Seriously...

If you are a parent, you probably do not need an introduction to Fortnite Battle Royale. It's the online video game that's been absorbing the minds and time of millions of children and young adults since its launch last September. To the uninitiated, it's an online shooter game that has elements of The Hunger Games movies and the building video game Minecraft. In each match, 100 people are air-dropped onto a cartoon-rendered island where they run around searching for weaponry, building defensive forts and fighting to the death. The winner is the last one standing. It's free to play on multiple devices from computers to games consoles to smartphones. Presenter Kevin Fong (medical doctor, broadcaster and father of two) asks, is Fornite more like the new crack cocaine or more like the Beatles? It's estimated that more than 125 million people have played Fortnite Battle Royale and that 3 million people around the world are playing it at any one time. Its creators Epic Games have earned more than US$1 billion from Fortnite within the last year, and that is just from players buying virtual outfits and victory dances for their avatars. These dances or 'emotes' have leaked out of Fortnite's virtual world into the real one as anyone watching the World Cup will have seen. Football players now emote on scoring goals. There are also professional Fortnite players who are making millions by playing the game while vast numbers of people spectate via live streaming internet channels. Fortnite's Ronaldo is Ninja, a 26 year old man in Illinois, USA. It's said he makes US$ 500,000 from the 300 hours he spends playing the game each month. There are now Fortnite e-sports scholarships offered to students at one university in the United States. Is Fortnite a revolutionary development in video gaming and what is the formula of its undoubted success? With the World Health Organisation recently adding Gaming Disorder to its list of disease categories, how concerned should parents be about the risks of gaming addiction for their Fortnite-playing offspring? Kevin Fong explores the culture and conversation around Fornite with gamers of all ages, games creators, games culture experts, psychologists and psychiatrists. Producer: Andrew Luck-Baker.

In a special edition of the science and comedy podcast to mark the 100th episode, Brian Cox and Robin Ince reminisce about their favourite moments from the show.

Broadcaster and comedian Steve Punt scours the archives to exhume the often pretentious and opinionated philosophical outpourings of pop stars through the ages. With the help of music journalists Paul Morley, Kate Mossman, DJ and record producer Ras Kwame and surprising soundbites from the archive, Steve explores the concept of the pop star as philosopher. From pop star hobbies, to politics and theories of aliens and the Illuminati, Steve explores the attempts of pop stars to make sense of a chaotic world. Presenter: Steve Punt Producer: Georgia Catt.

The American satirist Joe Queenan goes in search of sovereignty. He wants to know what it is, what's it for, and how old it is "Now I know this is a big issue for you all right now. Over here we've been fighting over sovereignty since the eighties. The 1780s. But I still don't really understand what it is, nor why it's making everyone so mad."With contributions from Professor Richard Bourke, editor of Popular Sovereignty in Historical Perspective; and Edith Hall the author of Aristotle's Way: How Ancient Wisdom Can Change Your Life. The producer in Bristol is Miles Warde

Donegal is an Irish county where silence is a virtue. You can find it in the desolate landscape, the big skies and far horizons - but silence can be found in the people too. Maybe it's discretion or reticence. It could be shyness or a kind of wisdom.So when radical free-thinking commune, The Atlantis Foundation, set up home in the remote Donegal village of Burtonport in the mid-1970s, it seemed like an unlikely choice of location.Led by charismatic Englishwoman Jenny James and inspired by an experimental brand of counter-cultural psychology, the foundation practised 'primal scream' therapy. This was about letting it all out, yelling; shouting; shrieking to release deep rooted fears in the most challenging and visceral way. The locals simply called them the Screamers.Author and Donegal native Garrett Carr was a boy when he first heard of the Screamers. His family would lower their voices when mentioning them. While he found the name unnerving, Garrett was intrigued. On the coast near his home, he liked to imagine he could hear their cries echoing across the water.Now Garrett is returning to Donegal to find out who the Screamers were, what they wanted and if they ever managed to find it. Most of all he wants to know what happened when the quiet restraint of his local community was confronted by the outward abandonment of the Atlantis Foundation.Garrett is going home to discover what happens when silence meets scream.Producer: Conor Garrett.

BBC political correspondent Chris Mason examines the changing accents of politics and politics of accents, with help from politicians, language experts and an impersonator.The programme examines the ways that stereotypes and prejudices can be loaded onto accents, how the voting public responds to different voices, and what politicians can do and have done about it all.With the help of the archive, the former Labour leader Neil Kinnock and former Conservative minister Edwina Currie reflect on the political soundtrack of their lifetimes. How have their voices, those of their contemporaries and the sound of the national political conversation changed?How is it possible and when it is sensible to change your accent? Chris is joined by Steve Nallon, who impersonated Lady Thatcher on Spitting Image, to listen back to her as a new backbencher and later as Prime Minister.And what about the sound of political reporting? The archive allows the former Today Programme presenter Jack Di Manio to give Chris (a son of the Yorkshire dales) a lesson in speaking 'properly'.So are we really becoming more open minded about this aspect of political communication? The programme hears from two MPs who say they still struggle to be understood in the Commons today.Producer: Joey D'Urso.

Michael Sheen explores Aneurin Bevan's roots in Tredegar.A spectre is haunting Tredegar. It feels a little like that at least. This town high in the South Wales Valleys is understandably proud of its most famous son and makes the most of his memory.Aneurin Bevan was born in Tredegar in 1897. And he was the local MP there until his death in 1960. Memories of Bevan still populate the streets.Aneurin Bevan was a coalminer at the age of 13. He was a troublemaker with a stutter. An autodidact. He won a scholarship from his union for further study in London. He joined committees. He was a town councillor, then a district councillor, before reaching Westminster in 1929, where his greatest legacy must surely be his central role in the founding of the NHS in 1948. The civic religion of the NHS.And he fought for it in the image of Tredegar.It's perhaps ironic then, that it's in Aneurin Bevan's home town that the effect of the NHS was felt least of all.By that time an estimated 96% of the town's population was covered anyway, by a voluntary scheme: the Workmen's Medical Aid Society.This is what Aneurin Bevan was referring to when he said, "All I am doing is extending to the entire population of Britain the benefits we had in Tredegar for a generation or more. We are going to 'Tredegar-ise' you."He said that while he was battling to establish the system nationwide. Or he said it with a jeer to Winston Churchill across the dispatch box in the Commons. Or maybe he wrote it somewhere.Anyway, it's etched on a plaque outside the old Town Hall in Tredegar. The now dilapidated town hall, just down the street from one of Bevan's old meeting places, which is now a DWP Assessment Centre, itself just down the hill from the Medical Centre, which has been trying unsuccessfully for months and months to recruit new staff.Those details shouldn't be the beginning or the end of anyone's image of Tredegar. It's more various and interesting - and more beautiful - than they might suggest. But those details, and others like them, do lead eager programme-makers to feel pleased with themselves when, after spending a necessarily small amount of time in the town, they reverse that old slogan of Bevan's and ask, idly it must be said: who is going to Tredegar-ise Tredegar today?With Dr Alfazuddin Ahmed, Eryl Evans, Iwan Fox, Megan Fox, Alwyn Powell and Nick Thomas-Symonds MPWith grateful thanks to the Tredegar Brass Band and the Tredegar Local History Museum.Producer: Martin Williams.

The writer and illustrator Judith Kerr has created some of our best-loved books for children since publishing her first, and perhaps most famous book, 'The Tiger Who Came to Tea', which celebrates its 50th birthday this year.Judith's life has always inspired her writing, from fleeing Nazi Germany as a child, a story she told in 'When Hitler Stole Pink Rabbit', to the peculiar family cats whose adventures she chronicled in the Mog series. Now 94 years old, Judith is still hard at work, still writing and drawing in the study overlooking the common where she has written all her books and in this programme Judith invites us into her study as she works on her latest classic.Producer & Presenter: Jessica Treen.

A convent of Mexican nuns is helping to save the one of the world's most endangered and most remarkable amphibians: the axolotl, a truly bizarre creature of serious scientific interest worldwide and an animal of deep-rooted cultural significance in Mexico.The Sisters of Immaculate Health rarely venture out of their monastery in the central Mexican town of Patzcuaro. Yet they have become the most adept and successful breeders of their local species of this aquatic salamander. Scientists marvel at their axolotl-breeding talents and are now working with them to save the animal from extinction. BBC News science correspondent Victoria Gill is allowed into the convent to discover at least some of the nun's secrets and explores why axolotls are a group of salamanders so important to protect from evolutionary oblivion.Axolotls are able to regrow lost limbs and other body parts. As a result, the aquatic salamanders are of great interest to researchers worldwide who study them in the hope of imitating the trick: to grow tissues and organs for medicine. The nuns also began to breed and rear their axolotls for medical reasons. They use the salamander as the key ingredient in an ancient Mexican remedy for coughs and other respiratory illnesses. The Sisters of Immaculate Health sell the medicinal syrup to the public. As well as being the basis for a popular folk remedy all over Mexico, the axolotl is also the manifestation of one of the ancient Aztecs' most important gods.The big problem is that all species of axolotl are critically endangered. The nun's species is known locally as the achoque. It only lives in nearby Lake Patzcuaro and it has been pushed to the edge of extinction because of pollution and introduced fish species. This is why the sisters began to breed the animals in the convent about 30 years ago. They were advised to do this by a friar who was also a trained biologist because the supply of achoques from Lake Patzcuaro's fishermen diminished. In the 1980s, 20 tonnes of axolotls were fished from the lake every year. Today they are very few left in the wild.Biologists from the nearby Michoacan University discovered that the nuns are expert breeders of the species and have started to collaborate with them in a conservation programme to make the Lake Patzcuaro an axolotl-friendly habitat once more and (if necessary) to introduce convent-bred animals to restore the lake's tiny population. The project is being supported and funded by the UK's Chester Zoo. The zoo's curator of amphibians Dr Gerardo Garcia visits the convent with Victoria, and demonstrates some of the technical help being offered to the nuns. For example, he micro-chips and takes DNA samples from the nun's breeding salamanders so the sisters can refine their breeding success even further.Producer: Andrew Luck-Baker.

So - how slow are we talking about, when it comes to art?French anarchist vegetarian artists Elizabeth Saint-Jalmes & Cyril Leclerc rescue snails bound for the cooking pot, and display them as a sound and light installation - Slow Pixel - before setting them free.To watch illuminated snails crawl across a concert hall for 6 hours is one way of bringing your heart beat right down!Twenty-two ash trees, shaped and sculpted as they grow quietly for 40 years, in a secret location; an extinct volcano filled with subterranean light passages; music to play for a 1000 years; a mile of writing, and a 5 hour composition for a string quartet called 'Slow', played as slowly and quietly as possible...As the 21st century continues at break-neck speed Lindsey Chapman brings you a moment of calm, as she meets some extraordinary musicians and artists, to find out the motivation behind creating slow art.Lindsey - a performer herself, as well as presenter for BBC TV's 'Springwatch' - explores what added value the length of time of creation gives to an artistic idea. Does it make time shrink? Or does it distract us from our awareness of our own finite existence?The biggest art project in progress in the world today is the Roden Crater. You may not have heard of it yet, but Leonardo DiCaprio has been booked to open it, although no one yet knows when that will be. It's the work of artist James Turrell who dreamed, in the 1960's, of sculpting an extinct volcano as a celestial viewing post. and he's spent 40 years working on it so far - Tim Marlow, artistic director of the Royal Academy, has been watching its progress.Also in progress for 40 years, the Ash Dome - created by world acclaimed wood sculptor David Nash. he gives Lindsey is given the coordinates to find the secret circle, and she comes across it on a bluebell strewn forest floor at dawn, a magical moment of pure beauty - but one which leads her to consider where she might be in 40, or 400 years from now.Slow art has that effect - seeing into the future, and sometime fearfully into infinity.Jem Finer, musician and ex-Pogue bassist, has created a piece of music called 'Longplayer', which has already been playing for 18 years and which has another 982 to go - and of course he knows he won't be there to hear it end.Tanya Shadrick knelt beside an open air swimming pool, day after day, month after month, writing a diary, line by line, a mile long. What inspired her to create "Wild Patience?" and what did she learn?Composer Morton Feldman is well known for his long slow quiet pieces of music - but what is it like to actually hold and play the violin on stage for five hours? Darragh Morgan recounts the intensity, and how he never gets bored, and in fact falls in love with the beauty of the music - lie being wrapped in a beautiful shawl of sound.Slow art in under half an hour - sit back and relish the moment.Producer: Sara Jane Hall.

It is 175 years since the word "commuter" was used for the first time. (The word does not in fact describe a traveller, it describes a transaction: regular travellers on the railroad into Manhattan were given the opportunity to "commute" their individual tickets into a season pass. Ever since, commuters have been both travellers and revenue stream.) Today our great cities inhale and exhale millions of commuters, who start their journey in the darkness of winter mornings in the suburbs, resurface blearily in the heart of the city and return to long tucked-in children in darkness. It wasn't meant to be like this. Matthew Sweet looks at our imagined world of fantasy journeys and asks if driverless cars, monorails, or high speed transport systems might deliver them in the future.Producer Mark Rickards.

Since Ireland's independence, the Catholic Church has played a preeminent role in defining morality south of the border. However in recent decades, its position as moral arbiter has come under attack. Congregation sizes have fallen dramatically, and constitutional referenda have legalised contraception, divorce and gay marriage despite the vehement opposition of the Catholic Church. As Ireland goes to the polls to vote this time on abortion, William Crawley asks could this signal further decline in the Catholic Church's authority in society and its relationship with the State. Producer: Neil Morrow.

Are plants rather cleverer than once thought? Scientists from around the world are claiming that plants cannot just sense, but communicate, learn and remember. In an experiment in Australia, plants appeared to learn to associate a sound with a food source, just as Pavlov's dogs linked the sound of a bell with dinner. In Israel they've found that plants communicated a message from one to another, and that the information was then used to survive drought. In British Columbia and the UK researchers have shown that trees pass information and nutrients to each other through an underground fungal network. This even happens more with closely related trees or seedlings than with strangers. And in California it turns out that sagebrush shrubs have "regional dialects"! Botanist James Wong explores these findings and asks whether, if plants can do all these things, and if, as one scientist says, they are a "who" and not a "what", then is it wrong to eat them?Producer Arlene GregoriusContributors: Prof. Richard Karban Dr Monica Galiano Prof. Ariel Novoplansky Prof Suzanne Simard Dr Brian Pickles Prof Michael Marder.

In 2014 Polly Weston's sister Lara died. She had just turned 22. Lara and her family had never discussed organ donation, and she wasn't on the register. But when the family were asked if they would consider donation, they said yes. Out of the tragedy of her death, medics managed to donate her organs to four women, while her eyes saved the sight of three men.In February a bill passed its second reading in Parliament to say that England would seek to move to an organ donation opt-out system - meaning citizens would be presumed to consent to their organs being donated unless they actively withdrew from the system. It seemed like there was universal support for the announcement. Labour were behind it. Newspapers rejoiced.But having been through the process, Polly's family were unsure about whether this policy change would bring about an improvement in donations.Now she asks what does organ donation really mean to families - and will an opt out system really make a difference?Produced and presented by Polly Weston.

Journalist and author Sathnam Sanghera returns to his home town of Wolverhampton where a battle raged over the right to wear the turban on the buses in Enoch Powell's constituency at the time he made his Rivers of Blood speech.In 1967 Sikh bus driver Tarsem Singh Sandhu returns from his holidays wearing a turban and a beard, both against the uniform regulations. The Wolverhampton Transport Committee insists rules are rules and there will be no exceptions, so Mr Sandhu enlists the help of a Punjabi political party, the Akali Dal, who employ radical tactics. They bus in Sikhs from around the UK for the biggest march in Wolverhampton since the war, and one of their leaders, Sohan Singh Jolly, announces that he will set himself on fire if their demands are not met.Right in the middle of the dispute, Enoch Powell makes his infamous Rivers of Blood speech, specifically citing the Sikh campaign as a dangerous example of communalism, where religious or ethnic groups seek special rights that threaten the very fabric of society.Sathnam Sanghera discovers the real story behind the dispute with surprising revelations that shed light on the history of race relations in the UK.

Adam Tjolle is a vet with two brains - who once starred on the BBC's Animal Hospital. His second brain - in reality a slow-growing tumour - was discovered by accident on a scan when he fell off his bike.The presenter of the programme, his friend (and psychologist) Claudia Hammond is really interested in what's going on inside his head, so has kept a record - before and after the life-changing surgery.Adam's biggest fear is losing his memories - so he asks friends and family to send patches of fabric to make a special hat - to remind him of them as well as keep his head warm in chilly Edinburgh.The surgeon will operate while Adam is wide awake - being careful to cause the least damage possible to the area of his brain which controls spatial awareness, time perception and his decision-making skills, while also removing as much of the tumour as possible.Producer: Paula McGrath Presenter: Claudia Hammond.

BBC 6 Music's Chris Hawkins listens to new music every day - and he's noticing a trend. More and more of the bands he plays on the station are writing about politics. Acts like Nadine Shah, Cabbage, Idles and Life are covering topics as diverse as The NHS, the refugee crisis of 2016, austerity and rail privatisation. Chris visits the performers to ask them what is fuelling their music, considering whether supposedly radical bands are operating in a form of musical filter bubble - singing radical songs to an audience who already agree with their point of view. From the blues to grime, music and politics have always been intertwined, but Chris Hawkins provides a snapshot of the topics which are driving a generation of rock bands right now. Presented by Chris Hawkins Producer Kevin CoreMusic featured: Nadine Shah: Out the Way. Holiday Destination. Mother Fighter. Jolly Sailor. Idles: Mother. Divide and Conquer. Life: In Your Hands. Euromillions. Cabbage: Tell Me Lies About Manchester. Preach to the Converted.

Rajesh speaks with Professor David Spiegelhalter of Cambridge University who has been collecting stories of coincidence since 2011. Rajesh wants to find out why he is so prone to coincidence. Along with discovering mind blowing coincidences Rajesh sets out on an experiment to see if he can seek out coincidence and he's very surprised by the results.David Spiegelhalter believes its not that these things occur, it's that we notice them. As well as giving an opportunity to study probability and chance David believes that coincidences are important to us, because they are uplifting and good for us. Rajesh does not disappoint and in the making of the programme hears and experiences several coincidences which will leave you thinking what are the odds of that.Produced by Kate Bissell.

The relationship between mothers and sons as depicted in the arts is complex and, as anyone familiar with Medea's story will attest, not always terribly positive.As Lauren Laverne discovers, however, there are many examples of stories, films and dramas in which the love between mums and sons is very much celebrated, and as a mother of two boys herself, Lauren is very keen to unpick the particular facets of the relationship as depicted on page, stage and screen.She meets Sophie Ellis Bextor, mother of four boys, and hears about carving out a space in which she can continue her career as a singer - even if that has meant at times recording songs with a baby in her arms.Patrick Ness is the author of the novel 'A Monster Calls' and also wrote the screenplay for the successful film. He tells Lauren how the story, about a boy dealing with the imminent death of his mum from cancer, was originally conceived by another author, Siobhan Dowd, who died before getting chance to complete it.Madisen Ward and the Mama Bear, a highly successful mother and son band from Kansas, talk about how they came to play together and the various upsides of being together on the road.Finally, Lauren meets Jonathan Butterell and Dan Gillespie Sells, who helped create the West End hit 'Everybody's Talking About Jamie', the musical version of a true story about a teenage boy from County Durham who is determined to go to the school prom in a dress. The story appealed to both Jonathan and Dan because each of them recognised the 'fierce and open hearted relationship' they shared with their own mothers.Presenter: Lauren Laverne Producer: Geoff Bird.

For thousands of years, bald men have been the subject of ridicule. As a result they've felt ashamed and have resorted to desperate measures to hide their condition. During the decades when hair style was a cultural battleground between youth and the establishment, the balding man was at the bottom of the heap. No prime minister since Clement Attlee has been bald. But increasingly, bald men are coming out of the closet and shaving their heads - and some women too. Research shows that bald men are perceived as less attractive but more dominant. Now that we are more relaxed about hair style, and more willing to tolerate tonsorial diversity, are bald men finally able to shed the stigma? And could the comb-over finally make a come back? Ian Marchant, who has shaved his head since the early 1980s, investigates.Producer: Jolyon Jenkins.

Twenty years ago, in February 1998, one of the most serious public health scandals of the 20th century was born, when researcher, Andrew Wakefield and his co-authors published a paper in the medical journal The Lancet suggesting a link between the MMR vaccine and autism. As we know, in the years that followed, Wakefield's paper was completely discredited as "an elaborate fraud" and retracted. Attempts by many other researchers to replicate his "findings" have all failed and investigations unearthed commercial links and conflicts of interests underpinning his original work. Wakefield himself was struck off the medical register.And yet, the ripples of that episode are still being felt today all over the world as a resurgent anti-vaccine movement continues to drive down inoculation rates, particularly in developed Western societies, where measles rates have rocketed particularly in Europe and the United States.But the Wakefield scandal hasn't just fostered the current ant-vax movement but has played a key role in helping to undermine trust in a host of scientific disciplines from public health research to climate science and GM technology.Through the archive, science journalist Adam Rutherford explores the continuing legacy of the anti-vaccine movement on the anniversary of one of its most notorious episodes, and explore its impact on health, on research and on culture both at home and abroad.

Dawn Walton, artistic director of Eclipse, the black theatre touring company, was bored of only ever coming across three black stories in British theatres - slavery stories, immigrant stories, and gang stories. She knew there was a far greater range of stories out there and she wanted to tell them. Revolution Mix is the result - a programme of new plays inspired by 500 years of black British history and it will be the largest ever presentation of black British stories performed in regional theatres.In this intimate portrait of artistic director Dawn Walton, we follow her as she leads her company, Eclipse Theatre, to its premiere of the first play in her ground-breaking Revolution Mix programme - Black Men Walking. It's a new play inspired by a real-life black men's walking group in Sheffield. Not only does the play challenge clichéd representations of black people, it's also an experimental work fusing music, movement, and magic.In this programme, as well as hearing from some of those involved in the production, we hear Dawn rehearsing her company, coping with a significant bereavement, discussing her life before entering the world of theatre, and finally sharing her ambitions for British theatre. Revolution Mix is an enterprising programme and in Dawn Walton it has a doughty champion.Presenter: Ekene Akalawu Interviewed Guest: Dawn Walton Interviewed Guest: Ola Animashawun Interviewed Guest: Testament (aka Andy Brooks) Interviewed Guest: Dorcas Sebuyange Interviewed Guest: Tyrone Huggins Interviewed Guest: Trevor Laird Interviewed Guest: Tonderai Munyevu Producer: Ekene Akalawu.

How cunning is Donald Trump?In Queenan on Cunning, the satirist Joe Queenan explores a word rarely associated with the current President of the USA."From Odysseus to Bismarck, via Brer Rabbit and Machiavelli's The Prince, there's a fine tradition of tricksters and hucksters, but where does the Donald fit in the mix? You need patience, intelligence, forward planning - some of these are Trump-like qualities. Stress on the some. But he's by no means a modern day Odysseus. Not much of a sailor."With contributions from Adam MacQueen, author of The Lies of the Land; Edith Hall, who wrote a cultural history of Homer's Odyssey; and Tibor Fischer, whose forthcoming novel is called How to Rule the World.Plus John Sergeant, Kathy Lette, Richard Nixon, Alistair McAlpine, Laura Barton ... and a campaigning American president cross-faded with a much loved song from The Jungle Book.The producer in Bristol is Miles Warde.

The work of the entomologist very often involves the killing of insects in large numbers. This happens in the search for new species in the exploration of the planet's biodiversity and in ecological investigations to monitor the health of wild insect populations and the impact we are having on the environment. But the methods of entomologists have come under criticism.Last August presenter and entomologist Adam Hart was involved in a citizen science project aimed at surveying the abundance and distribution of the various species of social wasp around the country. The survey entailed members of the public setting up wasp traps in their gardens for a week and then sending the dead insects to the lab running the project. Many people took part but the study also generated negative newspaper coverage and stinging criticism on social media.The reaction got Adam Hart thinking: can his profession really defend the death of thousands and sometimes millions of insects for the sake of science, especially when there's so much concern around insect conservation? How do entomologists feel about killing their subjects, and might the insects themselves feel something akin to pain and suffering themselves?Producer: Andrew Luck-Baker.

Chronic Lymphocytic Leukaemia or CLL, is the most common form of leukaemia. It's a disease which kills. The most common treatment is with chemotherapy. If that doesn't work, most patients can only expect to live for another few years at most.But there are dramatic developments with new targeted treatments which are less toxic than conventional chemotherapy. In this programme, reporter Simon Cox follows a medical trial based at St James' hospital in Leeds which uses a unique combination of drugs designed to defeat the cancer. It's the last hope for many patients but will it work? Can researchers find a cure?Presenter: Simon Cox Producer: Jim Frank Editor: Andrew SmithImage: Illustration of man in a white coat looking at a test tube Credit: BBC.

Illegitimacy once meant you were a 'bastard'. The MP Caroline Flint wants to know what the word 'illegitimate' means now.Caroline has always been open about her unmarried Mum having her when she was 17 years old and that she had her first son before she got married. Caroline describes her own family's story as a Catherine Cookson novel. There are suspicions that her widowed great-grandmother had an illegitimate child. Her grandmother's older sister had an illegitimate child during WW1 with an American soldier who was brought up as though his mother was his sister.She explores the archives to find out if the stigma has died out with social historian Jane Robinson and discusses the issue with best-selling crime author Martina Cole and fellow MP Jess Phillips. Martina, who is also an ambassador for the single parent families' charity Gingerbread, became a single parent by choice when she was 18 and then again 20 years later. Jess conceived her son when she was 22 and had been with her boyfriend for barely a month.Is the biggest deal today not whether a child is illegitimate but whether she bears her father's surname? Has the cloak of illegitimacy really fallen because daddy is willing to say publicly: she's mine?This programme contains archive clips of the stories of Betty, Ada and Gina from 'The Secret World of Sex: In Disgrace' (1991), sourced from Domino Films, copyright of Testimony Films - http://www.testimonyfilms.com/

The brain - the final frontier. Radio 4 is setting out on an exploration of the creative mind.Gerald Scarfe's drawings have intrigued and alarmed for more than fifty years but where do his ideas come from? Professor Vincent Walsh of the Institute of Cognitive Neuroscience has a theory he wants to pursue. Vincent is an expert in the workings of the visual brain; he thinks that two specific areas may be talking to each other in an unexpected way, resulting in recognisable faces being mixed up with recognisable objects, hence Mrs Thatcher as an axe, a handbag, and even a shark.Now, cartoonist and neuroscientist are going to meet. "I for one would be fascinated to know what's going on in my brain - please pursue this," says Gerald Scarfe.The producer in Bristol is Miles Warde.

From the nomads of the vast steppe - to the glamour and adulation of the stage. Kate Molleson unravels the story of Mongolia's remarkable rise to being an opera superpower. And, in this special double bill, producer Steven Rajam joins Rhianna Dhillon to discuss the making of the programmes. Mongolia is becoming a global leader in opera singing - and completely breaking the mould. Young nomadic herders and horsemen are being plucked from the vast plains and taken to Ulaanbataar - where they're transformed into the next generation of top-flight tenors and baritones. It's a fascinating synergy of young men with the perfect physique, often honed in a rugged, traditional outdoorsmen culture, and a superb Soviet-era music and arts education system that - just over half a century after its State Academic Theatre of Opera and Ballet first opened - is delivering the next generation of global singing superstars.Radio 4 brings you a hypnotic audio portrait, taking you from the open plains, horse lullabies and throat singing of the endless Mongolian landscape to the cultural melee of Ulaanbataar - a place of stark contrasts where gleaming 21st century skyscrapers rise, yet where around half the population live in traditional gers (tents). A nation numbering just 3 million people, yet the size of Western Europe, and sandwiched between the gigantic superpowers of Russia and China - how much can Mongolia harness its cultural might to have a voice in global geopolitics?In the first episode, journalist Kate Molleson documents the story of Ariunbaatar Ganbaatar - last year, the winner of one of the most prestigious prizes in global opera: the BBC Cardiff Singer Of The World Song Prize, whose previous winners include Bryn Terfel and Ailish Tynan. Ariunbaatar was born to a family of nomadic herders, who still live a traditional lifestyle in the immense Mongolian steppe. At his family's ger, hundreds of miles from the nearest settlement, Kate is treated to a performance of Mongolian longsong - the nation's traditional classical singing art - as well as joining Ariunbaatar on horseback to hear the songs he sang as a young boy, alone in the vast wilderness. Is Mongolia's unique traditional culture - perhaps even its landscape itself - the secret of its extraordinary vocal alchemy?In the concluding episode, Kate explores the political value of Mongolia's musical prowess. In the Soviet era, the communist government used the people's love of traditional song to advance opera, and with it a certain idea of "civilisation"; in 2017, the current government see Mongolia's operatic might as a way of punching above its weight in global geopolitics. The buzzword on everyone's lips is "soft power" - a way for Mongolia to be part of a global conversation with nations - like its neighbours Russia and China - they could never compete with militarily or economically.As Mongolia's foremost opera star prepares to take the stage in Ulaanbaatar, Kate explores the diversity of Mongolia's musical makeup in 2017 - from breakout indie acts and hip hop DJs to women throat singers causing ripples in the nation's venerable traditional classical singing art.Producer: Steven Rajam Presenter: Kate Molleson A BBC Wales production for BBC Radio 4.

Before 9/11 British attitudes to partaking in faith-inspired armed combat were... different.British Muslims travelled freely to fight in Afghanistan, Bosnia, Burma and Kashmir for a few weeks or months, and then returned home to their day jobs or studies - few questions asked.In this programme, Mobeen Azhar sheds light on the people and organisations involved in this early wave of British involvement in Jihad - the youth organisations which helped send hundreds of young Brits to fight overseas.The programme also reveals reports featured in magazines published in the 1990s by Lashka-e-Taiba - the terrorist group behind the 2008 Mumbai attacks.Within its pages are detailed reports on how its leader Hafiz Saeed came to Britain in the mid-90s to spread the word on fighting a holy war, find recruits and raise money. The programme hears from those who answered his call - the British Muslims who built bridges with militant groups in South Asia and beyond.Many of these 'pioneers' came from Britain's Salafi community - followers of a strict, literal interpretation of Islam. Since 9/11 the Salafis - sometimes known as Wahhabis - have often been named as the key influencers in the global jihad, but is that accurate?The programme also explains the nuances of Salafism and how this early period of British involvement in Jihad was itself hugely divisive within the British Salafi community, creating a schism between a peaceful pious majority, and those who chose to take up arms.Producers: Richard Fenton-Smith & Sajid Iqbal.

Rhianna Dhillon brings you another seriously interesting story from Radio 4.This week, luck.Whether we believe in luck or not, we do use the word- a lot! More as a figure of speech than an article of faith perhaps but some do pray for luck, others fantasise about it - and bad luck or misfortune is a staple of comedyCan luck be said to exist as some force in our lives and if so, what is its nature? How have people thought about luck in the past and what's changed today? Can you bring good luck upon yourself - there's a school of thought these days that thinks you can without appealing to the divine or supernatural.In Good Luck Professor Spiegelhalter, the Winton Professor for the Public Understanding of Risk at Cambridge University looks at notions of luck in gambling, traces the origins of how we think about fate and fortune, the religious and psychological view of luck and how the emergence of theory of probability changed our view of it.He is convinced by the philosopher Angie Hobbs that there is one form of luck it is rational to believe in and by psychologist Richard Wiseman that there is a secular solution to bringing about good fortune in your life.Good Luck Professor Spiegelhalter, is presented by David Spiegelhalter and produced in Salford by Kevin Mousley.

Luke Jerram is that rare bird, a genuinely popular yet acclaimed contemporary artist. And he's obsessed with the moon. So he's made one: seven metres wide featuring 120dpi detailed NASA imagery, and he's taking it around the world. This is his story, as well as the moon's..Every day Luke Jerram cycles to his studio across the river in Bristol and watches its dramatic changes. It has the second highest tidal range in the world and it's the moon that makes this happen. Luke's become fascinated with finding out everything he can about the cultural, artistic and poetic significance of the moon, and the latest scientific developments around it. It both reflects our culture and inspires it.Being colourblind he's interested in all forms of light, and moonlight is fascinating and has very particular properties. The fact we see 'the man in the moon' is a perceptual and optical illusion. But again, different cultures see different imagery - in China they see the Hare in the Moon.Luke presents his own story of making these works and hearing people's responses to them, woven in with the new soundtrack he's commissioned from composer Dan Jones. We talk to fellow contemporary moon obsessives James Attlee and Jay Griffiths, but it's all filtered through the very particular consciousness of one artist and his imagination, and the hard slog of his creative process.Producer Beth O'Dea.

How do we prepare for the distant future? Helen Keen meets the people who try to.If our tech society continues then we can leave data for future generations in huge, mundane quantities, detailing our every tweet and Facebook 'like'. But how long could this information be stored? And if society as we know it ends, will our achievements vanish with it? How do we plan for and protect those who will be our distant descendants and yet may have hopes, fears, languages, beliefs, even religions that we simply cannot predict? What if anything can we, should we, pass on?

For centuries tales were shared around the camp-fire; modern settlements share data via wi-fi. But what hasn't changed across the ages is our passion for histories and information - we shape and make sense of our lives by telling stories about what has happened to us, and relax by reading or seeing fictions about the lives of imagined characters. From cave-dwellers to millennials , stories have been organised in pretty much the same way - with a beginning, middle and end, although, in contemporary culture, now less frequently in that order. All storytellers have used techniques of tension, delayed revelation, surprise twists. But - now - the art of narrative is being fundamentally changed by new technologies, which offer fresh ways of telling stories and different places for them to be told, redefine narrative genres, and allow audiences unprecedented opportunities to inter-act with and even co-author the content.In this, the first part of a new three part series, Mark Lawson speaks with some of the leading figures in British TV - including showrunner Jed Mercurio (Line of Duty), producer Nicola Shindler (Red Productions) writer Paula Milne (The Politician's Wife, Angels), Charlotte Moore (BBC Director of Content) - to examine how the stories being told on television in the digital age have adapted to the advent of streaming services, binge-watching and catch-up TV. Mark also visits a cinema in Macclesfield to watch the live broadcast of 'Follies'- staged simultaneously in the West End. He talks with Kwame Kwei-Armah, soon to begin as the Young Vic's Artistic Director, about how the technology involved has brought top-level theatre to a whole new audience and redefined the idea of live spectatorship. Presenter: Mark Lawson Producer: Geoff Bird.

Zoologist and founder of the Sloth Appreciation Society, Lucy Cooke, unleashes her inner sloth to discover why being lazy could actually be the ultimate evolutionary strategy.The explorers of the New World described sloths as 'the lowest form of existence', but sloths are actually some of the most enduring of all tropical mammals. They make up one third of the mammalian biomass in rainforests and have survived some 64 million years - outliving far flashier animals like sabre tooth tigers.The secret to the sloth's success is their slothful nature and their suite of energy-saving adaptations. In fact slothfulness is such a successful strategy, that there are examples all over the animal kingdom, including, surprisingly, worker ants. Recent studies in humans have shown the many health benefits of adopting a slower pace of life. Sleep itself is universal amongst the animal kingdom. All animals do it, but why remains a mystery. What is clear though, is that unleashing your inner couch potato is no bad thing, be you sloth or human.Lucy discovers the genius behind the sloths laid back attitude and fights the corner for laziness.Producer: Alexandra Feachem.

Dreaming of a Dark Christmas, in IcelandAt the darkest time of the year in Iceland scary creatures come out to play. Storyteller Andri Snær Magnason used to be terrified by his grandmother's Christmas tales of Gryla the 900 year old child eating hag and her thirteen troll sons - the Yule Lads - who would come down from the mountains looking for naughty children in the warmth of their homes. These dark lullabies partly hark back to a pre-Christian Christmas when people worshipped the Norse gods.As Iceland opens up to global influences after centuries of isolation Andri travels from farmstead to lava field and reflects on these traditions: whether the elves still crash your house to throw a Christmas party or the cows still talk on New Year's Eve; and what happens when you have to spend Christmas alone, locked inside Ikea?Featuring the Graduale Nobile Choir conducted by Árni Heiðar KarlssonPartially recorded in Binaural Stereo. Listen on headphones for the best effect.Additional sound design by Phil ChannellProducer Neil McCarthy.

Historian and psychoanalyst Daniel Pick of Birkbeck College, University of London tells the story of how aerial bombardment - from Zeppelins to B52s, from H-Bombs to drones - has made the unconscious mind a field of battle.Daniel explores how, in the shadow of the First World War, Freud turned his analytical eye from desire to the 'death drive', and how psychoanalysts probed what might happen if another war came.Would survivors of mass aerial bombardment hold up psychically, or would they collapse into infantile panic? Or would they become uncontrollably aggressive?And why do humans come to be so aggressive in the first place?When the war - and the bombers - did come to Britain, it appeared that survivors were much more stoical and defiant than had been expected.But, as Daniel discovers, brave faces concealed a great deal of psychological damage.With historian Lyndsey Stonebridge, he visits the Wellcome Library to see - courtesy of the Melanie Klein Trust - the case notes of the psychoanalyst Melanie Klein on her analysis of a troubled ten year old boy, 'Richard'.What do Klein's notes, and Richard's extraordinary drawings, reveal about his attitude to being bombed?Daniel examines how, with the advent of the Cold War and the distinct possibility that bombs and missiles could destroy civilisation, technocrats trying to plan for the end of the world coped with staring into the abyss.Finally, Daniel shows how a radical new turn in aerial bombardment opens up this field anew. Nuclear weapons can destroy the planet; but what does it do to the mind to live under the threat of 'surgical' attack by unmanned drones?With: Derek Gregory, Peter Hennessy, Dagmar Herzog, Richard Overy, Lyndsey StonebridgeProducer: Phil Tinline.

Why do some of us do bizarre things in our sleep? Like riding a motorbike, using a shoe to 'phone for a pizza or even having sex while sleeping? These are complex behaviours and yet sleepwalkers aren't aware of what they're doing and often have no memory of their strange night-time activities.These sleep disorders are known as non-REM parasomnias and include conditions like night terrors and sleep eating.So why does it happen? Sleepwalking usually occurs during deep sleep, when something triggers the brain to wake - but not completely. So the areas that control walking and other movement wake up, yet other parts, involved in awareness and rational thinking, remain asleep. What's confusing is that sleepwalkers look awake - their eyes are open - but they're really not awake. They're not really asleep either. The brain is awake and asleep at the same time. We have known this happens in some animals, who can sleep with half of their brain at a time. But recently, we have learnt that similar things can happen in the human brain.In the first of a three-part series, neurologist, Dr Guy Leschziner, talks to patients he's been treating at his sleep clinic at Guy's and St Thomas' hospitals in London. They include Jackie who began sleepwalking as a child and continued her strange night-time behaviour as an adult, riding her motorbike whilst sleeping. We hear from James whose night terrors have become so violent his wife has begged him to get help; from Alex who rescues people from floods in his sleep. And we talk to Tom, whose recent diagnosis of sexsomnia has had a significant impact on his life.These remarkable sleepwalking experiences help us to understand the complex workings of the human brain.Presenter: Dr Guy Leschziner Producer: Sally Abrahams.

Byron Vincent joins the Violence Reduction Unit in Glasgow to see how they turn young men away from lives of violence and chaos. Three years ago, after he discussed his own violent and chaotic youth in a Four Thought talk on Radio 4, Byron was invited to come and speak at the VRU. Since then he has been back several times - now he experiences the unit's work directly. Byron spent two weeks embedded in two of the VRU's programmes, from watching the scheme's participants working in food trucks in the west end of Glasgow to joining the cast at the Royal Military Tattoo in Edinburgh. After hours, and with his powerful personal connection to their lives, Byron has extraordinarily candid conversations with the young men involved in the scheme about fear, insecurity, redemption, love, hope and the real reasons for spiralling violence. But what sacrifices will be required for them to make new lives, free from chaos and violence? Producer: Giles Edwards.

"The more we reinforce the stereotypes of who writes and who reads, the more the notion of exclusivity is reinforced. It takes balls to gatecrash a party."Kit de Waal, published her first novel, My Name is Leon, in 2016 at the age of 55. She has already put her money where her mouth is - using part of the advance she received from Penguin to set up a creative writing scholarship in an attempt to improve working class representation in the arts.Kit knows that - as a writer from a working class background - the success of her debut novel is a rare occurrence. Born to a Caribbean bus driver father and an Irish mother (a cleaner, foster carer and auxiliary nurse), Kit grew up in Birmingham and left school at 15 with no qualifications. She became a secretary with the Crown Prosecution Service and went on to have a career in social services and criminal law. In this feature she explores an issue that is deeply personal to her. She looks back at her own life and trajectory, and takes the listener on a journey around the country to find out what the barriers really are to working class representation in British literature today."There is a difference between working class stories and working class writers. Real equality is when working class writers can write about anything they like - an alien invasion, a nineteenth century courtesan, a medieval war. All we need is the space, the time to do it - oh yes, and some way to pay the bills!"Kit talks to a range of writers, agents and publishers about what the barriers are for writers from working class backgrounds, including Tim Lott, Andrew McMillan, Gena-mour Barrett, CEO of Penguin Random House UK Tom Weldon, Julia Bell, Julia Kingsford, Ben Gwalchmai, Nathan Connolly and Stephen Morrison-Burke (Birmingham poet laureate and the first recipient of the Kit de Waal scholarship).Produced by Mair Bosworth.

Filmmaker Mike Figgis explores the story of edited film, audio and culture, and how the simple process of cutting and splicing has changed the way people view the world.We are living in an age of the edit. From the jump-cuts of Eisenstein and Hitchcock, to the fractured narratives of Virginia Woolf and James Joyce, from the cut-and-paste sounds of musique concrete and hip-hop, to the sensibility of social media (to say nothing of the radio feature itself), it's the edit - the cut, the splice; montage and juxtaposition - that has ushered us into the present. To some, it's the stuff of life itself: chimps, for example, share 99% of our DNA; what matters is the sequencing, the edit.There's a year zero to this story of the edit. From the moment we get up in the morning until we close our eyes at night, the visual reality we perceive is a continuous stream of apparently linked images. That's the way we experienced the world for millennia. Then suddenly, just over a century ago, human beings were confronted with something else: edited film.But this isn't an exercise in cinema history. It's about our present culture. A culture in which the invisible mediating hand of the editor is ever-present. A culture of the 'creative commons' in which we can pull anything out of context and re-edit it (a gif, an internet meme, a mash-up, a parody of a political speech) and make the edit itself become an art form. Cutting, splicing, sampling -- it's all part of the way the world functions now. This is just the beginning.With Vicki Bennett aka People Like Us, Margie Borschke, Walter Murch and Will Self.Producer: Martin Williams.

A century ago, the Russian Revolution took place. It was a seismic event that changed the course of the 20th century. In this special, bonus episode of Seriously…, we visit four cities closely linked to the events of 1917. With Moscow correspondent Steve Rosenberg as our guide, we travel the 4000 mile journey across Russia, asking if the repercussions of Red October are still being felt today. Steve also reveals to Rhianna Dhillon more of the stories he discovered on his way from St Petersburg to Khabarovsk.

Savitri Devi-devotee of Hitler, proponent of Hindu nationalism, associate of both the British BNP and the American Nazi party-was a prolific author and energetic member of the international Nazi network after the Second World War. Now, her paeans to the mythical Aryan race and apocalyptic theories of history are circulating once again, revived by European white nationalists and the American alt-right. Born in France in 1905 to an English mother and Greek-Italian father, Savitri Devi moved to India in the 1930s, took a Hindu name, and married a prominent Brahmin. She believed that India's caste system had preserved the purity of the so-called Aryans, and that Hinduism was a living survival of the pagan religion destroyed in Europe by Judeo-Christianity. In her saffron-edged sari and large swastika earrings, she traveled the country promoting Hindutva, the Hindu nationalist ideology espoused by India's ruling party today. Devastated by the fall of the Third Reich at the end of the Second World War, she entered occupied Germany to distribute Nazi propaganda; convinced that Hitler was an avatar of the Hindu god Vishnu, she spent the rest of her life preparing for his eventual return.Maria Margaronis travels to India to meet Savitri Devi's nephews and former neighbours and explore the origins of her bizarre theories. Drawing on never-before-broadcast interviews with Savitri Devi herself and conversations with historians and activists, she asks what we can learn from this eccentric figure about today's extreme right movements, their strategies and their appeal. Produced by Shabnam Grewal Illustration inspired by photograph Courtesy of the Savitri Devi Archive.

"3 May. Bistritz. Left Munich at 8:35 P. M, on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late."The first line of Bram Stoker's Dracula makes it clear what the novel will be about: trains. As the book begins, the English solicitor Jonathan Harker is travelling across Europe by train, en route to meet his mysterious new Transylvanian client, complaining all the way about the late running of the service. "It seems to me that the further East you go the more unpunctual are the trains. What ought they to be in China?"In the Trainspotter's Guide to Dracula, Miles Jupp uses Bram Stoker's novel as it has never been used before, as a train timetable, following its references to plot a route across Europe by rail to Dracula's castle in Transylvania.Will Miles be able to reach Dracula's castle more quickly than Harker did, or will his journey be dogged by discontinued services, closed lines and delays? Produced by David Stenhouse.Readings by David Jackson Young.

The events in Charlottesville were just one example of the sharp rise in the number of violent confrontations in America between far-right white nationalists and left-wing groups known as 'antifa' - short for "anti-fascists". Those on the right claim they're fighting to defend free speech or other deeply held American principles. But their opponents say they're promoting extremism and a brand of racial division far out of line with mainstream thought.Fights that once took place between the two groups online are now spilling out onto the streets of places like Berkeley, California and Portland, Oregon - liberal enclaves where far-right activists have held rallies and which have been turned into scenes of violence, and even murder. Mike Wendling has travelled to America's west coast to talk to underground antifa organisers and find out what they want - and what they're prepared to do to achieve their aims.Producer: Anisa Subedar.

Once upon a time, total surveillance was the province of George Orwell and totalitarian states, but we now live in a world where oceans of data are gathered from us every day by the wondrous digital devices we have admitted to our homes and that we carry with us everywhere. At the same time, our governments want us to let them follow everything we do to root out evil before it can strike. If you have nothing to hide, do you really have nothing to fear? In Who's Looking At You , novelist and occasional futurist Nick Harkaway argues surveillance has reached a new pitch of penetration and sophistication and we need to talk about it before it's too late. This is our brave new world: data from pacemakers are used in criminal prosecutions as evidence, the former head of the CIA admits 'we kill people based on meta-data,' and scientists celebrate pulling a clear image of a face directly from a monkey's brain. Where does it end, and what does it mean? Surveillance used to end at our front door, now not even the brain is beyond the prying eyes of an information-hungry world. The application of big data brings many benefits and has the potential to make us wealthier, keep us healthier and ensure we are safer - but only if we the citizens are in control. The programme uses rich archive to illustrate how the 'watchers' have adapted to technology that has super-charged the opportunity to snoop. It examines the arguments of those who claim the right to keep their secrets while demanding that we the people give up more and more of ours. Transparency for the masses? Or simple necessity in a chaotic technological future? What happens to us, to our choices under the all-seeing eye? One thing is certain: if we don't make choices about surveillance, they will be made for us.

The relationship between fathers and daughters has been the subject of countless cultural explorations down the centuries, from Elektra's distress to Bonjour Tristesse. Some of them are idealised ('To Kill A Mockingbird', 'All the Lights We Cannot See'); some highly damaging and dysfunctional ('This is England', 'The Beggar's Opera'); some, as any A'Level pupil who's studied 'King Lear' can attest, are both. What is clear in all these cases is just how particular and powerful the relationship can be, and in this highly personal programme Lauren Laverne heads home to team up with her own dad, Les, to talk about their relationship and how it matches up with some of these cultural imaginings. Among anecdotes about growing up in Sunderland and later on Les playing roadie to Lauren's gigs with the likes of the Ramones, we also hear from artists who in one way or another are engaging with the dad/daughter relationship now, including Helen MacDonald, Glyn Maxwell and The Unthanks. Presenter: Lauren Laverne Producer: Geoff Bird.

The Russian Revolution unleashed a brand of humour that continues to this day. In this two-part series, comedian and Russophile Viv Groskop explores a century of revolutionary comedy and asks how it continues to shape the national psyche. The series will rediscover comedy of the Revolution: Bolshevik satire, early Communist cartoons and jokes about Lenin, as writers, satirists and comedians recall the jokes and cartoons shared by their parents and grandparents. Viv will investigate the birth of the 'anekdot' and trace the development of dark humour through the purges. She will look at how dissident humour in the late 1950s influenced comedy in London and New York, and meet contemporary comedians to gain an understanding of the shape and sound of the comedy circuit in Russia today. Producer: Georgia Catt

A portrait of singer, songwriter and truck driver Will Beeley.The myth of the road is deeply rooted in America - it's the thing that delivers escape, promises freedom, fuels new hopes and, once upon a time at least, thoughts of a new nation. And it provides its own opening onto the vastness and variety of the country today.The distances can be dizzying. And these days Will Beeley spends more time on the road than he does at home in Albuquerque, New Mexico, a city in the desert, with Route 66 running through its heart.In another life Will Beeley was a musician - a singer and songwriter - an anxious romantic at the end of the 1960s and a smooth-voiced folkie ten years later. He played gig after gig, made records and, for a while at least, hoped for the big time. But now, like a different road taken, a different stop along the way, he spends his life behind the wheel of a hulking truck, sharing the driving with his wife, as the highway and the days blur by.It's a unique vantage point. And as America spools past outside, framed by the huge windscreen, does he - like all of us now and then - think of times gone by, of unfinished business, of what might have been? Or is his attention fixed ahead on the road as it rolls towards him, flowing beneath his wheels?Producer: Martin Williams.

Not everyone appreciates the tonalities, lyrics or even the shrieky voice of Canadian artist and musician Joni Mitchell but in a dusty class room in 1971 Lynne Truss decided she loved the writer of Woodstock, Big Yellow Taxi and Both Sides Now. It was a bond forged in the face of the frosty indifference of fellow pupils in Miss Cheverton's music class at the Tiffin Girls School in Kingston Upon Thames.Even Lynne is slightly mystified when she was asked who was her muse that, as a person mostly famous for writing a book on punctuation, she replied; Joni Mitchell. Lynne explores why a series of albums from Ladies of the Canyon to Heijra taking in Blue, Court and Spark and The Hissing of Summer lawns' has wrought such influence over so many.For her aficionados Joni Mitchell is more than a song writer. Lynne observes that for some the attachment goes beyond the personal; its a complete identification with the struggles of dealing with high emotion and how to cope. In the programme she speaks to the poet and playwright Liz Lochhead, the author Linda Grant, Elbow's front man Guy Garvey, her latest biographer the Syracuse University academic David Yaffe and Gina Foster the singer with the UK act Joni's Soul, which she insists is not a tribute but a celebration act. Lynne contends that despite at the time being overshadowed in favour of Bob Dylan, Leonard Cohen, Paul Simon and others Joni Mitchell will come to be regarded as the greatest exponent of the art of singer-song writer from that era and concludes that what makes her a muse can be found less in the brilliant lyrical summations of eternal questions like love, loss and freedom but more in her absolute commitment never to compromise her art - to remain true, above all else, to her own muse.

Tiny bathers relax in a puddle of oily water on a pavement; a galleon sails on the head of a pin, a dancer twirls next to a mote of dust under a microscope - Dr Lance Dann, lover of miniature worlds, crouches down on hands and knees to better observe the world of tiny art.Prompted by advances in technology, and the enduring wonder of things created on a really, really tiny scale, Lance Dann follows his own obsession with the miracle of miniature art. Knocking on the tiny doors of creators from street artist Slinkachu, whose mesmerising cityscapes are created, photographed and abandoned in the street, to the collection of antique miniature portraits in Sotheby's where expert Mark Griffith Jones delicately reveals the hidden treasures that span from over 500 years of art history.The 21st century has experienced a revival of the small in art Desiree De Leon has attracted hundreds of thousands of followers for her Instagram account of small doodles, whilst the 'the chewing gum man' Ben Wilson, has gathered a loyal following for his hidden gems scattered about the London streets. Every morning Ben gets up and starts creating tiny tiles on which his innermost feelings are expressed - and then he leaves them on the Underground for people to find.Then there is the barely visible - Willard Wigan MBE - the poster-boy of microscopic art, a dyslexia sufferer who has found relief in the creation of tiny art works. Recognised globally, his sculptures, which are small enough to fit on the head of a pin, sell for six-figure sums. "I work between my heartbeats. I have one-and-a-half seconds to actually move. And at the same time I have to watch I don't inhale my own work."Then there is the nearly invisible - Jonty Hurwitz - who sculpts with Nano-technology, and sometimes loses sight of it in the process. "When I found the sculpture it was one of the most moving moments of my life, you see all these grotesque pieces of dust as the microscope is moving around and suddenly there's a woman, dancing"What is the enduring appeal of the miniature in art, and where has this revival come from? To discover where it hides, why it appeals, and how the artists' work on such delicate objects, Dann plays with scale, sound and voices to bring a closer, more microscopic focus on the art world. Presenter: Lance Dann is an associate member and former sound designer of The Wooster Group, a writer and director of a range of radio dramas including podcast "Blood Culture", commissioned by The Welcome Trust, and won a Prix Marulic for his production of Moby Dick for BBC Radio 4. Producer: Sara Jane Hall iPlayer photograph: Slinkachu.