Poetry Unbound

Most of us do our eavesdropping shyly and secretively, but Ofelia Zepeda’s poem “Deer Dance Exhibition” welcomes us to listen in on an exchange between people as they watch a ceremonial dance. Along the way, we get the sense that what we’re witnessing is more than a conversation — it’s the sounds and sensations of life itself. Ofelia Zepeda is a poet, Regents Professor of Linguistics at the University of Arizona, and the recipient of a MacArthur Fellowship for her work in American Indian language education. She is the current editor of Sun Tracks, launched in 1971 and one of the first publishing programs to focus exclusively on the creative works of Native Americans. Her current poetry books include: Ocean Power: Poems from the Desert (The University of Arizona Press, 1995), Jewed ‘I-hoi/ Earth Movements (Kore Press, 2005), and Where Clouds are Formed (The University of Arizona Press, 2008). Find the transcript for this show at onbeing.org.We’re pleased to offer Ofelia Zepeda’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Even in the most uneventful of human lives, uncertainty and doubts will inevitably intrude. When faced with those, what can you do to steady yourself? One suggestion: Turn to the poem “When in Doubt” by Sandra Cisneros, where she generously shares some of the wisdom that she’s gleaned over the years. Sandra Cisneros is a poet, short story writer, novelist, essayist, performer, and artist. Cisneros’s most recent collection is Woman Without Shame (Knopf Publishing Group 2022). Her numerous awards include NEA fellowships in both poetry and fiction, a MacArthur Fellowship, national and international book awards, including the PEN America Literary Award, and the National Medal of Arts. More recently, she received the Ford Foundation's Art of Change Fellowship, was recognized with the Fuller Award for Lifetime Achievement in Literature, and won the PEN/Nabokov Award for Achievement in International Literature. In 2022, she was awarded the Poetry Foundation’s Ruth Lilly Poetry Prize. In addition to her writing, Cisneros has fostered the careers of many aspiring and emerging writers through two nonprofits she founded: the Macondo Foundation and the Alfredo Cisneros del Moral Foundation.Find the transcript for this show at onbeing.org. We’re pleased to offer Sandra Cisneros’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To be alive is to be in conversation with the dead. The ghosts of loved ones are always swirling around us, and sometimes we’re lucky enough to catch a glimpse. In the poem “Three Mangoes, £1,” Kandace Siobhan Walker describes a surprising encounter with her late grandmother at a busy market, and an encounter with a stranger.Kandace Siobhan Walker is a writer and artist of Jamaican-Canadian, Saltwater Geechee, and Welsh heritage. Her poems have appeared in Magma, The White Review, Poetry Wales, and a number of anthologies. She is the author of the pamphlet Kaleido (Bad Betty, 2022). In 2021, she was both the recipient of an Eric Gregory Award and the winner of the White Review Poet’s Prize. In 2019, she won the Guardian 4th Estate BAME short story prize. Cowboy, her debut full-length collection from CHEERIO Publishing, is shortlisted for the Forward Prize for Best First Collection in 2023.Find the transcript for this show at onbeing.org.We’re pleased to offer Kandace Siobhan Walker’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It is an intimate thing, to watch a lover while they sleep. In Francisco Aragón’s translation of Francisco X. Alarcón’s homoerotic poem, “Asleep You Become a Continent,” a man views his sleeping lover’s body like it’s a landscape: legs underneath sheets become mountains and valleys. The waking lover describes this view like an explorer might an unknown country; wondering what he will find.Francisco X. Alarcón was an award-winning Chicano poet and educator. He authored fourteen volumes of poetry, published seven books for children, and taught at the University of California, Davis, where he directed the Spanish for Native Speakers Program.Francisco Aragón is the son of Nicaraguan immigrants. His books include After Rubén (Red Hen Press, 2020), Glow of Our Sweat (Scapegoat Press, 2010), and Puerta de Sol (Bilingual Review Press, 2005). He’s also the editor of The Wind Shifts: New Latino Poetry (University of Arizona Press, 2007). A native of San Francisco, CA, he is on the faculty of the University of Notre Dame’s Institute for Latino Studies, where he directs their literary initiative, Letras Latinas. His work has appeared in over twenty anthologies and various literary journals. He has read his work widely, including at universities, bookstores, art galleries, the Dodge Poetry Festival, and the Split This Rock Poetry Festival. He divides his time between South Bend, IN, and Mililani, HI.Find the transcript for this show at onbeing.org.We’re pleased to offer Francisco Aragón’s translation, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Conor Kerr’s “Winter Songs” depicts a future scene: coyotes roaming through a rewilded city, digging up the bones of Indigenous ancestors who then regenerate and reclaim what was taken. Power is dismantled, something original is restored.Conor Kerr is a Métis/Ukrainian writer living in Edmonton. A member of the Métis Nation of Alberta, he is descended from the Lac Ste. Anne Métis and the Papaschase Cree Nation. His Ukrainian family are settlers in Treaty 4 and 6 territories in Saskatchewan. He is the author of the poetry collections An Explosion of Feathers and Old Gods, as well as the novel Avenue of Champions, which was shortlisted for the Amazon Canada First Novel Award, longlisted for the 2022 Giller Prize, and won the 2022 ReLIT award. Conor is an assistant professor at the University of Alberta where he teaches creative writing.Find the transcript for this show at onbeing.org.We’re pleased to offer Conor Kerr’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Valencia Robin’s poem portrays a tense relationship between mother and daughter; perhaps each resembling the other too much. In desperation — and shock — the daughter says the worst thing she can think of to her mother. What follows is like the fall of a dictator, a coup, an end, an opening.Valencia Robin is an interdisciplinary artist whose practice includes poetry, painting, collage, and sculpture. A recipient of a National Endowment of the Arts Fellowship, her debut poetry collection, Ridiculous Light, won Persea Books’ First Book Prize, was a finalist for the Kate Tufts Discovery Award, and was named one of Library Journal’s best poetry books of 2019. A co-founder of GalleryDAAS at the University of Michigan, Robin has an MFA in Art & Design from the University of Michigan and an MFA in Creative Writing from the University of Virginia. Robin currently teaches at East Tennessee State University and lives in Johnson City, Tennessee.Find the transcript for this show at onbeing.org.We’re pleased to offer Valencia Robin’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a poem about how a small moment can help you make a wise decision, Eugenia Leigh finds the strength to go back home after storming out. No self-pity in the poem, just humor and brilliance. She had every reason to leave, and finds every reason to return. Eugenia Leigh is a Korean American poet and the author of two collections of poetry, Bianca (Four Way Books, 2023) and Blood, Sparrows and Sparrows (2014), winner of the Late Night Library's 2015 Debut-litzer Prize in Poetry, as well as a finalist for both the National Poetry Series and the Yale Series of Younger Poets. She currently serves as a poetry editor at The Adroit Journal and as the Valentines Editor at Honey Literary, a BIPOC-focused literary journal and literary arts organization.Find the transcript for this show at onbeing.org.We’re pleased to offer Eugenia Leigh’s poem, and invite you to read Pádraig’s weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Poetry Unbound with host Pádraig Ó Tuama is back on Monday, January 1. Featured poets in this season include Amber McBride, Eugenia Leigh, Francisco Aragón, Ray Young Bear, and many more. New episodes released every Monday and Friday through February 23.Follow us on Apple Podcasts, Spotify, Google Podcasts, Overcast, or wherever you listen. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Friends, Pádraig here — we are awakening your Poetry Unbound feed to share this brilliant episode from the newest season of On Being, which is well underway. Conversations on love and loss, comedy and ecology, social creativity, poetry, and more all await you in the On Being feed — subscribe now and don’t miss out.And — Poetry Unbound Season 8 is in production and will be arriving this winter. And now...This phrase recurs throughout Clint Smith's writing: "in the marrow of our bones." It is an example of how words can hold encrypted wisdom — in this case, the reality that memory and emotion lodge in us physically. Words and phrases have carried this truth forward in time long before we had the science to understand it.Clint Smith is best known for his 2021 book, How the Word Is Passed, but he is first and foremost a poet. He and Krista discuss how his various life chapters have been real-world laboratories for him to investigate the entanglement between language and the intelligence of the body — and the related entanglement between history and place. His poetic sensibility has singularly opened readers to approach a generative reckoning with American history — on whatever side of that history our ancestors stood. Clint Smith has a way of making reckoning possible at a humanizing, softening, bodily level — in the marrow, you might say, of our bones. Clint Smith is a staff writer at The Atlantic. His narrative nonfiction book, How the Word Is Passed: A Reckoning With the History of Slavery Across America, won the National Book Critics Circle Award for Nonfiction and many other honors. His poetry collections are Counting Descent and Above Ground.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A central duality appears in the work of Henri Cole: the revelation of emotional truths in concert with a “symphony of language” — often accompanied by arresting similes. We are excited to offer this conversation between Pádraig and Henri, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they discuss the role of animals in Henri’s work, the pleasure of aesthetics in poetry, and writing as a form of revenge against forgetting.Henri Cole was born in Fukuoka, Japan and raised in Virginia. He has published many collections of poetry and received numerous awards for his work, including the Jackson Poetry Prize, the Kingsley Tufts Award, the Rome Prize, the Berlin Prize, the Ambassador Book Award, the Lenore Marshall Award, and the Medal in Poetry from the American Academy of Arts and Letters. His most recent books are a memoir, Orphic Paris (New York Review Books, 2018), Blizzard (Farrar, Straus and Giroux, 2020), and Gravity and Center: Selected Sonnets, 1994-2022 (Farrar, Straus and Giroux, 2023). From 2010 to 2014, he was poetry editor of The New Republic. He teaches at Claremont McKenna College and lives in Boston.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Aimee Nezhukumatathil’s poems are filled with butchery and blood as she carves space for desire, motherhood, and an encyclopedic knowledge of plants to coexist in life and on the page. We are excited to offer this conversation between Pádraig and Aimee, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they explore the beauty of solitude, eroticism in poetry, and a letter writing practice for taking inventory of a life.Aimee Nezhukumatathil is the author of a book of nature essays, World of Wonders: In Praise of Fireflies, Whale Sharks, & Other Astonishments (Milkweed Editions, 2020), which was named a finalist for the Kirkus Prize in non-fiction, and four award-winning poetry collections, most recently, Oceanic (Copper Canyon Press, 2018). Awards for her writing include fellowships from the Mississippi Arts Council, Mississippi Institute of Arts and Letters Award for poetry, National Endowment of the Arts, and the Guggenheim Foundation. Her writing has appeared in NYTimes Magazine, ESPN, and Best American Poetry. She is professor of English and creative writing in the University of Mississippi’s MFA program.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Through her poetry, Patricia Smith generously, skillfully puts language around what can be seen both in the present and deliberately looking back at oneself. We are excited to offer this conversation between Pádraig and Patricia, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they explore how memory, persona, and a practice of curiosity inform Patricia’s work, and the ways writing a poem is like writing a piece of music.Patricia Smith is the author of nine books of poetry, including Unshuttered (Triquarterly Books, 2023); Incendiary Art (Triquarterly Books, 2017), winner of the 2018 Kingsley Tufts Poetry Award, the 2017 Los Angeles Times Book Prize, and the 2018 NAACP Image Award, and finalist for the 2018 Pulitzer Prize; Shoulda Been Jimi Savannah (Coffee House Press, 2012), winner of the Lenore Marshall Prize from the Academy of American Poets; and Blood Dazzler (Coffee House Press, 2008), a National Book Award finalist. Her work has appeared in Poetry, The Paris Review, The Baffler, The Washington Post, The New York Times, Tin House, and in Best American Poetry, Best American Essays, and Best American Mystery Stories. Smith is a Distinguished Professor for the City University of New York, a visiting professor in creative writing at Princeton University, and a faculty member in the Vermont College of Fine Arts postgraduate residency program.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

So much of what was once deemed impossible was found — during Covid — to be possible. Here, a poet watches a tent, a huge temporary hospital, be raised up on the green of Central Park, a place she’d previously walked her dog.Maya C. Popa is the author of Wound Is the Origin of Wonder (W. W. Norton, 2022) and American Faith (Sarabande, 2019), which was a recipient of the North American Book Prize and a runner-up in the Kathryn A. Morton Prize judged by Ocean Vuong. She is also the author of two chapbooks, both from the Diagram Chapbook series: You Always Wished the Animals Would Leave (New Michigan Press, 2018) and The Bees Have Been Canceled (New Michigan Press, 2017). She is the Poetry Reviews Editor at Publishers Weekly and teaches poetry at New York University. She is Director of Creative Writing at the Nightingale-Bamford school, where she oversees visiting writers, workshops, and readings. She holds degrees from Oxford University, NYU, and Barnard College, and is currently pursuing her PhD on the role of wonder in poetry at Goldsmiths, University of London.Find the transcript for this show at onbeing.org.We’re pleased to offer Maya C. Popa’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How to remember a beloved who died tragically, violently? Remember the violence? Sometimes, yes. But also this: remember his love of flowers.Jenny Mitchell is the author of the poetry collections Her Lost Language (Indigo Dreams Publishing, 2019) and Map of a Plantation (2021). Her latest collection, Resurrection of a Black Man (2022), is a Poetry Kit Book of the Month. Mitchell is a winner of the Poetry Book Awards and joint winner of the Geoff Stevens Memorial Prize. She is also a recipient of the inaugural Ironbridge Prize, the Bedford Prize, and the Gloucester Poetry Society Open Competition. Find the transcript for this show at onbeing.org.We’re pleased to offer Jenny Mitchell’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What self-consciousnesses do artists carry? It can be difficult to know how to hold onto confidence in your work, especially when small jibes from others remain long after apologies have been offered. Art compels and calls, and also complicates.Vidyan Ravinthiran was born in Leeds to Sri Lankan Tamils. His first book of poems, Grun-tu-molani (Bloodaxe Books, 2014), was shortlisted for the Forward Prize for Best First Collection, the Seamus Heaney Centre Poetry Prize, and the Michael Murphy Memorial Prize. His second, The Million-petalled Flower of Being Here (Bloodaxe Books, 2019), won a Northern Writers Award and a Poetry Book Society Recommendation. It was shortlisted for the 2019 Forward Prize for Best Collection, the 2019 T.S. Eliot Prize, and the 2021 Ledbury Munthe Poetry Prize for Second Collections. He is the author of Elizabeth Bishop's Prosaic (Bucknell, 2015); a collection of essays, Worlds Woven Together (Columbia University Press, 2022); a critical study, Spontaneity and Form in Modern Prose (OUP, 2020); and Asian/Other, a fusion of poetry criticism and memoir forthcoming from Icon in the U.K. and Norton in the U.S. Ravinthiran is an associate professor of English at Harvard University.Find the transcript for this show at onbeing.org.We’re pleased to offer Vidyan Ravinthiran’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A poet reads to a room full of youths who seem to have some residual resentment to the poet. The poet doesn’t mind — he understands, and calls on the listeners to share in the power of focused anger, to make it a motivation for their creativity.Mark Turcotte (Turtle Mountain Ojibwe) is the author of The Feathered Heart (Michigan State University Press, 1998) and Exploding Chippewas (Triquarterly Books, 2002). He lives in Chicago, where he teaches at DePaul University.Find the transcript for this show at onbeing.org.We’re pleased to offer Mark Turcotte’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What do sandwiches, laundry, therapy, childhood homes, and forgiveness have to do with each other? Wo Chan weaves a poem that charts the many things a single day can hold.Wo Chan is a poet and drag artist who performs as The Illustrious Pearl. They are a winner of the Nightboat Poetry Prize and the author of Togetherness (Nightboat Books, 2022). Wo has received fellowships from MacDowell, New York Foundation of the Arts, Kundiman, The Asian American Writers Workshop, Poets House, and Lambda Literary. Their poems appear in POETRY, WUSSY, Mass Review, No Tokens, The Margins, and elsewhere. As a member of the Brooklyn-based drag/burlesque collective Switch N’ Play, Wo has performed at venues including The Whitney Museum of American Art, National Sawdust, New York Live Arts, and the Architectural Digest Expo. Find them at @theillustriouspearl.Find the transcript for this show at onbeing.org.We’re pleased to offer Wo Chan’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A note from the Poetry Unbound team:We’ve updated the audio for our episode “Amanda Gunn — Ordinary Sugar.” This updated version includes an additional stanza initially omitted from the recording and additional reflection from Pádraig.How can russet potatoes be made to taste of sugar and caramel? By dedication, love, and craft. Amanda Gunn places her poetry in conversation with the farming and culinary skills of her forebears: women who cultivated land, survival, strength, and family bonds.Amanda Gunn grew up just at the edge of the woods in southern Connecticut with two older brothers. She is the author of Things I Didn’t Do with This Body (Copper Canyon Press, 2023). Gunn is a Wallace Stegner Fellow at Stanford, as well as a PhD candidate in English at Harvard, where she studies poetry, ephemerality, and Black pleasure. Her recent work appears in Poetry, Los Angeles Review of Books Quarterly Journal, and Narrative Magazine. Photo credit: Moon DuchinFind the transcript for this show at onbeing.org.We’re pleased to offer Amanda Gunn’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Old stories — of mythology or religion — have sometimes been depicted as having one narrative and one interpretation. Here, J. Estanislao Lopez takes on the voice of a character whose story ended in violence, inviting listeners to claim their agency as this character claims hers.J. Estanislao Lopez is the author of We Borrowed Gentleness (Alice James Books, 2022). His poetry has appeared in The New Yorker, Ploughshares, The Rumpus, and Poetry Magazine, as well as the anthology The BreakBeat Poets Vol. 4: LatiNext. Lopez received his MFA from the Warren Wilson Program for Writers.Find the transcript for this show at onbeing.org.We’re pleased to offer J. Estanislao Lopez’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We are delighted to offer this extended conversation between host Pádraig Ó Tuama and the poet Sasha taqʷšəblu LaPointe. Together, they take a deep dive into the story and language of her poem "Blue," featured in Season 7 of Poetry Unbound, as well as Sasha's beginnings in poetry.Sasha taqwšəblu LaPointe is the author of Rose Quartz. She is from the Upper Skagit and Nooksack Indian Tribes. Native to the Pacific Northwest, she draws inspiration from her coastal heritage as well as her life in the city. She is the author of the critically acclaimed memoir Red Paint, and holds a double MFA in creative nonfiction and poetry from the Institute of American Indian Arts. Her work has appeared in The Rumpus, Yellow Medicine Review, Hunger Mountain, and elsewhere. She lives in Tacoma, Washington.Find the transcript for this show at onbeing.org.Listen to our episode featuring Sasha’s poem “Blue,” and stay connected with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a poem that explores a story of a name, a story of a color, a story of a sound, a story of an identity, a the story of a person — we hear of ancestors, childhood innocences, exclusions, memories, sensualities, and the way that the dead are not always dead.Sasha taqwšəblu LaPointe is the author of Rose Quartz. She is from the Upper Skagit and Nooksack Indian Tribes. Native to the Pacific Northwest, she draws inspiration from her coastal heritage as well as her life in the city. She is the author of the critically acclaimed memoir Red Paint, and holds a double MFA in creative nonfiction and poetry from the Institute of American Indian Arts. Her work has appeared in The Rumpus, Yellow Medicine Review, Hunger Mountain, and elsewhere. She lives in Tacoma, Washington.Find the transcript for this show at onbeing.org.We’re pleased to offer Sasha taqwšəblu LaPointe’s poem, and invite you to connect with Poetry Unbound throughout this season. Find the companion bonus episode in your feed, with Pádraig Ó Tuama in conversation with Sasha taqwšəblu LaPointe. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On one particular day, a poem places events alongside each other, the ordinariness of each event casting the other events into light and shade.Charif Shanahan is the author of two collections of poetry: Trace Evidence: Poems (Tin House, 2023) and Into Each Room We Enter without Knowing (Crab Orchard Series in Poetry/SIU Press, 2017), which was a finalist for the Lambda Literary Award for Gay Poetry and the Publishing Triangle's Thom Gunn Award. His work has been supported by a National Endowment for the Arts Literature Fellowship; a Wallace Stegner Fellowship at Stanford University; and a Fulbright Senior Scholar Grant to Morocco. Originally from the Bronx, he is an Assistant Professor of English and Creative Writing at Northwestern University, where he teaches poetry in the undergraduate and Litowitz MFA+MA graduate creative writing programs.Find the transcript for this show at onbeing.org.We’re pleased to offer Charif Shanahan’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Why do we do the things we do when we’re young? Brenda Cárdenas recalls nights sneaking out of the house as a teenager, looking for highs, looking for company. “Why would you do that?” is the adult question throughout the poem. “Why wouldn’t I?” is a reply.Brenda Cárdenas is the author of the poetry collection Trace (Red Hen Press, 2023). Cárdena’s works include Boomerang (Bilingual Press, 2009), the chapbook Bread of the Earth/The Last Colors (Decentralized Publications, 2011), co-authored with her husband Roberto Harrison, and From the Tongues of Brick and Stone (Momotombo Press, 2005). She also co-edited Resist Much/Obey Little: Inaugural Poems to the Resistance (Spuyten Duyvil Press, 2017) and Between the Heart and the Land: Latina Poets in the Midwest (MARCH/Abrazo Press, 2001). She has served as faculty for the CantoMundo writers’ retreat and as Milwaukee Poet Laureate. She currently teaches creative writing and Latinx literature at University of Wisconsin-Milwaukee.Find the transcript for this show at onbeing.org.We’re pleased to offer Brenda Cárdenas’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

An item of clothing — the blouse of a grandmother — is praised for its artistry, is remembered for how it sits on the body. And then, having been lost, is remade, refined, and reimagined on a new body that recalls the bodies of women of previous generations.Nithy Kasa is a Dublin-based poet of Congolese origin. Published in poetry magazines such as Poetry Ireland Review and anthologies like Dedalus Press’s Writing Home: The New Irish Poets, her work can also be found in the archive of the University of Galway and University College Dublin special collections. Her debut collection of poetry, Palm Wine Tapper and The Boy at Jericho (Doire Press, 2022), was listed among the top poetry books of 2022 by The Irish Times.Find the transcript for this show at onbeing.org.We’re pleased to offer Nithy Kasa’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What might have been? A poet recalls flirtations and electric connections that could have led to a different life.Selina Nwulu is a writer of Nigerian heritage who is based in London. Her poetry and essays have been widely featured in a variety of journals, short films, and anthologies, including the critically-acclaimed anthology New Daughters of Africa. Her first chapbook collection, The Secrets I Let Slip, was published in 2015 by Burning Eye Books and is a Poetry Book Society recommendation. She has toured her poetry extensively, both internationally and throughout the U.K. in a number of cultural institutions. She has also been featured in Vogue, ES Magazine, i-D, and Blavity, among others. Her work has been translated into Spanish, Greek, and Polish, and exhibited in Warsaw, New York, Dublin, and Glasgow. She was the Young Poet Laureate for London in 2015-16, and was shortlisted for the 2019 Brunel International African Poetry Prize. She was also a finalist for the 2021 U.K. Arts Award for Environmental Writing. A Little Resurrection is her debut full-length collection. Find the transcript for this show at onbeing.org.We’re pleased to offer Selina Nwulu’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you had to make a self portrait of your daily morning routine through language and sensation, what would you include? John Lee Clark offers memories of a birthday through experiences the body holds.John Lee Clark is a DeafBlind poet, essayist, historian, translator, and an actor in the Protactile movement. He is the author of the poetry collection How to Communicate (W. W. Norton & Company, 2022) and the essay collection Where I Stand (Handtype Press, 2014). Clark is a 2021-2023 Bush Leadership Fellow, a core member of Protactile Language Interpreting National Education Center, and a research consultant with the Reciprocity Lab at the University of Chicago.Find the transcript for this show at onbeing.org.We’re pleased to offer John Lee Clark’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A memory from childhood is viewed through the lens of the Malaysian poetic form of pantoum. New things emerge when lines break and reform with new associations.Kay Ulanday Barrett is a poet, essayist, cultural strategist, and A+ napper. They are the winner of the 2022 Foundation for Contemporary Arts Cy Twombly Award for Poetry, a 2022 recipient of a Tin House Next Book residency, and a recipient of a 2020 James Baldwin Fellowship Award at MacDowell. Their second book, More Than Organs (Sibling Rivalry Press, 2020), received a 2021 Stonewall Honor Book Award and is a 2021 Lambda Literary Award Finalist. Their contributions are found in The New York Times, Academy of American Poets, Poetry Magazine, Literary Hub, them, The Advocate, Al Jazeera, NYLON, Vogue, The Rumpus, The Lily, The Maine Review, The Massachusetts Review, and elsewhere. For more information, visit kaybarrett.net or find them on social media at @brownroundboi.Find the transcript for this show at onbeing.org.We’re pleased to offer Kay Ulanday Barrett’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you could put a lock of your hair under a microscope, what would it contain? DNA certainly, but here in dg nanouk okpik’s poem, the hair also contains memory, smell, location, disease, dreams, and medicine.dg nanouk okpik is Iñupiat-Inuit from Alaska. Her first book, Corpse Whale (University of Arizona Press, 2012), won the American Book Award and May Sarton Award. okpik was long-listed for the PEN American Award for Blood Snow (Wave Books, 2022). She is a Lannan Fellow with the Institute of American Indian Arts. okpik resides in Santa Fe, NM.Find the transcript for this show at onbeing.org.We’re pleased to offer dg nanouk okpik’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pádraig reflects on the transformative force of poetry, and Krista joins with an invitation to pay tribute to the ongoing work of Poetry Unbound.Make a gift and learn more at onbeing.org/LoveUs. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A social worker holds a group for teenagers at a school. They only half pay attention to him. Then something happens, and they pay attention to each other.Benjamin Gucciardi was born and raised in San Francisco, California. His first book, West Portal (University of Utah Press, 2021), was selected by Gabrielle Calvocoressi for the Agha Shahid Ali Prize in Poetry and was named a finalist for the Northern California Book Award and the Julie Suk Award. He is also the author of the chapbooks Timeless Tips for Simple Sabotage (Quarterly West, 2021), chosen by Elena Passarello as the winner of the 2020 Quarterly West Chapbook Contest, and I Ask My Sister’s Ghost (DIAGRAM/New Michigan Press, 2020). In addition to writing, he works with newcomer youth in Oakland, California through Soccer Without Borders, an organization he founded in 2006.Find the transcript for this show at onbeing.org.We’re pleased to offer Benjamin Gucciardi’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Have you ever had a private moment — perhaps in the middle of the night — in a large city? When it just seems like it’s you and the great dreaming metropolis? Rowan Ricardo Phillips brings us into a memory he can’t forget, complete with a Wu-Tang Clan soundtrack.Rowan Ricardo Phillips is a highly acclaimed, multi-award-winning poet, author, screenwriter, academic, journalist, and translator. His poetry collections include The Ground (Farrar, Straus and Giroux, 2012), Heaven (2015), Living Weapon (2020), and the forthcoming Silver (2024). He is also the author of When Blackness Rhymes with Blackness (a new, forthcoming edition from Farrar, Straus and Giroux) and the nonfiction book The Circuit: A Tennis Odyssey (Picador, 2019). He has been the recipient of numerous awards and fellowships, including the Nicolás Guillén Outstanding Book Award, the Anisfield-Wolf Book Award, the PEN/ESPN Award for Literary Sports Writing, a fellowship from the John Simon Guggenheim Memorial Foundation, the PEN/Joyce Osterweil Award for Poetry, a Whiting Award, and the GLCA New Writers Award. Phillips is a regular contributor to The New York Times Magazine, the president of the board of the New York Institute of the Humanities, and the poetry editor of The New Republic. Phillips received his doctoral degree in English literature from Brown University.Find the transcript for this show at onbeing.org.We’re pleased to offer Rowan Ricardo Phillips’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a poem of strict rhymes and old forms, Alexander Posey (1873-1908), a poet of the Creek Nation, poses challenges to pomposity.Alexander Posey was a poet, editor, and satirist born in 1873 in the Creek Nation. Posey was the publisher of the first Indian-published daily newspaper, the Eufaula Indian Journal.Find the transcript for this show at onbeing.org.We’re pleased to offer Alexander Posey’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a church there are liturgies and prayers and statues. But in José Olivarez’s poem, there are more urgent things taking place, things that have “no time to wait.”José Olivarez is the son of Mexican immigrants. He is the author of Promises of Gold, a collection of poems. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhereFind the transcript for this show at onbeing.org.We’re pleased to offer José Olivarez’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Friendships deserve praise songs, and here’s a praise song — an ode — to friends that have crossed continents for each other, and would go further if needed.Sudanese by way of D.C., Safia Elhillo is the author of Girls That Never Die, The January Children, and Home Is Not a Country, and is co-editor of the anthology Halal If You Hear Me. Winner of the Sillerman First Book Prize for African Poets, the Arab American Book Award, and the Brunel International African Poetry Prize, she is also the recipient of a Cave Canem Fellowship, a Wallace Stegner Fellowship from Stanford University, and a Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from The Poetry Foundation. Her work has appeared in Poetry magazine, The Atlantic, and the Academy of American Poets’ Poem-a-Day series, among others.Find the transcript for this show at onbeing.org.We’re pleased to offer Safia Elhillo’s poem, and invite you to connect with Poetry Unbound throughout this season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Poetry Unbound with host Pádraig Ó Tuama is back on Monday, May 22. Featured poets in this season include Selina Nwulu, Wo Chan, Rowan Ricardo Phillips, Mark Turcotte, and many more. New episodes released every Monday and Friday through July 28.Follow us on Apple Podcasts, Spotify, Google Podcasts, Overcast, or wherever you listen. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Friends, we are awakening your Poetry Unbound feed for a moment to share this episode from the big, beautiful new season of On Being. And Pádraig’s here with a quick hello and a glimpse of what more On Being conversations await you in coming months. You won’t want to miss — subscribe now in the On Being feed and catch each episode as it drops, every Thursday. And now…An electric conversation with Ada Limón's wisdom and her poetry — a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. With an unexpected and exuberant mix of gravity and laughter — laughter of delight, and of blessed relief — this conversation holds not only what we have traversed these last years, but how we live forward. It unfolded at the Ted Mann Concert Hall in Minneapolis, in collaboration with Northrop at the University of Minnesota and Ada Limón's publisher, Milkweed Editions.Ada Limón is the 24th Poet Laureate of the United States. She’s written six books of poetry, most recently, The Hurting Kind. Her volume The Carrying won the National Book Critics Circle Award for Poetry, and her volume Bright Dead Things was a finalist for the National Book Award. She is a former host of the poetry podcast The Slowdown, and she teaches in the MFA program at Queens University of Charlotte, in North Carolina.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As part of a celebratory launch party for the new Poetry Unbound book, Pádraig welcomed Lorna Goodison, former Poet Laureate of Jamaica, into a joyful Zoom room of poetry lovers and listeners of the show, old and new. We draw Season 6 to a close with their conversation on themes explored in Lorna’s poem “Reporting Back to Queen Isabella” (one of the 50 featured in the book): poetry as a “made thing”; poetry as a form of travel.And: Pádraig chats with our wonderful producer and composer Gautam Srikishan on the role of music in the show, with a warm hello from all the humans behind Poetry Unbound. Watch the full, unedited event here.Lorna Goodison is one of the Caribbean's most distinguished contemporary poets. Her work appears in the Norton Anthology of World Masterpieces and her many honors include the Commonwealth Poetry Prize, Americas Region. She is the author of numerous books of poetry, including Supplying Salt and Light, Controlling the Silver, Traveling Mercies, and many more. Her work, translated into many languages, is widely published and anthologized.Find Lorna Goodison’s poem in Poetry Unbound: 50 Poems to Open Your World, and in Season 3 of Poetry Unbound.Thanks to everyone who joined us for Season 6 — we’ll be back with Season 7 later in 2023. In the meantime, continue your poetry ritual through our weekly Substack newsletter, with more musings and prompts from Pádraig and lively community of conversation in the comments.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A younger woman looks at an older woman, admiring her beauty, skill, and freedom. Older now, she thinks of how hard-won such freedom is. Also: singing opera while taking off your clothes. That too.Danusha Laméris is a poet, teacher, and essayist. She is the author of The Moons of August (Autumn House, 2014), which was chosen by Naomi Shihab Nye as the winner of the Autumn House Press poetry prize, and was a finalist for the Milt Kessler Book Award. Her second book, Bonfire Opera (University of Pittsburgh Press, 2020), was a finalist for the Paterson Poetry Prize and winner of the Northern California Book Award in Poetry. The 2020 recipient of the Lucille Clifton Legacy Award, she is a Poet Laureate emeritus of Santa Cruz County, California.Find the transcript for this show at onbeing.org.We’re pleased to offer Danusha Laméris’ poem, and thank you for joining us for Season 6 of Poetry Unbound. We'll be back with Season 7 later in 2023.Order your copy of Poetry Unbound: 50 Poems to Open Your World and join us in our vibrant conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Who brings you to praise? Rumi’s great poem of praise to the “you” is to his great friend Shams, and through that friendship, to God.Rumi was a 13th-century Muslim mystic and poet. He left behind a vast body of lyric poetry, metaphysical writings, lectures, and letters, which have influenced Persian, Urdu, and Turkish literature across the centuries.Haleh Liza Gafori is a translator, vocalist, poet, and educator of Persian descent born in New York City. She has sung and translated the poetry of various Persian poets for well over a decade. She is the translator of GOLD (New York Review of Books / NYRB Classics 2022), translations of poems by Rumi, the 13th-century Muslim mystic and poet. Gafori has taught classes at Dartmouth University, Massachusetts College of Liberal Arts, Taos Poetry Festival, and the Omega Institute.Find the transcript for this show at onbeing.org.We’re pleased to offer Rumi’s poem, and invite you to connect with Poetry Unbound throughout this season.Order your copy of Poetry Unbound: 50 Poems to Open Your World and join us in our vibrant conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What’s it like to be owned by the world, to have populations claiming you, to have millions speaking on your behalf? Naomi Shihab Nye takes a close look — from a distance — at Jesus, and herself.Naomi Shihab Nye is a professor of creative writing at Texas State University. From 2019-2021, Nye was the Young People's Poet Laureate through the Poetry Foundation. She is the author of You & Yours (BOA Editions 2005). Her more recent books include The Tiny Journalist (BOA Editions 2019), Voices in the Air: Poems for Listeners (Greenwillow Books 2022), Cast Away (HarperCollins 2020), and Everything Comes Next: Collected and New Poems (Greenwillow Books 2020). She received the 2019 Ivan Sandrof Lifetime Achievement Award from the National Book Critics Circle.Find the transcript for this show at onbeing.org.We’re pleased to offer Naomi Shihab Nye’s poem, and invite you to connect with Poetry Unbound throughout this season.Order your copy of Poetry Unbound: 50 Poems to Open Your World and join us in our vibrant conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Quiet. Shhh. Softly. Don’t make a fuss. Don’t upset the authorities. Victoria Adukwei Bulley unquiets the quiet.Victoria Adukwei Bulley is a poet, writer, and artist. She is the author of Quiet (Faber Books 2022; Knopf 2023), which was shortlisted for the 2022 T.S. Eliot Prize. Bulley is currently a doctoral student at the Royal Holloway, University of London.Find the transcript for this show at onbeing.org.We’re pleased to offer Victoria Adukwei Bulley’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On the day you wake to a broken window in your car, what do you do? And what happens when the woman repairing that window offers a glimpse of something new?Benjamín Naka-Hasebe Kingsley belongs to the Onondaga Nation of Indigenous Americans in New York. He is the author of Dēmos (Milkweed 2021), Colonize Me (Saturnalia 2019), and Not Your Mama’s Melting Pot (University of Nebraska Press 2018). Naka-Hasebe Kingsley is an assistant professor of English at Kalamazoo College. Find the transcript for this show at onbeing.org.We’re pleased to offer Benjamín Naka-Hasebe Kingsley’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When you move to a new place, everything seems different. Hell’s not hot anymore; it’s freezing. A poem of strangeness and wonder. Dan Vera is a writer, editor, watercolorist, and literary historian. Vera is the author of two books of poetry: Speaking Wiri Wiri (Red Hen Press 2013) and The Space Between Our Danger and Delight (Beothuk Books 2008). His honors include the Oscar Wilde Award for Poetry (2017) and the Letras Latinas/Red Hen Poetry Prize (2012). Find the transcript for this show at onbeing.org.We’re pleased to offer Dan Vera’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Who decides what’s self care and what isn’t? Who benefits? Who pays? Upon whom does the burden of self care rest? Solmaz Sharif excavates.Solmaz Sharif is the author of Customs (Graywolf Press 2022) and Look (Graywolf Press 2016), and was a finalist for the National Book Award. She holds degrees from UC Berkeley, where she studied and taught with June Jordan’s Poetry for the People, and New York University. Her work has appeared in Harper’s, The Paris Review, Poetry, The Kenyon Review, the New York Times, and others. She is currently an Assistant Professor in Creative Writing at Arizona State University where she is inaugurating a Poetry for the People program.Find the transcript for this show at onbeing.org.We’re pleased to offer Solmaz Sharif’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Some friendships are built on small encounters and last a lifetime. Two women — from across culture, location, and age — spend a lifetime in communication. Dunya Mikhail is an Iraqi-American poet and writer. She is the author of Diary of a Wave Outside the Sea (New Directions Publishing Corporation 2009), The Iraqi Nights (New Directions Publishing Corporation 2014), The Beekeeper (New Directions Publishing Corporation 2018), In Her Feminine Sign (New Directions Publishing Corporation 2019), and The Bird Tattoo (forthcoming from Pegasus Books 2022). She is a laureate of the UNESCO Sharja Prize for Arab Culture and has received fellowships from United States Artists, Guggenheim, and Kresge. Her honors also include the Arab American Book Award, and the UN Human Rights Award for Freedom of Writing. She currently works as a special lecturer of Arabic at Oakland University in Michigan.Find the transcript for this show at onbeing.org.We’re pleased to offer Dunya Mikhail’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

At the hingepoint of change, a poet walks through the garden his late father planted. Aaron Caycedo-Kimura is a writer and visual artist. He is the author of two poetry collections: Ubasute (Slapering Hol Press 2021), which won the 2020 Slapering Hol Press Chapbook Competition, and the full-length collection Common Grace (Beacon Press 2022). His honors include a Robert Pinsky Global Fellowship in Poetry, a St. Botolph Club Foundation Emerging Artist Award in Literature, and nominations for the Pushcart Prize, Best of the Net, and Best New Poets anthologies.Find the transcript for this show at onbeing.org.We’re pleased to offer Aaron Caycedo-Kimura’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Firefighting pushes the body to breaking point; Kevin Goodan’s poem locates the “ash-dark art” of firefighting not just in the wilderness where the team worked, but in the muscles of the firefighters. Kevin Goodan was born in Montana and raised on the Flathead Indian Reservation where his stepfather and brothers are tribal members. Goodan earned his BA from the University of Montana and worked as a firefighter for ten years with the U.S. Forest Service before receiving his MFA from University of Massachusetts-Amherst in 2004. He has taught at the University of Connecticut and has served as Visiting Writer at Wesleyan University. He is author of Spot Weather Forecast (Alice James Books 2021), Anaphora (Alice James Books 2018), Let the Voices (Red Hen Press 2016), and Upper Level Disturbances (Center for Literary Publishing 2012).Find the transcript for this show at onbeing.org.We’re pleased to offer Kevin Goodan’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sometimes leaving feels like you’re splitting yourself in two, but you leave anyway. What compels us? What holds us together even as we look back? David Whyte’s poem combines pain and promise as someone is both departing and venturing at the same time. David Whyte is the author of many books of poetry and prose. He grew up with a strong, imaginative influence from his Irish mother among the hills and valleys of his father’s Yorkshire. He now makes his home in the Pacific Northwest of the United States. He holds a degree in Marine Zoology and has worked as a naturalist guide in the Galapagos Islands. His books include The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America, Consolations: The Solace, Nourishment and Underlying Meaning of Everyday Words, and The Bell and the Blackbird. His latest collections are David Whyte: Essentials and Still Possible.Find the transcript for this show at onbeing.org.We’re pleased to offer David Whyte’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What is the landscape that has most influenced you? When do you go there? In person? Andrés N. Ordorica goes in dreams. Andrés N. Ordorica is a queer Latinx writer based in Edinburgh. His writing attempts to map the journey of his diasporic experience and unpack what it means to be from ni de aquí, ni de allá. His writing has been published widely and he regularly features at festivals around the UK. He is the recipient of a Second Life grant through the Edwin Morgan Trust. In 2021, his fiction manuscript was shortlisted for both the Morley Prize for Unpublished Writers of Colour and the Mo Siewcharran Prize. He is the author of the poetry collection, At Least This I Know.Find the transcript for this show at onbeing.org.We’re pleased to offer Andrés N. Ordorica’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you were to use a metaphor for your worries, what metaphor would you turn to? Here, the worries have worry babies of their own. And they look back at the poet. What do they see? Laura Villareal is the author of Girl’s Guide to Leaving (University of Wisconsin Press 2022), The Cartography of Sleep (Nostrovia! Press 2018), and Poems to Carry in Your Pocket (L'Éphémère Review 2018). Villareal interviews writers for the series “Writers Talking about Anything But Writing” at F(r)iction.Find the transcript for this show at onbeing.org.We’re pleased to offer Laura Villareal’s poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.