Sound Perimeter

Today on Sound Perimeter, we are thinking about butterflies, those fleeting flashes of color that feel more like memories than things you can hold. They show up without warning, linger just long enough to catch your breath, and disappear, leaving an impression rather than a trace. That sense of ephemerality, of beauty that sharpens our attention because it won’t stay, is the thread that connected today’s music: composer Kaija Saariaho’s Seven Butterflies for solo cello performed by Oliver Herbert, and Herbie Hancock’s Butterfly performed by Gretchen Parlato. Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter features excerpts from "Nightscape" and "No-Man’s-Land Lullaby", both written by Jamaican composer Eleanor Alberga, works that linger at the edge of place and memory, where atmosphere gives way to deeper histories carried quietly in sound. Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Pianist Gabriela Montero and salsa legend Willie Colón share a stage on Sound Perimeter — two artists from different worlds united by presence, improvisation, and music as a vehicle for truth.

Today's Sound Perimeter explores change, how it happens inside the music and around it. We begin with Philip Glass's Metamorphosis I, where repeating patterns shift so gradually you almost don't notice until the whole atmosphere feels different. Performed by pianist Lisa Moore. Then we turn to Terri Lyne Carrington and a spacious performance of her piece "Unconditional Love." Terri Lyne Carrington has carried her own kind of transformation by the way she leads offstage at the Berklee Institute of Jazz and Gender Justice, imagining a jazz world that's more inclusive and more equitable.

Today's Sound Perimeter spends time with two bassoon pieces that have stayed close to host Lia Uribe over the years. Music holding memory, shifting shape and meeting us differently each time we return to it. Past and present, coexisting. Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter features two pieces of music, one by French composer Gabriel Fauré, and the other by American composer Meredith Monk. Host Lia Uribe says, "I chose these works because, lately, I’ve been turning tomusic for solace as we move through this present moment. Not necessarily to understand it, maybe just to sit with it, to hold space."For me, these pieces create a shared space for feeling, for presence, reflection and care. A place to pause. Maybe it’s about still being able to recognize beauty, or about processing what we're carrying, or finding inspiration to center light rather than darkness. I’m not entirely sure. But I do know that this music offers a way to be with life and death, complexity and tenderness, that's it. I hope you connected with these works, and if you feel moved to do so, I'd love to hear what the music said to you. Reach me at [email protected]."Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter features Metacosmos by Anna Thorvaldsdóttir, a contemporary piece inspired by the idea of crossing into unfamiliar territory, taking listeners inside a universe where forces are felt more than explained. We then turn to Venus, the Bringer of Peace from The Planets by Gustav Holst, where the cosmos becomes a place of reflection rather than fear, imagining Venus as a planet in a state of calm within a vast and mysterious universe.

Today's Sound Perimeter listens to two different versions of “Motherless Child”, one by Jubilant Sykes, and the other by Cécile McLorin Salvant. Each rendition holds the same spiritual at its center, yet each opens a distinct emotional world. Sykes offers the song with warmth, grace, and a sense of outward offering, shaped by movement, conversation, and color. Salvant, in contrast, brings an intimate, prayer-like reading, transparent, inward, and quietly intense.Together, these performances reveal the many lives a single song can live.

Today's Sound Perimeter explores two very different meditations on stillness and motion. Arvo Pärt’s Fratres, performed by Anne Akiko Meyers and Akira Eguchi, takes us into a space of quiet tension and spacious introspection, where repetition becomes a form of listening. And Hiromi Uehara’s Green Tea Farm, from a 2006 solo performance, offers another kind of reflection, rooted perhaps in memory or maybe in a personal sense of landscape.Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter steps into winter through three very different musical moods. We began with Thea Musgrave’s "A Winter’s Morning", a quiet, atmospheric setting of a Robert Burns poem that captures the sting of cold air and the stillness of a snowy dawn. Then we moved into Tchaikovsky’s magical world with the "Adagio and Waltz of the Snowflakes" from "The Nutcracker", where snowfall becomes dance. And we ended with the Jerry Granelli Trio performing Vince Guaraldi’s "Skating", a piece that glides and sparkles with the lightness of ice underfoot. Together, these works remind us that winter holds more than chill, it’s a season full of sound, memory, and movement.Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

From meadow to rainforest to dreamscape, three composers in today's Sound Perimeter invite us to hear the world in new ways. Ottorino Respighi captured the bright call of the cuckoo in an Italian morning, turning nature’s voice into playful melody. Annea Lockwood led us deep into the Amazon night, where the forest itself seemed to breathe through sound and imagination. And finally, Kaija Saariaho, with a piece where birds belong to dreams and poetry. In Aile du songe, she imagined flight itself, the movement of air, the shimmer of wings, the transformation of sound into light.Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter presents two pieces that reflect one another across time: Frédéric Chopin’s Mazurka in A minor, Op. 17 No. 4, and Caroline Shaw’s Gustave Le Gray , which reimagines and reframes Chopin’s melody through a contemporary lens. Both works explore the delicate space between reflection and reinvention where memory becomes music, and the past lingers, reshaped, in the present.Sound Perimeter is a segment hosted by Lia Uribe (@Lia Uribe) and dedicated to unexpected voices in and around music. We hope it’ll expand your knowledge and connection to sound and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter includes two remarkable works: Ariel Ramírez’s Misa Criolla , where the traditional Catholic Mass meets the rhythms and melodies of Argentina, and Aldemaro Romero’s Fuga con Pájara Pinta Bimodal , where Baroque counterpoint dances with Venezuelan folk energy. Both composers remind us how Latin America has reimagined European traditions, transforming them into something vibrant, soulful, and entirely its own.

Today's Sound Perimeter features two pieces inspired by oranges, both the fruit itself and the color it embodies.

Tonight, Sept. 22, 2025, at 6 p.m., we gather at the Fayetteville Public Library’s Walker Community Room for Borderless Sound: Latin American Composers and the World Stage, a live edition of Sound Perimeter in celebration of Hispanic Heritage Month. Piazzolla bending tango toward the future, Gabriela Ortiz dissolving categories with conviction, and Angelica Negrón inviting us to move freely without borders. We’ll add Miguel del Águila’s velocity and heart, groove that thinks and dances at once. We’ll mix stories with brief excerpts and time for conversation. Today's Sound Perimeter is an entry point to tonight’s presentation and to the concept of borderless music.Sound Perimeter is a segment hosted by Lia Uribe and dedicated to diverse voices in and around music. We hope it’ll expand your knowledge and connection to inclusive sounds and let music infiltrate your lives and transform your realities.

Today's Sound Perimeter, Postcard from Mexico City, written as host Lia Uribe's present to you, after a short visit to Mexico this past week. Listen across three vibrant voices: Guadalupe Perales’ Intertwined: Color Changes for bassoon duo, Nubia Jaime Donjuan’s danzón Frida, and Andrea Sarahi’s “Piece for Bassoon Solo” from Calladita: Five Pieces About Violence. Lines crossed, colors shifted, and music moved from city bustle to interior resolve. Host Lia Uribe hopes you enjoy these fresh and innovative voices, and her favorite instrument, her own instrument, the bassoon. Sound Perimeter is a segment hosted by Lia Uribe and dedicated to diverse voices in and around music. We hope it’ll expand your knowledge and connection to inclusive sounds and let music infiltrate your lives and transform your realities.

Today, Sound Perimeter was inspired by cats—curious, sly, playful, and full of personality. We met Prokofiev’s clarinet cat in "Peter and the Wolf," smiled at Rossini’s comic duet of meowing singers, and closed with the fiery pasodoble from Penella’s "El Gato Montés."