Soundtracking with Edith Bowman

Our latest guest on Soundtracking is an Italian screenwriter and director who is absolutely charming company - and super-talented to boot.Ferdinando Cito Filomarino - or Ferdy for short! - has collaborated multiple times with former guest on this show, Luca Guadagnino, and also brought us a couple of feature films of his own. The latest of these is Beckett, which you can watch now on Netflix. Starring John David Washington and Alicia Vikander, Beckett tells the story of a tourist who becomes the subject of a manhunt following an accident while holidaying in Greece. Excitingly, Ferdy's film is scored by none other than Ryuichi Sakamoto - who provides a typically layered soundscape. As always, we'll pepper plenty of his music throughout the conversation.

Our latest guest on soundtracking is an artist whose name has featured numerous times on Soundtracking, such is his stock in the world of film composition.Tyler Bates is the former lead guitarist for Marilyn Manson - but has, since the early 2000s, focussed the majority of his attention on movie scoring, working on projects like John Wick, Guardians Of The Galaxy and Watchmen.His latest offering is Dark Nights: Death Metal, a companion piece to the hugely successful series of comics and graphic novels by Scott Snyder and Greg Capullo. As ever, we'll hear examples of Tyler's music throughout the conversation.

We're 5 years old this week - hurrah!!! - and to celebrate our birthday, we thought we thought we'd go back to where it all began by speaking to Ben Wheatley, who appeared in the very first episode of Soundtracking and returns (appropriately enough) for a fifth time.Ben joined us with his longtime producer Andy Starke to discuss their film In The Earth, which was made in lockdown with all the considerable difficulties that brought.Set during a deadly global pandemic, In The Earth tells the story of a scientist and a park scout who embark on a mission to find a renegade botanist, conducting research into plant life deep in the woods. Much hallucinogenic mayhem ensues, referencing everything from Hammer horror to Hansel and Gretel and Dr Who, not to mention Ben's previous work.In The Earth is scored by our old friend Clint Mansell - who even rigged up his house plants to create sounds that feature in the music. Wonderful stuff ...

It's a triple header on this week's Soundtracking, as Edith is joined first by Edgar Wright to discuss his first foray into documentary filmmaking - The Sparks Brothers - and then by Russell and Ron themselves - the groundbreaking duo who've been smashing the mould for half a century.As well as getting the lowdown on his doc from Edgar, Russell and Ron, we also find out about Annette, the screen musical written by the brothers, which stars Adam Driver and Marion Cotillard and was directed by Leos Carax.Then, of course, there's the odd anthem to feast your ears on!

Our latest guests on Soundtracking are a couple of young ladies who wowed Kevin Feige and his team at Marvel to collaborate on the studio's latest offering on Disney+. No mean feat, given the history of the franchise, and we couldn't be happier for them that they smashed it out of the park. Director Kate Herron and composer Natalie Holt combined to magnificent effect on Loki, the mind-bending take on the Norse god of mischief, as played by recent guest on this podcast, Tom Hiddleston. We talk Easter eggs, the theremin, Tom's pissed singing and much, much more in this thoroughly enjoyable conversation.

Our latest guest on Soundtracking is a composer who provided the music for one of the water-cooler TV series of 2021. We are, in case you're wondering, talking about The Serpent, for which Dominik Scherrer has delivered a properly brilliant soundscape. Based true events, The Serpent tells the story of serial killer Charles Sobhraj, who murdered young tourists in Thailand between 1975 and 2000. As well as Dominik's score, the show also features loads and loads of needle-drops from the era, so you might get to hear a little bit of Serge Gainsbourg if you're lucky ...

Our guest on this week's Soundtracking is a documentary maker returning to the podcast for a third time. Nick Broomfield is always splendid company, and joins us once more to discuss his new film, Last Man Standing - a companion piece to Tupac & Biggie, which he made back in 2002 about the murders of the eponymous rappers. Here, he delves deeper into the role Death Row Records impresario Suge Knight played in their deaths - and speaks to more of the characters who were central to this extraordinary narrative. Last Man Standing is scored by Nick's regular collaborator, Nick Laird-Clowes, who was kind enough to furnish us with a few cues.

Our latest guest on Soundtracking is not only someone Edith's known for a very long time, but also someone who's been a great supporter of this podcast since day one. Tom Hiddleston is currently tearing up the screen as Loki on Disney +. It's a brilliant vehicle for one of Marvel's most enduring characters and a welcome return after - ahem, spoiler alert - what happened in Avengers: Infinity War. As well as discussing Natalie Holt's sonically adventurous score for the series, we also dive deep into Tom's passion for music and soundtracks, and discover the song he sang at his drama school audition. We hope you enjoy it as much as we did.

Our latest guests on Soundtracking are actor, writer and director Harry Macqueen and musician Keaton Henson, who makes his first foray into film scoring for Harry's deeply moving road movie, Supernova. Starring Stanley Tucci and Colin Firth, Supernova tells the story of a gay couple who travel to the Lake District - after Stanley's character Tusker has been diagnosed with early onset dementia. Given he's a film score newbie, Keaton has done a magnificent job with the music. And there are plenty of classy needle-drops too, including tracks by Dalton, Bowie and Waits. Enjoy!

It's becoming a bit of a thing, here on Soundtracking, having two guests for the price of one. But Edith is really pleased to welcome John Krasinski and Marco Beltrami to the podcast, given that A Quiet Place Part II was the first film she went to see in the cinema after the most recent lockdown. Written and directed by John, and scored by Marco, the film tells the story of a family forced to navigate a world inhabited by blind aliens with heightened hearing. Best not make much noise, it's safe to say!

Edith spoke to our latest guest on Soundtracking in the midst of our very first lockdown - not only when we were considerably more uncertain about things than we are today, but also before we knew what an extraordinary impact his film was going to have on lovers of cinema. Since chatting to Florian Zeller, his directorial debut The Father has had all manner of critical acclaim and recognition, including the award for best adapted screenplay (from Florian's own play) and best actor for Anthony Hopkins at this year's Oscars. Now we're not going to lie, there's not a huge amount of music in The Father, so we don't talk about it at great length, instead focussing on the very skillful way he tells a very challenging story. And we're also going to suggest that if you haven't seen it yet, DON'T LISTEN, because it really is one of those films best watched with as little foreknowledge as possible, and he gives a fair few trade secrets away.

It's another double header for you on this week's Soundtracking, with a director and one of his leading ladies joining me to discuss their spin on one of Disney's most iconic villains.Craig Gillespie and Emma Stone have, quite simply, created a fabulous Cruella De Vil. Effectively a prequel to the original animated classic, Cruella also stars Emma Thompson and Mark Strong among many other fine actors, and tells the story of Estella Miller, a fashion designer making her way in 1970s punk London who eventually becomes the titular baddie.As well as featuring over 50 songs, the film is scored by our dear friend Nicholas Britell, who complimented the deluge of needle drops with what he told us was his first rock-driven score.

Our latest guest on Soundtracking is a composer returning for a second visit, having scored pretty much every blockbuster to hit our screens in recent weeks.The work of Tom Holkenborg - or Junkie XL, if you prefer - can currently be heard in the epic Snyder Cut of Justice League, Godzilla vs Kong, and the riotous Netflix Zombie heist flick Army Of The Dead, which hadn't been released at time of recording.He was on BRILLIANT form - so we hope you enjoy the chat and, of course, his music as much as we do.

Our latest guest on Soundtracking is one our our faves - a supremely talented composer and all-round top fella, returning to the podcast for a third time. As ever, Nicholas Britell's services are in high demand - and he's been keeping pretty busy during the pandemic and beyond Not only has he scored Barry Jenkins's new Amazon Prime series, The Underground Railroad, but he's also penned the music for Cruella and the forthcoming season 3 of Succession among other things.As always, you'll hear plenty of Nicholas's music sprinkled throughout, illustrating the discussion.

Our latest guests on Soundtracking are writer / director Julie Taymor and her partner both romantically and creatively, the composer Elliot Goldenthal. Julia and Elliot joined Edith to discuss The Glorias, a remarkable film about the life of journalist and political activist, Gloria Steinem, with different actors playing her in the various phases of her life. It's a device that allows Julie all manner of scope for narrative fun and games, and elicits fine performances from leading ladies Julianne Moore, Alicia Vikander, Lulu Wilson and Ryan Kiera Armstrong.They also reflect upon Elliot's Oscar-winning score for Frida, which Julie directed.

Our latest guest on Soundtracking is a rare thing in this business: a female composer.Huzzah!Amelia Warner is relatively new to the game, but is definitely making waves, having provided the scores for Mary Shelley and the brilliant BBC short, Leading Lady Parts. Her latest offering is Wild Mountain Thyme. Written and directed by John Patrick Shanley, Wild Mountain Thyme is a comedic family drama set in Ireland starring Amelia's husband Jamie Dornan, Emily Blunt and Mad Men's Jon Hamm.Her score beautifully combines sweeping orchestration and traditional Irish music tropes, and you'll hear plenty of it throughout the course of the interview.

Our guests on this latest episode of Soundtracking are successful musicians in their own right who - not for the first time - have teamed up to deliver a stunning movie score. Dustin O'Halloran and Volker Bertelmann first worked together on Garth Edwards's Lion. They've since brought us the music to The Old Guard, The Art Of Racing In The Rain, A Christmas Carol and, most recently, Francis Lee's Ammonite - which is available digitally but will also have a selected cinema release in the UK from 17th May. They are properly lovely fellas, and exceedingly talented to boot. Enjoy!

Our guests on this week's Soundtracking are a couple of ladies eyeing success at the Academy Awards on Sunday evening. Emerald Fennell and Carey Mulligan have combined to great effect on the former's directorial debut, Promising Young Woman, which she also wrote. Nominated for 5 Oscars - including best picture, director and actor - Promising Young Woman tells the story of Cassie, a med school dropout seeking to avenge the death of her best friend, who was a victim of rape. By turns extremely funny, dark, and provocative, it also has a banging soundtrack and a fine score by Anthony Willis.

We've cheated a bit this week - as one of our guests doesn't really talk about music at all. But given her film Nomadland has just won a sackful of BAFTAs and is nominated for six Oscars too, we thought we'd cut Chloe Zhao a little slack. To be honest, Edith just wanted to share the interview with you, so much does she love the film - which stars Frances McDormand as a woman who becomes 'houseless' and travels America following the death of her husband. We're also joined by Kevin Macdonald to discuss his new movie, The Mauritanian. Starring Jodie Foster, Tahar Rahman and Benedict Cumberbatch, The Mauritanian is based on the 2015 memoir Guantánamo Diary by Mohamedou Ould Slahi, who was held for fourteen years without charge in Guantanamo. It's scored by relative newcomer, Tom Hodge, and you'll hear examples of his music throughout the conversation.

We don't just have one guest for you on our latest episode of Soundtracking - or even two. No, it's a 'three-for' this week, as we explore the wonder that is Sound of Metal. Nominated for six Oscars and four BAFTAs, including shouts from both for the extraordinary Riz Ahmed as best actor, Sound of Metal tells the story of a drummer, Ruben, who is going deaf - with all the emotional trauma that entails. And Riz is one of our three guests, alongside director and co-writer, Darius Marder, who's in the hunt for Best Picture and Best Original Screenplay at the Academy Awards, among other accolades. We'll hear separately from Darius's brother, Abe, who not only co-wrote the script, but also had the tricky job of articulating Ruben's descent into silence sonically as a composer on the movie.We also have to thank Abe for furnishing us with his yet-to-be-released music from the film, and Matthew at Nonesuch Records, who gave us the all clear to use it.Sound of Metal is available to watch on Amazon Prime from 12th April, and is coming to cinemas on 17th May.

Our latest guest on Soundtracking is composer Emile Mosseri, who has deservedly been Oscar nominated for his score to the quite beautiful Minari. Written and directed by Lee Isaac Chung, Minari tells the semi-autobiographical story of South Korean immigrants trying to make a new life in rural America during the 1980s. It's available to watch as of today via the Altitude Film website - so you can find out for yourself why it's earned six - yes six - Academy Award nominations.

Our latest episode of Soundtracking sees us joined by an incredibly prolific composer, who currently has a couple of very exciting projects for you to feast your ears on. Henry Jackman's latest work can be heard on Apple TV's Russo brothers film, Cherry, and Falcon And The Winter Soldier, which is streaming weekly on Disney + He's an absolute joy, and even tinkles the ivories throughout the course of the interview.

Did you know that the person who scores Sacha Baron Cohen's film is, in fact, his brother Erran? Well done if you did; if not, that's your new fact for the day right there. Erran is our guest on this latest episode of Soundtracking - with us primarily to talk about Borat Subsequent Moviefilm, which has just picked up a couple of Golden Globes, has been nominated for Oscars and BAFTAs, and is available to watch right now on Amazon Prime. We also have to thank Erran for servicing us with cues from the film, given that, for reasons unknown, his score is as yet commercially unavailable.

Our latest guest on Soundtracking is a writer and director returning for a second sitting, who has made five outstanding films for the BBC about London's West Indian community. Steve McQueen's Small Axe anthology is a series of historical dramas spanning from the late 60s to early 80s - from the story of the legendary Mangrove restaurant to Red, White and Blue, which stars John Boyega as Leroy Logan, the man who founded the Black Police Association. As you'd expect, the music is exquisite - not least because of the input of the legend that is Dennis Bovell, who makes a guest appearance on the pod to talk about his classic, Silly Games.

Our latest guest on Soundtracking is an actor, model and musician who established himself in the mainstream with his chilling performance as serial killer Paul Spector in critically acclaimed drama, The Fall. Jamie Dornan has since landed a string of leading roles, including the part of Christian Grey in the Fifty Shades series and Nick in Untogether, which was written and directed by former guest on this show, Emma Forrest. His latest outing sees him appear alongside Kristen Wiig and Annie Mumolo in the madcap comedy Barb And Star Go To Vista Del Mar, which, we can assure you, is an absolute hoot.He also stepped in at the very last minute, for which we're eternally grateful!

Our latest guest on Soundtracking is truly born into cinematic royalty. Writer / director Edoardo Ponti is the son of Sophia Loren and Carlo Ponti, who produced Dr Zhivago among many, many other films. Edoardo's latest project is The Life Ahead, which stars his mother as a former prostitute who forms an unlikely bond with a Senegalese street kid. You can watch it on Netflix now, and we highly recommend you take the time. Edoardo brims with enthusiasm, and has a mischievous sense of humour, making this a jolly entertaining listen indeed.

Our latest guest on Soundtracking is American playwright and film and theatre director, George C Wolfe. Now it's with a certain sadness we welcome George to the show, as his latest offering Ma Rainey's Black Bottom also happens to be Chadwick's last performance before his passing. But what a performance it is, as he and Viola Davis put on a virtuoso show as the eponymous blues singer and the trumpeter in her band. It's available to watch on Netflix now - so you can see for yourself why it landed numerous award nominations and received widespread critical acclaim.

Our latest guest on Soundtracking is a composer whose name has been mentioned on countless occasions on this podcast, such has been his productivity across the diverse world of screen music Ilan Eshkeri has worked on numerous films, TV shows and video games - the latest of which is the quite simply breathtaking Ghost Of Tsushima for the PS4. He's also scored four documentaries for David Attenborough, including A Perfect Planet, which you can watch on the BBC iPlayer right now. He's also built up several strong creative partnerships over the years with the likes of Matthew Vaughn, Ralph Fiennes and Mat Whitecross.

Our latest guests on Soundtracking are a husband and wife duo responsible for some of the most memorable original tracks to feature on our screens in recent times. For Bobby Lopez and Kristen Anderson-Lopez are the couple who wrote the songs in Frozen and Coco, winning Oscars for standouts Let It Go And Remember Mer respectively. Now they have contributed theme tunes to episodes of the quite extraordinary WandaVision, which is streaming now on Disney +. Set in the Marvel Comic Universe, WandaVision takes place after the events in Avengers: Endgame, and sees Elizabeth Olsen and Paul Bettany reprise their roles from the film series. Beyond that, it's quite hard to explain what's going on, so you'll just have to investigate for yourselves!

Our latest guests on Soundtracking are a duo who've combined to great effect on the haunting drama and character study, Luxor.As we'll hear, writer / director Zeina Durra contacted Venezuelan composer Nascuy Linares somewhat out of the blue to score her film, which tells the story of an aid worker who heads to Egypt to escape the horrors of the civil war in Syria, and runs into an old flame while she's there. Andrea Riseborough's performance in the lead role is something to behold, as are the locations and cinematography, so do check all of the above out on home entertainment formats as and when you get a second.Originally, Zeina didn't want any incidental music at all, which perhaps informed the ambient, stripped-back aesthetic of Nascuy's score. But he's done a beautiful job from beginning to end - capturing both a mood and a sense of place.

Our latest guests on Soundtracking are a duo Edith's been chasing since we started this podcast, so it's an absolute thrill to finally lure them on. Trent Reznor and Atticus Ross burst onto the film-composing scene with their score for David Fincher's The Social Network, for which they won an Oscar in 2010. The trio have since joined forces on The Girl With The Dragon Tattoo and Gone Girl. Trent and Atticus's most recent work can be heard on Fincher's Mank and Pete Docter's Soul, which you can watch right now on Netflix and Disney + respectively. The two films couldn't be more different and had wildly contrasting musical requirements - which is testimony to the range of their talents.

Our latest guest on Soundtracking is a composer who's been nominated for a BAFTA on no fewer than five occasions for his sterling output for television.Murray Gold is perhaps best-known for his work on Doctor Who, which saw him continue a long-time partnership with top screenwriter, Russell T Davies. The pair first joined forces on Queer as Folk, and have since collaborated on numerous critically celebrated shows such as Years And Years and A Very English Scandal.Their latest project is It's A Sin, which premiers on Channel 4 here in the UK on January 22nd. A tale of extreme highs and ghastly lows, it recounts the story of five 18-year-olds who move to London in the early 80s and have their lives turned upside down by the AIDS crisis.The legend that is Frank Oz also gets a more than honorary mention!

Our latest guest on Soundtracking is a first time film composer who's smashed his debut score right out of the park.Adam Janota Bzowski has a background in both music and sound design, and has expertly married the two arts with his work on Rose Glass's Saint Maud. Garnering widespread critical acclaim, Saint Maud defies categorization, but broadly tells the story of a hospice nurse who becomes obsessed with a former patient in her care, believing she must save her soul. It's available on home entertainment formats from 1st February, and we suggest you pop a note in your diary for that - as it really is that good.Adam's score compliments the unsettling atmosphere of the narrative, script and visuals perfectly - and is an incredibly accomplished first foray into the business.

Merry New Year, everybody! To see it in, it's another double-header for you.First up, a true legend of recent cinema. Pete Docter is the Chief Creative Officer at Pixar. As well as winning Oscars as the director of Inside Out and Up, he was one of the main reasons we have Toy Story and has played some sort of hand in pretty much every movie to have come out of the studio.His latest project is the hugely ambitious Soul, which he both wrote and directed. Streaming now on Disney +, the story follows a music teacher voiced by Jamie Foxx, who seeks to reunite his soul and his body after they are accidentally separated, just before his big break as a jazz musician.Then we have Tessa Thompson talking about Sylvie's Love, another film to have jazz at its very core. Set in 50s Harlem, it's a classic romance between Tess's character, with ambitions of her own, and a saxophonist that beautifully evokes the spirit of the age. It's available to watch now on Amazon Prime.

We have one of Edith's dear old friends on this festive episode of Soundtracking - the one and only Andy BurrowsAs well as teaming up with Edith's fella Tom in their Smith & Burrows guise, Andy drummed with Razorlight, is Ricky Gervais's go-to guy, and scored Snowman & The Snowdog with Ilan Eshkeri. He and Edith discuss all of this and more.Hope you enjoy, merry Christmas everybody!

We're very excited about our latest episode of Soundtracking, which sees a welcome return to the podcast for the Boss, Bruce Springsteen, and his longtime collaborator Thom Zimny. The pair joined Edith during lockdown to discuss Bruce's new album, Letter To You, and Thom's gorgeous accompanying film of the same name. Letter To You saw Bruce reunite with the E-Street Band for the first time since 2014, and was recorded over 5 days at his home studio under Thom's watchful eye. Like Western Stars before it, it interweaves music, archive and the meditations of its protagonist to genuinely profound effect. We highly recommend checking it out on Apple TV now.

Our latest guest on Soundtracking is a composer we've been wanting to get on for absolutely ages. Michael Price has worked on a huge range of projects for film and television, including Dracula, Horrid Henry, Hot Fuzz, Band Of Brothers and, of course, Sherlock - for which he won an Emmy with David Arnold. He's also music edited some incredible movies, from Lord Of The Rings to Love Actually and Children Of MenHis most recent film score is for Eternal Beauty. Eternal Beauty saw him team up with recent guest on this show Craig Roberts, after they first collaborated on Just Jim.We don't talk about music in as much detail, but don't worry, we'll get him back in 2021 and get granular. Michael doesn't know that yet, but still ...

Christmas continues to come early on Soundtracking, as once again we have two guests for you instead of one.First up, a bit of a legend in our mind, given that he scripted both American Beauty and Six Feet Under. Alan Ball has now written and directed a little gem of a movie in the shape of Uncle Frank, which you can watch on Amazon Prime. Starting Paul Bettany and Sophia Lillas, Uncle Frank tells the story of a gay man forced to confront his past on a road trip with his niece, and has all the wit and nuance of Alan's previous stellar work.Then, perhaps even more impressively on a certain level, Edith is joined by Viggo Mortensen, who not only wrote and directed, but also starred in, and composed the score for, Falling - his first film behind the camera. A long time in the making, Falling sees Lance Henriksen play the homophobic Willis, who is forced to move in with his gay son when he starts to exhibit signs of dementia. Falling has a cinematic release, but you can also watch it at home. Head to modernfilms.com/falling to find out how.

It's all about girl power on this latest episode of Soundtracking, with not one but two women at the very top of their game.First up is Sofia Coppola, returning to the podcast to discuss her new film, On The Rocks, which she both wrote and directed. Starring Rashida Jones and Bill Murray, it tells the story of Laura, a mum having doubts about her marriage whose charming yet cynical father, Felix, suggests her husband may be having an affair. It's streaming on Apple TV now, and sees both leads on fine, fine form. Then Edith is joined by Alison Brie. Best known for her roles in Mad Men, Community and Glow, Alison has now directed an episode of Marvel 616. Marvel 616 is a series of 8 documentaries about everyday folk who are in some way connected to the universe of the comics. We'll let her explain further during the interview, but you can find out what it's all about for yourselves on Disney+Enjoy!

As promised, we've another double-header for you on this latest episode of Soundtracking, as we span the globe with an Australian and an American.First up is Ben Frost - a composer of extraordinary versatility. We spent much of the time discussing his scores for the mind-bending German Netflix sci-fi / thriller / mystery / time-travel drama Dark. His work on all three seasons is available to buy right now at invada.co.uk - so get ordering online at the first opportunity.Then we bring you Radha Blank discussing The 40-Year-Old Version - a film she wrote, directed and stars in. Blurring the lines between reality and fiction, it tells the story of, you guessed it, Radha, a down-on-her luck playwright moving between the worlds of theatre and hip-hop.

It's two for the price of one on our latest episode of Soundtracking, as we bring you a superb composer and splendid writer/director.First up is our old friend Ludwig Goransson, here to talk specifically about season two of the Mandalorian - which is streaming now on Disney +, one episode at a time. Then we bring you Bassam Tariq on Mogul Mowgli, which had a theatrical release before the second lockdown, and is now available to watch on the BFI Player and Curzon Home Cinema. More details are available here: https://www.mogulmowgli.co.uk/ Starring former guest on this show, Riz Ahmed, It's such a startlingly original piece of filmmaking, we really wanted to give it a little bit of love. Hence the bonus guest!Enjoy!

Our latest guest is a composer whose work you'll almost certainly know and love. As you'll hear, Steven Price took the scenic route into full blown film scoring with Attack The Block in 2011, after many years on the periphery of the business. His patience has been well rewarded - he went on to win an Oscar for Gravity, and has also worked on World's End, Baby Driver, Suicide Squad and The Aeronauts among many other things.Steven joined Edith to discuss a couple of new projects he's done for Netflix, which you can watch right now: Glen Keane's beautiful animation, Over The Moon, and David Attenborough's A Life On Our Planet. Both very different, but both extremely moving in their own way - in no small part thanks to Steven's music.

We're really thrilled to be able to bring you this latest episode of Soundtracking, as it's the first thing we've done in front of a live audience post-lockdown.As part of the London Podcast Festival, Edith was joined by the one and only Nick Frost before a small, socially distanced gathering at King's Place to discuss all manner of things, including his new Amazon show Truth Seekers, a comedy-horror about a team of paranormal investigators.We're hugely grateful to Nick for making the effort - and he was on predictably fine form. Thanks also to everyone who made the effort to be there in person or join us online. We really do appreciate it!

We've got a proper friend of the show on this latest episode of Soundtracking, as Ben Wheatley returns for his fourth - yes, fourth - sitting. Our first ever guest, he previously joined us to discuss High Rise, Free Fire and Happy New Year, Colin Burstead. This time round he's here to talk about his take on Daphne Du Maurier's Rebecca, from a screenplay by Jane Goldman, Joe Shrapnel and Anna Waterhouse. If you haven't seen it yet, you can watch it right now on Netflix.Rebecca sees Ben reunited with composer Clint Mansell, who also provided the scores for High Rise and Colin.

Our latest guest on Soundtracking is Melissa Parmenter. Not only has Melissa worked alongside the great Michael Winterbottom for many years as a producer, she's also a composer who scored The Killer Inside Me and Genova. In addition, she's released the Scandinavia EP and a new album, Messapica. We talk to Melissa about her creative process, and how she balances her time between making films and TV shows like The Trip and making music.

Edith's latest guests on Soundtracking are a couple of documentary makers whose work she absolutely loves.She first met Ian Bonhôte & Peter Ettedgui following the release of their debut feature, McQueen, based on the life of British fashion designer, Lee Alexander McQueen. Now Ian and Peter have turned their attentions to paralympians with Rising Phoenix, which is streaming on Netflix now.Scored by our old friend Daniel Pemberton, Rising Phoenix plays like a superhero movie, a device that really hits the mark. The three of them also discuss Michael Nyman, who allowed Ian and Peter to use his music for McQueen.

Our latest guest on Soundtracking first came to Edith's attention with his barnstorming lead performance in Richard Ayoade's coming-of-age drama, Submarine. Craig Roberts has since broadened his horizons and turned his attention to writing and directing - first with Just Jim and now the wonderful Eternal Beauty. Starring Sally Hawkins, Eternal Beauty tells the story of Jane, a young woman suffering from depression and schizophrenia in 80s suburbia following the trauma of being stood up at the altar. It's an audacious bit of filmmaking - dealing with the difficult subject mental illness with remarkable deftness of touch. The movie is scored by Michael Price, who has been incredibly helpful in supplying us with his music - so thank you Michael, we'll get you on soon.

Our guest on this latest episode of Soundtracking is a world-famous frontman with a genuine passion for score. SImon Neil is a guitarist and lead vocalist for Scottish rockers Biffy Clyro - whose most recent album A Celebration Of Endings went straight to the top of the UK album charts. But as you're about to hear, he really does know his stuff when it comes to movie music too. Man, do we cover a lot of ground! He also scored Jamie Adams' wee gem of a film, Balance, Not Symmetry, and hopes to do more scoring in the future.

Our guest on this latest episode of Edith's screen music podcast Soundtracking is an actor known for his roles in Shallow Grave, Trainspotting, Velvet Goldmine, Little Voice, Brassed Off, Star Wars and ... well, the list goes on and on and on.Ewan McGregor's latest project sees him reunited with his good friend Charley Boorman for Long Way Up. Available now on Apple TV, Long Way Up accompanies the pair as they attempt to motorcycle all the way from the bottom of Latin America to Los Angeles - on electric Harley Davidsons! It really is a wild and hilarious adventure - and Edith is absolutely loving it.The show features some brilliant tunes too, from familiar rock and pop to songs specific to the countries through which Ewan and Charlie travel. We also find out the unlikely band that he had in his headphones under his helmet ...

Our latest guest on Soundtracking is a hugely entertaining composer who has worked on tens and tens of movies, TV shows and video games.Among Harry Gregson-Williams's many credits are an apprenticeship under Hans Zimmer, a long-term working relationship with the Scott brothers, the Shrek series, and an unlikely collaboration with Trey Parker and Matt Stone on Team America. The story behind how that came to pass is hilarious, by the way.His latest project is the live action animation remake of Disney's Mulan, which is based on classic Chinese folklore and tells the story of a girl disguised as a man who becomes a great warrior. And you can watch it on Disney + right now!