Slate Culture Feed

Joel Anderson, Stefan Fatsis, and Josh Levin discuss the opening weekend of the NFL playoffs. They also talk about the departures of coaching legends Nick Saban, Bill Belichick, and Pete Carroll. Finally, Ben Rothenberg joins to discuss his new biography of tennis star Naomi Osaka. NFL playoffs (3:17): How did the Detroit Lions franchise turn itself around? Saban, Belichick, and Carroll (26:03): What do these coaching greats have in common and how do they differ from each other? Osaka (48:09): A deep dive into a modern sports icon. Afterball (1:14:22): Remembering Chris Laskowski. Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by Vox culture reporter Aja Romano to explain the rapid social media rise of Gypsy Rose Blanchard. On December 28, 2023, Blanchard was released from prison after serving eight years following the brutal murder of her mother. Almost immediately, Blanchard became a social media celebrity who currently has more than 8 million followers on Instagram and 9 million followers on TikTok. But Blanchard’s internet presence raises questions about the way social media treats prisoners who have left the carceral system and whether the overwhelming support for Blanchard is warranted.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

Do you watch the Grammy Awards every year and groan, or even yell at the screen? Hit Parade host Chris Molanphy sure does. But he has a weird hot take: The Grammys are better off not trying to be cool. They should reward the popular stuff—especially younger people’s music.Where the Recording Academy actually goes wrong is rewarding the old stuff—legendary artists long past their prime, from Frank Sinatra to Eric Clapton, Steely Dan to Beck. The Grammy wins remembered most fondly are artists at the peak of their chart prowess: Carole King. Stevie Wonder. Michael Jackson. George Michael. Lauryn Hill. Adele. Taylor Swift (and more Taylor…and more Taylor…and more…).When did the Grammys get it most right—and wrong? (Was the Toto win really so bad?) And how can they become more relevant? (Hint: much more rap.)Join Chris Molanphy as he offers a chart nerd’s take on the Recording Academy and offers guidelines for good Grammy governance, just before the 2024 awards. It’s an episode right in the Nick of Time.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Hear about the new life for Death, Sex & Money, with new episodes coming soon! In the meantime, subscribe to Anna's newsletter here to keep in touch and help shape this new era of the show. And tell us your favorite Death, Sex & Money episodes in a review on Apple Podcasts to help new listeners get to know us as all our archives move to our new home. Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by Wailin Wong, co-host of NPR’s The Indicator from Planet Money. They dissect the drama and mayhem surrounding Royal Caribbean’s Ultimate World Cruise — a nine-month trip that TikTokkers on land and sea that we can’t stop talking about. The cruise is scheduled to visit more than 60 countries over 274 nights, but since it left Miami in December, passengers have been uploading room tours, buffet reviews and excursion vlogs daily — if not, hourly — so land-dwellers can keep up with this reality show on water.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts are first joined by Slate’s Heather Schwedel to discuss Anyone But You, a paper-thin adaptation of Shakespeare’s Much Ado About Nothing, starring Sydney Sweeney and Glen Powell, whose combined good looks and star wattage aren’t enough to save the flimsily written rom-com. (Although, despite the film’s rocky start, it’s become a sleeper smash at the box-office.) Then, the panel explores Hayao Miyazaki’s The Boy and the Heron (which premiered under the name, How Do You Live?, in Japan), a beautiful and astoundingly thematic film made by one of the world’s greatest living animators, as he reflects on his life, work, and the nature of creation. Finally, the Golden Globes returned on Sunday, January 7th. The hosts ask: with a beefed up voting body and new network home, did the disgraced awards show manage to overcome its many scandals and untarnish its reputation? In the exclusive Slate Plus segment, the panel answers a listener question from Scott: are there any movies, TV shows, novels, books, albums, etc., that impacted you at a pivotal time in your life (not necessarily childhood) that you will not revisit due to the fact that it may not hold up? Email us at [email protected]. Outro music: “I Want a Change” by The Big Let DownEndorsements:Dana: Inspired by his incredible essay in The Intelligencer last week, Dana endorses Tom Scocca’s Substack, Indignity, which covers internet culture, the distortions of fame and identity, nature, the weather, daily news, and more. Julia: Do you use the right salt when you cook? The best fancy salt, according to Julia, is Carmargue Fleur de Sel, an exceptional French salt that comes in a sweet little tub with a cork lid. Steve: The earlier works of Dave Brubeck, one of the greatest jazz artists of all time, particularly the albums Interchanges ‘54 and Jazz Goes to College. Steve made a short playlist of his favorites, which can be found here. Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson, Stefan Fatsis, and Josh Levin discuss Michigan’s win over Washington in the College Football Playoff. They also talk about Bill Belichick’s future and the Philadelphia Eagles’ decline. Finally, the Athletic’s Chantel Jennings assesses the state of women’s college basketball and the sport’s new TV deal. Michigan (7:14): How the Wolverines won it all. NFL (26:01): Why hasn’t Pats owner Robert Kraft made a move yet? Women’s hoops (50:40): Is the new TV contract a disappointment or a positive step? Afterball (1:09:43): What was the 2023 Sports Word of the Year? Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by culture journalist Cat Sposato to trace the rise of this year’s most promising pop act, Tate McRae. McRae gained national attention as a 12-year-old dancer on So You Think You Can Dance. While pursuing a legitimate dance career, she posted an original song on YouTube that led RCA Records to bet on her as the next big pop star. After two albums, certain people on the internet still accuse McRae of being an industry plant, but her path has been oddly traditional and well-documented online. So was McRae an industry plant or an inevitable star?This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by Slate senior editor Rebecca Onion to talk about their love of romance novels. The romance genre grew rapidly this past year, becoming the fastest-growing category of fiction and generating over $1.4 billion in sales revenue. Partly thanks to Goodreads and BookTok, romance novels are getting into the hands of younger, more outspoken and vocal readers. But recent scandals, including last year’s Hockey BookTok disaster, question the limits of literary thirsting and ask whether we can ever quit romance.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts begin by jumping into the fantastical world of Wonka, a prequel to Roald Dahl’s enduring novel that explores the origins of its famously impish character, Willy Wonka, portrayed here by a wide-eyed, sugary sweet Timothée Chalamet. The musical film, directed by Paul King (Paddington, Paddington 2) isn’t the kind of movie you want to pick on–it undoubtedly has a warm heart–but has the effect of watching a lucrative homework assignment. Then, the three switch gears and review Maestro, a biopic (if you can even call it that) about one of America’s greatest cultural luminaries and public educators, Leonard Bernstein. Directed by and starring Bradley Cooper as “Lenny,” the film explores Bernstein’s complicated marriage with Felicia Montealegre (played spectacularly by Carey Mulligan) and the couple’s struggle to balance Lenny’s public genius with his life as a closeted gay man. (For more on Cooper’s prosthetic nose, read Mark Harris’ comprehensive essay for Slate, “The Bradley Cooper ‘Jewface’ Controversy Isn’t Really About That Nose.”) Finally, the panel is led by ringmaster extraordinaire, Dana Stevens, through Slate’s 2023 Movie Club, an annual digital roundtable featuring conversations between prominent film critics and writers as they look back through a year in film. This year, Bilge Ebiri (film critic for New York Magazine and Vulture), entertainment writer Esther Zuckerman, and film historian Mark Harris contribute, along with features from Nadira Goffe, Sam Adams, and the project’s editor, Dan Kois. In the exclusive Slate Plus segment, the panel embraces a post-holiday theme and discusses memorable gifts: their favorites and the ones that got away, inspired by a recent episode from the podcast Scriptnotes. Email us at [email protected] music: “Spinning the Wheels” by Dusty Decks Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson and Josh Levin are joined by Slate’s Ben Mathis-Lilley to discuss the College Football Playoff semifinals. Vincent Goodwill of Yahoo Sports also joins to talk about the Detroit Pistons’ epic losing streak. Finally, we look back at our 2020 segment on the Pac-12’s #WeAreUnited movement. CFP semis (5:21): How Michigan and Washington emerged victorious. Pistons (29:02): How did they get so bad? #WeAreUnited (51:06): A conversation from 2020 with then UCLA players Elisha Guidry and Otito Ogbonnia. Hosted on Acast. See acast.com/privacy for more information.

On this episode, The Outward hosts break down the million dollar takeover ad on X for Prager University’s documentary Detrans: The Dangers of Gender Affirming Care. NBC reporter Jo Yurcaba joins Bryan, Christina, and Jules to tackle the misdirections and anti-trans agenda of the documentary and take a look at the transphobic shifts on the social media platform.Email us at: [email protected] production by Palace Shaw. Hosted on Acast. See acast.com/privacy for more information.

In 2023, several hits from years ago—sometimes decades—made it to No. 1 on Billboard’s pop charts after falling short the first time: Taylor Swift’s “Cruel Summer.” The Weeknd’s “Die for You.” Miguel’s “Sure Thing.” And, most improbably but delightfully, Brenda Lee’s 65-year-old holiday bop “Rockin’ Around the Christmas Tree.”What’s going on here? A lot of it has to do with the ways streaming, YouTube and TikTok have changed the charts. But the truth is, the second-chance hit is as old as the charts themselvesFrom David Bowie to Prince, Sonny and Cher to Guns n’ Roses, the Miracles to the Moody Blues, there are certain songs the music biz won’t give up on. To say nothing of all those holiday perennials, from “Monster Mash” to “Last Christmas.”Join Chris Molanphy as he explains why certain songs keep coming back and counts down a dozen favorite second-chance hits. If it first they don’t succeed, chart, chart again.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

When we heard that Death, Sex, & Money was coming to an end at WNYC, we decided there was only one thing to do: throw ourselves an in-person goodbye celebration. In this week’s episode, you’ll hear audio from “Four Interviews and a Funeral,” a show we hosted at Caveat in Manhattan. In it, Anna talks to past guests, like comedian Chris Gethard, Lawrence and Ronnine Bartley, mover Adonis Williams, and NYC’s subway voice, Bernie Wagenblast about their experiences with endings and life transitions. Also, actress Ellen Burstyn reads a poem, Anna gives a eulogy for the show, and The Outer Borough Brass Band plays us home. Read more about the event in The New Yorker here, and sign up for Anna’s new newsletter where you can read her weekly musings, hear from other listeners, and get updates about the future of the show. Hosted on Acast. See acast.com/privacy for more information.

In 1992, a Minnesota-based software company known for its educational hit The Oregon Trail released another simulation-style game to school districts across the country. Freedom! took kids on a journey along the Underground Railroad, becoming the first American software program to use slavery as its subject matter.Less than four months later, it was pulled from the market. In this episode, we revisit this well-intentioned, but flawed foray into historical trauma that serves as a reminder that teaching Black history in America has always been fraught.We hear from Julian Lucas, Mike Palmquist, Rich Bergeron, Josh Bergeron, Kamau Kambui, Yamro Kambui Fields, Halim Fields, Mawusi Kambui Pierre, Nanyamka Salley, John Ojanen, Darrolyn Sharp, Byron Sharp, and Dean Kephart.This episode was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Benjamin Frisch, and edited by Erica Morrison. Derek John is executive producer. Joel Meyer is senior editor-producer and Merritt Jacob is senior technical director.We’re grateful to Julian Lucas for his expertise, reporting, and generosity, without which this episode would not have been possible. His New Yorker article, “Can Slavery Reenactments Set Us Free?,” revisits the Freedom! story as part of an exploration of the live Underground Railroad re-enactments that Kamau Kambui pioneered.Thank you to Jesse Fuchs for suggesting this topic. Thanks also to Coventry Cowens, Brigitte Fielder, Bob Whitaker, Alan Whisman, Wayne Studer, Alicia Montgomery, Rebecca Onion, Luke Winkie, and Kamau Kambui’s children: Yamro Kambui Fields, Halim Fields, Mawusi Kambui Pierre, Nanyamka Salley, and Kamau Sababu Kambui Jr.If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Hosted on Acast. See acast.com/privacy for more information.

This week, we revisit one of our favorite episodes of 2023! The panel begins by examining Barbie, Greta Gerwig’s hot pink, record-breaking movie about the iconic Mattel doll. Then, the trio dives into Christopher Nolan’s Oppenheimer, which chronicles the life of the “Father of the Atomic Bomb,” and explores whether the film achieves its aims. Finally, they are joined by Slate’s Chris Molanphy to discuss the controversy behind country singer Jason Aldean’s latest song, “Try That In A Small Town.”In the exclusive Slate Plus segment, the panel is once again joined by Chris Molanphy to discuss all things Summer Strut. With the annual show just weeks away, the four pull back the curtain to detail their processes, weird observations, and more.Email us at [email protected]:Dana: In line with her theme of the week, “Yay movies and go, go, go to the theater,” Dana highly recommends Theater Camp, a delightful film by Ben Platt and Molly Gordon.Julia: Yotam Ottolenghi’s recipe for zucchini pasta with crispy capers and pistachios isn’t the sort of thing Julia would normally endorse (for one, it’s extremely laborious and you will need to fry individual basil leaves), but it’s vegan, a showstopper, and completely worth it.Stephen: In honor of the late singer, Stephen recommends two Tony Bennett albums: “The Tony Bennett/Bill Evans Album” (1975) and “Tony Bennett at Carnegie Hall” (1962).Outro music: “Last Sunday” by OTE.Podcast production by Cameron Drews. Production assistance by Kat Hong.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson, Stefan Fatsis, and Josh Levin discuss the most important and most memorable sports moments of 2023. They’re also joined by Mark Wright to talk about his podcast The Bison Project, on Howard University’s 1971 NCAA champion soccer team. Finally, we look back at one of our favorite segments from the recent past, featuring … a mystery guest. Memorable moments (4:41): Damar Hamlin, Michigan sign-stealing, and everything in between. Howard soccer (21:06): Can a 50-year-old injustice be rectified? Mystery guest (42:57): Can you guess what sports innovation he came up with? Hosted on Acast. See acast.com/privacy for more information.

From Goodreads scandals to relationship prompt Twitter, the internet has been rife with trends to get mad about. On today’s episode, Candice Lim is joined by Vox’s Alex Abad-Santos and journalist Sylvia Obell to audit everything they lived through online in 2023, discussing the good, the bad and the truly unhinged.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

Over the past few months, we’ve been collecting your stories about inheritance, from those who have it and those who don’t. You told us about when inheritance was a surprise, when it felt like a control tactic, a safety net, an expression of love, or an opportunity to redistribute generational wealth. In this episode, Anna talks to four people about their inheritance experiences: Gwynn, who is grappling with whether or not to faithfully execute her mother’s will, and cut her sister out; Trevor, who received inheritance from his father and, with it, a mystery about how long his father had been planning his death; and Anna talks to two young people who want to give away their inherited wealth to social causes, despite some opposition from family members.Want to learn more about the nonprofit Resource Generation? Check out their website here.And here's the link to sign up to Anna's newsletter: https://annasale.substack.com/ Hosted on Acast. See acast.com/privacy for more information.

This week, it’s the yearly call-in episode! Steve, Dana, and Julia dive into questions submitted by Culture Gabfest listeners. Outro music: “Forbidden Love” by OTEPodcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Candice Lim is joined by Kristen Meinzer (Daily Fail, How to be Fine) and Tre’vell Anderson (FANTI, What A Day) to recap the year in celebrity breakups. Lately, it feels like everyone in Hollywood is breaking up, but have there really been that many more celebrity splits than usual? Was Scandoval really proof that love is dead or have we been placing celebrity couples on way too high a pedestal? And has the internet created a reaction ecosystem where Twitter aggregates like PopCrave amplify breakups beyond their reality? Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson, Josh Levin, and Slate’s Alex Kirshner discuss Draymond Green’s indefinite suspension. They also talk about the Washington Capitals and Wizards reportedly leaving D.C. for Northern Virginia. And finally, they examine why every college quarterback is in the transfer portal. Draymond (4:43): What’s next for him and for the Warriors? Wiz and Caps (26:12): Are they actually leaving or is this just a classic case of owner extortion? Portal (45:53): Why so many quarterbacks are switching teams. Afterball (1:06:58): Joel on North Dakota State’s very lopsided basketball victory. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Rachelle Hampton and Candice Lim are joined by Slate culture writer Nadira Goffe to conclude their list of the top internet moments of the year. In their previous episode, Rachelle and Candice memorialized Elon-held Twitter, the most famous submersible online and reunions that shouldn’t air live. But no moment superseded the viral drama, cultural legacy and aquatic meme-ifcation of a singular historic event that happened on August 5, 2023.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

In 2023, several hits from years ago—sometimes decades—made it to No. 1 on Billboard’s pop charts after falling short the first time: Taylor Swift’s “Cruel Summer.” The Weeknd’s “Die for You.” Miguel’s “Sure Thing.” And, most improbably but delightfully, Brenda Lee’s 65-year-old holiday bop “Rockin’ Around the Christmas Tree.”What’s going on here? A lot of it has to do with the ways streaming, YouTube and TikTok have changed the charts. But the truth is, the second-chance hit is as old as the charts themselvesFrom David Bowie to Prince, Sonny and Cher to Guns n’ Roses, the Miracles to the Moody Blues, there are certain songs the music biz won’t give up on. To say nothing of all those holiday perennials, from “Monster Mash” to “Last Christmas.”Join Chris Molanphy as he explains why certain songs keep coming back and counts down a dozen favorite second-chance hits. If it first they don’t succeed, chart, chart again.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

Meshell Ndegeocello has been a working musician since she was a teenager. She’s probably best known for her biggest hit to date, “Wild Night,” a Van Morrison cover she recorded with John Mellancamp back in 1994. Meshell is 55 now and just put out her 11th solo album, “The Omnichord Real Book,” her first in five years. The album started as a kind of personal pandemic project before she decided to share it with the world, and it’s now been nominated for a Best Alternative Jazz Album Grammy award.When Anna spoke with Meshell, she was just back from a quick European tour, and they talked about what it was like for her to grow up in the 70s and 80s in the Washington D.C. area, surrounded by music, and how she found the bass, her main instrument, by chance (and with a little help from Prince.) In this episode, Meshell shares how her life with music has evolved through the years, what she’s learned to let go of – as a performer, as a mother and a daughter – and how the ‘musical transmissions’ that she receives help her stay grounded and present to who she really is, moment to moment. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Rachelle Hampton and Candice Lim announce their top internet moments of the year. Is it the MirandaSings controversy? The Shein influencer factory tour? The internet boyfriend wars of Al Pacino vs. Robert De Niro? They bring their picks and ruminate on the year of Elon Musk and OceanGate.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel is joined by Slate writer and senior editor Sam Adams to dissect Poor Things, director Yorgos Lanthimos' horny, steampunk Frankenstein tale about Bella Baxter (played by Emma Stone), a pregnant woman who commits suicide then is brought back to life by a brilliant scientist (Willem Dafoe), with an eccentric caveat: She now has the brain of her unborn fetus. Then, the three remember Norman Lear, the late television pioneer and American icon who died at the age of 101 and who was responsible for ushering in a new era of character-driven, comedic, topical, and morally serious TV with hit sitcoms like All in the Family, The Jeffersons, Maude, and One Day at a Time. Finally, they are joined by Slate’s books and culture columnist, Laura Miller, who shares her top ten books of the year, and along with Dana, discusses the joys and challenges of year-end listmaking. In the exclusive Slate Plus segment, the panel reunites with Sam Adams to spoil Poor Things, detailing what is arguably the film’s weakest portion: the final ten minutes. We’re also accepting submissions to our yearly call-in show, where Dana, Julia, and Stephen answer questions from Culture Gabfest listeners. Get in touch! Submit a question by calling (260) 337-8260 or emailing us at [email protected]. The deadline to submit is Wednesday, December 13. Outro music: “The Red Light Special” by Matt LargeEndorsements:Dana: It’s clear that Norman Lear was working in the heyday of television title sequences. And although Dana may have been born a bit late to catch All in the Family in real time, what she remembers are the theme songs. So, go on YouTube and call yourself up some of the most indelible introductory sequences (All in the Family, Good Times, One Day at a Time, The Jeffersons, etc.) and you’ll have a good time. Julia: An endorsement that doubles as a one-item gift guide. If you would like to give someone a fancy, overpriced, but delicious-smelling body wash, Julia has found the best one: NO Green by Corpus, a luxurious plant-based cleanser with notes of bergamot, pink lemon, orange blossom, and cardamom. Snap it up if you have some last-minute gifts to buy. Steve: A quote by Søren Kierkegaard, gifted to Stephen by his eldest daughter: “Should philosophy, among its other conceits, imagine that someone might actually want to follow its precepts in practice, a curious comedy would emerge.” (Fear and Trembling, 1843.) Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson, Stefan Fatsis, and Josh Levin discuss Shohei Ohtani’s record-setting contract with the Los Angeles Dodgers. They’re also joined by the Washington Post’s Ben Golliver to assess the NBA’s first in-season tournament. Finally, they discuss Joel’s story about his tenure at ESPN and what it’s become now. Ohtani (4:31): Did the Dodgers actually get a bargain? In-season tournament (23:41): Was it a flop or is it here to stay? ESPN (47:57): What is the Worldwide Leader trying to be? Afterball (1:08:30): Josh on Bills coach Sean McDermott talking about the teamwork of … the 9/11 hijackers. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Candice Lim is joined by journalists Bomani Jones and Tamerra Griffin to cover the biggest moments of sports that happened online this year. From basketball stateside to women’s soccer abroad, the internet has a way of picking up the little moments you don’t see in a stadium and making major waves about them. It’s the reason why an athlete’s behavior in one singular moment can become a platform for our projections and how Twitter can make anyone a talking head. Today, they’ll take a look back at the harrowing, nail-biting and historic stories that’ll be remembered for years to come.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

Hannah is 34, has two kids, and lives in Casper, Wyoming, where she was born and raised. Hannah’s been working in construction for 3 years, ever since she graduated from Climb Wyoming’s 12 week job training program, where she earned her commercial drivers license. Climb Wyoming has been around for more than 36 years and helps single moms like Hannah gain financial independence and stability by teaching them the specific skills that are needed to get hired for local jobs. These are jobs that have a path for advancement, and can help get the moms out of poverty, like commercial truck driving for Hannah, or, for a mom named Kendra, becoming a bank teller at a bank in her small town. But Climb Wyoming also provides mental health and emotional support—among the moms and from the staff. This is key in helping moms like Hannah, who dropped out of school when she was 16 because of crippling anxiety. Anna talks with Hannah about finding a sense of belonging and how Climb gave her the tools to stay present in moments of stress. Anna also talks with Climb leaders, Katie Hogarty and Molly Kruger, about why centering mental health is crucial to the success of their program, and to 24-year-old mom, Kendra, who shares one of the most valuable lessons she learned at Climb: “We had a saying that says, ‘They hire you for your hard skills, but they fire you for your soft skills.’” Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Candice Lim is joined by culture journalist Cat Sposato to run down this year in concerts, from the Renaissance alien to the perils of standing room only. They get into the value of concert films, how internet standom translates to venue fandom and why pop stars have become the target of flying objects.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by exploring Renaissance: A Film by Beyoncé with Slate culture writer (and Beyhive stan) Nadira Goffe. The renowned pop diva’s theatrical debut works both as a well-oiled concert documentary as well as a surprisingly heartfelt deconstruction of Knowles’ previously impenetrable image of perfection. Then, the three consider Todd Haynes’ May December, an emotionally curious, tonally dissonant study of life’s gray areas starring Natalie Portman, longtime collaborator Julianne Moore, and Charles Melton. Loosely based on the real-life relationship between Mary Kay Letourneau and Vili Fualaau, Haynes (and screenwriter Samy Burch) questions Hollywood’s penchant for sensationalizing tragedy and the ways humans interact with each other. Finally, they are joined by EEFOP (Exceedingly Exceptional Friend of the Pod), Slate writer Dan Kois to discuss Dr. Seuss’s How the Grinch Lost Christmas!, a posthumous sequel to Theodor Geisel’s iconic 1957 children’s book, How the Grinch Stole Christmas! The original IP has been marketed and re-imagined within an inch of its life – but does new author Alastair Heim invoke any of the source materials’ sincerity or deeper meaning? In the exclusive Slate Plus segment, the panel answers a listener question from Timothy: “When reading for pleasure, how do you choose what to read next?” We’re also accepting submissions to our yearly call-in show, where Dana, Julia, and Stephen answer questions from Culture Gabfest listeners. Get in touch! Submit a question by calling (260) 337-8260 or emailing us at [email protected] music: “Spinning the Wheels” by Dusty DecksEndorsements:Dana: A two-part endorsement that goes together like wine and cheese: If I Should Fall from Grace with God, the third studio album by Irish folk-rock band The Pogues, and “Shane MacGowan Leaves the Astral Plane,” a wonderful essay by Amanda Petrusich at The New Yorker, which memorializes the late frontman. Don’t know where to start with The Pogues’ catalog? Dana recommends “A Rainy Night in Soho.” Julia: Drawing inspiration from this episode’s children’s book segment, Julia endorses the Little Blue Truck series (written by Alice Schertle and illustrated by the late Jill McElmurry) alongside her favorite Theodor Geisel work, Hunches and Bunches. “It’s the Beyoncé of Dr. Seuss books.” Steve: Paris is Burning, which pairs beautifully with Beyoncé’s Renaissance. Jennie Livingston’s landmark 1990 documentary is one of the most moving films Stephen has ever seen, and provides a vibrant snapshot of New York City’s drag-ball scene in the ‘80s. Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

Stefan Fatsis, Josh Levin, and the Ringer’s Bryan Curtis assess the decision to leave Florida State out of the College Football Playoff at the expense of Alabama. They also discuss Sports Illustrated using AI writers. And Stefan and Josh follow the continuing saga of LSU’s Kim Mulkey and Angel Reese. Florida State and Alabama (3:50): A total outrage or a totally understandable decision? Sports Illustrated (21:28): What does the magazine’s AI mess say about the present and future of sports media? Mulkey and Reese (39:36): The question that went unasked when the LSU basketball star returned. Afterball (1:00:19): Stefan on the origins of a famous quotation from baseball Hall of Famer Rogers Hornsby. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Candice Lim is joined by NPR producer J.C. Howard to walk through his personal experience of buying a car. The heyday of Toyotathon and Happy Honda Days are being replaced by car reviewers who have become influencers (and dealers) for major brands. From CarTok to CarTube, vloggers like EverydayChris and Gjeebs are not only upending the dealership model, but also creating parasocial relationships between cars and their consumers.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

Maria Bamford is a comedian and actress who you may know from her standup specials, her Netflix show Lady Dynamite, or her 2020 interview with Anna on our show. She’s just released a book called, Sure I’ll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere. In this new conversation, recorded live from the stage of City Arts & Lectures in San Francisco, Maria and Anna discuss some of the themes and stories that she writes about in her memoir, including her experience of hospitalization, advocating for herself at work, and her relationship with her parents, before and after their deaths. Hosted on Acast. See acast.com/privacy for more information.

On today’s show, Rachelle Hampton and Candice Lim are joined by writer, producer and former video blogger Franchescha Ramsey to discuss the return of Colleen Ballinger. Ramsey was last on the show earlier this year, decoding the firestorm that engulfed Ballinger, better known as her alter ego MirandaSings. After a four-month hiatus and a now-infamous ukelele “apology” video, Ballinger has returned to daily vlogging at the most lucrative time of the year.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Rachelle Hampton and Candice Lim. Hosted on Acast. See acast.com/privacy for more information.

This week, Dana and Julia are joined by Jamelle Bouie, Opinion columnist at The New York Times and co-host of Unclear and Present Danger. The panel begins by diving into Ridley Scott’s Napoleon, a visually sumptuous biopic starring Joaquin Phoenix that attempts to chronicle the legendary historical figure’s life and reduce him to human size, yet fails to do so within its 2 ½ hour runtime. Then, the three jump into Scott Pilgrim Takes Off, a new eight-part animated Netflix series that offers an alternate version of its protagonist, Scott Pilgrim (who was first depicted in Bryan Lee O'Malley’s series of graphic novels then later in Edgar Wright’s cult classic film, Scott Pilgrim vs. The World), and reunites much of the movie’s brilliant original cast. Finally, they discuss André 3000’s New Blue Sun, a transcendent ambient album laced with flute-base soundscapes that on its face seems like a complete departure from the rapper’s previous work in Outkast, but actually depicts a piece of him that’s been present in his music all along. In the exclusive Slate Plus segment, the panel takes advantage of Jamelle’s baking prowess and discusses best practices and tips in the kitchen, before turning to the eternal, all-important question: When you bake, do you use a measuring scale? And if so, why? We’re also accepting submissions to our yearly call-in show, where Dana, Julia, and Stephen answer questions from Culture Gabfest listeners. Get in touch! Submit a question by calling (260) 337-8260 or emailing us at [email protected] music: “By the Riverside” by Lindsey AbrahamEndorsements:Jamelle: The 4K restoration of one of his favorite movies, The Fugitive (1993), starring Tommy Lee Jones and Harrison Ford. It’s an underrated and beautiful Chicago movie. Julia: A deep cut from her personal Summer Strut playlist: Bob Dylan’s 1997 song “Not Dark Yet,” which appeared on the album Time Out of Mind. Dana: Inspired by their discussion of André 3000’s new album, Dana endorses a different avant-garde flute enthusiast: Eric Dolphy, the American multi-instrumentalist and bandleader. Specifically, his fantastic 1964 jazz album, Out to Lunch. Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson, Stefan Fatsis, and Josh Levin talk about the Michigan football team’s win over Ohio State and Alabama’s last-second victory over Auburn. They also discuss the mystery around why LSU women’s basketball star Angel Reese isn’t playing. Finally, the Wall Street Journal’s Jonathan Clegg explains the huge penalty the Premier League dished out to Everton. College football (6:31): Why this year’s rivalry week loss was so crushing for Ohio State. LSU women’s basketball (26:10): What’s going on between star Angel Reese and coach Kim Mulkey? Everton (48:22): Will Manchester City and Chelsea get hammered next? Afterball (1:07:17): Joel on the uplifting journeys of Idaho and New Mexico State football. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode brought to us by Slate’s The Waves, we’re digging into the Bravo network. From Below Deck to Selling Sunset to Vanderpump Rules, the Bravo TV network is a reality television behemoth that has made millions on the backs of its female cast members. But is it actually good for women? ICYMI founding host Rachelle Hampton and culture writer Shamira Ibrahim discuss the current Bravo era, how much of Bravo belongs to famous producer Andy Cohen, why cast members can’t rely on a reunion to tell their stories, and whether the cast members of shows like the Real Housewives really have agency.If you liked this episode, check out: How to Be a Woman in MusicPodcast production by Cheyna Roth with editorial oversight by Daisy Rosario and Alicia Montgomery.Send your comments and recommendations on what to cover to [email protected] you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on The Waves. Sign up now at slate.com/thewavesplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

When it crash-landed on the charts in 2019, Lil Nas X’s “Old Town Road” felt new and old at the same time: a savvy, TikTok-fueled viral hit that summarized a century of cross-cultural collisions between R&B, rap and country. It was also unexpectedly huge—a record 19 weeks at No. 1 on the Hot 100—and controversial, as Billboard magazine pulled the song from its Hot Country Songs chart, prompting a reckoning on race and the very definition of country music.“Old Town Road” wasn’t just a reckoning—it was a culmination. As a hard-to-categorize hit, it called back to cross-genre experiments by everyone from Ray Charles and the Rappin’ Duke to Bubba Sparxxx and even Jason Aldean. As a viral smash, its antecedents date back to “The Twist,” right through “Crank That (Soulja Boy)” and “Harlem Shake.”In honor of his new book Old Town Road (now in bookstores!) join Chris Molanphy as he walks through the many predecessors to “Old Town Road” and explains why can’t nobody tell Lil Nas X nothin’.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

With their underdog-against-all-odds-redemption stories and epic training montages, sports movies can be the best source of support when we’re deep in the toughest moments in our lives. Earlier this year, when our executive producer, Liliana Maria, found herself surrounded by cancer and death in her close circle of family and friends, she turned to the Michael B. Jordan movie, Creed III, to help her keep going. She kept repeating Adonis Creed’s mantra to herself each day: “One step at a time, one punch at a time, one round at a time.” In this week's episode, hosted by Liliana Maria, we share your stories about sports movies like Hoosiers, Whip It, Brittany Runs A Marathon and Cool Runnings, which have accompanied you when you needed them most. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by reviewing The Curse, a cringe-worthy Showtime series co-produced by Nathan Fielder and Benny Safdie. Fielder and Emma Stone star as Asher and Whitney Siegel, a newlywed couple at the center of a reality HGTV show built on narcissism, gentrification, and lies. Then, the three jump into Alexander Payne’s The Holdovers, which Dana describes as a “sadsack Christmas classic,” starring Paul Giamatti as a curmudgeonly misanthrope professor alongside newcomer Dominic Sessa and Da’Vine Joy Randolph. The three play misfits being held over at a prep school during the winter break of 1970. Finally, the trio is joined by Dwight Garner, book critic for The New York Times, to discuss his delightful new memoir, The Upstairs Delicatessen: On Eating, Reading, Reading About Eating, and Eating While Reading. In the exclusive Slate Plus segment, the panel commemorates Jezebel, the now-shuttered women-focused news and cultural commentary site, and reflects on their relationships with media geared towards women overall. Email us at [email protected]. Endorsements:Dana: Life on Our Planet on Netflix, a nature documentary narrated by Morgan Freeman that tells the four-billion-year story of life on Earth. It’s perfect for at-home family viewing over the holidays. Julia: A hilarious bit Nathan Fielder and Emma Stone did on Jimmy Kimmel Live! while promoting The Curse. In response to a less-than-glowing review of his acting skills in The New York Times, Fielder shows up in-character as a nonchalant, totally not stilted bad boy alongside Stone’s non-acted self. Stephen: “Camus on Tour,” an excellent tour de force essay by Vivian Gornick in The New York Review of Books, in which she covers Camus’ Travels in the Americas: Notes and Impressions of a New World. Podcast production by Jessamine Molli. Production assistance by Kat Hong. HostsDana Stevens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

Today, Rachelle and Candice celebrate ICYMI’s third annual Friendsgiving episode. They’re joined by Weight For It host Ronald Young Jr. and ICYMI producer Daisy Rosario to run down the internet moments that made them laugh out loud this year. They cover viral moments such as the adventures of George Santos, gamer thirst traps and little girls singing iconic jingles.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

Josh Levin, Joel Anderson, and Ben Mathis-Lilley are joined by the Ringer’s Lindsay Jones to talk about the controversy Charissa Thompson kicked up about sideline reporting. They also discuss Miami Dolphins head coach Mike McDaniel, and whether he’ll succeed at bringing a new leadership style to the NFL. Finally, the Wall Street Journal’s Joshua Robinson joins to assess Formula 1’s Las Vegas Grand Prix. Sideline reporting (5:41): Why did Thompson’s admission that she made up reports strike such a nerve? McDaniel (29:06): Can a humane coach win big in the NFL? Formula 1 (49L59): How the Las Vegas Grand Prix went from disaster to success. Afterball (1:07:17): Josh on commercials where athletes celebrate “ordinary people.” Hosted on Acast. See acast.com/privacy for more information.

In this episode, Rachelle Hampton and Candice Lim are joined by writer, comedian and Glamorous Trash host Chelsea Devantez to break down this watershed year of celebrity memoirs. The trio crowns the best and the worst titles, dissect what separates a good memoir from a great one, and reveal the shocking figure who has appeared in way more memoirs than you’d expect.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

In this special mini-episode of Hit Parade, recorded live on at Housing Works bookstore in New York City, host Chris Molanphy is joined by Dan Charnas—author of the New York Times bestseller Dilla Time, The Life and Afterlife of J Dilla, and the acclaimed The Big Payback: The History of the Business of Hip-Hop. They discuss Chris’s new book Old Town Road—how he came to write it, what made the song exceptional, and how decades of chart and genre history led to Lil Nas X’s breakthrough.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

When Giulia Lukach had her first manic episode, it seemed to come out of nowhere. She was in her late twenties, and had been married to her husband, Mark, for three years. “For him it was just so new because I’ve always been the happy girl,” Giulia told Anna in an interview in 2015. Her psychosis was dark and intense.“ The only thing she could talk about was the devil and that she needed to protect the world because the devil was inside her,” Mark said in their 2015 interview.In 2023, Mark and Giulia sat down with Anna again. In the intervening years, they had a second child, and after years without Giulia having a manic episode, they thought they were in the clear. “We had this quasi-pseudo-science theory that maybe by sharing our story with the world, that was becoming this like protective barrier,” Mark told Anna. In this episode, you’ll hear parts of the couple’s original 2015 conversation, and how their outlook has changed since, both in how they treat each other, and how they deal with the unknown. “I have been to war with myself and with my mind many times,” Giulia said, “knowing that my episodes can come at any moment – that's like high anxiety for me – and so I literally live in the moment now. I only live in today.”Also, side note: Will you be in New York City on Saturday, December 9th at 12:30pm? Come to a Death, Sex, & Money live event at Caveat, a cabaret on the Lower East Side, to celebrate the show’s run at WNYC. We’re calling it Four Interviews and a Funeral. Join Anna, the team, special guests, and dance along to live music. Tickets are available here. Hosted on Acast. See acast.com/privacy for more information.

In 1992, a Minnesota-based software company known for its educational hit The Oregon Trail released another simulation-style game to school districts across the country. Freedom! took kids on a journey along the Underground Railroad, becoming the first American software program to use slavery as its subject matter.Less than four months later, it was pulled from the market. In this episode, we revisit this well-intentioned, but flawed foray into historical trauma that serves as a reminder that teaching Black history in America has always been fraught. This episode was written by Willa Paskin. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Benjamin Frisch, and edited by Erica Morrison. Derek John is executive producer. Joel Meyer is senior editor-producer and Merritt Jacob is senior technical director.We’re grateful to Julian Lucas for his expertise, reporting, and generosity, without which this episode would not have been possible. His New Yorker article, “Can Slavery Reenactments Set Us Free?,” revisits the Freedom! story as part of an exploration of the live Underground Railroad re-enactments that Kamau Kambui pioneered.Thank you to Jesse Fuchs for suggesting this topic. Thanks also to Coventry Cowens, Brigitte Fielder, Bob Whitaker, Alan Whisman, Wayne Studer, Alicia Montgomery, Rebecca Onion, Luke Winkie, and Kamau Kambui’s children: Yamro Kambui Fields, Halim Fields, Mawusi Kambui Pierre, Nanyamka Salley, and Kamau Sababu Kambui Jr. If you haven’t please yet, subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Hosted on Acast. See acast.com/privacy for more information.

This week, Dana and Stephen are joined by Supreme Friend of the Pod, Isaac Butler, who co-hosts Slate’s Working podcast and is the author of The Method: How the Twentieth Century Learned to Act (which is now available in paperback!). The panel begins by pondering Dream Scenario, a provocative new film from Norwegian writer-director Kristoffer Borgli. The nightmarish social satire stars Nicolas Cage as Paul Matthews, a hapless middle-aged biology professor who begins appearing randomly in people’s dreams in a tale about anonymity and the cycle of virality. Then, the three speak with the brilliant author and classicist Emily Wilson about her recent translation of Homer’s the Iliad, and her unique approach to metered verse and how she came to access the interior lives of Hector, Patroclus, Achilles, and more. Finally, the trio discusses Coyote vs. Acme, a completed film based on Ian Frazier’s 1990 comic in The New Yorker, that was shelved last week by Warner Bros. (reportedly in favor of a $30 million tax write-off) then un-shelved when the studio received backlash for being “anti-art.” In the exclusive Slate Plus segment, the panel descends into a different kind of nightmare: The Beatles’ music video for “Now and Then.” Has director Peter Jackson created a touching CGI tribute to the legendary band? Or has he engineered something truly evil?Email us at [email protected]. Endorsements:Dana: The Public Domain Review, an online journal and not-for-profit project dedicated to “the exploration of curious and compelling works from the history of art, literature, and ideas.” She’s only just begun to scratch the site’s surface, but recommends starting with “W.E.B. Du Bois’ Hand-Drawn Infographics of African-American Life.”Isaac: Deadloch, an Australian feminist noir comedy set in a fictional working class fishing village that’s been, as he describes, “gentrified by the most granola crunchy lesbians on earth.” Stephen: The song “New Romantic” by British folk singer-songwriter Laura Marling, specifically her extraordinary 2006 live performance of it when she was quite young at a now-closed music venue in West London. Outro music: “Any Other Way” by Particle HousePodcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Rachelle and Candice are joined by Patrick Marlborough to discuss their recent essay for Slate, “The Death of the Internet as a Haven for People With Autism.” They wrote, “Things began to shift, if imperceptibly at first, with the advent of social media, and the steady corralling and corporatization of that otherness, weirdness, fun, and joy.” On the show, Marlborough describes what they see the internet what they see the internet shifting away from and what it’s shifting towards and what that shift means for all of us.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Rachelle Hampton and Candice Lim. Hosted on Acast. See acast.com/privacy for more information.