Private Passions

Chris Addison has built his career on laughter, as a stand-up comedian, a panellist on shows such as Mock the Week, and as an actor and director. You perhaps saw him as Ollie, the hapless junior Whitehall adviser in The Thick of It, the political satire created by Armando Iannucci. He’s worked as a director on another highly-acclaimed comedy in the corridors of power: the Emmy Award-winning Veep, set in and around the White House. He has also co-created and directed Breeders, a brutally honest sitcom about parenthood, starring Martin Freeman. Chris has also performed in opera on the stage at Covent Garden – though in a speaking role. He is an opera fan, so his musical choices include Mozart and Rossini but also folk music by Eliza Carthy and a Swedish Christmas song.

A special edition for Black History Month celebrating the lives and music of black women. Michael Berkeley revisits some of the many inspiring guests from the last few years who chose music written or performed by black women, and who have made their own important contributions to black history: artists Helen Cammock and Theaster Gates, writers Kit de Waal, Nadifa Mohamed and Isabel Wilkerson, jazz saxophonist YolanDa Brown, broadcaster Johny Pitts, and Kadiatu Kanneh-Mason, mother of seven brilliant young musicians including 2023 BBC Proms stars cellist Sheku and pianist Isata. Their choices range from music by Florence Price to performances by Nina Simone and soprano Jessye Norman.Producer: Graham Rogers

Professor Fay Dowker is a theoretical physicist fascinated by space and time. She was obsessed with maths from a young age and went on to study at Cambridge University. There Professor Stephen Hawking became her mentor and a very close friend. She is currently Professor of Theoretical Physics at Imperial College London where she researches “quantum gravity” – how the force of gravity works on the universe's tiniest particles. Fay's musical choices include John Coltrane, Shostakovich, Bach and Handel.

Olivia Harrison is a prizewinning film producer and charity director. Last year she published Came the Lightening, a poignant collection of twenty poems dedicated to her late husband George Harrison of the Beatles. George died in November 2001, at the age of just 58, and Olivia describes her poems as ‘thoughts, feelings and words about life and death, but mostly love and our journey to the end’. Olivia grew up in Los Angeles, and in her early 20s she joined A&M Records. She first met George in 1974 through her work, and went on to help run his Dark Horse record label. They married four years later. Olivia has protected George’s musical legacy since his death and continued the work of the Material World Foundation, the charity he founded 50 years ago. She also worked with Martin Scorsese to create an acclaimed, Emmy-winning documentary about George. Olivia's musical choices include Bach, Mozart and Ravi Shankar, as well as recordings from Mexico and Bulgaria.

Peter Frankopan is a historian who likes to take on big ideas, sweeping across many centuries and national boundaries. In his acclaimed book The Silk Roads: A New History of the World, published in 2015, he argued that the Persian empire gave rise to the West and he explored the importance of the trading routes that linked Arabia and Asia to Europe, and how they spread ideas, culture and religion. The book was a bestseller in the UK, China and India and even inspired a musical collaboration between singer Katie Melua and students at Oxford, where Peter is professor of global history. His follow-up, The New Silk Roads: the Future and Present of the World investigated how economic power is shifting eastwards. More recently Peter has turned his attention to climate change. In The Earth Transformed he examined how it has dramatically shaped the development - and the demise - of civilisations across time. Peter's musical choices include works by Tchaikovsky, Mozart and Edward Naylor.

Rhiannon Giddens has won two Grammy awards for her folk music albums, and a Pulitzer Prize for her opera, Omar, proving that she’s a musician who can’t be quickly categorised. She grew up in Greensboro, North Carolina, and as a singer, fiddle and banjo player, she’s been fired by a desire to chart and reclaim the stories of people whose contributions to American music have been overlooked or erased. Her musical journey originally had a rather different destination: she trained as a classical soprano at the Oberlin Conservatory in Ohio. Now she draws on all these musical traditions as a composer for ballet, opera and film. She also finds time for acting – appearing in the TV series Nashville about the tangled lives of country music stars – she presents podcasts and has even written children’s books.Her music choices include Bach, Dvorak, Duke Ellington and Stephen Sondheim.

Jeremy Deller is a difficult artist to pin down. He’s won the Turner Prize and represented Britain at the Venice Biennale, but you’re just as likely to find his work on our streets as in a gallery. In 2016, marking the centenary of the Battle of the Somme, thousands of young men in World War One uniforms appeared unannounced in stations, shopping centres and towns across the UK. Each participant represented a soldier who died on 1 July 1916. Jeremy called this work We’re Here Because We’re Here. 15 years earlier, he recreated the clash between striking miners and police officers in the Battle of Orgreave. He’s toured a rusting car from a street bombing in Iraq around the USA, and in 2012 he created a life-sized inflatable version of Stonehenge which you could bounce on. His musical choices are suitably wide-ranging and sometimes unexpected: taking us on a journey with sounds from across the world, but including Beethoven, Monteverdi and Vaughan Williams.

Raynor Winn is a writer whose first book, The Salt Path, followed the remarkable 630-mile journey she and her husband Moth made around the South West Coastal Path. It was a story of endurance as they had lost their home, had little money and Moth had been diagnosed with a terminal illness. But they found solace in nature and kept putting one foot in front of the other, living for the now: a message that obviously chimed with readers, as the book became a bestseller and is currently being made into a film. Raynor has since written a sequel called The Wild Silence, about readjusting to four walls and normal life after that seminal walk, and Landlines where she and Moth again embark on a thousand-mile journey from Scotland back to the familiar shores of the South West Coast Path. Raynor's musical choices include works by Britten, Schubert and Vaughan Williams.

2023 marks the centenary of the composer György Ligeti's birth, and in this programme, first broadcast in 1997, he joined Michael Berkeley to share some of his musical passions. They include piano music by Beethoven, player piano music by Conlon Nancarrow, a thinking song by the Gbaya people of central Africa and gamelan music from Java. A Classic Arts production for BBC Radio 3 (revised repeat)

Isabella Tree is an author and travel writer. Her award-winning book Wilding: the Return of Nature to a British Farm, describes how she and her conservationist husband Charlie decided after many generations of intensive dairy and arable farming to undertake a pioneering experiment. They would rewild their 3,500 acre estate, Knepp in West Sussex – returning it to nature.Using herds of free-roaming animals to create new habitats, their rewilded land is now – more than 20 years later - a haven for wildlife and rare species like turtle-doves, nightingales and purple emperor butterflies. The estate has become central to the debate about how we look after and regenerate the land. Isabella is also a travel journalist and has written books about her journeys to Nepal, Mexico and Papua New Guinea. Her music choices include works by Schubert, Handel, Bach but also compositions made in response to the Knepp estate.

Alexander Polzin is a German sculptor, painter, costume and set designer. He began his career as a stonemason, but is now well known for his collaborations with writers, composers, choreographers and scientists. He has created sets, often drawing on his work in sculpture, for operas including Verdi’s Falstaff and Rigoletto, and Wagner’s Tristan and Isolde, for which he created huge illuminated stalactites, suspended above the stage. For a 2022 production of Mozart’s opera Mitridate in Copenhagen, the centrepiece was an enormous layered ochre-coloured rock formation, with which bodies merged or slid across. As a painter and sculptor, he’s enjoyed exhibitions in galleries around the world, and has collaborated with the Aldeburgh Festival in Suffolk, in 2016 and 2023. His work also appears in prominent public spaces, including his statue of Giordano Bruno in Potsdamer Platz in Berlin.

Naomi Alderman is a writer who likes to question established ways of thinking. In 2017 her novel The Power won the Bailey’s Women’s Prize for fiction. It imagines a world where women develop the ability to emit electric shocks from their fingers, leading to a worldwide reversal in the traditional balance of power between the sexes. The book became a global bestseller, and more recently a nine part TV drama. A sense of rebellion was evident in the title of her first novel, Disobedience: it’s tale of a woman who questions the conventions of the strict Orthodox Jewish community in which she grew up, and draws in part on Naomi’s own experiences. Along with four novels, Naomi created and written computer games, including Zombies, Run! This immersive app encourages you to improve your fitness – by running faster to escape predatory zombies. Naomi's musical choices include Mozart, Respighi, Bach and Stephen Sondheim.Photo of Naomi Alderman: Annabel Moeller.

Beccy Speight has been the chief executive officer of the Royal Society for the Protection of Birds since 2019. It is the UK’s largest nature conservation charity with over a million members and manages more than 200 nature reserves providing a home to at least 18,500 species. Beccy began her work in the conservation sector when she joined the National Trust at the turn of the millennium. From 2014, she focused her energies on our trees and woods when she became Chief Executive at the Woodland Trust. She has said she moved on to the RSPB because she wanted to be ‘where the really big fights are in terms of our natural world’ – and where she could make a difference to something she cares deeply about. Beccy's musical choices include Elgar, Vaughan Williams and the folk singer Karine Polwart.

Author Kit de Waal was brought up in a working class family in the Moseley suburb of Birmingham in the 1960s and 70s. She talks to Michael Berkeley about how reading wasn’t part of her childhood; she didn’t discover a love of books until much later in life. Her bestselling first novel, My Name is Leon, written in her 40s, draws on her own childhood experiences and her early career as a legal worker in the foster care system, and she devoted some of the proceeds to setting up a scholarship for aspiring authors from working class backgrounds. Her music choices include tracks from classic film scores - her father was an avid film buff - including Rachmaninov, Gershwin and Oscar Hammerstein's Broadway version of Carmen, alongside Bach, Chopin and Miles Davis.Producer: Graham Rogers

Sarah Lee is a photographer, who was first given a camera on her 18th birthday. She taught herself how to use it by taking photographs for the student newspaper while studying for a degree in English Literature at University College London. The offer of free film and the use of a dark room proved irresistible. Since then her images, with their focus on people, have appeared in Rolling Stone, Vanity Fair, Time magazine and many more. She’s worked for the Guardian newspaper for more than 20 years and is an official photographer for the BAFTA awards. There she captures the likes of Nicole Kidman and Leonardo DiCaprio backstage or on the red carpet, in intimate black and white shots. Her musical choices range from Bach and Mozart to Scarlatti and Nina Simone.

Mary-Ann Ochota is an anthropologist and broadcaster. She is fascinated by what it means to be human and why we behave as we do. Her work has taken her around the world from the poorest parts of Dhaka and Delhi to the Chernobyl Nuclear disaster zone. She has lived with Yak herders in the high plains of Tibet and sailed across the Pacific and Atlantic oceans. Closer to home, she’s written two books about British archaeology, full of tips on how to read the landscape from ancient burial mounds to medieval woodlands. Landscapes have inspired some of her musical choices – from the Scottish Highlands to Mount Fuji in Japan.

Musician and writer Ben Watt released his first single when he was just 19. In 1981, on his first day as a student at Hull University, he met Tracey Thorn and together they formed the duo Everything But the Girl – taking their name from the slogan of a local furniture shop. Over the next twenty years, they had 12 top 40 singles and 7 top 20 albums. Since then Ben has experimented in dance and electronic music, run his own record label and returned to songwriting with the release of two solo albums. Ben has also written two acclaimed books. The first about his experience of a life-threatening autoimmune disease and the second, a poignant portrait of his parents. Most recently, he’s returned to making music with his wife Tracey Thorn in a new Everything But the Girl Album.

The Pulitzer Prize-winning writer Isabel Wilkerson was born in Washington DC. Her parents moved there in the Great Migration – when six million African Americans left the rural south to escape poor economic conditions and discrimination. Isabel later wrote about this exodus in her bestselling and widely acclaimed book The Warmth of Other Suns, the product of 15 years of research and more than 1200 interviews. She started out in newspapers as a reporter and feature writer, and in 1994 she became the first woman of African-American heritage to win the Pulitzer Prize for journalism, when she was Chicago bureau chief of the New York Times. More recently she published her second book Caste: the Origins of our Discontents, an examination of racial stratification. The New York Times described it as the “keynote nonfiction book of the American century thus far” and it also won praise from President Obama. Isabel's choices include works by Camille Saint-Saëns, John Coltrane, Philip Glass and Georg Philipp Telemann.

Libby Jackson is the head of Space Exploration for the UK Space Agency. She has turned a childhood passion for space into a wide-ranging career. She was flight instructor and controller at Europe’s Mission Control Centre for the International Space Station. She then joined the UK Space Agency in 2014 and led their education programme when the astronaut Tim Peake went into space. She is now one of Britain’s leading experts in human spaceflight, and last year was awarded an OBE for her work. Libby’s musical passions reflect the vast wonder of space but also her love of choral music and her adventures in Newfoundland as a teenager with works by Handel, Verdi and Shanneyganock.Producer Clare Walker

Steve Rosenberg is the BBC’s Russia editor. After studying Russian at university, he moved to Moscow in 1991 and since then has charted the transformation of the country – from the conflict in Chechnya and the Beslan school siege to President Putin’s rise to power and the impact of the current war against Ukraine. His musical passions include - perhaps unsurprisingly - Russian composers such as Rachmaninov, but his choices also draw on childhood memories and the many hours he spent watching TV. Steve is a keen pianist, and he recalls the moment he played for President Gorbachev, who sang Russian songs to his accompaniment. Steve also posts piano improvisations and compositions on social media - anything from Postman Pat in the style of Tchaikovsky to a piece he wrote inspired by birds sitting on a telegraph wire.Producer Clare Walker

Robert Powell is one of our best-known actors, with a career that began in the late sixties and exploded into almost instant fame; since then, there have been some fifty films, including “The Thirty-Nine Steps” and “The Italian Job”, numerous theatre roles, and television appearances which have included six years on Holby City. For many people, though, he will always be Gustav Mahler thanks to Ken Russell’s 1973 biopic; for some, he became a memorable representation of Jesus Christ, thanks to his starring role in Zeffirelli’s six-hour epic. Robert Powell begins by choosing Mahler’s famous Adagietto from the Fifth Symphony. He listened to Mahler non-stop when rehearsing for the role, but was still surprised by some of the eccentric things Ken Russell asked him to do: he will never forget floating for hours in a freezing lake. He talks about the impact of early fame, conjuring up the excitement of the King’s Road in the “swinging sixties”, and meeting his wife, Babs, who danced with Pan’s People. And he tells the story of how, when he was playing Jesus, he delivered the Sermon on the Mount and “something really extraordinary happened”. These days he is a devoted grandfather, making up for the time he couldn’t spend with his family when he was away filming. Other music choices include Stravinsky, Bach, Janacek, and his hero Bob Dylan. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Helena Kennedy is one of Britain's most distinguished lawyers. Brought up in a Glasgow tenement flat, she was the first in her family to go to university. But instead of going to Glasgow University to read English and becoming a teacher, as they expected, she startled everyone by travelling to London - to study for the Bar. Some of her friends misunderstood and thought she’d gone south to find bar work. This was the end of the sixties, a time when there were extremely few women barristers. Since then, her ambition, fierce intelligence and considerable charm have taken her right to the top, and she now sits in the House of Lords as Baroness Kennedy of the Shaws. She created a huge stir when she published her first book, Eve was Framed, in 1992 – a shocking examination of how the criminal justice system fails women. Three years ago, she felt so little had changed that she published a sequel – in a book with the title Misjustice. Helen Kennedy campaigns now too on wider human rights issues, such as the persecution and murder of women in Iran and the shocking genocide of the Uighurs in China. In conversation with Michael Berkeley, Helena Kennedy looks back to the childhood which has been so influential on her campaigns for justice, and chooses the music which has sustained her through a series of difficult and high-profile cases. Her playlist includes Handel, Bach, Schubert, George Benjamin, James MacMillan, and her favourite Puccini opera, with Mimi’s famous aria from La Boheme.A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Back when he was studying English at UEA, Peter J Conradi had a friend who ran the student literary society, organizing writers to come to Norwich and speak. He went along to a meeting and the speaker there changed the whole course of his life. The writer was Iris Murdoch. She became a friend, and he became – in his words – her “disciple”, and eventually her biographer. And then Peter and his partner, Jim O’Neill, spent eight months caring for Iris at the end of her life, as Alzheimer's took hold – they listened to a lot of music together. Peter has spent his career as an English Professor at the University of Kingston and his biography of Iris Murdoch is not his only book: he’s also written about Dostoevsky, John Fowles, and Angus Wilson; about grief, about becoming a Buddhist, and about dogs.In conversation with Michael Berkeley, Peter discusses the extraordinary power Iris Murdoch exerted over all her friends and lovers, and her secretiveness, so that each would be kept in a separate compartment. He remembers how she kept singing and dancing right up to the end. And he reveals his own mental health struggles, and how Buddhism has helped him. Music choices include Strauss, Bartok, Bach, Britten’s War Requiem, and the Anthem by Leonard Cohen that contains the famous words “There is a crack in everything, that’s how the light gets in.”A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Wayne Sleep tells Michael Berkeley about the music that has inspired his career of nearly 60 years. Wayne Sleep is one of the most celebrated dancers of all time. He’s performed more than fifty leading roles for the Royal Ballet, and had roles created for him by choreographers including Frederick Ashton, Ninette de Valois and Rudolf Nureyev. Equally at home on the stage of the Royal Opera house, performing musical theatre in the West End, choreographing, directing or teaching, he’s known for his versatility, flawless technique, dramatic flair and humour. He made headlines around in the world in 1985 when he danced – to the total surprise of everyone there - with Diana, Princess of Wales, on the stage of the Royal Opera House. He tells Michael about the secrecy surrounding their rehearsals and the friendship between them that followed their performance. Wayne chooses the music that has shaped his long career including pieces by Mahler, Britten and Andrew Lloyd Webber. And, in a highly emotional moment, he hears for the first time since his childhood the voice of his adored mother on a record specially restored for this programme. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

The novelist and journalist Susie Boyt tells Michael Berkeley about her lifelong passions for music, theatre and dancing. Whether she’s writing black comedies about dysfunctional families or about her intense love of Judy Garland, Susie Boyt is unafraid to address the big questions in all our lives. Her seven novels explore how we can best take care of people, how we can survive life’s inevitable traumas and how we might live alongside the loss of people we love. Susie chooses pieces by Mozart, Beethoven and Britten as well as music from the ballet Giselle that conjures up the fragility and vulnerability of childhood. Susie’s father was the painter Lucian Freud and we hear a song by the music hall star Gus Elen which recalls the many hours she sat for him in his studio sharing their love of song lyrics. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

The historian Simon Thurley tells Michael Berkeley about his passion for ancient buildings and the music associated with them. At the age of seven, Simon Thurley dug up what turned out to be Roman remains in his back garden in Cambridgeshire, and a lifelong passion for history - and historic buildings - was ignited. He went on to work as Curator of Historic Royal Palaces and as the Director of the Museum of London. Then, in 2002, at the astonishingly young age of 39, he was appointed Chief Executive of English Heritage, a post he held for 13 years, during which time he was responsible for overseeing over 400 historic sites from Dover Castle to Stonehenge.He is the author of more than a dozen books about history and architecture and since 2021 he has chaired the National Heritage Memorial Fund, the fund of last resort to protect the nation’s most vulnerable heritage when other routes have failed. Simon tells Michael about the building mania of Henry VIII, how we can make old buildings sustainable to live in today, and what the future might hold for the Royal Palaces under King Charles III.He chooses music by Holst which reminds him of his religious childhood, an opera by Bellini which conjures up the English Civil War, and music by Purcell which reminds him of up Hampton Court, one of the buildings he loves most and which he helped to restore after a devastating fire. Producer: Jane GreenwoodA Loftus Media production for BBC Radio 3

Kaffe Fassett’s textiles are unmistakable: in bright cerise and crimson and cobalt, his stripes and flowers burst onto the scene back in the seventies, and he’s been designing ever since. Brought up in a log cabin on the Californian coast, he’s lived for fifty years in Kilburn, north-west London, a house where every surface is painted or mosaicked or embroidered – and stuffed full of antique textiles and pots. In fact, it’s so full of stuff that his partner, Brandon, had to retreat to a white room of his own. But Kaffe would like us all to get sewing, or embroidering or knitting. He’s the author of numerous books which share his designs, and currently has an exhibition of his quilts at the Fashion and Textile Museum that will soon travel around Scotland.In conversation with Michael Berkeley, Kaffe reveals that he first left California for Britain as a young man after a chance meeting with Christopher Isherwood, who so beguiled him that he was determined to see Europe for himself. He talks about growing up gay at a time when it was still illegal, and how he never felt he fitted in – he was the boy at school wearing bright orange corduroy. He reveals that he bought some wool and then begged a woman opposite him on the train home to teach him to knit. Since then, he’s never looked back, and however busy he is, he makes time to knit and embroider, finding it a chance to meditate and recover. His music choices include Arvo Pärt, The Beatles and Schumann’s “Scenes from Childhood”.

Joanna Scanlan is one of our great comic actors; she’s best-known for “The Thick of It”, where she plays the obstructive civil servant Terri Coverley. But her range is much wider than comedy. She’s extraordinarily moving in “After Love”, Aleem Khan’s 2021 film about a widow who discovers her husband’s secret life – a performance so powerful that it dominates the whole film, and won her BAFTA’s lead actress award in 2022. Before that, she played Charles Dickens's long-suffering wife, Catherine, in “The Invisible Woman” – and appeared in “Girl with a Pearl Earring” and “Notes on a Scandal”, to name just a couple of her film roles. On television she’s familiar from “The Larkins”, “No Offence” and “Puppy Love” – a series she co-wrote. She also co-wrote “Getting On”, a blackly comic portrayal of life on an NHS ward, which has become a great deal more topical in the fourteen years since it was first broadcast. Born in Merseyside, Joanna Scanlan grew up in North Wales; she went to Cambridge to study history and law, and only got her first job as an actress when she was thirty-four, after having a breakdown.She tells Michael about how that breakdown became a turning point, thanks to a doctor who told her that she would be ill all her life unless she acted. She remembers her schooldays in Wales, when she sang in a choir five times a day, and her early career working for the Arts Council, where the power-mad clock-watchers she worked with became the inspiration for the character of Terri Coverley.A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Brought up in a comfortable suburb of Sheffield, Hugh Brody has spent his life travelling to the most inhospitable corners of the world. For more than ten years he lived among the peoples of the Arctic and sub-Arctic, learning their languages, discovering their ways of being in the world, and helping map their territories so they could claim land rights. He has also worked in isolated villages in the west of Ireland, in the southern Kalahari, on Skid Row in Edmonton, Canada, and in tribal communities in western India. He has explored these places over the last fifty-five years in a considerable body of work: more than a dozen films, dozens of essays, and ten books. The latest is a moving and beautifully written personal memoir, “Landscapes of Silence: from Childhood to the Arctic”. Married to the actress Juliet Stevenson, Hugh Brody now divides his time between Highgate, North London, and a house on the Suffolk coast, though he admits that he has never really “settled down”. Hugh Brody’s music choices include Beethoven, Sibelius, Stravinsky, Clara Schumann, and the music he heard every day when living with an Inuit family: Johnny Cash. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

The author Diana Melly tells Michael Berkeley about her life lived on a rollercoaster: she has experienced passion, great friendships and celebrity but also depression, illness, heartbreak and the deaths of two of her children.Running through her life for 46 years was her enduring - but extremely complicated - marriage to the jazz musician and bon viveur George Melly, who died in 2007.She has written two novels, a searingly honest memoir, and has co-edited the letters of her friend Jean Rhys as well as campaigning for charities concerned with dementia and drug abuse. Diana Melly talks movingly about the deaths of her children and the happiness she and George found at the end of his life. And she describes her passion for trying new things late in life including ballroom dancing, philosophy and riding a tandem.But her greatest new passion, developed in her eighties, is for opera and she chooses her favourite arias by Puccini, Massenet, Mozart, Gluck and Verdi. And she reveals why, having been married to a jazzman for 46 years, there is no jazz on her music list.Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Todd Field began his career as a jazz musician and as an actor; he has appeared in over forty films, including Kubrick’s “Eyes Wide Shut” and Woody Allen’s “Radio Days”. He then went on to direct two full-length award-winning films, “In the Bedroom” - about grief and revenge in a close-knit family - and “Little Children”, starring Kate Winslet. Both were nominated for multiple Oscars. This week his third feature film “Tar” opens in Britain. Cate Blanchett stars as Lydia Tar, the conductor of a major German orchestra; the film is an exploration of the darker side of the classical music world, the power of the conductor, and of abusive power more generally – it’s also a celebration of some really wonderful music.In conversation with Michael Berkeley, Todd Field talks about how he started writing “Tar” by interviewing classical musicians, and particularly women working in the industry. He looks back on his “free-range” childhood in Oregon, and tells how his wife financed his ambition to become a film director by buying a truck, going round flea-markets, and starting an interior-design shop. He reveals the struggle to release his award-winning film “In the Bedroom” after Harvey Weinstein bought it and demanded more and more cuts. Field won the fight and retained the film he believed in, but it took six months and a fiendishly clever strategy invented by his friend Tom Cruise. Todd Field started out as a jazz musician in a big band, and his choices include two tracks by Sarah Vaughan, whom he met backstage at a concert in Oregon. Other choices include Mahler’s Symphony No 5; Elgar’s Cello Concerto; and Gorecki’s second string quartet, which played constantly in his head while making “Tar”. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Rabbi, writer and broadcaster Jonathan Romain is minister of Maidenhead Synagogue and one of Britain's leading rabbis in Reform Judaism. He’s the author of twenty books – some scholarly and learned, and others which are very funny – revealing the ups and downs of his day-to-day work, in a way that will resonate with vicars, priests and religious leaders of any description. He’s become a kind of agony uncle, dispensing advice on love affairs, marriage, parenthood, and he’s written about all this in “Confessions of a Rabbi” and in his latest book, “The Naked Rabbi”. On the more serious side, he’s a prominent figure in the campaign for Assisted Dying, he was awarded an MBE for his work on inter-faith marriage, and he’s spent much of the last year working with Ukrainian refugees. In conversation with Michael Berkeley, Jonathan Romain talks about what he’s learned over the years as a rabbi about love and marriage, and why some of his views put him very much out on a limb. His playlist takes in Max Bruch, Leonard Cohen, Rimsky-Korsakov, and a tribute to his love of football. And he tells us his favourite Jewish joke. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

The structural engineer and author Roma Agrawal tells Michael Berkeley about her passions for tall buildings, bridges, concrete and Indian classical dance. Roma Agrawal is a highly successful woman operating in what is still very much a man’s world. Her job is, essentially, to make sure that the buildings, bridges, roads and tunnels we use every day don’t collapse. She spent six years working out the incredibly complex structure of the spire and foundations of the Shard in London, the tallest building in western Europe. As well as engineering, Roma has another passion: she tells Michael about her lifelong love of the ancient Bharata Natyam form of Indian Classical Dance, and we hear the first piece of music she danced to as a child in Mumbai. She chooses songs by Abida Parveen, Anoushka Shankar and Nitin Sawhney as well as pieces by Tchaikovsky and by Carl Davis which drew her to Western music. Roma tells Michael about her campaign to encourage more women to become engineers, why she decided to speak out about the emotional and physical strain of IVF and how working on the Shard helped her overcome her fear of heights. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

The geneticist and broadcaster Adam Rutherford tells Michael Berkeley how his passion for music allows him to escape the rigours of science and enjoy the emotional side of life. Adam Rutherford’s career in science has taken him from a PhD on the role of genetics in eye development to becoming a well-known broadcaster who campaigns against pseudoscience and racism.Presenter of Radio 4’s Start the Week and The Curious Cases of Rutherford and Fry, he’s also the author of six bestselling books; a lecturer at University College London; and the recipient of the Royal Society David Attenborough Award for outstanding public engagement with science.Adam shares some astonishing facts about our genes and our common ancestry: everyone of European descent is definitely directly descended from the eighth-century Emperor Charlemagne – and from the person who cleaned his boots. Adam was a music scholar at school and his passion for the violin started with lessons at the age of four and culminated in playing with his teacher in Berlioz’s Symphonie Fantastique. We also hear his favourite piece of violin music, Beethoven’s Violin Concerto. Adam is the President of Humanists UK but asks for music from his two musical gods, Bach and Radiohead. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Simon Warrack travels the world restoring the most sacred and beautiful buildings. As a stonemason he’s worked on the Rose Window of Canterbury Cathedral, the Trevi fountain in Rome, and the Temple of Angkor Watt in Cambodia. Coming from a professionally musical family - his father is the music writer John Warrack, his grandfather was the composer and conductor Guy Warrack – it’s no surprise that classical music is very important to him. But after taking a degree in Renaissance History at Warwick, Simon discovered his own personal vocation, and he’s now pre-eminent as a stone carver and advisor on the restoration of temples and religious statues. He lives in Rome but is currently in Britain with a delegation from Cambodia who are examining the treasures of British museums to see how many of them were looted illegally and should go back. In conversation with Michael Berkeley, Simon Warrack talks about the joy and difficulty of cutting stone, and about how finding a pair of stone feet in the Cambodian jungle led him on a detective trail to discover how many religious artworks had been looted during the 1970s. Music choices include Mozart, Verdi, Elgar, Britten, Tippett and Vivaldi. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

The writer Julia Blackburn talks to Michael Berkeley about how music helped her through her traumatic childhood and about the joy of late-flowering love.Julia Blackburn is the author of novels, poetry, plays and books about historical figures including Napoleon, Billie Holiday, Goya, and the Norfolk artist John Craske, as well as books about grief, her love of animals, and the natural world. She’s also published memoirs, including an astonishing book about her childhood, The Three of Us.Julia shares her love of Beethoven, Pergolesi, English folk song, music from central Africa, and the songs of Billie Holiday, which helped her through her a childhood marked by chaos and neglect. And she tells Michael Berkeley about the happiness she has found in bringing up her own children, and the delight she has found in love later in life. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Stuart MacBride was born in Dumbarton and raised in Aberdeen; abandoning his studies to become an architect, he went to work on the oil rigs, scrubbing toilets. He then tried out careers as an actor, a web designer, and a computer programmer, all the while writing away after work – he wrote four novels before his first, Cold Granite, was published in 2005. Since then, he’s become one of our most successful and prolific crime writers, with twenty-four titles in all, sometimes labelled as “tartan noir”. His latest, about the hunt for a serial killer, is called No Less the Devil. Reviewers say things like “this isn’t a novel to read over dinner”, or “slick, gruesome and brutally intelligent.” Gruesome crime-writing apart, Stuart MacBride’s other notable achievements include winning Celebrity Mastermind (his subject was A.A. Milne) and coming first in the World Stovies Championship. In conversation with Michael Berkeley, Stuart MacBride reveals how his “very dull” childhood developed his imagination as a writer, and how he first discovered crime fiction in the Aberdeen public library. He went to the library every day, read under the covers at night, and borrowed new books the following morning, moving on from the Hardy Boys to Dashiell Hammett. For Stuart MacBride, music is essential; he listens continually when he works, and his latest novel was written entirely to the soundtrack of Wagner’s Ring. Alongside Wagner, choices include Beethoven, Purcell, Bruch and Holst. He also introduces music by the Australian composer Sean O’Boyle, a concerto for didgeridoo, which he loves because it’s so dark. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

It’s hard to think of an artist with a more striking and ambitious range than William Kentridge; his work spans etching, drawing, collage, huge tapestries - as well as film, theatre, dance and opera. He was born in Johannesburg and brought up during the apartheid regime; his art is highly politically charged. His parents, both lawyers, were notable figures in the anti-apartheid movement – his father being Sir Sydney Kentridge, who represented Nelson Mandela. For forty years now William Kentridge has used his art to explore the legacy of colonialism, and the barbarity of war. He’s probably best known for his charcoal sketches, which become stop-go animations, preserving almost every change and rubbing-out. But he has a keen eye for the absurdity of life too, so we watch typewriters turn into trees, birds flying off the pages of dictionaries, or a film titled “Portrait of the artist as a coffee pot”. In conversation with Michael Berkeley, William Kentridge talks about the importance of music in his work, and brings a playlist that reflects a lifetime of listening. We hear a famous 1937 recording of a Monteverdi madrigal; Janet Baker singing one of the songs from “Les Nuits d’ete” by Berlioz; a duet from The Magic Flute; a rare recording of the American guitarist Elizabeth Cotten; and a collaboration between the Kronos Quartet and a trio of musicians from Mali. He looks back to his childhood in South Africa, and what it was like to grow up under the cruel system of apartheid; and he reveals how important early failures were in enabling him to see the way forward.A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Arifa Akbar tells Michael Berkeley about her nocturnal life as a theatre critic and her desire to tell the story of her sister's death from tuberculosis.Arifa Akbar almost never has a quiet night in; as chief theatre critic of the Guardian she is out reviewing a production almost every evening. She also sits on the boards of the Orwell Foundation and of English PEN, and judges prizes including the UK Theatre Awards and the Women’s Prize for Fiction. In conversation with Michael Berkeley, she discusses the book she wrote about the death of her older sister, Fauzia, from tuberculosis, in which she explores Fauzia’s troubled life and why the medical profession failed to diagnose her illness until it was too late. Arifa chooses music from Bollywood films which remind her of her childhood, which was split between a prosperous and lively extended family in Lahore and poverty and social isolation in London. And she reveals how, after the death of her sister, she began to explore the tubercular heroines of nineteenth-century opera. Initially repelled by the glamorization of these women dying awful deaths, she has now come to love the music of Verdi and Puccini.Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Ronnie Archer-Morgan, from The Antiques Roadshow, tells Michael Berkeley about his tumultuous life and the music that has accompanied it.Ronnie had a terrible start in life. His English father died in a car crash before he was born and his Sierra Leonean mother had severe mental health problems that made her violent and abusive. His childhood was spent in and out of the care system. He tells Michael Berkeley how a school trip to the Victoria & Albert Museum in London ignited his life-long fascination with antiques, and how he learned the tricks of the trade exploring junk shops and markets while doing a rich variety of other jobs – model-maker, DJ at Ronnie Scott’s, boutique manager and celebrity hairdresser. Eventually antiques took over from everything else: he became a consultant to Sotheby’s, opened a Knightsbridge gallery, and he delights in presiding over the ‘miscellaneous’ table on The Antiques Roadshow. For Ronnie, the importance of objects is in the stories they tell and their emotional significance – and music is the same. He chooses pieces to remind him of different times in his life: a Handel aria that takes him back to rare moments of peace in his childhood; jazz from Donald Byrd which he played at Ronnie Scott’s; pieces by Mozart and by Dvorak that sparked his passion for classical music; and a song by Marvin Gaye, who wandered one day into Ronnie’s hair salon and shared a beer with him. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Jules Montague trained as a doctor in Dublin before moving to London and becoming a consultant neurologist, specialising in treating people with dementia. This led to her first book, "Lost and Found: Why losing our memories doesn’t mean losing ourselves". After fifteen years as a doctor, she has now left clinical practice to become an investigative journalist, focusing on some of the deeper questions raised by her medical work. Her second book is called The Imaginary Patient: How Diagnosis gets us Wrong. In conversation with Michael Berkeley, she explains that although most of us are relieved when our symptoms are explained by a medical label, diagnosis is not always a good thing. Her experience working as a doctor in Mozambique and in India has revealed how differently diseases may be diagnosed across different cultures. In some ways, she claims, a diagnosis of “spirit possession” may actually be more helpful to the patient than the label “PTSD”. She talks too about her work as a neurologist treating patients with brain damage and dementia, and how it’s led her to ask questions about how much of the “real” person remains when memory is lost. Jules’s parents are from the Assam region of India and took her back as a child to spend time there; her music choices include a New Year dance from Assam, as well as piano music by Beethoven, a heart-breaking scene from Puccini’s Madame Butterfly; and music by Stravinsky, which he finished soon after suffering a stroke.A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

The Broadmoor psychiatrist and psychotherapist Dr Gwen Adshead shares her passion for choral music with Michael Berkeley.When people ask Gwen Adshead what she does for a living she sometimes tells them she is a florist, because she is unable to face another conversation about why she has devoted her life to working with ‘monsters’. Gwen has spent thirty years as a psychiatrist and as a pioneering forensic psychotherapist working at Broadmoor Hospital in Berkshire with some of society’s most violent, and vilified, offenders. The author of more than 100 academic books and papers, Gwen recently co-wrote a best-selling book, with her friend Eileen Horne, for a more general audience: The Devil You Know takes the reader into the therapy room at Broadmoor to try to understand people often labelled as ‘monstrous’, including serial killers, stalkers and child sex offenders. Gwen tells Michael about her work at Broadmoor, encouraging offenders to understand what drove them to violence, to face up to what they have done, and to try to find a future free of violence. She finds parallels in her work with music: the leader of a group therapy session has much in common with a conductor; and as a psychotherapist Gwen has to listen to her patients with the same concentration as when she is listening to fellow choir members.Gwen’s passion for choral music runs through the programme with pieces by Tallis, Gibbons, Lauridsen and Verdi, and a Maori song that conjures up her early childhood in New Zealand.Producer: Jane GreenwoodA Loftus Media production for BBC Radio 3

Sometimes a musical work of art is so perfect, so magnificent, that it’s almost impossible to remember the work that’s gone on, behind the scenes, from the early drafts to the anxiety and relief of the first performance. That’s certainly true of a masterpiece such as Bach’s St Matthew Passion. But writer James Runcie wants us to think about what went on in Bach’s mind while he was creating that magnificent Passion, and he’s written both a play and a novel about it. The novel, his twelfth, is called The Great Passion and it was published earlier this year; it was also broadcast on Radio 4 just before Easter. James is an award-wining film-maker, playwright and artistic director who has worked at the BBC, the Bath Literary Festival and Southbank Centre. He’s also the author of the Grantchester detective novels, now filming their eighth series for television. The hero’s a young priest, who solves crimes while wrestling with problems of religious faith - and religion is something James Runcie knows all about, as his father was Archbishop of Canterbury.In conversation with Michael Berkeley, James Runcie talks about the influence of his father, and of his unconventional mother, who was a pianist and piano teacher; in their household, he says, religion was optional, but music was compulsory. He shares his passion for the works of Bach in three of his choices, including the Matthew Passion. And he talks movingly about the death of his wife, the drama director Marilyn Imrie, from Motor Neurone Disease. When she was no longer able to speak, he played her music. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

Katherine Rundell started writing for children at the age of only 21; in little more than a decade she’s become one of our leading children’s writers, with six books so far, including the award-winning Rooftoppers, the story of a girl who travels across the rooftops of Paris looking for her mother. Katherine herself is a roof climber and a tightrope walker. Born in 1987, she grew up in Zimbabwe and Brussels; after taking her undergraduate degree at Oxford, she was elected a Fellow of All Souls College where she wrote her PhD thesis on John Donne. Her book on that great metaphysical poet, Super-infinite: The Transformations of John Donne, was published earlier this year, to celebrate the 450th anniversary of the poet’s birth. Katherine Rundell tells Michael Berkeley that her books set out to explain to children that life does contain loss, and pain, and darkness, but that it is always possible to discover joy. Her own childhood was marked by the loss of her sister and she says it is no accident that she lost her sister when she herself was ten and that she writes for ten-year-olds now. She talks too about her love of tightrope-walking and roof-climbing, and about her passion for John Donne, choosing two musical settings of his work. Other music choices include Mozart, Bach, Strauss, Fauré and Miles Davis.Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

Anyone who’s spent any time with children in the last thirty years will know Horrid Henry and his brother, Perfect Peter. They’re the creations of Francesca Simon, and they’ve appeared in 25 books, been translated into 31 languages and sold 25 million copies. They seem to embody archetypes: the chaotic, naughty brother who’s always in trouble, and the neat well-behaved sibling who’s always anxious to please the parents. In Private Passions, Francesca Simon tells Michael Berkeley that her own emotional memories of childhood are extraordinarily vivid. She was brought up living on the beach in Malibu, where her father Mayo Simon was a screenwriter, but then moved around to Paris and New York and London. It all sounds glamorous, but actually, she says, it was hard. They moved so often that she always felt like an outsider. Francesca chooses music that reflects the very diverse influences of her early life: Yiddish and Breton folk songs, and Jascha Haifetz playing the Bach Double Violin Concerto. She also chooses music by the young British composer Gavin Higgins, for whom she’s written a libretto for his new work The Faerie Bride, and by E. J. Moeran, a composer she thinks should be much better known.A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

In this special programme for the Queen’s platinum jubilee, Michael Berkeley’s guest is the author and former lady-in-waiting to Princess Margaret, Anne Glenconner, who tells Michael about her long life as a friend of the royal family, her marriage to the outrageous Colin Tennant, and how she survived unimaginable family tragedy. At 11.15am on June 2nd 1953, Lady Anne Coke stood at the door of Westminster Abbey, dressed in a gorgeous embroidered white satin gown. She was 20, one of six maids of honour about to pick up the Queen’s 21-foot-long velvet train and follow her up the aisle at the start of the Coronation. What followed that momentous day for Lady Anne Coke, who became Lady Glenconner, was a life of continued service to the royal family, as well as running enormous houses, having five children, hosting glamorous parties, and travelling the world. Then at the age of 87 she published her bestselling memoir Lady in Waiting, followed by two novels. Her new book Whatever Next? will be published in the autumn. Anne Glenconner tells Michael about the exciting days leading up to the coronation and her emotions as Elgar’s Nimrod was played at the very start of the service. She reminisces about playing on Holkham beach as a child with the Queen and Princess Margaret, and plays music that helped her through the terrible events that engulfed her three sons in the 1980s.And she also talks frankly, and with great humour, about life with Colin Tennant, later Lord Glenconner: the temper tantrums which got him banned from airlines, the ruined trips to the opera, the excruciating first evening of their honeymoon, and the final, awful twist in the tale of their marriage.Producer: Jane Greenwood A Loftus Media Production for BBC Radio 3

In a wide-ranging and engaging interview, musician Jarvis Cocker tells Michael Berkeley about the role classical music plays in his life and relationships.Fortunately for the world of music Jarvis Cocker abandoned his early ambition to be an astronaut and instead, at the age of 14, had the idea of forming a band called Pulp during an Economics lesson at school in Sheffield. Some 15 years later, Pulp was one of the most successful bands in the world, with a string of witty, emotionally raw, and musically inventive hits rooted in the details of real life. Since then, he has become a much-loved radio presenter with the long-running "Jarvis Cocker’s Sunday Service" on BBC Six Music, and "Wireless Nights" on Radio 4. Amongst numerous other projects he has formed a new band, JARV IS…, and he has just published a memoir of his childhood and the early years of Pulp called Good Pop, Bad Pop.Jarvis describes how, during a long period of convalescence after an accident, he transformed the way he wrote songs, realizing that the details of everyday life around him in Sheffield provided a goldmine of material. He tells Michael how he coped with fame when it eventually arrived in his thirties, and how he has never conquered his stage fright. Jarvis chooses music by Schubert, Max Richter, Rachmaninoff, Eric Satie and Delius, all guaranteed to give him the ‘tingle’ factor. He talks about the power of particular vinyl records to bring back memories of his teenage years in Sheffield and of his son as he was growing up in Paris. And he talks movingly about the role Richter’s music played in his relationship with his dying father who had been absent for most of Jarvis’s life.Producer: Jane Greenwood

The science writer and broadcaster Dr Kat Arney shares with Michael Berkeley her passion for the harp and her revelatory new research into the causes of cancer.Gone are the days when cancer could not be mentioned but was “the Big C”. It is just as well, since about half of us will develop cancer during our lifetime. And as the treatments and drugs improve all the time, so does our knowledge of what causes it. Kat Arney’s latest, award-winning, book, Rebel Cell: "Cancer, Evolution and the Science of Life", explains the revelatory new breakthroughs happening in labs around the world.After a PhD in Genetics at Cambridge University, Kat Arney worked for ten years as Science Communications Manager at Cancer Research UK. And then she left that job to go freelance - writing books and newspaper articles about science, broadcasting and podcasting including a recent Radio 4 series, Ingenious, about how individual genes shape our lives.But as well as science Kat Arney has another passion, for music, and particularly the harp, which she has played since she was a teenager both as a classical instrument and in bands. She chooses music by the harpist Ruth Wall; Arnold Bax’s Harp Quintet; and we hear Kat herself playing with the Ethiopian musician Mulatu Astatke and the Heliocentrics.And she lets Michael into the secret of how to fit a harp into the back of an Austin Metro.Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

As we’ve watched the war in Ukraine unfold, we’ve seen huge crowds of people queuing at the border, dragging small suitcases, carrying babies and children, leaving their homeland behind. Dr Waheed Arian knows what it’s like to be forced to leave your home, suddenly, and under fire; he’s a refugee from an earlier war, the Soviet-Afghan War, which lasted for almost ten years and claimed the lives of as many as two million Afghan civilians. Five million people are estimated to have left the country as refugees, and Waheed Arian was one of them. In 1988, at the age of five, he escaped on horseback from Afghanistan to Pakistan, arriving at a refugee camp on the North-West frontier. In the camp he almost died from malnutrition, malaria and TB. But – just in time - he managed to get medical treatment, and the doctor who treated him inspired an ambition to be a doctor himself. Dr Waheed Arian is now an A and E doctor in the NHS and he has founded a pioneering medical charity, Arian Teleheal. He has received many awards for his work, and has written about his life in a vivid memoir, “In the Wars”.In a moving conversation with Michael Berkeley, Waheed describes the dangerous journey that brought him to Britain, where he was at first imprisoned in Feltham Young Offenders Institution. He reveals how he fulfilled his early ambition to become a doctor, despite having had almost no schooling. And he chooses music which takes him back to childhood, watching Bollywood films with his family, and to his early years in Britain, when he was befriended by an old woman who played Schubert to him. Other choices include music by Charlie Chaplin, and a song by Ahmad Wali, who like Waheed fled Afghanistan. Produced by Elizabeth Burke A Loftus Media Production for BBC Radio 3.

The fashion designer and artist Osman Yousefzada tells Michael Berkeley about his childhood in a strictly religious Pashtun community in Birmingham. Osman Yousefzada shot to fame when Beyoncé wore one of his designs to the 2013 Grammy Awards. Lady Gaga, Thandiwe Newton and Taylor Swift are among his many other celebrity clients. He is also an acclaimed artist, curator and film-maker, and the creator of one of the world’s largest ever pieces of public art: the ‘wrapping’ of the Selfridges building in Birmingham in geometric patterns inspired by Islamic art. Educated at the School of Oriental and African Studies, Central St Martins and Cambridge University, Osman grew up in a community described by the Daily Mail as ‘the Jihadi capital of Britain’. His newly published memoir, The Go Between, is a fascinating account of his childhood and his first steps into the outside world while navigating both racism and family expectations.He tells Michael Berkeley about his beloved mother, a talented seamstress who inspired him as a designer: she was married at 14, had her first child at 15 and lived most of her life in Birmingham, but remained illiterate and never learned to speak English. She hardly ever left the house. Osman’s sisters were taken out of school at the age of 11 and also shut away inside the family home. Osman chooses music inspired by the Sufi tradition of Islamic mysticism by Abida Parveen and Nusrat Fateh Ali Khan, and a song by the Grammy-winning Pakistani-American Arooj Aftab, as well as pieces by Philip Glass and by the Canadian composer and cellist Zoe Keating. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3