique: Gain insight into Cyrille’s meticulous method of shooting and his pursuit of perfection through rigorous self-critique, a testament to his dedication to the craft. Structured Composition & Design Methodology: Learn about the intentional structure and composition in Cyrille’s work, as well as his design-oriented methodology, which guides him in curating his photography series. Stylistic Adaptations: Cyrille talks about the occasional stylistic changes in his work and how he adapts his style to convey different moods and messages. Post-Processing Techniques: Uncover Cyrille’s approach to image refinement, using Adobe Lightroom for subtle tweaks and Adobe Photoshop for more substantial graphic adjustments. Social Media Presence: Delve into Cyrille’s thoughts on social media, his preference for Instagram (@cyrilledruart) as a visual platform, and his contemplation about closing his Facebook account to maintain a thoughtful curation of content. Closing Thoughts: Cyrille Druart’s blend of architectural precision and photographic artistry creates a unique and introspective body of work. His advice on tool selection and the curation of social media presence offers valuable insights for both emerging and established photographers. Don’t forget to follow Cyrille on Instagram to witness his minimalistic, monochromatic world. Episode Timestamps: [00:01:30] – Transition from architecture to photography [00:05:45] – Exploring “Plein Silence” and pandemic-inspired art [00:12:20] – The evolution of artistic style and monochrome love [00:18:15] – Behind the scenes of Cyrille’s shooting and critique process [00:25:40] – Composition and design in photography [00:32:10] – Discussing post-processing preferences and techniques [00:38:55] – Cyrille’s advice on selecting photography tools [00:45:00] – Thoughts on social media and content curation Don’t miss an episode of “The Street Photography Magazine Podcast.” Subscribe on Apple Podcasts, Spotify, or wherever you listen to podcasts. If you enjoyed today’s show, please consider leaving us a review—it helps others discover great street photography content! Links from the show Cyrille’s Website Instagram

In this episode, the spotlight shines on Mark Schumann, a retired photographer whose journey behind the lens has been as varied as it has been profound. From the awe-inspiring wilderness of Alaska to the gritty streets where the homeless crisis unfolds, Schumann’s camera has captured narratives that beg for attention. Mark’s story begins in ninth grade, a testament to the early onset of his passion. What unfolds is a career that not only brings accolades but also highlights significant social issues. His work on the US homeless crisis, which gained recognition through a newspaper article, delves deep into the ethical quandaries photographers face when capturing images of the vulnerable. Schumann’s insights provide a sobering reflection on the social challenges that persist with homelessness and the role of photographers in that space. Schumann recounts his encounters with Alaskan bears, a subject matter that demands respect and a keen eye for detail. The importance of capturing the eyes to convey expression is a profound takeaway from his experiences. It’s not just about the danger or the thrill, but about understanding and portraying the silent narratives of these majestic creatures. For those eager to dive deeper into Mark’s ’s work, his website, Schumannphoto.com, stands as a gateway to his collections. Here, admirers can order his book and immerse themselves in the visual stories he’s so expertly woven. His book is more than just a compilation of photographs; it’s an invitation to explore diverse landscapes and social issues through his perspective. Mark’s approachability extends to his social media presence, where he actively engages with his audience. He shares the behind-the-scenes process of managing book distribution, a role that sees him in the mailroom ensuring that his stories reach those eager to experience them. The podcast also reveals Schumann’s encouragement for feedback and reviews, underlining his commitment to community and dialogue. Links from the show Mark’s Website Mark’s book: Homeless in a Land of Plenty Instagram Facebook

Sureita Hockley, is the featured photographer in the December 2023 issue of Street Photography Magazine. She is a passionate street portrait photographer based in Wales, who has been capturing the world and its inhabitants for over a decade. With a background in dance, sales, and finance, Sureita found her true calling in photography in 2009. Her journey began in the streets of New York City, where she immersed herself in the world of photography. She honed her technical skills and artistic sensibilities by attending courses at the International Center of Photography (ICP) and exploring the vibrant scenes of the city. One of the defining features of Sureita’s work is her desire to engage with her subjects on a deep level. She believes in breaking barriers and making personal connections with the people she photographs. Overcoming her initial aversion to approaching strangers, she learned to gracefully handle rejection and persisted in capturing intimate and revealing portraits of people from all walks of life. Sureita’s portfolio showcases her talent for capturing moments of connection and humanity. Her work predominantly focuses on street portraits, but she is not limited to one genre. Always challenging herself, she continually pushes the boundaries of her photography, exploring landscapes, documentary projects, and more. Aside from her artistic pursuits, Sureita is actively involved in women’s photography groups. She served as a board member of Professional Women Photographers in New York, contributing to the development of the membership, exhibitions, and the empowerment of women photographers. Whether she’s navigating the bustling streets of New York City, capturing the tranquil landscapes of Wales, or immersing herself in the cultural richness of different countries, Sureita embraces photographic opportunities with enthusiasm and dedication. Links from the show Sureita’s Instagram Sureita’s Facebook

If you’ve ever been captivated by a photograph, chances are been it was due to the composition. That’s why we invited Paul Fremes to join us today. He has a keen eye for balance and an easy to understand way to explain his composition concept to anyone. Paul’s journey into the world of photography began like many others. He stumbled upon a book of iconic photographs and was instantly drawn to the power they held. Determined to capture that same magic, he picked up a camera and embarked on a lifelong quest to perfect his craft. But Paul soon realized that there was more to photography than just pointing and shooting. He discovered that composition played a crucial role in creating visually striking images. And that’s where he decided to focus his efforts. What sets Paul apart is his unique approach to composition. While many photographers rely on rules like the “rule of thirds,” Paul delves deeper, exploring the concept of balance. He believes that a well-composed photograph is like a delicate dance between the elements within the frame. Through his teachings, Paul guides photographers of all levels to see the world through a different lens, to search for balance in every shot. Paul’s system, teaches you to to look for balance in a scene and capture it in-camera avoiding the need for excessive editing and manipulation. He is a firm believer in the power of practice. He knows that becoming a great photographer takes time and effort. That’s why he encourages his students to get out there and shoot as often as possible. He believes that the more you practice, the more you train your eye to see the world in a new light. But it’s not just about technical skills. Paul emphasizes the importance of finding your unique voice as a photographer. He encourages his students to explore their own perspectives, to capture the world through their own unique lens. Because in the end, it’s the individuality and personal touch that truly make a photograph stand out. Paul was kind enough to offer our listeners a 1-hour live demonstration of his composition concept for only $21 CAD (Canadian Dollars). Click here to learn more And here is a short video titled Revolution in Imagery that Paul made to demonstrate how his composition system works. When you’re finished watching be sure to catch our conversation on the podcast. Links from the show Paul’s YouTube Paul’s Instagram Revolution in Imagery Video Book a 1-hour live demonstration by Paul Paul’s TikTok

In today’s conversation, I’m joined by the Justin Ide, Street Photography Magazine’s featured photographer for the November 2023 issue. His feature story with a samples from a recent project will go live Sunday, November 5 at 10:00 AM EST in the magazine. With an impressive career as a photojournalist, Justin has captured powerful moments and shared stories that matter. From his early days in West Virginia, where he honed his skills by chasing down news stories, to his time as a staff photographer for the Boston Herald, Justin’s unique style shines through. After his time in the newsroom, he took on the role of Director of Photography at Harvard University, where he continued to tell stories through his lens. Always eager to learn and grow, Justin emphasizes the importance of constantly seeking inspiration and knowledge, no matter where it may come from. He believes that everyone has a unique story to tell, and through his camera, he captures the essence of individuals and the world around them. Whether it’s the bravery of firefighters or the hard work of farmers, Justin’s images evoke emotion and shed light on their untold stories. Join Justin and I as he discusses his adventures, from his early days with a camera in hand to his current projects in Charlottesville, Virginia. He’ll share the lessons he’s learned along the way, including the importance of staying curious, finding stories that ignite your passion, and breaking the ice with subjects to create connections. Links from the show Justin’s Editoral and Commercial Website Justin’s Family Documentary Website Justin’s zine Every Rodeo starts with a salute to the flag.

Fred Ranger, from Montreal, is not only a visual storytelling expert but also a YouTuber and gear junkie. We had previously talked about visual storytelling, but this time, we decided to dive into how and why he created his first zine. Fred’s zine, titled “Humans After All,” is a collection of moments that celebrate the beauty of everyday life. Fred wanted to bring back the focus on humanity and showcase the small, poetic stories that often go unnoticed. From four old Italian friends waiting for the bus to a woman interacting with cats in Portugal, each photo tells a unique story. When Fred decided to publish the zine, he opted for a different approach. Instead of relying solely on digital platforms like Instagram, he wanted to explore a different medium. He believed that seeing his work in print would bring out the true magic and allow viewers to experience his art in a different light. To bring his vision to life, Fred used BookWrite, a free editing software provided by Blurb, to design and sequence the zine. He found it to be intuitive and user-friendly, which made the process smooth and enjoyable. Fred also emphasized the importance of seeing his work in print, as it added a whole new dimension to his photography. After publication, he was thrilled when Blurb reached out and featured his zine in their staff picks section. Not only did Fred create a physical version of the zine, but he also made a digital PDF version available for those interested. He wanted his art to be accessible to a wider audience, and the digital format allowed people to experience his work on their devices. Fred shared his love for capturing those fleeting moments that make life beautiful. And his journey of selecting and sequencing the photos in “Humans After All” was a reminder of the power of storytelling and the impact it can have. Have a listen to our conversation about Fred’s journey into the print world and Street Photography Magazine subscribers can view photos from Fred’s zine in the October issue beginning October 24. Links from the show Fred’s website Humans After All on Blurb Fred’s Podcast – Visual Storytelling Fred’s YouTube Instagram

In this episode, Karen Commings joins us to talk about her approach to street photography, and how it all began. You might remember Karen from earlier this month – she’s our featured photographer in the October issue. Karen has been shooting the streets in earnest for about 10 years now, and one of the things we noticed about her work right away is how honed her powers of observation are. She often captures photos that are layered with multiple people and emotions all at the same time. It’s the way she likes to tell the story behind the moment. But that’s not the only reason she’s able to capture her subjects with emotions on full display. “My superpower is being invisible in a crowd,” she says. Karen uses her superpower, along with a respectful approach to get close and catch. In this episode, you’ll learn what practical steps Karen takes to be discreet and how she knows when to take the shot. You’ll also get a few tips about getting your work seen from Karen. Her work has been featured in Black & White Magazine several times, The Photo Review, and Harrisburg Magazine, just to mention a few online publications, as well as in numerous gallery shows. What’s her secret? Listen in to find out why photographers should take a chance with submissions and stay persistent to get work published. Another thing we love about Karen’s work is her willingness to bend and break the rules of photography on occasion. She talks about they whys and hows of that in this episode, but to see a few examples of times she’s broken the rules for a noteworthy photo, be sure to subscribe to Street Photography Magazine and read our feature article about Karen, “A Chance to Break the Rules.” Where to Find Karen Commings Website Facebook Instagram Karen’s Street Photography Books

Photo by Larry Racioppo John Rossi, a retired school teacher from the New York City school system, has a deep passion for capturing moments through his lens. Although he currently lives on Staten Island, his heart remains in his native Brooklyn. Larry Racioppio, a fellow photographer, friend of John’s and contributor to Street Photography Magazine, introduced me to John’s timeless photographs of Little Italy. And after seeing his photographs, I understood why and immediately invited him to share his personal story with you on the podcast. Street Photography Magazine subscribers can see his work in his article Memories of Little Italy. John’s journey in photography began when he got his hands on an old camera with his girlfriend. They experimented with different settings and discovered the joy of capturing images. From that point on, John always had a camera by his side, documenting any event that caught his eye. John stressed the significance of photography books in his development. He mentioned influential photographers like Walker Evans and Robert Frank, whose work shaped his understanding of photography. With the advent of smartphones, everyone can now take pictures anytime, but John emphasized the importance of slowing down to capture meaningful moments, rather than just snapping away without purpose. We also discussed John’s deep connection to his Italian roots and his passion for photographing the Feast of San Gennaro in Little Italy. He explained how his family had a store in the neighborhood, and how he was influenced by the atmosphere of the feast. His photographs from those times capture not only the events but also the culture and spirit of the people of the neighborhood. As you will hear in our conversation, John is a funny and entertaining storyteller. He shared stories of encounters with fellow photographers and even brushes with famous actors like Robert De Niro. It was a pleasure to have John Rossi on the podcast, and I encourage you to explore his body of work. Links from the show John’s Facebook

In this episode, Sam Huggin, a production assistant in Richmond, Virginia, discusses the importance of film and photography in storytelling. Sam shared how framing shots can convey a message that relates to a larger narrative. He spoke about how, for him, photography captures the beauty and complexity of the world, and resonates with people through storytelling. He also stresses the importance of showing respect for subjects in his street photography and documentary-style work. Sam believes that approaching each subject with empathy and understanding is essential to tell their stories without exploiting them. Sam strives to make his work reflect this respect for his subjects, capturing their essence without reducing them to caricatures or stereotypes. A selection of Sam’s street photos Links from the show Sam’s Website Instagram Byrd Theatre (The Byrd)

This is a special Street Photography Magazine Podcast Short episode about the upcoming PhotoNOLA Festival in New Orleans. Joining the podcast are Lisa Cates and Doug Miller of the New Orleans Photo Alliance to share more about the events, review and display opportunities at this year’s festival PhotoNOLA is an annual celebration of photography in New Orleans that will take place from December 13 through 17 throughout the city. The festival is produced by the New Orleans Photo Alliance (NOPA) in partnership with museums, galleries, and alternative venues. The festival showcases work by photographers from near and far and includes exhibitions, workshops, lectures, a portfolio review, gala, and more. The festival organizers are excited to welcome hundreds of photography professionals to the city to partake in a variety of educational programs. Additionally, the festival has a broad range of programming designed to connect and inspire the local community through photography. The exhibitions and events are largely free and open to the public. One of the festival’s highlights is the PhotoNOLA Portfolio Review. It has quickly grown to attract a national gathering of accomplished photographers. They convene to share work with esteemed curators, editors, publishers, and gallery owners from throughout the U.S. and abroad. By fostering the exchange of art and ideas, the review supports the work of emerging and established photographers. The festival also honors three outstanding portfolios each year through the PhotoNOLA Review Prize. Additionally, the PhotoWALK event serves to educate the general public by offering the opportunity to view portfolios and interact directly with participating photographers. Throughout the month of December, the festival has a variety of photography exhibitions on view, spotlighting diverse applications of the medium. There is also a series of workshops, lectures, and panel discussions that further the educational goals of PhotoNOLA. The annual PhotoGALA Benefit Party & Auction also raises funds to support NOPA’s year-round programming initiatives. Links from the show PhotoNOLA Website New Orleans Photo Alliance website Lisa Cates’ Instagram Doug Miller’s Instagram

Joe Jasper is a passionate street photographer who resides in Washington DC. In addition to photography, he also works as an Events and Experience Producer for a DC-based company and has in the past worked as a Videographer and a Photography Instructor in the Washington area. Joe’s photography revolves around his ability to capture moments, be it through Documentary, Events, or Street Photography. He seeks to capture the little idiosyncrasies of the world around us that go unnoticed every day, and his work is a testament to his skill. Joe’s work walks a fine line between a careful composition and the unpredictability of a candid scene, and he hopes that viewers will find hints of geometry and pattern intermixed with the chaos of humanity in his work. In non-pretentious terms, Joe likes to showcase things like emotion and character in an intentionally organized frame. Joe’s passion for photography is not the only thing that defines him; he also has a keen interest in other hobbies such as hiking, soccer, and writing and designing materials for his music blog RapZebra. He is a proud Sproodle-Dad, which shows his love and compassion for animals. A selection of Joe’s street photos Links from the show Joe’s Website Instagram YouTube

Richard Morgan is a professional photographer and photography education from London. He recently authored a powerful article in June 2023 issue of Street Photography Magazine titled The Poetry of Everyday Life in Wartime Ukraine about how life goes on amid the relentless Russian attacks on their country. His passion for street photography started when he went to Russia to study Eastern European and Russian culture and politics. His father gave him an Olympus OM-1N with several rolls of black and white film, and he began exploring the streets of St. Petersburg with his camera. Over time, he developed his skills and techniques and won the 2018 CBRE Urban Photography of the Year Award. He has continued to photograph in Poland, Russia, London and most recently in Ukraine, by capturing everyday life during times of conflict and political turmoil. In his experience with clients, Morgan has learned the importance of adapting his approach to meet their unique needs and expectations. He incorporates a combination of candid street-style photographs, portraits, and mini-documentaries of a particular element of an event to capture a full-bodied reportage. Ed emphasizes the significance of building trust with the subject and finding unique ways to make a portrait stand out, such as getting their hands involved or asking them to show a meaningful tattoo or necklace. During our conversation Richard said, when in a place or at an event, don’t photograph “the thing”, but the moments that happen around or a result of “the thing.” We talked about a lot during our hour together, but that one comment really struck home. Ed stresses the value of practice to better photographer. He encourages street photographers to take their time, be patient, and wait for the right moment. He says that If a location is good, but nothing is happening, come back again (and again). A selection of Richard’s Ukraine photos Links from the show Richard’s Website Instagram The Poetry of Everyday Life in Wartime Ukraine

Portrait Photo by Joshua McLaughlin Growing up in Gary Indiana, Bob Soltys discovered his love for photography while shelving books in his local library. It was then he encountered The Eye of Eisensteadt which left an indelible impact on him. From photographing Bobby Kennedy’s rally with his humble Instamatic camera to investing his earnings in a 35mm, he honed his skills and creativity. An unexpected opportunity arose when teachers at his school went on strike. Bob, then a student, documented the event, leading to a job offer from a local newspaper. Over time, he expanded his portfolio, capturing everything from weddings to street scenes. His journey is a testament to the power of curiosity, patience, and persistence. Bob also shares his insights on presenting a portfolio effectively. As an experienced photographer, he understands the importance of making a good first impression and provides practical tips to achieve this. He emphasizes the need for preparation, rehearsing the presentation, and being concise. And he advises bringing supporting materials like a Zine or prints but only leaving them if asked by the reviewer. Bob’s website is more than a simple portfolio. In addition to being a showcase for his Paris work, he uses it as a creative journal of his personal story, eclectic interests, charitable work and his dogs. A selection of Bob’s street photos Links from the show Bob’s Website Bob’s Book: Paris, the Art of Living Bob’s Book: A Lucky Life Bob’s interview with Valerie Jardin about portfolio review preparation

Editor’s Note: The woman in the photo above next to Larry is Melissa, his cousin Camille’s daughter. They are at a 2018 book signing fo his book “BROOKLYN BEFORE.”  Melissa’s 1983 First Communion Photo is in the book and on the wall behind them. It’s another example of his family work coming full circle. Larry Racioppo is a New York photographer who has been capturing captivating images for over half a century. Hailing from a simple Italian-American, Catholic family in Brooklyn, art wasn’t a frequent part of his upbringing. Nevertheless, Larry fell in love with photography accidentally while volunteering for an anti-poverty program in California. Ever since 1969, Larry discovered his passion and developed a unique photographic style that reflects his roots and personal evolution. His diverse body of work, which examines the vibrant religious cultures of different ethnic groups in the city and showcases intimate portraits of loved ones, exhibits a fascinating continuity. Despite a lack of formal training, this self-taught artist has published five books and is currently working on his next five. Don’t forget to check out Larry’s Street Photography Magazine article “Return Visit to NYC.” A selection of Larry’s photos Links from the show Larry’s Website Larry’s Books Instagram

Kenneth Wajda is a professional photographer and avid street photographer from Colorado. He has a unique approach to photography and a real passion for capturing those special moments that happen in our everyday lives. According to him, photography is a way to capture life as it is and to showcase the essence of people and places in their natural state. Currently he’s working on a project to capture the in-between moments of ordinary life in all 50 states, with the objective of capturing a truly authentic representation of the diversity of the United States. One thing that really stood out to me is Kenmeth’s approach to photographing people. Instead of staging or posing his subjects, he focuses on capturing people as they are, which really allows him to showcase their true essence. This approach results in portraits that are authentic and meaningful. My big takeaway from our conversation is that each photographer should be true to themselves and embrace their own unique style and vision. He encourages photographers to be authentic and not to conform to current trends or try to emulate others. This way, photographers can create truly meaningful and authentic work. Kenneth’s passion for photography shines through in every word, and his dedication to capturing the beauty of everyday life is really something special. A selection of Kenneth’s street photos Links from the show Kenneth’s Website Colorado Faces Instagram Youtube

Mark Gilvey is an artist and photographer in Northern Virginia near Washington, DC. He began his career documenting endurance sports car racing. He later became interested in multi-image production, designing art for panoramic presentations using multiple slide projectors. As technology evolved, Mark taught himself digital design and went on to work in pre-press, web design, and marketing. He eventually formed his own company, Mark Gilvey Creative, where he provides design services to small and medium-sized businesses. Mark has several personal photo book projects in the can and decided to use Blurb or other pint on demand services to make them a reality. However he discovered that it was difficult to make the end product, printed by someone else, match his creative vision. So Mark called upon his many years of printing and graphic design experience to create a process to prepare photos and files so that they look best when printed. Mark’s process is now available to anyone through his book Blurb for Photographers. Mark joined us for this special podcast episode to share some tips and techniques to make your photos look their best when printed on demand. Links from the show Blurb for Photographers Mark’s Fine Art Website Instagram Facebook

Meryl’s portrait by Laura June Kirsch One of the first lessons I learned from Meryl Meisler when we first met at the Miami Street Photography Festival a few years ago is “if you don’t promote your own work…nobody will.” That’s why I asked her to join us on the podcast this week…to explain how she promotes her own work and share tips on how we can do it too. During our conversation Meryl Meisler shares some great tips on how to promote your work effectively while protecting it from unauthorized use. Meisler suggests using social media and mass emails to your advantage, especially when you have a new project or exhibition. She recommends creating a mailing list of contacts who are interested in your work and sending out regular updates. Meisler also emphasizes the importance of giving credit to journalists who publish your work, as they can help increase your visibility and credibility. In addition, Meryl stresses that copyrighting your work is crucial to protect it from unauthorized use. She advises photographers to register their work with the U.S. Copyright Office to have legal proof of ownership. Meisler also recommends adding watermarks on digital images to deter unauthorized use. Meryl highlights the significance of consistency in your personal branding and online presence. She suggests using the same logo or profile picture across all social media platforms to create a cohesive look and reinforce brand recognition. She also recommends regularly updating your website and social media accounts to keep your audience engaged and informed about your work. Keep it fresh. A selection of Meryl’s photos from her Zillman Museum exhibits Links from the show Meryl’s website Instagram Zillman Art Musem Exhibits Meryl’s Gallery – CLAMPART

Paul Reid is a professional photographer from Carlisle in the north of England. For many years he specialized in wedding photography using only small cameras with prime lenses to capture fleeting moments that tell the story of the day’s events. This made it an easy transition when he became serious about street photography. Because of his preference for monochrome, Paul jumped in with both feet by purchasing a Leica Q2 Monochrom shortly after it was released. He quickly became attached to the device and over the years mastered its intricacies making stunning portraits and street images. Of course he shoots color too, but like many of us, monochrome is in his DNA. That’s why I call him “Mister Monochrome.” When he’s not doing paid photography work Paul also serves a mentor to other photographers guiding them to discover their personal vision and perfect their monochrome style. He encourages everyone to create personal ongoing and short-term projects to keep the creative juices flowing. And he practices what he preaches. Paul’s favorite personal project is his Time Traveler series which features a faceless man in a fedora cast in various scenes…in monochrome of course. Recently Paul has become a YouTube sensation using his infectious enthusiasm to share his joy of visual storytelling and deep dives into his personal projects. It’s obvious that his work comes from the heart. Learn more about Paul in the Street Photography Magazine article, “Monochrome Mad.” A selection of Paul’s street and project photos Links from the show Paul’s website Instagram YouTube LFI Gallery

Today we welcome back, Lauren Welles, someone with whom we’ve spoken with a number of times over the years. Lauren left a successful 16-year career as a corporate attorney to follow her passion for photography, which she has been doing professionally now for a little over a decade. She is primarily self-taught, and her photography has taught her even more about herself than the subjects she has photographed. She believes that, as human beings, we are much more alike than we are different; her passion for street, documentary and event photography reflects that.  Over the last few years, Lauren has spent more of her time teaching others what she’s learned, often revisiting the way she imparts information, attempting to simplify her language and instruction as much as possible.  In addition to being a Leica Akademie instructor, Lauren teaches photography to high school students from underserved communities at the NYC SALT program in New York City. In collaboration with Leica Akademie, this August Lauren will be giving a workshop about learning how to see, which she says is a skill that anyone can learn, regardless of how proficient one is with the technical aspects of their camera. A selection of Lauren’s street photos Links from the show Lauren’s Website Lauren’s Manhattan/Coney Island Workshop Instagram B&H Podcast interview with Jean Furth about her Little League book and project

We’re pleased to have Julia Dean back with us again. She’s a longtime photographer, educator, writer, founder of the Los Angeles Center of Photography and most recently the creator of The L.A. Project. Julia was the last apprentice to the pioneering photographer Bernice Abbott, which had a profound effect on her work and career. In the years that followed, she traveled the world, working on socially concerned projects by freelancing for relief groups and magazines. Eventually, life brought Julia to LA, where she began teaching full time and shooting street photography on the side. And these are just a few highlights of her photographic journey. She is passionate about collaborating on projects with with talented photographers. In the 1990s, she raised money to send six photographers around the world to document stories about child labor. This work resulted in two trips to the Capitol and a lot of press. Her current collaboration is through The L.A. Project, where she pulls together L.A. photographers — students, emerging and professionals — covering stories of the streets. Between all of this Julia makes time for her own photography projects, The Guardian of the Alley about Jose Hernandez, a well-respected homeless man who serves as the godfather of a portion of a homeless encampment in downtown L.A. As an educator her teaching experience includes 40 years at various colleges, universities and educational institutions including the University of Nebraska, Los Angeles Valley College, Los Angeles Southwest College, Santa Monica College, the Santa Fe Workshops, the Maine Photographic Workshops, Oxford University, the Los Angeles Center of Photography, and the Leica Akademie. For two decades, Julia concentrated on street photography around the world. For the past 12 years, street shooting in downtown Los Angeles has been her primary focus. She created and directs a street collective called Street L.A., which consists of a group of serious photographers who shoot weekly. Julia's work has been published in many magazines, blogs, and books. A selection of Julia’s street photos Links from the show The L.A. Project Julia’s Website Instagram The Guardian of the Alley

In this episode of the podcast, we revisit an old friend, Michael Ruggiero. Mike’s recent move southward put him within driving distance of Bob so the two met up to record a podcast episode – this time in person! Mike has always been a prolific street and documentary photographer, thanks mostly to a successful career as a chef that provided him with the time and money to travel and buy plenty of film. In this episode, Bob and Mike talked about how he used his calling to fund his passion and how being a professional chef influenced his photography. The two also dove into several of Mike’s long term projects, many of which revolve around slices of Americana that are steadily disappearing. One of Mike’s current projects is particularly fascinating. Recently, he’s been visiting small town churches and shooting tiny congregations of just a dozen congregants or so inside their places of worship during church services. He gave Bob the skinny on how he gets permission to be present as a photographer and shoot such intimate moments. But there’s lots more to this conversation that you won’t want to miss. Listen in to find out how Mike, a lifetime film photographer, adjusted to digital when he was deprived of his darkroom during his recent move, learn about his attempts to become a Magnum photographer, and find out how he met (and was duped by) a very old and feisty Henri Cartier-Bresson. Mike has plenty of stories to tell. A Selection of Mike’s Street Photos From Mike’s Trucker Series Portrait of an “Asphalt Cowboy” Mission Beach Park – San Diego, CA 1981 Voyeur – Vienna, Austria 1989 St. Luke’s Church – Charlottesville, Virginia 2022 Worship 10 AM – Palmyra, Virginia 2023 Read Mike’s feature interview in Street Photography Magazine here. Links from the Show Mike’s Website Instagram

The title of this article is really a misnomer because Marcia Bricker Halperin knew all along that the archive she built over 40-years contains gold. But she waited until she retired from teaching to create a book from her life’s work. On a winder day in 1975 Marcia ducked into Dubrow’s Cafeteria on Kings Highway in her native Brooklyn to escape the cold. Over the next three years she returned regularly, camera in hand, to record the life and culture among the regulars in this local landmark unique to New York. It was a happy accident that proves you never know where a photo project will lead. Nothing will happen until you take the first step and do the work. During the podcast conversation Marcia tells the story of how she created her book, Kibbitz and Nosh: When We All Met at Dubrow’s Cafeteria , by mining her archive, making difficult selections, scanning negatives, and finding a publisher that believes in her vision and finally making it a reality. Early in her career Marcia was employed by the CETA Artist’s Project under the auspices of the Cultural Council Foundation. Her assignments included photographing the Soviet refugees and their introduction to American culture in Brighton Beach and photographing housing issues in Hell’s Kitchen. In the late 1970s, she was active in the Photographers Forum, an organization that was a continuation of the 1940s Photo League. She assisted with organizing their meetings and panels held at the New School, which featured photographers such as W. Eugene Smith and Roy DeCarava. Marcia’s personal story of how she leverages her archives to publish her book is an inspiration to any photographer who dreams of exposing their own work to the world. Marcia’s portrait by Phil O’Brien Exhibitions and book events Exhibition: Edward Hopper House Museum & Study Center Through June 25, 202382 N Broadway, Nyack, NY 10960Link: https://www.edwardhopperhouse.org/kibbitz.htmlArtist Talk: Sunday, June 11, 2-3:00 at the Nyack Library, 82 N Broadway, Nyack, NY 10960Followed by a tour of the exhibition at Edward Hopper House Artist Talk: Sunday, June 11, 2-3:00 at the Nyack Library, 82 N Broadway, Nyack, NY 10960Followed by a tour of the exhibition at Edward Hopper House Exhibition: Garment District Arts AllianceKaufman Arcade132 West 36th Street, NYCMay 15 – August 25, 2023 Garment District Tour and exhibit viewing Monday, June 5th – 10:30 amMeet at the Giant Needle and Yellow ButtonWest 39th Street and 7th AvenueEmail Marcia at [email protected] to reserve a spot A selection of Marcia’s photos Taxi from Kibbitz and Nosh Man with Bowtie from Kibbitz and Nosh Pencil Moustache from Kibbitz and Nosh 47th Street Boys from Marcia’s CETA Artist’s Project Hell’s Kitchen series Links from the show Marcia’s Website Kibbitz and Nosh: When We All Met at Dubrow’s Cafeteria on Amazon Instagram Facebook

Tatiana Hopper is an artist. Her mediums are film photography, video content creation and writing. You may already know her as the creator of the T Hopper YouTube channel. I first discovered Tatiana’s channel when I was searching YouTube for documentaries about some favorite master photographers. YouTube is a vast resource but sometimes difficult to search due to the large numbers of “Clickbait” posts. It can take a lot of time and effort to separate the wheat from the chaff. That’s why I was so pleased to find Tatiana’s YouTube channel. She creates a series of videos in three categories: past and present masters of photography, the photography of people famous for other creative endeavors (like actors, musicians and filmmakers), and her own views about photography techniques and creativity. Tatiana has created videos about Winnogrand, Cartier-Bresson, Robert Frank, Lisette Model, Marry Ellen Mark and many more. One of my favorites is her most recent documentary about W Eugene Smith. Don’t miss it. She is also fascinated with the photography work made by people famous for other creative endeavors like actors, musicians and filmmakers. You will find stories about the photography of Ringo Starr, Lenny Kravitz, Patti Smith, Linda McCartney, Bryan Adams and more. My personal favorite is her series of short documentaries about master photographers. In these 10 – 20 minutes videos she explores the life and work of each photographer focusing on the lessons she learns from each of them. Tatiana is prolific, releasing several new videos throughout the month. This is no small feat because creating quality videos is very time consuming. Her archive contains rich mix of quality, informative and inspiring content that will keep you entertained for days. I was so enthralled with her work that I had to reach out and invite her to be a guest on a podcast. Fortunately she made the time to talk. As you will hear in our conversation she is brilliant, engaging and fun. Tatiana’s YouTube channel, T Hopper, is an excellent resource for any photographer, in search of inspiration. I encourage you to add it to your favorites and visit regularly. A few of my favorite short documentaries by Tatiana The importance of self portraits Learning photography with Josef Koudelka The Genius of W. Eugene Smith The timeless photography lessons from Robert Frank Timeless photography sessions from Cartier-Bresson The Narrative Photography of Fan Ho The surprising Street photography of Sergio Laarín Learning photography with Mary Ellen Mark! Composition with Garry Winogrand 5 photography Lessons from Edward Hopper’s Painting! Links from the show T Hopper YouTube Channel Tatiana’s Website Tatiana’s Instagram Tatiana’s Twitter Tatiana’s Linktree

Today’s podcast is a special episode that marks our 10th anniversary of Street Photography Magazine. We’re going to depart from our usual format for our editor, Ashley Riffo, to interview me about the story behind the magazine. It was a little strange and uncomfortable to talk about myself on the other side of the microphone. Initially I did most of the magazine work myself which resulted in many of the late nights and long days, attempting to keep up with my web development business and a publication. Fortunately, about a year into the business, I connected with Ashley Riffo to help edit the magazine contact. That was about nine years ago. Until this past, February, Ashley and I had never met in person. I believe the magazine would have died on the vine years ago if it wasn’t for her hard work, creativity and sound advice. In the early years we spent a lot of time and energy seeking good content for the magazine. Then as the magazine continued to grow we began to receive a flood of article submissions from some really amazing photographers around the world. This is allowed the magazine to evolve into a highly curated publication that is not only a platform for photographers to show their work, but a source of inspiration, ideas and information for our readers. The launch of Street Photography Magazine sent me on an incredible journey that I never expected. It has been one of the most interesting and exciting experiences of my life that I wouldn’t trade for anything. It has enabled me to make friends with a number of creative and inspirational people I would not have otherwise met. I have our supporters, podcast listeners, contributing photographers and Ashley Riffo to thank for it. I will never forget it. Photos with links to articles discussed during the show Super Seamstress by Glenn Capers from A Day in the Life of Superman Street photo by Ellen Friedlander from her feature interview Cover image from Harvey Stein’s first Coney Island boo ©Copyright 2011 Harvey Stein Street image by Julia Coddington,from the March 2022 issue. A collaborative portrait by Amy Touchette

Jason Figgis is an Irish film director and writer who began his career working for Murakami-Wolf Animation Studios on the TV series Teenage Mutant Ninja Turtles. Soon after he worked for Steven Spielberg at his London based Amblimation Studios on the feature An American Tail: Fievel Goes West. Since then, over the past 20-years he has written and directed a wide range of indy films, television programs. Recently Jason turned his attention to creating a documentary about the compelling work and life of British social documentary photographer Shirley Baker (1934-2014). Shirley’s street photography of the working class inner city areas, taken from 1960 until 1981 in Salford and Manchester as they experienced years of ‘slum’ clearance, came to define her vision. Her engagement with the everyday world resulted in several different strands of work, many of which have not been exhibited. Although Shirley’s work is not well known outside the UK her work has been exhibited at the Tate Britain, Barbican Art Gallery, London, The Photographers’ Gallery London, James Hyman Gallery and The Louvre to name a few. This quote of Shriley’s best describes her body of work: “I love the immediacy of unposed, spontaneous photographs and the ability of the camera to capture the serious, the funny, the sublime and the ridiculous. Despite the many wonderful pictures of the great and famous, I feel that less formal, quotidian images can often convey more of the life and spirit of the time.”   – Shirley Baker Shirley’s work is a must-see for any serious street photographer so be sure to listen my conversation with Jason as he tells the story of Shirley, her influence, work and the making of the film Shirley Baker: Life Through A lens A selection of Shirley Baker’s photos Photographs by Shirley Baker / Courtesy the Estate of Shirley Baker Links from the show Jason Figgis’ Wikipedia Shirley Baker Website Shirley Baker Instagram Shirley Baker: Life Through A lens Premiere Announcement The New Yorker article – Shirley Baker’s Half Century of Street

When Jeff Sonnabend, an Intellectual Property attorney from New York City, moved to Arkansas near the geographical center of the lower 48, he decided to follow his passion as a documentary photographer. Inspired by the work of German filmmaker / photographer Wim Wenders, he began photographing American communities for his project “Interstate Magazine”, a project roughly modeled on the work of the Farm Security Administration (the FSA) of the 1930s and 1940s. Like the work of the FSA, all of his documentary photography is meant to “show America to Americans”. As such, Jeff’s photography captures a detailed, truthful view of America as it really is. Early in 2023 Jeff published his second book, “The Route 66 Primer, An Uncropped View of the Mother Road.” He recently published an article in the January 2023 issue of Street Photography Magazine that tells the story of his book with a sample of his favorite images. His previous book, “Bowling the American Dream, America’s Bowlers and Their Bowling Alleys”, was published in 2019. In today’s episode, Jeff shares his personal story about how and why he travels the American heartland in search of its soul. A selection of Jeff’s project photos Links from the show Interstate Magazine The Route 66 Primer Bowling the American Dream by Jeff Sonnabend Written in the West by Wim Wenders Paris Texas – Film by Wim Wenders

LeighAnn Edmonds is a freelance documentary photographer in Birmingham, Alabama. Her work focuses on the rural regions of the American South, the people, their culture and the land that has often passed down through generations. Her conviction to break away from mainstream photography led to her retirement as a professional wedding and family portrait photographer, allowing her to focus on her personal work and photography projects. She primarily shoots 35mm black & white film with a 1955 vintage NIKON S2 rangefinder and her first camera, a Nikon N80 SLR. LeighAnn penned an article for Street Photography Magazine about her return to film which will be published in the magazine on March 19, 2023. In addition she will be the featured photographer in the May 2023 issue of SPM. Be sure to read that article to learn more about LeighAnn and her work. Links from the show LeighAnn’s website Instagram Facebook Read more about Leigh Ann in the feature article “Stepping Away from the Superficial,” in the May 2023 issue of Street Photography Magazine.

We’re doing something a little different this week. Instead of our usual monthly newsletter we decided to publish our interview with Brian Lloyd Duckett in our podcast feed. That’s because Brian is the featured photographer in the March 2023 issue of Street Photography Magazine and we wanted to share our very lively conversation with everyone. You can listen to our conversation with Brian here (or iTunes, Google Play, Spotify, Amazon, Stitcher and most other podcast directories) then SPM subscribers can read more about him and see his work in the March feature article which is scheduled to publish on Sunday, March 5. Brian is a documentary and street photographer from London. He has a very quirky and humorous style that is very refreshing. Brian says he is more interested human behavior than random photos of people walking down the street. Look at his work and you’ll see what I mean. He is also operates StreeSnappers, a London-based street photography hub. There he offers a variety street photography workshops both locally and around Europe. Brian is also a prolific writer, having penned six books about street photography including his most recent ‘OBSERVED’ – OBSERVATIONAL STREET PHOTOGRAPHY. All of his books are available on his website. When he’s not practicing or teaching street photography, Brian shoots editorial portraits for newspapers and magazines and is a partner in a commercial photography business. One more thing…his YouTube channel is an excellent resource for all street photographers. A selection of Brian’s street photos Brian Lloyd Duckett, Venice street photographer, Venice photography workshop 2022 Links from the show Brian’s Website StreetSnappers Website Instagram Facebook YouTube

Lewis Sandler originally trained as a lawyer, decided to move to China to explore a different world. There he spent nearly He spent nearly 30 years 30 years there working teaching English in high schools and later college. During his time in China, he photographed the world around him creating a huge body work. When he returned to the US Lewis settled in Presque Isle, Maine. Newly retired, he decided to find a way to show his photographic work in a gallery. This is something many of us would like to do but most never take the first step. Lewis was not deterred. Without any knowledge of how to find a gallery and create work for display he made a contact at the local library who agreed to give him space to show his work. He then set to work culling his photographs and contracted with a printer to print his selections on fine art paper. He then framed them (over 80 prints in all) and created supplemental material about life in China. It became a huge undertaking. He made it happen by taking digital images that only existed on a hard drive and making them real. In the process he made many mistakes which he shared during our conversation. But rather than let them defeat him, instead he learned and adapted for the next time. He has another show scheduled for this spring in a nearby town. Lewis shows us that no matter where you live, no matter what you photograph, opportunities exist to show your work to the public. You only have to look for them, ask and deliver. Which isn’t easy. You don’t ask…you don‘t get. A selection of Lewis’s China street photos Lewis’s work on display in the library gallery space Links from the show Facebook Pinterest

After I finish an interview I write down two or three things I learned from our guest. That’s why the title of this episode is “It’s about the story.” Nancy Kaye is a photojournalist and educator from Los Angeles. During her career she has been based in New York City and London, shooting for The Washington Post, The New York Times, and Associated Press. During our conversation Nancy said something that really resonated with me. She said that a single image can be strong on its own, but when sequenced in a group with a common theme the synergy it creates is much more powerful. The whole is greater than the sum of its parts. Nancy’s photos have been widely exhibited in juried shows and included in numerous books and documentaries. Her portrait of author Ralph Ellison is in the Smithsonian’s National Museum of African American History and Culture. In 1988 Nancy photographed a group of young girls in a rough Brooklyn neighborhood for The NY Times; a generation later she collaborated on a project, “Jump Rope Girls,” documenting the girls’ lives as adults with children of their own, and presented it at Duke University’s Documentary Study Center. As an educator she’s taught at LA Valley College and Santa Monica College Continuing Education, and American Jewish University’s Whizin Center where she worked with Rotem Rosental. She has mentored youth at Venice Arts and developed an after school photo program for teens in Culver City. She leads independent street photo workshops, guiding photographers to define their personal projects. Recently, she has served as a photo judge and curator for Photoville LA, ASMP-LA calls for entry, and the Orange County Fair. She’s currently President of the Los Angeles chapter of the American Society of Media Photographers (ASMP.) Editor’s note: Nancy Kaye was the featured photographer of the month in the July 2023 issue of Street Photography Magazine. For an in-depth look at her work, read the article “Thinking in Stories.” A selection of Nancy’s street photos Links from the show Nancy’s website Book Recommendation: André Kerté André Kertész On Reading Mark Greenberg J Ross Baughman Maggie Steber

Matt Nickles of Dayton Ohio is a new type of explorer. An Urban Explorer…Urbex for short. Rather than photograph people, he photographs the effects of people by documenting the things they leave behind by entering abandoned buildings, schools, churches and even subways. Basically Matt is an historian. These places can be dangerous, so it’s not for the foolhardy. Personally I find it fascinating. Here’s an explanation from Matt, in his own words, about what he does and why he does it. Plus more than a few words of caution for those of us who want to try it ourselves. “Take only photos, leave only footprints” a motto that would take a hold of my life! Hi there, my name is Matt Nickles(OhioRed). They say good things can come from bad situations and that is exactly what happened to me. Let me explain! Prior to Covid I was an avid hiker and nature will always be my first love! Then Covid happened. I noticed the trails quickly became packed with other people looking to escape the confinement of home. To me, nature was my escape from people. Don’t get me wrong, I’m an extrovert to the bone. But, we all need a break from the world and society and nature was mine. Now, I was stuck looking for a hobby without the cluster of people. I had always had this fascination with the Cincinnati Subway. So, to Google and Facebook I went. Took me just a couple days but I had set up a trip to get in and explore the remains of the forgotten subway. Before I go forward, I don’t condone any trespassing. I do this to capture the history before Mother Nature takes over. Next thing you know, I’m standing beneath the city of Cincinnati and can hear the foot traffic and cars on the street above me. Now, I find myself chasing light to capture that moment in time. The greatest joy I get from this is the moment to stand at the center of some of these structures and just listen and smell and imagine what it was like in its prime with all the busy people and loud machines running. I make sure to respect all places I visit and to leave only footprints. I’ve found myself from coast to coast and from Michigan to Destin Florida in my travels. I’ve also found there isn’t a place that I’ve encountered that doesn’t have a story to tell. I welcome you to take a look at my work and see if you may recognize any of these locations and may have a story of your own to tell? Safe explores! A selection of Matt’s Urbex photos Links from the show Matt’s Urbex Facebook

Carlos P. Beltran is an award-winning documentary filmmaker, producer and photo journalist originally from Caracas, Venezuela. Recently Carlos completed a 12-year documentary project, It Suddenly Occurred to Me, serves as an experimental biography that explores the life and work of Yarida Silva, a woman who found peace and redemption writing from within some of the worst prisons in Latin America. The book, documentary and photography exhibit are a collaboration between writer Yadira Silva and Carlos that offers an intimate view of a troubled, yet hopeful life. In today’s episode Beltran tells the story of how he and Yarida connected, how she wrote her story while imprisoned, how she hid her writing from the Venezuelan authorities and the dramatic rescue of her handwritten drafts from an abandoned apartment in Venezuela. Carlos’ documentary work focuses on socio-political issues, civil rights, migration, LGTBQ+ and human-interest stories in Latin America and the U.S. His work has been featured in leading news outlets including, NBC News, ABC News, National Geographic, Discovery Networks, Univision, The New York Post, Telemundo, Fusion, The Atlantic and AJ+ among others. A selection of Carlos’ Venezuela documentary photos Links from the show Carlos Beltran website Suddenly it Occurred to Me book website

Matt has worked as a creative nearly his entire professional career. He started as a visual designer but by the end of his 20-year tenure in that field his focus and expertise had shifted toward language and narrative. It’s no surprise that he ended up in the creative industry in that his parents were both artists and continue to create to this dav. Though from a family of modest means Matt was always supplied with instruction and professional level art supplies. His father was both a painter and a writer, but Matt’s early interests were, like his mother, entirely visual. She is an accomplished artist to this day. Having studied under Xavier Ironsides in her youth and heavily influenced by the work of Andrew Wyeth throughout her life, she has a solid command of form and composition and is an absolute master of the use light, shadow and texture. Matt’s formal training was initally in the area of theology. After a brief stint as a chaplain and teacher, however, he decided to pursue a degree in visual communications that evolved into a career in advertising. For multiple reasons does not consider his work in theology to have been a waste of time. In addition to applying the knowledge gained to his own spiritual journey it served to shape his creative vision as well. It’s his belief that the essence of true art is, fundamentally, the essence of humanity. and that human nature is most clearly revealed in its search for the divine. Currently he owns a small company that creates destination art for retailers across the United States. And while he enjoys his work as a small business owner and illustrator he continues to pursue photography as a deeper from of creative expression. His photographic work has been featured on multiple occasions in Street Photographer Magazine and a piece he did for National Parks Magazine won awards from both the Society of American Travel Writers and the North American Travel Journalists Association. A Selection of Matt’s Street Photos Links from the show Matt’s photography website Smoky Outfitters – Matt’s business website Instagram Facebook AbeBooks Resurrection City, 1968 by Jill Freedman The Unseen Saul Leiter  Gordon Parks: Segregation Story The Candid Frame Interview with David Ulrich The Mindful Photographer by David Ulrich

Matt Jerrams is an executive producer who creates television commercials in London. He has a passion for street photography in one of the best cities in the world to shoot. It seems like we have Matt on the show every year so it like this is his turn in 2022. We had plenty to talk about including Matt’s post purchase dissonance after switching from Fuji to Sony and his successful experiment selling his own prints through Etsy. He even volunteered to help our listeners thinking about giving it a try themselves. And of course he’s a Cleveland Browns fan…why is still a mystery to me. But we’re glad he’s a member of the fraternity. Don’t worry,we didn’t use the precious podcast time to talk football. A selection of Matt’s recent street photos Links from the show Matt’s InstagramMatt’s Vero: @capitalfacesMatt’s EtsyRobert Blomfield: Edinburgh 1957 – 1966The Mindful Photographer by David UlrichShane Taylor InstagramJimmy Lee Instagram

Brooklyn based photographer, Amy Touchette, explores themes of social connectedness through street portraiture. Amy trained at the International Center of Photography and began her artistic career as a writer and painter, earning a BA in Literature and Studio Art and an MA in Literature. She is represented by ClampArt in New York City and Little Big Galerie in Paris, France. Amy’s second monograph, Personal Ties: Bed-Stuy, Brooklyn, was published in January 2022 by Schilt Publishing (Amsterdam) and garnered a Critical Mass 2021 Top 50. Her first monograph, Shoot the Arrow: A Portrait of The World Famous *BOB*, was published by Un-Gyve Press (Boston, 2013). Other publications include The New York Times, the New York Observer, and the books Women Street Photographers (Prestel, 2021) and Brooklyn Photographs Now (Rizzoli, 2018). Her photographs have exhibited nationally and internationally, including at MoMA-Moscow, Leica Gallery-Warszawa, Hamburg Triennial of Photography, and in the U.S. Embassies in Vienna, Austria, and Ashgabat, Turkmenistan. Images from her latest series, Personal Ties: Bed-Stuy, Brooklyn, debuted at the National Portrait Gallery in London, England, 2019-2020, as part of the Taylor Wessing Photographic Portrait Prize exhibition and were included in an article on Artsy about Amy’s approach to street photography. An image from Personal Ties: Bed-Stuy, Brooklyn was made into a 8’ x 5’ flag and flown at the iconic Rockefeller Center rink in 2021 as part of Aperture’s “The Flag Project.” Amy is currently at work on several medium-format street photography series, as well as Street Dailies, her ongoing series of impromptu portraits of strangers, which are released regularly on Instagram. A selection of Amy’s street photos Links from the show Amy’s WebsiteInstagramFacebook

Kieron Long is a documentary photographer and Leica Ambassador from Kuching, Malaysia located on the island of Borneo. Born in Hong Kong, educated in the UK, Kieron has spent the past 4-years documenting the life and culture of the people of Borneo. He currently works with only a Leica Q2 Monochrom. By using only a single body and lens Kieron has mastered the capabilities of this specialized camera which drew the attention of Leica Malaysia to invite him to be and ambassador for the brand. Long before Kieron became an ambassador Kieron was a regular contributor to the highly competitive LFI Gallery which has earned him countless LFI Master Shots and Picture of the Week awards. This is nothing to sneeze at. Kieron pursues his project as a historian seeking to document the culture of his region before it disappears as young people leave their fishing villages to pursue modern lives in the city. He makes these photographs to honor the people he meets. His primary influences are Sebastião Salgado and Aurelio Amendola. A selection of Kieron’s photos Kieron’s links Kieron’s WebsiteInstagramFacebookKieron’s LFI Gallery

Miami Street Photography Festival Submission Deadline Extended Before we get to today’s show I wanted to let you know that the Miami Street Photography Festival (MSPF) will be live and in person this year at the History Miami Museum December 2 and 3. This is the premiere street photography event of the year, so we’re very happy that it’s back after the COVID interruption.Also, they have extended the deadline for contest submissions through Sunday, October 23 2022 (Midnight EDT). So there’s still time to submit your favorite single street photos or series. Use this link to visit their website. Use the links under Contest in the top menu to reach the submission forms. There’s one form for each contest, Single Photos, International Series and Miami Series. Now on with the show Editors’ Note: This show from our archives originally aired in October 2018. It’s one of our very favorite conversations that talks about the payoff of being persistent and passionate about a project over the long-haul. That’s why the subject is what I call the three P’s. Project, Passion, and Persistence. It’s really The hero of our story is Andy Hann, a creative director with Sony Studios in the Los Angeles area. Andy decided one day that he wanted to create a photo project about the people who frequent Hollywood Boulevard. If you’ve never been there it’s probably one of the quirkiest places in America with people dressed as movie super heros, famous people like Marylin Monroe and Michael Jackson as a way to make money to feed drug habits or just survive. This is a place that most of us would find as an interesting place to shoot for a few hours. But Andy saw it differently. He kept coming back…for over 3 years. And it’s not a pretty place because most of the regulars on the boulevard are homeless due to mental illness, drug addiction or both. Over time he became passionate about the people themselves and began to use his own time and money to help the homeless. It wasn’t always easy because Andy had to deal with his own bouts of self doubt and the imposter syndrome. Although he is a skilled designer, Andy wasn’t an experienced photographer. But he used the the project as a way to become familiar with the exposure and working in a variety of lighting conditions. At firstAt first and he wasn’t even an experience photographer And he didn’t even have a fancy camera…just a basic Digital Rebel, with 3 prime lenses. Despite bing a new photographer Andy persisted and finally after three years decided it was time to create a finished product which is his book Welcome to Hollywood. He tried to get it published and came close a couple times. But when that didn’t pan out he chose to publish it himself. The result is is a collection of intimate up close and personal images that together tell his story of people most of us pass by…often in a hurry. He shows the human side of this weird and gritty uniquely American place. Andy is one hell of a storyteller both visually and verbally. So I encourage you to hear the stories directly from the photographer himself by listening to my conversation with Andy Hann. A selection of photos from Welcome to Hollywood Andy’s Links Andy’s InstagramAndy’s FacebookDoing the Most – Andy’s article in the June 22019 issue of Street Photography Magazine

Karl Dedolph is a prolific street and documentary photographer from Minneapolis, Minnesota. He is a true student of the craft consuming about 2-hours of YouTube tutorials each day plus a regular workshop attendee. He’s trained with the likes of Bruce Gilden, Matt Stuart, Valerie Jardin and Brian Lloyd Duckett. He’s also been a fan of surfing since hearing his first Beach Boys album as a child. Karl regularly attends the US Open of Surfing in Huntington Beach, California as a fan. But this year he decided to cover the even from behind the scenes, not as a sports photographer but from the perspective of an experienced street shooter. So Karl asked us to help him option press credential for the event and offered to publish his article in Street Photography Magazine. That article in the October 2022 issue which you can find here beginning October 9. Obtaining press credentials for a major sporting event like this was much harder than expected due to multiple entries involved. He was forced to jump through hoops by the event’s owner IMG, the World Surfing League and major sponsor Vans, Getty Images, and Make Waves Media. After much wrangling and phone calls Karl did secure access to press area but he was restricted to a small area where the participants enter and leave the competition area. But he made it work by focusing his shooting on the participants and fans as they interacted outside the competition area. As Karl said he usually shoots on the street as a hunter, but this event forced him to fish for his shots. And he did this in very difficult lighting conditions like Southern California sun at high noon. It seems that world-class surfing competitions don’t take place at the golden hour. Anyway have a listen to Karl’s story about his street-style experience covering the US Open of Surfing. A selection of Karl’s street photos shot during the US Open of Surfing event When Karl wasn’t working the event he walked the streets of Huntington Beach in search of some compelling street photos. Here are a few from that week. Links from the show Karl’s website Karl’s Facebook Karl’s Salt Fever Article in Street Photography Magazine June 2019 Karl’s Street Photography Magazine podcast interview December 2019

We call ourselves street photographers, but let’s face it most of us don’t practice just one form of photography. If this applies to you, then you have the opportunity to add interest to some of your other work by incorporating your street photography style in other genres. Of course this doesn’t apply to everything but it can add an interesting twist areas where you least expect it. In this episode of I’m joined by guest co-host Debby Cole, a street photographer, speaker, author and visual storyteller from Austin, Texas. Together we discuss how we and others have applied a street-like, spontaneous style to other forms of photography like events, travel, weddings and even urban landscape. So have a listen and please share your experiences and examples by sending them to [email protected]. We’ll post some of your responses in our newsletter. Some examples of “street photography moments” found in other places Events As photographers we are often asked to record the people and activities at various events, or we’re just here as participants (like weddings). These can be parties, parades, concerts…you name it. Just because you’re not on “the street” with your camera doesn’t mean that you can’t still pay attention to a moment that captures your attention and interest. These are often the photos that stand out. ©Deborah Cole ©Robert Virga. Robert is a very prolific street photography in the New York City area. He made this photo while shooting behind the scenes of a county fair in upstate New York. Robert says he applies the same style no matter what he shoots. See our interview with him in the October 2021 issue of Street Photography Magazine. ©Robert Patterson 2022. This is one of mine that I made while photographing the events around a local steeple chase race in Charlottesville, Virginia. The humor of the guy holding his date’s purse while waiting for her in a restroom line made me stop. @Robert Patterson 2019. My job this evening was to photograph the awards ceremony for a long-time corporate client. When you listen to the podcast, you’ll hear me tell Debby about the details behind the event and why I did this. When I saw this guy walk in with his cool hat and distinctive beard I switched into street photography mode and made several frames. This isn’t what the client paid me to do, but they loved it. I didn’t think much of it that day, because I do this all the time. I shot a similar event for them in DC a few weeks later they asked me to do the same thing. Travel This one is probably not a stretch for street photographers, but it’s worth a discussion. Most people when traveling to new places travelers are caught up trying to capture the perfect postcard shot of famous landmarks or landscapes. But a street photographer with an eye for “the moment” can spot them in the interactions and reactions to the sights by their fellow travelers ©Deborah Cole ©Deborah Cole 2022 ©Bob Patterson 2022 While visiting Jerónimos Monastery in Belem, Portugal recently, this humorous scene pulled my attention away from the amazing architecture. Like everyone else with a camera that day I made many photographs of the building. But it’s this single image of human reactions that bubbled to the top (for me anyway). Street-like moments are everywhere…even in church. Without People Even with no people present a photo can still be about them. Sometimes it’s a gesture made by a plant or inanimate a humanlike expression on an animal’s face or something that results from human presence. These can capture the street photographer’s attention inspiring them to capture the moment. ©Deborah Cole ©Deborah Cole ©Robert Patterson 2018. I was in Miami to cover the Miami Street Photography festival when I spotted these chairs in the courtyard of the history museum. I have a thing for empty chars because they make me thing of loved ones who are no longer with us. I tried to make an image of the chairs all week, but there was alway someone sitting in them. Finally, on the last day I had my chance. This is just a small example of where you can apply your street photography style in places other than “the street.” Wherever you are, keep your street photography antennae up to capture moments that are meaningful to you. Debby’s Links Deborah Cole Photography WebsiteDeborah Cole Connections WebsiteFacebookInstagram