PlayME

Laura Mullin talks to actor Tom Barnett about Michael Healey’s celebrated Canadian play The Drawer Boy. Barnett was part of the original 1999 Theatre Passe Muraille production, where he played the young actor Miles in a play inspired by the creation of the groundbreaking documentary theatre project The Farm Show.In this conversation, Barnett reflects on discovering the play as a young actor before anyone knew it would become a classic, touring it across Canada, and returning decades later to play Angus, the farmer at the emotional centre of the story. He shares what it was like to experience the play from two very different characters and why The Drawer Boy continues to move audiences around the world.

Morgan begins to share the story of the wartime accident that changed everything for him and Angus. But as the past comes into focus, the careful world the two farmers have built together starts to crack, forcing all three men to confront the consequences of turning memory into story.Cast: Tom Barnett, Patrick McManus, Stephen Jackman-TorkoffThe Drawer Boy by Michael Healey

One of the most produced Canadian plays of the past three decades, The Drawer Boy is inspired by the creation of The Farm Show, the legendary production that sent a group of actors to rural Ontario to learn directly from farming communities.On a quiet farm, lifelong friends Morgan and Angus live inside a carefully structured routine shaped by a wartime injury that altered Angus’s memory. When Miles, a young actor from Toronto, arrives to research rural life for a theatre project, his presence disrupts the balance the two men have built over the years. What follows is a funny and revealing collision between urban theatre-making and farm life, as Miles observes the farmers and begins collecting stories for the stage.Cast: Tom Barnett, Patrick McManus, Stephen Jackman-TorkoffThe Drawer Boy by Michael HealyIf you’re interested in hearing more plays about Canadian rural life, check out Between Breaths by Robert Chafe, available on our feed.

Chris Tolley talks to playwright and performer Akosua Amo-Adem about her hit play Table for Two, a funny, candid, and deeply relatable look at modern dating. Set in Toronto and centred on Abby, a hopeful romantic navigating apps, expectations, and one bad date after another, the play explores the search for connection in a world that can feel both hyper-connected and isolating.Akosua shares how the play grew out of real observations and research into dating-app culture, why humour is essential to telling this story, and what audiences respond to most when they see Abby onstage. Together, they talk about vulnerability, rejection, desire, and the pressure to find love on a timeline that doesn’t always match real life.Table for Two by Akosua Amo-Adem.

Still carrying the sting of a major breakup, Abby is trying to reset and move forward, but it feels like her best friend’s love life is racing ahead while she remains stuck in the same exhausting dating cycle. With pressure building from family, friends, and her own expectations, Abby puts her hope in a promising new match and a long-awaited dinner at Lucia’s, a night that just might shift everything.Cast: Bola Aiyeola, Ryan Allen, Meghan Swaby and Akosua Amo-AdemTable for Two by Akosua Amo-Adem. If you’re interested in hearing more plays by Black female playwrights, check out the hit show Da Kink in My Hair by Trey Anthony, available on our feed.

“Ghanaian parents don’t talk about sex, and when they do, it’s not very helpful.”Abena Ohemaa Frimpong is thirty-five, accomplished, and dating in Toronto. A Ghanaian Canadian woman with an impressive resume and a dating history that has taught her to manage expectations, Abby still shows up hoping this time might be different.On the night she is meant to meet JD45, a man she has grown cautiously excited about, Abby arrives early and waits. As the table stays empty, the evening slips into memories of first love, missed timing, and the quiet pressure of a best friend’s engagement and a mother who wants answers. Faith, family, and romantic history all press in as the minutes stretch.Abby sits with her phone in hand, the chair across from her untouched, and the possibility of connection hanging by a thread.Cast: Bola Aiyeola, Ryan Allen, Meghan Swaby and Akosua Amo-AdemTable for Two by Akosua Amo-AdemIf you’re interested in hearing more plays by Black female playwrights, check out the hit show Da Kink in My Hair by Trey Anthony, available on our feed.

Playwright Ins Choi joins Laura Mullin to talk about Kim’s Convenience, the play that eventually became the hit television series. Choi shares why he started writing the play, what it was like to spend years facing rejection, and how one chance meeting transformed the story he thought he was telling. He reflects on being a first-time playwright thrown into television, the full-circle moment of playing Appa after writing from the son’s perspective, and on Toronto’s talent that is often underestimated. It is a candid conversation about writing for the stage, adapting for TV, and how a small play became a cultural phenomenon.Kim’s Convenience by Ins Choi

The Kim family is forced to face some uncomfortable realities. Appa confronts retirement after decades running the convenience store, while his daughter Janet refuses to follow his plans for her future. At church, Umma makes an unexpected connection that changes things for the family. When Janet's old friend shows up at the store and complicates matters, Appa's attempts to help predictably blow up in everyone's faces. This Kim's Convenience episode balances comedy with family drama as the Kims reach a crossroads they can't ignore much longer.Cast: Ins Choi, Brandon McKnight, Esther Chung, Ryan Jinn, Kelly SeoKim’s Convenience by Ins Choi

One of the most iconic plays of its generation, Kim's Convenience by Ins Choi opens inside a Toronto corner store run by a Korean Canadian family. Later adapted into the global hit CBC and Netflix series, the play introduces Appa Kim, who rules his shop with stubborn pride, sharp opinions, and a deep belief that the store is the centre of the community.As customers come and go, we meet Janet, his fiercely independent photographer daughter, whose life and ambitions sit at odds with her father's expectations. When an unexpected offer to buy the store appears, it quietly destabilizes everything Appa thought was certain. Meanwhile, Janet reconnects with Alex, a police officer who was once best friends with her brother Jung, whose long absence begins to take on new significance.Featuring Ins Choi in the titular role of Appa, the comedy crackles even as deeper family tensions begin to surface.Cast: Ins Choi, Brandon McKnight, Esther Chung, Ryan Jinn, Kelly SeoKim’s Convenience by Ins ChoiListen to Prodigal, Paolo Santalucia's explosive family drama about power and privilege here.

PlayME is back with a major new season of audio drama, hosted by Laura Mullin and Chris Tolley.Five acclaimed plays. Big performances. Theatre you can binge anytime, anywhere.Leading the season is Kim’s Convenience by Ins Choi, one of the most celebrated plays of its generation. Set inside a Toronto corner store, this iconic family comedy is warm, funny, and deeply moving, exploring immigration, generational clash, and belonging through the lives of a Korean Canadian family. Adapted into a global CBC and Netflix hit, Kim’s Convenience is a modern classic.Also featured this season is Table for Two by Akosua Amo-Adem, a sharp and relatable romantic comedy about dating and self-worth. The Drawer Boy by Michael Healey returns as a beloved classic exploring memory, trauma, and the power of storytelling. New by Pamela Mala Sinha is an urgent contemporary drama about love, family expectations, and identity. Rounding out the season is The Neighbours by Governor General’s Award winner Nicolas Billon, a gripping psychological thriller that asks how good people can become complicit in acts of cruelty.Each audio drama is paired with exclusive conversations with the playwrights, offering insight into the stories behind the scripts.Press play for unforgettable stories, powerful performances, and theatre made to listen.

Hosts Laura Mullin and Chris Tolley transform PlayME into an audio gala celebrating the Playwrights Guild of Canada’s Tom Hendry Awards, honouring the writers shaping the future of Canadian storytelling.This special episode reveals the 2025 shortlists and features conversations with leading voices in the arts, including The Globe and Mail’s Aisling Murphy, composer and lyricist Kevin Wong, Young People’s Theatre Artistic Director Herbie Barnes, director and mentor Jillian Keiley, and National Arts Centre English Theatre Artistic Director Nina Lee Aquino.Together, they explore the creative process, emerging trends, and why live storytelling continues to matter in a digital world.Whether you love theatre or simply great writing, this episode offers an inspiring look at the people and ideas defining Canada’s cultural landscape.

Playwright Makram Ayache joins Chris Tolley to talk about growing up queer in rural Alberta. Hear about how the loss of Ayache's father influenced his acclaimed play The Green Line, and what it means to write from a place of “in-betweenness." The Green Line, nominated for a Governor General’s Award, is a lyrical journey through love, loss, and the legacy of queer identity across generations.

A poetic and heartbreaking story of intergenerational queer history in Lebanon begins. In present-day Beirut, Rami, a twentysomething queer Lebanese Canadian, returns to bury his father. Grieving and searching for meaning, he finds himself drawn to a queer nightclub—where a drag queen named Fifi, dressed as a phoenix, awakens a sense of connection. At the same time, we flash back to 1978, when a young man named Naseeb tries to flee Beirut’s civil war with his sister, Mona. But Mona is in love—and refuses to leave.Featuring: Makram Ayache, Filsan Dualeh, Bahareh Yaraghi, Waseem Alzer, and Antoine Yared“Ayache’s dialogue is decidedly lyrical . . . There are some truly beautiful images not just in the monologues but in simple exchanges.”- Louis B. Hobson, Calgary Herald“An affecting, well-written piece by Edmonton playwright Makram Ayache . . . that travels to a surprisingly wide variety of places . . . a universal, first-class [play] more than worthy of your attention.”- Alan Kellogg, 12thnightThe Green Line by Makram Ayache.

As Beirut descends into chaos in 1978, Naseeb is swept up in the war’s political tides, fracturing his bond with Mona. In the present, Rami follows a trail of memories—including a phoenix-shaped necklace left by his father—to uncover the truth about his family's past. The Green Line, nominated for a Governor General’s Award, is a lyrical journey through love, loss, and the legacy of queer identity across generations.The Green Line by Makram Ayache

Playwright Michael Ross Albert joins Chris Tolley to discuss his acclaimed play The Bidding War and the personal experience that helped inspire it. Michael shares what it was like to buy his first home through an affordable housing program — a moment that felt like winning the lottery, but also brought intense financial fear and uncertainty. Despite finally finding a place to call his own, Michael opens up about the pressure of speculative real estate and how that anxiety found its way into his writing. He and Chris dive into why plays that make us laugh can also leave the deepest mark.The Bidding War is by Michael Ross Albert.

The open house descends into chaos as tensions erupt between buyers, agents, and unexpected guests. Secrets are revealed, alliances shift, and a medical emergency turns the high-stakes competition into something more personal. As the dream of homeownership spirals into a surreal showdown, everyone is forced to show their hand, whether they’re ready or not.Featuring: Aurora Browne, Sergio Di Zio, Izad Etemadi, Peter Fernandes, Veronica Hortiguela, Amy Matysio, Fiona Reid, Gregory Prest, Steven Sutcliffe, Sophia Walker, and Gregory Waters.The Bidding War is by Michael Ross Albert.

Welcome to Toronto’s hot real estate market, where even an open house can become a pressure cooker. It’s Sam’s first day as a real estate agent, and he’s hoping for a straightforward showing. But things quickly spiral when eager buyers swarm the home of his first client, June. Tensions rise, secrets surface, and the competition turns cutthroat. In this sharp, darkly comic audio drama, The Bidding War exposes the high-stakes chaos lurking beneath Toronto’s housing bubble.Featuring: Aurora Browne, Sergio Di Zio, Izad Etemadi, Peter Fernandes, Veronica Hortiguela, Amy Matysio, Fiona Reid, Gregory Prest, Steven Sutcliffe, Sophia Walker, and Gregory Waters.The Bidding War is by Michael Ross Albert.

Playwright Zahida Rahemtulla joins Laura Mullin to talk about her hit debut play, The Wrong Bashir, a sharp and funny intergenerational comedy about identity, faith, and forging your own path.They discuss the inspiration behind the play, the unique dynamics of the Ismaili community, and what it means to grow up caught between expectations and self-discovery. Zahida also shares what it was like casting her real-life father and bringing underrepresented voices to the Canadian stage.The Wrong Bashir is by Zahida Rahemtulla.

The mistaken identity spirals as Bashir’s family attempts to correct the mix-up, but not everyone agrees on whether it should be corrected. As the pressure mounts and unexpected visitors arrive, Bashir is forced to confront not only who others expect him to be—but who he really is.“Think 'Kim's Convenience' but set in an Ismaili Muslim family. This play feels ripe for a TV adaptation. With its mistaken identity plot and comic characters, Zahida Rahemtulla's “The Wrong Bashir” has the hallmarks of a classic sitcom…” Joshua Chong, Toronto StarFeaturing the cast from Crow’s Theatre’s acclaimed production: Sharjil Rasool (Bashir), Bren Eastcott (Nafisa), Sugith Varughese (Sultan), Nimet Kanji (Najma), Vijay Mehta (Al Nashir), Pamela Mala Sinha (Gulzar), Salim Rahemtulla (Dadipapa), Zaittun Esmail (Dadima), Parm Soor (Mansour)The Wrong Bashir is by Zahida Rahemtulla. 

When philosophy student Bashir Ladha is accidentally nominated to a prestigious religious position, his family is ecstatic until they realize he’s more interested in podcasting than leading prayers. As Bashir questions the entire situation, his parents scramble to maintain appearances and navigate the growing confusion.Fast, funny, and full of heart, The Wrong Bashir is a razor-sharp comedy about mistaken identity, generational pressure, and what happens when your community’s expectations don’t match who you really are.Featuring the cast from Crow’s Theatre’s acclaimed production: Sharjil Rasool (Bashir), Bren Eastcott (Nafisa), Sugith Varughese (Sultan), Nimet Kanji (Najma), Vijay Mehta (Al Nashir), Pamela Mala Sinha (Gulzar), Salim Rahemtulla (Dadipapa), Zaittun Esmail (Dadima), Parm Soor (Mansour)The Wrong Bashir is by Zahida Rahemtulla. 

Chris talks with Jordi Mand about writing with vulnerability, mining family stories for inspiration, and confronting personal fears through her plays. Jordi opens up about her journey from performer to playwright, the delicate balance of using real life in fiction, and how becoming a mom has changed her work. They dive into the emotional roots of In Seven Days, the role of Jewish identity in her storytelling, and why she’s drawn to characters who live in the moral grey zone. Plus, Jordi explains how faith and culture quietly shape her plays. It’s an honest, funny, and moving conversation with one of Canada’s most fearless voices in theatre.In Seven Days is by Jordi Mand.

As Sam’s time grows shorter, tensions and emotions run high. Rachel’s estranged boyfriend unexpectedly shows up to support her, leading to a heated confrontation with her father over past grievances. Amid a bittersweet celebration, the family tries to hold on to moments of joy—but they’re all painfully aware of what’s coming. When Rachel uncovers a long-held secret, it might be the key to changing her father’s heart.Featuring: Mairi Babb, Ron Lea, Brendan McMurtry-Howlett, Shaina Silver-Baird, Ralph Small.In Seven Days is by Jordi Mand.

When thirty-year-old Rachel returns home for Shabbat dinner with her ailing father and his girlfriend, she’s met with a life-altering announcement: her father, Sam Adleman, has chosen to end his life through Medical Assistance in Dying (MAiD)—and he plans to do it in just seven days. Shocked and heartbroken, Rachel decides to stay the week, desperately trying to change his mind. But when she brings their Rabbi into the conversation, family tensions rise, and Sam’s decision grows even more complicated.Featuring: Mairi Babb, Ron Lea, Brendan McMurtry-Howlett, Shaina Silver-Baird, Ralph Small.In Seven Days is by Jordi Mand.

Playwright and performer Rachel Cairns joins Laura Mullin to discuss her acclaimed play Hypothetical Baby and the deeply personal experience that inspired it. Rachel shares her journey of facing an unplanned pregnancy despite having an IUD, the unexpected challenges of accessing abortion care, and the emotional and societal pressures that shaped her decision.Despite growing up in a progressive and supportive family, Rachel found herself unprepared for the realities of navigating reproductive healthcare. She and Laura dive into the stigma, shame, and controversy surrounding a woman’s right to choose and how storytelling can challenge perceptions, spark dialogue, and empower change.Hypothetical Baby is by Rachel Cairns.

After navigating the barriers to abortion access, Rachel now faces the emotional weight of the experience—her body, her relationships, and the choices that linger long after the procedure.As she processes the physical toll of the abortion, a conversation with her mother reveals a hidden family history of reproductive decisions. Meanwhile, her boyfriend’s lack of emotional support forces her to question not only their relationship but the broader societal structures that leave women shouldering the weight of these choices alone.Darkly funny and brutally honest, Hypothetical Baby isn’t just about abortion—it’s about power, partnership, and what it really means to have a choice.Hypothetical Baby is by Rachel Cairns.

What happens when the "what if" becomes reality? In Hypothetical Baby, award-winning playwright and performer Rachel Cairns pulls back the curtain on the unspoken truths of abortion. Raw, darkly funny, and deeply personal, this fearless solo play goes beyond the question of “will she or won’t she?”—diving headfirst into the messy, complex, and often absurd journey of reproductive choice. From a dismissive doctor’s office to a relentless spiral of Google searches, Rachel navigates judgment, uncertainty, and the unexpected revelations that come with making one of life’s most personal decisions.A Globe and Mail Critic’s Pick, Hypothetical Baby challenges taboos with sharp wit and unflinching honesty.Hypothetical Baby is by Rachel Cairns.

PlayME is back! Your free ticket to bold, binge-worthy theatre. In this season’s trailer, hosts Laura Mullin and Chris Tolley present five powerful new plays turned audio dramas. Hypothetical Baby by Rachel Cairns explores the complexities of deciding to have a baby—or not. In Seven Days by Jordi, Mand follows a daughter fighting to change her father’s MAiD decision. The Green Line by Makram Ayache is a GG-nominated story of queer history in Lebanon. The Bidding War by Michael Ross Albert is a dark comedy about housing, gentrification, and sabotage. The Wrong Bashir by Zahida Rahemtulla delivers a sharp comedy of mistaken identity and self-discovery.This season also features exclusive interviews with the playwrights, offering insight into their creative process and the stories behind their work. Tune in for compelling stories, unforgettable performances, and the best of theatre—anytime, anywhere.

Go behind the scenes with Laura Mullin and Chris Tolley as they discuss the creation of TUNNEL RUNNERS, their original seven-part scripted audio thriller. They dive into the writing process, the challenges of recording action-packed scenes, and the intricacies of foley and sound design. They discuss the series' themes, including anxiety, young adulthood, life on the margins, and hidden underground societies, while reflecting on the creative decisions that shaped the story. Plus, hear their thoughts on the rise of scripted fiction podcasts and get a sneak peek at the upcoming PlayME season.

Just take it. Why fight it? Give in to what you really are. Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

Under the mist. Just me and her. Nothing else matters. -But I can’t shake the feeling we’re not alone. Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

We pull him out. Covered in dirt and blood. He’s not moving.Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

Don’t freak out. Don’t draw attention to yourself. Or her. Runners can’t have a witness. They’ll blame you. And Brooklyn.Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

We need more people. If we don’t let them in, we disappear! We can’t keep losing to the Shadows-Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

You’re 100 feet underground. In an enclosed hole in the wall. In the dark. With a stranger. -Anything could happen.Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

I’ve been in abandoned buildings, on rooftops, through construction sites. But nothing beats the underground. Rules don’t exist down here. But I’m always looking for a bigger challenge. A new place to explore. Where no one’s ever been before.Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

When Cam, a gifted teen from Toronto, finds himself drowning in anxiety and depression, he turns to prescription meds and endless urban exploration videos on YouTube to numb the pain. After suffering a devastating panic attack at school, he escapes into the sprawling subway tunnels beneath the city, desperate for solace. Underground, he stumbles upon a shadowy world filled with a hidden subculture thriving in the darkness. Tunnel Runners is a new seven-episode original series from the creators of the award-winning PlayME Podcast.

Last month, we lost our mentor, colleague, and friend, Gregory J. Sinclair, whose contributions to the world of audio drama and this podcast were invaluable. Greg was an internationally renowned producer and director of audio dramas for CBC Radio and Audible Canada. As Executive Producer at CBC Radio, he developed, produced, and directed multiple acclaimed audio series and specials, including Afghanada and the interactive Trust, Inc. We’ve dedicated this special episode to his legacy in radio drama, including tributes from some of his former CBC colleagues.

Laura talks with writer and performer Diane Flacks about her latest solo show, Guilt (A Love Story). Diane opens up about turning her sometimes painful personal experiences into compelling plays. She shares how she thinks there’s a death of fun in theatre and why she pushes herself to take risks in her work and not play it safe. Diane also talks about her writing experiences for TV, including her stint for the hit series “Kids In The Hall.”Guilt (A Love Story) by Diane Flacks.

Diane has a monster of guilt growing inside her. She feels it as she and her ex decide to separate after 20 years. It’s there when they tell their two boys that their family life as they once knew it is over.  But it completely consumes her after she signs paperwork at her lawyer’s office officially ending their marriage. Panic follows, and on one of the most important nights of her life, she finds herself lying naked on the floor, unable to move. It’s there that she makes a startling realization.Guilt (A Love Story) by Diane Flacks.

Diane Flacks has been drinking alot lately. It helps numb her guilt. As she approached mid-life, she threw a bomb into her domestic life. Married for almost two decades and the mom of two boys, she finds herself growing apart from her wife. They attend couples therapy and agree to open up their marriage. She meets a younger woman and falls madly and hopelessly in love. The fallout leaves her grappling with overwhelming pangs of guilt, a sentiment amplified by her Jewish upbringing, where guilt seems ingrained as the "default setting."Guilt (A Love Story) by Diane Flacks.

Chris talks to Paolo Santalucia about his hit show "Prodigal" and how his experience as an actor and the collaborative nature of theatre helped him find the courage to write his first play. He touches on how audiences have changed since the pandemic and why their slow return to the theatre can be a unique opportunity for artists to embrace. He shares how his Toronto roots drew him to write about class and systems of power and why he loves to write characters who aren't afraid to compromise themselves and those around them to achieve their ambitions.

Edmund, the estranged gay alcoholic son of Rowan and Marilyn, returns to his family after a five-year absence. But he’s not seeking reconciliation. He’s looking for revenge after being cut off from the family trust. His arrival inconveniently coincides with Rowan's career breakthrough, sparking a clash of interests. As tensions rise, Edmund discovers a dirty little secret his father has been keeping and threatens to expose him, igniting a power struggle and putting the Clarks' bonds at risk of unravelling.Prodigal by Paolo Santalucia.

An explosive family drama about power and privilege Rowan Clark is a rich man about to have his dreams come true - he’s about to get a prestigious job. But dark family secrets are lurking that could jeopardize his coveted new position. At the engagement party of his son Henry, the family gathers at their home to celebrate the impending nuptials, but one guest is missing. Their other queer alcoholic son Edmund isn’t invited. And despite Rowan and his wife Marilyn’s attempts to keep their troubled son at a distance, a party crasher shows up at their door, threatening to expose their hidden truths.Prodigal by Paolo Santalucia.

Laura talks with writers and performers Matthew Mackenzie, a Canadian playwright and Mariya Khomutova, a Ukrainian artist who met in Kiyv during Matthew’s theatre research trip in Ukraine. There, they sparked up a romance and found themselves expecting a baby on the eve of the global pandemic and invasion of Ukraine. The couple shared what it was like turning their very personal love story into an award-winning play and how writing helped strengthen their relationship and saved their mental health during their most challenging times.