Soundtracking with Edith Bowman

Our latest guest on Soundtracking is composer Martin Phipps. Among Martin's credits are Ridley Scott's Napoleon and four seasons of The Crown. Martin joined The Crown in season three, which follows the life and early reign of Queen Elizabeth, and his music played a hugely important part in the subsequent development of the show.

Our latest guest in this bonus episode is Paul Feig, who returns to Soundtracking to discuss his latest film, Jackpot!, which is streaming now on Prime Video. Starring Awkwafina and John Cena, Jackpot! is a black comedy caper set in the near future, where winners of a huge lottery only get to keep their billions if they avoid being killed by anyone who wants to have a crack at them by sundown. Despite the dark premise, this is very much fast-paced, gag-driven slapstick fare in which both the protagonists shine.

We have a returning guest on our latest episode of Soundtracking, as Doug Liman joins Edith to discuss The Instigators, which is streaming now on Apple TV. Boasting a stellar cast including Matt Damon, Casey Affleck, Hong Chau and Alfred Molina, The Instigators sees two thieves go on the run in the wake of a botched robbery in the company of one of their therapists.

Our latest guest on Soundtracking is Logan Nelson, who joins us to discuss his work on Elizabeth Taylor: The Lost Tapes. The Lost Tapes uses her archives and newly found audio to allow Taylor to narrate her own story, interspersing photos, video footage and iconic moments for her film. Logan's score has not yet been released, so we're very grateful to him for sharing a couple of his cues with us.

Our latest guest on Soundtracking is Andrew Onwubolu, better known as Rapman, the creator, writer and director of the smash Netflix hit, Supacell. Set in modern-day South London, the series is about a group of five ordinary black people, unified by family history of sickle cell disease, unexpectedly developing superpowers and being pursued by a secret organisation who intends to control them.

We have a bonus episode of Soundtracking today, brought to you by our very good friends at BMW, marking the release of Deadpool & Wolverine. For the past 6 years, BMW have worked incredibly closely with British GQ magazine to help celebrate heroic figures who shape society, culminating in the wonderful GQ Heroes summit, which happens once a year in the Oxfordshire countryside. It’s a few days where the world's most interesting and inspiring minds, game-changers and radical creatives come together to share big ideas with a very small and intimate group of people. We were extremely honoured to be asked back this year - not only to listen to legends of the entertainment industry, design icons, activists and so much more, but also catch up with the trailblazing talent that is Emma Corrin. Emma can be seen playing the role of Cassandra Nova in Deadpool & Wolverine, which is on general release now. Emma is someone who uses their platform as a voice for so many, in turn giving people the strength to find a voice of their own. This was all the more special for Edith as she was lucky to have conducted their first ever interview, months before anyone had seen them play the role that catapulted them onto television screens around the world - a young Princess Diana in the Crown.

Our latest guest on Soundtracking is Erica Tremblay, co-writer and director of Fancy Dance, which is streaming now on Apple TV. Fancy Dance tells the story of Jax - who has cared for her niece, Roki, on the Seneca-Cayuga reservation in Oklahoma since the disappearance of her sister. Every spare minute Jax has goes into finding her missing sister as she helps Roki prepare for an upcoming powwow.

Our latest guest on Soundtracking is the delightful Lee Isaac Chung, who joins us to discuss his magnificent summer blockbuster, Twisters. A loose sequel to the 1996 film, it stars Daisy Edgar-Jones as a former storm chaser drawn back to the wide-open plains of Oklahoma as multiple weather systems dangerously converge. Twisters is scored by Benjamin Wallfisch - but also features plenty of great country music.

Our latest guests on Soundtracking are writer/director Josh Margolin and composer Nick Chuba, who joined forces on Josh's new film Thelma. Thelma tells the story of a 93-year-old grandmother who loses $10,000 to a con artist on the phone. With help from a friend and his motorized scooter, she embarks on a treacherous journey across Los Angeles to reclaim what was taken from her. Nick's score has echoes of the Ocean's movies, and evokes the spirit of action films from the 60s and 70s with its jazzy sensibility. As always, you'll hear extracts of it throughout the chat.

Our latest guest on Soundtracking is something of a cinematic polymath - a writer, director, editor and sound designer - the latter being a job description he basically coined. Walter Murch joined Edith to discuss the 50th anniversary of The Conversation, which has been re-released in selected cinemas so you can enjoy it in all its glory on the big screen. Walter took care of the sound and editing on that for starters! We also unpack (some of) the rest of his long and fruitful relationship with Francis Ford Coppola, which also encompasses Apocalypse Now and the Godfather Trilogy.

Our latest guest on Soundtracking is actor Andrew Scott, who joined Edith in front of an audience as part of our Everyman Soundtracking Film Club to discuss the critically-lauded Netflix series, Ripley. Shot in black and white, it's a dark, brooding and beautiful retelling of Patricia Highsmith's classic novel The Talented Mr Ripley - in which Andrew delivers a performance as the titular antihero described by the Guardian newspaper as 'absolutely spellbinding'.

Our guest today is music supervisor extraordinaire Maggie Phillips, who has an incredible list of credits including Normal People, Moonlight, Shogun, The Handmaid's Tale, Mr Robot, Fargo and The Great. I absolutely loved talking to Maggie - and also her dog, who seemed keen to join what was an absolutely fascinating conversation.

Our latest guest on Soundtracking is the wonderful Jeff Nicholls, who joins us to discuss his brilliant new film, The Bikeriders. Inspired by a book of the same name by photo-journalist Danny Lyon, it tells the story of The Vandals MC, a motorcycle club from Illinois in the 60s, and features a fantastic cast including Jodie Comer, Austin Butler and Tom Hardy. By Jeff's reckoning, The Bikeriders showcases over 30 needle-drops, so plenty to discuss.

Our latest guest on Soundtracking is someone for whom music has had a hugely important role to play in his films. Richard Linklater joined Edith to discuss Hit Man, which is streaming right now on Netflix. Based on a true story, it follows a psychology professor and undercover police contractor who also poses as a hitman. We know: the truth is indeed often stranger than fiction.

We have a bonus episode for you today, which is an Everyman Soundtracking Live with Jerry Bruckheimer and Joachim Ronning - who joined me live on stage to discuss their wonderful movie Young Woman And The Sea. Starring Daisy Ridley, it tells the story of Trudy Ederie who became the first woman to swim the English Channel in 1926, but has since been largely forgotten. Until now, that is!

Edith has been wanting to get our latest guest on Soundtracking for some time, not least because of his wonderful collaborations with the likes of Steve McQueen and Denis Villeneuve. And it's his relationship with the latter that we are focussing on with editor-extraordinaire Joe Walker today, with Dune 2 now available to watch on home entertainment formats.

Our latest guests on Soundtracking are Abi Morgan and Lucy Forbes - respectively the writer and the director of the quite extraordinary Eric, which is available to watch right now on Netflix. To try to describe this series in a couple of sentences would be to do it an injustice, but very broadly speaking it involves a man who believes he can find his missing son with the help of a giant puppet called Eric.

Our latest episode of Soundtracking sees a welcome return to the podcast for composer Amelia Warner, who has provided the score for Young Woman And The Sea. Based on a true story, Young Woman And The Sea stars Daisy Ridley as swimmer Trudy Ederie, the first woman to swim the English Channel way back in 1926. Amelia's score hasn't been released yet, so she very kindly provided us with a couple of her cues by way of illustration.

Brought to you in association with BMW, Edith is joined by composer Tom Holkenborg - aka Junkie XL - post red carpet premiere in Cannes, and by director George Miller in London to discuss the music and making of Furiosa: A Mad Max Saga.

Our latest guest on Soundtracking is the musician, style icon and all-round delight, Anna Calvi, who joins Edith to discuss her score for seasons five and six of Peaky Blinders. Anna's music is such a key component to the culmination of the much-loved show, and hearing her talk about her creative process in soundtracking it is utterly captivating. And, thanks to our good friends at Domino Records, we've got a vinyl copy of Anna's score to seasons 5 & 6 to give away. Hurrah! All the details are on our social channels (see below) ...Twitter: twitter.com/soundtrackingukInstagram: instagram.com/soundtrackinguk/Website: edithbowman.com

We have another one of our live Everyman Soundtracking shows for you today, recorded with Rose Glass, director and co-writer of Love Lies Bleeding. Starring Kristen Stewart, Katy O'Brian, Jena Malone, Dave Franco, and Ed Harris, its plot follows the relationship between a reclusive gym manager, who is part of a crime family, and an ambitious bodybuilder in 1989 smalltown America. Love Lies Bleeding is scored by friend of the show Clint Mansell

We have a bit of a Fall Guy special for you today, as director David Leitch, producer Kelly McCormick and writer Drew Pearce join Edith to discuss their brilliant film. Starring Ryan Gosling and Emily Blunt, it tells the story of a stuntman working on his ex-girlfriend's directorial debut, who gets ensnared in a conspiracy surrounding the film's lead actor. First up are David and Kelly, followed by Drew

It's a welcome return to Soundtracking for Luca Guadagnino, who joined Edith from Los Angeles to discuss his latest movie, Challengers. The story - in very broad terms - follows a professional tennis champion who plots a comeback with the help of his wife - a former prodigy who retired after an injury - as he goes up against another player who also happens to be his former best friend and wife's former lover. Challengers is scored by our old friends Trent Reznor and Atticus Ross...

Our latest guest on Soundtracking is director Zack Snyder, joining Edith to discuss Part Two of Rebel Moon - entitled The Scargiver - which you can watch on Netflix now. Following on from the first installment of the saga, it sees our heroine Kora and a band of warriors defend their homeland, Veldt, against the tyrannical Motherworld. Both film are scored by friend of the podcast, Tom Holkenborg, aka Junkie XL.

A couple of weeks after we.brought you Dev Patel and Jordan Peele talking Monkey Man, we're delighted to say we have another live Soundtracking Everyman Film Club for you. Today it's the turn of director Sam Taylor Johnson, producer Giles Martin and Music Supervisor Iain Cooke to discuss Sam's Amy Winehouse biopic, Back To Black. Starring Marissa Abela in the lead role, it predominantly charts the influence of Amy's family, her early years in the music industry and her troubled relationship with Blake Fielder Civil, encompassing her triumph at the 2008 Grammys, at which she won 5 awards including Best Album. Sam, Giles and Ian joined Edith in front of an audience at The Screen On The Green in Islington, north London.

Our latest guest on Soundtracking is Alex Garland, joining Edith to discuss his latest film as a writer / director, Civil War, scored by our old pals Ben Salisbury and Geoff Barrow. The narrative follows a group of journalists who travel across the United States during a rapidly escalating second American Civil War, with Kirsten Dunst, Wagner Moura and Nick Offerman among the cast. It also features some tremendous needle-drops, as discussed by Edith and Alex

Our latest guests are Dev Patel and Jordan Peele, who joined Edith for the first Soundtracking Everyman Film Club of 2024 to discuss Dev's debut feature, Monkey Man, recorded live at Screen On The Green in north London. As well as writing and producing the film (with a little help from Jordan), Dev also directed - on what was, as you'll hear, an extremely challenging shoot. Monkey Man is ostensibly a revenge thriller, drawing from the rich tradition of classic kung-fu movies. But peel back the layers and you'll find so much more - not least razorsharp socio-political commentary.

Our latest guest on Soundtracking is Neo Sora, son of Ryuichi Sakamoto and director of a final gift to the Japanese composer's fans, Opus. Recorded in late 2022, with just Ryuichi and a Yamaha grand, Opus sees him perform his most haunting, and delicate melodies in equally haunting and delicate black and white. It is a wonderfully tender, meditative and moving film, which we recommend you all to go and see.

Our latest guest on Soundtracking is Issa Lopez, creator, writer and director of True Detective: Night Country, which is available to watch in its entirety on Sky and Now TV - in the UK at any rate. Starring Jodie Foster & Kali Reis, it's set in a remote Alaskan town during a winter spell of perpetual darkness, and follows an investigation into the mysterious disappearance of eight men at a research station. The visuals are stunning ... the performances are stunning ... the music is stunning. As well as boasting a suitably chilling score by Vince Pope, it also features a range of incredible needle drops and a title track by none other than Billie Elish.

Our guest this week is Max Richter - composer extraordinaire who has provided the music for Adam Sandler and Carey Mulligan's new film, Spaceman. Directed by Johan Renck, it tells the story of a Czech astronaut sent to the end of the solar system who encounters a creature that helps sort out his issues back on earth. We love having Max on the podcast, so brilliant is he at articulating the intricacies of composing a score. Enjoy!

What a treat we have for you today, as Denis Villeneuve & Hans Zimmer join me to discuss Dune 2. Denis and Hans were on cracking form as they discussed their second outing together adapting a book they both loved as children.

Our latest guest on Soundtracking is director Thea Sharrock, who joins me to discuss her hilarious new film, Wicked Little Letters. Based on a true story, Wicked Little Letters stars Olivia Coleman and Jessie Buckley, and sees the residents of Littlehampton start receiving missives filled with profanity, prompting a group of the town's women to investigate. It's scored with her usual aplomb by Isobel Waller-Bridge.

We have a bonus episode for you, as director Fernando Meirelles and composer Ed Cortes join me to discuss the 21st Anniversary of City Of God. This is a film that was hugely important to Edith in her journey as a film fan - as she, like many other people, had never seen anything quite like it when it hit cinemas. In addition to Fernando's visual flair, Ed's score (which he put together with Antonio Pinto) is outstanding and super-cool.

Our latest guest on Soundtracking is composer Laura Karpman, who joined Edith to discuss her Oscar nominated score for American Fiction. Written and directed by first-timer Cord Jefferson (who picked up a BAFTA for Best Adapted Screenplay), it follows a frustrated novelist-professor who writes an outlandish satire of stereotypical 'black' books, only for it to be mistaken by the liberal elite for serious literature.

We have finally netted one of our white whales on Soundtracking, as after literally years of trying, Edith finally managed to get an opportunity to sit down with the one and only Martin Scorsese. Martin joins us to discuss Killers Of The Flower Moon, which is available to watch right now on Apple TV - though we ended up covering so much more than that - including Taxi Driver, Casino, Raging Bull, Mean Streets and The Last Waltz ... Mean Streets to

We have a very special bonus episode of Soundtracking for you today, as Matthew Vaughn, Lorne Balfe, Giles Martin, Gary Barlow and Stuart Price join Edith to discuss the music of Argylle. As you'll hear, each made very specific contributions to the film, but channelled the spirit of collaboration to provide score, original songs and that new Beatles track!

We have a Poor Things double-header for you today, as first Yorgos Lanthimos and Emma Stone join me to discuss their collaboration on the film, before their composer Jerskin Fendrix. As well as producing the film, Emma stars as Bella Baxter, a young woman in Victorian London , who is resurrected by a scientist following her suicide and embarks on an odyssey of self-discovery. It's the first time Yorgos has used a composer in the conventional sense, and also the first time Jerskin has written for film.

Our latest guests on Soundtracking are writer / director Andrew Haigh and composer Emilie Levienaise-Farrouch, who joined Edith to discuss their work on Andrew's film, All Of Us Strangers. We don't want to say to much about it if you haven't seen it yet, but it stars Andrew Scott, Paul Mescal, Jamie Bell and Claire Foy, and tells the story of a lonely gay man who mysteriously meets his parents on visiting his childhood home, despite the fact they died in a car crash when he was a young boy.

Our latest guests on Soundtracking are childhood friends Jamie Childs and James Drummond, who joined Edith to discuss Jamie's debut feature as a writer / director, Jackdaw. Set in Hartlepool, it follows an eventful night in the life of former motocross champion and army veteran, Jack, whose decision to take a job from a criminal results in all kinds of mayhem. Jamie enlisted James, who has a background in the music industry, as music supervisor, while the score is provided by Deadly Avenger & Si Begg.

The last time we had our latest guest on the podcast, he was up for an EE BAFTA Rising Star award, which he duly won. How far Daniel Kaluuya has come since then? although, to be fair, he was quite some distance down the road alread. Now Daniel joins Edith to discuss his debut as a writer/director, The Kitchen. Music for the film is provided by Labrinth and Alex Baranowski, to whom we owe huge gratitude for providing us with as-yet unreleased cues of a Sunday morning, when he should have been reading the paper and eating croissants. Thank you, Alex!

Our latest guest on this bonus episode of Soundtracking is Alexander Payne, who joined me to discuss his new film, The Holdovers. Set in the early 1970s, it stars Paul Giamatti as a strict teacher at a New England boarding school, who is forced to chaperone a handful of students with nowhere to go on Christmas break.

Our latest guest on Soundtracking is the wonderful Jodie Comer, who joined Edith to discuss her role in Mahalia Belo's new film, The End We Start From. Based on the book by Megan Hunter, it tells the story of a mother and her baby who flee London after an ecological crisis, and sees Jodie star alongside the likes of Benedict Cumberbatch, Katherine Waterstone and Mark Strong. They also talk about the music moments in Killing Eve, Free Guy & her stage play, Prima Facie.

2024 is rolling on in fine style here on Soundtracking - after Sofia Coppola kicked it off - as director George Clooney and his leading man Callum Turner join Edith to discuss The Boys In The Boat. Based on a true story, The Boys In The Boat is a classic sporting underdog tale, with the narrative charting a rowing crew from the University of Washington on their journey to the Berlin Olympics in 1936. It's scored by previous guest on the podcast, the genuinely great Alexandre Desplat

Our first guest of 2024 is the wonderful Sofia Coppola, who joined us for a Soundtracking Everyman Film Club in front of a live audience to discuss her latest film, Priscilla. Based on her Priscilla's memoir, Elvis & Me, this tells the story of her complex relationship with the iconic musician.

Our gift to you this Christmas morning is Taika Waititi talking about his new film, Next Goal Wins.Based on a true story, Next Goal Wins stars Michael Fassbender as a coach charged with turning around the fortunes of the American Samoan national football team, widely regarded as one of the weakest in the world.

Our latest Christmas present of a guest for you here on Soundtracking is the legendary Michael Mann, who joins Edith to discuss his biopic Ferrari, which follows the personal and professional struggles of Ferrari founder Enzo during the summer of 1957. Starring Adam Driver and Penelope Cruz, it has all the visceral thrills and visual thrust that you'd expect of a Michael Mann film about very fast cars, but also real emotional punch, particularly in the performances of Adam and Penelope as Enzo and his wife, Laura. Ferrari is scored by friend of the show Daniel Pemberton - who provided the music in around about a week!

Without wishing to sound unduly self-congratulatory, it is slightly mind-boggling to us that one week Edith gets to introduce Sam Esmail and Julia Roberts to you on the podcast, and the next Bradley Cooper and Carey Mulligan. Bradley and Carey joined us to discuss Maestro, which Bradley co-wrote and directed and focuses on the relationship between Leonard Bernstein and his wife, Felicia Montealegre.

It's a Wonka special for you today, as writer director Paul King, songwriter Neil Hannon and composer Joby Talbot join Edith to discuss their origin story of the eccentric chocolate maker, who is brilliantly played by Timothée Chalamet. It's a beautiful, all-singing, all-dancing spectacular, with all the characteristic charm of Paul's work, and with fine contributions from Neil and Joby.

We can't quite believe I'm saying this, but our latest guests on this bonus episode of Soundtracking are Sam Esmail and ... Julia Roberts! We had a lovely wee chat about the music in their new movie, Leave The World Behind, which you can watch right now on Netflix. A deeply unsettling psychological thriller, it tells the story of a family whose holiday on Long Island is interrupted by two mysterious strangers bringing news of an imminent blackout.

Last week we had Mark Ronson, and this week it's the turn of another great producer, musician, and crate digger to join Edith on Soundtracking. David Holmes is back with new music in the shape of his album that sees him collaborate with Raven Violet. As as well as talking about that, we discuss his score and music supervision work for film and TV for the likes of Steven Soderbegh, and also his experience of producing Sinead O'Connor's final work, which has yet to be released. As you can see, we also got to meet his dog, Maisie ...