Our Opinions Are Correct

When two characters have an intense conversation, it deepens a story the way nothing else can. Dialogue is key to worldbuilding, and in this episode we talk to illustrious TV writer and showrunner Javier Grillo-Marxuach (The Middleman, Lost, The Dark Crystal) about how to do it right. We explore quippy barbs, fake accents, and what happens when every character in a story talks like they are the same person. That's right: We're having a dialogue…about dialogue. And yeah, it's going to get meta. Shownotes: www.ouropinionsarecorrect.com/shownotes

We love escapism, and being able to escape into imaginary worlds is a super important survival strategy in the midst of oppression, pandemics, state-sponsored violence. But what if a story is escapist for some people, but not for others? And how dark can a story get and still be escapist? Let's talk about escaping AND fighting for justice. Show notes: www.ouropinionsarecorrect.com/shownotes

We're sick of the nerds vs. jocks trope in pop culture. In this episode we unpack how that trope came to be, and how to get beyond high school PE trauma. We talk about science fiction that fetishizes workout routines (Arrow's salmon ladder!?), and portrays nerds as physically weak. Plus, we're joined by trainer Robyn Warren, creator of Geek Girl Strong, who explains how to build exercise into your nerdy life -- and why PE classes need to change. Show notes here: www.ouropinionsarecorrect.com/shownotes

Romance and speculative fiction have always been closely connected, ever since the days of the pulps. But nowadays, some of the best science fiction and fantasy writing is happening in the romance genre. We talk Alyssa Cole, author of the Off the Grid series, the Loyal League series and the A.I. Who Loved Me, about the love affair between SF and romance. Show notes: www.ouropinionsarecorrect.com/shownotes

In these tough times, we need great TV shows more than ever. We have lots of opinions about nine new series that are making us happy because they're smart, fun, and -- best of all -- colorful! Plus, we've got recommendations for over a dozen more not-so-new shows that are worth digging up from last year, or last century. Stay safe at home and plunge your mind into dazzling new worlds. Show notes: www.ouropinionsarecorrect.com/shownotes

Plots are one of the most important parts of storytelling. They carry our characters forward, and they force our heroes to make choices and to change along the way. Every story has a plot, whether it's about saving the world of making a cup of tea. So why is it so hard to come up with a decent plot? We talk about good and bad plots, and offer advice about how to write the best ones. Show notes: www.ouropinionsarecorrect.com/shownotes

Pandemics are a recurring trope in science fiction, but this turns out to be surprisingly unhelpful when we're facing a contagion in reality. We talk to Mike Chen, author of the new pandemic novel A Beginning at the End, about how science fiction uses disease as an allegory for almost everything except, well, disease. Mike wrote his novel over a year before the COVID-19 outbreak, and tells us what it's like to make a prediction that comes true--sort of. Show notes: www.ouropinionsarecorrect.com/shownotes

Everything is bloody terrifying right now, what with the pandemic and the would-be strongmen and the natural disasters. So it's easy to retreat into nihilistic storytelling, which revels in the destruction of civilization. But screw that --- when you root for the destroyer, you're rooting for unimaginable suffering and death. Here's why we don't want your f--ed-up nihilism. Show notes: www.ouropinionsarecorrect.com/shownotes

We would need an eternity to discuss everything that was great and groundbreaking about "The Good Place," which just aired its series finale. We talk about how this weird afterlife comedy combined the workplace sitcom with weighty questions about ethics, psychology, and capitalism. Then we get metaphysical and ask why the afterlife is so funny. Also, why is it easier to imagine the bad place than it is to imagine the good one? Show notes: www.ouropinionsarecorrect.com/shownotes

Science fiction and fantasy are full of feasts, from the banquets in Game of Thrones to all those Klingon delicacies. Why is food so important in SF? To find out, we talked to Mary Anne Mohanraj, author of The Stars Change and the cookbook A Feast of Serendib: A Sri Lankan-American Cookbook. Show notes: www.ouropinionsarecorrect.com/shownotes

Science fiction and fantasy are full of stories about the power of knowing someone's true name, from the Doctor on Doctor Who to the wizards in Ursula K. Le Guin's Earthsea. But why are names so important and powerful? And what do they tell us about the characters we love? Show notes: www.ouropinionsarecorrect.com/shownotes

The nonology is over. Baby Yoda ate the internet. Fans are screaming about everything. How did Star Wars go from a campy space opera to a trigger for political conflict? We talk to guests Annalise Ophelian, director of the new Syfy documentary series Looking for Leia, and Elena Rose Vera, minister and activist, about the meaning of Star Wars in 2020. Shownotes here: www.ouropinionsarecorrect.com/shownotes

The phrase "Pulp Fiction" brings to mind Quentin Tarantino's movie of the same name. But real-life pulp fiction is much stranger, and more colorful, than you ever realized. We talk to pulp historian and author Jess Nevins about the weird and sometimes problematic history of the pulps. Show notes: www.ouropinionsarecorrect.com/shownotes

Scientific racism means using science to justify racist beliefs or ideas, and it has a long history. In this episode, we explore the origins of scientific racism, and how it's still affecting both evolutionary biology and fantastical stories about "other species" like the X-men's Homo superior or Underworld's vampires. Plus, we've got an interview with journalist Angela Saini, author of the recent book Superior: The Return of Race Science. Show notes: www.ouropinionsarecorrect.com/shownotes

Everybody obsesses about A.I., nanotech, space travel and robots. But the technologies nobody pays much attention to could have an equally significant impact on our world. Like artificial wombs, smart toilets, new forms of public transportation, and new cleaning machines. Show notes: www.ouropinionsarecorrect.com/shownotes

Speculative fiction writers talk endlessly about worldbuilding, which sounds like it ought to involve a near-infinite amount of drywall. What is worldbuilding? And why is it so important? Plus we talk to author K. Tempest Bradford about the Writing the Other workshops and her brand new genre, Pyramidpunk! Show notes: www.ouropinionsarecorrect.com/shownotes

Terminator: Dark Fate barely made a dent in the world of pop culture, despite the fact that Terminator 2 changed the course of blockbuster cinema back in 1992. What made this series so electrifying in the twentieth century, and what's different now? Why did the new Star Wars trilogy reboot succeed using the same formula that made Terminator: Dark Fate fail? Also, what are the kinds of robot uprising stories we'd like to see in 2019 and beyond? Show notes: www.ouropinionsarecorrect.com/shownotes

The idea of the "rugged individual" is all over the place in science fiction--especially in the United States. Who is this loner hero, and why are there so many stories about how personal freedom is more important than the public good? We explore the idea of rugged individuals in science fiction, and talk about how this myth has shaped everything from how we make technology, to why we value privacy. Show notes: www.ouropinionsarecorrect.com/shownotes

We've all heard Arthur C. Clarke's third law, which states that sufficiently advanced science is indistinguishable from magic. What did Clarke mean by this, and how are people using his law to take the mystery out of fantasy stories? Plus we look at popular stories where magic is explained by science, including Star Wars and Dune. Show notes: www.ouropinionsarecorrect.com/shownotes

Multiverses are everywhere lately, from superheroes to fantasy novels. But there's one huge downside to multiple realities: you can't change the past, and if you try, you just create a new universe. Also, we talk about The Future of Another Timeline, Annalee's brand new time-travel novel, in which there's only ONE universe, and everyone plays for keeps. Show notes: www.ouropinionsarecorrect.com/shownotes

People have a lot of opinions about what it means to have opinions about TV. Who is allowed to criticize TV, and how do you do it well? In this episode, we talk to TV critics Inkoo King (Slate) and Nina Shen Rastogi (Vulture) about what it means to analyze TV in 2019. We're at Peak TV, everything is political, and we are still processing our feelings about Game of Thrones. Also, recaps are dead. Let's talk about TV! Shownotes: www.ouropinionsarecorrect.com/shownotes

Why do so many horror movies and stories feature terrifying women? Why do male creators treat female bodies and women's sexuality as intrinsically terrifying? And what happens when women get to create their own monsters and horror narratives? Plus we talk to Mallory O'Meara about her new book The Lady from the Black Lagoon. Show notes: www.ouropinionsarecorrect.com/shownotes

There's been a renaissance of anti-capitalist stories in science fiction and fantasy in the U.S. But these aren't tales of violent revolution or faceless corporations. We discuss Utopia, community, and how group therapy is the opposite of authoritarianism. Also, we're joined by K.M. Szpara, who talks to us about his steamy forthcoming novel Docile, whose tagline is, "There is no consent under capitalism." Show notes: www.ouropinionsarecorrect.com/shownotes

Afro-futurism is on the rise again, thanks to the popularity of movies like Black Panther, and creators such as Janelle Monae and N.K. Jemisin. But Black-centered futurism has a long history in the U.S., and it's changed a lot over the past century. We sit down with critic and scholar Shawn Taylor, co-founder of TheNerdsOfColor.org, to talk about Afro-futurisms of yesterday and tomorrow. Show notes: www.ouropinionsarecorrect.com/shownotes

Real-world law is becoming science fictional. We talk about the future of surveillance and digital policing with guest Cyrus Farivar, a journalist who covers law and technology for NBC News. He's also the author of Habeas Data, a book about landmark privacy cases. We discuss where our current laws are going, and what science fiction has to say about it -- especially Star Trek, a show lawyers love for a reason. Show notes: www.ouropinionsarecorrect.com/shownotes

There's nothing quite so dystopian as censorship: the suppression of knowledge, or works of art, that challenge the ruling order. We look at how science fiction, fantasy and horror have been censored. But also, what does science fiction teach us about how to resist censorship? And we talk to Ron Turner, publisher of Last Gasp, about the underground comics scene and his struggles with official censorship. Show notes: https://www.ouropinionsarecorrect.com/shownotes/

Everybody knows that endings are hard, and we all love to complain about the way our favorite TV show or movie ended. But with both Game of Thrones and the Avengers movies coming to an end, this is a perfect time to think about what makes for a good ending. And how the heck do you write one? Show notes: www.ouropinionsarecorrect.com/shownotes

We talk to economist Noah Smith about how different theories of economics show up in science fiction -- and how economics is also an exercise in speculative worldbuilding. How do ideas about "rational actors" make their way into space operas, and why is everyone so obsessed with game theory? Plus what is the deal with Ayn Rand? Show notes: www.ouropinionsarecorrect.com/shownotes

Lately the camp-themed Met Gala got us talking about camp again. What is camp? And how is it different in 2019 than in 1969? And most importantly, why is science fiction so deathly terrified of seeming campy? We're going to have a Kiki about this. Show notes: www.ouropinionsarecorrect.com/shownotes

We're living in an age of dystopian stories, while real-life social issues are getting pretty dystopian too. What's the point of telling dark stories in a dark time? Also, we discuss how Utopian stories and dystopian stories are actually quite similar -- just two opposite extremes -- and how the best science fiction exists in the nuanced gray area between the binary poles. Plus: what stories are giving us hope right now? Show notes: www.ouropinionsarecorrect.com/shownotes

Social media has become one of the biggest problems of our time. How does science fiction deal with the rise of social networks---and how is this different from the way the real-life news media talks about it? And what does the future look like after social media dies? Shownotes: www.ouropinionsarecorrect.com/shownotes

For our first-ever live podcast, recorded in March on the JoCo Cruise, we talked to cosmologist Katie Mack about how the universe will end. Will it be heat death or vacuum decay? We also talk about how rarely science fiction deals with the end of the universe, as opposed to the end of our planet or species. Also, why do we think the ultimate apocalypse is so funny, and will we survive it? Show notes: www.ouropinionsarecorrect.com/shownotes

Game of Thrones comes back in a couple of weeks, so we're thinking about the politics of George R.R. Martin's fantasy world. What would a satisfying ending to this show look like? Can our heroes defeat the ice zombies AND solve Westeros' crisis of governance? And how exactly does the Iron Bank function? Show notes: www.ouropinionsarecorrect.com/shownotes

Is there a way to predict the future accurately, using data and science? In this episode, we talk to Rose Eveleth, host of the Flash Forward podcast, about the idea of futurism. We explore its history and dark roots in fascism, as well as its connection to environmental politics and the tech industry. And we talk about how Afrofuturism is changing the way we imagine tomorrow. Show notes: www.ouropinionsarecorrect.com/shownotes

Back during the Cold War era, we were awash in stories about nuclear armageddon: either living through it, or trying to prevent it. And now, experts say the threat of nuclear holocaust is the worst it's been in over two decades. So how will pop culture respond? We talk about what a 21st century nuclear-war story might look like. Show notes: www.ouropinionsarecorrect.com/shownotes

A lot of science fiction takes place in the near future, somewhere in the next century or so. But what about the far future in 10,000 years, or a million? How do writers and creators imagine deep time and make it plausible? We discuss our favorites and some misfires. Then Charlie Jane talks about her new novel, The City in the Middle of the Night (out now!), which explores a human society thousands of years from now. Show notes: www.ouropinionsarecorrect.com/shownotes

We love the show Steven Universe now, more than ever. This cartoon about a magical child has gone through a lot of changes in the past couple of years, and now its cosmic mythos has become a lot more complex—and the theme of identity has only gotten stronger. In this episode, we pull apart the show's themes, including colonization, non-toxic masculinity, and the power of families. Show notes here: www.ouropinionsarecorrect.com/shownotes

Let's talk about sex! In this episode we explore sci-fi tropes about where sex is going in the future, where it seems that we're doomed to become aromantic hedonists or asexual drones. We also talk about the greatest hits of scifi and fantasy sex. Special guest Lux Alptraum talks about her new book, Faking It, about the lies women tell about sex in real life, and where we see those lies popping up in science fiction too. See links and show notes at: www.ouropinionsarecorrect.com/shownotes

We need hope now, more than ever. So it's a good thing that more and more SF creators are trying to write hopeful stories---but what does it mean to be hopeful? Is hope a genre, or just a theme? And what the heck is "hopepunk" anyway? We talk about the books, movies and TV shows that are giving us hope, and what it's like to write a story about striving for a better tomorrow. Show notes: www.ouropinionsarecorrect.com/shownotes

We know you just want to curl up by the fire and bask in pop culture of yesteryear this holiday season. But too bad. We're here with special guest Katharine Trendacosta to interrogate the meaning of nostalgia in science fiction. We discuss remakes, reboots, rebranding, historical references, and traumatic memories--and how all of these are shaping the future of the genre. Plus Disney. We have many thoughts on Disney. As always, you can find show notes, references, and transcripts on www.ouropinionsarecorrect.com/shownotes

Doctor Who is a brand new show this year. Not only is there a lady Doctor, played by Jodie Whittaker, but the show's whole format feels totally different. Three companions! All new monsters! But even more than that, the show has a new, more upbeat attitude. And it's tackling new themes, including the meaning of family and the dangers of capitalism. Join us as we go deep into the time vortex to unravel the meaning of Doctor Who in 2018. Show notes: www.ouropinionsarecorrect.com/shownotes

This holiday season, let's add everyone's biological and technological distinctiveness to our own. Or hey--let's not! In this episode, we talk with scholar and editor Jaymee Goh, whose doctoral research focused on cultural appropriation and steampunk. She tells us what cultural appropriation is, and why it's become a source of political debate in fantasy and science fiction. Also: we discuss that one terrible scene in Back to the Future. You know the one. Show notes: www.ouropinionsarecorrect.com/shownotes

It's easy to stick prosthetics on someone's face and call them an alien. But how do we represent a truly alien form of consciousness? In this episode, we talk about science fiction that succeeds (or fails) to evoke alien minds--whether they hail from other planets, or evolve inside our computers. Plus, we talk to guest Lisa Margonelli about her new book Underbug, which explores termite society. Did you know that termites socialize using butt juice? Learn all about that and more! See our full show notes at www.ouropinionsarecorrect.com

With the U.S. midterm election coming up, it's time to look at representations of democracy in science fiction. The genre is often skeptical or satirical when it comes to democracy--you can see this in everything from episodes of The Prisoner to the movie Idiocracy. But science fiction is also a testbed for dramatic re-imagingings of this political system, offering a hopeful look at a more egalitarian world. Our guest Malka Older, a human rights worker and author of the novel Infomocracy, talks to us about how to improve democracy with storytelling. Full show notes and links at www.ouropinionsarecorrect.com.

Anti-capitalism is having a moment in the West, and especially in the U.S. political scene. But science fiction has been grappling with the promises and savage realities of capitalism since its very inception. In this episode, we talk about anti-capitalism in stories like The Matrix and The Space Merchants. We wonder why it's so hard to imagine what comes after capitalism. Are our only options a post-scarcity Star Trek wonderland vs. Hunger Games' neo-Feudalist nightmare? Show notes: www.ouropinionsarecorrect.com/shownotes

Cities lurk in the background of many futuristic stories, but they can also be characters in them. In this episode, we talk about how cities might evolve, and whether it's inevitable that they'll become cyber-noir dystopias. Also on our minds: Why social scientists are talking about the rise of "global cities," and how Wakanda is one of the few Utopian metropolises on screen. Plus: Sci-fi mapmaker Burrito Justice joins us and explains how he crunched the GIS data to make an accurate map of San Francisco after 100 feet of sea level rise. Show notes: www.ouropinionsarecorrect.com/shownotes

Transgender people have always been part of science fiction and fantasy, but the past few years have seen a whole new generation of trans creators bursting onto the scene. Why are so many trans people flocking to SF and what kind of stories are they telling? Also, we delve into the controversy over Rapid Onset Gender Dysphoria, and explain why so many people are questioning the science behind this concept. Why can't teenagers shape their own identities without being accused of some mysterious new malady? Show notes: www.ouropinionsarecorrect.com/shownotes

Binge watching. Peak TV. Water-cooler shows. We have many names for it, but they all mean that we've got way too much television. There were 487 scripted shows on the air in 2017, and 2018 is just as packed. In this episode, we talk about the history of peak TV, and what it's done to the way we tell stories. Some TV shows have been Wiki-ized, getting so complex that you need multiple fan wikis to keep up. Others have gotten ultra-bland or egregiously weird just to stand out. Is everything terrible, or is there a silver lining? Show notes: www.ouropinionsarecorrect.com/shownotes

In this episode, we look at Sense8, the globe-spanning show about mentally linked psychics from Lana and Lily Wachowski, and we celebrate its uplifting vision of people coming together and letting go of ego. But one of the most fascinating things about Sense8 is that its vision is fundamentally utopian. Why are utopias so rare in speculative fiction—and what makes them so hard to do well? Show notes: www.ouropinionsarecorrect.com/shownotes

We've all been feeling like something is wrong with the timeline. In this episode, we ask what alternate history, fake history, and secondary world history can teach us about the present. Does exploring the past in fiction help us learn from history or are we doomed to repeat it? History-obsessed authors Connie Willis (Blackout, Doomsday Book) and R.F. Kuang (The Poppy War) offer their thoughts too. Show notes: www.ouropinionsarecorrect.com/shownotes