Pratchat - a Terry Pratchett and Discworld book club

Things are a bit hectic in Pratchat land this month, so to fill a gap in our schedule while Liz was unavailable, Ben has joined forces with guest academic and professional board game nerd Dr Melissa Rogerson to play and discuss Thud, the game that inspired the novel of the same name! Have you played Thud? Have you ever won as the dwarfs? Is it true that the trolls have an advantage? Are you a Thudmaster with insight to share about standard openings and endgames? We’d love to hear your Thud stories! (Ben really is keen to play some more, so there may be a follow up on this in future!) Be sure to check the episode notes for some pictures of the game, and use the hashtag #PratchatPlaysThud on social media to answer join the conversation. Dr Melissa Rogerson is a Lecturer and Assistant Professor in the School of Computing and Information Systems at The University of Melbourne. Her PhD thesis was titled “Between Cardboard and Computer: The hobbyist experience of modern boardgames”. Melissa’s currently studying the use of digital tools in hybrid games – which included the “Biometric D&D” project, where they used a facial recognition algorithm to assign you a Dungeons & Dragons character! You can find out more about her research at her website, melissarogerson.com, or find her on Twitter (or Mastodon – aus.social) at @melissainau, and on BoardGameGeek as melissa. (Ben is on there too, as beejay.) Our “Thud trilogy” continues in our next two episodes! #Pratchat61 will be a discussion of the 34th Discworld novel, 2005’s Thud!, with guest Matt Roden, scheduled for release in late November. Then, bumped to December 8, we’re teaming up with Jo and Francine from The Truth Shall Make Ye Fret to read a discuss the very meta book-from-the-book, Where’s My Cow? You still have time to ask questions for this one! Use the hashtags #Pratchat62 and/or #MakeYeChat. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

For our sixtieth episode – our troll’s teeth anniversary – Liz and Ben are once again devoting an entire show to answering your questions, about the Discworld, Pratchett’s other work, and their own – with an eye on what’s still to come. (And yes, we allowed ourselves to break the 2.5 hour limit, just this once.) What would your ideal Pratchett adaptation look like? Who’s the best Dicsworld villain? If one of your possessions could be made from sapient pearwood, what would it be? Which books have been the worst, the most challenging, and the most surprising? If Vetinari died and the people of Ankh-Morpork could queue up to see his body, what would happen? And which is the most confused bird? You asked these and many more amazing questions! Plus we specifically asked you: Do you have other people in your life with whom you share your love of Pratchett? How are you reading – or re-reading – the books, if you are? What do you do when you listen to the show? Can you follow the show if you haven’t read the book? Do you have a word or phrase you’ve said most of your life that you discovered was wrong? What joke did you not get until years later? Use the hashtag #Pratchat60 on social media to answer any of the above. (Thanks again to listener Jodie for this eternally useful idea.) You can find Elizabeth on Twitter as @elizabethflux, and on Instagram at @elizabethflux. Watch out for her amazing self-made outfits. You can find Ben and via his web site benmckenzie.com.au, on Twitter at @McKenzie_Ben and Instagram at @notongotham, where you might catch a glimpse of his T-shirt collection. Special thanks to our sibling Pratchett podcasts for their questions: Who Watches the Watch, Desert Island Discworld, Wyrd Sisters and The Truth Shall Make Ye Fret. And thanks to each and every one of you listens, asks questions or sends in answers. Next month is a special double-header: we’ll be reading the 34th Discworld novel, 2005’s Thud!, with guest Matt Roden. Get your questions in via the hashtag #Pratchat61 by late October! Plus we’re teaming up with Jo and Francine from The Truth Shall Make Ye Fret to tackle the book-within-a-book, Where’s My Cow? Ask questions for this team-up using the hashtag #MakeYeChat. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Scientist, writer and editor Dr Kat Day joins Liz and Ben on a timey-wimey to Roundworld, as the wizards once again try to save humanity in Terry Pratchett’s third collaboration with Ian Stewart and Jack Cohen: 2005’s The Science of Discworld III: Darwin’s Watch. Roundworld – the impossibly non-magical universe in a bottle which runs on rules – has gone wrong again, and the wizards feel duty-bound to set it right. Humanity’s survival depends on the publication of a specific book, but something is trying very hard to make sure its author writes a different one…or gets eaten by a giant squid. With the fate of humanity hanging in the balance, the wizards go to war – but who is their hidden enemy? And why is there one beardy fellow too many in the Great Hall? In the (short) fiction chapters, the wizards must once again travel into Roundworld history, this time with a clear mission: to get Charles Darwin onto the Beagle so he can write The Origin of Species. In the science chapters, Jack and Ian have a focus – the importance of the theory of evolution – but they also feel free to use the time travel plot to explain infinity, DNA, the nature of science and history, and much more besides. They’ve learned to stay away from the cutting edge – but have they come entirely out of the “philosopause” they didn’t seem to know they were in last time? Does the plot rely too much on prior knowledge of the Discworld? Is that really a problem, given the nature of the book? Did you follow the explanations of Minkowski spacetime and the different kinds of infinity, or were you happy coasting across the science chapters? Do they completely miss the point in that last non-fiction chapter – and does it really matter, when the end of the fiction part is so satisfying? Join in the conversation using the hashtag #Pratchat59 on social media! Guest Dr Kat Day (she/her) is a chemist, a former teacher, a medical editor and a writer of both science and fiction. Kat became well known via her chemistry blog The Chronicle Flask, which is currently on hiatus; you can also find her fiction at the fiction phial. Kat is also an assistant editor for Pseudopod, the horror fiction anthology podcast from Escape Artists. Kat recommended the story “Celestial Shores” as a possible entry point for Pratchett fans, as well as “Let the Buyer Beware” from Pseudopod’s sister podcast for young adult speculative fiction, Cast of Wonders. Over on Twitter you can follow Kat at @chronicleflask, and Pseudopod at @pseudopod_org. As usual, you can find notes and errata for this episode on our website. Next episode Pratchett turns sixty! As promised back in #Pratchat30, we’re doing another all-questions episode. This is your chance to send in questions about books you missed first time round, pitch your wild Discworld theories, and ask us pretty much anything you like that doesn’t fit into the usual book-focussed episode. We’d also love you to answer our questions: what are do you enjoy most about the show? What kind of episodes do you wish we’d do? Which of our opinions have you most disagreed with? And have you learned anything from us? (Ben sure has!) Send us your answers, and questions, using the hashtag #Pratchat60, or via email to [email protected]. Oh, and in November, get ready for a double-header: not only are we reading Thud! with educator Matt Roden for #Pratchat61, but we’re cooking up a bonus crossover episode! Yes, we’re teaming up with Jo and Francine from The Truth Shall Make Ye Fret, another great Pratchett podcast, to discuss Where’s My Cow?, the hottest children’s book in Ankh-Morpork. We thought we’d let you know a little early, since it might be tricky to track down a copy… Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

We prepare to find out why infinite Earths aren’t enough as writer, editor and podcaster Joel Martin returns to the podcast to fire up the fusion engine and have a close encounter of the crustacean kind in the third Terry Pratchett and Stephen Baxter Long Earth novel, The Long Mars. It’s 2045 – five years after the eruption of the Yellowstone super-volcano on Datum Earth. The climate has catastrophically changed and there’s been mass migration to stepwise Earths. Maggie Kauffman, captain of the new stepping airship Neil Armstrong II, is sent ten times further into the Long Earth than anyone has gone before, to find out what happened to the ship’s missing predecessor. Meanwhile reclusive stepping pioneer Joshua Valienté is called back to the Datum by the A.I. Lobsang to search for a new kind of human emerging from the Long Earth. And Willis Linsay, who disappeared after giving Stepper box technology to the whole world thirty years ago, sends a message to his super-stepper daughter, Sally. He wants her to go on a mysterious mission to Mars… The last of Pratchett’s novels to be published before his death, The Long Mars marks a turning point in the series where Pratchett’s involvement was limited after the first draft, and Stephen Baxter did most of the polishing. Like The Long War it skips over the immediate aftermath of the disaster at the end of the previous book to inhabit the world of its longer term consequences. It also continues the tradition of switching between multiple narratives with at least a dozen key characters. There are old friends and new faces, but some of them are barely glimpsed. It’s a book full of big ideas, but not so much plot – and even less emotional and character development. Does this one feel more Baxter than Pratchett? Is this the troubled middle episode of the series? What did you think of the portrayal of the Next? How cool are those acid snakes? Will any of these awesome ideas return in the final two books? And where the Hell-Knows-Where is Helen? Join in the conversation using the hashtag #Pratchat57 on social media. Guest Joel Martin is a podcaster and writer who is now our first four-time guest. He previously joined us in #Pratchat14 and #Pratchat44 for The Colour of Magic and The Light Fantastic, and in #Pratchat31 for The Long Earth. His independent podcasts, The Morning Bell and The Youth Vote, are currently on hiatus, but watch out for the new season of The Dementia Podcast from The Dementia Centre, produced by Joel, in September 2022. Find Joel online at thepenofjoel.com or on Twitter at @thepenofjoel. As usual, you can find notes and errata for this episode on our website. Due to some technical difficulties we ended up delaying this episode until after #Pratchat58, so thank you for your patience! We’ve already recorded our next episode, #Pratchat59, in which we discuss The Science of Discworld III: Darwin’s Watch with science and fiction writer, Dr Kat Day. But in October for our sixtieth episode we’re having an open slather questions-only special, just like we did for #Pratchat30! So please send us your general Pratchett-related questions: about the show, books we’ve already covered, Sir Terry himself, the Discworld in general, the Guild of Recappers & Podcasters, Liz and Ben, being Australian/Fourecksian or anything else even vaguely on-topic. Use the hashtag #Pratchat60 on Twitter, Instagram or Facebook, or send us an email at [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

We explore every author’s worst nightmare as writer Penny Love returns to Pratchat and finds the barrier between reality and fiction getting all wibbly-wobbly in Terry Pratchett’s 1988 short story, “Final Reward“. After a particularly bad row with his girlfriend Nicky – and a pint of wine – author Kevin Dogger decides to kill off the protagonist of his best-selling fantasy series. The next morning, Erdan the Barbarian appears on Dogger’s doorstep with the milk. He was, after all, promised a final reward: an eternity of carousing in the halls of his creator… Content note: the story “Final Reward” contains discussion of (fictional) suicide.If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you. Written for the short-lived roleplaying magazine G.M., “Final Reward” is Pratchett’s go at the age-old tradition of writers writing about writers. But in true Pratchett form, it’s not just about that… Hailing from around the time of Wyrd Sisters and Pyramids, but “tinkered with” before appearing in A Blink of the Screen, it depicts an author ill at ease with the real world and human relationships – by all accounts not much like Pratchett himself at all. And then there’s the way it ends… What did you think of this one? Have you ever written a character you’d like to meet in person? Would you swap places with them? And is this a dig at any real fantasy authors, and we’ve missed the joke? Join in the conversation using the hashtag #Pratchat58 on social media. Guest Penelope Love is a writer best known for her roleplaying game work, especially with Chaosium for Call of Cthulhu, including the upcoming Victorian London campaign she mentions this episode. She previously joined us for #Pratchat45, “Hogswatch in Grune“, discussing the quite Lovecraftian “Twenty Pence with Envelope and Seasonal Greeting”. Penny is also part of Campaign Coins, who as well as making gorgeous metal coins for use with tabletop games, publish Penny’s comic fantasy short story collections about “The Three Dungeoneers”, which you can find here. Penny is on Twitter as @PennyLoveWrites, or you can follow @CampaignCoins for more on their projects. As usual, you can find notes and errata for this episode on our website. As previously advised, due to some technical difficulties – and not a time machine, to Ben’s disappointment – the next episode to be released will be #Pratchat57, discussing the third Long Earth novel, The Long Mars, with Joel Martin. Look for it in the Pratchat podcast feed on August 25. Next month in #Pratchat59, we’re discussing The Science of Discworld III: Darwin’s Watch with science and fiction writer, Dr Kat Day! And after that, in October, it’s finally time for another general questions episode, #Pratchat60. This is the perfect opportunity to ask us about books you missed first time round, or general questions about Discworld, Pratchett, us and the show! Send in your questions for either of those episodes via social media (using the appropriate hashtag), or send us an email at [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

We take a last-minute step (or five) to the West, as Liz and Ben delay their chat about The Long Mars to go back to where it all began: Pratchett’s original 1986 short story “The High Meggas“. Larry Linsay, who perfected the belt technology that allows humans to move between parallel Earths, has shunned civilisation. He’s living near the coast of what would be France in a world in the “high meggas”, the weirder Earths a million or so removed from the original. Like all the other Earths, it’s devoid of human life – or it was, until two guards from Forward Base, the nearest human settlement many worlds away, arrive in Linsay’s world. The first one he finds, Joshua Valienté, claims he’s chasing the other one: a terrorist who poisoned the other fifty personnel at Forward Base. Trouble is, that’s exactly what she says about him, too… When we had to change plans at the last minute and delay our episode on The Long Mars, we decided to take the opportunity to produce a bonus episode about the story where it all started. “The High Meggas” was written in between the first two Discworld novels and never published until its ideas became a novel, and it’s a fascinating look at how Pratchett’s idea evolved. Some things are very similar – names like Linsay and Valienté, the concept (though not the name) of the Long Earth. Others are tweaked – the belts become boxes, movin‘ becomes stepping. And then there’s some which are flipped entirely – compare the “Sideways Doctrine” to the idea of US Aegis. Do you prefer the more technological version of “stepping” in the original story? Does the central drama of the story work for you, or is the villain too obvious? And what do you think Pratchett’s career would have been like if The Colour of Magic hadn’t been a success, and this had been his next big project instead of The Light Fantastic? Join the conversation using the hashtag #Pratchat57West5 on social media. As usual, you can find notes and errata for this episode on our website. This bonus episode won’t stop us from discusses the third Long Earth novel, The Long Mars, with returning guest Joel Martin! …or at least that was the idea. #Pratchat57 was to be released the same month as this one, but unfortunately some further technical problems complicated the editing process, so we’ve delayed it until the 25th of August. For our regular August episode, #Pratchat58, we’ll be reading another short story: 1988’s “Final Reward”. Send us your questions using the appropriate hashtag on social media, or via email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

We travel down a leg of a very 1990s pair of the trousers of time this month, as author and musican Sean Williams joins Liz and Ben to get stuck into the artificial reality of Pratchett’s 1990 short story “#ifdefDEBUG + ‘world’/’enough’ + ‘time’“. Darren Thompson is a repairman who specialises in Seagems: artificial reality consoles that can edit aspects of your everyday life, or plug you into a whole artificial world. His latest job is to inspect a machine in which the user has died. That’s not a first for Darren – but there’s something about this particular corpse in the machine that makes this job feel different… Originally published in the anthology Digital Dreams alongside works by authors including Diana Wynn Jones, Neil Gaiman and Storm Constantine, “#ifdefDEBUG + ‘world’/’enough’ + ‘time'” is a short story that packs a lot in – and potentially goes to a much darker place than most of Pratchett’s other work. It’s since been collected in A Blink of the Screen, Once More* *with Footnotes and the German collection Der ganze Wahnsinn: Storys (in which it’s accompanied by an original illustration by Josh Kirby). Was Pratchett right to think that the virtual reality angle dates this horribly – or would he have thought differently only a few years later, as VR comes round again? Is this a happy ending, a dystopian nightmare, or the fantasy ramblings of a self-important creep? Would you want to be a ghost in the machine? And just what is going on with that illustration in the German collection? Join the conversation using the hashtag #Pratchat56 on social media. Guest Dr Sean Williams is an award-winning author of science fiction novels and short stories, makes music under the name “the Adelaidean”, and teaches creative writing at Flinders University. His novels run the gamut of original sci-fi and best-selling work for the worlds of Star Wars and Doctor Who, and he’s also collaborated with other authors – including previous Pratchat guest Garth Nix (#Pratchat51). You can find out more about Sean via his (hopefully updated) website, seanwilliams.com, and listen to his music via his Bandcamp page. He’s also (sometimes) on Twitter at @adelaidesean. As usual, you can find notes and errata for this episode on our website. Next month we continue the sci-fi theme with the third Long Earth novel, The Long Mars, which we’ll be discussing with returning guest Joel Martin! Send us your questions using the hashtag #Pratchat57, or via email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

It’s a second instalment of the Pratchat Eeek Club! Each year, on the Glorious 25th of May, we release a bonus episode discussing Terry Pratchett-related topics selected by our “Eeek” tier subscribers. This year, the topics are: What was good, fun and enjoyable about The Watch? Is Vimes a Cynic, a Stoic, or an Epicurean? What was Granny Weatherwax and Ridcully’s relationship like, and why didn’t it continue? What pop culture would you have liked to have seen referenced in a Discworld novel? What moments from the series hit you personally because of a personal experience? If democracy came to Ankh-Morpork, what political parties would we see? A big thank you to all our subscribers for making Pratchat possible, but especially to our Eeek Club contributors: Graham, Frank, Cath (and Eddy), Steph, Jess and Ellie, Karl and Soren! You’ll find detailed notes and errata for this episode on our website. Want to make sure we get through every Pratchett book – or even choose a topic for next year’s Eeek Club? You can support Pratchat by subscribing for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

It’s an illustrated Discworld crossover special as Georgina Chadderton rejoins Liz and Ben to talk gods, dragons and outer space in the twenty-seventh Discworld novel, 2001’s The Last Hero, illustrated by Paul Kidby. Genghiz Cohen, Emperor of the Agatean Empire, has deserted his throne, and along with his horde is heading for the mountain at the hub of the world. He is planning to pay a little visit on the gods, and “return what the first hero stole” – with explosive interest. According to the wizards, this will destroy the source of the Disc’s magic and thus end all life on (and under) it. A rag-tag team of misfits is quickly assembled – a dangerously genius inventor, a stout and honest officer of the Watch, and a reluctant “wizzard” – to take a risky flight looping around the Disc, and intercept Cohen before its too late… The second large-format illustrated Discworld novel, The Last Hero – subtitled “A Discworld Fable” – is a relatively short story, but crosses the streams of the various sub-series more than any other book, providing Paul Kidby with the chance to showcase a whole host of characters and places – including the Disc as seen from above and below! It both feels like a throwback to some of the earlier books – the whole world at stake, Rincewind and Cohen on wild Disc-crossing adventures, the gods playing games with mortals – and a fitting last hurrah (more or less) for two of Pratchett’s most beloved characters. Is this a fitting send-off for Cohen? What’s happening in the Agatean Empire now its Emperor is gone? How many hours have you spent poring over the illustrations finding references, in-jokes and Easter eggs? And what do you imagine the minstrel’s saga sounds like? Join the conversation using the hashtag #Pratchat55 on social media. Guest Georgina Chadderton (aka George Rex) is a comic book creator and illustrator based in Adelaide. She was last our guest way back in #Pratchat7 in 2018 to talk about the first illustrated Discworld novel, Eric. Since then she’s continued to make delightful autobiographical comic (including her upcoming book), run comic-making workshops, organise the Papercuts Comics Festival, and even found the time to create the cover art for Pratchat! You can find her online at georgerexcomics.com, where you can find out about Georgina’s upcoming events and also buy all manner of cool comics, postcards and stickers. You can also follow her on Instagram at @georgerexcomics. As usual, you can find notes and errata for this episode on our website. Over the next two months we’re returning to Pratchett’s sci-fi work. In June, we’re discussing his 1990 short story “ifdefDEBUG + ‘world/enough’ + ‘time’” with science fiction author Sean Williams. That’ll leave us (and you) a bit of extra reading time before July for the third Long Earth novel, The Long Mars, which we’ll be discussing with our old friend Joel Martin! But in the meantime, you can send us your questions for the short story using the hashtag #Pratchat56, or via email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

The Trousers of Time end up in a knot as writer Nadia Bailey rejoins Liz and Ben and we go back to the Glorious Past in the twenty-ninth Discworld novel, 2002’s Night Watch. While pursuing dangerous killer Carcer across the rooftop of Unseen University, a magical bolt of lightning (or something) sends Sir Samuel Vimes, Commander of the City Watch and Duke of Ankh, thirty years into the past – along with his quarry. Carcer kills Vimes’ old mentor, Sergeant John Keel, and Vimes steps into Keel’s thinly-soled shoes; he’ll have to show himself the ropes to keep history intact. But he’s not just reliving any old past: it’s almost the Glorious 25th of May. The day the people deposed the paranoid Patrician Lord Winder; the day hundreds were killed in violent clashes across the city; and the day John Keel died… Night Watch is beloved by Discworld fans, no least because it gives a double dose of everyone’s favourite “honest copper”, Sam Vimes. But he leaves Sybil in labour as he’s thrust back intp the best and worst days of his early career, forced to grapple with the darkness in his and others’ souls with only the technobabble of a few time boffin monks for guidance. It’s possibly Pratchett’s darkest book, and certainly takes us into one of the darkest corners of the Discworld: Ankh-Morpork before the rise of Vetinari and the Guilds. Does Vimes knows where to draw the line in this book? Is Carcer an intriguing villain, or a cookie cutter evil psychopath? Could you teach your younger self everything you needed to know to become you? And is this book in your top five, or do you fail to see what all the fuss is about? Join the conversation using the hashtag #Pratchat54 on social media. Guest Nadia Bailey is a writer, editor and critic. She’s published a number of pop-culture related books about such diverse subjects as Stranger Things, Frida Kahlo and Ruth Bader Ginsburg. Her latest publication is The Deck of Crystals, a deck of cards which looks into the history, superstition and lore of gemstones. Nadia has just begun a PhD researching (among other things) the lives of queer women during World War I. You can find Nadia on Twitter as @animalorchestra, or visit her website at nadiabailey.com. As usual, you can find notes and errata for this episode on our website. Next month we’re joining a ragtag crew of misfits on a desperate mission to save the Disc in the second big illustrated Discworld adventure, The Last Hero! And to help us navigate Paul Kidby’s astonishing illustrations, we’re welcoming back illustrator and comic book creator Georgina Chadderton. Send us your questions via the hashtag #Pratchat55, or via email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Surprise! In an emergency substitution, Liz and Ben get a glimpse of everyday life in Ankh-Morpork as they dive into three very small bits of Discworld ephemera collected in A Blink of the Screen. The Ankh-Morpork National Anthem captures the experience of those forced to sing patriotic songs everywhere – but even the single complete verse tells us quite a lot about the character of the city. Meanwhile the Ankh-Morpork Guild of Barber-Surgeons have put together a few Medical Notes to keep the population informed about a few diseases peculiar to the city. And, on the occasion of Ankh-Morpork being “twinned” with a small city on Roundworld, we read A Few Words from Lord Havelock Vetinari to mark the occasion… We picked these three “Discworld Shorter Writings” as they are both about Ankh-Morpork, whose history is explored in Night Watch (our next book), and written around the same time as that book – the anthem is from 1999 (though it its based on jokes from Moving Pictures, published in 1990) while the others are from 2002, the year Night Watch was published. How do you feel about your national anthem? Does anyone know the second verse? What weird “diseases” are particular to the place where you live? Would you like to live in a town twinned with Ankh-Morpork – or somewhere else from the vast universe of fiction? And does anyone want a “sausoboros” T-shirt? We’d love to hear your answers! Join the conversation using the hashtag #Pratchat53. As usual, you can find notes and errata for this episode on our website. Next month we’re back on track to talk about 2002’s Night Watch with guest Nadia Bailey! It’s a fan favourite and we already have an absolute tonne of questions, but if you have one you’re burning to have us answer, you can send it via the hashtag #Pratchat54, or via email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

This month, we’ve put down the books and picked up the remote control! Guests Patrick Lenton and Fury join us to discuss a show “based on characters created by Sir Terry Pratchett”: 2021’s The Watch. Sam Vimes was a street kid in Ankh-Morpork who joined the Watch to kill its Captain and free the imprisoned members of his gang. But he had a change of heart. Twenty years later, he’s still there – a washed-up drunk of a Captain, whose force of misfits have almost nothing to police since the criminal Guilds were all legalised. But during his latest assignment – to find a missing library book – he sees someone who died twenty years ago. Soon the Watch is up to their necks in dragons, ancient artefacts and magical experiments gone wrong, and it’ll take all their cunning and heart to get to the bottom of it…plus a little help from noblewoman-turned-vigilante, Lady Sybil Ramkin. After a long road through development hell, initially with Pratchett himself at the helm, The Watch eventually emerged as a surprisingly “punk rock police procedural”; a brightly-coloured Dungeon-punk explosion which wears its queerness on its sleeve. The Watch remixes characters and concepts from the books into something so different that fans and friends of Pratchett quickly disowned it. The critical reaction was middling at best, and it took six months for it to be released on Pratchett’s home soil. But is it any good? Could you divorce yourself from the source material? If so, does The Watch work on its own terms? Is it funny? Is it comprehensible? Is watching it a good time? Which bits got up your nose, and which did you love? Who was your favourite character, and why was it Cheery? And given we barely scratched the surface of talking about it this episode – should we do a bonus mini-series, discussing it episode by episode? Let us know by joining the conversation, using the hashtag #Pratchat52. Guest Patrick Lenton is currently Deputy Editor: Arts + Culture for The Conversation, and was previously a senior editor at Junkee. He is also a freelance writer whose work has spanned journalism, theatre, fiction and comedy. His most recent short story collection is Sexy Tales of Palaeontology from Subbed In, and he writes the newsletter All the Hetereosexual Nonsense I Was Forced To Endure with Rebecca Shaw. You can find Patrick on Twitter as @PatrickLenton, and his handy LinkTree will help you find his other stuff. Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in #Pratchat19 (Soul Music) and #Pratchat29 (The Last Continent) – our last in-person episode, recorded in the before times! Their live multi-disciplinary show Gender Euphoria toured Australia in 2019 and 2020, and their book I Don’t Understand How Emotions Work is (probably) still available. You can find out more about them at furywrites.com, or follow them on Twitter as @fury_writes. Their first TV show, Crazy Fun Park, is currently in production and scheduled to premiere on ABC ME and ABC iview in late 2022. As usual, you can find notes and errata for this episode on our website. Next month we’re heading to one of the books that (sort of) provided a big chunk of inspiration for The Watch, and a fan favourite, frequently topping rankings of the Discworld series: Night Watch! Meet the original Carcer Dun, Jocasta Wiggs, young Sam Vimes, and – eventually – Young Sam Vimes… Send us your questions via the hashtag #Pratchat53, or via email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Welcome to the Year of the Lachrymating Leveret! Bestselling sci-fi and fantasy author Garth Nix joins Liz and Ben up in the Ramtops, where Tiffany Aching dances a forbidden dance and gets into more trouble in the thirty-fifth Discworld novel, 2006’s Wintersmith. Two years after her first Witch Trial, Tiffany Aching is nearly a teenager and two months into her stint with her latest mentor – terrifying Miss Treason, the 113-year-old deaf and blind justice witch. In the dead of night Miss Treason takes her to witness the “dark dance”, but against the rules she is given, Tiffany does more than observe – after all, what good is a dance you can only watch? But Tiffany’s been noticed: the spirit of Winter himself has his eye on her now. There’s something different about Tiffany, too…but that might have to wait. The Nac Mac Feegle are back, there’s a witch’s cottage up for grabs, the boy she’s been writing went to a party with someone else, and if she can’t figure out how to fend off the Wintersmith, it might be an uncomfortably long Winter… Published in one of Pratchett’s rare one-book years, Wintersmith advances Tiffany Aching into adolescence – and appropriately enough deals with themes of unwanted attention, uncontrollable urges, the perils of teenage and adult politics, and hordes of tiny blue men. Plus it’s full of favourite characters, both old and new. Do you think Tiffany could have chosen not to enter the dance? Have the Feegles been to our world – and do they belong in this book, or has Tiffany outgrown them? What’s the most ridiculous thing someone has done to try and impress you? Join the conversation using the hashtag #Pratchat51 on social media. Guest Garth Nix is a bestselling and award-winning Australian author, best known for his young adult fantasy series “The Old Kingdom”, which began with Sabriel in 1995. In November 2021 he published the prequel Terciel and Elinor, about the parents of the original novel’s protagonist. He’s also written dozens of other novels and short stories, including the Seventh Tower and Keys to the Kingdom series of novels, 2015’s Newt’s Emerald, 2017’s Frogkisser, and 2020’s The Left-Handed Booksellers of London, which recently won the Ditmar Award for best novel. You can find Garth on Twitter as @garthnix, and info about his books on his website at garthnix.com As usual, you can find notes and errata for this episode on our website. Next month we’re not reading a book or a short story; instead we’re getting in front of the television and checking out the somewhat divisive BBC America series The Watch, “based on characters created by Terry Pratchett”. Is it a bold new punk direction for the Disc, or a travesty born from years in development hell and too much distance from the source material? We’re going to find out! Send us your questions via the hashtag #Pratchat52, or via email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Ho ho ho, Merry Hogswatch! To celebrate the festive season, and our own fiftieth episode, we’ve brought together a bunch of guests of Hogswatch Past, Present and Future – including the hosts no fewer than three other Discworld podcasts – for a special feast of additional recipes from Nanny Ogg’s Cookbook. Be warned: this podcast contains bananana! Got comments on our efforts – or want to share your own? Do you want us to do this again next year? Please, join the conversation using the hashtag #Oggswatch2021 on social media. Our guests this episode are: Comedian and vaudevillian Elly Squire, aka Clara Cupcakes – claracupcakes.com; @ClaraCupcakes on Twitter and Instagram Author Liam Pieper – liampieper.com; @liampieper on Twitter, @liampieperwrites on Instagram Author Nadia Bailey – nadiabailey.com; @animalorchestra on Twitter and Instagram The hosts of the Wyrd Sisters podcast, Manning and Liz – @WyrdSistersPod on Twitter; support them via Patreon The hosts of The Truth Shall Make Ye Fret, Jo and Francine – @MakeYeFretPod on Twitter; support them via Patreon Two of the hosts of The Compleat Discography, Aaron and Ana – @Atuin_Pod on Twitter; support them via Patreon Science communicator Anna Ahveninen – @Lady_Beaker on Twitter As usual, you can find notes and errata for this episode on our web site; it might take a few days to fully appear, but we’ll be adding photos of many of the dishes cooked for this episode! While our January episode is already in the can, in February we’ll be discussing BBC America’s series “based on characters created by Terry Pratchett” – The Watch! So have a watch yourself over the holidays, and send us questions by tagging us on social media and using the hashtag #Pratchat52, or by sending us an email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Happy fiftieth episode to us! We’re celebrating with the return of our very first guest, comedian and author Cal Wilson! Cal joins Liz and Ben in the kitchen to brave the recipes within the 1999 Discworld side project Nanny Ogg’s Cookbook, co-authored by Terry Pratchett, Stephen Briggs and Tina Hannan, with illustrations by Paul Kidby. After his latest books are forcibly withdrawn from sale, J H C Goatberger reluctantly decides to publish another manuscript sent to him by Nanny Ogg. He hires a few editors to “put in the spelling, grammar and punctuation” and has his wife vet it for anything objectionable enough to get the book banned. The result is Nanny Ogg’s Cookbook, a collection of Nanny’s own recipes, others she’s collected from around the Disc, and some of her wit, wisdom and advice – in particular when it comes to etiquette. Published alongside The Fifth Elephant (see #Pratchat40), Nanny Ogg’s Cookbook is one of several “in-universe artefact” books for the Discworld. It collects around fifty or so recipes – minus a dozen or so joke ones – devised by Hannan. Pratchett and Briggs round out the book with Nanny’s advice on matters of life, death, flowers and everything in between. Paul Kidby provides some great illustrations of various characters, dishes and other glimpses of Discworld life. What do you think of books like this, that bring a bit of a fictional world into the real one? Which of Nanny’s recipes would you try? How do her observations match up with your own experiences of life, love and…um..toilet seats? Do you want a sausage-inna-Bunnings T-shirt? And are you ready to see pictures of our efforts? (Probably not…) Join the conversation using the hashtag #Pratchat50 on social media. Guest Cal Wilson (she/her) was one of Australia and New Zealand’s most beloved comedians. She passed away unexpectedly after a brief illness in October 2023, and is sorely missed. GNU Cal Wilson. Cal previously guested in #Pratchat1 and #Pratchat3, talking about Men at Arms and Sourcery, respectively. In between she published two children’s books – George and the Great Bum Stampede and George and the Great Brain Swappery. Cal was also no stranger to podcasts; she guested on dozens, including StoryKids reading a young listener’s story, “The Gloomy Mist”. She was also co-host of Money Power Freedom with journalist Santilla Chingaipe for the Victorian Women’s Trust. As usual, you can find notes and errata for this episode on our web site – including some photos of our culinary efforts! (Viewer discretion is advised.) And you can also find some more recipes from this book in our special “Oggswatch Feast” episode for 2021! (We might even do this again some day.) December is a busy time for us! To further celebrate reaching fifty episodes, we’ve invited a bunch of great folks, including past guests, fellow Pratchett podcasters and more to cook a few more recipes for a special Hogswatch Feast episode! Watch out for it on Hogswatch day (i.e. December 25, Australian time). We’re also recording our next episode very soon – December 17 in fact – and we’ll be discussing the next adventure for Tiffany Aching, 2006’s Wintersmith, with Australian fantasy author Garth Nix! So if you have questions, get them in “toot sweet”, as Nanny might say, using the hashtag #Pratchat51, or via email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Arts journalist, critic and broadcaster Richard Watts joins Liz and Ben on a trip sideways in time with reluctant wizard Mervin (with a V) in Terry Pratchett’s 1995 short story “Once and Future”, originally published in the Arthurian collection Camelot. As he stands on the beach waiting for the right hopeful king to come along, professional time traveler Mervin recounts his story of how he became stranded in a sideways version of medieval Britain. Here the stories of Arthurian myth are more or less real – though one notable figure is missing… With his knowledge of modern technology, a stash of emergency supplies and help from sharp local girl Nimue, he has a plan to fill the gaps in this other history… Pratchett explores a new angle on the Matter of Britain, mixing sci-fi and engineering into a story about stories and “a world that’s not exactly memory and not exactly story”. Published in between Interesting Times and Maskerade, but stewing in his head for a decade before that, it features some of Pratchett’s most developed ideas about time travel, and was something he was proud and fond of. He even thought of turning his more extensive writings for it into a novel! Did you enjoy Pratchett’s take on the practicalities of time travel? Would you have the skills to make it as a time traveler? Does it have the beginnings of a full-length novel? And what’s the best thing you’ve ever found in a charity shop? …we’re not sure where that one fits in either, but you asked so we answered! (Thanks Ryn.) Join the conversation using the hashtag #Pratchat49 on social media. Guest Richard Watts (he/him) is indeed a titan of the Melbourne arts community. He’s best known as a journalist for ArtsHub, where he is the National Performing Arts Editor, and as the host of SmartArts, 3RRR’s long-running weekly arts programme. As well as being named a living legend of the Melbourne Fringe Festival in 2019, Richard’s contributions to the arts were further recognised in 2021 when he was awarded the Sidney Myer Performing Arts Awards’ Facilitator’s Prize and a Lifetime Achievement Award from the Green Room Awards. He’s also written for roleplaying games including Call of Cthulhu, Elric!, Vampire: The Masquerade, Werewolf: The Apocalypse and Wraith: The Oblivion. You can find Richard on Twitter as @richardthewatts. As usual, you can find notes and errata for this episode on our web site. Next episode is our fiftieth – and to celebrate, we’re cracking open Nanny Ogg’s Cookbook! This is Pratchett’s 1999 collaboration with Stephen Briggs and Tina Hannan, the latter of whom is responsible for the actual recipes inside – some of which we’ll be trying out with our very special returning guest, comedian and author Cal Wilson! We’re also hoping to cook up something a little extra to send your way around Hogswatch as well… For now though, send us your questions – about the book, the recipes, Nanny’s etiquette advice or even just doing a Pratchett podcast for over four years. Use the hashtag #Pratchat50, or send us an email to [email protected]. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Freelance writer and journalist Ben Riley joins Liz and Ben for a magical history tour as Susan Sto Helit teams up with a couple of monks to stop time…er…stopping in Terry Pratchett’s twenty-sixth Discworld novel: 2001’s Thief of Time. In Ankh-Morpork, a mystery woman tasks the odd but talented Jeremy Clockson to build a clock so accurate it can measure the tick of the Universe. In mountain monastery of Oi Dong, Lu-Tze, sweeper of the History Monks, gains a new apprentice: the unmotivated but gifted Newgate “Lobsang” Ludd. And in his domain, Death senses that the Auditors of Reality, grey entities who count every atom, are once again seeking to curb the chaos of life. He recruits his granddaughter Susan to help find the son of Time. If they can’t, he’ll have to get the old band back together and ride out for the end of the world – at precisely one o’clock, this Wednesday… Pratchett brings back a string of old favourites for this action-packed romp through…well, not quite through time, but it’s certainly “about” time. It’s the last book to properly star Susan Sto Helit, and for that matter Death; it brings back Lu-Tze, the sweeper who nudged Brutha in the right direction back in Small Gods; and Nanny Ogg is here too, in her first major appearance since the last Witches book, Carpe Jugulum. Oh, and there’s a main character named Lobsang, and we know all about that name… Is this what you were hoping for in a third outing for Susan? How do you feel about the fate(s) of Lobsang and Jeremy? Where do you land on having an in-universe excuse for continuity errors in Discworld? And are the monkish wisdom jokes okay because they’re based more on kung fu movie tropes than actual Tibetan culture, or is it still a bit on the nose? Join the conversation using the hashtag #Pratchat48 on social media! Guest Benjamin Riley (he/him) – not to be confused with Spider-Man clone Ben Reilly – is an award-winning freelance writer and journalist. He’s written for Junkee, SBS Online, PopMatters, Overland, the Star Observer and many other publications. Ben also works in AIDS research and in HIV and sexual health policy, organises queer community events, and co-hosted and produced the queer political podcast Queers with Simon Copland from 2015 to 2019. (You can still find old episodes in most podcast directories and via the Queers acast page.) For more on what Ben’s up to, follow him at @bencriley on Twitter or hit up his website at benjaminriley.com.au. In other Ben news, the videogame Table of Tales: The Crooked Crown, written by Ben McKenzie (yes, this one), is now available on Steam! As usual, you can find notes and errata for this episode on our web site. Next episode we take another little breather – it’s been a long lockdown here in Melbourne, folks – to read a Pratchett short story: his take on Arthurian myth, “Once and Future”! It was originally published in 1995 in the collection Camelot, but like most of his short fiction you can find it in A Blink of the Screen. Send us your questions using the hashtag #Pratchat49, or via email to [email protected]. And yes, we are planning something a little different and special for our fiftieth episode in December – watch our website and social media for news on that soon! Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Science comedian and public health nerd Alanta Colley joins Liz and Ben on their second trip through Discworld into Roundworld. It’s Terry Pratchett’s second collaboration with Ian Stewart and Jack Cohen: 2002’s The Science of Discworld II: The Globe. While on a team-building exercise in the woods near Unseen University, Archchancellor Mustrum Ridcully and his faculty are accidentally swept along when something makes its way through the Discworld into Roundworld. That something turns out to be elves – nasty, parasitic lifeforms who feast on the imagination and emotions of others. Roundworld – the universe in a bottle created by the wizards’ experiments, which somehow runs without any magic – has been altered by their presence. Now the wizards – including Rincewind, the long-suffering Egregious Professor of Cruel and Unusual Geography – have to find a way to get rid of them without dooming the local human population in the process… Having entirely missed humankind in The Science of Discworld, the wizards are back for another go! And so are science writers Ian Stewart and Jack Cohen – but this time, they don’t want to explain cosmology, basic physics and the history of the Earth, but instead sell you on the idea that storytelling is the essential ingredient that makes humans…human. Are we really Pans narrans, the storytelling chimpanzee, rather than Homo sapiens, the “wise man”? Is it wise to write a popular science book with an author who will guarantee the book will be read again twenty years later – and to include some “cutting edge” science, no less? What do a debunked psychological experiment, the term “overcommitment”, and filthy explanations of fairytales have to do with it? And who’s this shrewd and world-wise street wizard named Rincewind, and can we have some more of his adventures please? Let us know what you think using the hashtag #Pratchat47 on social media, and join in the conversation! Guest Alanta Colley (she/her) is a comedian, science communicator and storyteller whose solo shows include Parasites Lost (about parasites), Days of Our Hives (about beekeeping) and The Origin of Faeces (you can probably work that one out yourself). She also wrote and performed the “comedy experiment” You Chose Poorly with our own Ben McKenzie. Since 2017 Alanta has also been the host and producer of Sci Fight, a series of comedy science debates; both Ben and Liz have been guest speakers, along with previous Pratchat guests Anna Ahveninen (#Pratchat35) and Nicholas J Johnson (#Pratchat38). You can hear Ben and Anna’s last appearance on Sci Fight in this episode of the Climactic podcast, or see the first online debate for Melbourne Science Gallery on YouTube here. Visit scifight.com.au to sign up to the mailing list, and you can find Alanta as @lannyopolis on Twitter and Instagram, via Facebook or at alantacolley.com. You can find out more about what Liz has been writing by following her as @ElizabethFlux on Twitter or Instagram. As usual, you can find notes and errata for this episode on our web site. Next episode we read one of the few precious Discworld novels left to us, though luckily we got a little preview this time around; yes, we’re joining up with Susan, Death and the history monks for the very timely Thief of Time, which we’ll be discussing with journalist Ben Riley! Send us your questions using the hashtag #Pratchat48, or get them in via email: [email protected] Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Writer and editor Deanne Sheldon-Collins joins Liz and Ben as they return to the infinite worlds of the Long Earth to discuss Terry Pratchett’s second collaboration with Stephen Baxter: 2013’s The Long War. In the ten years since anti-stepping extremists nuked his home town of Madison on the original “Datum” Earth, natural stepper and explorer Joshua Valienté has settled down. He’s husband to pioneer Helen Green and mayor of Hell-Knows-Where, a thriving town established more than a million steps West of the Datum. But Sally Linsay, fellow far stepper, soon arrives to ask Joshua for help. Trouble is brewing in the Long Earth: settlers are abusing the intelligent humanoids known as “trolls”. Tensions are rising between the American government and the far-flung colonies in its “footprint” on other worlds. And on another distant Earth, other species make plans to push the humans back where they came from… The multi-threaded cosy travelogue continues in (probably) Pratchett’s second-longest novel. More Earths, more characters, more non-humans! A sense of potential disaster looms in every other chapter, while the characters and narrative ponder humanity’s relationship with Earth, and the ways in which society might respond to twenty-five years of unlimited resources and living room. Does this still feel like Pratchett to you? What did you think of the women in the novel – especially Joshua’s “young wife” Helen? Did you enjoy the various side treks to weird worlds with strange creatures, or did they just leave you wanting more time with the trolls, kobolds, elves and even weirder Long Earth creatures? And, perhaps most importantly: will you stick with the series and see where it’s going next? Use the hashtag #Pratchat46 on social media to join the conversation! Guest Deanne Sheldon-Collins (she/her) is an editor and writer who’s been an active part of Australia’s speculative fiction scene for a decade or so. Deanne has worked for Aurealis magazine, Writer’s Victoria, the National Young Writer’s Festival and Speculate, the Victorian Speculative Fiction Writers Festival, where she was co-director with previous guest Joel Martin. (Speculate has since closed down, but you can find old news about the festival on its Twitter account, @SpecFicVic.) As usual, you can find notes and errata for this episode on our web site. Next episode it’s time to restart the experiment as we shake up the globe that is the wizards of Unseen University’s Roundworld experiment! Prepare to mix science and magic in The Science of Discworld II: The Globe, which we’ll be discussing with science comedian, Alanta Colley! Send us your questions using the hashtag #Pratchat47, or get them in via email: [email protected] Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

With the ei- the twice-fourth Australian Discworld Convention postponed until next year, Liz and Ben fired up their crystal balls to project themselves live for the one-day online event, Nullus Anxietas: The Lost Con! In this special one-hour mini-episode, we revisit the very first Terry Pratchett book discussed on the podcast: the fifteenth Discworld novel, 1993’s Men at Arms! You can of course listen to #Pratchat1 again if you like, though we’ve included a few important excerpts in this revisit episode. As well as discussing the book in the light of everything we’ve read (and everything that’s happened) since, we reminisce about figuring out how the podcast would work, and answer some questions posed by the live online audience. Has your opinion of Carrot/Angua changed over time? Is Cuddy’s death still too upsetting to think about? What other names and Discworld-specific words are we pronouncing wrong? We’d love to know! (Except maybe that last one.) Use the hashtag #PratchatNALC on social media to join the conversation. Intrigued by the idea of a Discworld fan convention? You should be! Old-school fan conventions are few and far between, and we’d love you to support one of the few left in Australia. Find out more about Nullus Anxietas, the Australian Discworld Convention, and get a convention membership (attending or supporting) at ausdwcon.org. You can also follow Nullus Anxietas on Twitter, Instagram and Facebook. You can find the full show notes and errata for this episode on our web site. Huge thanks to everyone who attended the convention, those who listened to us live and asked questions, and to the other panelists – there were some amazing discussions and great fun to be had by all! Especially big thanks once again to the massive team of hard-working volunteers and committee members at Nullus Anxietas, especially “the Man with the Vote”, Steve Lewis, and question wrangler Danny Sag. While Nullus Anxietas 7A was sadly cancelled in the end, the Australian Discworld Convention returns to life in 2024 with Nullus Anxietas IX: Come ALIVE in Überwald! in Adelaide. We hope to see you there. This is the closest thing we’ve done to a live show since our appearance at the last Nullus Anxietas convention, but the online format seemed to work pretty well. We’ll look into the possibility of doing our more online live events in future – let us know if that’s something you’d like to see! Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Surprise! In the great Australian tradition of Christmas in July, Liz and Ben are joined by writer and literary horror fan Penelope Love to discuss Terry Pratchett’s short story “Twenty Pence, With Envelope and Seasonal Greeting”, first published on the 16th of December, 1987. It’s Christmas Eve, 1843, and the driver of a missing Mail Coach is discovered lying in the snow in Wiltshire. A local doctor determines he is scared out of his wits, but nonetheless records the coachman’s horrifying tale of passing through a weird rectangular portal. He and his passengers strayed from the world we know into others filled with nightmares: strangely glittering snow, terrifyingly flat London streets, monstrous giant animals and nonsensical language… Written in the style of Victorian horror fiction from authors like M R James, H P Lovecraft and A C Doyle*, with a side order of Dickens, this story was inspired when Pratchett glanced at his shelf full of Christmas cards. Despite the ridiculous premise, he plays it totally straight, with phrases that could have come straight from The Call of Cthulhu and other works of the era he’s emulating. But in 1987, people still sent Christmas cards. Does the story still work now, when we have to think a bit harder to recall the kinds of things printed on those ineffable pieces of cardboard? Can we be spooked and made to laugh at the same time? And does the old-school “horrors humankind was not meant to know” genre still make our blood run cold in this age of smartphones, satellite imagery and Google? Use the hashtag #Pratchat45 on social media to join the conversation! Guest Penelope Love is a writer best known for her short fiction, and her work on roleplaying games, most notably Chaosium’s Call of Cthulhu, based on the works of H P Lovecraft. Penny is also part of the team at Campaign Coins, who make gorgeous metal coins and counters for use with roleplaying and other tabletop games. You can find Penny’s collections of comic fantasy stories about “The Three Dungeoneers” via the Campaign Coins website, and also look up Penny’s author page on Amazon to find many of Penny’s other works. Penny is on Twitter as @PennyLoveWrites, or you can follow @CampaignCoins for more on their projects. As usual, you can find notes and errata for this episode on our web site. Next episode, as previously advertised, we’re going West and/or East again as we head back into the Long Earth with The Long War – this time joined by writer and editor, Deanne Sheldon-Collins! Send us your questions using the hashtag #Pratchat46, or get them in via email: [email protected] Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details. * With apologies to Sir Arthur Ignatius Conan Doyle.

For the second time – and coincidentally for another of the books in The Long Earth series – we’ve made a change in our schedule! Our next book will still be The Long War, as announced in #Pratchat44, but we’re postponing that until August. Our forty-fifth episode, #Pratchat45, will instead discuss Pratchett’s 1987 short story, “Twenty Pence, With Envelope and Seasonal Greeting”. Listen or read on for more information; and we’ve included a short (silly) out-take from an old episode as a little thank you treat. Please get your questions in for the short story using the hashtag #Pratchat45, or for The Long War using the hashtag #Pratchat46. As usual you can send them via social media, or by email to [email protected]. Because Ben can’t help himself, here are a few brief episode notes: The Long War is probably Pratchett’s second or third longest book. It’s 500 or 512 pages, depending on the edition – we don’t have a word count – but using the page count as a rough guide his longest novel is Unseen Academicals, which clocks in at 514 or 533 pages in its paperback editions. This is considerably longer than his earlier works, which are short by comparison to most fantasy novels. (You can find some amazingly detailed stats on the earlier Discworld books up to The Amazing Maurice on The L-Space Web; and yes, Ben is now very keen to try and complete this work for all of Pratchett’s novels. Stay tuned…) Melbourne’s latest lockdown lasted two weeks, from May 28 to June 10, 2021. Many restrictions remain in place at the time of recording, including limits on the number of visitors to private homes. You can get information about and tickets to The Lost Con, which is happening online on Saturday July 3rd, 2021, at the Australian Discworld Convention website. The out-take is from #Pratchat12, “Brooms, Boats and Pumpkinmobiles“, featuring guest Jackie Tang and discussing Witches Abroad. Echidna spines are not actually hair, but they are made of the same protein, keratin. We previously mentioned this in #Pratchat36, but there are two kinds of keratin: alpha-keratin, which is found in all vertebrates, and beta-keratin, found only in reptiles and birds. Echidna’s spines are made of a harder form of alpha-keratin, similar to the keratin in human fingernails – and surprisingly, using conditioner on your nails (and presumably echidna spines) supposedly makes them stronger and healthier, not smoother! We previously discussed Arthur “The Fonz” Fonzerelli, the 50s greaser with a heart of gold from classic 1970s sitcom Happy Days, in #Pratchat10. (He’s the character who originally – and literally – “jumped the shark”.) The social media network Vine, owned by Twitter, allowed users to post six-second looping videos. It operated from 2012 to 2016, when it was shut down for new uploads; the archive of old content remained until 2019 (though you can still see stills of videos if you follow a Vine link). You can find compilations of some of the best Vine videos on YouTube – please tweet us your favourites! (For contrast, TikTok launched in 2017, though it is the international version of the Chinese original, 抖音 (Douyin), which began operation in 2016.) Ben is remembering Marutaro the Pygmy Hedgehog, who was indeed a Vine superstar in around 2014. They were one of two hedgehog finalists in the Animal category for the 8th Shorty Awards in 2015. Thanks as always to all our listeners, and especially to our subscribers.

We’ve waited two-and-a-half years for its 35th anniversary, but finally Joel Martin rejoins Liz and Ben to resolve the Disc’s first (and most literal) cliffhanger in The Light Fantastic, Terry Pratchett’s second Discworld novel, first published on the 2nd of June, 1986. When we last saw them, failed wizard Rincewind, Twoflower the tourist and Twoflower’s magical Luggage – a living chest on legs – had fallen over the Rim of the Discworld. But instead of being lost in space, they mysteriously land back on the Disc in the Forest of Skund, surrounded by talking trees, gnomes and gingerbread cottages. The senior wizards of Unseen University – including Chancellor Galder Weatherwax, and scheming second-in-command Ymper Trymon – soon discover what’s happened: the Octavo, the Creator’s book of spells, wants to keep Rincewind alive. One of its spells is inside his head, and it’s needed to avert an impending apocalypse heralded by an ominous red star… While the usual story is that Pratchett only returned to the Discworld because The Colour of Magic proved popular, he did set himself up for a sequel by dropping his protagonists off “THE EDGE”. Unlike its predecessor, The Light Fantastic has a pretty straightforward plot about averting the end of the world – but that doesn’t stop Pratchett from parodying everything from fairytales to druidic sacrifices and the conventions of fantasy writing. Plus this book introduces some concepts, and especially characters, who will come back later, including a now ex-human Librarian, Death’s adopted daughter Ysabell, and octogenarian barbarian Genghiz Cohen. (The rest of the supporting cast are less fortunate…) Does this feel like a “real” Discworld book yet? How do we reconcile these versions of Death and Ysabell with the ones we come to love later? Is it really a bad idea to start with the early books – or is it fun to begin with the early versions of ideas Pratchett would later develop more fully? And what on the Disc happens to Rincewind between this book and Sourcery? Use the hashtag #Pratchat44 on social media to join the conversation! Guest Joel Martin (he/him) is a podcaster and writer who has joined us twice before: way back in #Pratchat14 to discuss The Colour of Magic, and then again in #Pratchat31 for The Long Earth. He’ll be back for The Long Mars (#Pratchat57) and The Long Cosmos (in 2024). His speculative fiction writers festival, Speculate, wrapped up in 2022, and his podcast The Morning Bell is on hiatus, though you can find links to episodes where Liz and Ben appear at the bottom of our Episodes page. Find Joel online at thepenofjoel.com or on Twitter at @thepenofjoel. As usual, you can find notes and errata for this episode on our web site. Next episode we go back to another second book of a series, as we take a little break from the Discworld. Yes, it’s book two of Pratchett’s five novel collaboration with Stephen Baxter, The Long War! Send us your questions using the hashtag #Pratchat45, or get them in via email: [email protected] Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Welcome to a new tradition: the Pratchat Eeek Club! Each year, on the Glorious 25th of May, we will release a bonus episode discussing Terry Pratchett-related topics selected by our Eeek tier subscribers. This year, the topics are: How would Ankh-Morpork deal with COVID-19? What would happen if Granny Weatherwax was head of Unseen University – or if Angua commanded the Watch? Are golems alive? (For that matter, is fire alive?) How has Pratchett and/or the Discworld informed our personal philosophies? If Pratchett had kept writing the Discworld series, would it have evolved into science fiction? A big thank you to all our subscribers for making Pratchat possible, but especially to our Eeek Club contributors: Karl, Catherine, Soren, Jess and David, and Frank! You’ll find detailed notes and errata for this episode on our website. Want to make sure we get through every Pratchett book – or even choose a topic for next year’s Eeek Club? You can support Pratchat by subscribing for as little as $2 a month and get access to bonus stuff, including the exclusive supporter podcast Ook Club! Click here to find out more.

Poet and writer Sally Evans joins Liz and Ben as they rejoin Tiffany Aching for a trip up into the mountains to meet the next generation of witches in A Hat Full of Sky, Terry Pratchett’s 32nd Discworld novel, first published in 2004. Note that while this episode discusses a book for younger readers, it does contain swearing and we discuss concepts only appearing metaphorically in the book, including puberty and (briefly) masturbation. Parents may wish to listen first before listening with their big wee ones. Tiffany Aching’s life is all change: she’s off into the mountains to apprentice with Miss Level, a research witch who even other witches find a bit weird. She’s left behind her home, her family, and everything she’s ever known. Even the Nac Mac Feegle – the drinking, fighting pictsies who’ve become her fierce protectors since she was briefly their Queen – aren’t coming with her. Tiffany soon finds that fitting in among other new witches, and learning the craft, are far harder than anything she’s done before. And that’s before the one bit of magic she knows brings her to the attention of a hiver – a bodiless, mindless, invisible creature looking for someone with power to inhabit… While a certain other magical young person was attending a school of magic and magic (as the copyright lawyers insist we call it), Pratchett’s own Tiffany Aching sets out on a very different journey of discovery. While only 11, she must grapple with her own burgeoning powers (barely under her control), new social dynamics, the affections of someone who is merely less annoying than he used to be, and all the perils of growing up, including the monster in your own head… Is this book too grown up for 11-year-olds? Are we on the money about the metaphors? How great would it be to have an ondageist? Is it just the younger Earwig devotee witches who are into appearances, or are the hats and black dresses of other witches a sign that it’s important to all of them? Are the Feegles still fun, or has Tiffany already outgrown them? Er…so to speak. Phew! So many questions this month. Use the hashtag #Pratchat43 on social media to join the conversation! Guest Dr Sally Evans (she/her) is a poet and researcher based in Melbourne, Australia. As part of her PhD, Sally created four chapbook-length sequences of poetry, including a modern reworking of The Odyssey by Homer, and giving Fifty Shades of Grey the blackout poetry treatment. You can hear Sally talk Mad Max: Fury Road on the apocalyptic fiction podcast Catastropod, hosted by previous Pratchat guest Marlee Jane Ward, and follow her on Twitter at @SalacticaActual. Next episode we fulfil our stupidest promise: yes, two and half years after we discussed The Colour of Magic, and around 35 years after its first publication, we finally resolve Pratchett’s most literal cliffhanger. Join us as we read the second ever Discworld novel, 1986’s The Light Fantastic! Send us your questions using the hashtag #Pratchat44, or get them in via email: [email protected] You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Author, editor and journalist Stephanie Convery returns to Pratchat as newspapers and conspiracy hit Ankh-Morpork in the same week! It’s The Truth, Terry Pratchett’s 25th Discworld novel, first published in 2000. William de Worde has made a reasonable living writing a monthly newsletter for notables, keeping them informed of goings on in Ankh-Morpork. But when he’s nearly run over by Gunilla Goodmountain’s new movable type printing press, he begins producing a different kind of “paper of news” – one that anyone can buy on the street, full of the important stories of the day. Before long “the Ankh-Morpork Times” – produced with the help of writer Sacharissa Cripslock and vampire iconographer Otto von Chriek – is a hit…and has ruffled a few feathers. But William has a powerful drive to spread the news, only intensified when Lord Vetinari is found unconscious next to a horse loaded with money after supposedly having stabbed his clerk. The Patrician being arrested for attempted murder and embezzlement is big news, of course – but is it the truth? Pratchett cut his teeth as a writer as a journalist, and had for many years used his work as inspiration – but nowhere as directly as in the 25th Discworld novel, which introduces the Disc’s first newspaper journalists, William de Worde. Apart from William, the novel also brings us the Times’ staff, most notably Sacharissa and Otto, who pop up in many future books, and the unforgettable “New Firm” of Mr Pin and Mr Tulip – plus the triumphant return of Gaspode! The books also draws on sources as broad as Shakespeare, the history of printing, Watergate and Pulp Fiction for inspiration, references and jokes, while still packing in themes as serious as public interest, prejudice, class privilege and…well…the truth. Is it weird seeing Vimes as a secondary character through the eyes of a journalist? Do you wish the staff of the Times had more books of their own? Where do you come down on the debate over public interest vs “of interest to the public”? Share your truth with us via the hashtag #Pratchat42 on social media, and join the conversation! Guest Stephanie Convery is a freelance writer and, at the time of this episode, Deputy Culture Editor for Guardian Australia. (She’s since become their dedicated inequality reporter.) Since she was last a guest on this podcast (discussing Mort way back in #Pratchat2, “Murdering a Curry”), Stephanie has published her first book: After the Count, a critically acclaimed “history and interrogation of boxing as art and a cultural examination of sport”, framed around the death of boxer Davey Browne following a knockout in the ring. You can check out Stephanie’s work at Guardian Australia, or follow her on Twitter at @gingerandhoney. We’d love to know if you want us to do an episode about The Watch television series, and whether you’d support Ben making a similar podcast about the works of Douglas Adams. Next time we’re jumping ahead into the future as we continue to spread out Tiffany Aching’s story: yes, it’s time to grab A Hat Full of Sky! We’ll be joined by writer and poet, Sally Evans. Send us your questions using the hashtag #Pratchat43, or get them in via email: [email protected] You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details. This month (April 2021) you can also help raise money for Meals on Wheels in the US as part of the #Reviews4Good initiative! We’ll respond and double the donation, too. Just review the show (or an episode) on Podchaser.

Educator Dr Charlotte Pezaro joins Liz and Ben on a trip to the South Pelagic, where they find tsunamis, gods and science in Nation, Terry Pratchett’s standalone young adult novel from 2008. Mau is returning from his rite of passage when a huge wave washes over his island Nation, killing everyone he has ever known. He is all alone, stuck without a soul between the states of boy and man. Lost in his despair and anger at the gods he now isn’t sure he believes in, he’s ready to give in to the dark water until he meets Daphne, the only survivor from a “trouserman” ship flung into the Nation by the wave. As they learn each others’ customs and languages, and other survivors gradually begin to arrive, Mau and Daphne must both reckon with the gods and ghosts of the Nation’s past – and work hard to ensure it has a future… Pratchett’s own proudest achievement, and winner of multiple awards, Nation presents an alternate universe where things are a little bit different in some ways…and considerably different in others. Pratchett examines his favourite themes of belief, death, imperialism and science through a new lens, in a tale of loss, growing up, and asking big questions. Is this Pratchett’s magnum opus? Does inventing an entire universe next door make it okay for a white Englishman to tell a story about South Pacific Islanders with the serial numbers filed off? Why did he split Australia in half ? Tell us by using the hashtag #Pratchat41 on social media to join the conversation! Guest Dr Charlotte Pezaro is an educator with a PhD in pedagogy and years of science and technology communication experience. Charlotte is also a qualified primary school teacher, and works with other teachers to help them improve their skills. You can find out more about Charlotte at charlottepezaro.com, or follow her on Twitter at @dialogicedu. Next time we’re heading back to Ankh-Morpork for a tale of journalism, vampirism and authoritarianism, the 25th Discworld novel: 2000’s The Truth! We’ll be joined by returning guest, writer and deputy culture editor for Guardian Australia, Stephanie Convery. Send us your questions using the hashtag #Pratchat42, or get them in via email: [email protected] You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Comedian Richard McKenzie returns to get a bit gothic as he, Liz and Ben head to Überwald to discuss The Fifth Elephant in the room…by which we mean the twenty-fourth Discworld novel, published in 1999. As Ankh-Morpork and its neighbours embrace modern semaphore technology, trouble is brewing among the dwarfs. A new Low King is soon to be crowned in Überwald – and not everyone is happy with the choice. The Patrician selects just the right “diplomat” for the job: the Duke of Ankh, Sir Samuel Vimes. He reluctantly agrees to face vampires, werewolves, Igors and dwarf politics in a place where his Watch badge holds no sway. He’s not going alone – though Sergeant Detritus (a troll) and Corporal Cheery Littlebottom (the first openly female dwarf) are not likely to be popular with the traditional dwarfs of Überwald. Luckily he also has diplomatic attaché Inigo Skimmer, and his strongest ally: his wife, the Lady Sybil Ramkin… After exploring one vampire family from Überwald in Carpe Jugulum, Pratchett takes Sam Vimes out of his comfort zone and into the lands of the fabled fifth elephant, while making far fewer references to the Luc Besson film than you’d expect. With Carrot and Angua off on a B-plot, and Colon, Nobby and the rest of the Watch left behind in the C-plot, it’s also a chance for background characters Detritus, Cheery and Lady Sybil to shine. The novel also expands on the culture of vampires, werewolves, Igors and especially dwarfs, building the foundations for many future novels. It’s a great read for a Discworld fan – but would The Fifth Elephant make a confusing introduction to the series? Was this Sybil’s finest hour, or were you left wanting more of her? Does a beloved character do a murder? If so, is it okay? And did Carrot really need to be there, or was he just a Gaspode enabling device? Tell us by using the hashtag #Pratchat40 on social media to join the conversation! Returning guest Richard McKenzie is hopefully back to hosting trivia twice a week, on Thursdays and Sundays, at the Cornish Arms on Sydney Road in Brunswick, Melbourne. He and Ben devised the Dungeons & Dragons themed impro comedy show Dungeon Crawl, which now usually appears at Melbourne games expo PAX Aus. Richard also appears in the lineup of ensemble comedy shows The Anarchist Guild Social Committee and Secondhand Cinema Club. A a quick reminder that you can order Collisions, the short story anthology from Liminal Magazine, from your local bookshop! It includes Liz’s story “The Voyeur” and fifteen others. The link also has some online sources if you need ’em. Next time we’re reading something very different: Pratchett’s standalone, non-Discworld young adult novel from 2008, Nation! We’ll be joined by educator Charlotte Pezaro. Send us your questions using the hashtag #Pratchat41, or get them in via email: [email protected] You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

We’re kicking off the Year of the Beleaguered Badger with something a little different: an international guest, and a short story! Unofficial Terry Pratchett biographer Marc Burrows joins us from the UK to discuss the third Discworld short story: 1998’s The Sea and Little Fishes! Without much else but the carefully applied annoyances of Nanny Ogg to occupy her time, Granny Weatherwax is ready to win the annual Witch Trial – just as she does every year. But Lettice Earwig, self-appointed leader of a sort of witch committee, has decided this is discouraging new witches, and asks Granny not to participate. She also tells Granny to try being “nice” – and the worst part is, Granny appears to be taking her advice… Very long for a short story, The Sea and Little Fishes delves into the relationship between two of Pratchett’s most beloved characters, and introduces people and concepts he’d later expand upon in the Tiffany Aching novels. In a sense it’s a story in which almost nothing happens, but then that’s largely the point – someone like Granny Weatherwax hardly has to do anything at all to move mountains. Where did you read it? What do you think of the title? And how long can a story be while still being considered “short”??? Let us know! Use the hashtag #Pratchat39 on social media to join the conversation. Guest Marc Burrows is a writer, musician and comic. His articles and reviews about music and culture have appeared in The Guardian and a variety of other publications, but he’s currently best known as the author of the first, unofficial Terry Pratchett biography, The Magic of Terry Pratchett, which you can learn all about at askmeaboutterrypratchett.com. He is also a member of the band The Men Who Will Not Be Blamed For Nothing, and has two upcoming non-fiction books about music. The best place to find Marc online is as @20thcenturymarc on Twitter and Instagram, and you can sign up to his newsletter “The Glom of Nit” via tinyletter.com. You can find the full show notes and errata for this episode on our web site. We plan to cover short stories once or twice a year to help us all keep up with the schedule, in part because our original plan – to cover them as live shows – hasn’t worked out this last year. But next month it’s back to the Discworld novels, and the Watch, with The Fifth Elephant – and we’re welcoming back one of our earliest guests, Richard McKenzie! Send us your questions via email, or social media using the hashtag #Pratchat40. Want to make sure we get through every Pratchett book – and maybe make a few more live episodes like this? You can support Pratchat for as little as $2 a month and get subscriber bonuses, like the exclusive bonus podcast Ook Club!

Writers, comedians, magicians and con-men experts Nicholas J Johnson and Lawrence Leung join us as we meet the distressingly named Moist von Lipwig in his 2004 debut, Terry Pratchett’s 33rd Discworld novel, Going Postal! Con-man Moist von Lipwig (aka Albert Spangler) thinks he’s come to the end of the line when he’s hanged by order of Lord Vetinari, Patrician of Ankh-Morpork. But while the world believes him hanged, the city’s tyrant has actually saved him for something bigger: he wants Moist to revitalise the city’s derelict post office. It seems like a hopeless task with no chance of success or escape, what with the mountains of mail, unsatisfactory staff, golem parole officer, and the communications monopoly of the Grand Trunk Sempahore Company, run by the piratical Reacher Gilt. But every con-man needs a challenge… Pratchett’s first Moist book is a great in to the Discworld at large, with a gripping self-contained story of new technology vs old, capitalism vs the public good, and one man’s lifetime of criminal habits vs his better nature. As well as Moist himself, it introduces such memorable characters as Mr Pump, Stanley the pin collector, and the one and only Adorabelle Dearheart. (Everyone in this book has an amazing name.) It’s not a short book, and we struggle to cover all its themes, twists and turns. Do you love Moist von Lipwig? Could you get over his name? Could you operate a Clacks tower? And just how deep did Vetinari’s plan go, anyway? Join the discussion using the hashtag #Pratchat38. Guest Nicholas J Johnson is an author, magician and expert in scams and swindles, earning himself the nickname “Australia’s Honest Con-Man”. His new children’s book, the “autobiographical” Tricky Nick, features magic and time travel and all sorts, and is available now from Pan Macmillan. Find out more about Nick’s live performances and workshops at conman.com.au, or follow him on Twitter at @countlustig. Guest Lawrence Leung is a comedian, screenwriter and actor, known to Australian audiences from his roles in Offspring and Top of the Lake, and his own shows including Lawrence Leung’s Choose-Your-Own-Adventure and Maximum Choppage, and the feature film Sucker. Find out all the latest about Lawrence, including when you can catch his live-streamed comedy shows, at lawrenceleung.com, or you can follow him on Twitter at @Lawrence_Leung. You can find episode notes and errata on our web site. Our plan to cover Sir Terry’s short fiction was via live shows, but since that hasn’t worked out for us this year, in January we’re going to discuss 1998’s short witches story, The Sea and Little Fishes. We’ll also be welcoming our first international guest: Marc Burrows, author of the Pratchett biography The Magic of Terry Pratchett! Send us your questions via social media using the hashtag #Pratchat39. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Author Will Kostakis returns to face time travel, unexploded bombs and a tangle of timelines in Terry Pratchett’s final Johnny Maxwell book from 1996, Johnny and the Bomb! When Johnny and his misfit friends look after homeless eccentric Mrs Tachyon’s shopping trolley, they soon discover she has a complicated relationship with time. Johnny, Yo-less, Wobbler, Bigmac and Kirsty travel back to World War II, on the eve of the “Blackbury Blitz”. Johnny knows bombs are meant to destroy Paradise Street – but can he and his friends do anything about it? Do they even have the right? And how will they get back ho- hang on. Where’s Wobbler? Pratchett’s first book focussing on time travel also touches on the worries of teenagers, local history, racism, sexism and the nature of fate and destiny. It might seem weighty for a children’s book, but children think about this stuff all the time! Did you follow all the time travel shenanigans? How do you think Pratchett’s handling of these issues compares to modern middle grade fiction – or even his own previous Johnny books? And if you could go back in time, would you try and change things for the better? Join the discussion using the hashtag #Pratchat37. Returning guest Will Kostakis is a writer and award-winning author. Since we last saw him in #Pratchat18, “Sundog Gazillionaire“, he’s published his first fantasy YA novel, Monuments, and its sequel, Rebel Gods. His new novella, The Greatest Hit, is out now from Lothian Children’s Books as part of the Australia Reads initiative. Find out more about Will at willkostakis.com, or follow him on Twitter at @willkostakis. You can find the full show notes and errata for this episode on our web site. As mentioned at the end of this episode, the fiction anthology Collisions from Liminal Magazine is out now, featuring Liz’s story “The Voyeur”! Order it from your local bookshop. And we also announced that the Australian Discworld Convention in Sydney has had to be postponed from 2021 to 2022. Find out more at ausdwcon.org. Next month we see out the year with a favourite, as we time travel about ten Discworld books ahead to meet Moist von Lipwig in Going Postal! We’ve invited two experts on con artistry to discuss it with us: writer and magician Nicholas J Johnson, and comedian and actor Lawrence Leung! Get your questions in via social media using the hashtag #Pratchat38. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Star of the stage Gillian Cosgriff joins Liz and Ben to cower in fear before that most horrifying of beasts: the magpie! Yes, it’s time for Terry Pratchett’s twenty-third Discworld novel, 1998’s Carpe Jugulum. The new princess of Lancre has been officially named! But all has not gone well: new priest Mightily Oats took Queen Magrat’s notes on the naming a little too literally. King Verence has been a little too liberal with which nobility he invited. And most worryingly of all, Granny Weatherwax – supposed to be the baby’s godmother – is nowhere to be found. As the forward-looking Count de Magpyr and his family effortlessly dominate the wills of all about them (with the notable exception of two-minded Agnes Nitt), can the fractured witches pull together a full coven and save the day? And what on the Disc is going on in the mews? The fifth and last of the books to star the original coven of Granny Weatherwax, Nanny Ogg and now-Queen Magrat Garlick shakes things up even more than its predecessors. Young witch Agnes Nitt’s inner voice is now a fully independent personality, while Nanny and Granny clash over their roles and responsibilities, and Magrat brings her child along to coven meetings. Pratchett also takes aim at every vampire tradition and cliche from curtain-twitching to shying away from holy symbols, pitting the modern vampire against his more monstrous predecessors. And on top of that, he introduces two enduring fan favourites: the first of many Discworld Igors, and the tiny “pictsies” of the Nac mac Feegle! What did you you think? Does Carpe Jugulum make beautiful music? Is Pratchett’s ongoing need to make fat jokes too distracting? When he came up with the idea of vampires who turn into and control magpies instead of bats, do you think he realised how horrifying that would seem to Australians? Use the hashtag #Pratchat36 on social media to join the conversation! Guest Gillian Cosgriff is an actor, singer and cabaret star most recently seen as part of the Australian cast of Harry Potter and the Cursed Child. Gill’s career has included musical comedy, musical theatre and – as mentioned briefly in our Maskerade episode – opera! Find out more about her talents at gilliancosgriff.com, or you can look up some of her music on Youtube or buy her albums on Bandcamp. (Do so on a Bandcamp Friday if you want to make sure all your money goes to supporting the artist!) You can also follow Gill on Twitter at @gilliancosgriff. Next time, we finish off Pratchett’s other children’s trilogy as Johnny and his gang go out with a bang in Johnny and the Bomb. Joining us is returning guest, author Will Kostakis! Send us your questions using the hashtag #Pratchat37, or send us an email at [email protected]. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Liz, Ben and science communicator Anna Ahveninen have the weird sensation of being a specimen in a jar as they discuss Terry Pratchett’s 1999 collaboration with biologist Jack Cohen and mathematician Ian Stewart, The Science of Discworld. Research wizard Ponder Stibbons splits the magical equivalent of the atom, but the experiment fills Unseen University with dangerous raw magic. To use it up, sentient thinking machine Hex initiates “the Roundworld Project” – the creation of a reality devoid of magic. This universe in a bottle has no narrative imperative, only one kind of light, and not a single star turtle. What it does have are rocks, flaming balls of gas and rules. This all seems very unnatural to the wizards, so there’s only one thing to do: poke it with a stick and see what happens… After reading one too many “Science of Star Trek” books, science writers and Pratchett fans Jack and Ian joined forces with Sir Terry to write a book in which they would use the wizards’ exploration of a bottle universe to explore our own, and the science that explains it. The concept was a bit of a gamble, and no-one wanted to publish it at first, but it proved a big hit, spawning three sequels. The Science of Discworld concentrates on the beginning and evolution of the universe and the history of life on Earth, with plenty of asides about the nature of science and how it is taught (including the now famous concept of “lies-to-children”). In between these essays, the Unseen University wizards poke our own “Roundworld” with a big stick and try to make sense of a world without magic – in part by forcing Rincewind into the role of virtual astronaut. What did you learn from The Science of Discworld? Do you enjoy the alternating fantasy and science chapters? How does it compare to the other “The Science of” books? And does the science still stand up, eighteen years after the revised edition of 2002? Use the hashtag #Pratchat35 on social media to join the conversation! Guest Anna Ahveninen is a science communicator, writer and (ex) chemist who currently works at the Australian Academy of Science. You can follow her on Twitter at @Lady_Beaker. Anna also wanted to give a shout out to the STEMMinist Book Club (the second M is for Medicine), who you can also find on Twitter at @stemminist, and on Goodreads. Turns out we jumped the gun a little with Collisions – the Liminal magazine fiction anthology won’t be published until November! We’ll remind you in a couple of episodes. Next month it’s back to the Ramtops for our favourite coven’s last hurrah, as Lancre is invaded by vampires in Carpe Jugulum! We’ll be joined by actor, singer and cabaret star Gillian Cosgriff. Get your questions in via social media using the hashtag #Pratchat36, or send us an email at [email protected]. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Liz, Ben and writer Michelle Law go on a surprisingly dark ride in Terry Pratchett’s skewed take on the Pied Piper, 2001’s Discworld for Younger Readers book, The Amazing Maurice and His Educated Rodents. Everyone knows that the best way to get rid of rats is to pay the Piper – even Maurice, and he’s a talking cat. So when he met a Clan of similarly smart talking rats, all he needed was a stupid-looking kid who could play and he had the makings of the perfect con… At least, until the rats (and the kid) decide that what they’re doing is unethical. Maurice convinces them to pull one last scam in a tiny Überwald town, but all is not well in Bad Blintz: the mayor’s daughter immediately sees there’s something odd about Maurice and the kid, and the town is convinced they already have a plague of rats – but the Clan can’t find a single one… After two trilogies of children’s books set in our own world, and before he invented Tiffany Aching, Pratchett tried getting kids into the Discworld with a story of talking animals, plucky kids and unspeakable evil. The Amazing Maurice explores some weighty ethics, punctures the safety of Enid Blyton, questions the lessons taught by the Brothers Grim, and goes to some very dark places, metaphorically and literally. All born out of a footnote joke he wrote for Reaper Man a decade before! Is this really a children’s book? Would you let your kids read it? Is it a terrible mistake, or is it maybe the greatest book Pratchett ever wrote? And most importantly: what’s your rat name? Use the hashtag #Pratchat33 on social media to join the conversation! Guest Michelle Law is an award-winning playwright, screenwriter and actor based in Sydney. Her work includes the 2017 smash hit play Single Asian Female, the SBS TV series Homecoming Queens and contributed to numerous magazines and books. Michelle’s next play will be Miss Peony for Sydney’s Belvoir Theatre, and she has a story in the anthology After Australia from Affirm Press. You can find out more about Michelle at her web site, michelle-law.com, and follow her on Twitter at @ms_michellelaw. Next month we complete our hat-trick of Pratchetts for younger readers by returning to the English town of Blackbury to catch up with Johnny Maxwell in 1993’s Johnny and the Dead. We’ll be joined by children’s author Oliver Phommovanh! Get your questions in via the hashtag #Pratchat34 by July 21st 2020. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Liz, Ben and librarian Meaghan Dew come down from the mountains to a land of sheep, chalk and tiny blue warriors, and meet the youngest witch ever, in Terry Pratchett’s 2003 Discworld for Younger Readers book, The Wee Free Men. Nine-year-old farm girl Tiffany Aching lives on The Chalk, a lowland area famous for its sheep and…er…sheep products. It’s not famous for attacks from mythical river monsters, so when one turns up she lures it with her brother as bait and hits it over the head with a frying pan. Searching for answers, she meets the very real witch Miss Tick, and realises that’s what she wants to be. In her first truly witchy move, she disobeys Miss Tick’s advice and tries to take on the Queen of the Fairies, who has kidnapped her baby brother. Luckily she’s already met and impressed the Nac Mac Feegle – a clan of tiny blue “pictsies” with a love for fightin’, stealin’ and drinkin’… After the end of the Witches series in Carpe Jugulum*, Pratchett launched a new protagonist destined to become one of his most beloved characters. Tiffany Aching is practical, serious, thoughtful and wilful, with a steely gaze and a mind so sharp she might cut someone else (she certainly knows which bit to hold onto). Pratchett weaves the story of a young girl stepping into some big – and tiny – shoes with themes of grief, family, community, belief and the stories we tell…oh, and a tiny blue and red whirlwind of swearing, violence and other Scottish stereotypes known as the Nac Mac Feegle. Do these two things mesh well for you? Is this Tiffany’s finest hour, or just a taste of what’s to come for her? And was Granny Aching a witch, a shepherd, or something else entirely by the end? Use the hashtag #Pratchat32 on social media to join the conversation! * Carpe Jugulum is coming soon(ish) to a Pratchat episode near you! Guest Meaghan Dew is a librarian and podcaster. For around seven years, Meaghan hosted and produced the podcast for Australian arts and culture magazine Kill Your Darlings. Meaghan currently works as a librarian in Melbourne, and produces her library’s podcast program. Ben was reading the The Illustrated Wee Free Men, the 2008 hardcover edition of the book with full-colour illustrations by artist Stephen Player – and a few extras from Terry. Player advises that the colours are off in the printed book, but you can see many of the original illustrations on his web site. Next month we travel to an entirely different rural area of the Disc for more younger readers adventure, in 2000’s The Amazing Maurice and His Educated Rodents. We’ll be joined by writer and screenwriter Michelle Law! Get your questions in via the hashtag #Pratchat33 by June 20th 2020. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

In episode 31, Liz, Ben and returning guest Joel Martin step sideways into the infinite earths of Terry Pratchett’s 2012 collaboration with Stephen Baxter, The Long Earth. In 2015, plans for a strange but simple box-shaped device called a “Stepper”, powered by a potato, are posted online. Kids all over the world build them and discover that the boxes let them step “East” or “West” into other Earths. There are thousands of such worlds – perhaps millions – all subtly different. But they do have one thing in common: there are no humans on any of them. Fifteen years after “Step Day”, human society is irrevocably altered, and experienced far-stepper Joshua Valienté is offered a new job: to step further from Earth than even he has ever been, and explore the mysteries of the Long Earth in the company of a Tibetan motorcycle repairman reincarnated as a supercomputer… Based on ideas from Pratchett’s 1986 short story “The High Meggas”, written before the popularity of The Colour of Magic led him down a particular leg of the trousers of time, The Long Earth is the first in a series of five novels set in a near future world forever changed by the existence of limitless worlds next door. An epic journey across millions of worlds, Pratchett chose to work with his friend Stephen Baxter, a prolific science fiction author whose work encompasses hard future sci-fi, speculative evolution, alternate history and sequels to classic novels by the likes of H. G. Wells and Arthur C. Clarke. That all seems quite a distance from comic fantasy – but the pairing just works. So – it’s five years since Step Day. Would you visit another Earth? Could you pick which bits were Pratchett, and which Baxter? And what kind of potato is in your stepper box? Use the hashtag #Pratchat31 on social media to join the conversation! Guest Joel Martin is a writer, editor and podcaster who previously appeared on Pratchat in episode 14, discussing the book that derailed the Long Earth back in 1986, The Colour of Magic. Joel is also the director of the Speculate speculative fiction festival (specfic.com.au). His latest work is the short story “Hunting Time” in Strange Stories Vol. 1, scheduled to be published this month by 42books. Joel’s writing podcast, The Morning Bell, is currently on hiatus, but you can find the full back catalogue at themorningbell.com.au. Find out more about him at thepenofjoel.com. Next month we’re stepping back onto the Disc to meet adventurous nine-year-old Tiffany Aching, in 2003’s The Wee Free Men! Get your questions in via the hashtag #Pratchat32 by around May 23rd. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

For our thirtieth episode, Liz and Ben take a break from reading books and instead read your comments and questions, looking back on both Terry Pratchett’s work and their own. Which one of Dibbler’s schemes would you fall for? What’s your least favourite Discworld novel? Are there any good Pratchett-inspired games? What line would you quote to sum up Pratchett’s style of humour? We want to hear your answers to all the questions you asked us! Use the hashtag #Pratchat30 on social media to join the conversation. You can find Elizabeth on Twitter as @elizabethflux, where you will find links to her articles and some very good puns. (Ben is flinching already.) You can also find her (and her impractical outfits) on Instagram as @elizabethtiernan. You can find Ben and his projects via his web site benmckenzie.com.au, on Twitter at @McKenzie_Ben and Instagram at @notongotham. For creative story-based activities, check out the social media of 100 Story Building; they’re on Twitter at @100StoryB. Next month’s episode we’re returning to our original plan for this month: we’ll be reading Pratchett’s 2012 parallel universes collaboration with Stephen Baxter, The Long Earth, the first in a series of five novels. Get your questions in via the hashtag #Pratchat31 by late April! You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

We’ve made a change in our schedule! Our next book will indeed be The Long Earth, as announced last episode, but we’ll be postponing that to May. Our thirtieth episode, #Pratchat30, will instead feature Liz and Ben answering your broader Pratchett questions. Listen or read on for more information. If you’re new to Pratchett, this is your chance to ask how or why to get into his work, and of course to invite the inevitable argu- er, discussion about where to start. If you’re new to Pratchat, this is your chance to ask more questions about books we’ve already covered – see our Episodes page for a list! We also welcome comments and feedback on our previous discussions: what did we get wrong? What do you want more of? And for everyone, this is a chance to give us your questions and comments about Pratchett’s work as covered so far on the podcast: questions that aren’t tied to a specific book, or span many of them. We want to hear them all! But please, no spoilers for books we’ve not yet covered. Check the Books page if you’re not sure. We’re recording on April 3rd, 2020, so get your questions in by then via social media (use the hashtag #Pratchat30) or by email to [email protected]. We hope you understand our need for this change in the schedule, but we’ll still see you on the 7Ath! And as always, a big thanks to all our listeners, and especially to our subscribers. Your help means more right now than usual, and we’re very grateful for it. If you’d like to support the production of Pratchat, find out more on our Support Us page.

In episode 29, Liz, Ben and guest Fury join Rincewind on a journey to a strangely familiar land in Terry Pratchett’s 1992 loving Discworld parody of Australia, The Last Continent. (A quick content note: this one has more swearing than usual, but we bleeped the c-bombs out.) The Librarian of Unseen University, long ago turned into an orang utan, is suffering from a magical illness. Archchancellor Ridcully and his faculty could help him – if only they knew his original human name. Unfortunately the only person likely to remember is former Assistant Librarian Rincewind, and the wizards sent him to Agatea – and then accidentally propelled him across the Disc. He ended up in XXXX – aka Fourecks, aka the Last Continent, aka “that place far away full of deadly animals” – but he’s managed to survive. The locals out in the desert seem friendly enough, at least until he asks when it will rain. But something isn’t right. The land needs a hero. What it’s got is the Eternal Coward… Pratchett came to Australia many times, and his experience of the country seems to have rubbed off. Fourecks affectionately parodies Australian music, slang, politics and culture, including Mad Max, The Man From Snowy River, Priscilla Queen of the Desert, thongs, corks on hats, the cultural cringe, Vegemite, pie floaters and Skippy the Bush Kangaroo. It’s quite the ride for the Australian reader… Rincewind is moulded into the stereotypical “bush hero”, but his touchstones aren’t entirely post-invasion – Pratchett also tries for a nuanced and deep Discworld interpretation of Aboriginal culture and beliefs, even if he doesn’t include any actual Aboriginal characters. Do you think he makes it work? Could you follow all the Australian references? Is there enough of a plot, or is it just an excuse for a bunch of jokes? Use the hashtag #Pratchat29 on social media to join the conversation! Guest Fury is a writer, illustrator and performer who previously appeared on Pratchat in episode 19, discussing Soul Music. They were recently seen in Gender Euphoria, a touring multi-disciplinary show celebrating trans experiences which has played in Melbourne and Sydney. Fury’s book I Don’t Understand How Emotions Work is available online now. You can also find out more about them at their web site furywrites.com, or follow them on Twitter as @fury_writes. Next month’s episode was going to cover Pratchett’s 2012 sci-fi collaboration with Stephen Baxter, The Long Earth, but we’ve had a change of plan! Instead, we’ll be taking a month off from book discussion to answer your questions about how to get into Pratchett, about past episodes, and about his work in general. Listen out for a special announcement with more information, and get your questions in via the hashtag #Pratchat30 by April 3rd. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

In episode 28, players Liz, Ben and guest Steve Lamattina press start and blast away at Terry Pratchett’s 1992 novel of kids, war and videogames, Only You Can Save Mankind. Twelve-year-old Johnny Maxwell isn’t the best at computer games, but he loves them all the same. While playing Only You Can Save Mankind, a space combat simulator, he’s taken by surprise when the Captain of the enemy ScreeWee fleet offers to surrender. After he accepts, the game starts to invade his dreams, and the aliens disappear – from everyone’s computer. Something weird is going on – but at least it’s a distraction from the war on TV and the Trying Times at home… Only You Can Save Mankind – dedicated to Pratchett’s daughter Rhianna, now a renowned videogame writer – is explicitly about the first Gulf War (1990-1991), at a time when games looked more real and televised war looked more like a game. In early 2020, many themes of the book seem alarmingly current – even as the experience of computer games it describes is firmly rooted in the past. Did you connect with Johnny’s experience? Do you like videogames? Does this episode contain too much Pokémon and Freddi Fish? Use the hashtag #Pratchat28 (and maybe #DeliciousPokémon) on social media to join the conversation! Guest Steve Lamattina is a writer and editor who has worked in film, music, education and tech. He was also CEO of youth publishing company Express Media, and has written about food, events, movies, games, social media and much much more. You can find him on Twitter as @steve_lamattina. Next month it’s back to the Discworld, and close to home – more or less – as we catch up with Rincewind in 1998’s The Last Continent, and welcome back a returning guest: Fury! We’ll be recording in late February, so get your questions in before then via social media using the hashtag #Pratchat29. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

In episode 27, Liz and Ben are joined by guest writer and psychologist-in-training Craig Hildebrand-Burke to discuss Terry Pratchett’s depressingly relevant yet uplifting 1997 Discworld novel of war and prejudice, Jingo. In the middle of the Circle Sea, halfway between Ankh-Morpork and Klatch, the ancient and slightly eldritch island of Leshp has risen from the waves. Of course both nations want to claim it as their own, what with the other nation being filthy foreign devils, and almost immediately the threat of war is in the wind. An attempt on the life of a visiting Klatchian prince kills peace talks before they can even begin, and the Patrician is deposed – leaving Sir Samuel Vimes, Lord Commander of the City Watch, with a crime to solve. Can bringing a murderer to justice stop a war? Jingo sees the Watch swell in size, gives a great deal of airtime to the Patrician, and also shines the spotlight on the Disc’s greatest inventor, Leonard of Quirm! And of course we spend more time in Klatch, now inspired more by Lawrence of Arabia than Arabian Nights. It’s a story of nationalism, racism and war – both of the regular kind, and between the classes. Jingo was not only still relevant when we recorded this, but has suddenly and awfully become more relevant since. Can Pratchett help us do away with ideas of Us and Them? Can he flesh out the previously cartoony city/nation/continent of Klatch? And how great are submarines? Use the hashtag #Pratchat27 on social media to join the conversation! Guest Craig Hildebrand-Burke is a writer who has recently completed a psychology degree. He’s written fiction, non-fiction, reviews and commentary for publications including Tincture, Writers Bloc, ACMI and SBS News. You can find him on Twitter as @_CraigHB. Next month we leave the Discworld and head into outer space – and inside a computer – in 1992’s Only You Can Save Mankind, the first of the Johnny Maxwell books for middle grade readers. We’ll be recording in late January, so get your questions in via social media using the hashtag #Pratchat28. You’ll find the full notes and errata for this episode on our web site. We recorded before the current Australian bushfires reached their peak, and so barely mentioned them in the episode; if you’d like to help the firefighters, wildlife workers or those affected by the fires, this JJJ article has some good places to start. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

In episode 26, Michael Williams of The Wheeler Centre joins Liz and Ben to get into the holiday spirit with Terry Pratchett’s very Christmassy 1996 Discworld novel Hogfather. It’s Hogswatch, and the Assassins Guild of Ankh-Morpork has accepted a very unusual assignment, and Lord Downey has given it to the very unusual assassin Mr Teatime. But who would want to kill the Hogfather? And how would you even accomplish such a thing? As Death fills in for the Fat Man delivering presents, his granddaughter Susan is reluctantly drawn to investigate, teaming up with the newly created Oh God of Hangovers. But much more than the joy of children is at stake – for without the Hogfather, will the sun even rise tomorrow? Hogfather brings to life a character previously mentioned only in passing rather paradoxically by replacing him with Death, who gets a sort of working holiday. It’s our second and final adventure with Susan, and the wizards get heavily involved – as does their arcane thinking machine Hex. It’s full of not-quite-Christmas cheer, black humour, true pathos and a pure expression of many of Terry’s most deeply held beliefs. Could this be the ultimate story of Christmas? Do its themes of belief and justice hit the mark? And what kind of creature would you call into existence if there were excess belief sloshing around? Use the hashtag #Pratchat26 on social media to join the conversation and have your say! Guest Michael Williams is the Director of the Wheeler Centre for Books, Writing and Ideas in Melbourne. They have a year-round program of talks, interviews, panel discussions, podcasts and writing. Find out more about what’s happening at @wheelercentre on Twitter and Instagram, or check out videos of past talks on YouTube – including Michael’s 2014 interview with Terry Pratchett. You’ll find all the Wheeler Centre’s upcoming events at wheelercentre.com, as well as a collection of Michael’s writings and events. You can also find Michael on Twitter at @mmccwill. The Sci-Fight comedy debate over the topic “Santa is Real” featured a great line-up of comedians and scientists, including previous Pratchat guest Nate Byrne (#Pratchat24). It was at Howler in Brunswick on Thursday December 12, 2019. Details and tickets for future debates, plus photos of the Christmas one, can be found at scifight.com.au. Next month we continue through the Discworld with 1997’s Jingo, a tale of nationalism, war, racism and greed, which also has a submarine in it. We’ll be recording in the week or so before Hogswa- er, Christmas, so get your questions in via social media using the hashtag #Pratchat27. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Have a surprise bonus mini-episode of Pratchat! We’ve mentioned Night Terrace a few times, but not gone into too much detail. So, outside of our usual schedule, Liz asks Ben all about this time travel radio comedy series from Splendid Chaps Productions. What’s it about? Who are the main characters? How would they fit into the Discworld? You’ll also get a bit of behind the scenes info and hear some excerpts from the first two seasons. If it sounds good to you, hop on over to the Night Terrace crowdfunding campaign before November 22, and help get a third season made! You’ll hear excerpts from the Night Terrace episodes “Sound & Führer”, “Moving House” (both by John Richards), “Time of Death”, “Ancient History” (both by Ben McKenzie), “Sense & Susceptibility” (also by John Richards) and “The Outsourcing” (by David Ashton). Anastasia Black is played by Jackie Woodburne; Eddie Jones by Ben McKenzie; Sue Denholm by Petra Elliott; the Vraxnols by Toby Truslove and previous Pratchat guest, Cal Wilson (#Pratchat1 and #Pratchat3); and Carole by Cate Wolfe. We hope you enjoyed this little diversion! If you want more excerpts and info about Night Terrace, look up the hashtag #NightTerrace on social media, or visit nightterrace.com. If you listen to the series, you may also enjoy the companion podcast On the Terrace.

In episode 25, Elizabeth, Ben and Noongar writer and poet Claire G. Coleman go back to the early days of the Discworld to Granny Weatherwax’s debut in Terry Pratchett’s 1986 novel, Equal Rites. Drum Billet, wizard, travels to the village of Bad Ass high in the Ramtop mountains, where at the moment of his death he hands over his wizard’s staff to the newborn eighth son of an eighth son. But Eskarina Smith isn’t the eighth son of anyone, and it falls to the witch Granny Weatherwax to watch over her. As Esk comes into her powers, Granny realises she needs training in the ways of wizardry lest she pose a danger to everyone around her. So the pair set off to distant Ankh-Morpork on a quest to enrol Esk as the first ever female student of Unseen University… Equal Rites is a book of contradictions: it doesn’t feel quite like the Discworld, but it’s vital and beautifully written. It’s not full of jokes or footnotes, but is consistently funny. And even after more than thirty years, it feels entirely relevant. Do you recognise Esk’s struggle? Did Granny feel like Granny yet? And why do think it took so long for Pratchett to revisit some of these characters? Use the hashtag #Pratchat25 on social media to join the conversation and tell us your thoughts! Guest Claire G. Coleman’s novels are the multi-award winning Terra Nullius, and her new work The Old Lie. She also writes short fiction, poetry and non-fiction and has been published in numerous publications. You can find her on Twitter and Instagram as @clairegcoleman, or visit her web site, clairegcoleman.com, for more info. Next month we’re joined by the Director of the Wheeler Centre for Books, Writing and Ideas, Michael Williams, as we celebrate Hogswatch by discussing – what else? – Hogfather! We’re recording on November 13, so get your questions in by then via social media using the hashtag #Pratchat26. You’ll find the full notes and errata for this episode on our web site. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details. And if you enjoy Ben’s work here on Pratchat, please consider the Kickstarter campaign for Night Terrace season three – as endorsed by Neil Gaiman!

In episode 24, meteorologist Nate Byrne joins Elizabeth and Ben for a Discworld tale of murder, golems and nobility in Terry Pratchett’s 1996 novel Feet of Clay. Two old men have been murdered in Ankh-Morpork, but they’re not the worst of Commander Vimes’ woes. His best Sergeant is six weeks from retirement; his worst Corporal might be the Earl of Ankh; his newest recruit is an alchemist with some pretty strange ideas for a dwarf; and someone has poisoned the Patrician, though he’s damned if he can figure out how. And somehow, the golems are involved… Content note: this episode contains brief discussion of (fictional) suicide. If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you. Following on from Men at Arms (from way back in #Pratchat1!), Feet of Clay evolves the Watch – and its leader – even further, and introduces some of Pratchett’s most memorable supporting characters: Cheery Littlebottom, Wee Mad Arthur and Dorfl the golem. It gets a bit deep on questions of artificial life, gender expression and identity, and is a heck of a mystery novel to boot. Did you figure out “whatdunnit”? Who’s your favourite new character? And what do you think the Pratchat coat of arms and motto should be? Use the hashtag #Pratchat24 on social media to join the conversation and let us know what you think! PS – we recorded this just before the casting announcements for The Watch television series, so don’t be disappointed when they don’t come up! We’ll find a place to discuss them in the near future. Guest Nate Byrne is a meteorologist, weather presenter and science communicator. He presents the weather for ABC News Breakfast, which means he gets up very early and had been awake for around 14 hours when we recorded this episode, making his jokes and insights even more impressive! You can find Nate’s writing for the ABC here, and follow him on Twitter, Instagram or Facebook. You’ll find the full notes and errata for this episode on our web site. Next month we’re joined by author Claire G Coleman as we head back to the early days of Discworld with Equal Rites. Plus our subscriber-only bonus podcast, Ook Club, has launched! You can subscribe for as little as $2 a month to check it out. You’ll find all the details on our Support Us page.

For episode 23, Elizabeth and Ben are joined by opera singer Myf Coghill on a trip to Ankh-Morpork’s opera house in Terry Pratchett’s 1994 Discworld novel of witches, phantoms and experimental cookery: Maskerade! Nanny Ogg’s coven with Granny Weatherwax is short a witch. She decides young Agnes Nitt – last seen dabbling in the craft while wearing black lace and calling herself “Perdita” – is just the person to fill the position. But Agnes has run off to Ankh-Morpork and joined the opera, where a mysterious “Opera Ghost” has turned from good luck charm to demanding, dangerous and possibly deranged. Can “Perdita” find out the identity of the Opera Ghost before the bodies start stacking up – and before Granny and Nanny stick their noses in and do it for her? Pratchett delves into a world hitherto unknown to him and takes Granny and Nanny to the big city for their penultimate book, heavily influenced by The Phantom of the Opera, and about much more earthly matters than their previous adventures. We learn a lot about opera, Andrew Lloyd Webber and the world of publishing, and delve into Pratchett’s treatment of Agnes, a beloved character whose unflattering portrayal was the subject of many questions and comments. Did Maskerade bring out the opera fan in you? Do you think Agnes deserved better? And despite being a bit of a downer, is this one of the best Discworld books we’ve discussed so far? Use the hashtag #Pratchat23 on social media to join the conversation and let us know what you think! Guest Myfanwy Coghill is an opera singer, soon-to-be qualified teacher, and Dungeon Master (of the Dungeons & Dragons variety). You can follow her on Twitter at @_merlenoir_. You’ll find the full notes and errata for this episode on our web site. We’re staying in Ankh-Morpork for Feet of Clay in October before heading back in time to explore the origins of Granny Weatherwax in November with Equal Rites. Plus our subscriber-only bonus podcast, Ook Club, has launched! You can subscribe for as little as $2 a month to check it out. You’ll find all the details on our Support Us page.

Episode 22 – released, by pure coincidence, on International Cat Day – features Elizabeth, Ben and resident Pratcat Asimov for a look at one of Terry Pratchett’s oddest books: 1989’s humorous examination of all things feline, The Unadulterated Cat. Cats these days just aren’t a patch on the ones you used to get: aloof, untameable outdoor beasts who are more likely to trap you in a neighbours’ house with a broken leg (long story) than to sit nicely on your lap and purr. The Campaign for Real Cats has had enough of modern, “fizzy keg” cats, with their bows and their bells and their posing. This is the Campaign’s guide to identifying, understanding and appreciating honest-to-Bastet real cats. Pratchett teams up with cartoonist and illustrator Gray Jolliffe to give us a tongue-firm-in-furry-cheek guide to the world of cats in one of his rare non-fiction works. It’s the kind of thing you buy the cat lover in your life for Christmas, full of chapters detailing the types of cats, their names, the games they play and “advice” on how to deal with them. Are you a cat lover? Did this ring true for you? We’d love to hear from you – and to hear your cat stories, and any real cats you’ve identified in fiction! Use the hashtag #Pratchat22 on social media to join the conversation. Guest Asimov lives with Liz and is our resident “Pratcat”. He was previously audible in the background of #Pratchat10, “We’re Gonna Need a Bigger Broomstick” and #Pratchat18, “Sundog Gazillionaire”. No doubt he’ll crop up in future episodes too (and spoiler alert: he won’t be the only Pratcat in future!). You can follow his adventures on Instagram at @asimovthecat. You’ll find the full show notes and errata for this episode on our web site. In September we return to the Discworld – and its most real of cats, Greebo – as we head to the opera for Maskerade, the 1994 book which brings the witches to Ankh-Morpork! Our guest will be teacher and opera singer Myf Coghill. We’d love your questions – send them to us via social media using the hashtag #Pratchat23. As mentioned in this episode, we’ll soon be releasing our first bonus episode just for subscribers! All bonus episodes will be available to anyone who subscribes, so if you’re interested, jump over to our Support Us page for details.

Twenty-one today! In this episode, Elizabeth and Ben are joined by David Ryding of Melbourne UNESCO City of Literature as we rejoin Rincewind and some of his old friends in Terry Pratchett’s 17th Discworld novel: 1994’s Interesting Times. Rincewind, the worst student Unseen University ever had, has quite literally been to hell and back. But when a summons arrives in Ankh-Morpork requesting the presence of “the Great Wizzard”, his old faculty bring him home, then send him to the far-flung Agatean Empire. All is not well on the Counterweight Continent: rebels are (gently) questioning centuries of enforced order, inspired by the revolutionary pamphlet “What I Did on My Holidays”. The ruthless Lord Hong plots to change the Empire forever. The walls have failed to keep out a horde of barbarian invaders – seven of them, in fact. And it’s about to be visited by a very special kind of butterfly… Pratchett revisits characters from his first Discworld novels, as Rincewind is reunited with Cohen the Barbarian in Twoflower’s homeland. But in 2019, twenty-five years after it was first published, his depiction of a comic fantasy Asia leaves a bit to be desired. There’s plenty going on, and some stirring speeches, but it’s also hard to ignore that nearly all the main characters are white folks “saving” a foreign nation from itself – a nation inspired by real-world Asian countries. Is there a clear message in the book? How does this sit on the evolution of Pratchett’s work from parody to satire? And were you glad to see such old favourite characters return, or could you have done without them? We’d love to hear from you! Use the hashtag #Pratchat21 on social media to join the conversation. Guest David Ryding has been Director of the Melbourne UNESCO City of Literature office since its establishment in 2014 (though Melbourne has been a City of Literature since 2008). Prior to that he was director of the Emerging Writers Festival, then executive director of the NSW Writers Centre (now know as Writing NSW). You can find out more about what he does at the City of Literature office at cityofliterature.com.au, and they’re also on Twitter at @MelCityofLit. If you’re looking for other great literary podcasts made in Melbourne, you can find some listed on their site here. You can find the full show notes and errata for this episode on our web site. We hope you enjoyed our first ever live show, recorded at Nullus Anxietas VII, where we discussed Cohen’s previous adventure in the short story “Troll Bridge”! We’d love to record more bonus episodes in future, and you can help us do it by supporting Pratchat. In August we leave the Discworld and indeed the land of fiction to read one of Pratchett’s oddest books: The Unadulterated Cat, a 1989 collaboration with cartoonist Gray Joliffe in which he makes the case that the only “real cat” is one that destroys gardens, eats wildlife and makes a thorough nuisance of itself. If you have questions, send them to us via social media using the hashtag #Pratchat22.

Back in April, Liz and Ben attended the seventh bi-annual Australian Discworld Convention, Nullus Anxietas VII! They enlisted fellow convention guest (and friend of the podcast), author Tansy Rayner Roberts, to discuss Terry Pratchett’s first Discworld short story: 1991’s “Troll Bridge”! Cohen the Barbarian has led a long life, but his greatest glories and biggest adventures seem far behind him. It’s time to tick a few items off his bucket list – starting with facing a troll in one-on-one combat. But when he and his annoying talking horse reach one of the few troll bridges left on the Disc, things aren’t as straightforward as they were in the old days… With the Snowgum Films adaptation of “Troll Bridge” being screened at the convention, it seemed only right to cover the source material in this, our first ever live show! Like a lot of Pratchett’s work, “Troll Bridge” is by turns silly and deep, drawing on the traditions of Tolkien and Howard while at the same time pointing out that their worlds couldn’t stay the same forever. Did you find it poignant? When do you think it happens in Cohen’s timeline? And is a short story enough for an entire podcast? We’d love to know! Use the hashtag #PratchatNA7 on social media to join the conversation. Guest Tansy Rayner Roberts is an award-winning writer and podcast host. She’s written fantasy novels, short fiction, feminist essays and much more; of particular interest to Pratchat listeners is Pratchett’s Women, a collection of essays about the women in the Discworld novels. She co-hosts the podcasts Galactic Suburbia (about sci-fi and writing in Australia) and Verity! (about Doctor Who), and has her own fiction podcast Sheep Might Fly. You can find Tansy on the web at tansyrr.com, on Patreon at patreon.com/tansyrr, and also on Twitter, Instagram and Facebook. You can find the full show notes and errata for this episode on our web site. We’d like to extend our warm thanks to everyone who attended the convention; you all made us feel so welcome, and it was such a special experience to be among so many Discworld fans, speaking on panels and chairing debates and meeting you all! Especially big thanks to those of you who came to be in our first live audience, and to the massive team of hard-working volunteers at Nullus Anxietas, without whom fan conventions like this just couldn’t happen. That goes eig- er, one more than sevenfold to Suzie Eisfelder, Lisa Lagergren, Steve Lewis and all the other members of the committee, who organise such a massive undertaking every two years. We hope to see you all in Sydney in 2021 for Nullus Anxietas 7A! We also hope to do some more live shows in the future, probably as bonus episodes like this one. Regular episodes will continue to be released on the 7Ath of each month…and in #Pratchat21, coming up next in July 2019, you can find out what Genghiz Cohen did next as we discuss Interesting Times. Want to make sure we get through every Pratchett book – and maybe make a few more live episodes like this? You can support Pratchat for as little as $2 a month and get subscriber bonuses, like the exclusive bonus podcast Ook Club!

For our twentieth episode we finish our first Pratchett series! Elizabeth and Ben are joined by writer Dr Lili Wilkinson to discover the final fate of Masklin, Angalo, Gurder and the rest of the Nomes in Terry Pratchett’s 1990 conclusion to the Bromeliad: Wings! (If you need to catch up, you can find Truckers in #Pratchat9, and Diggers in #Pratchat13.) When Masklin arrived in the Store, he learned that the Thing – an ancient artefact handed down for thousands of generations – wasn’t just a useless box, but could speak. It helped him save the Nomes from the destruction of the Store, and revealed that their people came to Earth long ago from a distant star. Masklin knows Nomes can’t run and hide from humans forever. So with the help of the Abbott Gurder and explorer Angalo, he’s going to sneak onto a Concorde and go to Florida to hijack a satellite so the Thing can talk to their starship and fly them to another planet. Not that Masklin understands what most of those words mean… The Book of the Nomes concludes with a rollicking, fast-paced adventure with big questions about identity, religion, philosophy and taking risks to do what’s right. Oh, and some frogs. Picking up from where we left them at the start of Diggers, Wings follows Masklin, Angalo and Gurder as they travel vast distances, meet their own gods and eventually have a close encounter of the Nome kind. Did you find the ending satisfying? How does the mix of fantasy and sci-fi tropes sit with you? Do you wish there’d been more stories of the Nomes? We’d love to hear from you! Use the hashtag #Pratchat20 on social media to join the conversation. Guest Dr Lili Wilkinson is an author based in Melbourne. She’s written a dozen books for young adults and middle grade readers, including The Boundless Sublime (about a girl who gets sucked into a cult), After the Lights Go Out (in which a girl is prepped for the apocalypse by her Dad…and then it happens), and Green Valentine, a romance featuring shopping trolleys, a lobster costume and a whole lot of gardening. Lili also started insideadog.com.au, an online community for bookish teens, and the Inky Awards, Australia’s only reader’s choice award for YA fiction. Watch out for her new picture book Clancy the Quokka in October 2019. You can find Lili online at liliwilkinson.com.au and on Twitter at @twitofalili. You can find the full show notes and errata for this episode on our web site. In July we’re visiting a distant part of the Disc and finally catching up with everyone’s* favourite inept wizard, Rincewind, as we’ll be joined by David Ryding of Melbourne City of Literature to return to the Discworld series for Interesting Times! Get your questions in via social media using the hashtag #Pratchat21. Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details. * Well…all right. Ben’s favourite inept wizard. Though Catweazle, Ergo the Magnificent and Meredith are all up there as well.