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Free Your Mind!: Giovanni 'Tinto' Brass, 'Swinging London' and the 60s Pop Culture Scene w/ Simon Matthews
Episode 891

Free Your Mind!: Giovanni 'Tinto' Brass, 'Swinging London' and the 60s Pop Culture Scene w/ Simon Matthews

Parallax Views w/ J.G. Michael

January 30, 20241h 27mExplicit

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Show Notes

On this edition of Parallax Views, Simon Matthews, author of Free Your Mind!: Giovanni 'Tinto' Brass, 'Swinging London' and the 60s Pop Culture Scene, joins the show to discuss the life and career of European filmmaker Tinto Brass. Brass is perhaps most well-known today for his erotic/softcore features as well as the epic, star-studded effort Caligula (starring Malcolm McDowell and Helen Mirren among others), that was re-edited at the behest of Penthouse's Bob Guccione to the point of butchering Brass' original vision. Matthews, however, hones in on the works of Brass as they relate to the the era of mod culture in the days of London's swinging 60s. With a foreward by the legendary actor Franco Nero, Free Your Mind! explores such Brass efforts as Nerosubianco (aka Attraction), The Howl, The Vacation, and The Dropout and their relation to 60s pop culture and counterculture. We'll also be discussing such Tinto Brass movies as the controversial Salon Kitty about Nazi Germany (part of the Nazi chic boom of the 60s/70s film industry), the spaghetti Western Yankee, and Brass in relation to contemporaries like Russ Meyer and John Waters. We'll look at the politics of Tinto Brass and why his filmography, especially in Britain, has been overlooked. If you're unfamiliar with Tinto Brass this will fill you in on an interesting auteur in the world of filmmaking who hasn't gotten his proper due despite working with heavyweight actors like Vanessa Redgrave and the aforementioned Franco Nero. We'll also discuss the unmade films of Tinto Brass including the adaptation of Anthony Burgess' A Clockwork Orange that he almost made and a project that never materialized with Jim Morrison of the legendary rock 'n' roll band The Doors. All that and more on this edition of Parallax Views.