One Poem Only

One Poem Only is a daily ritual: one poem, center stage, just for now.Tower MomentBelly Luxa little aftercarea little Sugar For The Pillplaying low in the backgroundCarharrt and red lace in puddlesbut there is no sun left for meand no more sunday kind of loveTobacco Vanille and one meal a dayit’s the year of the skin, the year of rejectionour world is locked up and my lips are zippedbecause it’s bad luck when more people knowso i stitch my guts back insideand i keep it all within memonogamy is out of seasonyet i’m loyal to the fantasy alonei’m drawn out by the divine timingi’m seeing numbers, patterns, and signsand in a collision of planets, in saturns returnthe universe pulls us back together in one last efforti see you, and in my nature, i smile,my heart reaching out more than everi see you come, i see you go, and i forgive the fluidityit’s a tower moment for me, for usrealising the only control i have is over myselfit all boils down to just one thing, it’s my one lifewhat will i do with it? and what is it that i want?More from Belly Lux ↓@bellylux on InstagramSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Feed yourself poetry every day.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily ritual: one poem, center stage, just for now.On the Roof I SeeMirela SalihovicMy little sister and I,When we’re in the tent,love to play a game.We call it:"On the roof I see..."And whoever’s turn it issays what they see on the tent’s roof.On the roof I see…Birds of all sizes.They land on the tent roofand tiptoe across the canvaswith their tiny feet.They wander back and forth.I hear them chirping.Winter is coming.It will be cold under the tent.Mom will bring more blankets and quiltsfrom the humanitarian aid.Father’s friend Ahmedused to sell beautiful quiltsin his little shopat the end of the street.Before they threw rocks at itand destroyed it.The birds fly off to warmer places.On the roof I see…Raindrops.They sparkle in the morning sunlike crystals.On the roof I see…Leaves falling from the treesin autumn.Our old mulberry tree didn’t survive the shell.My sister and Ihid in its trunkwhen we played hide-and-seek.We would hang from its branches.Mom made homemade jamfrom its white clusters.On the roof I see…The moon and stars.The tent’s roof is see-through,so at night,when the sky is clear,you can see the moon and stars.On the roof I see…Mom dustingand bird droppings.On the roof I see…The roof of our old house.Dad says:"When the war is over, we’ll come backand rebuild everything.With our own hands."On the roof I see…I want to believe my dad.I want to go back to elementary school.If there were no war,I’d be in seventh grade.I want to play hide-and-seek againwith my sisterand hide in the old mulberry tree.I want to see my best friend, Omar.I wish we could play with paper airplanes.The ones flying above us nowaren’t as fun.And when I hear the sound of those airplanes nearby,I hold my sisterand lay her head on my chest.And I tell her that on the roof I see…Flowers of every colorgrowing from the tent’s canvas,as if from the earth itself.More from Author ↓@salihowitch on InstagramSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry shows us what we need. Thank you for being part of the experience.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise.Crushed Peaches In PalmPaige KellerThis poem was first featured in Mad Persona MagazineI am gathering my memories like peaches,plucking each from the most recluse of branches,filling up my baskets,my bruised knees - purple and blueContrast these pristine fruits,bright and sweet.When I have climbed to the top of the verylast tree where that very last fruit lay,when my baskets are full,my evasive past – I will consumeI will desolate the pristine fruit,swallow its pits whole.Until I am filled to no measure, until peachpits weigh me down, until they take rootinside of me and grow w i l d l y.More from Paige Keller ↓Her website: pkfictions.com@pk_fictions on Instagram@pkfictions on SubstackSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry sustains. Thank you for supporting the podcast.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

A daily reading from One Poem Only—a quiet space for a single poem, read aloud.Mastering the PenEllie AugustinI learned the weight of a penthe way warriors learn steelnot in theory,but in the quiet repetitionof showing up again.By survival.In my hand, it is not delicate.It is trained.It knows how to press into a sentenceand when to lift,how to cut cleanlywithout tearing the page.I learned this among books.Among shelves that holdwhat others survived long enough to say.Among spines that stand uprightafter everything it took to write them.This is where I am safestinside ink,inside margins that do not interrupt me,inside pages that let me finishwithout asking me to soften the truth.A bookstore breathes with this permission.The hush is not silence.It is respect.Every aisle is lined with proof:each book once a private reckoning,each chapter a decision to stay,each author wielding the same instrumentuntil it obeyed.I walk slowly herebecause I am already among my own.Because every title was once a handlearning the same discipline I am still mastering.And I dreamwithout spectacleof the day my fingers stop tracing spinesand recognize themselves.Not as victory.As belonging.That I learned the bladeinside these walls.That I survived the writing.That one day my book will stand here tooquiet, upright,having earned its placeamong endurancebound in paperand called literature.More from Ellie Augustin ↓Her blog, Lines Between Living@lines_between_living_now on Instagram@linesbtwnliving on SubstackSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry reminds us what matters. Thank you for listening.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily ritual: one poem, center stage, just for now.CAUTION: STUDENT DRIVERCarly ThompsonI’ve jumped out of the boatthe churning water turns to smokemy mind is a black sand beachthe world is one of those where time is differentslow, fast, all at once, almost neverif a window doesn’t open, is it a wall?is it even there?the cows die all at once and we don’t ask whywe buy sheep instead, not for milk for woolit is not enough to be called sad and beautifulremarkable or terrifyingit is not enough to pick up the phoneto text back, to cry on cueI hover over that plane where one highwaymeets another, no one ever taught me to mergeMore from Carly Thompson ↓@comehither_poetry on Instagram@comehither on SubstackSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry shows us what we need. Thank you for being part of the experience.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily ritual: one poem, center stage, just for now.To Be a Salamander Rachel Turney I want to be like you. I crave your regenerative abilities.Does the heart count as a limb? If so, I could regrow thepart that is now missing, rebuild sinuous tissues andthe fat of my epicardium.I want to wallow in the petrichor and muddy places. Iwant to glide between the fallen leaves and tadpoles.My skin would breathe, my lips smell, my world wouldbe trickling water in this moss forest.I would darn socks for my four toes. One tiny bit ofwool to cover each one so that I might step with easefrom chilled rock to frozen ground as winter comes.More from Rachel Turney ↓@turneytalks on InstagramRachel Turney on SubstackHer book, Women Making Soup Together, is out now with Vinegar PressSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Feed yourself poetry every day.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise. Not mine anymore Avalon If my words are my ownThey are all that I haveExcept... that’s not quite rightIf my words are my ownThey abandon me when I most need itAnd, that never feels rightMy words are my ownAnd they blink in and outA lighthouse on the shoreWhile I’m drowningMy words are my ownAnd others desperately pry them out of meA clam with a pearlA person blinded by the rewardMy words are my ownThey yearn to hear itMy words are my ownMy words are my-My words are-My words-My words are my ownI cannot repeat themUtterance loses meaningIf my words are my ownWhy must I give them away?More from Avalon ↓@avalonspoems on InstagramHer book, Sorry, I didn’t mean to make it weird, is available nowSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry slows us down. Thank you for listening.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

A daily reading from One Poem Only—a quiet space for a single poem, read aloud.ButterscotchAmy Laessle-MorganSomewhere between the amberblush streetlight of Divisionand the butterscotch stain on the back of my throat,there was a glasslike momentnearbentbut not yet breaking.Half-formed, honeydrunk on the hourslipping past the soft machinery of becomingunbecomingrewindingrethreading.Warm, butterfat air washing in subtlebreathing through the cracked window taxicabteacuplight broken open on my cheekwhispering nothing is permanentexcept the way we almost changed.There was always something burning—toastbridgesthe last good version of me I kept resuscitatingwith mouth-to-mouth-watering memory.Tonight, I’ll wear that dress you lovedin the color of skinbrushed apologieswhile the past rides shotgunsilentadjusting the mirror like it still matters how I see myselfbecause when mirrors grow honestthe corridors echo less—as everyone pours out.Let us go then, you and Ithrough the goldblood hourswhere no one teaches you how to bleed pretty—not in the swanpale wrist pressedto cold porcelain tile wayhalf-lit in someone else’s forgetting.You learn it knees to marblecheek to linoleumin radio silence buzzing through your teethplaying love songs that didn’t learn the language.He liked it leaning in disrepairso I sucked the ghostsweet butterscotch slow.I let it split goldenglass hard and sharpthe bloom red blooming—behind teetha salty flood.It cut me—but I didn’t spit it out.I kept itI kept it all.More from Amy Laessle-Morgan ↓@ultramarine_poetry on InstagramHer book, Live Wire, is available now.Support + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry reminds us what matters. Thank you for listening.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily ritual: one poem, center stage, just for now.“God, you can keep the boys”Peyton Michelle BryantGod, you can keep the boyswho only write sad poetryand listen to The Smiths on repeat.God, my man is a warrior.Lord knows I’ve got enough wordsto feed the both of uswhen times get tough.My man writes poems with his hands.My man is not afraidto bloody his knuckles for me.My man is a lion, Lord.He is a stallion running down his own mission.Our paths meet in the middle where we playbut neither one pulls the other off course.He knows I belong to this wild worlddoesn’t try to rope me inor brand me with his name.He knows I am not something to be owned.Instead, he builds me a boatwith the biggest sail you’ve ever seenand paints my nameon the side of her.He builds me a set of wingsthat carries me fartherthan Icarus could ever go.He builds me a writing cabinand doesn’t get offendedwhen I’m taken by the desireto be alone for daysin my cocoon of creation.His hands are shields-his palms big enoughto hold the entirety of the Milky Wayand each one has memorizedthe blue/brown/green/red planetof my body.His fingertips brush the column of my throatand he calls the rain down.Gardens grow in the marrow of meand not oncedoes he try to pluck them from the soil.My man has arms and legs like the trunksof the six-hundred-year-old Sycamore.I want to nest in the branches of him.I chart the map of his bodylike a world-eager traveler-trace the veins like blue-green riversalong the shores of his forearmslick the salt ocean sweatgathered in his jugular notchclimb him like a wolf in heatand stillI am hungry for the meat of him.My man calls me Brilliantcalls me Dragon Firecalls me Wolf Witch,Poetess,Great Moon of His Heart.My man calls me Thank God.He calls me At Last.God, my man is an inferno.I need him to be sturdy enoughto withstand the heat.He is my burning crimson star;I reach for the ten-million-degree Fahrenheit center of himwithout flinching.God, I know you’ve put us together before;our lifetimes are an ancient songmy cells still remember.I remember how we smelledof campfire smoke and sweat-our feet pounding a beat into the Earth.I remember his face cast in firelight-the two of us skin on skin,a tangled pile of limbsblanketed by furs.I remember my nailstracing red lines down the planes of himmy hair held like a birdtender in his fist.I remember his mouthmarking each rung of my spine,his calloused handslike rocky planetsorbiting the moon of me.I remember I fell from my horse-he took an arrow to the heartand new bodies and livesmade up a river of time between us.I am a queen lost to his kingdom, Lord.Send the cavalry!The lines have been blurredbetweendragonwomanand towerand I can no longer rememberwhich one I’m supposed to be.God, I want you to give him back.I want to lay him downin the feather bed of my heartonce again.I want to take his handcatch a ride to some faraway red planetwhere reincarnation is just myth-where this lifeis the only one that matters.God, call him back to mewith bone and bloodwith fire and howl-stitch soul to body once more.I will rearrange the cosmos myselfif need be.And this time, when stars alignand we find each other again,I will not fall from my horse.No.This timewe’ll ride side by sideall the way back home.More from Peyton Michelle Bryant ↓@mama.laloba on InstagramHer newest poetry book Wolf Witch of the Wild and her debut, Feral Mother, Sovereign Woman, are out now.Support + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry shows us what we need. Thank you for being part of the experience.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise.Dear Personal Care Department GodChris KadsAfter Lancee WhetmanGod of the Personal Care Department,please grant me musk. Grant methe strength of “Steel Courage” -buffness in a bottle. Let mybody be a vessel of “dragon’s breath”and “warrior’s blood”. Allow me,like men, to be baptizedin wet swagger, to have mypreconceived softnesswash away with the scentof toughness.Bless me,with blindness in the faceof razors. Grant methe normalizationof forest-y armpitsto pair with the scent of“Sasquatch Foot”.And, please, oh holyPersonal Care Department God,revoke your commandmentsand let the avoidance of “Secret”and smoothnessnot be a sin.Amen.More from Chris Kads ↓@chris_kads on InstagramSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry sustains. Thank you for supporting the podcast.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

A daily reading from One Poem Only—a quiet space for a single poem, read aloud.Ugly Bones by Ella B. WintersElla B. WintersBehind the dusty radiator,green splashed like bloodspray in a B-film, from that timewhen you decidedto paint our bedroomin the middle of the night,I keep my poemshidden in a puce manila fileso unremarkable, it chameleonsinto the background, pink tongueunfurling to swallow my wordsinto the shadowy crevice.Mostly, I don’t want youto see them, as though,in the starkness of the earlyhours, when our wallsdemand another change,they might reveal my uglybones through the translucentskin. But sometimes, I forgetthey’re there, as well. Imagineleaving them behind when wemove on. Who will I be whenunsuspecting tenants pull meout word after word like a magician’sstring of endless gauzy scarves?How will they piece my naked bonestogether? What colour will theypaint the room?More from Ella B. Winters ↓@ella.b.winters on Instagram@ellabwinters on SubstackSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry reminds us what matters. Thank you for listening.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily ritual: one poem, center stage, just for now.When the Moon is fullGiGiWhen the Moon is Full,She never holds Me by the hand.She grabs right behind thegape of My neck anddrags me to all I've been avoiding.When the Moon is Full,She never whispers in My ear.She screams at the top of Her lungs,so loud, that her rasping voice awakensthe aliens in outer space; now peering fromtheir spaceships.When the Moon is Full,She never glides across the sky.She anchors through the cloudsbeaming directly foreveryone and everything in Her path.When the Moon is Full,She is never dainty but always true.She smiles from above,sneering at everything You thought You knew about Her,and reminding you of exactly who You areMore from GiGi ↓@thegigirising on ThreadsHer books, The Scorpio Rising and The Marilyn Rising: Letters to MarilynShe has a new book coming soon The California Rising: Poems from San Francisco to LASupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry shows us what we need. Thank you for being part of the experience.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily ritual: one poem, center stage, just for now.This is How I DieKris AzizThis is how I dieGlass reflecting moonlighton the pavementMetal and gasoline mixing withBlood in the airA paramedic holding my handExcept, wait-- rewind.I chose to get Taco BellBefore getting on the highwayAfter all.I don't worry about the caloriesOr how a dress will fitAfter all, I have a coupon forA free soft tacoThat says "you deserve it".I am not dead, I am eating aNacho fry Baja blast chalupaIn standstill traffic.No, this is how I die:An empty bottle with one undrunkDrop of poison drippingOn the floor, mixing with theSweat on my blanketsShivering through my last feverWith nobody to hold my handExcept, wait-- rewind.This time I chose to text my friendTo speak my pain into existenceAnd arm myself with herwords of love and worry.She brings me a Chicken Enchilada BurritoWith extra Diablo sauce.I am not dead,I am sleeping soundlySafe in my bedWith many dreams to come.No, this is how I die:In a hospiceBreathing life throughan oxygen maskI am surrounded byThose who love meEnough to sneak inA Mountain Dew Baja Blast.I am telling my grandkids aboutThat one time in the Himalayas.They don’t understand what I’m sayingUntil I pronounce it“Him-uh-LAY-uhs”.Their overbearing AmericanizationIs too much for my impatient heartI love them dearlyAnd am only leaving for a short time.This is how I lived:Flirting with Death and cursing GodHeld together by soft tacosAnd nicotineTesting the limits of existenceWith recklessness andScraped together wordsEmbracing the joyEnduring the hurtNow this is how I live:Pouring words on a pageEven though I am just aBoy/Girl/Ghost/Person,Not a poetShowing my heart to strangersHolding my own hand.More from Kris Aziz ↓@tacobelltrauma on InstagramSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Feed yourself poetry every day.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise. First DraftJo WrightI don’t want AI.I want bees and seasDeep evergreen forestsGreat honeycombsIcecaps.Just, knowledgeable loversMen needing othersPeople questioning rhetoricSpeaking truthUnderstanding VaccinationsA world where we exclude no oneYears where there is still ozone.I want words to matterAnd when I draft my patterI don’t want my phone to ask‘Can I rewrite that for you?’I want credit where credit’s bloody dueAnd throwing that swear word inStops Google taking the line from you.I want water poured into humanityUntil everyone’s cup is fullUntil this thief clad in microchipsBurns itself out.I want precisely zero of your excusesWailing viciously under this skyRetreat quietly pleaseOut to no man’s landKeeping jealous ignorance ofHow generosity feedsEveryone’s delicate creativityBetter without AI.I don’t want it.I want to reclaim the land.More from Jo Wright ↓@joslipstick on InstagramSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry slows us down. Thank you for listening.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem More gathers all of this week’s poems from One Poem Only—an unhurried chance to listen again, or catch what you missed.This week’s poemsPlutocracy by Alicia SwainTony and/or Tonee by Nguyen Minh TriSnail by Lizzie Elliot-Kleinintuition by rismReduced by Rosalind DaviesEpitaph On A Tyrant by W. H. AudenPlus one new one to carry us into the week aheadIn WarmthMaggie DeversHow many pots of tea have we forgotten to drink?Have we left sitting calmly on the counterGoing from hot to warmWarm to coolNoiselessly with no protestAs if our neglect was nothing to the brew,Our forgetfulness marked by indifferenceBut more is wasted than the tea–The chance to pause, to communeTo let the warm sweetness envelop us slowlyLike ivy covering a buildingSometimes taking years to grow.But slowly, slowly spreading to touch every cellTo remind us to protect our warmthSo we remember to shoutWhen we are left alone to grow cold.More from Maggie Devers ↓My debut poetry collection, For My Daughter, available as an audiobook.Purchase a signed copy of For My Daughter or get one free by subscribing to the podcast: One Poem Only on PatreonFollow me on Instagram for more poetry @rembrandts.cureMore from this week’s poetsFind links to each poet’s work, books, and social accounts in the show notes for the individual episodes.Support + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry is better when it’s lived with. Thank you for listening.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily ritual: one poem, center stage, just for now.Epitaph On A TyrantW. H. AudenPerfection, of a kind, was what he was after,And the poetry he invented was easy to understand;He knew human folly like the back of his hand,And was greatly interested in armies and fleets;When he laughed, respectable senators burst with laughter,And when he cried the little children died in the streets.Support + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry shows us what we need. Thank you for being part of the experience.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise.ReducedRosalind DaviesEasy winter option, ideal for layering over your favourite outfits,regular fit, timeless crew neckline.The glory of a full-price itemChosen in the hot bloom of the seasonMy size, my length.I take time to choose, plan ahead, create,Build a look, an image, or someone else’s,The one I want to lay on me,The one that speaks loud what I want it to say.A gift card redeems me and I walk, like a cat, away.Long sleeves feature subtle fluting at the cuffs for a stylish finish,a staple for your occasion wardrobe.Not every occasion has a desirable, describable outfit.January watches and waits to launch and throwIts missile attacks on a cratered high streetAnd I remember the decorum of the time before.Arms reach and grab.The crunch of hangers underfoot.A cruel mixture of trousers and skirts, fighting colours, jumble sale,Disordered sizes, lying labels, sale stickers skewering helpless synthetics.I feel the loss.Rubbing between finger and thumb the fading image of careless success,I mourn the season of choice and purchase, the easy accumulation,the beautiful utility of seamless day-to-night.Boutique has become bric-a-brac.I battle, eyes sharp for rivals, at the end of line.Cropped length with belt to cinch you insharp, refined silhouette, a contemporary tailored cut.More from Rosalind Davies ↓@rosssie.d on InstagramSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry sustains. Thank you for supporting the podcast.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

A daily reading from One Poem Only—a quiet space for a single poem, read aloud.intuitionrismPattern recognition is acognitive discipline —congenitally decided for most,congested with emotion.Not to boast, butI’m a fucking psychicfunctioning on fumes and faint tracesof a beautywho previously inhabitedthis body, this brain.I mainline cues.It’s smooth, yet dangerous —an almost cancerous paranoia.Sometimes wildly,the past is a tool used primally;utilize your history.Intuition powerfully promotes fruitionpassionately if tempted.Trust in the process promptedby your progress.More from rism ↓@bugshearyou on InstagramSupport + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Poetry reminds us what matters. Thank you for listening.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO

Wednesdays on One Poem Only are a double feature: one poem here on the podcast, and one more by the same poet shared on Instagram.SnailLizzie Elliot-KleinIn your spiral shellyou hold the answer –slowness is radical.From the ash pileof my burn out,I see you everywhere.Clinging to walls,meandering through moss,criss-crossing my path.Reaching unbelievable heightsat speeds that will win no medals –just savouring thesilvery slownessof yourtrail.In your spiral shellyou hold the answer –softness is strength.Inching forward on vulnerable ripples,retreating when the world is harsh,rebuilding your shell with self-made gold,In your spiral shellyou hold the answer –I too can change.My soft body thriving in gentlenessKintsugi shell gleamingin the light of springas I carve mycurlingsilverlife trailslowlysteadilysoftlyat my ownsnail’space.More from Lizzie Elliot-Klein ↓@ofbrackenandbrine on InstagramWatch the Second PoemYou can watch and listen to Belly. by Lizzie Elliot-Klein as part of our Wednesday double feature on Instagram at @rembrandts.cure.Support + Stay Connected to OPOIf you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.Two poems. One poet. Let the words keep moving.Mentioned in this episode:Write After: National Poetry Month with One Poem OnlyWrite After is a way to encourage poets to listen and write, and use National Poetry Month to highlight how listening to poetry makes us better poets. I know I write the best when I’m surrounded by beautiful poetry–it’s part of the reason I created this podcast, and I want to encourage others to share this practice. We'll get started in April. You can share to #WriteAfterOPO.#WriteAfterOPO