Ongoing History of New Music

It takes a special kind of band to obscure their appearance…but if you can do it right, then it moves from being a silly gimmick to an important piece of your identity, image, and brand.… When Kiss came along in the early 70s with their Japanese kabuki-inspired makeup, it wasn’t that far out…they came from New York where there was a glitter scene that had a lot of guys wearing make-up…kiss just took it to an extreme: The Demon, Star Child, Spaceman, and Catman… It worked--eventually…Kiss has sold 100 million albums…there was that period after 1983 when they wiped off the greasepaint and showed their faces to everyone, but that’s not what the fans wanted, and they eventually brought it all back… A more contemporary example is Slipknot…their masks have been an essential part of their identity since the band started up in 1995…it started with the clown wearing a clown mask for the band’s first gig shortly before Halloween that year…the rest of the guys thought it was dumb at first, but then they all joined in… Fans now keep close tabs on each member’s mask, parsing what each new iteration—and they can change or be updated almost yearly—might mean… There are other mask-wearing bands: the residents with their eyeball heads…any number of dark metal bands from Scandinavia like Ghost and Lordi…Pussy Riot (largely to keep their identity hidden from the authorities)…then there’s Gwar, who have taken it to a completely different level entirely with their alien costumes…and deadmaus has had his big mouse head for years…there are tons of others, but you get the idea… This brings me to Daft Punk…from 1993 until their breakup in February 2021, they acted like robots with elaborate helmets that completely obscured their identity…we knew they were French, and we knew their real names…but beyond that, they were a cool mystery that we played along with… Now that they’re done, though, it’s time to dig through their history…what the hell was Daft Punk all about?...and why did they matter so much?...here is their requiem… Learn more about your ad choices. Visit megaphone.fm/adchoices

Let me say from the outset that I have nothing against small towns…I grew up in one myself…population: 2000…it was in the middle of the Canadian prairies…the nearest big city was Winnipeg…after that, you had to go at least 500 miles before you hit any major population centre… I also want to make sure to let you know that I think living in a small town is a not bad idea…it’s not…it can be a wonderful, low-stress, low-cost secure existence…a lot of the people I went to school with still live in my small town… But there are those who want out, people who want to experience more of the world…they find their lot dull, a dead-end, too far from where the action is…but how to escape?...that’s the problem… One way would be to just buy a bus ticket and hit the highway…you could join the armed forces…or maybe you could form a band, write song songs and become world famous…yeah, that’ll never happen…or could it?... There’s this old saying that all you need to change the world—your world—is three chords and an attitude…and it doesn’t matter where you’re from…you can be from the smallest town the map—even a town too small to be on a map—but if you get in with the right bunch of people and manage to pull together some good songs, who knows what might happen?... Here…let me give you some concrete examples…you don’t have to be from L.A. or London or some other big city…you can be from—wherever…these are some big, big bands who actually came from small, small towns… Learn more about your ad choices. Visit megaphone.fm/adchoices

The original punk rock explosion of the 1970s was two things…first, it was a major reset for rock’n’roll…think of it as a great musical decluttering… Punk of the 70s wasn’t revolutionary…it was reactionary…the music was stripped back, and everyone went back to the basics…very important… Second, there was an attitude shift…one of the central tenets of punk was that if you had the guts to say something, then do it…and if no one wanted to help you, well, then do it on your own… Taken together, these two principles resulted in what can be described as the big bang for what would later be called “alternative music”…punk set off chain reactions of new ideas, new sounds, new attitudes, new fashion, new belief systems, and generally new ways of doing things… The gloves were off, rules were broken, concepts were explored, and unintended consequences happened…we now look back on this as the great post-punk explosion of the late 70s and early 80s, an era that created so many of the basic foundations of the music we hear today… There was new wave, technopop and all its subsets…industrial music, goth, and a revival of ska…those are the major post-punk genres…but there was more…a lot more… Learn more about your ad choices. Visit megaphone.fm/adchoices

Every once in a while, music enters a state of flux where the direction of everything is, shall we say, undefined…we see and hear change but we’re not quite sure what it all means just yet…something is coming—but what?... All bets are off, the rulebook has been declared invalid, and everyone is off doing their own thing… I’ll give you an example…in mid-to-late 1950s Britain, popular music was evolving and mutating very quickly…in the midst of imported American rock’n’roll records, the skiffle craze, and various flavours of folk music, some young people rejected contemporary sounds in favour of something known as “trad jazz”… This was a revival of something close to Dixieland jazz from New Orleans, which emerged around the same time as world war 1…that meant music made with trumpets, the trombone, clarinet, the banjo, upright bass, and drums…the new acts mined the more pure, more authentic sounds of the past, hoping to be inspired again… And for a while, it worked…trad jazz was a thing until sometime in the 60s…everyone from pop songs to nursery rhymes were fair game for trad jazz arrangements… I’ll give you another example—and it’s tangentially related to British trad jazz…it also has its roots in Dixieland but took a detour through the Caribbean before appearing in central Britain at the end of the 1970s… That was also a time when the direction of music seemed undefined…on the bright side, it also meant that nothing was off-limits or out of bounds…it was the post-punk era…popular music had been shaken up by punk so much that people were more willing than ever to find new paths… This is part 6 of the post-punk explosion…it’s the time of Ska… Learn more about your ad choices. Visit megaphone.fm/adchoices

On April 10, 1815, a volcano erupted in the central part of the Indonesian archipelago…Mount Tambora blew up, ejecting nearly 200 cubic kilometres of debris into the atmosphere…all that dust circled the earth, blocking out a significant amount of sunlight… That blockage was so severe that the average temperature dropped almost a full degree…the result was that 1816 has gone down in history as “the year without a summer”… There were food shortages and famines and outbreaks of disease…and not only was it cold, but huge storms battered much of Europe… That summer, four artsy types were holed up at mansion called Villa Diodati near Geneva, Switzerland…to entertain themselves on through these dark, cold, wet, rainy days, these people drank, had sex, and took opium…and they tried to outdo each other by coming up with the best horror story… One of them, John William polidori, came up with “The Vampyre” about undead bloodsuckers 80 years before Bram Stoker wrote “Dracula”…meanwhile, 22-year-old Mary Shelley, conjured up the idea of a mad scientist who created a new being by sewing together the parts of dead people…she called her story “Frankenstein”… These two stories—imagined during the year without a summer, caused by the biggest volcanic eruption in 1300 years—created the foundation of gothic fiction, a type of horror that endures today…novels, movies, comic books, fashion styles, and yes, music… In fact, the music part of this equation has blown up to the both where Goth music culture is one of the biggest musical subcultures the planet has ever seen…and that explosion happened in the wake of the original punk era of the 1970s… This is the post-punk explosion part 5: Goth… Learn more about your ad choices. Visit megaphone.fm/adchoices

Dancing is as old as the human race…not long after we started walking on two legs, we found a groove and have been moving to the music ever since… Fast-forward several million years and we find that wherever there’s music, there’s dancing that goes along with it…okay, maybe they didn’t exactly bust a move to medieval hymns in the gothic cathedrals, but there had to be at least some swaying going on… We can’t help but move to the music….scientists have documented connections between the aural cortex and the movement centres of our brain…the millisecond we hear music, the motor cortex lights up, indicating a relationship between music, emotion, and the need to move in time with the music…in other words, we seem to be pre-wired to dance…not dancing (or at least moving to music) is unnatural… This caused some problems with some rock fans in the 1970s…dancing was seen as uncool, unless you were pogoing or slam-dancing to a punk band…and when disco came along—the most uncool music and scene of all—dancing was almost a crime…what were you, some disco weirdo?... Fortunately, that moratorium on dancing did not last long…the music and music fans needed to evolve to another level…and when that happened, dancing became not just okay but it was cool once again… This is a look at how that happened in the years immediately following the punk rock of the 1970s…it’s part four of the post-punk explosion—and it’s all about alt-dance… Learn more about your ad choices. Visit megaphone.fm/adchoices

By the time we got to the mid-70s, rock had organized itself so that were rules…you did things this way and not that way…then came punk… One of the great gifts of punk rock was a reminder that you didn’t always have to follow the rules…once this attitude took hold, things began to fragment, metamorphosize and mutate at an increasingly rapid rate… The stratification and segmenting was astonishing…once punk began to cool, the environment it created coalesced into what became known as new wave, an approach that redefined what rock could sound like… Then new wave itself began to fragment, thanks to technology…the new cheaper, portable, and more powerful synthesizer was a godsend…you really didn’t have to know much about music to operate one…you just fiddled around until you found some cool sounds and then organized those sounds into a song… Like the original punks, attitude and a willingness to put your music out there was more important than musical ability—except this time, you did it with this new technology…synths instead of guitars…this was the foundation of what came to be known as techno-pop, which blew up at the end of the 70s… And it didn’t take long for techno-pop to separate into different strands which appealed to different people…some burned out quickly…new variants emerged for a while and then disappeared…and then there were the mutations that turned into something robust and enduring to the point where they still exist today… This episode is about one such strand that survived the post-punk explosion of the late 70s and early 80s…we call it “industrial music”…and word of warning: this show is going to be very intense, very loud, and very heavy… Learn more about your ad choices. Visit megaphone.fm/adchoices

For the longest time, the sounds of rock were made with voice, guitars, bass, drums, and keyboards like piano and organ…there were plenty of ways to manipulate the sounds of those instruments: effects pedals, studio tricks, happy accidents that happened when you least expected them… And for a couple of decades, this was plenty to work with…we discovered all sorts of techniques to create sounds that no one had ever heard before… But when engineers started messing with electricity in new ways, it became possible for musicians to create sounds that not only we’d never heard before but never imagined hearing…this resulted in an explosion of new, amazing music that was based mostly (if not entirely) on electronic sounds… Experimentation started in the 60s…these sounds worked their way into prog-rock in the 70s…and at the very end of that decade, the technology had become cheap enough for young musicians in the last months of the original punk rock scene to adopt these music-making machines as their own… I’m talking about synthesizers, of course…and as bands in sharp suits and skinny ties released spikey new wave pop songs, another group went all-in with synths…and in the post-punk era—which is to say the late 70s and early 80s—we had the era of era of techno-pop…here’s how that happened… Learn more about your ad choices. Visit megaphone.fm/adchoices

If you’ve been around enough, you may remember those special times when you know that you’re in a middle of music history being made… You might be old enough to remember the early 90s…so much new and cool music—led by grunge but supported by all manner of alternative music—came out in ’91, ’92, ’93, ’94, and ’95 that you just knew you were in the midst of a very special time… It felt that not a day went by without there being a new song, a new artist, a new sound, and a new scene worth checking out…it was the alternative revolution—and it was awesome… and so much of it seemed directed at and just perfect just for you… But that was hardly the first time something like this happened…those who were teenagers in the middle 50s knew they were part of something special during the birth of rock’n’roll… The history of the 1960s was largely written in the music of that decade…starting with the Beatles in 1964, every day seemed to bring something new, exciting, and groundbreaking… If you were tied in with punk in the 70s, there was a sense among you and your friends that it was a really special time for music… But what i want to talk about is the era that came immediately after punk…punk changed the way people looked at music, breaking down artistic, social, and demographic barriers…basically, a new generation of musicians ripped it rock and started again…that’s punk in a nutshell… But that attitude didn’t end with the original punk rock explosion…instead, we saw an unstoppable chain reaction with resulted in sounds and styles and scenes that could not have been possible without punk… These sounds weren’t punk, but you could tell by listening that something like punk had to have happened for this music to exist… We now call this the post-punk era…and this period of time—roughly from 1978 through to the middle 80s—created the foundations for the alternative revolution in the 90s and beyond… This is the post-punk explosion part 1…and we begin with this thing called “new wave”… Learn more about your ad choices. Visit megaphone.fm/adchoices

Nerd…noun…a foolish or contemptible person who lacks social skills or is boringly studious…definition 2: a single-minded expert in a particular technical field...example: a computer nerd… It’s an old word, too…the, er, nerds at google have a thing called “the ngram viewer” which scans the text of books going back to 1500…in other words, pretty much right back to the inventing of the printing press… According to these nerds, “nerd” (the word) shows up for the first time in an book called “a true discourse of the assault committed upon the most noble Prince, Prince William of Orange, County of Nassau, Marquesse De La Ver & C,” by John Jarequi Spaniarde: with the true copies of the writings, examinations, and letters for sundry offenders in that vile and diuelifh (i have no idea what that word is) attempt”… I can’t tell you what “nerd” referred to in that book because it’s written in old Spanish and i couldn’t be bothered to find a translation…I’d need a real etymological nerd for that… The word fell into disuse after about 1725 returning into the popular lexicon thanks to Dr. Suess in 1950…to him, a “nerd” was some kind of creature found in a zoo… But the following year, Newsweek magazine reported that “nerd” was being used in Detroit to describe an awkward sort of dude who wasn’t very cool…it kind of lingered in the slang world for the rest of the 50s and into the 60s before it really took off in 1974 with the TV series “Happy Days”…Fonzie was always calling Richie and Potsie “nerds” for being uncool dorks…so props to Henry Winkler… By the end of the 70s—and coinciding with the rise of the culture around the personal computer, consumer technology and “Star Wars” and other science fiction pursuits—the use of “nerd” became even more widespread…remember the “Revenge of the Nerds” movies in the 80s?... But now in our technological society, being called a nerd is a compliment…people aspire to be like Bill Gates and Elon Musk and Mark Zuckerberg…look at shows like “The Big Bang Theory” and “Silicon Valley”…we’re actually celebrating nerddom…people want to be nerds ‘cause—well, it’s kinda cool…the geeks have truly inherited the earth… This brings me to music…nerdishness is now so widespread that nerds even have their own genre of music…and as you might guess, it falls squarely in the world of alternative music… This, then, is a short history of what we unreservedly, unashamedly and unironically call “nerd rock”… Learn more about your ad choices. Visit megaphone.fm/adchoices

Fifty years ago, there was no such thing as a Canadian music industry…well, at least not compared to the U.S. or the UK…we had bands that played gigs and recorded singles and albums…but there wasn’t much of an infrastructure to support a domestic scene… Too few recording studios…a lack of experienced promoters, managers, and producers…there was a tiny collection of domestic record labels…and there was a steady drain of talent to the united states…if you wanted to make it really big, you had to leave the country…that’s kind of discouraging, right? And Canadian radio stations weren’t helping…there was a perception that audiences did not want to hear much of this domestic music because, well, it wasn’t very good…it was inferior to all the music coming from America and England…this contributed to the overall opinion with the general public that Canadian music just wasn’t worth anyone’s time… At the same time, though, it didn’t seem right that our musical culture and our music scenes (such as they were) be overwhelmed by foreign powers…Canadian artists were getting smothered in the crib…something needed to be done…and five decades ago, something was done, beginning on January 18, 1971… It was difficult, expensive, and, in some quarters, wildly unpopular…but it turned Canada into a global musical powerhouse…this is fifty years of CanCon… Learn more about your ad choices. Visit megaphone.fm/adchoices

Here is a truth that some people find very uncomfortable: rock, alt-rock and indie rock are predominantly white…why is that?...the answers—and there is more than one—are complicated…there has actually been a quite a lot of study on this question… Perhaps it’s because non-white people don’t choose this music as part of the way they project their identity to the world…culturally, they just don’t identify with these forms of music, so they naturally gravitate somewhere else… Others ask how this is different from someone choosing the music of their culture and ethnicity over that of another?...if you’re Italian, for example, the chances are you will have a greater affinity to Italian music than you would, say, gamelan music of bali… Here’s another truth: any form of music tends to reflect the shared sentiments of a particular community…. compare indie attitudes with hip hop…an indie band wouldn’t think of singing about drinking Cristal in the back of a Maybach while discussing the size of the diamonds in their new grillz…. neither would a hip hop artist rhapsodically describe their new pickup...neither would a rock band, for that matter… Each form of music has its own aesthetics…if they don’t mean anything to you on a cultural or emotional or personal level, then you’re not going to be into that music… Others don’t buy into this, seeing the non-whiteness of rock as a status quo barrier to people of colour who would like to participate but feel excluded, an outsider, unwelcome…they also see countless microaggressions, covert expressions of racism and continued cultural appropriation… We’re not going to solve any of these issues on this program…but I would like to acknowledge the contribution people of colour have made to the evolution of alt-rock…alt-rock is pretty white, yes—but not always… Learn more about your ad choices. Visit megaphone.fm/adchoices

When you listen to music through a streaming music service, how aware are you of what you’re listening to?...sure, you can look at the screen, but what does that tell you?...the name of the artist, the name of the song, maybe the name of the album…how much time has elapsed, how much is left in the song… But say you’re intrigued by what you’re hearing, and you want to know more…that means you’ve got to search the internet…Wikipedia is usually surprisingly accurate when it comes to learning more about a song or an album…who produced it, the engineer, the name of the studio, the supporting players, and so worth… I mean, it does the job, but it feels kinda lacking…a bit antiseptic… And then if you want lyrics, you have to search other sites…and again, these sites do a decent job, but…*sigh*… Okay, I’ll just say it…I miss liner notes…I miss being able to sort through all the printing in a cd booklet or on a vinyl record…there’s something mysteriously cool about learning something about the artist or the music by finding something buried in the liner notes… Writing and compiling this text used to be a big deal…people were paid good money and even won awards for writing liner notes…the industry has specialists for this sort of thing… But as we get deeper and deeper into the digital era, liner notes are disappearing along with the concept of B-sides and bonus tracks, and album artwork…it’s all part of the evolution of music culture… This is final part a series marking these changes…this is digital debris 3: liner notes Learn more about your ad choices. Visit megaphone.fm/adchoices

A little while ago, I carved out some time to finally file some records and CD’s…I’d been procrastinating, but I finally summoned up the discipline to get it done…and honestly, it was a task that should have taken all of fifteen minutes… But it ended up taking longer than that because I kept stopping to examine the artwork and the liner notes of almost each and every compact disc and vinyl album… I’d forgotten how much I was into looking at my music collection…what was the artist trying to get across with the artwork on the front?...on the back?...on the inside?... Unless you’re still buying physical product, this is an experience that has been largely expunged from music culture…yes, there are digital liner notes and digital artwork and maybe you’re curious enough to check out the fields in the metadata after a right click on the file…but it’s just not the same… If you’re of a more recent generation, there’s a chance that you’ve never bothered with artwork and liner notes because you’ve always lived a digital life—and you have no idea what I’m going on about…but if you’re into vinyl and CD’s, you’ll understand how much things have changed… Yes, we must roll with the times, but the disappearance of old-school album artwork and liner notes has somehow diminished the music experience, just like how we’ve moved away from things like actual B-sides and bonus tracks…let me show you what I mean…this is digital debris part 2… Learn more about your ad choices. Visit megaphone.fm/adchoices

We are very, very deep into the digital world when it comes to music…virtually every song we could ever want is available to us instantly no matter where we are…all we need is an internet connection and we’re good to go… The music industry loves this…in the old days, they had no choice but to manufacture, warehouse, transport, and distribute physical product by the ton, sometimes across vast distances…once these CD’s and records and tapes made it into the stores, then the labels had to collect the money from the stores plus deal with the return of unsold product…it was all very complicated and expensive… Now with streaming, there’s no physical product…all the expensive overhead and those big fixed costs are gone…digital distribution is so much more efficient and profitable on every single level… And for music fans, this way of obtaining and consuming music is not just convenient, but intoxicating… Spotify, Apple Music, YouTube, Soundcloud, Bandcamp…tens and tens of millions of songs… for older people, this still feels like science fiction… And there are also generations who have never, ever set foot inside a record store…they’ve never, ever handled something like a record or a cd or a cassette…for them, music has always delivered without any kinds of container…it’s completely ephemeral, unseen zeroes and ones that beam from somewhere… While there will always probably be a market for music on physical formats, it’s going to shrink and shrink until it’s just a very niche-y thing…so be it…there’s no stopping progress… But we are losing something…there are certainly pleasures and advantages to CD’s and vinyl…it appears, though, that many of these pleasures and advantages are also heading towards near-extinction… I call this “Digital Debris”…here…let me show you what I mean… Learn more about your ad choices. Visit megaphone.fm/adchoices

Okay…let’s go over this one more time…there are just twelve notes in the western scale…the ways they can be combined to form pleasing sounds are finite in number…it’s a big number, but it’s still finite… If we look at chords—which are combinations of three or more single notes played simultaneously—the number is smaller still…and there are only so many ways in which chords may be played in a sequence that makes any sense to the ear and the soul… For example, there are dozens and dozens of hit songs with the same four chords at their root…e, b, c#, and a, played in that order… If I haven’t lost you to music theory yet, all these songs are constructed on those chords… “With or Without You” from U2, Green Day’s “When I Come Around” and “Bullet With Butterfly Wings” from the Smashing Pumpkins, and The Offspring’s “Self-Esteem”…plus “Don’t Stop Believin'’” by Journey, “Barbie Girl” by Aqua, and John Denver, “Take Me Home Country Roads”… In fact, there’s a whole Wikipedia page dedicated to what’s know as the “i-v-vi-iv progression”…it can be played in different keys (for example, “bullet with butterfly wings” is in b-flat while “self-esteem” is in c-major) and the chords can be ordered differently, but the common dna is there…this is just how our scale works and how songs are constructed… Now listen to me: this is not a sign that any of these artists lack in creativity… no one is breaking any rules…and no one is ripping off anyone because no one can have exclusive ownership over a chord progression… However, there is a subset of people—lawyers, mostly—who believe that they should be able to sue artists for plagiarism if there’s any perceived similarity between two songs…the original composer needs to be compensated for this alleged theft…even the threat of a lawsuit and jury trial might be enough to scare up some settlement money… This is insane…and the situation has been getting worse and worse…I think it’s time we deconstructed what’s happening with these crazy lawsuits that threaten to cripple all of music… Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the byproducts of doing a show like this for as long as I’ve been doing it is that it’s really hard to shut off your brain… I’m always thinking about topic ideas, ways to link facts and trivia together, reading lots of books, talking to lots of people, and otherwise trying to come up with a constant stream of things we can talk about… The result of all this researching and thinking and writing are some ideas and perspectives on music, music history, how music is made, how it’s consumed and distributed, and how seemingly small things have led to big changes…that’s one thing… Another is the opinions formed by observing the opinions of others…why do people like some things and hate others?...and another is a list of ideas that aren’t quite fully formed…it seems like I’ve almost grasped a concept but it doesn’t feel right yet—but I feel that there’s a germ of truth in there somewhere… I’ve also learned that when you’re not sure about something, source the crowd…you might like the answers, but it’s better than living in your own head… So lemme bounce a few of these things off you and you can tell me if I’m onto something or if I’m off-base—or if I’ve completely lost the plot… I call this episode “theories, thoughts, and half-baked ideas”… Learn more about your ad choices. Visit megaphone.fm/adchoices

Every once in a while we come across someone who is famous and iconic for being...well let's be honest...nothing more than a monumental eff-up. There is nothing about them we should admire...but for some reason we find them intriguing...fascinating...compelling. This is the story of one monumental eff-up. Books have be written about him...movies done....his image has graces more T-shirts than you can imagine. And he was one of the least musically talented punk rockers of all time. This is the story of Sid Vicious. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the last decade, there has been some very, very long overdue attempts at reconciliation with the First Nations and Indigenous Peoples of North America…there’s still a long, long way to go, but at least the process as begun… The treatment of Indigenous people makes for ugly history…but it has also been enlightening in positive ways… For example, we’ve been learning more about First Nations music and the role people who identify as Native Canadians and Americans have played in the world of rock…some are full-fledged First Nations people…others have at least some Native blood… Some are well-known…others have been hiding in plain sight…and I think it’s time that we go through some of these contributions… Learn more about your ad choices. Visit megaphone.fm/adchoices

This the 23rd annual ongoing Christmas show…and yeah, I know that 2020 has been a challenging year, but let’s look at some of the good things that happened… Many of us learned to bake bread…drive-in theatres made a comeback for both movies and concerts…sweatpants are now accepted work attire… “Tiger King” was fun, wasn’t it?...and—uh…well, i’m sure there were many other nice things about 2020… Oh!..oh!...less pollution because of less traffic…dog shelters were emptied out because so many people were adopting…we got out for more walks…oh—here’s a good one: Africa was declared free of polio in 2020…that’s definitely brilliant… 2021 will be a transition year…vaccines have to be administered, COVID cases will come down, and by this time next year, we’ll in a much better place…optimism is the best cure for anxiety… So with that...let's dive into some our annual not-so-traditional Christmas show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Okay…let’s start the annual office cleanup…this is the time of year when I go through all the scraps of paper, all the scribbles on various notepads and all the post-it notes hanging everywhere…then there are the computer and phone notes that contain even more information… The goal is to determine if anything I’ve written down or squirreled away somewhere is of any use for this program… See, when you do a program like this, you always need to be on the lookout of interesting stuff…arcane knowledge…bits of trivia…oddities and strange connections…it’s a practically a 24/7 thing because you never, ever know when you’re going to run across something mind-blowingly fascinating… The problem is that many of the cool things I discover don’t fit in with anything that I’m doing or writing about…but it seems a shame to discard or otherwise ignore any of this research because it’s still fascinating stuff… So I spend the year collecting all this orphan material for this specific program every December…essentially, it’s a big data dump of music-related information…I just put it out there and let you do with it what you may… Got that?...prepare yourself…this is the annual look at 60 mind-blowing things about music in 30 minutes… Learn more about your ad choices. Visit megaphone.fm/adchoices

We are always pouring sound into our heads, whether we’re using some kinds of speakers or wearing headphones… I’m going to make a guess here, but I’m going to assume that most people demand a certain level of audio quality to what they’re listening to…you don’t want distortion and you’re hoping for a certain level of sonic realism… You want to be able to close your eyes and feel the music around you…you want to be immersed in it…these sensations, as important as they are to our enjoyment of music, are now taken for granted… But the technological journey to that led to us enjoying music this way took decades…and along the way, there were many twists and turns, false starts and dead ends, promising leads and utter failures… This is the story of stereo, part 2 Learn more about your ad choices. Visit megaphone.fm/adchoices

You’ve heard the stories. You’ve felt for the people involved. But what happens after the cameras shut off and the reporters walk away? Just because a story disappears from the news doesn’t mean it’s gone. So whatever happened to the nuclear disaster at Fukushima? or the trapped Chilean Miners? And did anything actually come out of the Ice Bucket Challenge? Join Global News reporter, Erica Vella on this unique history podcast as she takes you inside these stories and talks to the people at the heart of each one to find out exactly what’s happened since. Listen now at https://link.chtbl.com/wht Learn more about your ad choices. Visit megaphone.fm/adchoices

Our ears are amazing things…evolution has created an ability that allows us to tell the direction of a sound…left and right, up and down, front and back…we can tell how close something might be, whether it’s stationary or moving, and if it’s coming towards us or going away…in other words, we hear sound in 3-d…very helpful for humans on the plains of Africa who had to be worried about being eaten by a lion… This directionality also makes listen to music so enjoyable…the very same things that prevented us from being eaten allow us to appreciate music, whether it be live or recorded… With a live performance, we’re in the same space as the musicians, so our ears and eyes work together when it comes to how we interpret what’s going on in front of us…we’re able to pick out all kinds of individual details…that includes the bad stuff like unwanted echo and reverb…and we’re always at the mercy of whoever is controlling and the mixing the audio for a gig… But let’s focus recorded music…how do you create that illusion of sitting in front of a performer?...and I’m talking about the ability to close your eyes and visualize where everyone is onstage?...the singer out front…the guitarist slightly to your right…the keyboardist is slightly to your left…you can tell that the drummer is further back than everyone else, but parts of the kit are slightly spread out…and the bass player is in there somewhere, but doesn’t overwhelm the rest of the instruments… For the last 60-plus years, technology has relied on a set of principles and techniques that allow recorded music to sound exponentially better that 99% of live performances—at least in terms of audio quality…listening to music this way is a totally immersive experience… We call it “stereo”…and this is how this part of our musical lives came to be…it’s The Story of Stereo, Part 1 Learn more about your ad choices. Visit megaphone.fm/adchoices

The universe is a weird, random place that has little regard for what us puny humans think…this is something we find very, very hard to accept…we’re always looking for explanations for the weird, random, and sometimes evil things that befall us… Occam’s razor—the idea that the simplest explanation is usually the correct one—doesn’t cut it for some people…they believe that there are nefarious things afoot… For example, I know someone who is all-in when it comes to this QAnon rubbish…quick explanation: a government insider believes that Donald Trump is leading a secret global fight against a cabal of Satan-worshipping politicians and celebrities and journalists who are engaged in everything from child sex trafficking to cannibalism… Everything about qanon is bat-guano crazy and nothing to do with reality…yet there are people who believe that people Barack Obama, George Soros, and Tom Hanks will soon be arrested and jailed for their hideous crimes… This is more nutty than even the most out-there “JFK-was-assassinated” or “9/11 was an inside government job” theories…or the idea that the moon landing was faked…or that Sandy Hook was a false flag event…or that Bill Gates is big on vaccinations because he wants to inject miniature tracking chips into all of us… What else is out there?...chemtrails…the truth about the Denver airport…the UFO cover-up…the evils of fluoridation…flat-earthers, weather control machines, the illuminati, freemasonry… Okay, what about music?...are there any conspiracies that have taken root?...the answer is “yes…plenty”…and here’s another look down that rat hole of insanity… Learn more about your ad choices. Visit megaphone.fm/adchoices

I’ve always been something of a nut when it comes to the space program…but even though I’ve read all the books, seen all the documentaries, and watched all the movies, I was still surprised to learn something new with the movie “Hidden Figures”… This was a 2016 film based on a book of the same name…it told the true story about black female mathematicians who worked at nasa during the hottest period of the space race… They were “computers” in the original sense of the word: people who computer things complex things like flight trajectories, re-entry methods, and landing coordinates…they were even assigned to check and correct the calculations spit out by NASA’s big ibm mainframes…their work was essential to the American space effort… But this being the 60s, these women were segregated away from the other scientists, meaning that their work was largely forgotten until the movie and book came out… This got me thinking…are there any forgotten figures in music?...I’m talking about women who did awesome and important things but have largely been ignored by the traditional history of rock?...I’m talking about people beyond Deborah Harry, Janis Joplin, Stevie Nicks, Chrissie Hynde, and Courtney Love… Well, yes…yes, there was…and we need to know about them…let’s do that now… Learn more about your ad choices. Visit megaphone.fm/adchoices

2020 has been a miserable year…the pandemic…economic ruin…the crazy U.S. election, which featured an impeached President…Kobe Bryant’s helicopter crash…the death of George Floyd…murder hornets arrived in North America…swarms of locusts descended on Africa… There were so many hurricanes that they ran out of names…the Olympics were postponed...out-of-control wildfires in both North America and Australia… And we lost more musicians…Neil Peart…Eddie Van Halen…Spencer Davis and dozens of others… Yeah, it’s been rough…what we need is something to remind us of the before times, the better times, the times when we could count on certain things always being there… A time when we could just turn it up, rock out and forget all the bad stuff… That something has arrived…an event that shows us that things can turn around; even when it looked hopeless…it’s the return of AC/DC Learn more about your ad choices. Visit megaphone.fm/adchoices

Creating art is hard…if it wasn’t, everyone would do it—and everyone would be successful at doing it…even those who can create art—the people with the right stuff—have a finite supply of good stuff within them… Take Margaret Mitchell, for example…she wrote exactly one novel…but that novel was “Gone With The Wind”…Pulitzer Prize, a classic movie with multiple Academy Awards, 30 million copies sold, endless adaptations…it even got her face on a stamp…in short, “Gone With The Wind,” first published in 1937, was and still is, a cultural phenomenon… But that’s all she ever did…ol’ marge hit it out of the park on the first pitch and that was it…one novel…she is perhaps the greatest literary one-hit-wonder of all time… Maybe that’s all she had in the tank…or maybe she looked at all the success she got from just that one novel and said “right…my work is done her…anything else I do will just be a letdown…I’m stopping while I’m way ahead”…totally understand that… Other artists, though, keep trying after that one hit…but for whatever reason, the magical pixie dust that they managed to harness that one time disappears forever… Man, to get a taste of standing on the mountaintop only to be denied it ever again…but—and let’s be clear about this—at least they made it to the top of that mountain, even if it was just once…and if they’re lucky, that one trip can sustain them for the rest of their careers—the rest of their lives… This is another program featuring those who got to the top just one…its great alt-rock one-hit wonders of the 90s, part 2…. Learn more about your ad choices. Visit megaphone.fm/adchoices

The deadliest shooting spree in Canada’s modern history left us with far more questions than answers. Join Sarah Ritchie, a reporter for Global News in Halifax, as she tries to unravel how something like this could happen there. Sarah will take you through every hour, as it unfolded and together you’ll try and piece together what happened, what could or should’ve been done to prevent it and what we can learn to make sure a tragedy of this magnitude never happens again. 13 Hours: Inside the Nova Scotia Massacre: Listen NOW! https://link.chtbl.com/13hours Learn more about your ad choices. Visit megaphone.fm/adchoices

Artists who manage to have only one hit are often the butt of jokes…getting tagged as a one-hit-wonder can kill your career…but let’s turn this around: how many hits do you have?... There is so much music out there, so much competition for our attention, that if you managed to break through all the noise just once, that should be considered a giant victory… And remember, too, that thanks to streaming and the tens and tens of millions of songs available at our fingertips through our smartphones, that today’s artists are not only competing with their contemporaries but with essentially humankind’s entire recorded musical history… So, yeah…being a one-hit-wonder is a genuine accomplishment…and while you may burn brightly and then quickly fade, it is possible that one song is all you need to set you up with some royalty cheques for the rest of your life…at the very least, you’ll end up as a trivia question… Some of these acts are gone forever…others have moved on to other things…and others still just keep plugging away, hoping that lightning strikes twist… Here are the stories of some alt-rock artists who hit it big exactly once… Learn more about your ad choices. Visit megaphone.fm/adchoices

I do not dance…I’m too awkward and too self-aware of my awkwardness…I know we’re all supposed to dance like no one is looking, but when it comes to me, people will look, point, and judge… My wife realizes this…since we were married decades okay, she’s had to be content with the fact that she got that dance at the wedding and that’s pretty much it…and that’s because she’s not into dancing, either… I can feel the judgment.... stop it! This doesn’t mean that music doesn’t move me…I’ve got that involuntary need to move when the music is great…and I don’t mean tapping a toe or nodding my head, although that’s where it starts… Put it this way: I’ve done my time in the pit…I’ve been elbowed, kneed, kicked, head-butted, burn with cigarettes and joints, and doused with water (at least I hope it was water)…no problem because that’s all part of the pit experience…the only thing I haven’t done is stage dove or crowd-surfed…I’m not sure why… But here’s a question: why is there a pit in the first place?...who came up with this idea?...how did it spread?...and is it the same everywhere?... These are important anthropological questions…we’re deal with a type of human behavior that’s seen all over the world…I think we need to study this…here a whole hour on the history of moshing… Learn more about your ad choices. Visit megaphone.fm/adchoices

You may be aware of a podcast that came out in the spring of 2020 that sought to get to the bottom of a certain musical mystery…it’s called “wind of change” and it explores the possibility that a metal power ballad was a contributing factor to the fall of the soviet union in the very early 90s… Stay with me… “Wind of Change” was a global hit for The Scorpions; a metal band out of Hanover in what was then WestGermany… The Scorpions sing in English…but they also recorded a Russian version under the name “Veter Peremen”…and when the song was released on January 20, 1991, it became a worldwide hit… Estimates are that it sold 14 million copies…it’s the best-selling single by any German artist…and because it was such a big hit in the USSR, the band presented Soviet leader Mikhail Gorbachev a gold record…even today, the song is a massive, massive hit among several generations of fans in Eastern Europe… For years, rumours have swirled about this song…it is said that it was the product of a CIA operation design to destabilize Soviet society with its message of change and revolution…it worked so well that by the end of 1991, the Soviet Union had crumbled… Did the CIA commission someone to write “Wind of Change,” get The Scorpions to record it, which somehow helped bring about the end of the USSR from within?...I’m not going to cover that here, so you’ll have to listen to the podcast… But I can tell you that this might not have been the first time rock music was used by a foreign intelligence operation to drive a wedge into a specific society…the popular music of the west—especially the music produced by the USA—was feared by Soviet bloc authorities…but the Soviets also knew that music could also be a weapon against the west… Here’s another theory…could it be that punk rock was actually KGB plot against the west?...did things also operate in the opposite direction…here’s what we know—or at least think we know… Learn more about your ad choices. Visit megaphone.fm/adchoices

Ride along with 25 year veteran Crime Reporter Nancy Hixt, from Global News, on her award winning podcast Crime Beat as she takes you through some of Canada’s most high-profile criminal cases. Real People, Real Crimes, Real Journalism. Each episode takes you deep inside cases she has worked to give you detail you didn't hear on the news. Season 3 is available NOW - LISTEN​ Crime Beat is the 2020 winner of the Edward R. Murrow Podcast Award (RTDNA). Learn more about your ad choices. Visit megaphone.fm/adchoices

Here’s a list of words that shouldn’t go together but do…alone together…how many times did you uses that during the coronavirus pandemic?...deafening silence…I know what that means, but when you think about it, the juxtaposition is strange… Definitely maybe…good name for a Britpop album, but an odd combination of words…random order…walking dead…original copy… Here’s another one: pop-punk…you know what I mean by that…but those words should not go together…punk was originally created as an attack pop… Over the decades, pop and punk merged to create a hybrid that’s responsible for selling hundreds of millions of records and concert tickets… How did this happen?...that’s what we’re looking at…this is part two of a history of pop-punk… Learn more about your ad choices. Visit megaphone.fm/adchoices

Before we get to the topic at hand, I’d like to revisit the movie “Forrest Gump,” specifically Forrest’s shrimp boat buddy, Benjamin Buford Blue—but you can just call him Bubba…he knew all the ways one could serve up shrimp… What Bubba could do for shrimp, other people can do for punk…punk rock comes in as many different varieties of shrimp…there’s hardcore punk, ska-punk, cyberpunk, synthpunk, anarcho-punk, cowpunk, gypsy punk, Christian punk, Celtic punk, art punk, garage punk, glam punk, crust punk, horror punk, street punk, melodic punk, afro-punk, skate punk, Chicano punk, folk funk, trall punk… There’s punk blues, punk pathetique, punk metal, riot grrrl, queercore, rapcore, straight edge, emo, and oi… And then we can get into all sorts of subgenres…hardcore punk includes bent edge, deathcore, pornogrind, screamo, powerviolence, positive hardcore, nard core, nintendocore…and that’s about all I know about that… Most of these punk derivatives are pretty niche and none of them have a hope in hell of growing beyond a cult following…but a few have blown up into worldwide phenomenon’s—including a version that I haven’t mentioned, which remains one of the most popular forms of punk rock of all time… This is the history of pop-punk, part 1… Learn more about your ad choices. Visit megaphone.fm/adchoices

At some point, you may end up being invited to your high school reunion—and you’re probably going to go because you wanna see what happened to all those people… Where’s the jock that made your life miserable?...the girl or the guy who snubbed you for that date and broke your heart…the shy, nerdy guy who was really smart…who did well?...who got what was coming to them… But—oh, wait: people at the reunion are going to be thinking the same about you…how’s your hair and your waistline and your complexion?...dammit!...what am I gonna wear?...what am I gonna say to these people?...and so the anxiety sets in… But you’ll still end up going…why?...because we’ve all got the “where-are-they-now” gene…it’s only natural to be curious about the whereabouts of people we were close to (or at least in close proximity to) during an important time in our lives… Connecting people this way was one of the first projects for the internet…classmates.com went online way back in 1995…its sole purpose was the find anyone you might have gone to school with from kindergarten to university… This was also the purpose of a site called “Friendster” back in 2002…then came MySpace in 2003…anyone remember “hi 5?”...it showed up in 2004…then finally, Facebook in 2005… You know what we need?...a site that links together all the artists and musicians we once knew—a proper one-stop-shop where-are-they-now resource for music… As far as I can tell, such a site doesn’t exist so we have to piece together things ourselves….so let’s try to do that again…this is another look at lost Canadian alt-rock bands of the 90s and beyond… Damn…would someone get on that idea?...it would make doing a show like this a lot easier… Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes, life becomes too much…things get too weird, there’s too much pressure, too many decisions, too many wrong choices….the uncertainty builds—and then you just kinda lose it… We lose the plot, go off the rails, hit the ditch, blow a gasket, and generally freak out…sometimes, these incidents are fueled by drugs, alcohol and mental illness…other times, it’s the body and brain’s way of saying “thanks, but I’ve had enough for now…I’m going to go over here and have me a little breakdown right now”… Creative types can be especially vulnerable to these problems…maybe because they’re wired differently…or they’ve developed some bad, self-destructive habits tolerated or even encouraged by those around them…or because they can live in a bubble, they don’t exactly know “normal” is to the average person… The results can be scary…and if we don’t know the backstory to these breakdowns and freak-outs, it’s very hard to help these people in their time of need…but the more we understand how and why people find themselves in these situations, the more we can help…and maybe, the more we can learn to cope with life ourselves… This is musicians who lost it, part 2… Learn more about your ad choices. Visit megaphone.fm/adchoices

There’s something about creative types that make them different than the rest of us…if you’ve ever spent any kind of time with any kind of artist, you’ll what I mean…they’re just different, you know?... That’s not any kind of judgment…it’s just an honest observation…they look at the universe differently, feel things in ways we don’t, and interpret life in interesting ways…that’s what makes them artists—and it’s why they’re so important to the rest of us… Sometimes, though, some of them will lose the plot…they’re so wrapped up in their bubbles that they start behaving…weird—even for them… Maybe it’s a mental health issue…maybe it has to do with drugs or alcohol…maybe they’ve just fallen in with a bad crowd, the kind that encourages bad, self-destructive behaviour… Some are able to rebound, straighten out and otherwise save themselves and those around them from any further grief…other times, well…. These are stories of musicians who lost it… Learn more about your ad choices. Visit megaphone.fm/adchoices

This show is going to blow the lid off some secrets and mysteries in new rock. Admittedly some you may have already have heard rumours about, but others....well this may be the first time you are ever hearing about them. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1990s there was a massive flood of stand-up comedians making the leap to television to star in their own stand-up sitcoms thanks in part to the success of the Cosby Show and Roseanne. Those shows were followed by other massive hits like Seinfeld, Home Improvement, Martin, Ellen and The Drew Carey Show. All of them featured a previously established stand-up comic who had been scouted from the comedy club circuit. But there were lots of other shows starring comics that had high expectations but went down in flames like Grace Under Fire starring Bret Butler, All American Girl starring Margaret Cho and anything featuring Andrew Dice Clay. On the next two episodes we are going to take a look back at some of the hits as well as some the failures from that decade. On part one, we look back at the stories behind Roseanne, Seinfeld, Home Improvement, Martin and Ellen. Contact: Twitter: @1990shistory Facebook: @1990shistory Instagram: @that90spodcast Email: [email protected] Guests: Paul Brownfield, magazine writer, former TV critic at LA Times Twitter: @paulbrownfield Greg David, TV critic and partner at www.TV-Eh.com Twitter: @greg_david Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone talks about being first at something because it’s cool to be the first to do something…but what about being last?... There’s something called “Telesphobia,” which is the fear of being last at something…but sometimes, you just don’t have a choice… The last person killed in World War 1 was George Edwin Ellison, who was shot by a sniper 90 minutes before the Armistice went into effect at 11 am on November 11, 1918… The last time a TV commercial for cigarettes ran on American TV was on December 31, 1970…it was for Virginia Slims, by the way… And the last man on the moon was Eugene Cernan…Apollo 17, December 1972… After reading through all sorts of famous “lasts,” I got to thinking: what are some famous music lasts?...here’s what i managed to find out… Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a show all about fake names…sure we could spend an hour talking about how people like Courtney Love and Elton John and Madonna use fake names on hotel registers…or we could go into how Bono’s real name is “Paul Hewson” and Deadmau5 has “Joel Zimmerman” on his driver’s license and that lorde is really Ella Yelich O’Connor… We could talk about how singers and bands sometimes perform gigs under fake names to throw off the press…the Foo Fighters, The Arcade Fire, Metallica, The Arctic Monkeys, Radiohead, Franz Ferdinand, REM, Kaiser Chiefs, Led Zeppelin, The Clash and hundreds of others have done that… But no, we’re going to kick it up a big notch…we’re only interested in real bands—big bands—who have released albums under fake identities…or, at the very least, have tried to obscure their identities for whatever reason…they’re side projects, yes, but very special ones… Learn more about your ad choices. Visit megaphone.fm/adchoices

Here at the Ongoing History of New Music, we get questions....a LOT of questions. So many that it's often difficult to answer all of them. But we do. And what we've gathered in this edition of the Podcast are some of the most asked ones we get. So if you've often had these particular questions, here are the answers! But if you still have a question, please send it along and we will get the answer. We Promise. Send them to [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've ever wanted to be a musician, chances are you dreamed of going on tour. The romance of the road and everything that comes along with it. But it's not as easy as you think. Not everyone is U2 and charters their own plane to get from gig to gig. Chances are you're going to be using a tour bus....or more likely....in a van. It is such a grind that kills many a band. There are the hassles, the expense, the accidents, the weirdos, the arguing, the screw ups, and more. Murphy's law is in full effect: whatever can go wrong...will go wrong. Get in the van. Let's hit the road. You'll see what I mean. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the beginning—and I’m talking about, say, 1955—it was easy to categorize popular music…there was rock, pop, country and r&b…it was nice and simple…pretty much all mainstream music you heard could be dumped into one of these four buckets… But even back then you could get more granular…you could slice certain genres into thinner slices to include big band, Dixieland, Ska and hillbilly…and jazz…and gospel…and Broadway show music…and I guess we can’t leave out classical, can we?... And as rock’n’roll grew, it fragmented and separated and stratified with each passing year…before long, it wasn’t enough to say that you were in a “rock band”…you had to specify what kind of rock band you were… In 2014, a guy named Glenn McDonald created a project called “every noise at once”…he was able to identify 1,264 micro-genres of popular music…and new micro-genres are being invented every day…every hear of blackgaze or deep filthstep or skweee?...they exist…trust me… Some of these genres rise and fall pretty quickly…they’re “of the moment” and soon sound completely outdates…others, though, have staying power…they can be with us for decades…why?...because they just work, that’s all… And one genre that’s been working very well for over half a century is called “power pop”…this is its story… Learn more about your ad choices. Visit megaphone.fm/adchoices

You may have noticed that the most of the biggest rock acts in the world aren’t that young…Green Day?...middle 40s… Dave Grohl?...creeping up on the half-century mark… Trent Reznor?...as we sit here right now, he’s 52…Pearl Jam: early-to-mid 50s… Average age of U2?...upper 50s…Springsteen?...68…Paul McCartney?...75…and The Rolling Stones?…do you have to ask?... I am not ragging on old rockers…this is not about ageism…i just can’t subscribe to that whole “rock is for the young” B.S.…if these acts can continue to do what they do well into their pension years, all the power to them… Part of the reason so many people are still into these groups is because their bodies of work are incredibly strong and still sound great….most of The Beatles music is still brilliant even though much of it is more 50 years ago… The other reason these acts still attract attention is because there hasn’t been much of anyone to replace them…where are all the superstar rock acts of the 21st century?... This isn’t to say that they don’t exist because they do—but the stars seem to have gotten, well, smaller—not to mention fewer and further between… Wait…perhaps i should clarify what I mean by “superstar”…I’m talking about an act that sells music by the millions and millions of units…I’m talking about concerts by acts for which tens of thousands of people will crawl over broken glass to get tickets… I’m talking about acts who manage to great a deep catalogue of hits released over a period of years…and I’m talking about acts where there’s consensus by millions of people that they are great and worthy of everyone’s love and devotion… But thanks to changes within the music industry—and because we music fans are now consuming music differently—everything has been turned upside down…we need to look at things this way: why is so much harder to be a superstar rock act in the 21st century… Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second part of out examination of the Alt-Rock scene and this time we go from mid 80's right up to today. Goth has always had a bad rap so we're going to try to clear everything up with our deep dive. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we go back into the Ongoing History archives to talk about Fashion. This is a request for Amy in Cambridge who asked "have you ever done a show that talks about how fashion was influenced by and through Alt Rock?"Why yes we have and here it is! From Mods, to Grunge, Goth, Punk and a whole lot more. Enjoy and thanks for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

There are some bands that you can take at face value, what you see is what you get. Then there are others which have backstories that go on for ever and ever. Pearl Jam is one U2 Green Day. Nirvana and also Muse. Muse is an interesting case because we here in North America, we're a little slow to catch on to what they were doing. They'd already been massive stars in the U.K., Europe and Japan before they hit North America. This sort of thing doesn't happen very often. It's like we suddenly and collectively discovered a band that was already in full flight, a deep library filled with road tested and chart tested songs. A solid live show and some very impressive musicianship. It was like we walk into a party that was already in Top Gear. North America has now embraced music every album and tours a big event. But then there's still that back story. We're still sorting through it, even though you may be a fan. How much about Muse? Do you really know? Let's find out. I call this show 10 Things about Muse. Learn more about your ad choices. Visit megaphone.fm/adchoices

We all know that Canada has created some of the biggest selling musicians in the world. I mean think about it... Celine, Alanis, Shania, Nickelback, Drake, Bieber, The Weekend....you get the idea. I mean by capita...does any other country really come close? But what about those behind the scenes like record producers? Canadian's shaped some of the most important and influential bands and artists in new rock history. We have a long history of production talent and we look at the legends and the new breed. This show is from mid 2003 so since then, there are a lot more Canadians to add to the list! Learn more about your ad choices. Visit megaphone.fm/adchoices