Off Panel: A Comics Interview Podcast

Cartoonist Faith Erin Hicks joins the show to talk about her new graphic novel Inbetweens and the evolving role of comic creators. Hicks discusses her (tough) love of horror, operating outside the box, the path to release for Inbetweens, battling boredom, Inbetweens' origins, its evolution, the leads of the book, its timeframe, the gender disparity of animation, changing requirements for cartoonists, the evolution of the internet, The Adventures of Superhero Girl, slowing down, and more.

Writer/letterer Aditya Bidikar joins the show to talk about his first major comics writing project, In Your Skin at Image Comics. Bidikar discusses his feeling about tackling that new project, putting yourself out there, the evolution of In Your Skin, the parasocial side of the project, the importance of character, how the book's artist Som signed up for the book, how that collaboration changed the project, lettering and writing, the behind the scenes work on the book, Tiny Onion's impact, whether he wants to keep writing, his lettering workload, finding the right mix, challenging yourself, and more.

Writer/artist Skottie Young joins the show to talk how his work on Lobo at DC Comics and his views on comics and art. Young discusses the artists that hit him the most, the intersectionality of comics and music, the visual foundation of Lobo, playing with the character's history, the origins and nature of the project, the power of no, the coolness of Marie Javins, doing Lobo at the right time, working for DC, misunderstood parts of Lobo, the world of Stupid Fresh Mess, the power of community, following your passion, discoverability, I Hate Fairyland's longevity, how Stupid Fresh Mess shapes what he does, and more.

Writers (and comics journalism legends) Laura Hudson and Tim Leong join the show to talk their new Mad Cave series Exploit and their journeys to it. Hudson and Leong discuss the power of honesty, publishing their first comic, the evolution of Exploit, whether they always wanted to make comics, how the series developed, the impact of collaboration, Exploit's origins, channeling frustrations into the work, the book's energy, the importance of looking cool, print journalism trends, looking at comics from the outside, and more.

In an episode recorded in-person at this year's annual conference for the trade organization for comic shops, ComicsPRO, The Beat's Heidi MacDonald and the head of Lunar Distribution and Discount Comic Book Service, Christina Merkler, join the podcast for a vibe check about the event and state of the industry. Up first, MacDonald joins to share her read on the event, how it compares to previous editions, what stood out, and more, before Merkler visits us to talk about how passion is fueling this moment for the direct market, the spread of new readers, blind bag management, building on this moment, creating urgency, Lunar's expansion with Viz Media and Yen Press, what has them hopeful about where comics are headed, and more.

Writer Chris Condon joins the show to talk about his comics career, his new Vertigo series The Peril of the Brutal Dark: An Ezra Cain Mystery, and more. Condon discusses managing the promotional side of comics, his comic origins, the power of gimmicks, his love of comic art, his film background, how That Texas Blood came together, the journey of Brutal Dark, what made Vertigo the right home for that project, how having editors changed things, collaborating with Jacob Phillips, Ezra Cain as its lead, the structure of the series, his Marvel exclusive, writing Big Two Comics versus creator-owned, his tip for aspiring creators, and more.

Writer James Tynion IV joins the show to talk about his incredibly busy slate and how he's navigating it all. Tynion discusses the recent Exquisite Corpses pop up in Paris, how he's managing his project load, prioritizing your work, building up speed as a writer, figuring out which projects are a yes, Vertigo's potential impact, the direction of the market, Vicky from w0rldtr33, the Exquisite Corpses card game and its Kickstarter, developing in parallel, adult animation as a focus, how the market feels, what creators miss with their work, avoiding burn out, and more.

Writer/artist Tony Fleecs joins the show to talk about his life and career in comics and his work on comics like Feral and the upcoming Deathstroke: The Terminator. Fleecs discusses comic shop living, his comic origins, 1990s comic energy, how those comics impacted him as a storyteller, having comics that speak to your age, how My Little Pony changed his life, the success of Stray Dogs, putting animals in peril, the art of Feral and Stray Dogs, when Feral came together, running a creator-owned comic business, how Deathstroke came together, what DC Next Level is, the different versions of Deathstroke, how the market affects his approach, putting himself out there, and more.

Artist Charlie Adlard joins the show to talk about post-Walking Dead living and his new Image Comics graphic novel, Altamont. Adlard discusses a recent signing, becoming a different Charlie, figuring out which projects to take on, the constant drumbeat of deadlines, leaning in different directions, the story of the Altamont Free Concert, what made that story a draw, how Altamont came together as a graphic novel, coloring the book, how he thinks about art, its journey from France to America, Altamont's commentary, what's guiding him these days, verisimilitude, his love of Lego, and more.

Journalist Susana Polo joins the show to talk about her interesting year and a bevy of subjects we didn't get to highlight from the wider world of comics in 2025. Polo discusses post-Polygon living, the loss of personality-driven sites, how the Polygon experience shaped her, the reverse energies of 2025's comic movies, the muted comics conversation, recency biases, the importance of back catalogue, Worldcon, expanding the comic box, the insane number of crossovers, Harley & Ivy: Life & Crimes, expanding genres, Marvel's lack of excitement, Batman's quality, Mark Waid's eternal nature, the European comic invasion, things we're excited for in 2026, Vertigo's return, the Archie/Oni partnership, the reverse European comic invasion, Avengers: Doomsday, and more.

Writer Scott Snyder joins the show to talk about Absolute Batman and his past few years at DC and beyond. Snyder discusses his initial uncertainty about Absolute, his journey to Absolute Batman, the power of fear, their approach to making the best story, collaborating with Nick Dragotta, his experimentation phase, the ethos of the book, finding a balance, creating a sense of urgency, the single issue form, the current environment, the Next Level books, his role as a hype man at DC, imposter syndrome, arc titles, what has him excited about 2026 in comics, and more.

Big Clutch Comics' Shawn Kirkham joins the show to talk about the collectible side of the comics world. Kirkham discusses his stray cat adventures, Kirkham's background, what Big Clutch Comics is, how his work at Skybound informed that work, what fuels him, the current secondary market for comics, how it's different than previous booms, how new readers are playing a part, the secondary market as a guide, comics marketing, the sustainability of blind bags, Ultimate Endgame's blind bags, how collectibles fit in the comic ecosystem, what creators can do in that space, what has him excited about 2026 in comics, and more.

Retailer Patrick Brower returns to the show to talk about the year that was in his Chicago-based comic shop, Challengers Comics + Conversation. Brower discusses his weird year, the year in Challengers itself, the consistent nature of 2025, what drove the year's success, Absolute Martian Manhunter's surprising heat, the performance of the Absolute Batman Annual, managing different printings, Marvel's "terrible" year, where non-Big Two comics are, the complicated environment for creators, new readers, how they're behaving, other trends from 2025, struggles from the year, systemic problems, what could be done on the marketing side, Universal Distribution, sales charts, how he's feeling about 2026, and more.

Cartoonist Beetle Moses, aka Harris Fishman, joins the podcast for my annual Comic of the Year chat, as we talk about his social media-based comic strip Beetle Moses. Fishman discusses the year for Beetle Moses (the comic), figuring things out, his own comics journey, putting in the reps, his art style, the depth of the strip, Beetle Moses' origins, how people reacted to making the move into comics, his big year, the atemporal nature of comic strips, his most well-liked comics, moving into longform, turning Beetle Moses into a business, how his 2026 is looking, and more.

My pal Brandon Burpee returns to the podcast for our annual look at the year in comics before we count down our 20 favorite comics of the year. Burpee discusses the year in comics, the state of the Big Two, where the X-Men are, older comics that might have previous lists, anticipated comics from 2026, ancient Star Wars takes, and more, before we share our honorable mentions from the year in comics and then count down our 20 favorites comics and graphic novels from 2025. Love the podcast and want to support it? Back it on Patreon at Patreon.com/OffPanel For those that are looking for a list of our 20 favorite comics, here they are. David Harper's 20 Favorite Comics of 2025 1. Beetle Moses 2. Hirayasumi 3. Sleep 4. Land Vol. 1 5. Do Admit! The Mitford Sisters and Me 6. Cannon 7. The Fables of Erlking Wood 8. Good Devils: Don't Play Fair with Evil 9. Ionheart 10. Lucas Wars 11. Out of Alcatraz 12. A Garden of Spheres 13. Tongues Vol. 1 14. Assorted Crisis Events 15. Flip 16. The Knives 17. Raised by Ghosts 18. Tokyo Alien Bros. 19. Absolute Wonder Woman 20. Absolute Batman Brandon Burpee's 20 Favorite Comics of 2025 1. One World Under Doom 2. Green Lantern 3. Batman and Robin: Year One 4. Deadpool/Wolverine 5. Superman 6. X-Men 7. JSA 8. Absolute Superman 9. Justice League Unlimited 10. Exquisite Corpses 11. Teenage Mutant Ninja Turtles 12. Geiger 13. Storm 14. Absolute Wonder Woman 15. Redcoat 16. Captain America 17. Invincible Universe: Battle Beast 18. Green Lantern Corps 19. Escape 20. History of the DC Universe

In a special year end episode of Off Panel, we look at the defining themes of 2025 in comics with the help of retailer Steve Anderson from Third Eye Comics, The Beat's Heidi MacDonald, and writer Matthew Rosenberg. Up first is Anderson (1:37), whose theme is the impact of DC's Absolute line, as we discuss the Image Revolution of it all, unlocking the cool, the area of effect it's had on other comics, good times he sees on the horizon, how new readers are behaving, why Absolute has popped, how creators and publishers can capitalize on this, and more. After that is MacDonald (32:22), whose theme was the lack of new characters in direct market comics, as we discuss why that's a problem, the most successful new(ish) characters, recycling existing ideas, why it's a 2025 theme, attempts to make new characters happen, what's lost without them, marketing struggles, what needs to happen, and more. And to close is Rosenberg (1:06:59), whose theme is how comics are running behind the rest of pop culture, as we discuss the inferiority complex in comics, the cost that comes with this lag, the importance of cool, how this can change, how the market factors into this, and more.

Artist and writer Terry Dodson joins the show to talk Ultimate Endgame, AdventureMan, and where things are headed for him. Dodson discusses his work schedule, cat living, picking projects, taking on Ultimate Endgame, working with Deniz Camp, figuring out projects, designing in the Ultimate Universe, the freedom of the book, event comics versus regular ones, artist exclusive covers, the other side of artist work, AdventureMan's fit, collaborating with Matt Fraction, the impact of influences, the collections of AdventureMan, getting into writing, its impact on his art, taking on more responsibility, and more.

Christina Merkler, the co-owner of Lunar Distribution, Discount Comic Book Service (or DCBS), and InStockTrades, joins the show to talk about a strange year for comic book distribution and a good year for the retail side. Merkler discusses Thanksgiving and related takes, the year for her, Diamond Comic Distributors' bankruptcy, compressing timelines, figuring things out, big changes this year, balancing sides of her businesses, the year for DCBS and InStockTrades, what's driving success, how collections are doing, the non-licensed comics space, connecting readers with books, blind bags, how she's feeling going into 2026, and more.

Writer and cartoonist Gene Luen Yang joins the podcast to talk about his comics life and his upcoming run on Teenage Mutant Ninja Turtles. Yang discusses his daily life, his upcoming graphic novel, Overrated, embracing change, advocating for comics, its impact on his own work, having different inputs, his project that impacted him the most, collaborations and collaborators, Superman Smashes the Klan, figuring out which for-hire projects to take, how Teenage Mutant Ninja Turtles came together, impact of Eastman & Laird, the TMNT phenomenon, building his run, keeping those characters fresh, what keeps him excited for comics, tips for creators, and more.

Writer Grant Morrison joins the podcast to talk about this week's DC/Marvel: Batman/Deadpool and their views on life and comics. Morrison discusses the rekindled flame of writing comics, how they approach writing, the importance of new experiences, making yourself a laboratory, pushing the medium thinking visually, learning from collaborators, doing what feels right, why Batman/Deadpool was the move, how it came together, preferred flavors of themself, Dan Mora's greatness, the freedom of that project, the power of constraints, their approach to continuity, the joy of Batman/Deadpool, having a late career renaissance, deciding what's next, changing as the comic landscape does, the future of comics, and more.

Writer Kieron Gillen joins the podcast to talk about his current Image comics The Power Fantasy and Die: Loaded and everything that's going into them. Gillen discusses FOC vs. release, Die's longevity as an idea, staying in love with comics, the emotional side of the commercial part of the job, how he thinks of his comics, the direction of Die: Loaded, why Die returned, the approach to its story, Stephanie Hans' impact, comic RPGs, how The Power Fantasy has compared to expectations, where it is, activating your audience, promoting the work, surprises in the series, and more.

Cartoonist Erica Henderson joins the podcast to talk about her past few years and her work on Harley and Ivy: Life and Crimes at DC. Henderson discusses her whim based processes, writing Erica vs. drawing Erica, what she can do while working, recent learnings, the way she thinks of pages, things she needed to do in Harley and Ivy, how she approaches projects, single issues vs. graphic novels, bringing Harley and Ivy to life, their fit together, her background with them, the looks of these characters, research, building around moments, the project's origins, preferred genres, fighting boredom, how variants work, and more.

Recorded live at New York Comic Con, artists Hayden Sherman, Rachael Stott, and Russell Dauterman and cartoonist Trung Le Nguyen joined the podcast to talk about why they love comics, with each happening in individual segments. Up first, Sherman (1:22) discusses what fuels their love, controlling the read, what unlocked comics, artist's artists, where influences come from, how making comics impacts reading them, and more. Then Stott (17:25) joins to talk about early loves in comics, finding the unexpected, the impact of the individual, her relationship with the medium, smooth comics, and more. Dauterman (34:35) follows to discuss his love of comics, the appeal of the new, what's changed for him as a reader, looking to the past, what keeps him excited about comics, and more. Lastly, Nguyen (51:29) discusses the universality of images, accessibility, comics DNA, how making comics changed things, the process of comics, and more.

DC Executive Editor Chris Conroy, who works on the Absolute, Black Label, and Vertigo lines at the publisher, joins the podcast to talk about the newly returned Vertigo Comics line. Conroy discusses his Vertigo background, how it changed his reading habits, what led to Vertigo's return, adding clarity to how things work, the evergreen side of DC, the team behind Vertigo, its strategy to creative teams, how they built the line, its aesthetic, balancing the future and the past, the gap between announcements, the line's size, what he wants the line to mean, and more.

Artist Doc Shaner joins the podcast to talk about his life and career in comics. Shaner discusses working from home, his schedule, the impact of comic strips, wanting to be a cartoonist, Buddy Cops, showing a different side of yourself, getting into comics themselves, his music brain, drawing for yourself, developing your style, Comic Twart, which project he learned the most from, working with friends, New Champion of Shazam, the Strange Adventures experience, being the bright and shiny guy, how he works, video games, being off the stands, holding onto joy, and more.

Podcasters Badr Milligan (The Short Box Podcast) and Chris Hacker (The Oblivion Bar podcast) join the show to talk about the comic podcasting world and our upcoming panel at NYCC before we fantasy draft seven hyperspecific things we love about comics. Milligan and Hacker discuss how podcasting has ruined our brains, podcast living, our upcoming panel at NYCC, and more, before we fantasy draft hyperspecific things we love about comics, including self-adhesive bags and boards, a special Marvel relationship, superhero comics that approach the line of stupid, seeing art lines in writing, Marvel Treasury Editions, Wednesday Comics' format, and more, before a pair of guest judges come on to help declare a winner.

David Brothers and Nick Dragotta join the show to talk about their collaboration on the upcoming Good Devils: Don't Play Fair with Evil. Brothers and Dragotta discuss the FOC experience, promoting comics, how they met, the Creators for Creators grant, how David started writing comics, why they wanted to work together, helping others, the influences of Good Devils, how they work together, how opportunities shaped the story, why they wanted to bring these stories to print, Ghost Cage, why Absolute Batman works, what gets them excited about comics, and more.

Cartoonist John Allison joins the show to talk about where he's at right now in his comics career. Allison discusses finding things for himself, managing freelance living, how he's feeling about comics and the industry, where he fits, being an influencer, going the graphic novel route, how he figures out which projects to take on, writing vs. writing and drawing, how his reads impact his work, Hirayasumi, the types of projects he prefers, Kickstarter, what's next for him, the power of threes, what brings him joy in comics, a TV recommendation, Formula 1 takes, and more.

Cartoonist Ngozi Ukazu joins the show to talk about her upcoming graphic novels, Flip from First Second and Orion at DC Comics. Ukazu discusses book tour living, finding time for yourself, figuring out next steps, growing as a cartoonist, managing your workload, writing for others, the importance of having creative work outside comics, Flip's origins, autobiographical challenges, the body swap at the core of it, different types of creating, working with DC, becoming a Jack Kirby acolyte, why Orion was the right follow up, young adult graphic novels, knowing who you are, WNBA takes, and more.

Writer Brian K. Vaughan joins the show to talk about his work on comics like Saga and the upcoming Spectators, both of which are at Image Comics. Vaughan discusses the state of the world's impact on his writing, navigating his own emotions, how lasting relationships change collaborations, how much of his world is comics, Spectators' evolving covers, the approach to Spectators, writing a graphic novel, the book's origins, Niko Henrichon's art, how they figured things out, his predictive powers, risky approaches, the Exploding Giraffe community, where Saga is, the evolution of Fiona Staples, finding new readers, when he knew writing would work as a job, and more.

Comics critic Oliver Sava joins the show for the eighth annual Superhero State of the Union, as we dive deep into worlds of DC, Marvel, and beyond. Sava and I discuss our overall takes on superhero comics, corporate synergy, what's leading to DC's success, editorial vision, art as proof of concept, the Absolute line, hero families, Big Two digest editions, the DC/Marvel crossovers, where Marvel is, the lack of energy in the line, the current Fantastic Four book, saying nice things about Marvel, how we would fix Marvel, superhero comics outside the Big Two, and more.

Writer Ed Brubaker joins the show to talk about Criminal the show and the comic, particularly the latter and its new graphic novel release The Knives. Brubaker discusses showrunning the Criminal show, getting back to his roots, surprises from the experience, having two versions of Criminal in his head, adapting his own work, how present he is in The Knives, why they returned to Criminal, the different narratives in the book, the nature of its characters, the cast's journeys, the connection his comics have to his life, working with Sean Phillips, how making comics feels, how much the comic space has evolved, a new Criminal single issue, emphasizing the back catalog, finding new readers, and more.

Cartoonist Jesse Lonergan joins the show to talk about his current mix of projects and his just released graphic novel, DROME. Lonergan discusses managing workflow, the roots of DROME, pushing your approach, the book's title, its archetypal nature and cast, who he is versus what he does, his fit in comics, what he cares about the most, simple machines, outside influences, working with writers, figuring out the Mignolaverse, the impact of reviews, pushing in different directions, and more.

Artist Nicole Goux joins the show to talk about her career and her upcoming graphic novel, This Place Kills Me. Goux discusses the other parts of the job, how far ahead she's working, the importance of mixing it up, drawing digitally, her relationship with drawing, when comics entered the picture, figuring out what she wanted to do, convention life, how different projects and publishers feel, opportunity cost, age bands, the origins of This Place Kills Me, working with Mariko Tamaki, how they worked, her preferred method of working, learning from projects, character design, creating for herself, what keeps her excited about comics, and more.

Writer Mariko Tamaki joins the show to talk about her career and her upcoming graphic novel, This Place Kills Me. Tamaki discusses what she works to, the value of editors, her own editing at Surely Books, learning from artistic partners, the wide world of comics, getting into comics, the biggest things she's learned, different approaches for different formats, collaborative processes, giving artists space, attribution, the origins of This Place Kills Me, the collaboration behind it, the book's lead, outsiders as leads, the music of the book, characters that surprised, Ally Sheedy's impact, finding the right mix, and more.

Writer/artist Kyle Starks joins the show to talk about where he's at these days and his upcoming slate of projects. Starks discusses the merits of San Diego Comic Con, his approach to cons, his past few years, comics marketing, back catalog releases, how the moment feels for original comics, Where Monsters Lie's next phase, not letting stories go, Kickstarters, diversifying how you're viewed, Devil on my Shoulder's intensity, what inspired the story, his upcoming Image Comics series WrestleHeist, drawing his own comics, his quiet year, and more, before we close with some serious business NBA talk at the end.

Writer Robert Kirkman joins the show to talk about his wild ways in the direct market and work on comics like the upcoming Skinbreaker and Transformers. Kirkman discusses his feelings about San Diego Comic Con, a typical day for him, the Skybound side of things, his unconventional approach to the direct market, the impact of experimentation, paying attention to the market, creating vs. connecting, why the Energon Universe worked, building excitement, learnings from the Invincible show, the magic of comics, David Finch's work on Skinbreaker, how he built that series out, the unique collaboration on that book, his love of working with artists, creator-owned comics, the possessiveness of fans, taking over Transformers, how he's approaching it, 2025 in comics, the evolution of comics, and more.

Writer Si Spurrier joins the show to talk about his views on comics and his work on comics like The Flash and the upcoming The Voice Said Kill and A Mischief of Magpies. Spurrier discusses his departure from The Flash, how sales impact how creators are viewed, trying to be different, the power of support, ideas, how he's doing these days, the nature of single-issue comics, his European lens, the origins of The Voice Said Kill, its atmosphere, Vanesa Del Rey, the power of repeat collaborations, portal fantasies, his creative process with Matías Bergara, what an ideal mix looks like for him, and more.

Writer, artist, and newsletter impresario Chip Zdarsky joins the show to talk about his world (and the wider world) of comics. Zdarsky discusses the notoriety of Zdarsky Comic News, the work that goes into it, its Eisner Award nomination, learnings from reading manga, what ZCN and Mangasplaining offer him, the origins of White House Robot Romance, its odd timing, the impact of colorists, recent changes to his process, working in the DSTLRY format, the importance of risk taking, figuring out his approach, how reader expectations factor into his thinking, his approach to Captain America, the appeal of bigger stories, how Marvel and his position there has changed, how he figures out which projects he takes on, Comic Comps Con, and more.

IDW's Group Editor, Licensing Heather Antos joins the show to talk about the life of an editor and her work on the Star Trek line. Antos discusses what a typical day is like for her, her varying hats, casting roles on projects, her comic origins, the capabilities of comics, whether her job has changed how she feels about comics, her interest in story, how she made her way into comics, her first editorial project, the power of communication, the project she learned the most from, the project that was the most fun, who she learned the most from, the licensing side of IDW, her vision for the Star Trek line, building out its creative lineup, managing fanbases, finding things for yourself, and more.

Cartoonist Tillie Walden the show to talk about the her past few years and her soon-to-complete Clementine trilogy over at Skybound Comet. Walden discusses the disparate audiences for the Clemetine series, atmosphere, going outside the box, how tools define an artist, tapping into the right energy, her extremely busy recent stretch, learning on the job, her plan for Clementine, dealing with trauma, the different levels of working on a property, her creative process, Clementine as a focus, the character's fanbase, the evolution of how she sees the character, how her experiences affect how she feels about her books, how her recent projects changed her as a person, and more.

Co-writers Ethan S. Parker and Griffin Sheridan join the show to talk about the comics podcaster to comics creator pipeline. Parker and Sheridan discuss their comic origins, the way they work together, how they think about story, their first collaboration, the origins of their partnership, experimentation, how they ended up making comics, idea generation, working on licensed comics, the power of restrictions, working with editors, debut release anxiety, whether they're still figuring themselves out, operating during a time of chaos, what the future holds for them, and more.

Retailer Eitan Manhoff joins the show to talk about the year in his shop Cape and Cowl Comics and the year in the direct market. Manhoff discusses how his role has changed, how the year has been in his shop, what's driving things, success spreading to other titles, the sustainability of the moment, customer interactions, adjustments he's had to make, the impact of available space, when things changed for his shop, the original/creator-owned side of comics, Deniz Camp's moment, the impact of micro lines, challenges from the year, Diamond Comic Distributors' bankruptcy, its impact on other product lines, what should be learned from the moment, the Eisner judge experience and more.

Cartoonist Gabriel Bá joins the show to talk about his career and the upcoming The Umbrella Academy: Plan B. Bá discusses the build up to new releases, the past few years for him, whether that stretch has changed him as a creator and storyteller, San Diego Comic Con's impact on his journey, how his career and what he wanted from it evolved, following new directions, co-writing The Umbrella Academy: Plan B, Gerard Way's artistic background, script flavors, the differing approaches he and Fabio Moon have, learning about art, his art across the years on Umbrella Academy, the joy of the series, what keeps him excited about comics, and more.