Paul Weller Fan Podcast

Percussionist Joe Beckett share his stories from inside a pivotal, often-overlooked chapter in Paul Weller’s career: the Paul Weller Movement. Joe recalls the unique circumstances that landed him in the band, from chance club gigs to a spontaneous audition at Solid Bond Studios, and the creative camaraderie that followed.He takes us on the road in 1990, from a packed Dingwalls debut surrounded by mods and scooters, across Europe and the UK, to the final triumphant night at London’s Town & Country Club, later immortalized by the BBC.Along the way, Joe details the evolution of new tracks like 'Kosmos' and 'New Thing,' reflects on the enduring power of Paul Weller’s work ethic, and relives the camaraderie and chaos that defined life as a working musician in a high-pressure, high-energy band finding its feet.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

In this episode, music writer Chas De Whalley recalls discovering The Jam after a last-minute tip-off that led him to see them at the Nashville Rooms and review them for Sounds magazine. He reflects on the charged early gigs, their breakthrough shows at the The Roxy, and the fast-moving record deal with Polydor Records.Chas also shares memories of travelling with the band, visiting the Weller family home and seeing Ann Weller run the fan club operation, while watching Paul Weller rapidly develop as a songwriter.Our conversation also revisits the chaos of the Reading Festival 1978 and concludes with reflections on friendship, music history, and his later work with U2.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

In this episode, I’m joined by acclaimed live film director Matt Askem, a creative force behind some of the most iconic concert films of the last 25 years. From capturing the raw intensity of Paul Weller on stage to working with global superstars like Adele, U2, Muse and Take That, Matt has spent decades translating live music into cinematic storytelling.We dive into the making of Weller’s 2000s concert films, the challenges of filming massive crowds versus intimate venues, and how Matt’s perspective has evolved from fast-cut MTV-era energy to a more timeless visual style. He shares behind-the-scenes stories from Hyde Park, Braehead, Studio 150, and the legendary 100 Club, along with reflections on creativity, collaboration, and what makes artists like Weller so enduring.It’s a fascinating conversation about music, filmmaking, and the art of capturing performance at its most authentic.Check out Matt's incredible portfolio hereFind podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

In this episode, I’m joined by Roger Armstrong - co-founder of the legendary Rock On record shop and the Chiswick label - to talk about his unique vantage point on Paul Weller’s earliest days.Long before record deals, Roger knew Paul as a meticulous record buyer, hunting for Motown and soul 45s at his Soho Market stall.We explore the lost world of seven-inch singles, the importance of B-sides, and how that deep, physical relationship with records helped shape Paul Weller’s musical values from the very beginning.Roger also shares first-hand memories of the Jam’s formative period, including the legendary Soho Market performance powered off a lightbulb, near-misses around signing the band, and how Polydor ultimately swooped in.Along the way, he reflects on the explosion of punk, pub rock’s role as a bridge, encounters with Joe Strummer, and why seeing bands before fame mattered most. A lovely chat about records, scenes, and shared memory - and a reminder that the core of Paul Weller’s musical DNA was set long before the charts ever noticed.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

A journalist since 1988, Keith Cameron is currently a contributing editor at MOJO, with a career that’s taken him from Sounds and NME to bylines in the Guardian, The Times, Kerrang! and Q. In this episode, Keith talks about discovering The Jam in the punk era, growing up in the Highlands, and the lengths he went to just to get to gigs - finally seeing The Style Council at university. He gives an honest glimpse into interviewing Paul Weller, from nerve-racking moments on tour buses to frank discussions about Heavy Soul, along with stories of superfans, music press dramas, and the behind-the-scenes world of MOJO. Keith also reflects on the changing landscape of music journalism, why our adolescent music memories stick with us, and what makes Paul Weller’s creative drive so enduring.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

For this special episode, I bring you a conversation with Dee C. Lee - singer, songwriter and essential member of The Style Council.This chat was recorded in a riverside pub back in January 2025 for my book Paul Weller: Dancing Through The Fire and Dee has been kind enough to let me share this as a podcast episode. What better timing than the release week for the new Café Bleu Deluxe Edition boxset!From her early breakthrough as a backing singer with Wham! to Paul Weller inviting her to Solid Bond Studios, Dee recalls how she became part of a new band without fully realising the shadow The Jam cast - and how quickly she found her place at the heart of it.She reflects on life inside The Style Council: the collaborative atmosphere at Solid Bond, the camaraderie and chaos of touring, muddy misadventures at Glastonbury, nerves at Live Aid, and the confidence she developed performing her own material alongside the band.She also speaks candidly about creativity, motherhood, stepping away from the spotlight, and finding her way back to music on her own terms. Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Paul Weller Fan Podcast, I talk to composer and arranger John Mealing, whose work helped define The Style Council’s orchestral and cinematic edge. John shares how he first connected with Paul Weller, starting with 'Shout To The Top', and goes deep into the making of Our Favourite Shop, The Cost of Loving and Confessions of a Pop Group - including strings, horns, live performances and studio experiments.Along the way, John reflects on his jazz roots, his unlikely journey into arranging, and a parallel career creating some of British television’s most memorable theme tunes. He also offers a warm, revealing portrait of Paul Weller as a collaborator - meticulous, open-eared, and deeply committed to the music - and explains why, decades on, The Style Council’s boldest work is finally getting its due.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

My guest on this episode is Jon 'Mojo' Mills - founder and editor-in-chief of Shindig! magazine, lifelong mod, and someone whose life has been shaped, in very real ways, by the music of Paul Weller.Jon discovered The Jam at the age of ten, too young to see them live but old enough for the music, the look, and the ethos to completely take hold. From The Jam to The Style Council, through the solo years, right up to the present day, Paul’s work has been a constant presence in Jon’s life - not just as a fan, but eventually as a journalist, collaborator, and trusted voice within Weller’s world.In this conversation, originally recorded for my book, we talk about childhood fandom, mod identity, tribalism, music discovery, and what it’s like when your teenage hero becomes someone you share playlists, texts, and cups of tea with...Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

On this episode, I’m joined by the visionary Belfast musician, composer, producer, and DJ, David Holmes. From soundtracking iconic films to collaborating with giants of UK music, David’s career is one of creative restlessness and fearless activism... The biggest surprise is that it's taken this long for him to collaborate with Paul Weller!We’ll dive into his formative years discovering Paul Weller through the music of The Jam, his journey through club culture, and how those bonds came full circle - culminating in a collaboration with Paul Weller on the song 'Resistance in the Dark' and the creation of The Five Techniques collective, a movement rooted in humanity and protest. Together we explore the intertwining of music and activism, Paul Weller’s legacy of speaking truth to power, and why artists can’t afford to stay silent in the face of global injustice. A candid, passionate conversation on what happens when creativity meets conscience, and the ongoing power of resistance in both art and life.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

On this episode, I am joined by a true musician’s musician whose artistry crosses borders and genres. Sheema Mukherjee is a sitar prodigy, composer, and band member with Transglobal Underground and The Imagined Village (where she first played with Paul Weller) - fusing her deep-rooted Indian classical tradition with cutting-edge British musical innovation. We talk about her family musical heritage, her powerful approach to emotion and improvisation, and how she developed her unique language on the sitar. We’ll explore Sheema’s session at Paul Weller’s Black Barn studio, where she not only played on the song 'Books' for the True Meanings LP, but also contributed a Sanskrit prayer, lending both authenticity and spiritual resonance to the record and Paul's Other Aspects Royal Festival Hall concerts. Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

When I started on the extra interviews for my book, Paul Weller: Dancing Through the Fire, back in July 2024, Journalist and author, Peter Watts was one of the first people that I chatted to. He has written for Uncut, the Guardian and Sunday Times, and has also written a book about the history of Denmark Street: London’s Street Of Sound. He has done some superb interviews with Paul Weller on many occasions including on tour in the US so it was a real delight to capture his memories.For fans of Paul Weller and those fascinated by the inner workings of music journalism, this episode provides a lovely insight into the connection between journalist and artist. Peter discusses his journey from discovering The Jam and The Style Council as a latecomer in the '90s, to interviewing Paul Weller for major publications like Uncut. With stories that span meeting the band in San Francisco, sitting backstage at legendary venues, and exploring Paul’s ongoing search for artistic independence, Peter reveals the human side of a musical icon who’s far more interested in what's next than what's just been released.We also explore the challenges of modern music writing - how the craft has shifted from acerbic reviews to celebrating artistic achievement, and why Paul Weller’s willingness to share his personal battles and musical passions make him such a compelling subject. Listening to Peter’s stories, you'll get a sense of Paul’s enduring restlessness, his aversion to nostalgia, and the realities of the creative life in an age where albums can peak and then vanish in an instant...Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

On this episode, I chat to Stuart Watts - a producer and director whose credits include acclaimed music documentaries for artists as varied as Paul Weller, Marc Bolan, Andrea Bocelli, Jeff Wayne, and Jeff Beck - along with legendary icons outside of music such as Muhammad Ali and Christopher Reeve.Stuart was the driving force behind Paul Weller: Into Tomorrow, the 2006 documentary that, for the first time, captured Paul’s whole story: from his childhood in Woking through The Jam, The Style Council and his solo years. A lifelong Jam fan himself, Stuart took inspiration from The Kid Stays in the Picture to let Paul narrate his own journey, resulting in a film full of candid reflection, unseen footage, and intimate moments. In this conversation, Stuart lifts the lid on the making of the documentary, working directly with Paul and his family, and the responsibility - and thrill - of telling the story of an artist you’ve idolised your entire life.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

On this episode of The Paul Weller Fan Podcast, I’m joined by someone whose impact on British music and activism can’t be overstated - Tom Robinson.This conversation was originally recorded for my upcoming book, Paul Weller: Dancing Through the Fire – The Authorised Oral History, and I’m delighted to share it with you now as a podcast episode.Tom first exploded onto the UK music scene with the Tom Robinson Band in the late ‘70s, breaking new ground as a musician and as an outspoken advocate for LGBT rights, anti-racism and political activism. Hits like “2-4-6-8 Motorway” and “Glad To Be Gay” made him a central figure in the punk and post-punk years - the very years that saw The Jam and Paul Weller coming up in parallel. We dive into those formative years, Tom’s memories of the punk scene, what set Weller and The Jam apart, and later, the Red Wedge tour, where Tom truly got to know Paul as both a bandleader and a person.This is a conversation about music as rebellion, about the importance of remaining grounded, about using a platform for collective good.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

In this episode of the podcast, I am joined by Ted Kessler - a music writer who’s lived out the ultimate fan’s journey with Paul Weller.As a London kid, he spent his pocket money on Jam singles and memorised the lyrics before he even owned the records. After moving to Paris, he’d receive the NME a week late, schooling himself on Weller, The Style Council, and British pop by long-distance.Years later, Ted found himself writing for the very paper he once treated as gospel. Over decades at NME and Q, he’s interviewed Paul Weller, reviewed his gigs and albums, and - more than once - found himself on the receiving end of the artist’s forthright opinions, including the infamous “get the train to Woking and try it” challenge after a mixed Stanley Road review.Ted is also the author of the memoir Paper Cuts: How I Destroyed The British Music Press and Other Misdemeanours (which includes a heap of Paul Weller related stories), and To Ease My Troubled Mind: the Authorised Unauthorised Biography of Billy Childish. He also devised and edited My Old Man: Tales Of Our Fathers (which included a contribution from Paul about his dad, John). Ted also co-edits The New Cue, a music newsletter delivered three times a week to subscribers.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

My guest on this episode of The Paul Weller Fan Podcast is one of the most inventive and distinctive guitarists of his generation - the co-founder and guitarist of Blur, a prolific solo artist, and a musician whose restless creativity has taken him from Britpop to freeform jazz, from noisy riffs to tender melodies.Graham Coxon has collaborated with Paul Weller on some fantastic projects over the years - the sharp-edged 'This Old Town' (2007), the soulful 'Black River' from the 22 Dreams album in 2008 and the swirling 'Dragonfly' from Sonik Kicks being just some examples, along with the gloriously chaotic 'Bankbusted Nuclear Detergent Blues', alongside Weller, Damon Albarn, and the poet Michael Horovitz.From discovering The Jam as a teenager and picking up his sister’s old guitar, to standing on stage years later beside his musical hero - this is the story of admiration, influence, and a shared love of great British songwriting.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Paul Weller Fan Podcast, I chat to Cat Santos and Sodge Adams, two of the creative minds behind Fifth Column, the pioneering screen-printing collective that helped define the look of Punk and Mod culture in late-1970s London.Fifth Column started when a group of friends decided to design and print - by hand - punk rock t-shirts for bands like X-Ray Spex, The Clash, The Jam, and The Damned. After creating the artwork on paper and curing the shirts in tumble dryers at a laundrette on Kilburn High Road, they sold them outside London gigs.From Camden Market and Kings Road to working with Paul Weller, John Weller, Cat and Sodge share memories of printing iconic imagery, climbing drainpipes to get into gigs, and living the chaos and creativity of the era.As the conversation unfolds, they reflect on how the Punk ethos evolved into political activism through Red Wedge and campaigns like Anti-Apartheid and Coal Not Dole. From surviving a devastating factory fire to designing artwork for All Mod Cons and Setting Sons, Fifth Column’s story is one of resilience, collaboration, and rebellion.It’s a vivid portrait of DIY innovation - and of how a few friends with screens, ink, and ideas helped shape the visual identity of a generation.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

Jonathan Ross has been a familiar face and voice in British broadcasting since the late 1980s. From his early days hosting Channel 4’s The Last Resort, he’s gone on to become one of the country’s most recognisable presenters, known for his sharp humour and genuine curiosity. Whether it’s chatting with global superstars on The Jonathan Ross Show, judging the wild antics on The Masked Singer, or sharing his love of film on “Reel Talk” with his daughter Honey, Jonathan’s career has always been about connecting with people and celebrating culture in all its forms.Yet, for all the celebrity encounters and TV moments, Jonathan is, at heart, a passionate music fan - and Paul Weller’s work has been a constant thread through his life. In this episode, recorded for my book Paul Weller: Dancing Through the Fire - The Authorised Oral History, Jonathan shares his memories of buying The Jam’s 'In the City' on release day, hitchhiking to see the band as a teenager, and later welcoming Weller onto his TV shows at pivotal moments in his solo career. It’s a conversation about the thrill of punk, the evolution of fandom, and the enduring power of Paul Weller’s music to inspire, challenge, and connect.Order your copy of the book at geni.us/dancingthroughthefireFind podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

My guest on this episode is Paul Moody - journalist, author, musician (his band is The Studio 68!), and a man whose journey with Paul Weller’s music has spanned decades.From discovering The Jam as a teenager in North London, to interviewing Paul for the NME during the Stanley Road era, to the DVD interviews for As Is Now and writing sleeve notes for Wake Up the Nation...We talk about the seismic impact of The Jam, the Style Council and Paul's ability to push boundaries, the creative rebirth of the solo years, and what it’s like to go from being in the crowd to sitting in Paul’s living room.This is a dive into fandom, music journalism, and the enduring legacy of one of Britain’s greatest songwriters...Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

This week on The Paul Weller Fan Podcast, I’m joined by Phil Bickley - founder of London menswear store Tonic and co-creator of the Paul Weller clothing label Real Stars Are Rare.Phil’s story is a fascinating mix of music, fashion, and friendship. We talk about how his admiration for The Style Council soundtracked his post-rave comedowns in the early ’90s, how Weller first walked into his shop and bought a belt, and how that encounter led to a full-blown creative partnership.From sketching ideas on scraps of paper to launching a successful menswear brand, Phil shares what it was like working side by side with one of Britain’s most stylish musicians. We also explore the challenges of balancing creativity with business realities - and the mutual respect that kept their collaboration grounded.Phil’s insights into Weller’s eye for clothes, his “upside-down triangle” physique, and the shared spirit behind Real Stars Are Rare offer a new perspective on Paul’s lifelong relationship with style and substance.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

In this conversation for my Dancing Through the Fire book, I chat with Pippa Hall, whose time at Go! Discs saw her at the heart of Paul Weller’s solo resurgence. Pippa offers a fascinating insight into the inner workings of one of the UK’s most beloved record labels, describing the family atmosphere that made the label so special and the excitement of being part of Weller’s creative rebirth in the 1990s.We hear about the challenges of getting Paul’s music the attention it deserved in the early days, the thrill of hearing Wild Wood for the first time at The Manor, and the unforgettable experience of working on the Help album at Abbey Road.Pippa also reflects on the changing landscape of the music industry, the ups and downs of label life, and her enduring friendship with Paul.From dealing with journalists and press controversies to the personal connections that shaped her career, this conversation is packed with anecdotes and behind-the-scenes stories that shed new light on a pivotal era for Paul Weller and British music. Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

Singer-songwriter Kathryn Williams returns to the podcast to talk about her brand-new album Mystery Park - a deeply personal and reflective record that includes a beautiful co-write with Paul Weller, 'Gossamer Wings'. Kathryn shares the story of how the song came together, from her initial “cringe” moment of writing at Paul to their eventual collaboration, which also saw Weller add Hammond organ and backing vocals. We also revisit their earlier work together on 'So Quietly' from his 66 Supplement EP, a track that also featured legendary bassist Danny Thompson.In our wide-ranging chat, Kathryn reflects on family, songwriting, and creativity - whether that’s balancing life on the road with raising teenage sons, painting her own album cover, or uncovering the emotions behind her lyrics. We also talk about her Patreon community, live shows, and the joy of finding connection through art. Always funny, thoughtful, and generous, Kathryn offers a warm and honest insight into her music and her collaborations with Weller.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

We’re back! Focusing on Paul Weller’s new covers album, Find El Dorado, with special guests sharing their stories and connections to the songs. Plus, exclusive episodes celebrating the release of my book – Paul Weller: Dancing Through the Fire: The Authorised Oral History, which has just been published!Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

Sir Lenny Henry is a British icon. For decades, he’s been a force in comedy, acting, writing, and activism. But what’s less discussed is his deep connection to music - and, in particular, his admiration for Paul Weller and The Jam, The Style Council, and Weller’s solo work.In another real 'pinch me' moment, I caught up with Lenny for my book, Paul Weller: Dancing Through the Fire - The Authorised Oral History to explore this musical thread running through his life and career... including a stand out performance joining The Style Council live on TV and performing a song on Our Favourite Shop!Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

Today is the day! Paul Weller: Dancing Through the Fire is officially out in the world - It’s in the shops, available to order online, people are sharing photos, and Paul himself has a copy in his hands, and he loves it! I can’t quite believe it. Thanks to everyone involved. What a ride and an honour.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

My guest on this episode is Tim Burgess - frontman of The Charlatans, solo artist, DJ, author, and the man behind the hugely popular Twitter Listening Parties.Long before his own band became one of the defining acts of the ’90s, Tim was a kid in the late ’70s flipping Jam singles at his dad’s youth club, soaking up every note of Paul Weller’s music.That teenage fandom never went away.In this episode we talk about how Paul’s songs shaped Tim’s early years, the influence of The Style Council on his own outlook, and how, years later, Paul Weller went from hero to collaborator and friend.From surprise phone calls and festival appearances to studio sessions at Black Barn, this is a conversation full of stories that chart Tim’s journey from fanboy to peer.From school discos and loafers to Los Angeles dinners and festival encores, Tim shares the stories of how Weller’s music inspired him, and how that bond grew into friendship and collaboration.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

Nick Knight CBE is one of the most influential image makers of our time.As the founder of SHOWstudio and a visionary fashion photographer, his work with designers such as Alexander McQueen, John Galliano and Yohji Yamamoto, and musicians including Björk, Lady Gaga and Kanye West, has defined modern culture.In this episode, Nick joins me to talk about his long creative relationship with Paul Weller.From photographing The Style Council at Solid Bond Studios through to the striking imagery of Paul’s early solo career, Nick shares the stories behind some of Weller’s most memorable visuals. We discuss:His first encounters with The Jam and The Style CouncilWhat made Paul Weller such a compelling subject to photographThe influences behind iconic shoots, including the inner sleeve of Our Favourite Shop and the debut solo album coverThe role of fashion, style and visual culture in Weller’s musicNick’s reflections on music, image-making, and capturing emotion through photographyFind podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

On this episode my guest is one of Britain’s most distinctive comedians, an award-winning stand-up, actor, writer, and the creator of the brilliant TV sitcom, Lead Balloon.Jack Dee has always had a sharp wit, a dry outlook, and as it turns out, a deep, long-standing admiration for both Paul Weller and his music.In this episode, a snippet of the interview recorded for my upcoming book, Jack shares how The Jam gave him an ‘alibi’ in the late seventies, his surreal moments sharing a bill with Weller, and how a Paul Weller track ended up as the theme tune to his hit sitcom. We also explore the parallels between comedy and music, his admiration for Weller’s constant evolution, and a few unforgettable encounters along the way. Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

On this episode of the Paul Weller Fan Podcast, I’m joined by singer-songwriter Amelia Coburn - an artist whose distinctive voice, storytelling flair, and genre-blurring style have won her fans far beyond the folk world. Amelia’s connection to Weller began with her wonderful ukulele cover of Down in the Tube Station at Midnight, which eventually caught Paul’s ear via Shindig! magazine’s John Mills. This story leads to a beautiful collaboration on Paul Weller’s new album Find El Dorado, where Amelia’s vocals feature on the Christy Moore song 'One Last Cold Kiss'.We talk about her musical upbringing, the influence of The Jam, the decade-long journey to her debut album Between the Moon and the Milkman, and the stories behind songs like 'Dublin Serenade', 'Nodding Dog', and 'Sandra'. Amelia also shares how it feels to be championed by one of her heroes, her hopes for future collaborations, and exciting plans for album number two.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

Declan O'Rourke is my guest on this episode of The Paul Weller Fan Podcast - another huge talent and always a delight to talk to. Warm, humorous, super-smart and clearly a huge talent.This time around we talk Find El Dorado and the opening song - a duet between Paul and Declan - a cover of Richie Havens’ 'Handouts in the Rain' - a song that is undeniably beautiful with the juxtaposition that it reflects on humanity’s repeated failures - violence, prejudice, and exploitation - while warning of the inevitable consequences: alienation, shame, and destitution.Written during the 1970s, its verses reflect on personal and societal cruelty, from harming neighbours and foreigners to betraying women and misleading children. The refrain - "taking handouts in the rain” - is a powerful image of collective downfall, suggesting that those who perpetuate harm will ultimately share in suffering and marginalisation.As Paul and Declan cover the song decades later, its relevance has not diminished. In today’s world, issues of xenophobia, social division, and generational mistrust remain pressing. The song’s critique of scapegoating, violence, and inherited prejudice resonates just as strongly, if not more so, amid ongoing global conflicts, refugee crises, and polarised societies.Both versions underscore how cycles of blame and cruelty lead only to mutual ruin - a message as urgent now as when Havens first sang it.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

This week’s guest on the Paul Weller Fan Podcast is Tony Harlow, one of the most influential figures in the modern music industry and the current Chairman & CEO of Warner Music UK.CEO of Richard Branson’s V2 Records during Paul Weller's time at the label, their professional paths have crossed again more recently, with Paul signing back with Warner's Parlophone label for Find El Dorado.Beyond his work with Paul Weller, Tony Harlow has played a pivotal role in shaping the careers of a diverse range of artists. At V2, he championed acts like The White Stripes, Stereophonics, and Moby, while his leadership at Warner Music Australia saw him help launch the global success of Ed Sheeran and Dua Lipa. His approach has always been artist-centric, blending a keen ear for talent with a progressive vision for the industry - evident in his efforts to support independent musicians through initiatives like Co-Op Music, and his recent investments in regional UK studios and digital innovation at Warner.Our chat was for my upcoming Dancing Through the Fire - Paul Weller oral history book, and Tony has kindly let me use the audio for an episode of the podcast. We cover his early days working at Beggars Banquet record shop and going to punk gigs ... to V2 during Paul Weller’s time at the label and the sale of the record label at the point Paul had just finished creating 22 Dreams. Tony shares his memories of working with Paul, his unique relationship with John Weller, and why he believes Paul remains one of the greatest and most enduring artists of our time.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

Paul Weller’s new album Find El Dorado, out today via Parlophone, is a reflective, quietly radical covers record reinterpreting tracks discovered through late-night listening, friends’ recommendations, and crate-digging, now given a home in his voice. Produced by Steve Cradock, it features intimate yet polished arrangements and contributions from Declan O’Rourke, Amelia Coburn, Noel Gallagher, Seckou Keita, Robert Plant, Hannah Peel and others. The album opens with Richie Havens’ haunting ‘Handouts In The Rain’ and journeys through obscurities like ‘Daltry Street’ and ‘One Last Cold Kiss’, reimagined classics such as ‘I Started A Joke’ and ‘Nobody’s Fool’, and finishes as an act of listening and reflection. It reveals Weller’s enduring creativity – a glimpse into the five-decade journey told in full in my upcoming authorised oral history Paul Weller: Dancing Through the Fire, out 11 September, featuring unheard stories and voices from across his remarkable life.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

In this episode, I’m joined by acclaimed music journalist and broadcaster Pete Paphides to dive into Paul Weller’s new album, Find El Dorado. Pete wrote the liner notes for the album and the cover story for Uncut magazine, so he brings a unique perspective on how the project came together, the inspiration behind the track-list, and why these particular songs were chosen. We talk about Weller’s drive to celebrate lesser-known gems, his collaboration with Steve Cradock (who produces), and the contributions from special guests like Declan O’Rourke, Amelia Coburn, Noel Gallagher, and Robert Plant.We also explore the wider context of Weller’s career - how his voice has evolved, the influence of folk, soul, and psychedelia on this record, and what makes this album stand apart from his recent releases. There are plenty of stories from behind the scenes, reflections on creative partnerships, and even a look ahead to The Jam’s 50th anniversary and my own upcoming book, Paul Weller: Dancing Through the Fire...Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

Dean Chalkley is a renowned photographer who, for over three decades, has created authentic and powerful imagery across music, fashion, and culture, capturing everyone from underground pioneers to pop stars with an eye rooted in subcultures like Mod, Northern Soul, and Rudeboy scenes.Originally trained as a tailor, his deep understanding of personal style and cultural movements has informed projects such as Return of the Rudeboy and Young Souls, while his experimental works like New Perspectives continue to push boundaries.Dean has photographed some of the most exciting names in the contemporary music world - including Noel Gallagher, Amy Winehouse, Suede, Boy George, Dizzie Rascal, Jay-Z, Richard Ashcroft, and, of course, Paul Weller !Over the years, he has photographed Paul many times for magazines and supplements like The Sunday Times Magazine, Uncut, and NME, for his record label, his collaborative clothing range with Sunspel in 2021, and most recently for the Find El Dorado album project.A lifelong Mod himself, Dean brings an insider’s understanding of style, attitude, and cultural nuance to every image he creates.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

My guest on this episode is a true icon – singer, songwriter, DJ, author, and cultural trailblazer – Boy George. A 20 minute chat to gather stories for my upcoming Paul Weller oral history book - that was so good , I wanted you to hear as a podcast too.From the early days of seeing Paul on Wardour Street in a sharp blue mod suit, to touring together in Japan with The Style Council and Culture Club, George shares his memories of Weller’s music, their mutual respect, and hilarious tales involving Marilyn, Mick Talbot’s wife, and wild nights out.Hear how Boy George ended up performing ' One Tear' on Paul Weller's A Kind Revolution album in 2017, and live with the BBC Orchestra for a stunning rendition of 'You’re The Best Thing' for Weller's lockdown gig at the Barbican. Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

Martin Carthy MBE is a true icon of British folk music. In this episode, we explore Martin’s remarkable legacy - a career spanning over six decades - from the 1960s folk revival to ground-breaking collaborations with Steeleye Span, The Watersons, and The Imagined Village (on which Paul, Martin and Eliza Carthy collaborated on 'John Barleycorn'. We discuss his work with Paul Weller, including the 2018 album True Meanings, where Martin’s guitar graces the track 'Come Along.'Martin also reflects on the original 1972 recording of Lal Waterson’s haunting 'Never the Same,' recently reimagined by Paul for his upcoming covers album Find the El Dorado.We also chat about Martin’s new 2025 release Transform Me Then Into a Fish – a full-circle revisit of his 1965 debut album, reimagined for his 84th birthday. It’s a powerful reminder of his enduring artistry and commitment to traditional song.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

On this episode of the podcast, I am joined by Brian Protheroe , the man behind the 1974 original of 'Pinball' - Paul Weller's latest single from the upcoming covers album Find El Dorado. When Paul Weller chose to cover Brian Protheroe’s 1974 debut single 'Pinball' for his latest single and upcoming album Find El Dorado, it wasn’t just a nod to nostalgia - it was an artist recognising a song that had quietly endured for half a century. For Brian, who has straddled a dual career in acting and music, Pinball was never meant to be a pop hit. It was a stream-of-consciousness diary entry, capturing a moment of heartbreak, aimlessness, and Soho wanderings, all strung together without a chorus - just mood, melody, and raw honesty.Written during a low point in his life - newly single, broke, and living in a flea-ridden Covent Garden flat - his vivid lyrical sketches ('fleas in the bedroom, flies in the bathroom') offered something different to the glam and gloss of the charts. That difference resonated: Pinball landed him on Top of the Pops, and repeated plays from Kenny Everett on his Capital radio show.Now 81, Brian is still writing and recording, with a remastered vinyl reissue of his debut album Pinball due in August.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

For episode 10 of the podcast’s third season, I had the pleasure of speaking with Jackson Ducasse - a filmmaker who has collaborated with many incredible artists including Dua Lipa, Calum Scott, James Bay, Clean Bandit, New Order, Imagine Dragons, Isaac Gracie, Kelis, Professor Green, Amy Macdonald, Jess Glynne, John Legend, Blondie, Katie Melua and Nile Rodgers. Jackson was brought on board by Weller HQ and Parlophone to direct the video for Paul’s latest single, a bluesy, raw reinterpretation of a little-known track called Lawdy Rolla. The brief? Keep it stylish, simple, and true to Weller’s vision. Shot entirely at Black Barn, the video uses bold colour backdrops and split-screen edits to showcase the instrumental complexity and the cool, effortless energy of Weller, longtime collaborator Steve Cradock and sax player, Kevin Haynes.We dive into his behind-the-scenes work on the striking video for Paul Weller’s latest single, discussing how the project came about, filming at Black Barn Studio, the challenges of directing music legends, and the thoughtful creative process behind it all. From stylish split-screens to Savile Row suits, it's a fascinating insight into bringing Paul's vision to life on screen.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

On this episode of the Paul Weller Fan Podcast, I was thrilled to welcome Lucy Hooberman – a documentary filmmaker, journalist, and researcher – to talk about two bold and fascinating chapters in the story of The Style Council: the Red Wedge campaign and their much-debated short film, JerUSAlem.Lucy brings unique insight. As the producer of both Days Like These (the Red Wedge documentary) and JerUSAlem, she worked closely with Paul Weller during a period of intense creativity, activism, and experimentation. Her recollections offer a rare behind-the-scenes look at a time when pop music was both political and personal.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

What a joy it was to spend time with Abbey Road Mastering Engineer, Geoff Pesche for this episode of the Paul Weller Fan Podcast.Geoff’s name might not immediately ring bells for every listener – but his sonic fingerprints are all over some of the most significant records in British music history. From the cutting room at Tape One to the mastering suites of Abbey Road Studios, Geoff’s career spans over four decades of audio excellence.Before we dig into his work with Paul Weller, let’s rewind a bit. Geoff began in the late ’70s as a bike messenger, before quickly stepping into the studio world proper. By the early ’80s, he was mastering tracks at Tape One, where he famously cut the original lacquers for Blue Monday – the best-selling 12” single of all time. He also helped prepare Dire Straits’ Brothers in Arms for mass production and later mastered Kylie Minogue’s Can’t Get You Out of My Head – the most played radio track ever.Since 2006, Abbey Road has been his home turf, where he’s worked on records by Blur, Gorillaz, Kate Nash, Dizzee Rascal, and Basement Jaxx, to name a few. In short, when you need your album to sparkle, Geoff’s the man to call.Working with WellerGeoff’s link to Paul Weller came via Charles Rees, the engineer and studio manager behind the upcoming new album Find El Dorado. Having already collaborated with Charles on music by The Rifles, Geoff was a natural choice when it came time to master Paul’s latest LP. After a few test tracks were exchanged and approved, Geoff took on the full album – bringing clarity, warmth and just the right amount of loudness to the final mixes.What was particularly fascinating was Geoff’s insight into the process: how files are shared remotely, how mastering has adapted to modern streaming and vinyl needs, and how his job is, as he puts it, “adding the sugar on top.”The Weller TouchThroughout our chat, Geoff spoke with genuine admiration for Weller – not just as a musician, but as someone who’s stayed relevant by being musically direct, open to collaboration, and remarkably grounded.You can hear more about Find El Dorado, Geoff’s incredible discography, and the art of mastering on the full episode – out now on the Paul Weller Fan Podcast.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.

What a joy it was to sit down with the brilliant photographer and filmmaker Julian Broad for this episode of the podcast.Julian has played a huge part in shaping the visual identity of Paul Weller’s solo career, shooting everything from early press photos to iconic album covers including Heliocentric, Sonik Kicks, and Saturns Pattern. We talked about the creative process behind those sleeves, the magic of happy accidents, and what it’s like working with an artist as hands-on and grounded as Paul. No stylists, no entourage – just a clear vision and a real sense of trust.We also discussed the 1999 Observer shoot with Paul and Noel Gallagher, and the stunning image that now graces the cover of my upcoming book, Paul Weller: Dancing Through the Fire, out this September.Find podcast show notes and sign up for regular information at PaulWellerFanPodcast.com Hosted on Acast. See acast.com/privacy for more information.